All language subtitles for House of Secrets 1956

Heat.

Heat.

Heat. [music]

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Heat.

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>> [music]

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>> Heat. Heat.

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>> Heat.

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Oh,

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heat, heat.

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>> Heat. Heat.

No,

contact.

Well, it is as perfect as if it were

genuine. Its detection by any normal

means would be impossible. Paper such as

this is as dangerous as high explosive.

>> We're well aware of that.

>> To what action are you taking about it?

>> We're following every lead we have.

We're on to some of the gang right here

in Paris.

>> So, why haven't you arrested them?

>> We don't want to stir up the pond until

we get our hands on the big fish.

>> We must take men and money together.

Unless we capture both simultaneously,

the other remains equally dangerous.

These are no ordinary criminals.

>> They would need considerable finance to

produce British banknotes of this

quality. Can that be traced?

>> It comes from abroad and by some means

they have access to gold.

>> How do they import it?

>> We suspect a courier brings it in by

sea. How he smuggles it into France, we

have no idea.

>> This is one of the couers.

He's in the vicinity of Marseilles at

the moment.

Steven Chancellor, what is he doing in

Marseilles?

>> That, my dear fellow, is what we hope to

discover.

>> If you're going ashore, you better go

now. But be back before midnight. Sober.

>> We're sailing at 2:00 a.m.

>> Okay, Captain. What do you think could

possibly keep me in Mar? Just about any

skirt that gives you the eye.

Monte

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>> [music]

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>> is here. Give me a beer. Yeah.

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Why did you come here? We expected you

to meet us at the Sulino. All right.

Perhaps I misunderstood you. We both had

too much to drink last night, huh?

>> You're still drunk. There's no need to

be so careful. I appreciate it, but it's

unnecessary. You seem to appreciate a

lot that I don't. Go on, try the next

table.

I haven't got time to waste. It's all

there. Gat says for you to bring the car

to turn on tonight. The rest, you know.

>> [music]

>> Hey, what is this?

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>> Heat. Heat.

What?

>> Well, if you mean the money mine, the

answer is no. I don't know anything

about it.

[laughter]

Name?

>> Ellis. Larry Ellis.

>> Occupation.

>> It's all there in my papers.

>> Answer the questions, please.

Occupation.

>> Ships's officer. My ship's in the harbor

now.

>> Where did you get this money?

>> Look, I've told you all there is to

know. The money was dumped in my lap.

Don't ask me who by now how you've got

it. As far as I'm concerned, that's the

whole story.

>> You are aware that the possession of so

many pounds is illegal.

>> I have heard so.

>> Yet you did have them, did you not?

>> Quite.

>> Quite.

>> All right. I agree. It needs explaining.

But there are the people there. They saw

the man give it to me.

>> That is hardly the point. The point is

why did he give it to you?

>> [music]

>> right [music] now. We can begin at the

beginning. Mr. Chancellor,

>> my name isn't Chancellor.

>> No, of course not.

The cleat.

Heat.

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Heat.

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>> [music]

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>> Thank you. You can leave it to us from

now on.

Please come and sit down. Look, just get

this straight. I don't know who you

think I am, but I've been pushed around

enough, and I don't intend to take much

more. Just sit down. There's a good

chance.

>> I never saw anything like it. If it

wasn't for the other evidence, I'd have

said yes right away.

>> Must say, you certainly didn't hesitate.

>> It's such a fantastic idea. It might

work. Shall we try and see?

cigarette.

>> I'd rather have an explanation.

>> I'd take a cigarette as well if I were

you.

>> You think you've had a pretty rough

deal, don't you?

>> Why don't you get to the point? What is

this place?

>> This is the Criminal Investigation

Authority. Perhaps you've heard of us.

>> Yes. International Cops, isn't that it?

>> You might say we're Scotland Yard with

the United Nations touch. Oh, sorry.

>> Now, the first thing is we know you're

not Chancellor.

>> No, no, just sit down.

>> Well, I'm glad you're catching on.

>> But you do look like him. Your nose, I

would say, is a trifle smaller, and

we'll need to do something about your

hair.

But otherwise, you'll do.

>> What do you mean I'll do?

>> If you can fool the man who gave you

that money, you might fool anyone, and

we can use you. Use me for what?

>> To replace the Steve Chancellor and a

gang here in Paris. You find out who the

leader is. We'll take over from there.

>> Oh, no thanks. I've got a job and I

don't want to lose it.

>> You won't lose it. I guarantee that.

We're in touch with the ship.

>> We won't need you for long.

>> But you'll make more than you would in 5

years at sea.

>> We have a plan all laid out for you and

it should be foolproof.

>> If it isn't, I get a belly full of lead.

No, thank you.

>> Are you afraid, Mr. Ellis?

>> It's not a question of fear. It's just

good sense.

Look, I'm healthy. I've got no problems.

Now, why should I stick my neck into a

trap like this?

>> Suppose you were in England now and

somebody gave you this. What would you

do with it?

>> Spend it.

>> That's right. It's £5. You know, it'll

buy so many cigarettes, a certain number

of drinks. The only snag is this note

isn't worth anything. It's a fraudgery.

But a forgery so perfect that any normal

means of detection are impossible.

Take my word for it. Is this what I was

giving him? Mar say?

>> No, they appear to have been the real

thing. My guess is our Mr. Chancellor

was doing a little business on the side.

I have it back if you don't mind.

>> Let me ask you something else. Have you

ever been a blood donor?

>> Yes, during the war.

>> Why?

>> Oh, how do you mean why? There happened

to be a man who needed blood. He'd have

died otherwise.

>> We're asking you to be a donor on a

larger scale. A lot of lives depend on

you. With your help, we might, just

might, save those lives.

>> I don't follow.

>> This note is the forerunner of a great

many like it. We know of a group of men

who have planned a scheme to let loose a

sudden flood of millions in the currency

of Britain, France, and America. We need

your help to formall them.

>> Whose lives am I supposed to save?

>> I don't think you realize the

implications of counterfeiting on a

scale such as this, Mr. Ellis. Remember

Germany after the first world war? The

people had enough money to paper their

walls, but not enough to buy a roll of

bread. Inflation. Inflation of fantastic

proportions.

>> It would destroy the faith of millions

of people in their security, their

governments, and even their way of life.

If this means nothing to you, we'll fly

you back to Marseilles. The ship hasn't

sailed.

All right. Suppose I accept all this.

You want me to pose as this uh

chancellor. You think I can get away

with it? But if the positions were

reversed, if he stepped into my shoes,

my friends had spot him in a flash. The

way he acted, what he talked about,

everything. Well, the same goes for me.

Hasn't he got any friends? Don't tell me

there isn't a girl around somewhere.

>> There is a girl.

And she's here in this building. See

her? Try it out.

>> Alone?

>> Yes. You've nothing to lose by it. She's

quite a pretty girl. Go into that room.

I'll have the girl brought in. Her name

is Judy Anderson. Now, just a minute.

This is a one-way window. From the other

side, it appears as a mirror. The girl

will join you in a moment. She'll expect

you to kiss her, and we'll abide by her

reactions. Fair enough.

>> All right. But I can tell you now, it

won't work.

>> We'll see.

Steve,

>> what are you doing here?

>> Let's get him out of it. I think we've

made our point.

Take Miss Anderson back.

>> All right, I was wrong. Maybe I can pass

with people who know Chancellor, but

there's still one person who isn't going

to be fooled.

>> Who's that?

>> Steve Chancellor.

>> A good point, Mr. Ellis. But if you come

with us, I think we can settle that one,

too.

Have the girl join us. We'll get it all

over in one go.

Now, do you understand Mr. This

>> Mr. Ellis,

>> I'm sorry about the shot, Judy.

>> How did it happen?

>> He was killed in a car crash this

morning driving north from Marles.

>> Our men were tailing him. They got there

first and brought him and the car into

Paris.

>> Yes, I can begin to see daylight now.

But what about the young lady? Where

does she fit in? Miss Anderson works for

us. Acting under order, she made herself

a close friend of Chancellor, using him

to get information about the gang. All

right now.

>> Yes, thank you.

>> You see, Judy, we had to fool you first

if we were to fool anybody.

>> Just took my breath away. I'm all right

now. Tell me the rest.

>> Nobody else knows he's dead, and nobody

else will know

if Mr. Ellis goes along with us.

>> I see.

>> Can I ask the young lady a question?

>> Yes, of course.

And now that we all know, I want you to

take another look at me. A close look.

Now tell me, tell me straight. How good

is it?

Well, it's it's still pretty good.

Hair's quite different, though. But the

eyes are the same color. Not quite so

clean shaven. And of course, the voice

isn't right.

>> We could fix that. Anything else? Well,

I was taken in the first time with with

a little work if you did things to the

voice.

Yes. Yes, I think you would get by.

>> You're quite sure? Oh,

>> sure as anyone can be, Mr. Ellis.

>> Can I talk to you two alone for a

second? Excuses.

Look, uh, I don't want to be callous,

but what are you offering for all this?

>> You name it. I might make the wrong

guess. Would 5,000 be about right.

>> Dollars or pounds?

Pounds.

All right. When do I start? You have

already in Mar.

That's their Paris HQ owned by a man

named Lauder.

That's him now, the bareheaded one. The

other man is Pinda. Smooth but tough.

There's a better shot of Labark in a

minute.

Take a good look. By all accounts, he's

pretty high up in the syndicate.

>> Did Chancellor ever meet him?

>> Not that we know of.

He seems to lie pretty low and leaves

the dirty work to Pinda.

There's Chancellor. Watch his mannerisms

closely.

Binda

and Brandelli, another of nature's

noblemen.

>> How is this stuff shot?

>> From a parked car, mostly using a

telephoto lens.

The shot you're looking at now concerns

you directly. We now know that this was

Chancellor's main job, fing in new cars.

He was on the fourth when he was killed.

Smart work of the newspaper.

Judy, you recognize?

>> Notice the way he takes a cigarette.

Little things like that are going to

count.

>> I keep telling you I've got important

business in Marseilles.

>> Very sudden, isn't it?

>> I'll only be gone a day. Why will the

third

>> Oh, no. You're talking too fast.

>> Don't worry, it'll come.

>> I'm glad one of us thinks so.

>> Listening.

>> I keep telling you I've got important

business in Marseilles. It's very

sudden, isn't it?

>> I'll only be gone a day. Why all the

third degree?

>> How's the voice production?

>> Not too bad.

You might as well deal with this now.

These were personal effects found on the

body. I've had the keys labeled for you.

Memorize what they're for and then

destroy the labels.

>> Now, examine the note carefully. Look

for three particular faults in the

printing. They are purposely engraved

like that to make forgery difficult.

Now, I'll go over them one by one.

>> Get a lot of those bedroom curtains.

They're enough to drive any man to

crime.

>> I chose them.

>> Yeah.

Where's the fire exit?

>> Here.

>> Did you ever use it?

>> What do you mean by that, Mr.

Chancellor?

>> The name's Larry.

>> No, the name's Steve. How many more

times?

I

>> never as down with your back to a door.

>> Don't worry. How

>> How do you feel now?

>> Oh, just about confident.

>> Good. They think it's about time Mr.

Chancellor made his reappearance. As it

is, there's quite a while to account

for. Well, maybe I was shaken up in the

crash.

>> I don't think that'll satisfy

Chancellor's friends. We're going to

have to shoot you.

>> Shoot me?

>> Only a flesh wound.

>> Our doctor will do a very neat job. No

discomfort.

>> And no discomfort to you, maybe.

>> There shouldn't be any snags. Per's been

tipped off, and it's fairly certain

they'll try and get you out of the

hospital tonight. By now, they must be

very anxious about the car. We

discovered it has some very unusual

features.

>> You'll understand when you get a close

look at the fittings, the door handles,

and the bumpers, etc.

>> I must remember to try and look

surprised.

>> Nothing you want to go over again?

>> No, I don't think so.

>> You're sure about your code name for

contacting us?

>> Uh-huh. Belgrade and you're Geneva?

>> That's it.

>> Well, here we go. Good luck.

What do you want?

Grandi sent me we want to know where the

car is.

>> I'll tell him Aaron boy, not you.

>> Tell me. And now

you tell me something. Where's Brand

Deli?

Outside. Get over there.

Uh, take your clothes off. What for?

They took mine, so we're exchanging.

Come on, shed them.

What happened? He tried to lie out of

it.

>> No, he walked out.

Next time you send a mug for me, you

come yourself.

>> Where's Max?

>> Who cares? Come on, let's go, shall we?

>> You didn't have to pull this. We came to

get you out.

>> Yeah, with this. What's the idea?

>> I'll ask the questions. Where's the car?

>> Don't worry, Brando. It's safe.

>> It better be. Pinder's mad enough to

kill you.

Go ahead, Steve. Don't leave anything

out.

>> The police started to tail me outside

Phantom Blow. I tried to outrun them,

but they shot me.

>> Go on.

I managed to keep the car on the road

and lost them, but I had to ditch. I was

losing blood.

I got to a telephone and called a man I

know in fond of blow. He uh owed me a

favor. Before I passed out, I told him

where to find me. And the next thing I

knew, I was lying between sheets in that

hospital.

>> That is not the part that interests me.

>> Finish the story, Steve.

>> What do you mean finish it? I didn't

tell them anything. I was the victim of

a hit and run driver. See

>> the car, Steve? Where is it?

>> In the garage on the Ruafette. My friend

brought it there by truck. The name's

listed under Duchene in the telephone

book.

>> Go and check if it's there.

>> It's there. All right.

>> Have it over at our place first thing in

the morning.

>> Make yourself comfortable, Steve. You

are not going anywhere tonight.

seems to be checking out all right.

Both of you a little bashed up, but

otherwise as good as gold.

You see now why I was so anxious. You

thought it up. Delivery boys don't ask

those questions.

>> They don't get shot either. What do I

have to do to prove myself to you guys?

Jump off the Eiffel Tower?

>> No, just don't try to widen your sickle

of friends. Don't tell me you think I've

got friends. You are smarter than I

thought, Chancellor. Much smarter.

Do you need any money?

>> I'm not proud.

Here, I'll call you tomorrow. Now, go

home. I don't need this much. Take him

home.

Hey,

we got a big job coming up soon. I don't

know what it is, but Pinda's getting

nervous. That's always a sure sign. You

heard anything?

>> No, but I'm not interested.

>> Just like you are not interested in that

Anderson name, huh? meeting.

>> You know, right? If you want my advice,

you'll drop her. She's not Pinder's

type.

>> Sorry to hear it. I'll be seeing you

>> naturally.

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Yeah.

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Heat.

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Heat. Heat.

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I'm glad to find you at home, Mr.

Chancellor.

>> Oh, nice of you gentlemen, to call my

first evening back. I'm touched.

>> We thought you'd appreciate it.

>> Now, let's head it. Where's the car?

>> And make it sound good. Otherwise,

you're going to wake up in the river

with a fish looking at you.

>> All right. So, I haven't got the car. I

ran into some trouble with the police

that night. Pinder got me out of it, so

I had to let him have the gold.

>> Well, how does that sound to you?

>> I am falling asleep, Mr. Gratz.

>> Tell it to us again, but make it more

interesting this time. I like stories

with happy endings.

Once with shoe boxes in them. Shoe boxes

full of money.

>> The money is quite safe.

>> Where is it?

>> I haven't got it here.

You're not tough. You just think you're

tough.

>> Now, where's the money?

>> Think quickly, Mr. Chancellor. He loves

making up unhappy endings to other

people's stories.

>> Expecting anybody?

>> No.

Darling, you didn't tell me you were

going to be busy. I've invited the

others along. They'll be here any

minute.

>> That's all right. I think Mr. Gratz is

just leaving anyway.

>> Yes, that's right. Um,

I'll take the shoe box with me if you

don't mind.

>> I've told you it's not here. I'll have

to get it for you.

>> When?

>> By tomorrow. Will you call here for it?

>> No. Come to the shop tomorrow afternoon.

>> Okay.

I'll be looking out for you.

>> Friends from our sales.

>> Yeah, the hungryl looking one is. He

dumped the money in my lap. Never laid

eyes on Gratz before.

>> Looks like Chancellor's life was more

complicated than we thought. Did didn't

you know anything about this double

cross?

>> No.

>> And Pinda suspects it. If he ever gets

confirmation I'm a dead duck.

>> Just have to give Gratz his money back.

Pity.

>> Where's the shop he was talking about?

>> That's the $64 question.

>> We'll sort it out. Don't worry.

>> I am worried about you, too. Randel's on

to something. He warned me to keep away

from you. Any reason?

>> No, just that you weren't Pinder's type.

>> Well, [laughter] that's a point in my

favor.

>> I'd watch it, though. They're playing

for pretty high stakes.

>> And are you going to keep away from me?

>> Not this evening. I thought we'd go and

have something to eat.

>> Is uh that a social invitation or do we

pull expense accounts?

>> No, this is on Pinda. Thanks to him,

we're loaded.

>> Then I'm very hungry.

>> Price. Guess I must have paid for these

things. You'd think they'd make them

fit.

>> H Maybe they just need stretching a bit.

>> Hey, take a look at this.

A $64 answer.

I'd like to see Mr. Gratz personally. Of

>> course, Mr. Chancellor. Just a moment.

>> Good afternoon, Mr. Chancellor.

>> All right. What do you want me to do?

Uh,

>> you have come for a tryon, I take it.

Will you sit down, please?

You have the money?

>> I shall by tonight.

>> I should call on the girl at 12:00

tonight. You'll be there.

>> Which girl?

I said which girl?

>> I'm only interested in one girl.

That was part of the deal. Or have you

forgotten?

>> No, of course not.

>> That comfortable?

>> Well, it feels a little tighter than

usual.

>> Try the other one.

>> No, don't bother.

Expect my feet are a bit swollen.

>> I'll see you tonight.

>> Good afternoon, Mr. Chancellor.

>> Andre,

have these checked on Mr. Chancellor's

last? I'm not too happy about the fit.

Heat.

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Heat.

Did

>> Judy tell you about our visitors last

night?

>> Yes, but there's no connection with the

counterfeit gang as far as we know.

>> So, you're right about Chancellor Double

Crossing Piner.

>> Looks like it. Gratz would be in the

market. He runs a gold smuggling racket

here in Paris with a shoe shop as a

front.

>> Yes, I know. I just came from there.

Bratz wants his money back.

>> All right, we'll get it to you.

>> There's a snag.

He said, "Meet me at the girl's place."

Question is, which girl and where?

>> What time is the meeting?

>> 12:00 tonight.

>> Be at the Bar Napoleon at 11:00. Judy

will be there with the money and the

information. You'd better move on.

Get in.

>> Come on. We are late enough already.

>> Where are we going?

>> We are moving up in the world, but don't

think it's going to be permanent.

to get it out there.

We were delayed, Anthony. I hope we

haven't kept you waiting.

>> No, not at all.

>> This is Steve Chancellor, Mr.

Louderback.

>> Glad to know you, Mr. Ladderback.

>> So, you're the fellow who delivers our

cars.

>> And not always on schedule, I'm afraid.

>> No, but uh you kept your head. That was

the important thing.

Madame, I didn't know we were going to

have the pleasure of your company.

>> No. Well, what fun is there without a

girl around?

>> My dear Zabella, this is Mr. Chancellor.

Madame Bali.

>> Chancellor?

When were you born, young man?

>> April.

April 16th to be exact.

>> 16. 617.

Not bad. So, you are seven, eh?

Tell me, do you like the sea?

>> Yeah, if somebody else is paying for the

trip.

>> I knew it. Sevens always do.

>> Madame Bali is a numerologist. Of

course, if she doesn't like your number,

then it's uh up, so to speak.

>> Nonsense, Anto. I'm just never wrong,

that's all. Sevens are lucky, too. But

they are not always clever at money

matters. What have you to say to that,

Mr. Chancellor?

>> Can't complain so far.

Geneva here. Go ahead, Belgrade.

>> Look, uh, things are moving fast. Too

fast for me.

>> What's happened?

>> After I left you, Pinda took me back to

headquarters. I met Louderback and a

woman called Madame Baloo.

>> We know about her. There's nothing to

worry about there.

>> I got to go back for another meeting at

9:00 this evening. I think they're

chewing over some kind of new

proposition for me.

>> That's fine. We've got one for you, too.

Come here at 7:30. I make sure you're

not followed.

>> Right. You can give me the money and the

dope on Gratz's girlfriend then.

>> No, Judy's handling that and there's no

way of contacting her in time. You'll

have to meet her at the barnapoleon as

arranged.

>> Check.

>> The only thing that is holding the

syndicate up so far is their failure to

transport the special paper they need to

their printing press.

>> Where is that? Inside France somewhere.

The paper comes from abroad.

We got this load on the Franco Swiss

frontier. They tried to make a run for

it.

Another attempt.

This was a more subtle approach. They

tried shipping the stuff in in book

form, dummy encyclopedias.

They even tried flying the stuff in, but

they couldn't quite beat the problem

even then. Unless a plane lands on an

airfield, it's pretty conspicuous. And

so far, they haven't fancied using

scheduled airlines.

>> Sooner or later, they will find a way to

bring it in.

>> And when they do, it will go straight to

the presses.

>> Exactly. So, we'll make sure it comes in

our way and in our time, and that Larry

goes with it. So, you have two things to

do. Find out the brain behind the

conspiracy and sell our scheme to get

the paper to where they want it.

>> What is your scheme? suggest to them

they bring the paper in by plane to the

airport nearest the presses. They'll

point out the snag I mentioned just now.

How to get the paper off the airfield

unobserved. But we've taken care of

that.

>> You mean uh just turn a blind eye.

>> I smell that one.

I want you to look at another picture.

See if you spot anything unusual about

it. Examine it carefully. The plan's all

there.

How soon do you think you'll be fit for

the next trip? Well,

>> I'm ready now if it comes to that, but

uh I don't think we should try the same

stunt again.

>> Are you down, eh?

>> No, it's too risky. Suppose the police

had found the car. One look at those

soft metal bumpers and that would have

been it. If you don't mind my saying so,

I think you'll have to find something

really different.

>> Do you have any suggestions?

>> Just a vague idea at the moment.

>> Don't waste madam's time. You either

have or you haven't.

>> Julius, be quiet. Go ahead.

>> Just I had time to think while I was in

hospital.

>> Ah, you're like me. I do all my

important thinking in bed. That's why I

look so young.

>> And I was toying with the idea of using

a plane. Does that seem crazy to you?

>> I've gone into old.

>> What do you think we want to move that

requires a plane?

>> I don't know. But assuming it's gold,

why dribble it over with a plane, one

trip, and the rents paid for years?

>> What do you think, madam for? Don't you

think she hasn't examined that idea

already?

>> Julius, I shan tell you again.

Airports are busy places. They have a

lot of nosy people around.

>> They also have a lot of people doing

special jobs. Jobs they take for

granted.

>> Are you thinking of one in particular?

Now, what happens when a plane lands,

assuming it's going on somewhere else,

refuels, right? Petrol tanker drives out

in the tarmac, couples up, and goes to

work. Nobody's surprised.

>> Go on.

>> So, our plane comes in. Everything

normal. He's come down to take on fuel.

Tanker goes out. Just routine stuff.

Only difference is it's our tanker, too.

rather special model. Petrol at one end

and a nice big storage space at the

other. Nothing could be simpler.

>> I like it. I like it very much. What

about you, Anton?

>> It has possibilities.

>> He likes it. As far as I am concerned,

Anton, the scheme is workable. I shall

expect you to attend to the details. We

will all meet here in the morning. have

something ready to show me. I want you

for a moment.

>> He's too smart to live.

>> Steve,

I'm going to call you Steve from now on.

You made me reconsider my opinion of you

tonight. Before we met, I didn't like

the sound of you. I believed you were

guilty of double dealing.

I might have thought about it, but uh

never had the opportunity.

>> That is Frank, but I know that you did

have the opportunity.

I have only this to say. Don't ever make

any such mistake with me.

Not one.

>> Any man who tried to deceive you,

madame, would be very foolish.

>> Go home now and get some rest. I'll see

you tomorrow.

Good night. All

right.

[music]

You

>> waiting for someone?

>> Yes, since you asked. I'm Mr.

Chancellor.

>> I do for the time being.

>> That depends on [music] how you behave.

>> I won't do anything, Mr. Chancellor.

Wouldn't

get you a drink. What do you think I'd

have?

>> Let's see. You look like the parano type

to me.

>> Huh? No.

>> And you?

>> Same.

>> You're taking a risk talking to strange

men.

>> That's all right. I get paid for it.

>> I tell you something. You don't get paid

enough.

>> No, [music]

>> I'm serious now.

>> Don't get serious. It's out of

character.

>> Oh, forget that for a moment. This

setup's too dangerous for a girl.

>> Look, it's a job. A risky job, maybe.

>> [laughter]

>> I've said it.

>> I think you should get out now.

>> Well, what should we drink to

>> to things? Cuz they aren't.

>> I'll buy that.

[music]

>> Now that fixes us. Now, uh, who's the

girl?

Well, if our checkup is correct, the

girl that Grat is after is a singer

called Diane Gilbert. She's playing at

the club Paramore.

>> Where did Chancellor fit in?

>> Steve went around with her for a while

and something happened to break it up. I

believe that he introduced her to Gratz.

>> She must have loved him for that.

[music]

>> Now is your chance to try out the

Chancellor Charm.

>> Why just walk in unannounced, huh?

Suppose she throws me out on site.

>> This will help. [music]

A typical Steve gesture.

He

>> gave this to you?

>> Yes. And it got him exactly nowhere.

>> Extravagant of him. Must have cost a

packet.

>> Oh, he was always generous with other

people's money.

>> You haven't got much time.

>> Okay. Well, you're seeing him.

>> Wait.

>> Huh?

>> Don't go without this. Thanks. You're

forgetting my own name. Next.

[music]

[singing]

[music] Foreign

[music]

speech. Foreign speech. Foreign speech.

Fore!

[music]

Foreign! Foreign!

[music]

[singing]

Parisia. [music] Yeah.

[music]

>> [music]

[music]

>> Oh master.

>> [music]

>> Now, don't get excited.

>> Get out of here.

>> Look, honey. Whatever I did, I'm sorry

for. I came to apologize. [music]

>> I told them not to let you in here

again. Please go.

All right, if that's what you want, but

uh I [music] want you to take this

anyway,

then I'll go. Go ahead, open it.

Uh, read the words.

>> Love from Steve.

>> Not very original, I grant you.

>> You sure this is for me?

>> Of course. [music]

>> Just my suspicious mind, but my name

doesn't happen to be on it.

>> I thought the sentiment was more

important.

>> [music]

>> Well, that wasn't quite like the other

times.

>> Not all the times.

>> When I kissed you.

>> Oh, [music]

>> I've missed you, sweetheart.

We [music] uh we had some good times

together, didn't we?

>> Yes.

Do you remember the Sunday on the little

train in the B? Never been the same

since.

>> The wind blew my hat off, remember? And

you got off and chased the train.

>> What a day that was.

>> Who are you?

>> What do you mean, who am I?

>> You look like him, and those are [music]

his clothes. But you're not Steve

Chancellor.

>> What is this? A gag or something?

>> I'll admit you had me fooled for a

while, but you made a few mistakes.

Steve has never kissed me in his life.

All he wanted was to pass me off on that

fussy gratz. I've never been in the

barber with Steve. We never rode on the

train and I never lost my hat.

>> Need I go on? [applause]

>> No, I guess that's enough.

>> Then who are you?

[music]

>> Didn't he tell you I was coming, my

dear?

>> Here's what you came for. Count it and

then get out. [music]

[music]

I take your word that it's all here.

Though things are not always what they

seem,

are they, Mr. Chancellor?

I wouldn't know.

>> I think you do. [music]

When are they sending you to Marseilles

again?

>> That's my business. No, we are in

business together now.

>> Since when?

>> As of today,

you can do a lot better with me than

with Pinda.

I know more than he does.

Don't you think?

Tell me, my dear, have you noticed any

changes in our mutual friend since last

we met?

Ah, then you have. But of course, it's

very hard to fool a woman.

Well, you can speak freely now.

Are we partners?

>> Yes. All right. Who else knows?

>> Not a soul. This is too good to share

with everybody.

>> And now, Mr. Chancellor, that'll be all.

Thank you.

>> We both leave together, Mr. Gratz.

Well, I forgot to tell you.

I'm the senior partner. [music] From now

on, you take orders from me. Good night.

>> I think Miss Gilbert would prefer me to

stay.

>> Very well then.

Excuse me, my dear.

>> Who are you calling?

>> Just a friendly word of warning to Mr.

Pinda.

I think there are certain things which

you ought to know.

Heat. Heat.

Heat.

[music]

Heat.

>> [music]

[music]

>> his neck's broken.

>> What are you going to do?

>> You're going to have to trust me a lot

and not ask questions.

This is Odian 7735. Clear for Belgrade.

What do you want from somebody?

>> Belgrade calling Geneva.

>> Go ahead, Grace.

>> I want uh two men, a van, and something

big enough to take a body. Club Paramore

stage door, Miss Gilbert's dressing

room. Make it fast. Huh?

>> You must get the police.

>> I just called them.

You better get that off.

>> That's all right. It comes.

>> You do as I say. This is Mario.

That's all it is. I've forgotten.

[music]

Grand I see.

How much does this young woman know?

>> She knows I'm not chancellor, but that's

all.

>> That's enough. I'll take her with me.

>> What does he mean?

>> She can't do any harm. Surely,

>> don't argue. She's in this up to her

pretty ears. You know her Madame Baloo,

I believe.

>> Oh, yes. She's my aunt.

>> You see, don't worry. She'll be taken

care of. We'll think up a story for a

temporary disappearance. [music]

You're nearly ready.

Get your things together.

>> What if I refuse?

>> Please don't make trouble. You got

enough to be going on with.

>> Do as he says.

Andre,

>> good morning.

>> Good morning, Steve.

Well, come in. Don't be shy. You've been

in a girl's bedroom before. Sit down

here. It might help you to concentrate.

No, here. The others will be here in a

moment.

>> Oh, does that bullet wound still hurt

you?

>> Yeah, just a bit. I'll be all right in a

couple of days.

>> Well, I hope we are going to get on well

together. Let me see. You are Aries, the

fire triangle. I am Pisces, water. Oh,

fire and water. They don't mix well. It

usually means trouble.

Andre,

>> good morning, Isabella.

>> Good morning,

>> Mr. Chancellor.

>> Good morning, madam.

>> Good morning.

Just ease my pillows, will you?

Sit down, Steve.

That is better. Now we are all

comfortable. We've been discussing your

idea, Steve. There were one or two

objections,

but we've got over those. You mean you

think it's a good idea?

>> I've decided not to waste it. Shall we

put it that way?

>> Well, I'm very flattered.

>> Of course.

>> Julius doesn't think quite as highly of

it as I do.

>> It isn't that. I have certain

reservations regarding what comes next.

>> Julius here feels that you have come up

in the world too fast.

>> I'll do the talking if you don't mind,

Anton.

You see, Steve, we are a growing

concern. We want to branch out, increase

our activities. We've decided to deal in

something other than gold. Paper.

>> Paper?

>> Is there money in that?

>> Isn't he sweet? You don't know what

you've just said. There's a lot of money

in it, Steve. More than you've ever

seen.

>> I understand.

>> Do you? Not all, perhaps.

But to get back to your plan, it was

just what we were looking for. Now,

please listen carefully. Our

representative in Zurich is at this

moment making the final preparations to

deliver the paper. It will be here on

Friday.

>> So soon.

>> Why do you say that?

>> Well, does that give us enough time?

>> Julius here will answer for it if there

isn't. I've given orders for him to

duplicate the petrol tanker with the

modifications you suggested. You are in

charge of this operation, Steve. He will

do exactly what you say,

won't you, Julius?

>> If you want it that way,

>> I want it that way.

Well, that is all. I think we all have

work to do.

Not you, Steve.

How well do you know a girl called Dion

Gilbert?

>> Not very well. I've met her a couple of

times. Why?

>> Stay away from her.

That is an order.

>> What's wrong with her?

>> Nothing at all. It is you who are wrong

for her.

>> Okay. You're the boss.

>> Exactly.

>> [sighs]

[music]

>> Have any trouble finding it?

>> No, just a bit amazed, that's all.

>> We ordered you a drink.

>> Thanks.

>> Well, Friday.

>> As soon as that, we'll have to move.

Which airport?

>> I don't know yet. Well, get it to me as

quickly as you can. You think Madame

Bellow is the number one?

>> Could be.

>> I am inclined to doubt that.

>> Well, when she talks, everybody jumps.

>> That may be, but I cannot believe that

she is the ring leader. No woman could

organize such a scheme.

>> I tell you one thing, she doesn't miss a

trick. One slip with her and you're

going to find me floating face down in

the sane.

>> The answer is don't make the slip. I'll

have Judy check with you at 10 tonight.

Give her the latest details.

>> I want to ask a favor about Judy. Get

her out. It's becoming too dangerous for

a girl.

>> You think so?

>> I wouldn't say she shared that view.

>> Look, I'm serious.

>> I have no doubt.

>> But girls aren't as fragile as some

people imagine.

>> What about the girl in the club last

night? What happens to her?

>> Oh, we'll hold her in protective custody

until the show's over. After that, we'll

let her go with nothing on her.

>> What do you mean?

>> We double checked everything. No

connection other than being related,

which she can't help. Oh, that's great.

She must think a lot of me.

>> I shouldn't worry about it, Value.

[music]

We'll make her as comfortable as we can.

No bars on the window. After all, it's

for her own good.

>> Oh, sure. We all behave like perfect

gentlemen.

>> I take it we leave separately.

>> Yes, we've got our car.

>> Uh, check with Julie [music] tonight.

Thanks for the drink.

>> [music]

>> All right, let's go.

>> Ro back. Colonel Burley's orders.

[music]

>> That's our car.

>> [music]

>> What the heck are you doing here?

>> I'd rather explain that to Miss Gilbert.

Can I see her?

>> That's out of the question. Ellis, what

makes you think she's in the building?

>> I know she's here and I want to see her.

>> The answer is still no. Come on.

>> Look, this is a personal matter. It's

also very important to me. So important,

I'm prepared to do a little uh

blackmail.

meaning

>> if you don't let me see her, I'll kill

off Chancellor a second time.

Well, come on. You asked a big favor of

me once. Now it's my turn. You're

putting my head on a block. Mine's been

there a long time.

>> Okay, you win. But make it quick,

>> Danielle.

>> Yes, sir.

>> Have Miss Gilbert brought up to the

interrogation room right away.

Go in there and wait for her.

>> You can listen in.

>> Don't worry, I will.

>> It's high time I taught young Mr. Ellis

a sharp lesson.

>> I think your pupil does you great

credit. After all, he only did what

Chancellor would have done in the same

circumstances.

>> I don't suppose I'll have time to say

this properly.

>> If you had all the time in the world, I

couldn't guarantee to listen. Yeah, I

expected that.

>> However, I can't get out.

>> You're not making it very easy for me.

>> Why should I?

>> Because I'm not chancellor and because

I'm asking you to.

>> You haven't exactly made things very

easy for me.

>> I know, but if things work out, you'll

know the whole story. A few weeks ago, I

was in your position, an outsider. Like

you, I didn't ask to be involved, but

now we both are. And I can promise you

that you'll come out of it all right.

But for me, there mightn't be another

time. So that's why I had to see you.

>> What do you mean there mightn't be

another time?

>> Well, I can't explain that now. But

well, if the job I'm doing isn't

successful, if I fail, then a great many

innocent people will suffer.

Now, can't you believe that? And try and

understand.

>> Is it important to you that I should?

>> Yeah, very important.

Where is he?

Who are you?

>> Very touching.

>> Danielle.

>> Yes, sir.

>> Take Miss Gilbert back to her quarters,

then report to me personally.

>> See, miss.

Now listen to me, Mr. Ellis. For the

sake of some personal satisfaction, you

seem ready to jeopardize the whole

scheme. Now just remember this. You're

getting paid for what you're doing. It's

a job. Nothing more and nothing less.

And you'll obey orders like anybody

else. You'll obey one now.

There's a car waiting downstairs. Get in

it and get back to work.

Heat.

[music]

Heat.

[music]

Heat. [music]

[music]

Heat.

[music]

>> [music]

[music]

>> Hello. [music]

>> It's the parano type and it's after 10.

>> You avoiding me?

>> You have the wrong number.

[music] Mr. Belgrade got something here.

Well, great.

[music]

[music]

[music]

>> [music]

>> Heat. Heat. [music]

[music]

>> [music]

>> I thought that was you on the phone.

Steve, come in.

>> What's going on here? Where's Judy?

>> In there.

Go on, have a look,

Judy.

Why?

Why do you think I told you before we

didn't trust her? So the day we found

out what

police

who said so the man who works for us in

the sur

fooled me.

Did you find anything? Yes,

please.

>> What is it?

>> I don't know. Read it.

Is that what you came here for, Mr.

Belgrade?

Heat. Heat.

I don't know.

What happened?

[screaming]

[music]

Jimmy Chevy. [music]

[music]

>> [music]

[music]

[music]

>> It on the phone.

>> Well, great for Geneva.

>> Never mind. Get him.

[panting]

>> Go ahead. Go.

>> I'll listen very carefully. Judy's dead.

>> What? Who's that?

>> Brandi. He's lying in the street

outside. Now listen. What did you do

with the body of Gratz?

>> He's still in our mall. Why?

>> I'll put it in Judy's apartment right

away. Then have the police make out a

report that both bodies, hers and

Gratz's were found there. If you don't

work fast, the whole game's up. This

way, there's just a chance.

>> Right. Leave it to me.

>> I don't believe Steve would do this. He

could never have known that this girl

was working for the Certe.

>> It was not the Cert Isabella. It is some

other organization. That's what

Brandelli went to search for tonight

when Chancellor showed up and killed

him.

>> We've got two men waiting at his

apartment. They'll bring him here. From

there on, leave him to me. I'll find out

who he's working for.

>> Wait, let him talk. What's your story,

Steve? What is this? I've taken enough

beetle for one night.

>> Sure. From Brandelli before you pushed

him out of that window.

>> I didn't do that. It was Gratz.

>> Gratz.

>> He's lying. Gratz wasn't even there.

>> He was. And he's still there if the

police hadn't taken his body.

>> Okay. Don't take my word. Check on it.

>> We'll check. Don't worry.

Just talk.

I got a telephone call from Judy around

10:00. She said Gratz was coming around

and wanted to see me.

>> Was this Judy working with him?

>> Yeah, she rigged the whole setup.

When I got there, Gratz hadn't arrived.

Instead, Brandelli was there. He killed

Judy and was going through all of her

stuff. He told me Judy had been tied in

with the police and that you'd sent him

there to shut her up.

>> Is that right?

Keep talking.

>> Then Gratz walked in on us. When he saw

Brandelli, he thought I'd framed him and

he started to draw. Brandelli rushed him

and Gratz knocked him back through the

open window.

And we had one hell of a fight until I

got a judo hold in his neck and broke

it.

Call our men at the sort.

Hello ring.

>> Hello Jack.

>> Come on.

No.

Well, it checks.

He seems to have told us the truth.

>> Of course he has. When will you idiots

learn to trust the people that I choose?

Hello.

>> Hello.

>> Walter.

>> Yes.

>> When?

>> No. Tomorrow.

>> Splendid.

>> Your counselor.

>> Yes. He will be coming with us.

>> Goodbye.

>> Goodbye.

Our plane leaves Urick tomorrow morning

as arranged. Walter is coming in on it.

>> When does it get into Marseilles?

>> Approximately noon. We leave Paris by

the 10:00 a.m. flight. Air France.

>> All of us.

>> Well, of course. We don't want to miss

the most exciting part, do we?

>> Will we be there long? I mean, uh, do we

pack for a week, a few days?

>> We won't be there very long. Just time

enough to complete the operation. I

promise you, you won't be bored.

>> I'll see to that,

>> Julius, that is enough. Steve is one of

us now, so try and get used to the idea.

Is everything ready in Marseilles? Our

tanker crew know their instructions?

>> Of course.

>> Everything must go like clockwork. Once

the plane is unloaded, we shall be

working on a very tight schedule. I

still don't know what you're talking

about.

>> You will. By this time tomorrow,

everything will be as clear as print.

>> You'd better stay here tonight, Steve.

Anton will fix you up with some of his

things. Come, I'll take you to your

room,

>> Isabella.

Now, why does Steve have to go with us?

>> Because our orders are that he should

>> [music]

>> There's been no change since

>> no m

>> and this man Walter will be there.

>> Yes.

>> Good. Assume the printing press is 5

milesi from the airport. They'll start

the run as soon as the paper's unloaded.

>> Are you watching the time?

>> Yes, he's all right for a minute or two.

>> We mustn't close in too soon. There

mustn't be any slip-ups at this stage.

>> They'll say they get the presses rolling

by 6:00 this evening.

>> Six? Yes, that would be about right.

Now,

>> how long do you want to give them after

that?

>> Not long. Vanderhide reckons they'll

want at least 4 days to run off the

quantity of stuff they need. But we'll

move in as soon as they provided enough

evidence for us.

>> I make it 9:15.

>> The Marseilles police will start closing

the net as soon as they get the map

reference from you. Here's the number to

ring. Memorize it. I'll tell them to

expect a call from 6:00 onwards.

>> You mustn't miss that plane.

>> Have you got it?

>> Yes.

>> Get the information through as quickly

as you can. It must be ABC. Paper

arrives from Zurich. Take him to the

printing press. Presses roll. We move

in.

>> I'm sorry to go on, but it's now 9:70.

>> All right. We've got a car down below.

He can take that. You'd better go down

with him.

>> Any problems?

>> No.

>> Just a few scores to settle.

Well, good luck.

Heat. Heat.

Heat.

[music]

Heat.

I thought she would

What do you think?

>> What I have always thought he is not

reliable.

>> Well, don't just stand there. You two

call his place.

>> Orley airport. Step on it. We haven't

got much time.

>> Attention, please. Mr. Chancellor. Mr.

Chancellor, will you please proceed

urgently to give out your lunch?

>> Hey, which way are you going? This isn't

the way to the airport.

[music]

>> [music]

>> Get out

now, Mr. Chancellor. Where's the money?

>> [music]

[music]

>> Heat. Heat.

>> [music]

[music]

>> There is no reply from his above.

[music]

Attention [music]

please. Air France passengers on flight

number 305 to Mar. Please proceed to

launch number four for immediate

departure.

[music]

[music]

Just a chance passenger.

[music]

Heat

up here.

Walter.

>> Hello, Isabella. Anton Culios. Nice of

you to meet me.

>> Where is the paper?

>> There's been a change of plan, Isabella.

Is this Mr. Chancellor?

>> Yeah. How do you do?

>> What do you mean change of plan? Why

didn't you bring the paper?

>> We don't need it, Isabella.

>> I don't understand. You will very soon.

Excuse me. Is the tanker here?

>> Yes. Fine. Then we'll get over to the

farm right away.

>> What's the use without the paper? What's

gone wrong? I demand to know.

>> This is not the time to demand anything,

Isabella. It's a time to take orders.

The money is already printed.

>> How could it be? Our plans? Your plans

you mean? We at the top had others just

in case of emergency. You know how

thoroughly you work. Have this plane

service and ready to take off in 3

hours. Then join us at the farm.

>> Take off to where?

>> Too many questions, Isabella. I'm

surprised at you. Now then, shall we go?

[music]

>> [music]

[music]

[music]

[music]

>> Where's Steve? Out by the tanker.

[music]

[music]

[music]

>> [music]

[music]

[music]

[music]

[music]

>> Mercy, Jerome.

[music]

[music]

Uh-oh.

[music]

>> Good.

>> Cleber current.

>> I don't think that call will be

necessary.

>> Vanderhide, I should hang up if I were

you. Am I glad to see you? The others

here, too?

>> No.

>> The police do not always arrive on time.

I'm sorry to disillusion you, but

illusions are a luxury, Larry. You must

learn to live without them.

>> Why?

>> No, Larry. Don't spoil it now. You have

been very useful to us so far.

Come, I'll introduce you to the others

properly as Mr. Ellis.

Beautiful.

Walter,

you have a flare for these things.

>> Shall we finish it off here?

>> No, we don't want them to find a body

with a bullet hole in it when they

investigate the crash.

>> You think of everything.

>> Do you have the case?

Yes, of course.

>> How are the others?

>> They're quite happy for the moment.

Curious, but happy.

>> Just run over it once more for me, will

you?

>> It's simplicity itself.

Until the key is turned in the lock, the

mechanism is harmless.

>> Once the key has been turned,

>> they have 20 minutes.

>> 20 minutes.

>> I congratulate you, Walter.

Once this little thing has started to

tick, my worries are over.

>> You mean our worries, don't you?

>> No, Walter.

That is not what I mean.

>> Henrik, we had no idea you'd arrived.

>> Fortunately for all of us, I did not

announce my arrival.

Walter,

what just happened?

>> Is he dead?

>> Yes.

>> How?

>> Prepare yourselves for a considerable

shock. Our good friend here killed him.

>> Steve?

>> No, Isabella, not Steve. Larry? Larry

Ellis. Chancellor has been dead for 2

months. This man was hired by CIA to

impersonate him for quite obvious

reasons.

>> And Walter found out. Yes, I was just

too late to save him. Poor Walt.

I shall never forgive myself.

>> I always knew he wasn't a seven.

>> You wouldn't listen to me, though, would

you?

>> Keep quiet, both of you. We haven't time

to squabble among ourselves. Julius, you

lock Ellis in the tanker. Anton, you

will help. Please.

>> How long have you known this, Henrik?

>> Quite a while.

>> Then why didn't you warn us? I was

afraid someone might get rough with him.

After all, the plane, the tanker, he

made it all possible.

>> Why didn't you tell us that the money

had been plenty?

>> My dear, you might have told him. No,

we'll go. I want to get you all the way

before 4:00.

>> Get away. Where, too?

>> Now, don't worry. You're going to

friends in Tangia.

>> Aren't you coming too?

>> No, I will join you in a few days. There

are one or two loose ends. Meanwhile, I

will have to trust you. After all, you

are taking the money with you.

Heat. Heat.

Well, you're all set. 340. Yeah, it's

better than I expected. And this are the

master plates. Look after it carefully.

I think I'd better lock it.

Thank you.

Or of

worry too much.

>> How do we get rid of him?

>> I leave that entirely to you. But make

very sure of it.

>> That you can count on

Heat.

Heat.

Don't get any ideas. I will assume do it

now as later.

>> Oh, do you know what day it is?

>> Friday the 27th.

>> Yes, exactly. Listen, listen to this all

of you. It is advised that all sons and

daughters of Pisces shall avoid all

important business decisions or travel.

Travel? Do you hear that? We must turn

back.

>> Now sit down and don't be a fool,

Isabella. You and your nonsense.

We can't turn back. Now you calm

yourself.

>> I think she's got a point.

>> Still looking back, huh?

>> What does he mean?

>> I think you're holding a nice bag of

nothing.

>> Shut up.

>> What do you think's in those packages up

there? What is he talking about, Anton?

>> During my trip in the tanker, I found

out something that didn't make sense

until I saw Vanderhide get off the

plane.

>> What's that got to do with it?

>> Before that, I couldn't see why you

should all go rushing off with a lot of

scrap paper.

>> Crazy. Shall I shut him up?

>> No, let him go on.

>> Let Julio deal with him.

>> No, I want to hear what he has to say.

>> Figure it out. He knows you're all on

the CIA list. Sooner or later, they'd

nail every one of you. And him, too, if

he ever joined you. But I don't think he

intends to.

>> You think he'd leave all that money to

us after planning the whole thing?

>> I told you the money isn't there. Did

anyone check on it? Anyone make sure?

Well, did they?

>> I'm told.

>> Easy. Don't let him bluff you. He

doesn't know what he's talking about.

Maybe you're right.

But if I were Vanderhide, I'd have done

just this. put you all in a plane and me

with a lot of dummy paper and made sure

you went somewhere it isn't easy to come

back from. Anyone know where we're

going?

>> Tangia, of course,

>> we're not over the sea.

>> We're flying east.

[music]

>> [music]

>> Look [music]

at my

all of it.

All of it. Julia, come [music] help.

Julius. Julius. I see yourself.

I for [music]

the king of planet

[music]

race.

Heat.

[music]

[music]

Heat.

[music]

>> [music]

[music]

>> I'm sorry, Miss Gilbert. That's all we

know.

>> The plane must have exploded in midair.

Only bits of the wreckage were found.

>> There was no radio message, no signal.

Our plotters just lost them. One minute

they were there and the next.

There is one thing, my dear. Death would

[music] have been instantaneous.

[music]

>> Could you tell me his name?

>> Yes, it was Larry Ellis.

>> Larry Ellis.

>> We thought very highly of him here. He

did a brilliant job for us.

Thank you.

[music]

But it isn't finished yet. [music]

[music]

>> [music]