Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,000 --> 00:00:03,860
I truly lost way too much sleep over
this.
2
00:00:04,560 --> 00:00:05,740
She says, choking.
3
00:00:13,480 --> 00:00:16,560
Hey, what's going on everybody? For
First We Feast, I'm Sean Evans and
4
00:00:16,560 --> 00:00:19,520
watching Hot Ones. It's the show with
hot questions and even hotter wings.
5
00:00:19,760 --> 00:00:21,260
And today we're joined by Emily Blunt.
6
00:00:21,820 --> 00:00:24,680
She's a Golden Globe award -winning
actor and true to form on quite the run
7
00:00:24,680 --> 00:00:27,900
year with the recent release of The
Devil Wears Prada 2. And now you can
8
00:00:27,900 --> 00:00:31,300
her in Steven Spielberg's latest sci -fi
film, Disclosure Day, which is set to
9
00:00:31,300 --> 00:00:34,860
release in theaters on June 12th. Emily
Blunt, welcome to the show. Thank you so
10
00:00:34,860 --> 00:00:37,320
much. Very sleepless night.
11
00:00:37,660 --> 00:00:39,260
You're nervous. I'm so scared.
12
00:00:39,600 --> 00:00:40,920
My heart's like pounding.
13
00:00:41,200 --> 00:00:43,620
How would you describe your relationship
with spicy food?
14
00:00:44,220 --> 00:00:48,880
Well, I mean, in England, you grow up
eating a lot of curries or a cuzza.
15
00:00:49,840 --> 00:00:55,260
as we say on the street. But I don't
know. I feel like I don't want to foam
16
00:00:55,260 --> 00:00:58,240
runway that I'm going to be good at
this. Like, what if I tank?
17
00:01:20,360 --> 00:01:24,860
Are yours all like mine, or are yours...
Exactly the same. If you wanted to
18
00:01:24,860 --> 00:01:26,320
switch paddles, I'd be down.
19
00:01:26,520 --> 00:01:27,520
Okay.
20
00:01:30,620 --> 00:01:31,620
That was too bad.
21
00:01:33,900 --> 00:01:34,900
Okay.
22
00:01:35,040 --> 00:01:36,040
Nice.
23
00:01:39,840 --> 00:01:41,300
That's what Shishido said.
24
00:01:41,500 --> 00:01:42,500
Oh, that's good.
25
00:01:43,210 --> 00:01:46,710
There's a scene in the movie where your
character, a meteorologist on live
26
00:01:46,710 --> 00:01:52,430
television, has this almost jarring kind
of vocal transformation and speaking in
27
00:01:52,430 --> 00:01:56,510
clicks and tongues. How do you even
approach a scene like that as an
28
00:01:56,570 --> 00:01:58,330
That seems like such a singular
sequence.
29
00:01:58,730 --> 00:02:03,770
It was. And even kind of leading up to
that moment where she starts speaking in
30
00:02:03,770 --> 00:02:05,730
this non -human language.
31
00:02:06,950 --> 00:02:11,370
It's a four minute one that we shot that
leads up to that moment.
32
00:02:12,310 --> 00:02:16,210
where she's gradually sort of
disintegrating.
33
00:02:16,910 --> 00:02:21,570
Did you hear that? I did. I think the
boom will catch that. What the actual F
34
00:02:21,570 --> 00:02:22,570
was that?
35
00:02:22,810 --> 00:02:28,030
Is that like panic or is it that's what
Shishido said? That is what Shishido
36
00:02:28,030 --> 00:02:28,789
said, guys.
37
00:02:28,790 --> 00:02:30,190
That's exactly what she said.
38
00:02:32,490 --> 00:02:37,190
I actually could have used this on the
set of Disclosure Day. That was a
39
00:02:37,190 --> 00:02:38,190
alien language.
40
00:02:39,850 --> 00:02:43,050
You know, there's various ways you could
do it. You could go the AI route, which
41
00:02:43,050 --> 00:02:48,150
I'm a bit terrified of. I thought I
could make some real, really strange
42
00:02:48,150 --> 00:02:49,270
that you've all just seen.
43
00:02:50,330 --> 00:02:56,790
So I said, maybe I could come in and
we'll just do a range of weird sounds.
44
00:02:56,990 --> 00:03:02,390
And it's what we did. And I did sort of
the clicking sounds. I did sort of
45
00:03:02,390 --> 00:03:06,510
humming sounds, consonant sounds,
breathing strange sounds.
46
00:03:07,580 --> 00:03:11,240
And what we did was we put one
microphone here and one here.
47
00:03:11,780 --> 00:03:15,300
And so it kind of captures it in a
really weird way, and then the sound
48
00:03:15,300 --> 00:03:18,500
went away and created that weird sound.
49
00:03:23,480 --> 00:03:24,520
It's like egg slump.
50
00:03:25,120 --> 00:03:26,120
Okay.
51
00:03:26,880 --> 00:03:29,600
What if my throat gurgles get
increasingly...
52
00:03:30,190 --> 00:03:34,250
worse and people think i am actually an
alien well you talk about the imprints
53
00:03:34,250 --> 00:03:38,230
of a film you know like that you leaving
an imprint on the episode you know
54
00:03:38,230 --> 00:03:44,950
it'll last forever you remember you
remembered for all time yeah so maybe
55
00:03:44,950 --> 00:03:49,630
have just a swig because i'm i've heard
if you do water it kind of spreads it
56
00:03:49,630 --> 00:03:53,130
around right well thanks for bringing
the chocolate shakes in today wow that's
57
00:03:53,130 --> 00:03:58,570
thick like a mcdonald's one that's a
good shake though
58
00:03:59,730 --> 00:04:00,730
That's amazing.
59
00:04:01,770 --> 00:04:04,830
Maybe like the best chocolate shake I've
ever had in my life. Where'd you guys
60
00:04:04,830 --> 00:04:05,830
get that?
61
00:04:06,050 --> 00:04:07,050
That's fantastic.
62
00:04:08,000 --> 00:04:10,540
Okay. I'm good. That helped. It does.
Didn't that help?
63
00:04:10,780 --> 00:04:12,120
Just keep it at the ready. Okay.
64
00:04:12,460 --> 00:04:16,360
So we had Cate Blanchett on the show.
She talked about feeling regret on the
65
00:04:16,360 --> 00:04:19,980
final day of filming. The corners of my
mouth are hitting. Yeah. Let me know.
66
00:04:20,079 --> 00:04:24,020
Let me know. She talked about feeling
regret on the final day of a film shoot
67
00:04:24,020 --> 00:04:27,060
because it's then when she feels like
she finally understands the character.
68
00:04:27,420 --> 00:04:31,900
Does that at all ring true to you? And
if so, is there a role from your career
69
00:04:31,900 --> 00:04:34,260
that you sometimes wish you could
revisit with fresh eyes?
70
00:04:34,820 --> 00:04:35,820
I have.
71
00:04:36,240 --> 00:04:41,120
been known to like two months after I
wrap a movie, if I'm like driving the
72
00:04:41,120 --> 00:04:44,760
somewhere, I'll suddenly go, that's how
you should have played it. Like I'll
73
00:04:44,760 --> 00:04:48,980
just have this memory of a line that I
didn't feel was right.
74
00:04:49,260 --> 00:04:53,440
And it's hard because, you know, when
you're doing a film, I mean, some people
75
00:04:53,440 --> 00:04:56,880
like to watch playback. I don't really
watch anything while I'm filming. So
76
00:04:56,880 --> 00:05:01,000
you're seeing it from the inside out.
And then when you first see it back at
77
00:05:01,000 --> 00:05:02,960
yourself, I tend to kind of.
78
00:05:04,000 --> 00:05:08,020
pick myself apart a little bit. So maybe
that's when I'm filled with a bit of
79
00:05:08,020 --> 00:05:09,020
regret.
80
00:05:09,560 --> 00:05:12,200
But I think that's okay.
81
00:05:12,500 --> 00:05:15,080
Like, that's sort of how you self
-correct and how you learn.
82
00:05:15,380 --> 00:05:18,760
I'm trying to think of parts I've played
where I'm like, you really shit the bed
83
00:05:18,760 --> 00:05:19,760
on that one.
84
00:05:19,960 --> 00:05:23,000
Look at me, I'm being like, all my
performances have been great.
85
00:05:24,800 --> 00:05:29,480
No, I'm sure there's stuff, I wouldn't
say as a whole, but there's moments and
86
00:05:29,480 --> 00:05:31,160
scenes that I'm just like...
87
00:05:32,200 --> 00:05:35,860
Someone should have put a choke chain on
me or something, you know. I could have
88
00:05:35,860 --> 00:05:36,860
pulled that in a bit.
89
00:05:41,100 --> 00:05:47,900
Now, I like Sriracha, but this one... Mm
-hmm.
90
00:05:48,720 --> 00:05:49,720
Skeptical going in.
91
00:05:51,820 --> 00:05:55,320
Weirdly, that one's better than the hot
aubergine.
92
00:05:59,210 --> 00:06:01,770
Okay, and maybe because I'm kind of used
to sriracha.
93
00:06:02,110 --> 00:06:05,210
Every pepper is going to affect you
differently. In effect, you know, the
94
00:06:05,210 --> 00:06:08,670
person down the line differently, you
know? Which one affects you, Sean?
95
00:06:09,830 --> 00:06:13,570
All of them. Like, I've kind of, you
know, become familiar with these tastes,
96
00:06:13,590 --> 00:06:16,570
just like you with sriracha. Like, I'm
familiar with the uncomfortable.
97
00:06:16,850 --> 00:06:18,850
Okay. And therefore more comfortable in
the uncomfortable.
98
00:06:19,310 --> 00:06:23,770
Don't tell Bear Grylls that. He will
make you do some terrible things. I feel
99
00:06:23,770 --> 00:06:25,550
all the same, though. Okay. I feel it
all the same.
100
00:06:26,300 --> 00:06:29,920
So quotes like, I'm just one stomach
flew away from my goal weight have
101
00:06:29,920 --> 00:06:36,260
all -time movie quotes. Do you think
it's harder to make a quotable movie
102
00:06:36,260 --> 00:06:37,219
these days?
103
00:06:37,220 --> 00:06:41,320
You know, it's like lines from Zoolander
or Anchorman or The Devil Wears Prada
104
00:06:41,320 --> 00:06:43,140
that used to be baked right into the
lexicon.
105
00:06:43,800 --> 00:06:44,800
Yeah.
106
00:06:45,260 --> 00:06:50,680
But I also think those quotes sort of
amplify with time. I think when The
107
00:06:50,680 --> 00:06:53,960
Wears Prada first came out, I think
people thought it was really funny. I
108
00:06:53,960 --> 00:06:55,400
it was over time that it...
109
00:06:55,870 --> 00:06:57,910
built this sort of meteoric following.
110
00:06:58,750 --> 00:07:03,070
I think Aileen Brosh McKenna writes
incredibly memeable.
111
00:07:03,430 --> 00:07:06,210
Is it gif -able or gif -able? I never
know.
112
00:07:06,410 --> 00:07:09,310
I would say gif -able, but I think it is
actually technically gif -able.
113
00:07:09,430 --> 00:07:11,570
Perfect. We've covered all grounds.
114
00:07:12,810 --> 00:07:16,570
Not to encourage this kind of behavior,
but do you have an all -time favorite
115
00:07:16,570 --> 00:07:20,110
line of yours to get quoted back at you
by fans in the wild?
116
00:07:20,690 --> 00:07:25,160
Definitely. And the one I'm happy people
quote to me is because it was it was a
117
00:07:25,160 --> 00:07:28,440
line that I improvised, is where I went,
yeah, I'm hearing this, and I want to
118
00:07:28,440 --> 00:07:29,440
hear this.
119
00:07:29,600 --> 00:07:34,760
And that is done to me quite a lot. And
I like that.
120
00:07:39,520 --> 00:07:40,780
Black -eyed Susan.
121
00:07:41,480 --> 00:07:44,220
I wonder who she is.
122
00:07:44,460 --> 00:07:45,460
Legend.
123
00:07:50,400 --> 00:07:53,640
I've got kind of a fur on it, which I'm
not loving.
124
00:07:56,130 --> 00:08:01,010
Yeah, that's got a little sting on it
afterwards, but that's fine.
125
00:08:01,670 --> 00:08:02,850
It tastes nice.
126
00:08:03,530 --> 00:08:07,350
What's the most Tom Cruise thing you saw
Tom Cruise do on the set of Edge of
127
00:08:07,350 --> 00:08:08,350
Tomorrow?
128
00:08:09,050 --> 00:08:13,150
We were doing this scene where we were
in a drop ship, and we're in those
129
00:08:13,150 --> 00:08:14,190
massive armored suits.
130
00:08:15,430 --> 00:08:19,970
And when you're surrounded by Tom
Cruise's enthusiasm, it kind of bleeds
131
00:08:19,970 --> 00:08:23,870
you, and you feel like you can't let him
down by complaining about anything.
132
00:08:25,080 --> 00:08:27,180
Very powerful force coming off him.
133
00:08:27,640 --> 00:08:32,480
But we were in this drop ship, and I'd
kind of had it. It was very hot in
134
00:08:32,679 --> 00:08:38,620
My suit weighed 80 pounds, and I'm in a
harness being lifted up, so the entire
135
00:08:38,620 --> 00:08:45,620
weight of my body and 85 pounds is on my
nether regions, and I'm not
136
00:08:45,620 --> 00:08:49,220
feeling great about it, wondering if
I'll be able to have children one day.
137
00:08:49,640 --> 00:08:54,120
And we're swinging there, and I could
see Tom.
138
00:08:54,760 --> 00:08:57,500
The enthusiasm was starting to unravel a
little bit.
139
00:08:57,880 --> 00:08:59,900
So I knew I had an end, you know.
140
00:09:00,160 --> 00:09:05,460
And he was getting a bit frustrated with
how long things were taking to shoot
141
00:09:05,460 --> 00:09:07,280
and yelling, please roll.
142
00:09:07,700 --> 00:09:13,500
And I just looked at him and I went,
this fucking sucks.
143
00:09:13,980 --> 00:09:18,560
And he looked at me and he went, it's a
challenge.
144
00:09:25,640 --> 00:09:27,980
I'm just looking at the ominous da bomb.
145
00:09:32,180 --> 00:09:33,180
Mm -hmm.
146
00:09:34,920 --> 00:09:36,700
You know what's strange about it?
147
00:09:37,320 --> 00:09:41,720
Tell me. It says, like, it's got all
these peppers on it, but it doesn't
148
00:09:41,720 --> 00:09:43,800
specify whether it is mild or hot.
149
00:09:44,340 --> 00:09:47,100
Yeah, you're right. It's kind of a
mystery box.
150
00:09:47,920 --> 00:09:51,580
Right in the mean of what we have
planned for you today. Does it feel like
151
00:09:51,620 --> 00:09:54,920
You know, I feel like you've... Yeah,
that one just got me a little hot under
152
00:09:54,920 --> 00:09:55,920
the collar.
153
00:09:56,020 --> 00:09:57,760
And that's what we look for in a number
five.
154
00:09:59,780 --> 00:10:01,860
Great. That's exactly what we look for.
Perfect.
155
00:10:02,820 --> 00:10:07,180
From having a bus driving at you at full
speed for a quiet place to the walls
156
00:10:07,180 --> 00:10:11,240
closing in, caving in on you in Sicario,
what's the most genuinely frightened
157
00:10:11,240 --> 00:10:13,080
you've ever been while shooting an
action sequence?
158
00:10:14,730 --> 00:10:18,250
I mean, the bus was extraordinary, but I
knew that stunt had been rehearsed for
159
00:10:18,250 --> 00:10:23,010
two weeks, and I knew that there were
many get -outs. Like, if the bus was
160
00:10:23,010 --> 00:10:26,130
to be too close, it could careen off. I
knew the allowance was there.
161
00:10:26,470 --> 00:10:32,090
The most scared I was was doing that
arrival in Mary Poppins from Up in the
162
00:10:32,090 --> 00:10:34,570
Clouds. I was terrified.
163
00:10:35,230 --> 00:10:38,370
I did three takes before my tolerance
snapped and I was done.
164
00:10:38,810 --> 00:10:41,070
And Rob Marshall, the director, is so...
165
00:10:41,550 --> 00:10:45,350
He kind of lures you into this false
sense of security. And he plays music
166
00:10:45,350 --> 00:10:50,430
really, really loud. And it's very
sweeping and extraordinary coming out of
167
00:10:50,430 --> 00:10:53,450
speakers. And he goes, okay, so you're
going to be way up there.
168
00:10:53,830 --> 00:10:56,530
And then you're going to come down.
You're going to walk straight in. You're
169
00:10:56,530 --> 00:10:59,310
close up. And it's just he sells it. He
sells you one. You're like, oh, my God,
170
00:10:59,350 --> 00:11:00,350
that sounds amazing.
171
00:11:00,430 --> 00:11:05,530
And then you get up there and you go 25
feet, 30 feet, 40 feet, 60 feet. And I
172
00:11:05,530 --> 00:11:06,730
was like, no.
173
00:11:07,350 --> 00:11:10,470
And the only thing you have, you just
hope the wires are.
174
00:11:10,840 --> 00:11:15,880
holding you a lot of trust yeah yeah
there's just a lot of trust that you
175
00:11:15,880 --> 00:11:22,620
and and i felt like everything looked
tiny and if i looked
176
00:11:22,620 --> 00:11:26,720
out i was higher than the trees if i
looked down lin -manuel miranda was that
177
00:11:26,720 --> 00:11:30,960
big and so i just ended up hanging there
waiting for them to call action like
178
00:11:30,960 --> 00:11:35,240
that like looking up at the sky where i
had no point of reference but that was
179
00:11:35,240 --> 00:11:36,240
the most scared i've been
180
00:11:41,999 --> 00:11:42,999
Tropical Amarillo.
181
00:11:45,180 --> 00:11:47,980
Mm -hmm. Oh, it's got Scott Bonnet in
it. I just saw that.
182
00:11:48,940 --> 00:11:49,940
Too late.
183
00:11:50,000 --> 00:11:50,939
Too late.
184
00:11:50,940 --> 00:11:51,940
Mm, sweet.
185
00:11:52,160 --> 00:11:53,300
Mm. Mm -hmm.
186
00:11:54,220 --> 00:11:55,220
Okay.
187
00:11:55,980 --> 00:11:59,560
Directors have cemented their place in
the imagination of movie fans, but I
188
00:11:59,560 --> 00:12:02,640
like cinematography is more of like an
insider's craft.
189
00:12:03,020 --> 00:12:07,780
What kind of role or how would you
quantify the importance of a DP like
190
00:12:07,780 --> 00:12:09,860
Deakins and the way that they transform
a film?
191
00:12:10,190 --> 00:12:13,850
Just try not to burp as I talk about the
great Roger Deakins.
192
00:12:14,070 --> 00:12:16,150
That wouldn't be great.
193
00:12:16,550 --> 00:12:17,870
I'm just going to do one of these.
194
00:12:19,370 --> 00:12:20,370
Okay.
195
00:12:21,230 --> 00:12:25,930
I think when Deakins was working on
Sicario, it was such a pleasure watching
196
00:12:25,930 --> 00:12:29,590
work. I mean, when he lights, it's like
you're at church. Like, don't make a
197
00:12:29,590 --> 00:12:34,870
peep. Just shooting something, playing
skunk, skunk, skunk, skunk. I just don't
198
00:12:34,870 --> 00:12:38,730
know if it's... terribly interesting for
an audience. They won't know why
199
00:12:38,730 --> 00:12:42,190
they're not interested if you don't know
enough about how a movie is shot.
200
00:12:42,430 --> 00:12:46,350
But they'll just feel something else
watching a Steven Spielberg movie or
201
00:12:46,350 --> 00:12:51,410
watching a Sicario and how Roger used
the cameras like this kind of prowling,
202
00:12:51,410 --> 00:12:54,830
claustrophobic sort of observer.
203
00:12:55,550 --> 00:13:00,870
And then you feel my character's panic
and you feel her claustrophobia and you
204
00:13:00,870 --> 00:13:04,430
feel her entrapment in this situation
she's in.
205
00:13:05,480 --> 00:13:06,780
I think it's hugely important.
206
00:13:11,520 --> 00:13:14,040
I feel like my upper lip is sweating a
little bit.
207
00:13:16,620 --> 00:13:17,620
It's not sweet.
208
00:13:18,640 --> 00:13:19,640
At first.
209
00:13:22,960 --> 00:13:23,960
Yep.
210
00:13:26,900 --> 00:13:29,180
Kind of tastes like a duck pancake.
211
00:13:29,540 --> 00:13:31,400
Like a poison duck pancake.
212
00:13:32,760 --> 00:13:34,600
And then it comes for a little kick.
213
00:13:35,320 --> 00:13:36,720
And has a build on it.
214
00:13:37,600 --> 00:13:40,460
I like it. But you're built for it. You
like it. I like that one.
215
00:13:41,880 --> 00:13:43,800
Did you imagine Seven Wings then?
216
00:13:44,020 --> 00:13:48,000
I truly lost way too much sleep over
there.
217
00:13:48,620 --> 00:13:49,860
She says, choking.
218
00:13:51,880 --> 00:13:55,800
I saw Halle Berry just plowed away
through it. Oh my God, yeah. Has she
219
00:13:55,800 --> 00:13:56,719
best?
220
00:13:56,720 --> 00:14:00,060
You know, I think once a season, there's
someone who comes in here and is
221
00:14:00,060 --> 00:14:03,780
completely unaffected and kind of walks
me like a dog on my own show. I think
222
00:14:03,780 --> 00:14:07,720
that happens about once a season. But
you've really, you've been in rhythm.
223
00:14:08,080 --> 00:14:09,080
I'm flowing.
224
00:14:09,160 --> 00:14:10,700
I feel like you're flowing. Okay.
225
00:14:11,480 --> 00:14:15,860
Now, I don't want to get too far out
ahead of it because this next wing, you
226
00:14:15,860 --> 00:14:17,760
knew about it before. You know, you
called out to Bob.
227
00:14:18,400 --> 00:14:21,060
Which means someone's given you some
context.
228
00:14:21,540 --> 00:14:23,640
Too many people have given me context.
229
00:14:24,659 --> 00:14:26,560
Did you reach out for advice?
230
00:14:26,840 --> 00:14:30,300
Yeah, I asked Matt Damon and he said the
first seven you'll be fine and then
231
00:14:30,300 --> 00:14:31,300
it's over.
232
00:14:31,940 --> 00:14:36,460
And then he was sick. He puked. So that
doesn't help. Should I coat my mouth
233
00:14:36,460 --> 00:14:38,640
with something? Yeah, it's worth a try,
I guess. By the way, this does not come
234
00:14:38,640 --> 00:14:41,120
out fast enough. This is so sick.
235
00:14:43,460 --> 00:14:44,460
Mm -hmm.
236
00:14:45,360 --> 00:14:46,360
Mm -hmm.
237
00:14:48,200 --> 00:14:49,920
Okay, I'm very scared.
238
00:14:55,310 --> 00:14:56,310
faint with this.
239
00:15:00,650 --> 00:15:03,850
That was a really wussy bite, but oh,
wow.
240
00:15:08,850 --> 00:15:09,930
Oh, man.
241
00:15:11,470 --> 00:15:16,130
Oh, fuck me. Yeah, right.
242
00:15:16,370 --> 00:15:17,370
That's real.
243
00:15:18,730 --> 00:15:19,730
Jacket coming off.
244
00:15:19,910 --> 00:15:21,410
That's too big of a jump.
245
00:15:23,470 --> 00:15:24,490
It doesn't seem right.
246
00:15:24,710 --> 00:15:26,550
Yeah, like wing whiplash.
247
00:15:27,370 --> 00:15:28,890
That's wing whiplash.
248
00:15:29,490 --> 00:15:30,490
Yeah.
249
00:15:30,870 --> 00:15:33,230
But you're just pretending. You're fine.
250
00:15:33,650 --> 00:15:37,530
No, I'm not. I'm not. I know you are.
You're trying to be really sympathetic.
251
00:15:38,670 --> 00:15:39,670
I'm really not.
252
00:15:40,130 --> 00:15:42,910
Every time, you know, this one always
ends.
253
00:15:44,310 --> 00:15:45,269
Good Lord.
254
00:15:45,270 --> 00:15:46,610
I know. I know. Actually, I will.
255
00:15:47,080 --> 00:15:50,480
Hit this milkshake one time. That feels
like it's all shades of wrong, that one.
256
00:15:50,600 --> 00:15:52,860
It doesn't even taste. It just tastes of
chemicals.
257
00:15:57,360 --> 00:15:58,360
I know.
258
00:15:59,480 --> 00:16:00,199
You're good.
259
00:16:00,200 --> 00:16:02,920
You're good. We call it a wing eight
glow on this show.
260
00:16:03,120 --> 00:16:04,120
Yeah.
261
00:16:04,200 --> 00:16:07,660
You look great. Is that what it is? And
you're doing great. You're doing great.
262
00:16:07,720 --> 00:16:08,720
Oh, my Lord.
263
00:16:09,610 --> 00:16:13,310
As a self -described freak for cooking
shows, which food show do you think
264
00:16:13,310 --> 00:16:15,850
you've spent the most hours of your life
actually watching?
265
00:16:16,110 --> 00:16:20,790
Like, is Great British Bake Off number
one or their Food Network classic the
266
00:16:20,790 --> 00:16:23,830
most special place in your heart? Look
how you're asking me this question.
267
00:16:24,030 --> 00:16:25,130
You're literally in pain.
268
00:16:25,510 --> 00:16:28,530
I know, but it's the least I can do
because then I'm just passing the ball
269
00:16:28,530 --> 00:16:31,730
to you to answer it in the same exact
situation. How'd you cool your tongue
270
00:16:31,730 --> 00:16:33,790
down? I tried a little milkshake.
271
00:16:35,990 --> 00:16:38,130
Nominal effect, but slight improvement.
272
00:16:38,550 --> 00:16:39,550
Okay.
273
00:16:42,689 --> 00:16:43,689
Mm -hmm.
274
00:16:45,350 --> 00:16:51,150
The Great British Bake Off is my
favorite cooking show, bar none.
275
00:16:52,210 --> 00:16:54,690
It makes me feel very nostalgic about
England.
276
00:16:55,690 --> 00:16:57,810
I feel very happy when I watch it.
277
00:17:00,610 --> 00:17:03,190
I like the irreverence. I like the sense
of humor.
278
00:17:04,130 --> 00:17:05,130
Love cake.
279
00:17:06,550 --> 00:17:07,550
Wow.
280
00:17:07,920 --> 00:17:11,359
This doesn't quit, also. I know, and
actually, if anything, kind of builds.
281
00:17:11,599 --> 00:17:14,880
You know, like, it's probably worse than
when you first took the bite at this
282
00:17:14,880 --> 00:17:15,880
point. And the others are going to be
worse than that.
283
00:17:16,280 --> 00:17:19,839
So, this is me being honest, because I'm
a chicken wing talk show host, but one
284
00:17:19,839 --> 00:17:22,380
of great integrity. I'm all right,
Bjorn. I'm good. I'm good.
285
00:17:22,599 --> 00:17:28,020
After this one, nothing is as bad, okay,
going forward. You know, like, and I
286
00:17:28,020 --> 00:17:31,100
actually think that it makes the next
two a little bit easier, because it sort
287
00:17:31,100 --> 00:17:33,840
of scorches the earth and burns its own
path.
288
00:17:34,650 --> 00:17:38,250
And then you have less friction from
here. Shaquille O 'Neal's reaction to
289
00:17:38,250 --> 00:17:42,630
is one of my favorite things I've ever
watched. He apologized to Kansas. Yeah,
290
00:17:42,630 --> 00:17:43,630
he apologized.
291
00:17:43,910 --> 00:17:49,510
Kansas, I apologize. It was so good. I
watched it five times in a row. It was
292
00:17:49,510 --> 00:17:50,790
wonderful. Or that face.
293
00:17:51,150 --> 00:17:54,090
It was great.
294
00:17:54,870 --> 00:17:56,830
So, yes, I do love that show.
295
00:17:57,450 --> 00:18:00,190
I also love Ina Garten Barefoot
Contessa.
296
00:18:00,430 --> 00:18:04,870
Yeah, and you've been on that show. You
even, like, you crashed her website with
297
00:18:04,870 --> 00:18:09,170
your family's roasted potato recipe.
Which is really, I really have to clear
298
00:18:09,170 --> 00:18:14,090
this rumor that I invented these roast
potatoes. They have been named Emily's
299
00:18:14,090 --> 00:18:15,090
Roast Potatoes.
300
00:18:16,730 --> 00:18:17,730
As I burp.
301
00:18:19,110 --> 00:18:23,170
They really aren't mine. This is like a
classic English thing that everyone
302
00:18:23,170 --> 00:18:24,650
cooks every single Sunday.
303
00:18:25,590 --> 00:18:32,070
But I don't know if America has quite
got on board with this tradition.
304
00:18:32,610 --> 00:18:36,090
That was like a novel thing that you
invented. All of my British friends are
305
00:18:36,090 --> 00:18:39,670
like, you didn't invent those potatoes.
I was like, I know. But if Ina Garten
306
00:18:39,670 --> 00:18:42,570
wants to call them Emily's roast
potatoes, I'm absolutely delighted.
307
00:18:48,830 --> 00:18:50,790
Why did you not finish with Da Bomb?
308
00:18:51,770 --> 00:18:53,890
Well, you know, you're in film, right?
309
00:18:54,130 --> 00:18:55,130
Mm -hmm.
310
00:18:55,310 --> 00:18:58,530
We like to have an arc. Yeah. You know
what I mean? Like if you're just
311
00:18:58,530 --> 00:19:01,230
ratcheting tension, ratcheting tension,
and then rolled credit.
312
00:19:01,430 --> 00:19:03,290
Yeah, it's too much of a crescendo. It's
boring.
313
00:19:03,550 --> 00:19:05,850
Exactly. We like to do non -linear
storytelling.
314
00:19:06,190 --> 00:19:07,190
Right, exactly.
315
00:19:07,210 --> 00:19:10,130
Same with us on Hollywood. You're like
the Chris Nolan of food.
316
00:19:10,590 --> 00:19:13,350
Whoa, that's coming from you. They can't
take that away from me. You're like
317
00:19:13,350 --> 00:19:14,370
chicken Chris Nolan.
318
00:19:15,450 --> 00:19:16,450
I'll take that.
319
00:19:16,850 --> 00:19:17,850
I'll take that.
320
00:19:19,130 --> 00:19:20,770
All right, here we go.
321
00:19:21,450 --> 00:19:24,770
I'm almost there. You're almost there.
This next one is called Triple X Salsa
322
00:19:24,770 --> 00:19:25,770
Vibes.
323
00:19:31,150 --> 00:19:37,210
That one got right in my teeth.
324
00:19:38,270 --> 00:19:39,270
Mm -hmm.
325
00:19:39,630 --> 00:19:43,490
Mm. Okay. Not fun, but remember the last
one. Mm -hmm.
326
00:19:44,350 --> 00:19:45,830
I think a little bit easier.
327
00:19:46,210 --> 00:19:47,930
Oh, I do not like how that tastes.
328
00:19:49,320 --> 00:19:51,440
That does not have a good vibe.
329
00:19:52,400 --> 00:19:56,240
You've named Jaws, Lawrence of Arabia,
Gone with the Wind, and Romancing the
330
00:19:56,240 --> 00:19:57,420
Stone amongst your favorites.
331
00:19:57,660 --> 00:20:01,800
Which film do you think you've
recommended most in your life, and why
332
00:20:01,800 --> 00:20:03,380
important for you to share the gospel?
333
00:20:03,780 --> 00:20:07,040
I can't believe I let off Dirty Dancing
and Pretty Woman.
334
00:20:07,560 --> 00:20:11,940
I think I was trying to sound really
cinematically learned when I gave that
335
00:20:11,940 --> 00:20:15,780
list. Jaws is still my favorite movie. I
have recommended that a lot.
336
00:20:16,360 --> 00:20:18,860
I think a lot of people watched it. A
lot of people I know watched it when
337
00:20:18,860 --> 00:20:22,320
were kids. I think if you watch it as an
adult, it takes on a whole different
338
00:20:22,320 --> 00:20:25,900
form of storytelling and the humanity of
fear.
339
00:20:26,120 --> 00:20:31,820
And these three men confined in a boat
and what their fear really means and how
340
00:20:31,820 --> 00:20:33,080
they relate to each other, I think.
341
00:20:33,560 --> 00:20:36,260
And it's about outsiders. It's about
people not belonging.
342
00:20:37,220 --> 00:20:40,900
And there's so many beautiful themes
that there are in all of Stephen's
343
00:20:40,900 --> 00:20:43,560
that it's high stakes action and it's...
344
00:20:44,320 --> 00:20:49,060
You know, and it's big scale
storytelling, but I think he has this
345
00:20:49,060 --> 00:20:52,460
grounding running through all of it and
this humanity.
346
00:20:52,760 --> 00:20:57,480
So Jaws would be it for me. You know how
I struggled to get that question out,
347
00:20:57,520 --> 00:20:58,520
you know?
348
00:20:58,980 --> 00:21:02,460
And then I hand the ball over to you.
Look how eloquent you are. Really?
349
00:21:02,460 --> 00:21:05,200
about Jaws, nine wings in.
350
00:21:07,160 --> 00:21:09,600
And it's, wait, what do you do with this
one?
351
00:21:09,980 --> 00:21:10,980
You add more?
352
00:21:11,100 --> 00:21:12,180
Why are you shaking it?
353
00:21:13,139 --> 00:21:14,139
Oh, Lord.
354
00:21:14,420 --> 00:21:15,420
Okay.
355
00:21:20,560 --> 00:21:22,360
Fuck me. All right.
356
00:21:23,920 --> 00:21:24,920
Here we go.
357
00:21:25,880 --> 00:21:27,240
Like how much? Like that much?
358
00:21:27,440 --> 00:21:28,620
Textbook. Textbook.
359
00:21:32,840 --> 00:21:34,980
Mm -hmm. You took a nice big bite.
360
00:21:36,600 --> 00:21:37,900
That'll come back to haunt me.
361
00:21:38,680 --> 00:21:39,680
Okay.
362
00:21:42,920 --> 00:21:46,660
I don't like how that one tastes either.
It's like the hotter they get, the more
363
00:21:46,660 --> 00:21:47,680
chemically they taste.
364
00:21:47,880 --> 00:21:49,880
Yeah. What is that? It tastes like
minerals.
365
00:21:51,800 --> 00:21:53,400
But. It tastes like a rock.
366
00:21:54,500 --> 00:21:56,600
A very spicy rock. Yeah, yeah.
367
00:21:56,900 --> 00:21:57,900
A lava rock.
368
00:21:58,520 --> 00:22:01,620
Like Da Bomb was the peppery one. Mm
-hmm. Right.
369
00:22:02,960 --> 00:22:07,100
Okay, it's afterwards, isn't it? Right.
Remember, they build. They build a
370
00:22:07,100 --> 00:22:07,719
little bit.
371
00:22:07,720 --> 00:22:09,100
But the good news is.
372
00:22:09,580 --> 00:22:13,260
The Wings of Death are behind us. You've
conquered the Hot Ones gauntlet.
373
00:22:13,380 --> 00:22:15,120
Impressive in its own right.
374
00:22:15,320 --> 00:22:19,580
Yeah. But even more impressive is that
you're consistently, you've consistently
375
00:22:19,580 --> 00:22:23,540
chosen films that become timeless
classics across genres.
376
00:22:23,800 --> 00:22:28,980
So I'm curious, on this particular day,
with a million Scoville coursing through
377
00:22:28,980 --> 00:22:33,560
you, do you have like an Emily Blunt
Mount Rushmore of projects? Like if your
378
00:22:33,560 --> 00:22:36,480
career is held up by four load -bearing
pillars.
379
00:22:37,260 --> 00:22:39,160
Oh, I got to pick my favorite kid.
380
00:22:39,740 --> 00:22:41,060
This could change tomorrow.
381
00:22:41,420 --> 00:22:44,620
You have to, you know, you're
hypnotized. Yeah, because I already
382
00:22:44,620 --> 00:22:46,360
to Dirty Dancing and Pretty Woman.
Exactly.
383
00:22:46,800 --> 00:22:47,739
It's fluid.
384
00:22:47,740 --> 00:22:48,740
It's fluid.
385
00:22:49,680 --> 00:22:50,680
That's fluid.
386
00:22:53,020 --> 00:22:54,040
I'm going to be fluid.
387
00:22:56,200 --> 00:22:57,380
Wow. Okay.
388
00:23:00,240 --> 00:23:01,240
Mm -hmm.
389
00:23:01,260 --> 00:23:02,260
Mm -hmm. Mm -hmm.
390
00:23:03,820 --> 00:23:05,640
Sicario. Oh, God.
391
00:23:07,560 --> 00:23:12,420
Oppenheimer, A Quiet Place, Part 1, 2,
and almost 3.
392
00:23:13,920 --> 00:23:15,360
I don't like that.
393
00:23:15,660 --> 00:23:18,120
I know, I know. And, um...
394
00:23:20,250 --> 00:23:24,050
Probably the devil was brought over. I
have to.
395
00:23:24,730 --> 00:23:29,630
And look at you, Emily Blunt, taking on
the wings of death, living to tell the
396
00:23:29,630 --> 00:23:32,670
tale, and now there's nothing left to do
but roll out the red carpet for you.
397
00:23:32,770 --> 00:23:35,710
This camera, this camera, this camera.
Let the people know what you have going
398
00:23:35,710 --> 00:23:36,710
on in your life.
399
00:23:36,810 --> 00:23:38,150
Do you want me to do it to the camera?
400
00:23:38,590 --> 00:23:40,170
Whatever you feel good. Oh, okay.
401
00:23:41,230 --> 00:23:46,550
I mean, I've got Steven Spielberg's
movie coming out soon.
402
00:23:47,880 --> 00:23:49,840
12? You nailed it. Nailed it.
403
00:23:50,520 --> 00:23:55,380
And then I'm shooting Quiet Place Part 3
with my husband.
404
00:23:58,700 --> 00:24:03,400
Thank you, guys.
405
00:24:04,580 --> 00:24:05,840
Oh, Lord.
406
00:24:08,440 --> 00:24:09,840
I love your questions.
407
00:24:11,000 --> 00:24:13,080
Where are you going? Are you going away
for two weeks?
408
00:24:13,639 --> 00:24:15,000
They said you were off somewhere.
409
00:24:15,240 --> 00:24:19,880
I'm going back to my college. I'm doing
the graduation speech this weekend. Are
410
00:24:19,880 --> 00:24:20,399
you really?
411
00:24:20,400 --> 00:24:21,400
Are you scared?
412
00:24:21,420 --> 00:24:24,440
A little bit, actually. I've never done
anything like that. I've never done a
413
00:24:24,440 --> 00:24:25,440
commencement before.
414
00:24:25,540 --> 00:24:29,340
No. And it's like a big, big tent. It'll
be like 60 ,000 people, you know?
415
00:24:29,360 --> 00:24:30,360
Fucking hell.
416
00:24:31,460 --> 00:24:33,580
Gas me up. Gas me up. You're going to be
great.
417
00:24:33,800 --> 00:24:35,900
That's what I'm talking about. That's
what I'm talking about. I should Tom
418
00:24:35,900 --> 00:24:37,140
Cruise you. It's a challenge.
419
00:24:37,360 --> 00:24:38,299
Yeah, that's right.
420
00:24:38,300 --> 00:24:39,300
You got this.
421
00:24:45,160 --> 00:24:48,820
People think Hot Ones is chaos, but this
table runs on precision.
422
00:24:49,180 --> 00:24:50,840
Every bottle has a job.
423
00:24:51,120 --> 00:24:55,620
And right now, Los Calientes Verde is
missing.
424
00:24:56,420 --> 00:24:58,380
Bill, we have a situation.
425
00:25:00,100 --> 00:25:04,080
Relax, Sean. Hot Ones hot sauces are
available in over 10 ,000 grocery stores
426
00:25:04,080 --> 00:25:07,100
nationwide. I have an extra for you.
Thanks so much, Bill.
427
00:25:07,700 --> 00:25:08,700
Crisis averted.
428
00:25:09,160 --> 00:25:10,160
Now let's roll.
429
00:25:11,280 --> 00:25:15,120
Find Hot Ones Hot Sauces at major
retailers and grocery stores near you.
35255
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.