Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:04,920 --> 00:00:06,020
That's what I'm talking about.
2
00:00:13,220 --> 00:00:16,340
Hey, what's going on, everybody? For
First We Feast, I'm Sean Evans. You're
3
00:00:16,340 --> 00:00:20,240
watching Hot Ones. And today we deliver
you a very special Hot Ones reunion
4
00:00:20,240 --> 00:00:24,120
brought to you by Jack in the Box, who
we partnered with to create a munchie
5
00:00:24,120 --> 00:00:28,180
meal made for a spice lord. And I'm
thrilled to welcome back to the studio,
6
00:00:28,180 --> 00:00:29,300
Belvin. Thank you.
7
00:00:29,660 --> 00:00:32,460
He's a Grammy Award -nominated singer
-songwriter and one of the most
8
00:00:32,460 --> 00:00:36,280
musicians on the planet, a distinguished
former Hot Ones guest, and he also has
9
00:00:36,280 --> 00:00:39,900
a brand -new collaborative album,
Omerta, alongside Ryan Castro.
10
00:00:40,220 --> 00:00:43,420
Check it out, but first things first,
another go -round with the Wings of
11
00:00:43,660 --> 00:00:46,440
J Balvin, welcome back to the show. Oh,
thank you, man.
12
00:00:46,640 --> 00:00:50,540
So we not only have new sauces on the
table for you to try, but you'll also be
13
00:00:50,540 --> 00:00:54,440
one of the first to try our brand -new,
jack -in -the -box Hot Ones Munchie
14
00:00:54,440 --> 00:00:56,760
Meal. Okay. Are you ready to get
started? Absolutely.
15
00:01:20,180 --> 00:01:23,160
Now that we've kicked things off, we're
going to try our Hot Ones Buffalo
16
00:01:23,160 --> 00:01:26,920
Chicken Tater Melt, which is made with
Hot Ones Buffalo sauce.
17
00:01:28,540 --> 00:01:29,540
This is great.
18
00:01:31,340 --> 00:01:32,340
What?
19
00:01:36,760 --> 00:01:37,760
Oh, my God.
20
00:01:38,540 --> 00:01:39,900
That's how you start it off, baby.
21
00:01:40,180 --> 00:01:41,180
What?
22
00:01:41,380 --> 00:01:42,380
Oh, my God.
23
00:01:42,520 --> 00:01:43,520
Thank you.
24
00:01:43,600 --> 00:01:46,720
Plenty more where that came from. Okay.
No, but this is great. This is like a
25
00:01:46,720 --> 00:01:47,840
croissant? Mm -hmm.
26
00:01:48,500 --> 00:01:50,740
Wow. Little kick there at the end? Yeah.
27
00:01:51,000 --> 00:01:52,200
I need to take some of them.
28
00:01:54,560 --> 00:01:58,760
So it's great to see you in the studio.
We did that remote episode together some
29
00:01:58,760 --> 00:01:59,760
five years ago.
30
00:01:59,920 --> 00:02:03,820
And, you know, my favorite part was
almost when the interview ended. Yes.
31
00:02:03,820 --> 00:02:06,700
gave Da Bomb Beyond Insanity to your
friend Andres.
32
00:02:06,940 --> 00:02:07,940
Breathe.
33
00:02:08,220 --> 00:02:09,220
Breathe.
34
00:02:09,639 --> 00:02:11,760
Bro. He almost went to the hospital.
35
00:02:12,260 --> 00:02:16,680
He looked like it. No, no lie, man. He
was like, how do you say,
36
00:02:16,760 --> 00:02:18,160
hyperventilating? I don't know how you
say it.
37
00:02:19,619 --> 00:02:22,840
But I'm happy that he's back on his feet
and made it to the shoot today. We
38
00:02:22,840 --> 00:02:26,860
might bring him again. He's got to do an
encore performance.
39
00:02:27,480 --> 00:02:30,740
I'm sure he's watching this in a green
room somewhere and starting to sweat
40
00:02:30,740 --> 00:02:33,620
already. Andres, I swear to God, you're
going to come here.
41
00:02:35,140 --> 00:02:40,100
And then has the meme of you calling Da
Bomb toxic, you know, this is toxic,
42
00:02:40,300 --> 00:02:44,220
bro. Did that ever make it to you? Like,
do fans ever bring up your Hot Ones
43
00:02:44,220 --> 00:02:45,220
appearance in the wild?
44
00:02:45,340 --> 00:02:48,530
Yeah. Yes, how you did it, you know.
45
00:02:49,710 --> 00:02:51,450
And I'm just saying I just loved it,
man.
46
00:02:51,650 --> 00:02:54,690
But I think the company also helps a
lot, man. So thank you, Sean.
47
00:02:55,370 --> 00:02:59,670
All right, so up next, we have a hot
bergine here. That'll be the first wing
48
00:02:59,670 --> 00:03:00,670
that you try.
49
00:03:05,750 --> 00:03:06,750
Delicious.
50
00:03:10,110 --> 00:03:11,110
Yeah.
51
00:03:11,430 --> 00:03:13,030
Do you have a most treasured memory?
52
00:03:13,550 --> 00:03:17,310
From the seven -hour show that you did
in your hometown of Medellin last
53
00:03:17,310 --> 00:03:22,170
November, which included more than 80
songs and 40 ,000 flowers handed out to
54
00:03:22,170 --> 00:03:23,570
fans as they entered the stadium.
55
00:03:24,330 --> 00:03:26,390
You tell me about seven hours and I just
get tired.
56
00:03:27,510 --> 00:03:29,010
Jesus Christ, I don't know how I did it.
57
00:03:29,510 --> 00:03:33,670
Well, the memory is, of course, like, I
just wanted to give back to my people.
58
00:03:34,050 --> 00:03:37,530
That's the reason why it took, like,
kind of like two marathons and a half.
59
00:03:38,590 --> 00:03:42,890
And I was ready mentally, but not
physically.
60
00:03:43,420 --> 00:03:47,520
I didn't know what it's been on the show
seven hours nonstop because it's not
61
00:03:47,520 --> 00:03:52,480
that I just stay quiet. I'm moving and
I'm singing and I'm jumping and I'm
62
00:03:52,480 --> 00:03:56,420
performing and I'm sharing with the
people. So, I mean, the memories were
63
00:03:56,420 --> 00:04:03,340
beautiful, absolutely, but it was one
where I was fainting because I didn't
64
00:04:03,340 --> 00:04:05,500
have enough sugar in my body, enough
fat.
65
00:04:06,020 --> 00:04:09,940
So the doctors came to me and they gave
me like a bowl of ice cream.
66
00:04:10,420 --> 00:04:13,060
That's kind of like what we do on our
show when guests start to fade.
67
00:04:13,580 --> 00:04:17,420
But mine was just to get my sugar, you
know, back on track.
68
00:04:17,800 --> 00:04:19,680
The fact that it was home, beautiful.
69
00:04:20,380 --> 00:04:24,860
But the other one is like how much I
love my people that I'm like, if I have
70
00:04:24,860 --> 00:04:28,260
die on the stage, which would be
legendary, but I didn't want to.
71
00:04:28,740 --> 00:04:31,160
A warrior going out on a shield. Yeah, I
was like.
72
00:04:32,040 --> 00:04:36,140
I was like, man, I have to do it. So for
sauce number three, we have the Hot One
73
00:04:36,140 --> 00:04:40,440
Sriracha Curly Fry Burger, which is made
with Hot One Sriracha sauce.
74
00:04:40,800 --> 00:04:43,180
Okay. Let's bring them on out and give
them a try.
75
00:04:43,900 --> 00:04:45,140
That looks good.
76
00:04:45,460 --> 00:04:46,900
A little jalapeno on there.
77
00:04:47,120 --> 00:04:48,120
Oh, my God.
78
00:04:50,320 --> 00:04:51,320
Oh, I need this home.
79
00:04:51,720 --> 00:04:52,720
It hits.
80
00:04:52,840 --> 00:04:54,380
This is so amazing, bro.
81
00:04:56,020 --> 00:04:57,480
Another one that I'm taking home.
82
00:04:57,880 --> 00:05:00,840
Put it in the to -go bag. Yep. We're
stacking them up today.
83
00:05:01,720 --> 00:05:05,480
So you performed on some of the biggest
stages, from headlining Coachella to the
84
00:05:05,480 --> 00:05:06,760
Super Bowl halftime show.
85
00:05:07,100 --> 00:05:11,900
Is there a reaction from the audience
that unlocks another gear in you? Like,
86
00:05:11,940 --> 00:05:16,180
what's your favorite kind of energy to
see reflected back at you when you're
87
00:05:16,180 --> 00:05:17,179
on stage?
88
00:05:17,180 --> 00:05:20,100
You know, I think the first time that we
did the Super Bowl together with Bad
89
00:05:20,100 --> 00:05:26,020
Bunny, Shakira, and J -Lo, that kind of,
like, made me feel that we were really
90
00:05:26,020 --> 00:05:27,780
on the right track.
91
00:05:28,120 --> 00:05:31,300
And now they see, you know, Bad Bunny is
dead here.
92
00:05:31,630 --> 00:05:36,010
own Super Bowl, it's just like, I'm just
celebrating what's happening with our
93
00:05:36,010 --> 00:05:37,010
culture in general.
94
00:05:37,110 --> 00:05:42,090
So I think all the love that we're
getting back is we getting back. It's
95
00:05:42,090 --> 00:05:43,210
that I'm getting it back.
96
00:05:43,550 --> 00:05:48,750
The fact that people are more open to
listen to different sounds and engage,
97
00:05:49,130 --> 00:05:51,370
that our music is just unstoppable.
98
00:05:52,330 --> 00:05:56,850
It's undeniable that we have one of the
major impact in the world right now in
99
00:05:56,850 --> 00:06:00,390
the Spanish music, but I said Latino
music.
100
00:06:06,830 --> 00:06:07,830
This is beautiful.
101
00:06:08,810 --> 00:06:10,610
You're just enjoying the meal so far.
102
00:06:10,930 --> 00:06:11,849
It's beautiful.
103
00:06:11,850 --> 00:06:16,210
It's art. It's like the Mona Lisa right
there. So far. We're going to turn it
104
00:06:16,210 --> 00:06:17,750
into a Pollock here by the end.
105
00:06:18,510 --> 00:06:19,570
So far, so good.
106
00:06:20,390 --> 00:06:25,090
So, your album, Colores, each song was a
different color. When you're making a
107
00:06:25,090 --> 00:06:29,950
song like Azul, for example, what makes
a song sound blue? Like, how does a blue
108
00:06:29,950 --> 00:06:32,590
song sound different from like a red
song or a yellow song?
109
00:06:32,850 --> 00:06:36,950
I mean, that's so subjective. You know,
it's just like... What is blue for you
110
00:06:36,950 --> 00:06:37,950
might be red for me.
111
00:06:38,130 --> 00:06:44,010
I just close my eyes and just let it...
It might sound romantic, but I just let
112
00:06:44,010 --> 00:06:48,170
my soul connect with the color. You
know, I'm just like, this is blue. Don't
113
00:06:48,170 --> 00:06:49,170
me why.
114
00:06:49,650 --> 00:06:51,250
It just feels blue.
115
00:06:51,770 --> 00:06:57,410
And it was such a successful project,
man, because it was kind of random that
116
00:06:57,410 --> 00:07:02,050
you call every song by color. I'll give
a lot of credit to myself on that one.
117
00:07:02,110 --> 00:07:03,069
It's different.
118
00:07:03,070 --> 00:07:06,430
Yeah, and you seem like a vibes person
in the studio, creatively.
119
00:07:06,950 --> 00:07:09,350
You know, I was reading another
interview where you were talking about
120
00:07:09,350 --> 00:07:13,430
Bruce Wayne and how, like, you dimmed
the lights in the studio and had the New
121
00:07:13,430 --> 00:07:15,210
York skyline reflecting in.
122
00:07:15,410 --> 00:07:16,730
Oh, that was Batman, man.
123
00:07:18,130 --> 00:07:20,230
Let me think about it. I become Batman
right here.
124
00:07:21,170 --> 00:07:24,410
We are in New York City. We are in
Ghana. Come on. We can be Spider -Man.
125
00:07:24,410 --> 00:07:26,990
be Batman. We can be whatever you want.
Ninja Turtle.
126
00:07:28,290 --> 00:07:32,010
All right, if you're ready, we can move
on to the halfway mark.
127
00:07:35,630 --> 00:07:41,350
And for sauce number five, we have a
very special guest, Ryan Castro. Come on
128
00:07:41,350 --> 00:07:46,430
out. We had you eating sauce number
five, which was going to be a pickling
129
00:07:46,430 --> 00:07:51,410
scorpion, but it seems like J Balvin's
got other ideas. He's opened to bomb
130
00:07:51,410 --> 00:07:52,450
beyond insanity.
131
00:07:52,930 --> 00:07:55,270
You're a gangster. You said we just did
an album, by the way.
132
00:07:56,230 --> 00:08:00,730
He's called the artist from the ghetto.
You know, he comes from the ghettos of
133
00:08:00,730 --> 00:08:04,490
Colombia. He started, he created a huge
movement.
134
00:08:05,020 --> 00:08:07,760
I love him as a person, of course.
That's the reason why we're working
135
00:08:08,300 --> 00:08:10,760
So he's called, you know, like the king
of the ghetto.
136
00:08:11,560 --> 00:08:16,600
So, you know, if you're acting like
you're the top guy and, you know, you're
137
00:08:16,600 --> 00:08:20,360
like, you got everything under control,
I just want to see his reaction. So he's
138
00:08:20,360 --> 00:08:23,240
going to try. You went through the music
industry the hard way and now you're
139
00:08:23,240 --> 00:08:24,520
doing hot ones the hard way.
140
00:08:35,300 --> 00:08:36,300
Delicious.
141
00:08:36,620 --> 00:08:38,860
That's what I'm talking about. Yeah, I
like it.
142
00:08:41,220 --> 00:08:42,860
Okay. I'm waiting.
143
00:08:43,200 --> 00:08:44,300
Are you okay?
144
00:08:48,340 --> 00:08:49,680
I'm good. How's the ghetto?
145
00:08:49,920 --> 00:08:51,600
I'm good. Good boy.
146
00:08:51,980 --> 00:08:54,620
Everyone talks about chemistry in music.
147
00:08:56,660 --> 00:09:01,160
As if it's automatic. But I'm wondering,
what does chemistry actually look like
148
00:09:01,160 --> 00:09:03,240
in the studio when it really starts
clicking?
149
00:09:03,460 --> 00:09:05,520
Like, is there a different kind of vibe
in the room?
150
00:09:05,740 --> 00:09:06,740
It's like this.
151
00:09:07,100 --> 00:09:10,160
Bro, we're going to the studio to have
fun.
152
00:09:10,520 --> 00:09:12,620
You know, it's a certain moment.
153
00:09:13,360 --> 00:09:14,360
Can I talk?
154
00:09:14,540 --> 00:09:20,560
It's a certain moment in life where you
get so into the game
155
00:09:20,560 --> 00:09:23,760
that you go to the studio that you're
like.
156
00:09:24,240 --> 00:09:27,060
oh, I'm going to do this song, and I
think it's going to have so many
157
00:09:28,500 --> 00:09:31,640
And that's when you get lost in the
game.
158
00:09:31,980 --> 00:09:36,420
So now we're back as when we started.
Like, we're just doing this for us.
159
00:09:36,980 --> 00:09:41,900
If you vibe with it, if you love it,
that's great. If you don't, well, we did
160
00:09:41,900 --> 00:09:42,819
our best.
161
00:09:42,820 --> 00:09:44,540
Well, thank you for sharing, and Ryan.
162
00:09:45,120 --> 00:09:47,880
Great job here coming on to the Hot Ones
set.
163
00:09:48,260 --> 00:09:53,260
Before you go, do you have any advice
for J Balvin as he takes on the back
164
00:09:53,260 --> 00:09:54,260
of the Hot Ones?
165
00:09:57,920 --> 00:10:04,700
I love you, G.
166
00:10:05,100 --> 00:10:07,160
Stay here. I'm going to wait for you.
167
00:10:07,360 --> 00:10:11,020
All right, if you're ready, we can move
on here to sauce number six, Tropical
168
00:10:11,020 --> 00:10:12,980
Amarillo. Oh, that sounds good. Mm -hmm.
169
00:10:19,560 --> 00:10:20,660
This is so tropical.
170
00:10:21,620 --> 00:10:24,700
Yeah, I feel like in the Amazonas in
coastal Colombia.
171
00:10:25,780 --> 00:10:30,580
So you've described Metallica as being
in your life since childhood. You fell
172
00:10:30,580 --> 00:10:34,320
love when you heard the first guitar
riff. Oh, man. What is it about
173
00:10:34,320 --> 00:10:37,160
that blew your mind as a kid? Like, why
do they rule?
174
00:10:37,820 --> 00:10:43,980
That was the first band that I heard,
actually.
175
00:10:44,500 --> 00:10:48,340
I was just mind -blowing the fact that
they had instrumentals.
176
00:10:49,390 --> 00:10:52,890
You know, like Orion and all this stuff.
I'm like, it was mind -blowing to me
177
00:10:52,890 --> 00:10:53,890
that.
178
00:10:53,910 --> 00:10:54,910
How?
179
00:10:55,110 --> 00:10:56,790
I was like, who does that now?
180
00:10:57,710 --> 00:11:03,870
Who takes those risks? And who is so
confident to just do an instrumental?
181
00:11:04,490 --> 00:11:08,730
So the reason why I'm doing music, why I
started doing music, is because I fell
182
00:11:08,730 --> 00:11:12,390
in love with Metallica and also with
Nirvana and Kurt Cobain. So I started
183
00:11:12,390 --> 00:11:16,130
guitar classes and I started a band.
184
00:11:16,390 --> 00:11:18,770
I wasn't the singer, but I was playing
the guitar.
185
00:11:19,260 --> 00:11:22,880
So shout out to the whole crew.
186
00:11:23,180 --> 00:11:26,880
All right. We are six wings down. If
you're ready, we can move on here to
187
00:11:26,880 --> 00:11:30,080
thought number seven. Of course. This
one is called Eight Dragon.
188
00:11:30,320 --> 00:11:32,740
Oh, now the names are getting better.
189
00:11:40,780 --> 00:11:41,780
This is good.
190
00:11:41,840 --> 00:11:42,880
Like a roller coaster.
191
00:11:43,960 --> 00:11:45,300
I like that. This one is fun.
192
00:11:46,840 --> 00:11:48,140
We're flying now, baby.
193
00:11:48,620 --> 00:11:50,440
Oh, now I feel the wind.
194
00:11:50,680 --> 00:11:53,440
Now I feel a little rush.
195
00:11:54,380 --> 00:11:57,400
No water yet. I see that. I see that.
196
00:11:57,720 --> 00:11:58,720
Holding strong.
197
00:11:58,820 --> 00:11:59,820
Yeah, of course.
198
00:11:59,880 --> 00:12:04,140
So your music is full of aspirational
imagery, but we all know that the
199
00:12:04,140 --> 00:12:10,480
foundation was a 1997 Volkswagen Golf
that you nicknamed Ryo. Yeah. What was
200
00:12:10,480 --> 00:12:14,880
special about that 90s hatchback that it
later inspired a Grammy -nominated
201
00:12:14,880 --> 00:12:16,040
album by the same name?
202
00:12:16,260 --> 00:12:17,280
You know, I remember my dad.
203
00:12:17,630 --> 00:12:22,250
doing all the sacrifice because we don't
come from a wealthy family. And my dad,
204
00:12:22,290 --> 00:12:26,810
with all his sacrifice, working and
working just to get me a car because he
205
00:12:26,810 --> 00:12:33,430
I wanted to be around with my music and
going to different shows in bars or high
206
00:12:33,430 --> 00:12:35,910
schools or universities and all this
stuff.
207
00:12:36,150 --> 00:12:42,630
In a poetic way, I think me and Rayo
paved the way in a certain way for
208
00:12:42,630 --> 00:12:46,270
what's happening with the reggaeton in
Colombia.
209
00:12:47,290 --> 00:12:50,190
How would you describe the car culture
in Medellin?
210
00:12:50,410 --> 00:12:53,510
Like, how is it different from, say,
Miami or Los Angeles?
211
00:12:53,730 --> 00:13:00,650
Yeah, well, you know, Colombia used to
be a third -world country, so there
212
00:13:00,650 --> 00:13:04,470
wasn't a lot of money there, you know.
Of course, it was rich people, but in
213
00:13:04,470 --> 00:13:10,270
general, it was really weird to see a
Ferrari or a Lamborghini or, you know,
214
00:13:10,270 --> 00:13:12,650
whatever type of cars. Cars always were.
215
00:13:16,029 --> 00:13:21,890
important in people's dreams you know
it's kind of like a like a little medal
216
00:13:21,890 --> 00:13:25,770
that you get when you're working and
it's so beautiful when people buy the
217
00:13:25,770 --> 00:13:29,850
car it's like yeah i got my first car
and i never forget when i have the first
218
00:13:29,850 --> 00:13:34,150
time you know my my car and radio you
know that's his name so many beautiful
219
00:13:34,150 --> 00:13:38,850
memories you know rejections which is
beautiful too because that's what makes
220
00:13:38,850 --> 00:13:45,260
you stronger you know and and uh doing
all this A journey with me, it was
221
00:13:45,260 --> 00:13:49,000
beautiful. And then you've collected
lots of medals along the way. I'm
222
00:13:49,080 --> 00:13:54,080
between the LaFerrari, the F40. Oh, you
know your shit.
223
00:13:54,300 --> 00:13:56,060
And the 512 Testarossa. Okay.
224
00:13:56,600 --> 00:13:58,980
Which has the best pure driving
experience?
225
00:14:00,020 --> 00:14:02,620
It's hard, man, because honestly,
they're not comfortable.
226
00:14:03,400 --> 00:14:04,400
Right, yeah.
227
00:14:04,800 --> 00:14:08,640
They're not. Like, I remember the first
time I drove LaFerrari, and you have to
228
00:14:08,640 --> 00:14:11,620
be pressing the brake all the time.
229
00:14:12,270 --> 00:14:14,270
If you don't put the brake, the car
starts moving.
230
00:14:14,970 --> 00:14:18,250
So you don't have peace to be with your
wife and talking about life.
231
00:14:19,450 --> 00:14:23,210
And you feel all the rocks because I
have them in Colombia.
232
00:14:23,770 --> 00:14:26,270
But like little rocks because it's too
low.
233
00:14:26,970 --> 00:14:33,490
You're driving and feeling every single
one. But of those, the Ferrari was a
234
00:14:33,490 --> 00:14:34,610
little bit more comfortable.
235
00:14:35,230 --> 00:14:38,470
It had more technology than the F40 and
than the Testarossa.
236
00:14:38,800 --> 00:14:41,780
If you're ready, we can move on to Da
Bomb Beyond Insanity.
237
00:14:42,080 --> 00:14:43,520
Okay. The one.
238
00:14:43,760 --> 00:14:47,740
Yeah, there you go. Now you go. Shout
out Ryan Castro. Look how a ghetto, the
239
00:14:47,740 --> 00:14:49,400
guy who's not from the ghetto handled
this shit.
240
00:14:54,380 --> 00:14:55,380
Yeah, there you go.
241
00:15:04,180 --> 00:15:06,260
That's what I'm talking about. Out of
reach.
242
00:15:12,160 --> 00:15:13,720
Control the breathe. Mm -hmm.
243
00:15:14,100 --> 00:15:17,200
Stay calm. Stay zen. Last one was a
roller coaster.
244
00:15:17,840 --> 00:15:19,220
This one, we're floating.
245
00:15:19,440 --> 00:15:21,500
This one, it's special.
246
00:15:23,020 --> 00:15:25,300
Yeah. It's a good way of putting it.
247
00:15:25,960 --> 00:15:30,360
All right. J Balvin, you once said that
fashion is your biggest passion on the
248
00:15:30,360 --> 00:15:34,240
same level as music. So while you
battled the bomb, what I'm hoping we can
249
00:15:34,240 --> 00:15:37,440
a style retrospective of polls to my
iconic red car.
250
00:15:37,690 --> 00:15:39,930
I've pulled some iconic red carpet. Are
you okay?
251
00:15:40,510 --> 00:15:41,510
Because I'm crying.
252
00:15:43,410 --> 00:15:47,090
We pulled some of your most iconic
looks. We'll pull them up on the
253
00:15:47,470 --> 00:15:50,910
I'm just hoping I can get a backstory,
okay? Okay. Can you tell me about the
254
00:15:50,910 --> 00:15:52,330
look for your Maiden Medellin concert?
255
00:15:52,570 --> 00:15:55,190
Is there anything different about
styling a show for your hometown?
256
00:15:55,450 --> 00:15:56,169
Of course.
257
00:15:56,170 --> 00:16:01,350
Every... Every... Every... What up,
Ryan?
258
00:16:04,390 --> 00:16:05,550
Can you stop laughing?
259
00:16:06,490 --> 00:16:07,490
We got to concentrate.
260
00:16:07,630 --> 00:16:08,630
Yeah.
261
00:16:09,650 --> 00:16:13,390
This look. Be careful around the eyes.
Be careful. Oh, yeah, you're right. Be
262
00:16:13,390 --> 00:16:14,390
careful.
263
00:16:14,410 --> 00:16:21,270
This look was the intro of the Pima
Vera, of
264
00:16:21,270 --> 00:16:25,170
the tour in Colombia, the stadium tour
that we're doing.
265
00:16:25,470 --> 00:16:31,570
And I love it. It was a beautiful
aesthetic. And I have a lot of coins in
266
00:16:31,570 --> 00:16:34,930
head. If you can see, the thing was kind
of shaky on the top.
267
00:16:35,900 --> 00:16:39,840
All right, up next, you told Louis
Vuitton colors are energy and vibration.
268
00:16:40,160 --> 00:16:41,760
What is maximum vibration?
269
00:16:42,040 --> 00:16:44,640
Like, how would you describe it? Is this
maximum vibration?
270
00:16:44,880 --> 00:16:45,880
Look at me now.
271
00:16:46,540 --> 00:16:49,320
That's like the bomb.
272
00:16:51,140 --> 00:16:57,360
That's a storm and a hurricane and this
sauce that I have right here on me.
273
00:16:57,600 --> 00:16:58,720
All wrapped into one.
274
00:16:59,920 --> 00:17:02,900
I have so much personality to rock that
thing, boy.
275
00:17:03,400 --> 00:17:05,540
How would you describe the aesthetic
appeal of Vetements?
276
00:17:05,780 --> 00:17:08,140
Like, what role did that brand play in
your style evolution?
277
00:17:08,960 --> 00:17:09,960
I love Vetements.
278
00:17:10,099 --> 00:17:15,319
I have a lot of respect for the
designer, for Graham and Kirill, which
279
00:17:15,319 --> 00:17:16,500
of the Vetements brand.
280
00:17:17,260 --> 00:17:20,819
I love the aesthetic. I love the cuts.
281
00:17:21,079 --> 00:17:24,140
I'm kind of a jacket guy. Do you think I
could pull one off? Of course.
282
00:17:24,920 --> 00:17:27,619
Absolutely. I know that you wouldn't say
it if you didn't mean it.
283
00:17:27,940 --> 00:17:31,300
Because you just do an all -black, you
know, biker jacket.
284
00:17:31,600 --> 00:17:32,960
There's no way you go wrong with that.
285
00:17:33,260 --> 00:17:37,380
All right, up next, what can you tell me
about the holographic jumpsuit that was
286
00:17:37,380 --> 00:17:40,080
in your performance for the 2018 Latin
Grammys?
287
00:17:40,500 --> 00:17:44,240
I think that was cool. I forgot about
that one, but I think that's really,
288
00:17:44,240 --> 00:17:49,560
always been so focused on creating and
changing the narrative of how they used
289
00:17:49,560 --> 00:17:55,060
to see us as Latinos when it was on
performing, but not performing because
290
00:17:55,060 --> 00:17:57,400
there's a lot of great performances all
the life.
291
00:17:57,680 --> 00:18:00,520
Way better than me, of course, a hundred
times.
292
00:18:02,010 --> 00:18:07,950
On the fact of like... How kind of like
an Ed Hardy kind of like bedazzled kind
293
00:18:07,950 --> 00:18:10,970
of look and then you're in like St.
Laurent and kind of bringing it like a
294
00:18:10,970 --> 00:18:13,810
designer house kind of vibe. Yeah, I
like that.
295
00:18:14,150 --> 00:18:18,170
We love always to create a world every
time we do a show.
296
00:18:18,790 --> 00:18:21,130
And this is a world. Yeah. All right.
297
00:18:21,770 --> 00:18:25,170
We're on to spot number nine. We passed
the bomb, man. We got past the bomb.
298
00:18:25,550 --> 00:18:29,890
Unfortunately, once one storm clears
out, another one rolls in on this show.
299
00:18:30,879 --> 00:18:33,100
There's life if you're ready. Yeah, of
course I'm ready.
300
00:18:39,180 --> 00:18:40,139
I'm good.
301
00:18:40,140 --> 00:18:41,140
I'm good.
302
00:18:42,040 --> 00:18:46,860
So I was reading a recent Living
interview where you talked about how
303
00:18:46,860 --> 00:18:50,740
movies are like a stress reliever for
you and you watch them to go to sleep.
304
00:18:50,920 --> 00:18:53,160
Yes. Thank God you brought that.
305
00:18:54,200 --> 00:18:55,200
Am I weird?
306
00:18:55,440 --> 00:18:59,520
No, that's not weird at all. I watch
horror movies at night quite a bit, too,
307
00:18:59,520 --> 00:19:03,360
myself. It kind of elevates the whole
experience for me, you know?
308
00:19:03,640 --> 00:19:06,720
The more scary the place feels, the
better.
309
00:19:07,060 --> 00:19:13,160
Because when I was a kid, I was really
scared of the dark. Super scared,
310
00:19:13,160 --> 00:19:15,180
I used to watch scary movies when I was
a kid.
311
00:19:15,720 --> 00:19:19,540
And when I grew up, I was like, you know
what? I got to face my fear. Like, I
312
00:19:19,540 --> 00:19:22,640
love this, but I'm not enjoying the
result after.
313
00:19:23,900 --> 00:19:29,500
And it took me time. And then it's like
the most, it's like my meditation time.
314
00:19:30,180 --> 00:19:33,000
Because all of them are based on true
stories.
315
00:19:33,880 --> 00:19:39,940
So, yeah, I don't see like Hellraiser
and those, not that like fiction.
316
00:19:40,620 --> 00:19:45,740
So I like the things that happen here in
New Jersey, in Newark.
317
00:19:46,040 --> 00:19:50,400
You're like a conjuring. The conjuring,
exactly. Things that you can go and see
318
00:19:50,400 --> 00:19:53,220
the house and be like, this happens a
couple of years ago.
319
00:19:53,610 --> 00:19:54,810
All right. And UFOs, too.
320
00:19:55,010 --> 00:19:56,150
I believe in them.
321
00:19:57,310 --> 00:19:58,310
They're among us.
322
00:19:58,810 --> 00:20:02,570
We might be one of them. But you're not
afraid. You'll face it. I think I know
323
00:20:02,570 --> 00:20:05,850
how to handle them. We're going to send
you first as our ambassador. Exactly.
324
00:20:05,850 --> 00:20:07,190
Should that ever happen, all right?
325
00:20:08,070 --> 00:20:09,230
Representing us humans. You're the
regular ambassador.
326
00:20:10,770 --> 00:20:16,050
All right, J Balvin, for the second
time, you have made it to the last dab,
327
00:20:16,050 --> 00:20:20,390
we have a very special guest to help us
out. Jack, come on in.
328
00:20:20,610 --> 00:20:22,310
Here comes Jack. What's up?
329
00:20:22,880 --> 00:20:26,140
How are you? Oh, great. And you, man?
I'm great, man.
330
00:20:26,680 --> 00:20:28,360
Nice to meet you. You too.
331
00:20:28,740 --> 00:20:32,320
From one celebrity to another, Jay, this
one's the one you want.
332
00:20:33,060 --> 00:20:34,060
Ooh.
333
00:20:34,280 --> 00:20:37,700
Thank you very much. Thank you, man. I
love the hat.
334
00:20:38,080 --> 00:20:39,620
Oh, sashay away.
335
00:20:40,100 --> 00:20:41,100
All right.
336
00:20:41,560 --> 00:20:47,180
Sashay on out. And us, we'll sashay on
in with a little extra on the last wing.
337
00:20:47,420 --> 00:20:48,420
Okay.
338
00:20:48,720 --> 00:20:49,720
All right.
339
00:20:55,310 --> 00:20:56,310
All right, all right.
340
00:20:56,890 --> 00:20:59,510
Cheers. Cheers. Ryan, what's up, man?
341
00:21:00,050 --> 00:21:01,090
The guy from the ghetto.
342
00:21:03,770 --> 00:21:09,150
And with that, J Balvin, you have now
conquered the wings of death for a
343
00:21:09,150 --> 00:21:14,010
time. And last time you were on the
show, you taught me hasta la chimba. You
344
00:21:14,010 --> 00:21:16,050
described the experience of eating the
bomb.
345
00:21:16,310 --> 00:21:21,240
Yeah. I'm wondering, is there another
Spanish phrase or piece of Colombian
346
00:21:21,240 --> 00:21:25,520
you could teach me that best describes
what the experience of eating hot ones
347
00:21:25,520 --> 00:21:26,520
like?
348
00:21:44,200 --> 00:21:45,680
That's the perfect combo right there.
349
00:21:47,160 --> 00:21:53,000
And look at you, J Balvin, taking on the
wings of death, living to tell the
350
00:21:53,000 --> 00:21:55,900
tale. And now there's nothing left to do
but roll out the red carpet for you.
351
00:21:56,060 --> 00:21:58,840
This camera, this camera, this camera.
Let the people know what you have going
352
00:21:58,840 --> 00:21:59,840
on in your life.
353
00:21:59,860 --> 00:22:02,600
Thank you guys for everything. I'm
grateful for you guys.
354
00:22:02,840 --> 00:22:04,300
Thank you, Sean, for having me here on
the show.
355
00:22:04,820 --> 00:22:06,740
We just dropped a new album with Ryan
Castro.
356
00:22:07,760 --> 00:22:09,120
Omerta, go check it out.
357
00:22:09,900 --> 00:22:11,220
If you don't know me, I'm J Balvin.
358
00:22:11,440 --> 00:22:12,440
Get to know me a little bit.
359
00:22:12,800 --> 00:22:16,840
And much love. Straight up from my head
in Colombia to the whole world, Latino
360
00:22:16,840 --> 00:22:17,860
gang. J -Bob and me.
361
00:22:27,020 --> 00:22:28,980
Is Andres here? I'd like to meet him.
362
00:22:29,340 --> 00:22:32,300
Welcome to Hot Ones.
363
00:22:33,180 --> 00:22:35,200
Welcome to Hot Ones. This is our show.
364
00:22:35,840 --> 00:22:40,200
So I'm thrilled to be joined in the
studio with Andres.
365
00:22:40,750 --> 00:22:45,450
When you were on the show last time as
your cameo, you were hiccuping, sweating
366
00:22:45,450 --> 00:22:46,169
through it.
367
00:22:46,170 --> 00:22:48,510
Yeah, yeah, yeah. But you're a showman,
and you're back.
368
00:22:51,230 --> 00:22:52,770
Okay. We're going back in.
369
00:22:52,990 --> 00:22:54,210
No water.
370
00:22:55,730 --> 00:22:57,150
I remember that eye pop.
371
00:22:59,030 --> 00:23:01,010
Okay. The hiccups again.
372
00:23:01,250 --> 00:23:02,250
Why? Why?
373
00:23:02,350 --> 00:23:03,350
I don't know.
374
00:23:04,630 --> 00:23:05,630
Why?
375
00:23:06,170 --> 00:23:07,170
Oh, my God.
376
00:23:07,970 --> 00:23:09,790
Stay here. The camera. You've got to be
on camera.
377
00:23:12,690 --> 00:23:13,690
Wait.
378
00:23:14,970 --> 00:23:17,610
Is it worse the second time? Is it worse
than you remember?
379
00:23:18,150 --> 00:23:19,170
It's kind of the same.
380
00:23:21,670 --> 00:23:27,510
How come you can do an interview on this
situation? I can't even think.
381
00:23:27,790 --> 00:23:29,170
Man, I do seven -hour shows.
382
00:23:29,650 --> 00:23:30,770
That's mind control.
383
00:23:31,690 --> 00:23:33,110
That's definitely mind control.
32177
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.