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00:00:32,966 --> 00:00:35,503
( upbeat music playing )
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00:00:37,638 --> 00:00:41,175
- Choir: * JEREMIAH WAS
A BULLFROG... *
- * BULLFROG
3
00:00:41,242 --> 00:00:42,910
* WAS A GOOD FRIEND
OF MINE *
4
00:00:42,976 --> 00:00:44,512
* WAS A GOOD FRIEND
OF MINE *
5
00:00:44,578 --> 00:00:47,148
* NEVER UNDERSTOOD
A SINGLE WORD HE SAID *
6
00:00:47,215 --> 00:00:50,418
- * BUT I HELPED HIM
DRINK HIS WINE *
- * OH MY, MY
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00:00:50,484 --> 00:00:53,787
- * YES, HE ALWAYS HAD
SOME MIGHTY FINE WINE *
- * SO FINE
8
00:00:53,854 --> 00:00:57,458
- * SINGING JOY
TO THE WORLD *
-* JOY TO THE WORLD
9
00:00:57,525 --> 00:01:00,628
- * ALL THE BOYS AND GIRLS
- * ALL THE BOYS AND GIRLS
10
00:01:00,694 --> 00:01:04,165
* JOY TO THE FISHES
IN THE DEEP BLUE SEA *
11
00:01:04,232 --> 00:01:07,000
* JOY TO YOU AND ME
12
00:01:07,067 --> 00:01:10,604
- * IF I WERE
THE KING OF THE WORLD *
- * KING OF THE WORLD
13
00:01:10,671 --> 00:01:13,741
- * I TELL YOU WHAT I'D DO
- * I TELL YOU WHAT I'D DO
14
00:01:13,807 --> 00:01:17,010
* I'D THROW AWAY THE CARS
AND THE BARS AND THE WARS *
15
00:01:17,077 --> 00:01:20,148
- * AND MAKE
SWEET LOVE TO YOU *
- * SWEET LOVE
16
00:01:20,214 --> 00:01:23,484
- * SINGING JOY
TO THE WORLD *
- * JOY TO THE WORLD
17
00:01:23,551 --> 00:01:26,720
- * ALL THE BOYS AND GIRLS
- * ALL THE BOYS AND GIRLS
18
00:01:26,787 --> 00:01:30,358
* JOY TO THE FISHES
IN THE DEEP BLUE SEA *
19
00:01:30,424 --> 00:01:32,593
* JOY TO YOU AND ME...
20
00:01:32,660 --> 00:01:33,994
KEY CHANGE!
21
00:01:34,061 --> 00:01:37,030
- * JOY TO THE WORLD
- * JOY TO THE WORLD
22
00:01:37,097 --> 00:01:40,568
- * ALL THE BOYS AND GIRLS
- * ALL THE BOYS AND GIRLS
23
00:01:40,634 --> 00:01:44,172
- * JOY TO THE WORLD
- * JOY TO THE WORLD
24
00:01:44,238 --> 00:01:46,874
- * JOY TO YOU AND ME
- * YOU AND ME
25
00:01:46,940 --> 00:01:49,810
- * JOY TO THE WORLD
- * JOY TO THE WORLD
26
00:01:49,877 --> 00:01:53,347
- * ALL THE BOYS AND GIRLS
- * ALL THE BOYS AND GIRLS
27
00:01:53,414 --> 00:01:56,984
* JOY TO THE FISHES
IN THE DEEP BLUE SEA *
28
00:01:57,050 --> 00:01:59,019
* JOY TO YOU AND ME...
29
00:01:59,086 --> 00:01:59,953
BIG ENDING!
30
00:02:00,020 --> 00:02:05,826
* JOY TO YOU AND ME!
31
00:02:07,361 --> 00:02:09,430
( cheering )
32
00:02:10,764 --> 00:02:12,466
HAVE A VERY PLEASANT
SUMMER EVERYONE.
33
00:02:12,533 --> 00:02:14,568
MS. FLETCHER,
REHEARSAL TOMORROW
AT 4:00.
34
00:02:14,635 --> 00:02:17,338
OH, AND I DID SEND IN
THAT RECOMMENDATION
YOU REQUESTED.
35
00:02:17,405 --> 00:02:19,173
OH, THANK YOU,
MR. HOLCOMBE. BYE.
36
00:02:19,240 --> 00:02:21,342
ARE YOU ACTUALLY
GOING TOMORROW?
37
00:02:21,409 --> 00:02:23,311
CALL ME A DORK,
BUT I LOVE CHOIR PRACTICE.
38
00:02:23,377 --> 00:02:24,745
AND I DON'T WANT
TO LET HIM DOWN.
39
00:02:24,812 --> 00:02:26,414
- ( school bell rings )
- ALL RIGHT, LAST DAY!
40
00:02:26,480 --> 00:02:29,116
- HEY, TERRI, HEY, TERRI.
- HEY, MATTHEW.
41
00:02:29,183 --> 00:02:30,718
HEY.
42
00:02:30,784 --> 00:02:32,953
I, UH, I GOT
THE CONCERT TICKETS
THAT YOU WANTED.
43
00:02:33,020 --> 00:02:35,223
OH, UM,
I'VE GOT THE MONEY.
44
00:02:35,289 --> 00:02:37,157
- AWESOME.
- THERE YOU GO.
45
00:02:37,225 --> 00:02:38,392
SO, UM,
46
00:02:38,459 --> 00:02:39,993
I'LL SEE YOU
AT REHEARSAL THEN.
47
00:02:40,060 --> 00:02:42,696
- OKAY, COOL.
SEE YOU THEN.
- ( exhales deeply )
48
00:02:45,566 --> 00:02:48,035
- ( giggles )
- OKAY. ( giggles )
49
00:02:48,101 --> 00:02:50,571
( laughs )
OH MY GOD!
50
00:02:50,638 --> 00:02:52,172
HE'S GOING TO SPEND
THE WHOLE NEXT MONTH
51
00:02:52,240 --> 00:02:53,641
HOPING HE DIDN'T JUST
GET YOU PREGNANT.
52
00:02:53,707 --> 00:02:56,677
OH, SHUT UP.
HE'S SO NICE.
53
00:02:56,744 --> 00:03:00,013
* PLAY IT LOUD
54
00:03:00,080 --> 00:03:03,784
* PLAY IT LOUD
55
00:03:03,851 --> 00:03:07,054
* RAISE YOUR VOICE
56
00:03:07,120 --> 00:03:11,425
* SHOUT IT OUT
57
00:03:11,492 --> 00:03:14,562
- * WE WEREN'T THE FIRST
- ( both giggling )
58
00:03:14,628 --> 00:03:18,699
* BUT WE'RE
HOLDING OUR OWN... *
59
00:03:18,766 --> 00:03:21,402
AS HORDES OF
SUMMER-STARVED TEENAGERS
60
00:03:21,469 --> 00:03:24,438
DESCEND ON UNSUSPECTING
FLAGSTAFF, ARIZONA,
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LET'S SEE WHAT THESE TWO
POISED YOUNG WOMEN
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00:03:26,807 --> 00:03:28,876
HAVE TO SAY ABOUT
THE LAST DAY OF SCHOOL!
63
00:03:28,942 --> 00:03:32,713
- I'M OUTTA HERE, RIVERDALE!
- YEAH, SCHOOL'S OUT, BABY!
64
00:03:32,780 --> 00:03:35,783
ALL RIGHT.
THE CAMERA LOVES YOU.
65
00:03:35,849 --> 00:03:38,118
SO, LAUREN, WHAT ARE
YOU DOING TONIGHT?
66
00:03:38,185 --> 00:03:39,587
PAUL, STOP HITTING
ON MY FRIEND.
67
00:03:39,653 --> 00:03:41,522
WHATEVER YOU'RE
DOING TONIGHT.
68
00:03:41,589 --> 00:03:43,557
LAUREN, STOP HITTING
ON MY BROTHER. UGH!
69
00:03:43,624 --> 00:03:45,293
HEY, WOULD YOU TELL MOM
I'LL BE LATE?
70
00:03:45,359 --> 00:03:47,227
BUT IT'S YOUR GRADUATION
BARBECUE.
71
00:03:47,295 --> 00:03:50,798
I'VE GOT PLACES
TO GO, PEOPLE TO SEE.
JUST SAVE ME A BURNT BURGER.
72
00:03:50,864 --> 00:03:52,766
- WILL YOU GIVE ME
A RIDE HOME?
- SURE.
73
00:03:52,833 --> 00:03:56,304
* PLAY IT LOUD
74
00:03:56,370 --> 00:03:59,840
* PLAY IT LOUD
75
00:03:59,907 --> 00:04:03,110
* RAISE YOUR VOICE
76
00:04:03,176 --> 00:04:06,714
* SHOUT IT OUT
77
00:04:06,780 --> 00:04:10,217
* PLAY IT LOUD
78
00:04:10,284 --> 00:04:13,521
* PLAY IT LOUD
79
00:04:13,587 --> 00:04:17,090
* RAISE YOUR VOICE
80
00:04:17,157 --> 00:04:20,861
* SHOUT IT OUT
81
00:04:20,928 --> 00:04:24,332
* PLAY IT LOUD
82
00:04:24,398 --> 00:04:25,766
* PLAY IT LOUD...
83
00:04:25,833 --> 00:04:27,768
- THANKS, LAUREN.
- ANYTIME.
84
00:04:27,835 --> 00:04:31,171
- HEY, I'LL CALL YOU TOMORROW.
- OKAY, HAVE FUN TONIGHT.
85
00:04:31,238 --> 00:04:34,408
* PLAY IT LOUD.
86
00:04:37,878 --> 00:04:40,748
SO, TERRI BOO-BERRY,
WHAT ARE YOU UP TO
THIS SUMMER?
87
00:04:40,814 --> 00:04:42,716
- I'M SINGING IN CHOIR.
- COOL.
88
00:04:42,783 --> 00:04:45,953
YEAH, AND, UM, I'M WORKING
AT THE RESTAURANT AGAIN.
89
00:04:46,019 --> 00:04:47,788
- WOW, WHAT FUN.
- YEAH.
90
00:04:47,855 --> 00:04:50,924
BUT MOSTLY, I REALLY WANT
TO GET INTO THIS MUSIC
SUMMER PROGRAM IN AUGUST.
91
00:04:50,991 --> 00:04:54,895
- REALLY, WHICH ONE?
- SOME MUSIC THING IN L.A.
92
00:04:54,962 --> 00:04:58,466
DAD! COME ON!IT'S NOT
JUST SOME MUSIC THING IN L.A.
93
00:04:58,532 --> 00:05:00,768
IT'S BRISTOL-HILLMAN
MUSIC CONSERVATORY.
94
00:05:00,834 --> 00:05:03,537
ONLY THE BEST SUMMER MUSIC
PROGRAM ON THE WEST COAST,
95
00:05:03,604 --> 00:05:05,873
- MAYBE EVEN
IN THE WHOLE COUNTRY.
- TERRI, DON'T START.
96
00:05:05,939 --> 00:05:08,742
BUT DAD, THIS IS
SO IMPORTANT TO ME.
97
00:05:08,809 --> 00:05:11,178
PLUS, I ALREADY SENT
IN MY APPLICATION
AND I SENT A CD
98
00:05:11,244 --> 00:05:14,147
- BECAUSE MOM SAID I COULD.
- THAT'S IT! YOU'RE NOT GOING!
99
00:05:14,214 --> 00:05:18,886
- SIMON, DON'T BE
SO CLOSED-MINDED.
- NINA, PLEASE.
100
00:05:18,952 --> 00:05:20,388
( honks )
101
00:05:23,056 --> 00:05:24,858
TERRI...
102
00:05:24,925 --> 00:05:27,728
- WHERE'VE YOU BEEN?
- HANGING OUT WITH SOME
OF THE GUYS.
103
00:05:27,795 --> 00:05:31,432
SAYING GOODBYE, THAT STUFF.
HEY, AUNT NINA!
104
00:05:31,499 --> 00:05:33,801
- HAPPY GRADUATION.
- THANKS.
105
00:05:33,867 --> 00:05:35,436
- HERE.
- Mom: OH HERE,
I'LL TAKE IT IN.
106
00:05:35,503 --> 00:05:37,971
HEY, WHAT'S WRONG?
107
00:05:38,038 --> 00:05:41,174
TERRI JUST WANTS TO GO
TO THIS GREAT MUSIC PROGRAM
IN L.A.
108
00:05:41,241 --> 00:05:45,679
AND YOUR DAD'S BEING HIS USUAL
SQUASH-ANY-GOOD-IDEA SELF.
109
00:05:45,746 --> 00:05:49,717
NINA, THE PRETTIEST GIRLS
FROM ALL THE HIGH SCHOOLS
GO TO L.A.
110
00:05:49,783 --> 00:05:51,218
YOU KNOW WHAT HAPPENS
TO MOST OF THEM?
111
00:05:51,284 --> 00:05:53,320
DAD, YOU DON'T THINK
TERRI'S SPECIAL?
112
00:05:53,387 --> 00:05:56,957
- PAUL, SERIOUSLY.
- I THINK SHE'S THE MOST SPECIAL
HUMAN BEING ON THE PLANET.
113
00:05:57,024 --> 00:05:58,358
SHE'S MY GIRL.
114
00:05:58,426 --> 00:06:00,060
THAT'S WHY SHE'S
NOT GOING TO L.A.
115
00:06:00,127 --> 00:06:03,263
SHE'S 16, FOR GOD'S SAKES.
WHAT'S WRONG WITH YOU PEOPLE?
116
00:06:03,330 --> 00:06:05,999
HUNDREDS OF PEOPLE
APPLY FOR THIS.
117
00:06:06,066 --> 00:06:08,669
IF SHE GETS IN,
IT'S PROOF SHE BELONGS THERE,
BUT YOU GET THAT, RIGHT?
118
00:06:08,736 --> 00:06:11,605
LOOK, WHEN I WAS YOUR AGE,
I THOUGHT I KNEW
EVERYTHING TOO.
119
00:06:11,672 --> 00:06:13,607
BUT I'VE SEEN
A LOT MORE OF THE WORLD
THAN YOU HAVE, PAUL.
120
00:06:13,674 --> 00:06:15,876
WHAT PARTS OF THE WORLD
HAVE YOU SEEN, DAD?
121
00:06:15,943 --> 00:06:18,011
THE BACK AND FRONT
OF YOUR DAD'S RESTAURANT?
122
00:06:18,078 --> 00:06:20,414
OKAY, OKAY.
PAUL, THAT'S ENOUGH.
123
00:06:20,481 --> 00:06:23,283
WELL, JUST BECAUSE YOU'RE
STUCK HERE, YOU WANT EVERYONE
STUCK WITH YOU.
124
00:06:23,350 --> 00:06:26,954
- YOU BETTER WATCH YOUR MOUTH
OR YOU'RE GONNA GET GROUNDED.
- ALL RIGHT, LISTEN.
125
00:06:27,020 --> 00:06:29,089
CAN WE PLEASE
STOP FIGHTING?
126
00:06:29,156 --> 00:06:33,026
IT'S A GRADUATION PARTY.
WE'RE SUPPOSE TO BE
CELEBRATING HERE.
127
00:06:33,093 --> 00:06:34,528
ALL RIGHT?
128
00:06:36,029 --> 00:06:38,632
I CAN'T GET
THESE DAMN COALS
TO LIGHT.
129
00:06:38,699 --> 00:06:40,801
- OH, WELL HERE, TRY THIS.
- WHAT ARE YOU DOING?
130
00:06:40,868 --> 00:06:44,271
GOD. STOP. THAT'S IT!
YOU'RE GROUNDED!
GET IN THE HOUSE.
131
00:06:44,337 --> 00:06:47,508
- I JUST LOVE OUR
FAMILY GET-TOGETHERS.
- UH, I'LL BE BACK.
132
00:06:47,575 --> 00:06:49,109
ALWAYS HAVE.
133
00:07:03,724 --> 00:07:07,127
( sighs )
SO...
134
00:07:07,194 --> 00:07:09,530
I NEVER GOT A CHANCE
TO TELL YOU CONGRATULATIONS
135
00:07:09,597 --> 00:07:14,635
- ON ARIZONA STATE.
- THANKS. AT LEAST
I'M GETTING OUTTA HERE.
136
00:07:14,702 --> 00:07:18,706
( inhales deeply )
AUNT NINA, IF TERRI GETS
INTO THAT MUSIC PROGRAM,
137
00:07:18,772 --> 00:07:20,608
YOU GOTTA MAKE SURE
SHE GOES.
138
00:07:20,674 --> 00:07:24,344
- SHE'LL SUFFOCATE STAYING HERE.
- YEAH, I KNOW.
139
00:07:24,411 --> 00:07:26,580
I WAS THINKING
THE SAME THING.
140
00:07:29,683 --> 00:07:32,786
SO YOU'RE ON MY SIDE?
141
00:07:32,853 --> 00:07:34,121
ALWAYS.
142
00:07:36,957 --> 00:07:38,425
HEY.
143
00:07:38,492 --> 00:07:39,627
WHAT'S GOING ON?
144
00:07:39,693 --> 00:07:41,495
- NOTHING.
- NOTHING.
145
00:07:41,562 --> 00:07:44,798
( giggles )
YEAH, RIGHT.
146
00:07:44,865 --> 00:07:46,133
( sighs )
147
00:07:46,199 --> 00:07:49,469
* THERE'S A LIGHT IN ME
148
00:07:49,537 --> 00:07:53,406
* AND IT'S SHINING BRIGHT
149
00:07:53,473 --> 00:07:58,478
* I CAN ALMOST
TOUCH THE SKY... *
150
00:07:58,546 --> 00:07:59,947
THE SKY.
151
00:08:00,013 --> 00:08:05,919
* YOU'RE THE REASON
I BELIEVE... *
152
00:08:05,986 --> 00:08:08,121
Hello, annoying.
153
00:08:08,188 --> 00:08:10,323
- ( grunts )
- HEY! EASY ON THE HARDWARE.
154
00:08:10,390 --> 00:08:13,761
What are you doing?
Filming America's most
boring teenagers?
155
00:08:18,566 --> 00:08:21,935
* AND I FEEL SO STRONG...
156
00:08:27,107 --> 00:08:29,176
- ( boom box playing )
- ladies and gentlemen,
157
00:08:29,242 --> 00:08:31,645
tonight on
"The Fletcher Experience,"
we have a special treat.
158
00:08:31,712 --> 00:08:34,948
it's my sincere
pleasure to present to you
the distinctive vocal stylings
159
00:08:35,015 --> 00:08:38,919
of the one, the only,
Terri Fletcher!
160
00:08:38,986 --> 00:08:41,689
oh, well, Paul, that is
so very kind of you.
thank you.
161
00:08:41,755 --> 00:08:44,057
This next song
I wrote for my fans.
162
00:08:44,124 --> 00:08:47,661
* Something's got
a hold on me *
163
00:08:47,728 --> 00:08:51,765
* But I will follow
where you go *
164
00:08:51,832 --> 00:08:55,703
* One more mile to Jericho
165
00:08:55,769 --> 00:08:57,738
* The walls will tumble
166
00:08:57,805 --> 00:08:59,573
* The walls will tumble--
167
00:08:59,640 --> 00:09:01,341
( mouse clicks )
168
00:09:01,408 --> 00:09:03,711
* The music fills the space
169
00:09:03,777 --> 00:09:08,015
* And it takes the pain away
170
00:09:08,081 --> 00:09:11,785
* And I know
it's gonna be all right. *
171
00:09:11,852 --> 00:09:13,053
( keys click )
172
00:09:13,120 --> 00:09:15,856
* When you're sad and lonely
173
00:09:15,923 --> 00:09:18,692
* Tell him what you want
174
00:09:18,759 --> 00:09:22,429
* Hold him up and tell him
what you want. *
175
00:09:22,495 --> 00:09:24,898
( mouse clicks )
176
00:09:24,965 --> 00:09:27,768
* 'Cause I just can't wait
till you write me *
177
00:09:27,835 --> 00:09:30,003
- * You're coming around
- * Around
178
00:09:31,805 --> 00:09:35,843
* Now I'm walking
on sunshine, whoa-oh *
179
00:09:35,909 --> 00:09:40,213
- * And don't it
feel good, hey! *
- * Oh, yeah, now
180
00:09:40,280 --> 00:09:42,082
- * And don't it feel good...
- ( giggles )
181
00:09:42,149 --> 00:09:44,284
- * Oh--
- ( mouse clicks )
182
00:10:05,205 --> 00:10:07,808
HEY, WHAT ARE YOU
DOING HERE?
183
00:10:07,875 --> 00:10:11,311
- UM, UH...
- ( distant TV playing )
184
00:10:11,378 --> 00:10:14,147
( sighs )
WITH ALL THE STUFF
THAT WENT ON THIS AFTERNOON
185
00:10:14,214 --> 00:10:18,418
I ALMOST FORGOT TO GIVE YOU
YOUR GRADUATION PRESENT.
186
00:10:18,485 --> 00:10:20,520
- THREE DAYS GRACE?
- YES.
187
00:10:20,587 --> 00:10:23,590
- OH MY GOD! WHEN?
- ( giggles )
188
00:10:23,657 --> 00:10:26,093
IT'S TONIGHT.
189
00:10:26,159 --> 00:10:28,195
OH, NO.
190
00:10:28,261 --> 00:10:30,998
DIDN'T YOU HEAR
I WAS GROUNDED?
191
00:10:31,064 --> 00:10:34,601
PAUL. COME ON.
IT'S NOT LIKE YOU NEVER
BREAK THE RULES.
192
00:10:34,668 --> 00:10:38,371
- ( hisses )
- IF YOU DON'T GO,
I CAN'T GO EITHER.
193
00:10:38,438 --> 00:10:41,141
PLEASE.
IT'S THREE DAYS GRACE.
194
00:10:41,208 --> 00:10:43,110
- SIDE WINDOW? SHOULD WE GO?
- SIDE WINDOW.
195
00:10:43,176 --> 00:10:44,311
- ALL RIGHT.
- ( laughs )
196
00:10:44,377 --> 00:10:45,312
( Terri giggling )
197
00:10:47,715 --> 00:10:49,783
QUIET, QUIET!
198
00:10:54,788 --> 00:10:55,989
( quietly chuckling )
199
00:11:00,393 --> 00:11:02,462
- I CAN'T BELIEVE
YOU SPRUNG ME.
- ( laughs )
200
00:11:02,529 --> 00:11:04,097
THIS IS A FIRST.
201
00:11:04,164 --> 00:11:08,902
WELL, WHO KNOW WHEN WE'LL EVER
BREAK THE LAW AGAIN, RIGHT?
202
00:11:08,969 --> 00:11:11,638
I'M NOT,UH, STAYING
IN FLAGSTAFF TERRI.
203
00:11:11,705 --> 00:11:13,573
I LINED UP A JOB
IN PHOENIX
204
00:11:13,640 --> 00:11:16,443
AND I'M GOING STRAIGHT
TO ARIZONA STATE.
I'M NOT COMING BACK.
205
00:11:17,811 --> 00:11:20,380
JUST LIKE THAT?
I MEAN...
206
00:11:20,447 --> 00:11:22,816
IT'S TIME.
207
00:11:22,883 --> 00:11:25,719
DAD AND I...
208
00:11:25,786 --> 00:11:27,755
NEED...
209
00:11:27,821 --> 00:11:29,757
IT'S JUST TIME.
210
00:11:29,823 --> 00:11:32,359
- THE ONLY THING I FEEL BAD
ABOUT IS LEAVING YOU HERE.
- NO.
211
00:11:32,425 --> 00:11:35,562
YOU DON'T HAVE
TO WORRY ABOUT ME.
WE GET ALONG OKAY.
212
00:11:35,628 --> 00:11:37,530
YEAH, THAT'S WHAT
WORRIES ME.
213
00:11:37,597 --> 00:11:39,767
IT'S MORE THAN
GETTING ALONG, TERRI.
YOU PLEASE THEM.
214
00:11:39,833 --> 00:11:44,004
YOU'RE LIKE
A STEPFORD DAUGHTER OUT
OF A MAIL-ORDER MAGAZINE.
215
00:11:44,071 --> 00:11:47,240
IS THAT
A FORM OF FLATTERY?
216
00:11:47,307 --> 00:11:49,509
AFTER DAD SLAMMED YOU
ON BRISTOL-HILLMAN,
217
00:11:49,576 --> 00:11:53,546
- YOU'RE GOING TO TELL ME
THAT DIDN'T HURT?
- NO, IT TOTALLY HURT.
218
00:11:53,613 --> 00:11:54,848
THEN MAKE A SCENE!
219
00:11:54,915 --> 00:11:58,151
BREAK SOMETHING! SCREAM!
I... SOMETHING.
220
00:11:58,218 --> 00:12:00,353
HUH-HUH. TANTRUMS WERE
NEVER MY THING.
221
00:12:00,420 --> 00:12:02,622
TERRI, YOU'VE GOT THE BEST
VOICE I'VE EVER HEARD,
222
00:12:02,689 --> 00:12:06,526
BUT IF YOU HANG
WITH THE "WORLD ACCORDING
TO SIMON FLETCHER" ANY LONGER,
223
00:12:06,593 --> 00:12:09,763
YOU'RE GOING
TO BE DOING "CATS"
AT THE Y AT 40.
224
00:12:09,830 --> 00:12:12,599
- ( laughs )
- AND THAT WOULD SUCK.
225
00:12:12,665 --> 00:12:14,534
THAT WOULD SUCK.
226
00:12:14,601 --> 00:12:16,603
* HOME!
227
00:12:16,669 --> 00:12:21,108
* THIS HOUSE
IS NOT A HOME... *
228
00:12:21,174 --> 00:12:26,179
- OH MY GOD!
- * THIS HOUSE
IS NOT A HOME. *
229
00:12:34,621 --> 00:12:37,590
WHAT'S UP, FLAGSTAFF?
HOW YOU GUYS DOING, ALL RIGHT?
230
00:12:37,657 --> 00:12:40,160
( cheering )
231
00:12:40,227 --> 00:12:42,062
YEAH.
232
00:12:47,534 --> 00:12:50,137
( rock music playing )
233
00:12:57,044 --> 00:13:01,348
* YOU SAID
WE'D NEVER GET THIS FAR *
234
00:13:01,414 --> 00:13:03,750
- * YOU SAID YOUR WORDS
- * WORDS
235
00:13:03,817 --> 00:13:06,019
* WE PLAYED OUR PARTS
236
00:13:06,086 --> 00:13:10,090
* SAID YOUR TWO CENTS
NOW IT'S MY TURN *
237
00:13:10,157 --> 00:13:14,828
* SO SIT DOWN, SHUT UP,
ARE YOU READY? *
238
00:13:14,895 --> 00:13:19,199
* SO YOU THINK YOU KNOW
239
00:13:19,266 --> 00:13:21,534
- * HOW THIS STORY GOES...
- LITTLE HELP?
240
00:13:21,601 --> 00:13:24,905
- * ARE YOU READY FOR THIS?
- PAUL, DON'T-- OH MY GOD.
241
00:13:24,972 --> 00:13:26,173
* SIT DOWN!
242
00:13:26,239 --> 00:13:28,508
* ARE YOU READY FOR THIS?
243
00:13:28,575 --> 00:13:30,643
* SHUT UP!
244
00:13:30,710 --> 00:13:32,913
* ARE YOU READY FOR THIS?
245
00:13:32,980 --> 00:13:35,182
* STAND UP!
246
00:13:35,248 --> 00:13:37,650
* ARE YOU READY FOR THIS?
247
00:13:37,717 --> 00:13:39,920
* THIS GAME
248
00:13:39,987 --> 00:13:42,055
* ARE YOU READY?
249
00:13:44,657 --> 00:13:47,360
* ARE YOU READY?
250
00:13:53,733 --> 00:13:55,768
* ARE YOU READY FOR THIS?
251
00:13:55,835 --> 00:13:57,770
* SIT DOWN
252
00:13:57,837 --> 00:14:00,473
* ARE YOU READY FOR THIS?
253
00:14:00,540 --> 00:14:02,542
* SHUT UP
254
00:14:02,609 --> 00:14:04,844
* ARE YOU READY FOR THIS?
255
00:14:04,912 --> 00:14:07,514
* STAND STRAIGHT!
256
00:14:07,580 --> 00:14:09,716
* ARE YOU READY?
257
00:14:09,782 --> 00:14:11,518
PAUL, LOOK OUT!
258
00:14:14,087 --> 00:14:15,655
( horn blares )
259
00:14:15,722 --> 00:14:17,190
( crashes )
260
00:14:17,257 --> 00:14:21,328
* ARE YOU READY FOR THIS?
261
00:14:29,036 --> 00:14:31,104
( heart beating )
262
00:14:42,249 --> 00:14:44,918
( monitor beeping )
263
00:14:58,498 --> 00:14:59,933
( gasps )
264
00:15:00,000 --> 00:15:02,302
OH! THANK GOD.
265
00:15:02,369 --> 00:15:04,604
( sobbing )
266
00:15:12,879 --> 00:15:14,181
PAUL?
267
00:15:16,349 --> 00:15:17,317
NO.
268
00:15:17,985 --> 00:15:19,252
( sobbing )
269
00:15:24,024 --> 00:15:25,858
Doctor:
HEALING NICELY.
270
00:15:25,925 --> 00:15:28,028
STILL GOT THAT HEADACHE?
271
00:15:31,298 --> 00:15:33,967
CAN YOU TELL ME
YOUR BIRTHDAY?
272
00:15:34,034 --> 00:15:36,436
APRIL 20TH.
273
00:15:36,503 --> 00:15:38,871
LET'S LET TERRI
GET THE NEXT ONE.
274
00:15:38,938 --> 00:15:40,974
TELL ME WHAT MONTH IT IS.
275
00:15:42,375 --> 00:15:43,977
- ( faintly ) JUNE.
- WHAT'S WRONG WITH HER?
276
00:15:44,044 --> 00:15:45,278
WHY CAN'T SHE SPEAK?
277
00:15:45,345 --> 00:15:49,582
TERRI, TELL ME WHAT MONTH
IT IS OUT LOUD.
278
00:15:49,649 --> 00:15:51,284
IT'S JUNE.
279
00:15:51,351 --> 00:15:52,319
THAT'S GOOD.
280
00:15:52,385 --> 00:15:54,454
NOW FOLLOW THIS LIGHT
WITH YOUR EYES.
281
00:16:00,060 --> 00:16:01,528
( gasps )
282
00:16:01,594 --> 00:16:04,731
DOC, STOP!
WHATEVER YOU'RE DOING,
JUST STOP.
283
00:16:32,892 --> 00:16:35,128
I WISH I WAS OLDER.
284
00:16:35,195 --> 00:16:38,098
I'M SO AFRAID
I'LL SAY SOMETHING STUPID
AND MAKE IT WORSE.
285
00:16:42,835 --> 00:16:45,172
( silent )
286
00:16:48,408 --> 00:16:50,210
( silent )
287
00:17:37,224 --> 00:17:38,758
HEY, AUNT NINA.
288
00:17:38,825 --> 00:17:41,594
HI, TERRI BOO-BERRY.
289
00:17:41,661 --> 00:17:42,762
HONEY.
290
00:17:44,631 --> 00:17:47,500
- WHY WAS THIS IN THE TRASH?
- YOU GOT IN.
291
00:17:47,567 --> 00:17:48,968
CONGRATULATIONS.
292
00:17:49,035 --> 00:17:52,605
- PAUL WOULD BE SO PROUD OF YOU.
- MOM, WHAT ARE YOU DOING?
293
00:17:52,672 --> 00:17:54,407
IF PAUL WERE HERE,
HE WOULD JUST GET
294
00:17:54,474 --> 00:17:56,643
IN ANOTHER SCREAMING FIGHT
WITH DAD ABOUT IT.
295
00:17:56,709 --> 00:17:58,678
OKAY. EVERYTHING
IS DIFFERENT NOW.
296
00:17:58,745 --> 00:18:02,649
- DO YOU STILL WANT TO GO?
- I DON'T WANT TO SING ANYMORE.
297
00:18:02,715 --> 00:18:04,351
I DON'T BELIEVE THAT,
TERRI.
298
00:18:08,288 --> 00:18:11,358
WHY DON'T YOU LET ME
HANDLE YOUR DAD
ABOUT THIS.
299
00:18:14,527 --> 00:18:17,830
- SO, I THINK TERRI
SHOULD COME VISIT ME.
- Simon: HMM.
300
00:18:17,897 --> 00:18:19,866
SIMON, I REALLY THINK
SHE NEEDS TO GET AWAY
301
00:18:19,932 --> 00:18:22,935
AND I'D LIKE HER
TO COME TO PALM DESERT
FOR THE MONTH OF AUGUST.
302
00:18:23,002 --> 00:18:25,638
A MONTH WITH YOU,
ALONE IN THE DESERT?
ARE YOU NUTS?
303
00:18:28,074 --> 00:18:30,343
IT IS ALONE, ISN'T IT?
304
00:18:30,410 --> 00:18:33,280
I'M BETWEEN GUYS RIGHT NOW.
SO YES, I'M ALONE.
305
00:18:33,346 --> 00:18:34,647
YEAH, FOR THE MOMENT.
306
00:18:36,849 --> 00:18:38,485
WELL WHO'S GOING TO HELP ME
IN THE RESTAURANT?
307
00:18:38,551 --> 00:18:40,620
OH, IS THAT REALLY WHAT
YOU WANT TO SAY, SIMON?
308
00:18:40,687 --> 00:18:43,390
"WHO'S GONNA HELP ME
WITH THE RESTAURANT?"
309
00:18:48,261 --> 00:18:50,563
AUNT NINA, WHO SAID
THAT YOU COULD DO THAT?
310
00:18:50,630 --> 00:18:52,965
I'VE NEVER LIED
TO MY FATHER BEFORE.
311
00:18:53,032 --> 00:18:55,368
TERRI, I JUST THINK
THIS IS YOUR LIFE.
312
00:18:55,435 --> 00:18:57,337
YOU DESERVE
THE CHANCE TO LIVE IT.
313
00:18:57,404 --> 00:18:59,472
THEN WHY
DOES IT FEEL SO WRONG?
314
00:19:01,308 --> 00:19:03,075
THERE'S SOMETHING
ABOUT YOUR DAD
315
00:19:03,142 --> 00:19:04,944
THAT I DON'T THINK
YOU KNOW.
316
00:19:05,011 --> 00:19:09,616
HE AND HIS FRIEND
DAVID BOTH GOT FOOTBALL
SCHOLARSHIPS TO UCLA.
317
00:19:09,682 --> 00:19:10,650
REALLY?
318
00:19:10,717 --> 00:19:12,819
AND WHEN GRADUATION
ROLLED AROUND,
319
00:19:12,885 --> 00:19:15,021
OUR FAMILY RESTAURANT
WAS DOING GOOD,
320
00:19:15,087 --> 00:19:17,390
BUT OUR PARENTS WEREN'T.
321
00:19:17,457 --> 00:19:19,659
NEITHER OF US
WANTED THE RESTAURANT,
322
00:19:19,726 --> 00:19:22,829
BUT YOUR DAD FELT HE HAD
NO CHOICE BUT TO TAKE IT.
323
00:19:22,895 --> 00:19:26,666
AND, UH, HIS FRIEND DAVID
WENT ON TO UCLA.
324
00:19:26,733 --> 00:19:29,402
AND HE GOT CAUGHT UP
IN THE L.A. SCENE
325
00:19:29,469 --> 00:19:31,971
AND HE'S BEEN MESSED UP
EVER SINCE.
326
00:19:32,038 --> 00:19:33,773
BUT I KNOW
327
00:19:33,840 --> 00:19:36,343
THAT IF YOUR DAD HAD TAKEN
THAT SCHOLARSHIP,
328
00:19:36,409 --> 00:19:39,679
HE WOULD HAVE MADE IT.
329
00:19:39,746 --> 00:19:42,549
SO, WHAT DOES THAT
HAVE TO DO WITH ME?
330
00:19:42,615 --> 00:19:44,851
I DON'T KNOW.
EVERYTHING?
331
00:19:46,386 --> 00:19:48,588
BUT IT'S
YOUR DECISION, TERRI.
332
00:19:52,225 --> 00:19:53,560
( sighs )
333
00:19:59,832 --> 00:20:01,701
( mother sobbing )
334
00:20:34,100 --> 00:20:35,968
( clears throat )
335
00:20:39,372 --> 00:20:41,841
( sighs )
336
00:20:41,908 --> 00:20:43,776
( coins rattle )
337
00:20:49,816 --> 00:20:51,484
( sighs deeply )
338
00:20:52,819 --> 00:20:55,622
HE WOULD HAVE WANTED
YOU TO HAVE THIS, HONEY.
339
00:20:55,688 --> 00:20:57,957
PAUL WOULD HAVE WANTED
YOU TO HAVE THIS.
340
00:21:01,928 --> 00:21:03,363
I SHOULDN'T
HAVE SNUCK HIM OUT.
341
00:21:03,430 --> 00:21:05,097
OH, HONEY,
IT'S NOT YOUR FAULT,
342
00:21:05,164 --> 00:21:10,803
- IT'S NOT YOUR FAULT.
- I FEEL SO BAD ALL THE TIME.
343
00:21:10,870 --> 00:21:11,871
NO.
344
00:21:14,841 --> 00:21:17,176
I CAN'T DO THIS.
345
00:21:17,243 --> 00:21:19,979
I CAN'T GO.
I CAN'T LIE TO DAD.
346
00:21:20,046 --> 00:21:21,714
IT'S JUST TOO SOON.
347
00:21:21,781 --> 00:21:23,282
HONEY...
348
00:21:23,350 --> 00:21:25,352
I WILL TELL DAD THAT YOU'RE
REALLY NOT AT NINA'S
349
00:21:25,418 --> 00:21:27,354
WHEN THE TIME
IS RIGHT.
350
00:21:27,420 --> 00:21:29,956
AND HE'S GONNA BE
MAD AT FIRST.
351
00:21:30,022 --> 00:21:34,627
BUT HE'S GONNA REALIZE
IT WAS THE RIGHT THING TO DO.
352
00:21:34,694 --> 00:21:38,431
- ARE YOU SURE IT'S
THE RIGHT THING TO DO?
- NO.
353
00:21:38,498 --> 00:21:41,701
I'M NOT SURE
OF ANYTHING.
354
00:21:41,768 --> 00:21:44,404
I JUST WANT
YOU TO BE HAPPY.
355
00:21:46,072 --> 00:21:47,940
( sniffles )
356
00:21:53,245 --> 00:21:54,681
OKAY.
357
00:21:54,747 --> 00:21:56,315
( sniffles )
I'LL DO IT.
358
00:21:56,383 --> 00:21:57,684
OKAY.
359
00:22:00,453 --> 00:22:02,822
( sighs deeply )
360
00:22:14,734 --> 00:22:16,335
ARE YOU GUYS
GONNA BE OKAY?
361
00:22:16,403 --> 00:22:18,070
- ( faintly ) YEAH.
- YEAH. WE'LL BE FINE.
362
00:22:18,137 --> 00:22:20,072
UH, I'M TAKING HER
TO THE TRAIN STATION.
363
00:22:20,139 --> 00:22:22,108
AND, UH, NINA
WILL PICK HER UP
ON THE OTHER END.
364
00:22:22,174 --> 00:22:26,446
- WE'LL BE FINE.
- HERE YOU GO.
THIS IS FOR YOU.
365
00:22:29,716 --> 00:22:30,883
DAD.
366
00:22:30,950 --> 00:22:33,820
I DON'T WANT NINA TO PAY
FOR EVERYTHING, AND UH...
367
00:22:33,886 --> 00:22:38,024
- YOU WANNA COME HOME EARLY,
YOU CALL US, OKAY?
- OKAY.
368
00:22:38,090 --> 00:22:39,358
I LOVE YOU.
369
00:22:41,428 --> 00:22:43,062
ME TOO.
370
00:22:46,032 --> 00:22:48,501
- CALL ME, OKAY?
- OKAY.
371
00:22:50,069 --> 00:22:52,505
( engine starts )
372
00:23:11,357 --> 00:23:12,692
I WANT YOU
TO TAKE THIS.
373
00:23:12,759 --> 00:23:14,761
YOU JUST CALL US
WHENEVER YOU WANT.
374
00:23:14,827 --> 00:23:17,897
AND MAKE SURE YOU CONFERENCE
AUNT NINA IN WHEN YOU DO,
'CAUSE YOU KNOW YOUR FATHER,
375
00:23:17,964 --> 00:23:21,601
- HE'S GONNA WANT TO TALK TO HER
EVERY ONCE IN A WHILE. OKAY?
- GOT IT, MOM.
376
00:23:21,668 --> 00:23:23,736
( train bell ringing )
377
00:23:25,672 --> 00:23:28,641
- I LOVE YOU.
- I LOVE YOU.
378
00:23:28,708 --> 00:23:33,345
* LIFT OFF, HERE I AM,
HERE I GO *
379
00:23:33,412 --> 00:23:35,848
* STAND BACK,
I'M IN CONTROL *
380
00:23:35,915 --> 00:23:39,318
* I'M OUTTA THIS WORLD,
ABOUT TO TAKE OFF *
381
00:23:39,385 --> 00:23:43,623
* AND WHEN I REACH THE STARS,
I STILL WON'T STOP *
382
00:23:43,690 --> 00:23:47,727
- * 'CAUSE I'M ABOUT TO ROCKET
ALL THE WAY TO THE TOP... *
- HEY!
383
00:23:47,794 --> 00:23:51,998
* NOW IT'S FIVE, FOUR,
THREE, TWO, ONE, LIFT-OFF *
384
00:23:54,667 --> 00:23:56,102
* LIFT-OFF
385
00:23:58,337 --> 00:24:00,507
- * LIFT-OFF...
- OW.
386
00:24:02,909 --> 00:24:05,244
- I'LL GET IT. I'LL GET IT.
I'LL GET IT.
- THANK YOU.
387
00:24:05,311 --> 00:24:06,479
SURE.
388
00:24:11,751 --> 00:24:13,820
WHERE DID
MY JACKET GO?
389
00:24:15,855 --> 00:24:18,791
WELCOME TO L.A., BABY.
HOP IN.
390
00:24:18,858 --> 00:24:20,560
- IT'S GONE.
- ( scoffs )
391
00:24:20,627 --> 00:24:22,795
* LIFT OFF,
HEY YOU *
392
00:24:22,862 --> 00:24:25,598
* GET USED TO MY FACE
393
00:24:25,665 --> 00:24:28,434
* I'LL BE TAKING
OVER THIS PLACE *
394
00:24:28,501 --> 00:24:30,537
* 'CAUSE THE RIDE HAS BEEN
395
00:24:30,603 --> 00:24:32,872
* A LITTLE OFF TRACK
396
00:24:32,939 --> 00:24:35,875
* FROM NOW ON
I'M ON THE STRAIGHTEST PATH *
397
00:24:35,942 --> 00:24:39,345
* GOT THAT LOOK IN MY EYE
398
00:24:39,411 --> 00:24:42,649
* GOT MY HEAD IN THE SKY,
BYE-BYE *
399
00:24:42,715 --> 00:24:44,383
* I'M OUTTA THIS WORLD
400
00:24:44,450 --> 00:24:46,185
* ABOUT TO TAKE OFF
401
00:24:46,252 --> 00:24:49,722
* AND WHEN I REACH THE STARS,
I STILL WON'T STOP *
402
00:24:53,926 --> 00:24:57,730
* 'CAUSE I'M ABOUT TO ROCKET
ALL THE WAY TO THE TOP *
403
00:24:57,797 --> 00:25:01,000
* NOW IT'S FIVE, FOUR,
THREE, TWO, ONE *
404
00:25:01,067 --> 00:25:03,269
* LIFT OFF.
405
00:25:03,335 --> 00:25:05,171
( police siren blaring )
406
00:25:10,509 --> 00:25:12,579
( sighs )
407
00:25:15,748 --> 00:25:17,684
OH, COME ON.
408
00:25:19,251 --> 00:25:20,687
- ( knocking )
- HELLO?
409
00:25:20,753 --> 00:25:22,589
HEY! IS ANYONE THERE?
410
00:25:24,290 --> 00:25:27,994
OH-HH--
YOU'VE GOT TO BE KIDDING ME.
411
00:25:28,060 --> 00:25:29,562
HELLO!
412
00:25:33,299 --> 00:25:35,167
SORRY, FULL UP.
413
00:25:35,234 --> 00:25:36,535
HEY!
414
00:25:42,274 --> 00:25:44,744
LOOK.
ARE YOU GOING TO MAKE
A HABIT OUT OF THIS?
415
00:25:44,811 --> 00:25:46,378
OKAY. IT'S LATE
AND I'M TIRED
416
00:25:46,445 --> 00:25:49,649
AND ALL I WANT TO DO
IS GET UP TO MY DORM.
OKAY?
417
00:25:49,716 --> 00:25:51,651
WHAT'S THE PASSWORD?
418
00:25:55,187 --> 00:25:57,890
OKAY. I THINK
WE STARTED OFF
ON THE WRONG FOOT.
419
00:25:57,957 --> 00:26:00,326
- I'M TERRI.
- JAY.
420
00:26:07,566 --> 00:26:09,802
IT'S "MONKEYS"
BY THE WAY.
421
00:26:09,869 --> 00:26:11,938
- THE PASSWORD.
- MM-HM.
422
00:26:13,740 --> 00:26:17,309
- WHAT ROOM?
- UM...
423
00:26:17,376 --> 00:26:18,310
315.
424
00:26:18,377 --> 00:26:20,079
JAY.
THERE YOU ARE.
425
00:26:20,146 --> 00:26:24,150
SEND YOU OUT FOR A SNACK
AND YOU BRING HOME A STRAY.
SHAME.
426
00:26:24,216 --> 00:26:26,018
MMM.
427
00:26:26,085 --> 00:26:26,986
HEY. I'M TERRI.
428
00:26:27,053 --> 00:26:30,289
- UH-HUH.
- I'LL CATCH YOU LATER.
429
00:26:30,356 --> 00:26:32,091
BYE.
430
00:26:32,158 --> 00:26:35,494
YOU KNOW WHAT?
I THINK I'VE GOT IT
FROM HERE. THANKS.
431
00:26:35,561 --> 00:26:37,764
- SEE YA.
- WHEW.
432
00:26:41,467 --> 00:26:43,703
- WHAT?
- WHAT WAS THAT ABOUT?
WHAT DID I SAY?
433
00:26:43,770 --> 00:26:45,371
- I'M SERIOUSLY...
- 315.
434
00:26:47,073 --> 00:26:48,941
OH.
435
00:26:50,843 --> 00:26:52,912
SORRY.
I'M SO SORRY.
436
00:26:56,515 --> 00:26:59,485
HEY. I'M TERRI,
YOUR NEW ROOMMATE.
437
00:26:59,551 --> 00:27:03,055
GREAT. AND I THOUGHT
I HAD THIS PLACE TO MYSELF.
438
00:27:03,122 --> 00:27:06,058
- NOW TURN OUT
THE DAMN LIGHT!
- SORRY.
439
00:27:21,507 --> 00:27:23,375
( phone beeps )
440
00:27:35,822 --> 00:27:38,057
( sighs )
OH MY GOSH.
441
00:27:42,829 --> 00:27:44,831
( sighs )
OKAY. OKAY.
442
00:27:46,766 --> 00:27:48,067
( telephone ringing )
443
00:27:57,844 --> 00:27:59,545
- TERRI?
- HEY. IT'S ME.
444
00:27:59,611 --> 00:28:03,282
OH, THANK GOD, TERRI.
YOUR DAD'S CALLED
TWICE ALREADY.
445
00:28:03,349 --> 00:28:04,884
WELL, THE TRAIN WAS LATE
446
00:28:04,951 --> 00:28:07,353
AND MY JACKET GOT STOLEN
AND THE CAB DRIVER WAS
A TOTAL JERK.
447
00:28:07,419 --> 00:28:10,890
- ARE YOU OKAY?
- I'M FINE. LET'S JUST
CONFERENCE DAD IN, OKAY?
448
00:28:10,957 --> 00:28:13,425
OKAY.
HERE GOES NOTHING.
449
00:28:13,492 --> 00:28:14,927
( faintly )
OKAY.
450
00:28:14,994 --> 00:28:16,128
( faintly )
HERE WE GO.
451
00:28:18,064 --> 00:28:19,265
- ( line rings )
- HEY. ARE YOU THERE?
452
00:28:19,331 --> 00:28:21,000
YEAH.
I'M STILL HERE.
453
00:28:21,067 --> 00:28:23,502
- Teresa, is that you?
- HEY, YEAH, DAD. IT'S ME.
454
00:28:23,569 --> 00:28:26,005
- Is Mom there too?
- YEAH, YEAH. SHE'S JUST
GETTING ON THE EXCHANGE--
455
00:28:26,072 --> 00:28:28,007
- HEY, HONEY!
- WHAT TOOK YOU SO LONG?
456
00:28:28,074 --> 00:28:29,976
WE'VE BEEN WAITING
FOR YOU TO CALL FOR
LIKE FOUR HOURS.
457
00:28:30,042 --> 00:28:33,345
WE'RE SORRY, SIMON.
HER TRAIN WAS LATE.
458
00:28:33,412 --> 00:28:35,481
OH. WELL.
459
00:28:35,547 --> 00:28:38,350
WHAT ARE YOU TWO LADIES GOING
TO DO ON YOUR FIRST BIG NIGHT?
460
00:28:38,417 --> 00:28:40,386
- WE'RE WATCHING TELEVISION.
- WE'RE JUST EATING DINNER.
461
00:28:40,452 --> 00:28:41,888
What?
462
00:28:41,954 --> 00:28:44,323
- EATING DINNER.
- WE'RE WATCHING TELEVISION.
463
00:28:44,390 --> 00:28:45,925
WHICH IS IT?
464
00:28:45,992 --> 00:28:48,327
WE'RE EATING DINNER
WHILE WE'RE WATCHING TELEVISION.
465
00:28:48,394 --> 00:28:50,997
- RIGHT.
- I THOUGHT YOU DIDN'T HAVE
A TELEVISION, NINA.
466
00:28:51,063 --> 00:28:53,866
I THOUGHT THAT WAS AGAINST
YOUR ARTISTIC SENSIBILITIES.
467
00:28:53,933 --> 00:28:57,669
OH, WELL, I-I-- I FINALLY
GAVE IN. SUE ME.
468
00:28:57,736 --> 00:29:00,807
UH-UH, IT'S OKAY AS
LONG AS YOU'RE SAFE.
ARE YOU SAFE, HONEY?
469
00:29:00,873 --> 00:29:03,442
YEAH. I'M FINE.
I'M JUST TOTALLY WIPED OUT.
470
00:29:03,509 --> 00:29:05,644
NOW YOU GET SOME REST.
CALL US TOMORROW.
471
00:29:05,711 --> 00:29:07,479
- AND NINA?
- YES?
472
00:29:07,546 --> 00:29:09,048
DON'T CORRUPT MY BABY.
473
00:29:09,115 --> 00:29:10,783
She's too much
like you already.
474
00:29:10,850 --> 00:29:13,085
DON'T WORRY, SIMON.
I'LL HAVE HER TATTOOED,
WITH BLUE HAIR,
475
00:29:13,152 --> 00:29:17,556
- AND MARRIED TO A RAPPER
IN NO TIME. NIGHTY-NIGHT.
- Good night, Nina.
476
00:29:17,623 --> 00:29:19,091
NIGHT, TERESA.
477
00:29:19,158 --> 00:29:21,493
GOOD NIGHT, MOM.
GOOD NIGHT, DAD.
I LOVE YOU.
478
00:29:21,560 --> 00:29:23,562
BYE-BYE.
I LOVE YOU.
479
00:29:23,629 --> 00:29:25,497
( sighs )
480
00:29:27,466 --> 00:29:30,436
I THINK THAT WORKED.
I THINK I DID IT.
481
00:29:39,278 --> 00:29:40,212
WELL, PAUL,
482
00:29:40,279 --> 00:29:41,413
I'M HERE.
483
00:29:44,116 --> 00:29:47,519
I HOPE YOU'RE HAPPY.
484
00:29:47,586 --> 00:29:49,822
( French horn playing )
485
00:30:10,676 --> 00:30:12,044
HI.
486
00:30:13,445 --> 00:30:16,348
- I'M TERRI, YOUR ROOMMATE.
- YEAH. DENISE.
487
00:30:16,415 --> 00:30:18,317
OKAY, EVERYONE.
TAKE A SEAT.
488
00:30:18,384 --> 00:30:19,518
LET'S BE SEATED.
489
00:30:25,591 --> 00:30:27,459
( playing
classical music )
490
00:31:13,105 --> 00:31:15,607
( cheering, laughing )
491
00:31:24,183 --> 00:31:27,086
( laughing )
IN CASE YOU BOUGHT
THAT OLD SAW
492
00:31:27,153 --> 00:31:28,988
THAT THOSE WHO CAN'T DO,
TEACH.
493
00:31:29,055 --> 00:31:32,558
THESE TALENTED MUSICIANS
BESIDE ME ARE YOUR TEACHERS.
494
00:31:32,624 --> 00:31:35,594
BUT I'D PREFER YOU
TO THINK OF THEM AS YOUR GUIDES.
495
00:31:35,661 --> 00:31:38,797
HELLO, AND WELCOME
TO BRISTOL-HILLMAN'S
SUMMER MUSIC PROGRAM.
496
00:31:38,864 --> 00:31:40,466
I'D LIKE TO START
BY REMINDING YOU
497
00:31:40,532 --> 00:31:43,635
OF THE LARGE NUMBER
OF TALENTED STUDENTS
WHO APPLIED
498
00:31:43,702 --> 00:31:45,371
BUT DID NOT GET IN.
499
00:31:45,437 --> 00:31:46,605
NOW,
500
00:31:46,672 --> 00:31:50,709
THIS SUMMER
IS NOT JUST ABOUT
LEARNING YOUR CRAFT.
501
00:31:50,776 --> 00:31:51,710
IT'S ABOUT
502
00:31:51,777 --> 00:31:53,479
TESTING YOUR LIMITS.
503
00:31:53,545 --> 00:31:56,215
EXPERIMENTING.
NEW EXPERIENCES.
IT'S ABOUT
504
00:31:56,282 --> 00:31:58,684
BUILDING UP AND ROCKING
THE FOUNDATION OF THAT
505
00:31:58,750 --> 00:32:02,421
WHICH WILL GIVE YOU
YOUR OWN INDIVIDUAL VOICE.
506
00:32:02,488 --> 00:32:03,755
NOW, SOME BASICS.
507
00:32:03,822 --> 00:32:07,159
WE HAVE A STRICT 10:00 CURFEW,
11:00 ON THE WEEKENDS.
508
00:32:07,226 --> 00:32:11,563
POSSESSION OF BANNED SUBSTANCES
WILL MEAN IMMEDIATE DISMISSAL.
509
00:32:11,630 --> 00:32:13,599
HMM. THIS IS L.A., PEOPLE.
510
00:32:13,665 --> 00:32:17,003
USE SOME COMMON SENSE.
TRAVEL IN PAIRS.
511
00:32:17,069 --> 00:32:19,438
LASTLY, THE SCHOLARSHIP.
512
00:32:19,505 --> 00:32:21,773
THREE WEEKS FROM NOW,
ON THE LAST DAY
OF THE PROGRAM,
513
00:32:21,840 --> 00:32:23,042
WE WILL HAVE
FINAL PERFORMANCES
514
00:32:23,109 --> 00:32:25,044
WHERE YOU SHOW US
WHAT YOU'VE GOT.
515
00:32:25,111 --> 00:32:29,148
NOW A LUCKY STUDENT
WILL WIN A $10,000 ACADEMIC
SCHOLARSHIP
516
00:32:29,215 --> 00:32:31,950
FOR MUSIC STUDY.
THAT'S PRETTY GOOD, HUH?
517
00:32:32,018 --> 00:32:34,786
SO, WORK HARD.
518
00:32:34,853 --> 00:32:37,756
HAVE FUN.
( laughs )
519
00:32:37,823 --> 00:32:40,226
GET LOST.
( all chuckle )
520
00:32:42,494 --> 00:32:44,030
LATER.
521
00:32:44,096 --> 00:32:45,797
OKAY.
522
00:32:45,864 --> 00:32:48,267
I GAVE HER THREE CHANCES.
THE CHANCES HAVE COME AND GONE.
523
00:32:48,334 --> 00:32:49,868
SEND HER BACK
WHERE SHE CAME FROM.
524
00:32:49,935 --> 00:32:51,937
I DON'T CARE!
525
00:32:52,004 --> 00:32:55,241
PEOPLE, GRAB A SEAT.
MY NAME IS MR. TORVALD.
526
00:32:55,307 --> 00:32:58,344
YOU ARE MY CLASS
AND WE HAVE THREE WEEKS
527
00:32:58,410 --> 00:33:01,347
TO LEARN AN INCREDIBLY
COMPLEX CHORAL PIECE.
528
00:33:01,413 --> 00:33:03,249
IT AIN'T EVER GONNA HAPPEN,
529
00:33:03,315 --> 00:33:06,052
BUT LET'S GIVE IT THE OL'
COLLEGE TRY, SHALL WE?
530
00:33:06,118 --> 00:33:08,020
THERE ARE FIVE SOLOS
IN THE ENSEMBLE.
531
00:33:08,087 --> 00:33:12,191
ONLY FIVE PEOPLE
WILL PERFORM SOLOS
IN FRONT OF THIS CLASS.
532
00:33:12,258 --> 00:33:14,760
AND I WILL HAND THEM OUT
IN TWO WEEKS
533
00:33:14,826 --> 00:33:18,130
BASED ON PARTICIPATION,
EXERCISES
534
00:33:18,197 --> 00:33:19,431
AND JE NAI SAIS QUOI.
535
00:33:19,498 --> 00:33:21,767
IF YOU'RE NOT FRENCH,
THAT MEANS,
536
00:33:21,833 --> 00:33:23,035
"OOH!"
537
00:33:23,102 --> 00:33:25,837
I WILL ALSO SPLIT YOU UP
INTO GROUPS OF FOUR.
538
00:33:25,904 --> 00:33:27,639
YES, I STILL COUNT
ON MY FINGERS.
539
00:33:27,706 --> 00:33:30,176
ONE FOR EACH PART
IN THE OBNOXIOUSLY DIFFICULT
540
00:33:30,242 --> 00:33:32,611
CONTRAPUNTAL HARMONY
AT THE END OF THE BOOK.
541
00:33:32,678 --> 00:33:34,146
THIS PIECE IS GONNA
DRIVE YOU NUTS.
542
00:33:34,213 --> 00:33:38,117
BUT WHEN YOU NAIL IT,
IT FEELS GOOD.
543
00:33:38,184 --> 00:33:39,751
- ( giggle )
- YOU.
544
00:33:39,818 --> 00:33:41,220
YOU. YOU.
545
00:33:41,287 --> 00:33:43,855
YOU. GROUP ONE!
546
00:33:43,922 --> 00:33:45,791
( uptempo guitar playing )
547
00:33:52,030 --> 00:33:53,399
( CD scratching )
548
00:33:57,203 --> 00:33:58,804
( strumming solo )
549
00:33:58,870 --> 00:34:00,306
( up tempo music playing )
550
00:34:01,873 --> 00:34:03,575
HEY, JAY!
NICE HOOK.
551
00:34:03,642 --> 00:34:05,511
JUMP IN AND PICK IT UP.
552
00:34:06,678 --> 00:34:08,747
( string trill solo )
553
00:34:10,749 --> 00:34:12,718
( oboe joins solo )
554
00:34:14,820 --> 00:34:18,190
- ( trumpet plays )
- * OOH-OOH-OOH, OOH-OOH-OOH,
YEAH... *
555
00:34:18,257 --> 00:34:22,228
* OOH-OOH-OOH,
OOH-OOH-OOH *
556
00:34:22,294 --> 00:34:24,963
* OOH-OOH-OOH,
OOH-OOH-OOH... *
557
00:34:25,030 --> 00:34:27,399
( jazz style solo )
558
00:34:27,466 --> 00:34:29,535
* OOH-OOH-OOH, OOH-OOH
559
00:34:29,601 --> 00:34:31,737
( raises pitch )
* OOH-OOH-OOH
560
00:34:31,803 --> 00:34:33,972
( voices echoed )
* OOH-OOH-OOH, YEAH
561
00:34:34,039 --> 00:34:37,343
* OOH-OOH-OOH...
562
00:34:37,409 --> 00:34:39,478
HEY.
IS ANYBODY SITTING HERE?
563
00:34:41,847 --> 00:34:43,715
* OOH-OOH-OOH...
564
00:34:44,983 --> 00:34:47,186
* YEAH...
565
00:34:50,122 --> 00:34:53,125
* YEAH, BABY...
566
00:34:53,192 --> 00:34:56,828
* HEY BABY
TA-DA-DA-DA-DA... *
567
00:34:56,895 --> 00:35:00,899
* TA-DA-DA DA-DA DEE
568
00:35:00,966 --> 00:35:02,868
* OOH-OOH-OOH
569
00:35:02,934 --> 00:35:04,870
* OOH-OOH-OOH, YEAH
570
00:35:04,936 --> 00:35:06,805
* OOH-OOH-OOH
571
00:35:11,843 --> 00:35:13,579
* YEAH, OOH-OOH-OOH
572
00:35:13,645 --> 00:35:16,114
* OOH-OOH-OOH,
OOH-OOH *
573
00:35:16,182 --> 00:35:19,117
* OOH-HH...
574
00:35:19,185 --> 00:35:21,320
( applause )
575
00:35:23,255 --> 00:35:25,424
( tone ringing )
576
00:35:31,397 --> 00:35:33,699
HOW MANY OF YOU
CAN IDENTIFY THIS NOTE?
577
00:35:37,336 --> 00:35:39,805
YOU THERE.
WHAT IS THE NOTE?
578
00:35:45,477 --> 00:35:47,879
- A "B?"
- B FLAT!
579
00:35:47,946 --> 00:35:51,650
THE ABILITY TO KNOW
ANY NOTE WHEN YOU HEAR
IT IS GREAT ASSET.
580
00:35:51,717 --> 00:35:55,521
THOSE OF YOU WHO
DON'T HAVE IT MUST WORK
THAT MUCH HARDER.
581
00:35:55,587 --> 00:35:58,690
IS THE SAME WITH YOUR
ABILITY TO READ MUSIC.
582
00:35:58,757 --> 00:36:00,626
YOUR OPPORTUNITIES
ARE EXPANDED.
583
00:36:00,692 --> 00:36:02,261
IF YOU LOOK
AT A PIECE OF MUSIC,
584
00:36:02,328 --> 00:36:04,530
SEE HOW THE NOTES
ARE ARRANGED ON THE PAGE
585
00:36:04,596 --> 00:36:07,199
AND HEAR EXACTLY
WHAT IT IS,
586
00:36:07,266 --> 00:36:09,535
EACH NOTE IN YOUR HEAD.
587
00:36:09,601 --> 00:36:11,637
THIS IS SOMETHING YOU WILL
LEARN TO DO THIS SUMMER
588
00:36:11,703 --> 00:36:14,206
IN YOUR INDIVIDUAL STUDIES
WITH ME.
589
00:36:14,273 --> 00:36:16,342
( faint flute playing )
590
00:36:20,646 --> 00:36:22,514
( screams )
591
00:36:22,581 --> 00:36:25,517
I'M SO SORRY. THAT WAS ME.
ARE YOU OKAY?
592
00:36:25,584 --> 00:36:27,719
YEAH, I'M-- I'M FINE.
I'M SORRY. THAT WAS MY FAULT.
593
00:36:27,786 --> 00:36:29,721
- I WAS IN THE WAY.
- NO, IT'S GOOD.
IT WAS MY FAULT.
594
00:36:29,788 --> 00:36:31,857
- I SHOULD REALLY
LEARN TO STAND.
- OKAY.
595
00:36:37,729 --> 00:36:39,865
- ( plays recorded scream )
- AWESOME.
596
00:36:50,542 --> 00:36:52,744
( exhales deeply )
SHE DOESN'T EVEN KNOW.
597
00:36:58,484 --> 00:37:01,320
- HEY. HOW'S IT GOING?
- COULDN'T BE BETTER.
598
00:37:03,822 --> 00:37:04,990
( sighs )
599
00:37:09,428 --> 00:37:11,162
SHOULD I ASK FOR A SINGLE?
600
00:37:11,229 --> 00:37:14,366
- AM I BOTHERING
YOU THAT MUCH?
- HEY. HOLD UP.
601
00:37:14,433 --> 00:37:17,369
I MEAN, I JUST GET
THE FEELING THAT I'M SOME
KINDA PAIN IN YOUR BUTT.
602
00:37:17,436 --> 00:37:19,371
LOOK, IT'S NOT EVEN
LIKE THAT, ALL RIGHT?
603
00:37:19,438 --> 00:37:21,172
I'M HERE
FOR THAT SCHOLARSHIP.
604
00:37:21,239 --> 00:37:25,076
- I'M JUST ABOUT HARDCORE FOCUS.
- WELL IT SEEMS REALLY PERSONAL.
605
00:37:25,143 --> 00:37:28,580
OH, PLEASE.
I'M NOT EVEN TRYING
TO HEAR THAT.
606
00:37:28,647 --> 00:37:31,517
LOOK, WE'RE ALL UP AGAINST
EACH OTHER FOR THAT MONEY.
607
00:37:31,583 --> 00:37:33,752
SO I JUST GOTTA BE ABLE
TO DO MY THING
608
00:37:33,819 --> 00:37:38,357
AND NOT GET CAUGHT UP
IN ANY PERSONALITIES.
609
00:37:38,424 --> 00:37:41,960
I DON'T REALLY MEAN
NOTHING BY IT.
610
00:37:42,027 --> 00:37:43,462
SO, WE COOL?
611
00:37:44,730 --> 00:37:48,300
- YEAH. WE'RE COOL.
- COOL.
612
00:37:55,841 --> 00:37:58,143
- HEY, MR. TORVALD.
- HEY, ROBIN.
613
00:37:58,209 --> 00:38:00,679
I WANTED TO LET YOU KNOW
THAT I TRIED THOSE EXERCISES
YOU GAVE ME LAST SUMMER
614
00:38:00,746 --> 00:38:05,050
AND THEY REALLY HELPED.
I JUST WANTED TO SAY
THANK YOU SO MUCH.
615
00:38:05,116 --> 00:38:06,785
MY PLEASURE.
616
00:38:06,852 --> 00:38:08,920
OH, AND I'LL HAVE YOU KNOW
THAT I'M GUNNING
FOR THOSE SOLOS.
617
00:38:08,987 --> 00:38:12,424
- WELL, I'LL KEEP
AN EYE OUT FOR YOU.
- THANK YOU, MR. TORVALD.
618
00:38:12,491 --> 00:38:18,564
* FOR THE LORD GOD
OMNIPOTENT REIGNETH *
619
00:38:18,630 --> 00:38:20,532
* HALLELUJAH,
HALLELUJAH *
620
00:38:20,599 --> 00:38:22,734
* HALLELUJAH,
HALLELUJAH *
621
00:38:22,801 --> 00:38:28,507
* FOR THE LORD GOD
OMNIPOTENT REIGNETH *
622
00:38:28,574 --> 00:38:30,409
* HALLELUJAH,
HALLELUJAH *
623
00:38:30,476 --> 00:38:34,513
- ( off key )
* HALLELUJAH, HALLELUJAH.
- OUCH AND CUT.
624
00:38:34,580 --> 00:38:36,915
- SORRY, THAT WAS ME.
- YEAH, WE KNOW.
625
00:38:36,982 --> 00:38:40,486
- AND YOU ARE?
- TERRI FLETCHER.
626
00:38:40,552 --> 00:38:41,653
THOUGHT I RECOGNIZED YOU.
627
00:38:41,720 --> 00:38:43,489
THE GIRL FROM THE DVD.
628
00:38:43,555 --> 00:38:45,624
TERRI FLETCHER,
THE THING IS
629
00:38:45,691 --> 00:38:47,258
THE THEME EMERGES
FROM THE HARMONY.
630
00:38:47,325 --> 00:38:49,160
GIVE ME YOU HAND.
WHACK!
631
00:38:49,227 --> 00:38:53,999
NONE OF YOU
FOLLOW IT DIRECTLY.
CAPICE?
632
00:38:54,065 --> 00:38:55,701
GOOD JOB, ROBIN.
WHOO-EE!
633
00:38:55,767 --> 00:38:57,068
OKAY, LET'S DO IT AGAIN.
634
00:38:57,135 --> 00:38:58,870
ONE, TWO, THREE, FOUR.
635
00:38:58,937 --> 00:39:04,876
* FOR THE LORD GOD
OMNIPOTENT REIGNETH *
636
00:39:04,943 --> 00:39:08,113
* HALLELUJAH,
HALLELUJAH, HALLELUJAH. *
637
00:39:08,179 --> 00:39:10,115
( classical piano playing )
638
00:39:11,282 --> 00:39:13,351
( silent )
639
00:39:16,822 --> 00:39:18,890
( classical violin playing )
640
00:39:26,932 --> 00:39:28,467
OH.
641
00:39:28,534 --> 00:39:31,369
SORRY, MR. WESSON.
I WAS-- I FORGOT MY BOOKS
AT THE--
642
00:39:31,437 --> 00:39:33,639
IS YOUR TIME
THAT WAS WASTED.
643
00:39:33,705 --> 00:39:35,841
PLEASE GO TO THE STAND.
644
00:39:35,907 --> 00:39:37,375
( sighs )
645
00:39:39,545 --> 00:39:41,212
( metronome clicking )
646
00:39:41,279 --> 00:39:43,782
- PLEASE SIGHT-READ
THE FIRST PAGE.
- ( gasps )
647
00:39:48,454 --> 00:39:50,522
( weakly)
CA? CA...
648
00:39:50,589 --> 00:39:52,524
( hits piano note )
649
00:39:52,591 --> 00:39:55,561
( singing in Italian )
650
00:39:56,261 --> 00:39:57,429
SUPPORT.
651
00:39:57,496 --> 00:40:00,532
SUPPORT WITH YOUR DIAPHRAGM.
652
00:40:00,599 --> 00:40:03,001
( singing in Italian )
653
00:40:09,307 --> 00:40:11,543
AIR GOES IN.
DIAPHRAGM GOES OUT.
654
00:40:11,610 --> 00:40:14,946
IS OKAY TO LOOK FAT.
655
00:40:15,013 --> 00:40:16,982
( chuckles )
656
00:40:19,485 --> 00:40:21,553
( various instruments
playing )
657
00:40:52,551 --> 00:40:55,887
- ( stops playing )
- SORRY.
658
00:40:57,355 --> 00:40:59,290
( door shuts )
659
00:40:59,357 --> 00:41:00,726
( resumes playing )
660
00:41:10,035 --> 00:41:11,603
( sighs )
661
00:41:13,271 --> 00:41:15,774
( students chatting )
662
00:41:19,244 --> 00:41:21,112
- HEY.
- WHAT'S UP?
663
00:41:25,450 --> 00:41:27,519
( drums playing )
664
00:41:29,688 --> 00:41:31,623
* She doesn't,
she doesn't know *
665
00:41:31,690 --> 00:41:33,725
* She doesn't
she doesn't, she doesn't *
666
00:41:33,792 --> 00:41:35,861
* She doesn't even know,
know, know *
667
00:41:39,364 --> 00:41:43,001
* She-- she doesn't
even know, know, know, know *
668
00:41:47,472 --> 00:41:49,541
* Oh!
669
00:41:53,478 --> 00:41:54,980
THANKS ANYWAYS.
670
00:42:13,765 --> 00:42:16,001
( giving sermon )
671
00:42:36,321 --> 00:42:38,156
( gasps )
672
00:42:38,223 --> 00:42:40,692
YOU'RE A SERIOUS WEIRDO.
YOU KNOW THAT?
673
00:42:40,759 --> 00:42:42,761
IT ISN'T LUCKY
UNLESS IT'S FACE UP.
674
00:42:42,828 --> 00:42:46,164
BUT NOW IT'S JUST A PENNY
THAT THINKS IT'S LUCKY,
BUT IT ISN'T.
675
00:42:46,231 --> 00:42:49,534
WELL NOW IT CAN BE LUCKY
FOR SOMEONE ELSE.
676
00:42:49,601 --> 00:42:52,337
BESIDES, HAVEN'T YOU EVER HEARD
OF MAKING YOUR OWN LUCK?
677
00:42:55,807 --> 00:42:58,877
WELL, WHAT DO YOU KNOW?
A LUCKY PENNY.
678
00:43:00,311 --> 00:43:02,614
( laughs )
679
00:43:07,619 --> 00:43:09,154
( car horn blaring )
680
00:43:09,220 --> 00:43:11,389
Terri:
SO, AN ENGLISHMAN IN L.A.
681
00:43:11,456 --> 00:43:15,126
YEAH, MY PARENTS PUT
AN OCEAN BETWEEN THEM AFTER
THE NASTIEST DIVORCE EVER.
682
00:43:15,193 --> 00:43:17,595
- ( laughs )
- NO JOKE, PEOPLE STUDY IT.
683
00:43:17,663 --> 00:43:19,164
- ( laughs )
- ( Spanish guitar playing )
684
00:43:19,230 --> 00:43:21,599
SO, HOW CAN YOU HAVE
A SENSE OF HUMOR ABOUT THAT?
685
00:43:21,667 --> 00:43:23,601
MY MUSIC BECAME
LIKE A RELIGION.
686
00:43:23,669 --> 00:43:24,803
IT KEPT ME SANE.
687
00:43:27,639 --> 00:43:30,108
SO, MUSIC IS YOUR
HIGHER POWER.
688
00:43:30,175 --> 00:43:32,644
PRETTY MUCH.
I MEAN, LOOK AT THIS.
689
00:43:32,711 --> 00:43:35,513
THIS CITY.
ALL THESE PEOPLE.
690
00:43:35,580 --> 00:43:38,349
ALL THIS LIFE
AND MUSIC.
691
00:43:38,416 --> 00:43:40,418
I'M GONNA MAKE MUSIC
FOR THEM.
692
00:43:40,485 --> 00:43:43,121
I CAN'T THINK
OF A BETTER WAY
TO SPEND MY LIFE.
693
00:43:47,625 --> 00:43:49,260
ARE YOU MISSING HOME?
694
00:43:49,327 --> 00:43:51,162
A LITTLE BIT.
695
00:43:51,229 --> 00:43:54,966
I DON'T KNOW.
IT'S JUST BEEN REALLY
TOUGH LATELY.
696
00:43:55,033 --> 00:43:56,034
COME ON.
697
00:43:56,101 --> 00:43:59,070
I JUST GAVE YOU MY
"E! TRUE HOLLYWOOD STORY."
698
00:43:59,137 --> 00:44:01,673
YOU GOTTA
GIVE ME SOMETHING.
699
00:44:01,740 --> 00:44:03,341
UM.
700
00:44:03,408 --> 00:44:05,343
ME AND MY BROTHER
WERE IN A CAR ACCIDENT
701
00:44:05,410 --> 00:44:09,214
ON THE DAY
OF HIS GRADUATION.
AND, UM,
702
00:44:09,280 --> 00:44:11,783
SOME DRUNK DRIVER RAN
THROUGH A RED LIGHT
AND--
703
00:44:11,850 --> 00:44:14,052
HEY, TERRI!
COME HERE.
704
00:44:14,119 --> 00:44:16,054
UH, LOOK, TERRI,
I'VE GOTTA GO.
705
00:44:16,121 --> 00:44:17,923
I'VE GOTTA MEET
SOMEBODY.
706
00:44:17,989 --> 00:44:20,058
LOOK, SAY HI
TO DENISE FOR ME.
707
00:44:23,995 --> 00:44:26,164
- HEY.
- HEY, WAS THAT JAY
RUNNING OFF?
708
00:44:26,231 --> 00:44:28,834
- YEAH.
- FIGURES. WHAT, WAS HE
MACKING ON YOU?
709
00:44:28,900 --> 00:44:30,435
NOT THAT I COULD TELL.
710
00:44:30,501 --> 00:44:33,038
WELL, COUNT YOUR BLESSINGS,
'CAUSE I KNOW HIS GAME.
711
00:44:33,104 --> 00:44:34,605
HE LIKES TO HIT
ON NICE GIRLS.
712
00:44:34,672 --> 00:44:37,375
AND BABY, YOU--
YOU GOT A LOCK
ON THAT ONE.
713
00:44:37,442 --> 00:44:39,377
- WHAT?
- ( laughs )
I MEAN, LOOK AT YOU.
714
00:44:39,444 --> 00:44:42,313
LOOK AT YOUR
HAIR, YOUR CLOTHES,
THE WAY YOU TALK.
715
00:44:42,380 --> 00:44:44,549
YOU'RE LIKE SOME KINDA
RETRO BRADY BUNCHER.
716
00:44:44,615 --> 00:44:47,418
( mocking )
SHOOT, I'M NOT EVEN
TRYING TO HEAR THAT.
717
00:44:47,485 --> 00:44:49,220
( both laugh )
718
00:44:49,287 --> 00:44:51,356
OKAY, THAT WAS CUTE.
MY BAD.
719
00:44:54,625 --> 00:44:56,294
I DIDN'T KNOW
YOU COULD DO THIS.
720
00:44:56,361 --> 00:44:58,864
YEAH. MY TEACHERS
ARE ALWAYS HARPING ABOUT
HOW IT'S BAD FOR ME.
721
00:44:58,930 --> 00:45:02,367
YOU KNOW, HOW I'M GONNA
LOSE MY EAR. BUT I JUST LIKE
HOW IT SOUNDS IN HERE.
722
00:45:02,433 --> 00:45:04,369
( amplified jazz violin )
723
00:45:23,121 --> 00:45:25,190
( cell phone ringing )
724
00:45:34,665 --> 00:45:36,534
- HELLO.
- OH HI, HONEY.
725
00:45:36,601 --> 00:45:38,536
UM, DAD WANTS
TO TALK TO YOU.
726
00:45:38,603 --> 00:45:40,839
UM, SIMON, PICK UP.
727
00:45:42,908 --> 00:45:44,442
HEY, SWEETHEART.
728
00:45:44,509 --> 00:45:46,177
How's it going?
Hanging in there?
729
00:45:46,244 --> 00:45:49,680
- YEAH, EVERYTHING'S GOOD.
- SURE DO MISS YOU.
730
00:45:49,747 --> 00:45:51,850
I MISS YOU TOO, DAD.
( police siren blares )
731
00:45:53,819 --> 00:45:57,522
- WHAT WAS THAT?
IT SOUNDED LIKE A SIREN.
- UH, NO, NO. IT'S NOTHING.
732
00:45:57,588 --> 00:46:00,225
WELL, IT DIDN'T
SOUND LIKE NOTHING.
IT SOUNDED PRETTY CLOSE.
733
00:46:01,927 --> 00:46:04,329
THE NEIGHBORS ARE
OUT OF TOWN AND THEIR ALARM
KEEPS GOING OFF
734
00:46:04,395 --> 00:46:06,397
SO, I'M GONNA GO TALK
TO THE POLICE, OKAY?
735
00:46:06,464 --> 00:46:09,034
- I'LL CALL YOU BACK.
ALL RIGHT, BYE.
- OKAY, BYE, HONEY.
736
00:46:09,100 --> 00:46:11,469
- UH, WHAT, TERRI, WAIT.
- ( dial tone )
737
00:46:11,536 --> 00:46:12,904
TERRI?
738
00:46:14,039 --> 00:46:17,108
( sighs )
I'M GONNA LOSE IT.
739
00:46:17,175 --> 00:46:18,944
Terri:
* KING OF KINGS
740
00:46:19,010 --> 00:46:21,112
* FOREVER AND EVER
741
00:46:21,179 --> 00:46:22,680
* HALLELUJAH, HALLELUJAH
742
00:46:22,747 --> 00:46:24,682
* AND LORD OF LORDS
743
00:46:24,749 --> 00:46:26,484
* FOREVER AND EVER
744
00:46:26,551 --> 00:46:29,320
- * HALLELUJAH, HALLELUJAH
- YES.
745
00:46:29,387 --> 00:46:30,788
* KING OF KINGS
746
00:46:30,856 --> 00:46:32,790
* FOREVER AND EVER
747
00:46:32,858 --> 00:46:34,492
* HALLELUJAH, HALLELUJAH
748
00:46:34,559 --> 00:46:36,527
( voice cracking )
* AND LORD OF LORDS...
749
00:46:36,594 --> 00:46:40,798
( sighs )
I CAN NEVER GET THAT NOTE.
I CAN'T BELIEVE THIS.
750
00:46:40,866 --> 00:46:44,836
- I CAN.
- PROBLEM, LADIES?
751
00:46:44,903 --> 00:46:47,538
YEAH, I THINK THAT
SOME OF US MAYBE NEED
TO PRACTICE THIS
752
00:46:47,605 --> 00:46:50,341
- A LITTLE BIT MORE
OUTSIDE OF CLASS.
- MEOW!
753
00:46:50,408 --> 00:46:52,543
WHY DON'T YOU LET ME
WORRY ABOUT THAT, HMM?
754
00:46:52,610 --> 00:46:55,013
OKAY, THAT'S IT.
DONE FOR THE DAY.
755
00:46:55,080 --> 00:46:57,815
GO ON.
GET OUTTA HERE.
756
00:46:57,883 --> 00:46:59,117
MS. FLETCHER.
757
00:47:00,986 --> 00:47:03,588
( sighs )
758
00:47:03,654 --> 00:47:04,822
OKAY, I GIVE UP.
759
00:47:04,890 --> 00:47:07,692
WHAT DID YOU DO
WITH THE GIRL ON THE DVD?
760
00:47:07,758 --> 00:47:09,460
EXCUSE ME?
761
00:47:09,527 --> 00:47:13,131
THE LIVELY, FUNNY,
TALENTED GIRL, WHAT DID
YOU DO WITH HER?
762
00:47:13,198 --> 00:47:15,400
I HAVE NO IDEA WHAT
YOU'RE TALKING ABOUT.
763
00:47:15,466 --> 00:47:17,135
I SENT MY SONGS ON A CD.
764
00:47:17,202 --> 00:47:20,371
NO, THERE WAS ALSO A DVD.
765
00:47:20,438 --> 00:47:22,373
IT CAME IN LATE.
WE ALMOST DIDN'T SEE IT.
766
00:47:22,440 --> 00:47:24,842
BUT IT'S A BIG PART
OF THE REASON WHY
YOU ARE HERE.
767
00:47:24,910 --> 00:47:26,644
SIT DOWN.
BE COMFORTABLE.
768
00:47:26,711 --> 00:47:29,014
OKAY, MR. TORVALD.
I DID NOT SEND IT.
769
00:47:29,080 --> 00:47:32,383
- I REALLY HAVE NO IDEA
WHAT YOU'RE TALKING ABOUT.
- NO? WELL.
770
00:47:32,450 --> 00:47:36,654
LET ME INTRODUCE YOU
TO ONE INTERESTING,
FASCINATING LADY.
771
00:47:36,721 --> 00:47:38,589
MAYBE YOU'LL BE INSPIRED.
772
00:47:38,656 --> 00:47:40,525
I KNOW WE WERE.
773
00:47:45,330 --> 00:47:49,434
Terri's my sister.
And, uh, she's my favorite
person in the whole world.
774
00:47:49,500 --> 00:47:53,204
She like a challenge.
She thrives when she's pushed.
775
00:47:53,271 --> 00:47:55,073
And the people
who can do that,
776
00:47:55,140 --> 00:47:56,674
They don't live
in Flagstaff.
777
00:47:56,741 --> 00:47:59,710
Terri deserves a chance
to learn from the best.
778
00:47:59,777 --> 00:48:01,246
She's already good.
779
00:48:01,312 --> 00:48:03,448
But she could be great.
780
00:48:03,514 --> 00:48:05,383
( silent )
781
00:48:22,367 --> 00:48:24,702
If you let her in,
you won't be disappointed.
782
00:48:24,769 --> 00:48:26,637
( silent )
783
00:48:35,180 --> 00:48:37,482
- ( crying )
- HEY, TERRI?
784
00:48:38,916 --> 00:48:40,051
TERRI!
785
00:48:45,823 --> 00:48:48,493
TERRI.
ARE YOU OKAY?
786
00:48:48,559 --> 00:48:51,329
PLEASE.
IT'S PROBABLY JUST SOME
WEIRDO MISFIT THING.
787
00:49:10,915 --> 00:49:12,083
NO.
788
00:49:22,693 --> 00:49:26,497
THE SHOW'S OVER.
OKAY, YOU CAN GO NOW.
789
00:49:26,564 --> 00:49:29,534
LOOK, WHATEVER IT IS,
YOU CAN'T LEAVE.
790
00:49:29,600 --> 00:49:30,835
( sobbing )
791
00:49:30,901 --> 00:49:35,706
- IT'S COPPING OUT.
- WHAT ARE YOU DOING HERE?
792
00:49:35,773 --> 00:49:37,508
SAME AS EVERYBODY ELSE.
793
00:49:37,575 --> 00:49:41,346
THE MUSIC THING.
DUCKING A SUMMER JOB.
794
00:49:41,412 --> 00:49:43,381
I MEAN HERE IN MY DOORWAY.
795
00:49:43,448 --> 00:49:45,850
LOOK, COME ON.
LET'S JUST GET OUTTA HERE.
796
00:49:45,916 --> 00:49:47,085
( sighing )
797
00:49:47,152 --> 00:49:48,453
COME ON.
LET'S JUST GO.
798
00:49:49,954 --> 00:49:52,157
THE BAG ISN'T WALKING AWAY.
799
00:49:53,124 --> 00:49:55,193
HOW DO I KNOW YOU WON'T?
800
00:50:02,400 --> 00:50:04,335
I WAS SITTING
RIGHT NEXT TO HIM.
801
00:50:04,402 --> 00:50:08,239
AND HE DIED AND I DIDN'T.
YOU KNOW?
802
00:50:08,306 --> 00:50:10,975
AND I DON'T KNOW WHY.
803
00:50:11,042 --> 00:50:14,145
BUT I MISS HIM.
804
00:50:14,212 --> 00:50:17,515
THE SECOND I START TO FEEL
LIKE I'M ENJOYING MYSELF,
805
00:50:17,582 --> 00:50:20,685
THIS VOICE COMES
INSIDE MY HEAD AND...
806
00:50:20,751 --> 00:50:22,120
IT'S LIKE,
807
00:50:22,187 --> 00:50:25,456
"HOW CAN YOU BE HAVING
A GOOD TIME WHEN PAUL IS DEAD?"
808
00:50:25,523 --> 00:50:29,627
YOU CAN'T BLAME
YOURSELF LIKE THAT.
809
00:50:29,694 --> 00:50:32,029
YOU DON'T UNDERSTAND.
810
00:50:32,097 --> 00:50:34,031
IT WAS MY FAULT.
811
00:50:34,099 --> 00:50:35,600
I GOT HIM TO SNEAK OUT.
812
00:50:37,502 --> 00:50:38,803
I SHOULDN'T
HAVE RISKED IT.
813
00:50:38,869 --> 00:50:42,807
LOOK, TERRI.
SOME IDIOT RAN A RED LIGHT.
814
00:50:42,873 --> 00:50:45,210
IT WAS BAD LUCK.
815
00:50:45,276 --> 00:50:50,748
MESSED UP TIMING.
THAT'S ALL.
816
00:50:50,815 --> 00:50:52,517
YOU WEREN'T THERE.
817
00:50:54,552 --> 00:50:59,023
Jay:
LOOK, I CAN'T IMAGINE
WHAT YOU'RE GOING THROUGH.
818
00:50:59,090 --> 00:51:01,092
BUT I DO KNOW
FROM EXPERIENCE
819
00:51:01,159 --> 00:51:04,529
BACKING DOWN CAN
BECOME A WAY OF LIFE.
820
00:51:04,595 --> 00:51:05,763
DON'T LEAVE.
821
00:51:05,830 --> 00:51:09,134
SCREW THE PRESSURE.
SCREW THE SCHOLARSHIP.
822
00:51:09,200 --> 00:51:11,969
I MEAN, DO YOUR OWN THING
ON YOUR OWN TERMS.
823
00:51:12,036 --> 00:51:13,838
AND GET WHAT
YOU CAME HERE FOR.
824
00:51:13,904 --> 00:51:17,108
- THAT'S WHAT COUNTS.
- BUT JAY, I'M LYING
TO PEOPLE.
825
00:51:17,175 --> 00:51:18,776
I MEAN, I HAD TO LIE
TO GET HERE.
826
00:51:18,843 --> 00:51:21,279
SO WHAT.
YOU GOT HERE.
827
00:51:21,346 --> 00:51:23,914
IT'S NOT
SUPPOSE TO BE EASY.
828
00:51:23,981 --> 00:51:28,453
YOU'RE HERE BECAUSE YOU DID
WHAT YOU HAD TO DO.
829
00:51:28,519 --> 00:51:31,622
WHY DO YOU CARE
SO MUCH?
830
00:51:31,689 --> 00:51:33,558
I DON'T KNOW.
831
00:51:39,697 --> 00:51:40,765
I LIKE YOU.
832
00:51:43,434 --> 00:51:47,372
AND ROBIN FITS
INTO THAT, HOW?
833
00:51:47,438 --> 00:51:49,740
WE MET HERE
LAST YEAR AND...
834
00:51:49,807 --> 00:51:52,243
WE HAD A THING
FOR A WHILE.
835
00:51:52,310 --> 00:51:54,745
THAT'S ALL OVER.
836
00:51:54,812 --> 00:51:57,248
DOES SHE KNOW THAT?
837
00:51:57,315 --> 00:51:59,016
YEAH, WELL...
838
00:51:59,083 --> 00:52:01,085
SOME PEOPLE HANG ON
839
00:52:01,152 --> 00:52:03,221
WHEN THEY SHOULD
JUST LET GO.
840
00:52:16,100 --> 00:52:18,569
* LA-LA-LA-LA-
LA-LA-LA-LA *
841
00:52:18,636 --> 00:52:20,938
( out of tune )
* LA-LA-LA-LA
842
00:52:21,005 --> 00:52:23,341
* LA-LA-LA-LA
843
00:52:24,309 --> 00:52:25,510
* LA-LA.
844
00:52:27,278 --> 00:52:28,713
Torvald:
THANK YOU.
845
00:52:28,779 --> 00:52:31,182
OKAY, I'M NOT DOING THIS
TO TORTURE YOU PEOPLE.
846
00:52:31,249 --> 00:52:32,817
JUST THINK OF THIS
AS A MIDTERM WORTH,
847
00:52:32,883 --> 00:52:35,786
OH, HALF YOUR GRADE.
MS. FLETCHER?
848
00:52:35,853 --> 00:52:36,787
PLEASE?
849
00:52:40,325 --> 00:52:44,395
* LA-LA-LA-LA-LA
850
00:52:44,462 --> 00:52:48,533
* LA-LA-LA-LA-LA
851
00:52:48,599 --> 00:52:52,036
* LA-LA-LA-LA-LA...
( voice cracks )
852
00:52:52,102 --> 00:52:55,273
* LA-LA-LA-LA-LA-LA
853
00:52:55,340 --> 00:52:57,041
* HA-HO
854
00:52:57,107 --> 00:52:59,344
* O-O-O-O
855
00:52:59,410 --> 00:53:02,179
* O-A-A-A-A-A
856
00:53:02,247 --> 00:53:05,316
* O-O-O-O-O-O
857
00:53:05,383 --> 00:53:08,118
* HEY-A-A-A
YEAH-E-A *
858
00:53:08,185 --> 00:53:10,655
( cheering )
859
00:53:12,557 --> 00:53:14,592
YEAH!
THAT WAS GREAT.
860
00:53:16,794 --> 00:53:19,129
- ALL RIGHT, YOU TAKE
THE TOP OF THE FOURTH.
- AWESOME.
861
00:53:19,196 --> 00:53:21,432
- I WAS TALKING
TO TERRI. BING!
- ( students laughing )
862
00:53:21,499 --> 00:53:23,901
OKAY, LET'S TAKE
THE THIRD PART FROM THE TOP.
863
00:53:23,968 --> 00:53:26,337
IS EVERYBODY READY?
864
00:53:26,404 --> 00:53:28,506
ONE, TWO, THREE, FOUR
865
00:53:28,573 --> 00:53:32,343
* HALLELUJAH,
HALLELUJAH *
866
00:53:32,410 --> 00:53:34,312
* HALLELUJAH,
HALLELUJAH *
867
00:53:34,379 --> 00:53:35,846
* HALLELUJAH.
868
00:53:37,882 --> 00:53:38,816
HEY.
869
00:53:41,386 --> 00:53:42,587
WHAT'S THIS?
870
00:53:42,653 --> 00:53:45,523
I THINK MAYBE GIORDANNI
IS NOT FOR YOU.
871
00:53:45,590 --> 00:53:48,859
WE TRY SOMETHING
ELSE, HMM?
872
00:53:48,926 --> 00:53:51,662
YOU KNOW, I APPRECIATE
THE THOUGHT, MR. WESSON,
873
00:53:51,729 --> 00:53:54,932
BUT, YOU KNOW,
I'D REALLY LIKE TO STICK
TO THE OLD ONE.
874
00:53:54,999 --> 00:53:58,269
I'M FEELING MUCH BETTER
TODAY AND I WANNA SEE
IF I CAN KEEP IT UP.
875
00:54:06,744 --> 00:54:08,413
THANKS.
876
00:54:08,479 --> 00:54:10,715
( metronome clicking )
877
00:54:13,284 --> 00:54:16,253
( singing in Italian )
878
00:54:34,905 --> 00:54:35,840
HMM.
879
00:54:44,815 --> 00:54:48,052
* YOU AND ME
880
00:54:48,118 --> 00:54:51,689
* CAN'T YOU SEE
881
00:54:51,756 --> 00:54:55,826
* HOW OUR HEARTS ARE ONE?
882
00:55:01,131 --> 00:55:02,900
( sighs )
883
00:55:02,967 --> 00:55:04,335
WHA--
884
00:55:04,402 --> 00:55:06,371
- WHAT ARE YOU DOING HERE?
- OH, UH...
885
00:55:06,437 --> 00:55:07,972
JUST...
886
00:55:08,038 --> 00:55:10,475
THE DOOR WAS OPEN.
I JUST HEARD YOU PLAYING.
887
00:55:13,378 --> 00:55:14,545
OH, DON'T STOP.
888
00:55:14,612 --> 00:55:16,547
NO, IT'S, UM,
IT'S OKAY.
889
00:55:16,614 --> 00:55:19,183
I WAS, UM,
I WAS FINISHED ANYWAY.
890
00:55:19,249 --> 00:55:20,385
WHATEVER.
891
00:55:23,253 --> 00:55:24,722
TERRI, WAIT.
892
00:55:24,789 --> 00:55:27,925
- ( sighs )
- I'M SORRY, I'M JUST...
893
00:55:27,992 --> 00:55:31,295
A BIT WEIRD
WHEN I'M WRITING.
894
00:55:31,362 --> 00:55:33,130
- WHY?
- WELL...
895
00:55:33,197 --> 00:55:35,533
I-IT'S JUST MY LYRICS,
THEY'RE REALLY LAME.
896
00:55:35,600 --> 00:55:37,535
I MEAN, WHEN I SING THEM.
897
00:55:37,602 --> 00:55:39,704
AND I WANT THEM TO MEAN
SO MUCH MORE, BUT--
898
00:55:39,770 --> 00:55:41,472
WELL, I'VE BEEN WRITING SONGS
SINCE I WAS A KID.
899
00:55:41,539 --> 00:55:43,408
BUT MY ARRANGEMENTS
SOUND LIKE
900
00:55:43,474 --> 00:55:48,679
- SOME CHEESY SATURDAY MORNING
CARTOON OR SOMETHING.
- ( chuckles )
901
00:55:48,746 --> 00:55:51,315
- PLAY SOMETHING FOR ME.
- OH, UM.
902
00:55:51,382 --> 00:55:54,419
- IT'S NOT READY YET.
- COME ON, WHATEVER HAPPENED
TO THAT...
903
00:55:54,485 --> 00:55:57,221
( English accent )
"YOU'VE GOT TO DO YOUR OWN THING
ON YOUR OWN TERMS"
904
00:55:57,287 --> 00:55:59,924
JUNK THAT YOU GAVE
ME THE OTHER DAY?
905
00:55:59,990 --> 00:56:01,859
COME ON.
906
00:56:01,926 --> 00:56:03,628
OKAY.
907
00:56:05,496 --> 00:56:08,899
* YOU AND ME
CAN'T YOU SEE *
908
00:56:08,966 --> 00:56:12,470
* HOW OUR HEARTS
ARE ONE? *
909
00:56:12,537 --> 00:56:14,472
* PLEASE BELIEVE
910
00:56:14,539 --> 00:56:17,675
* AND DON'T DECEIVE
911
00:56:17,742 --> 00:56:21,746
* NOW OUR JOURNEY'S
JUST BEGUN *
912
00:56:21,812 --> 00:56:24,615
* THE SUNLIGHT
IN YOUR HAIR *
913
00:56:24,682 --> 00:56:27,785
* MAKES MY HEART JUMP
IN THE AIR... *
914
00:56:29,754 --> 00:56:31,989
- COME ON.
- ( laughing )
OKAY, WAIT.
915
00:56:33,491 --> 00:56:35,493
I LIKE THE MUSIC A LOT.
916
00:56:35,560 --> 00:56:37,695
- YEAH?
- OKAY? BUT WHAT
ABOUT THIS?
917
00:56:39,396 --> 00:56:40,931
- YEAH, I LIKE THAT.
- OKAY?
918
00:56:40,998 --> 00:56:43,033
IT'S VERY COOL.
919
00:56:43,100 --> 00:56:45,803
* WHEN IT COMES TO RAP,
YOU DON'T EVEN WRITE
YOUR STUFF *
920
00:56:45,870 --> 00:56:48,105
* YEAH YOU MAKE TRACKS
BUT I MAKE TWICE AS MUCH. *
921
00:56:48,172 --> 00:56:52,477
OH, SPRING, WHEN A YOUNG
MAN'S FANCY TURNS TO LOVE.
922
00:56:52,543 --> 00:56:54,078
- DID YOU GUYS SEE THAT?
- WHAT?
923
00:56:54,144 --> 00:56:56,947
OH, IT'S WEIRD 'CAUSE
THERE'S A HOLE IN MY CHEST
924
00:56:57,014 --> 00:56:59,149
WHERE MY HEART USED TO BE
'CAUSE SOMEONE ELSE
925
00:56:59,216 --> 00:57:03,454
YANKED IT OUT AND SHE
DOESN'T EVEN FRIGGIN' CARE
THAT SHE DID IT.
926
00:57:03,521 --> 00:57:05,923
ARE YOU TALKING
ABOUT THE GIRL IN
THE BLACK SWEATSHIRT?
927
00:57:05,990 --> 00:57:07,758
DUDE, SHE'S THE HOTTEST
PLAYER HERE.
928
00:57:07,825 --> 00:57:10,661
I HEARD HER IN THE PRACTICE
ROOMS AND SHE'S FLAWLESS.
929
00:57:10,728 --> 00:57:14,599
WELL, SHE LOOKED AT ME
AND I JUST...
930
00:57:16,433 --> 00:57:19,003
OH, MAN, SNAP.
931
00:57:19,069 --> 00:57:21,472
- FRIEND, YOU'RE HOOKED.
- HOPELESSLY.
932
00:57:21,539 --> 00:57:23,508
HAVE YOU EVER
EVEN TALKED TO HER?
933
00:57:23,574 --> 00:57:26,944
NO, I'M WORKING ON THAT.
SEE, THE PROBLEM IS SHE WON'T
GIVE ME THE TIME OF DAY.
934
00:57:27,011 --> 00:57:30,147
WELL, WHY DON'T I
INTRODUCE YOU GUYS?
935
00:57:30,214 --> 00:57:32,182
WHAT IF I TOLD YOU
YOU WERE THE COOLEST
GIRL EVER?
936
00:57:32,249 --> 00:57:34,384
JAY, I LIKE THIS GIRL.
YOU KNOW HOW TO PICK THEM.
937
00:57:34,451 --> 00:57:38,355
- I'VE ALWAYS SAID
THAT, HAVEN'T I, JAY?
- YEAH, HE HAS ALWAYS SAID THAT.
938
00:57:38,422 --> 00:57:40,257
KIWI SEAL OF APPROVAL.
939
00:57:40,324 --> 00:57:43,193
( classical piano playing )
940
00:57:45,395 --> 00:57:47,097
( door rattling )
941
00:57:52,570 --> 00:57:54,539
- HI.
- ( stops playing )
942
00:57:54,605 --> 00:57:57,374
HEY, I'M TERRI.
943
00:57:57,441 --> 00:57:59,209
SORRY TO BOTHER YOU.
944
00:57:59,276 --> 00:58:02,112
( door slams )
945
00:58:02,179 --> 00:58:04,281
YOUR NAME?
946
00:58:04,348 --> 00:58:06,450
SLOANE.
947
00:58:06,517 --> 00:58:09,820
I-- I KNOW WE DON'T HAVE
ANY CLASSES TOGETHER
OR ANYTHING, BUT...
948
00:58:09,887 --> 00:58:13,357
UM, I JUST THOUGHT
THAT I'D INTRODUCE MYSELF.
949
00:58:13,423 --> 00:58:14,725
OKAY.
950
00:58:17,695 --> 00:58:19,429
OKAY, SO THERE'S
THIS GUY, RIGHT?
951
00:58:19,496 --> 00:58:22,066
AND, UM,
HE'S REALLY NICE
AND HIS NAME'S KIWI
952
00:58:22,132 --> 00:58:26,336
AND HE KINDA
HAS A CRUSH ON YOU.
SO WE WERE WONDERING
953
00:58:26,403 --> 00:58:28,806
IF YOU WANTED TO COME
HANG OUT WITH US ON
SATURDAY NIGHT?
954
00:58:28,873 --> 00:58:32,042
KIWI'S A WEIRD NAME.
955
00:58:32,109 --> 00:58:35,212
WHY WOULD HE
HAVE A CRUSH ON ME?
THAT'S STUPID.
956
00:58:37,247 --> 00:58:42,052
UM, I MEAN, SOMETIMES
THERE'S JUST NOTHING
YOU CAN DO ABOUT IT.
957
00:58:42,119 --> 00:58:44,822
WELL, ANYWAY,
UM, WE'RE GONNA MEET
IN THE LOBBY AT 7:00
958
00:58:44,889 --> 00:58:48,525
AND, UM,
WE'RE GONNA GRAB
A BITE TO EAT, OKAY?
959
00:58:52,029 --> 00:58:53,964
I GUESS.
960
00:58:54,031 --> 00:58:55,766
GREAT.
961
00:58:55,833 --> 00:58:57,902
( continues playing )
962
00:59:02,339 --> 00:59:04,575
OKAY.
963
00:59:04,642 --> 00:59:06,176
REALLY GOOD.
964
00:59:12,482 --> 00:59:15,452
IT'S KINDA WEIRD TALKING.
OKAY, YOU THINK AND THROW
IT AT.
965
00:59:15,519 --> 00:59:17,254
- BUT THEN, YEAH.
- YOU'RE IN.
966
00:59:17,321 --> 00:59:20,958
( screams )
YOU BEAUTIFUL
LITTLE PETUNIA.
967
00:59:21,025 --> 00:59:24,128
- YOU-- AH!
AH, SACRE BLEU! AH!
- I GOT YOU, MAN.
968
00:59:25,529 --> 00:59:26,664
OKAY, GIRL.
SO TALK TO ME
969
00:59:26,731 --> 00:59:29,299
NOW IT'S YOU AND JAY?
970
00:59:29,366 --> 00:59:30,635
YEAH, KIND OF.
971
00:59:30,701 --> 00:59:32,002
I MEAN,
HE'S REALLY COOL.
972
00:59:32,069 --> 00:59:34,004
AND WHAT ABOUT ROBIN,
MS. THING?
973
00:59:34,071 --> 00:59:37,274
- HE SAYS THEY'RE OVER.
- YEAH, RIGHT. ( laughs )
974
00:59:37,341 --> 00:59:39,409
- THAT'S REALLY CUTE.
- OH, YOU LIKE THIS?
975
00:59:39,476 --> 00:59:42,346
- YEAH.
- MY MOM, SHE RUNS THIS FUNKY
LITTLE CLOTHING SHOP.
976
00:59:42,412 --> 00:59:44,281
SHE'S GOT GREAT TASTE.
977
00:59:44,348 --> 00:59:47,084
- REALLY?
- YEAH, I JUST WISH BUSINESS
WAS BETTER THOUGH, YOU KNOW?
978
00:59:47,151 --> 00:59:50,454
I MEAN, EVEN WITH ME WORKING
PART-TIME BAGGING GROCERIES,
AND YOU KNOW,
979
00:59:50,520 --> 00:59:51,956
DOING WHAT I CAN
STREET PERFORMING,
980
00:59:52,022 --> 00:59:54,458
WE STILL HAD CRAZY TROUBLE
SCRAPPING UP THE TUITION.
981
00:59:54,524 --> 00:59:58,562
I MEAN, WHY DO YOU
THINK I'M STRESSING
THAT SCHOLARSHIP?
982
00:59:58,629 --> 01:00:00,665
HEY, COME HERE
FOR A SECOND.
983
01:00:00,731 --> 01:00:02,667
I WANT YOU TO SEE
WHAT THIS LOOKS LIKE.
984
01:00:02,733 --> 01:00:05,269
- REALLY?
- YEAH, COME ON.
985
01:00:05,335 --> 01:00:07,304
YOU FORCED ME.
986
01:00:07,371 --> 01:00:10,708
- OH YEAH, THAT'S FRESH.
- OH, DO I LOOK LIKE
I'M GOING CLUBBING?
987
01:00:23,287 --> 01:00:24,922
OH MY GOD.
988
01:00:26,356 --> 01:00:28,058
( cell phone ringing )
989
01:00:29,860 --> 01:00:32,262
- HEY, AUNT NINA.
- Terri, thank God
I reached you!
990
01:00:32,329 --> 01:00:34,431
YOUR DAD CALLED,
I DID MY THING.
991
01:00:34,498 --> 01:00:37,534
I think he smells a rat.
I don't know how,
I don't know why.
992
01:00:37,601 --> 01:00:40,470
BUT YOUR MOTHER JUST CALLED
AND SAID HE IS ON HIS
WAY HERE, NOW!
993
01:00:40,537 --> 01:00:43,741
I'LL STALL HIM AS BEST
I CAN BUT IS THERE ANY WAY
YOU CAN JUST GET HERE?
994
01:00:43,808 --> 01:00:46,110
OH MY GOD.
WE'RE DEAD.
995
01:00:47,544 --> 01:00:48,979
I'M DEAD.
996
01:00:51,181 --> 01:00:52,116
HEY, JAY!
997
01:01:05,029 --> 01:01:06,797
- OKAY, THANKS.
- GOOD LUCK, TERRI.
998
01:01:06,864 --> 01:01:09,566
I'LL SEE YOU
TOMORROW NIGHT,
ALL RIGHT?
999
01:01:09,633 --> 01:01:12,903
P.A:
The desert train
is now boarding on platform 12.
1000
01:01:15,439 --> 01:01:17,307
( horn blaring )
1001
01:01:26,650 --> 01:01:29,219
Radio:
We're getting a little break
from the 100-plus temperatures
1002
01:01:29,286 --> 01:01:31,688
here in the greater
Palm Springs area.
1003
01:01:31,756 --> 01:01:34,792
Wind's out of the northeast
at six miles per hour.
1004
01:02:12,863 --> 01:02:15,499
- HEY.
- HEY, NINA.
1005
01:02:15,565 --> 01:02:16,666
WHERE IS SHE?
1006
01:02:16,733 --> 01:02:18,468
AH, WELL, UM...
1007
01:02:18,535 --> 01:02:21,571
THERE'S SOMETHING
I WANTED TO TALK TO YOU
ABOUT, SIMON.
1008
01:02:21,638 --> 01:02:24,474
- OH YEAH.
- YEAH, UM--
1009
01:02:24,541 --> 01:02:26,410
Terri:
DADDY!
1010
01:02:29,980 --> 01:02:33,383
- I MISSED YOU.
- OH, I MISSED YOU TOO.
1011
01:02:38,422 --> 01:02:39,423
I NEED A DRINK.
1012
01:02:44,461 --> 01:02:46,964
( sighs )
SORRY.
1013
01:02:47,031 --> 01:02:49,499
( sighs )
THEY'RE NOT COMING, MAN.
I'M TELLING YOU.
1014
01:02:49,566 --> 01:02:52,903
- THEY'RE NOT SHOWING UP.
- NO WAY. LOOK, WOMEN ARE
ALWAYS FASHIONABLY LATE.
1015
01:02:52,970 --> 01:02:57,842
- THEY'LL BE HERE.
- OKAY, THEY'LL BE HERE.
1016
01:02:57,908 --> 01:02:59,309
- DUDE.
- THANKS, MAN.
1017
01:02:59,376 --> 01:03:01,245
NO, NO, NO, DUDE.
1018
01:03:04,348 --> 01:03:05,649
DAMN IT.
1019
01:03:05,715 --> 01:03:07,985
NO, NO,
WAIT, WAIT, WAIT!
DON'T WALK AWAY.
1020
01:03:09,920 --> 01:03:12,089
HEY, YOU GUYS,
I'M SORRY I'M LATE.
1021
01:03:13,723 --> 01:03:16,326
HEY, SLOANE,
YOU LOOK GREAT.
1022
01:03:16,393 --> 01:03:17,494
YEAH.
1023
01:03:17,561 --> 01:03:18,562
COME ON, LET'S GO.
1024
01:03:20,164 --> 01:03:22,366
UM, I THINK
YOU SHOULD-- COOL.
1025
01:03:22,432 --> 01:03:24,668
Terri:
NO, SERIOUSLY.
I HAD TO PRETEND TO MY DAD
1026
01:03:24,734 --> 01:03:27,471
LIKE I HAD BEEN THERE
THE WHOLE ENTIRE TIME,
AND MEANWHILE MY AUNT
1027
01:03:27,537 --> 01:03:29,940
WAS REMODELING HER HOUSE,
SO WHEN I WENT TO GO FIND
THE BATHROOM,
1028
01:03:30,007 --> 01:03:31,808
- I WALKED INTO A CLOSET.
- NO WAY.
1029
01:03:31,876 --> 01:03:34,945
- YES WAY.
- YEAH, YOU KNOW, WE ALL
THOUGHT YOU WERE LIKE SOME
1030
01:03:35,012 --> 01:03:38,382
GOODY-TWO-SHOES,
BUT YOU'RE LIKE A FUGITIVE
FROM THE LAW.
1031
01:03:38,448 --> 01:03:40,484
( laughs )
1032
01:03:40,550 --> 01:03:43,253
- SPEAKING OF WHICH, FUGITIVE,
WHERE ARE YOU LEADING US TO?
- YOU'LL SEE.
1033
01:03:47,457 --> 01:03:49,326
( violin playing )
1034
01:03:59,403 --> 01:04:02,539
- SHE'S GOOD.
- BEYOND, MAN.
1035
01:04:04,608 --> 01:04:06,210
THIS ONE, OKAY?
1036
01:04:08,478 --> 01:04:10,447
( changes tempo )
1037
01:04:14,118 --> 01:04:17,888
* YOU GOT A SMILE
SO BRIGHT *
1038
01:04:17,955 --> 01:04:21,658
* YOU KNOW YOU COULD
HAVE BEEN A CANDLE *
1039
01:04:21,725 --> 01:04:24,628
- * I'M HOLDING
YOU SO TIGHT... *
- ( laughing )
1040
01:04:26,196 --> 01:04:27,364
COME ON YOU GUYS.
COME ON.
1041
01:04:27,431 --> 01:04:29,366
- SHE'S NOT SERIOUS.
- COME ON.
1042
01:04:29,433 --> 01:04:33,270
- NO, NO, NO.
- * THE WAY YOU SWEPT ME
OFF MY FEET *
1043
01:04:33,337 --> 01:04:36,773
All:
* YOU KNOW YOU COULD
HAVE BEEN SOME PERFUME *
1044
01:04:36,840 --> 01:04:42,012
* WELL YOU COULD HAVE BEEN
ANYTHING THAT YOU WANTED TO *
1045
01:04:42,079 --> 01:04:44,514
* AND I COULD TELL
1046
01:04:44,581 --> 01:04:46,516
* THE WAY YOU DO
THE THINGS YOU DO *
1047
01:04:46,583 --> 01:04:48,518
* THE WAY YOU DO
THE THINGS YOU DO *
1048
01:04:48,585 --> 01:04:50,587
* THE WAY YOU DO
THE THINGS YOU DO *
1049
01:04:50,654 --> 01:04:52,789
* THE WAY YOU DO
THE THINGS YOU DO *
1050
01:04:52,856 --> 01:04:56,326
* AND AS PRETTY AS YOU ARE
1051
01:04:56,393 --> 01:04:59,129
* YOU KNOW YOU COULD
HAVE BEEN A FLOWER... *
1052
01:04:59,196 --> 01:05:02,266
( score replays )
1053
01:05:40,170 --> 01:05:42,306
( saxophone playing )
1054
01:05:44,008 --> 01:05:46,510
Terri:
I LIKE TO COME UP HERE
SOMETIMES TO THINK.
1055
01:05:46,576 --> 01:05:50,814
( laughs )
THIS IS REALLY COOL.
1056
01:05:50,880 --> 01:05:52,382
I LOVE IT UP HERE.
1057
01:05:52,449 --> 01:05:54,418
WISH I HAD A PLACE
TO THINK LIKE THIS.
1058
01:05:54,484 --> 01:05:57,021
( laughing )
WELL, YOU PLAY
YOUR CARDS RIGHT,
1059
01:05:57,087 --> 01:05:59,123
MAYBE I'LL SHARE
WITH YOU.
1060
01:05:59,189 --> 01:06:01,191
- MAYBE?
- MAYBE.
1061
01:06:01,258 --> 01:06:06,496
( laughs )
DEPENDS ON WHAT YOU
COME UP HERE TO THINK ABOUT.
1062
01:06:06,563 --> 01:06:07,631
STUFF.
1063
01:06:09,766 --> 01:06:11,635
MY DREAMS.
1064
01:06:11,701 --> 01:06:14,871
MUSIC.
THE FUTURE.
1065
01:06:14,938 --> 01:06:17,041
IF I HAVE ONE.
1066
01:06:17,107 --> 01:06:19,409
( saxophone playing )
1067
01:06:21,145 --> 01:06:23,213
( laughs )
1068
01:06:25,115 --> 01:06:26,316
COME ON.
1069
01:06:44,668 --> 01:06:46,603
TOO FAST?
1070
01:06:46,670 --> 01:06:48,372
NOT READY.
1071
01:06:48,438 --> 01:06:51,841
WELL... COOL.
1072
01:06:51,908 --> 01:06:53,943
I MEAN I LIKE YOU.
1073
01:06:54,010 --> 01:06:55,745
A LOT.
1074
01:06:55,812 --> 01:06:58,315
YEAH, I LIKE YOU TOO.
1075
01:07:03,420 --> 01:07:05,955
I WAS THINKING OF THAT SONG
WE WERE WORKING ON
THE OTHER DAY.
1076
01:07:06,022 --> 01:07:07,491
UM-HMM.
1077
01:07:07,557 --> 01:07:11,027
I THINK WE SHOULD
DO IT FOR OUR FINAL
PERFORMANCE PIECE.
1078
01:07:11,095 --> 01:07:12,462
YOU SING.
I'LL PLAY.
1079
01:07:12,529 --> 01:07:14,631
WE COULD SPLIT
THE SCHOLARSHIP
1080
01:07:14,698 --> 01:07:17,801
AND WE COULD
WRITE SOMETHING
REALLY MEANINGFUL.
1081
01:07:19,769 --> 01:07:21,705
- OKAY?
- DEAL.
1082
01:07:25,109 --> 01:07:28,745
DO YOU WANT
TO TRY THAT AGAIN?
1083
01:07:28,812 --> 01:07:30,046
WHAT?
1084
01:07:52,802 --> 01:07:55,672
( pop music playing )
1085
01:07:57,607 --> 01:08:00,310
* SOMETHING IN THE WAY
YOU THROW YOUR HAIR *
1086
01:08:00,377 --> 01:08:02,446
* BACK OVER YOUR SHOULDER
1087
01:08:02,512 --> 01:08:05,282
* SOMETHING IN THE WAY
YOU SMILE *
1088
01:08:05,349 --> 01:08:07,684
* WHEN YOU'RE LOOKING
MY WAY *
1089
01:08:07,751 --> 01:08:09,419
* I'VE GOT NO CONCERNS
1090
01:08:09,486 --> 01:08:12,456
* THE DAYS ARE LONG
AND THE NIGHTS GET COLDER *
1091
01:08:12,522 --> 01:08:15,759
* BECAUSE IT'S THIS
I'VE GOT TO TRY *
1092
01:08:15,825 --> 01:08:17,427
* ON YOU, HONEY
1093
01:08:17,494 --> 01:08:20,230
* I AIN'T NEVER WISHIN'
FOR THE CHANGE *
1094
01:08:20,297 --> 01:08:21,665
* IN MY CONDITION
1095
01:08:21,731 --> 01:08:23,800
* I'M NOT RICH
BUT I KNOW *
1096
01:08:23,867 --> 01:08:27,671
* THAT THE SUN
WILL SHINE FOR ME *
1097
01:08:27,737 --> 01:08:29,072
* RIDE WITH ME
1098
01:08:29,139 --> 01:08:33,477
* WON'T YOU TAKE
A RIDE WITH ME? *
1099
01:08:35,545 --> 01:08:38,114
- LET'S GO, LET'S GO!
- HEY, IT'S OPEN MIC
NIGHT, GUYS.
1100
01:08:38,182 --> 01:08:40,116
( singer singing
out of tune )
1101
01:08:40,184 --> 01:08:43,119
( crowd booing )
1102
01:08:43,187 --> 01:08:45,255
- BOO!
- YOU SUCK!
1103
01:08:48,124 --> 01:08:49,493
TOUGH CROWD.
1104
01:08:49,559 --> 01:08:51,495
- YEAH.
- TELL ME ABOUT IT.
1105
01:08:51,561 --> 01:08:54,097
I'M GONNA GO SEE
IF WE CAN GET ONTO
THE LIST TO PERFORM.
1106
01:08:54,164 --> 01:08:55,899
WHAT?
JAY, NO.
1107
01:08:55,965 --> 01:08:58,302
HEY LOOK, WE CAN
PRACTICE FOREVER,
BUT SOONER OR LATER
1108
01:08:58,368 --> 01:08:59,736
WE'RE GONNA
HAVE TO DO IT.
1109
01:08:59,803 --> 01:09:02,005
Patron:
WE GOTTA GET OUT OF HERE.
1110
01:09:02,071 --> 01:09:06,443
* HEY-EY.
1111
01:09:06,510 --> 01:09:08,612
ALL RIGHT,
ALL RIGHT.
1112
01:09:08,678 --> 01:09:10,614
STANLEY WILSON,
LADIES AND GENTLEMEN.
1113
01:09:10,680 --> 01:09:12,616
LET'S GIVE A BIG HAND
TO STANLEY WILSON.
1114
01:09:12,682 --> 01:09:14,818
- WHY ARE YOU HERE?!
- YOU SUCK, MAN!
1115
01:09:14,884 --> 01:09:17,221
GOOD JOB.
1116
01:09:17,287 --> 01:09:19,256
- I'M SO NERVOUS.
- WELL, LOOK, JUST--
1117
01:09:19,323 --> 01:09:22,226
PICTURE THE AUDIENCE NAKED.
1118
01:09:22,292 --> 01:09:23,593
OKAY, BAD IDEA.
1119
01:09:23,660 --> 01:09:26,330
ALL RIGHT, NEXT UP,
WE HAVE TERRI AND JAY.
1120
01:09:26,396 --> 01:09:28,164
NOW, IT IS THEIR FIRST TIME
HERE AT THE BLUE MOON,
1121
01:09:28,232 --> 01:09:31,201
SO LET'S GIVE
THEM A WARM WELCOME.
TERRI AND JAY, EVERYONE.
1122
01:09:31,268 --> 01:09:33,337
( applauding )
1123
01:09:42,679 --> 01:09:44,981
( clears throat )
1124
01:09:45,048 --> 01:09:48,785
* THERE'S A LIGHT IN ME
1125
01:09:48,852 --> 01:09:50,354
* AND--
1126
01:09:50,420 --> 01:09:53,957
- LET ME START OVER.
- COME ON, SING SOMETHING!
1127
01:09:54,023 --> 01:09:56,626
* THERE'S A LIGHT IN ME
1128
01:09:56,693 --> 01:09:59,663
- HEY, TURN AROUND.
- * AND IT'S SHINE--
1129
01:10:01,465 --> 01:10:03,467
LOOK, IT'S OKAY.
TURN AROUND.
1130
01:10:06,002 --> 01:10:06,936
SORRY.
1131
01:10:10,274 --> 01:10:13,610
* THERE'S A LIGHT IN ME
1132
01:10:13,677 --> 01:10:18,047
* AND IT'S SHINE--
SHINE *
1133
01:10:18,114 --> 01:10:20,550
* I CAN'T HELP--
1134
01:10:28,292 --> 01:10:31,428
- Terri: PAUL!
- ( crowd mumbling )
1135
01:10:37,033 --> 01:10:38,768
TERRI! TERRI!
1136
01:10:38,835 --> 01:10:40,570
TERRI, WAIT, WAIT!
1137
01:10:40,637 --> 01:10:43,740
- ARE YOU OKAY?
- I'M FINE.
1138
01:10:43,807 --> 01:10:47,377
I SAW--
I JUST WASN'T READY.
1139
01:10:50,447 --> 01:10:52,882
I-- I WAS GONNA WAIT.
1140
01:10:52,949 --> 01:10:55,218
BUT, UM,
1141
01:10:55,285 --> 01:10:57,053
THIS IS FOR YOU.
1142
01:10:57,120 --> 01:10:58,588
PAUL'S CROSS.
1143
01:11:22,379 --> 01:11:24,914
( alarm beeping )
1144
01:11:24,981 --> 01:11:26,850
( sighs )
1145
01:11:30,354 --> 01:11:33,156
( mumbles )
1146
01:11:33,222 --> 01:11:38,094
* THE KINGDOM
OF THIS WORLD *
1147
01:11:38,161 --> 01:11:41,097
* HE IS BECOME
1148
01:11:41,164 --> 01:11:44,267
* THE KINGDOM OF OUR LORD
1149
01:11:44,334 --> 01:11:46,269
* AND OF HIS CHRIST...
1150
01:11:46,336 --> 01:11:50,106
* AND OF HIS CHRIST.
1151
01:11:50,173 --> 01:11:52,842
GOOD. NICE.
1152
01:11:52,909 --> 01:11:55,244
IMPROVING.
WE'VE GOT 10
MINUTES LEFT.
1153
01:11:55,311 --> 01:11:58,382
I WANT TO RUN
THE THIRD SECTION.
HAS ANYBODY SEEN TERRI?
1154
01:11:58,448 --> 01:12:01,485
I CAN SING THE PART,
MR. TORVALD, I KNOW IT
BACKWARDS AND FORWARDS.
1155
01:12:01,551 --> 01:12:03,753
IT'S TERRI'S SOLO,
SO LETS WAIT FOR HER.
1156
01:12:03,820 --> 01:12:07,391
BUT SHE'S NOT EVEN HERE.
AND IT'S NOT LIKE SHE CAN
SING IT ANYWAY.
1157
01:12:07,457 --> 01:12:09,626
TERRI'S WORKED HARD FOR IT.
SHE DESERVES IT.
1158
01:12:09,693 --> 01:12:13,129
- NO, I DESERVE THIS PART!
- ( crowd gasps )
1159
01:12:13,196 --> 01:12:14,864
Student:
STOP IT. JEEZ.
1160
01:12:17,367 --> 01:12:18,502
HA-HA.
1161
01:12:20,303 --> 01:12:22,672
WELL I GUESS YOU HAVE
A NEW FAVORITE NOW!
1162
01:12:23,473 --> 01:12:24,808
( door slams )
1163
01:12:25,875 --> 01:12:26,810
HEY.
1164
01:12:28,545 --> 01:12:30,246
( crying )
COME ON.
1165
01:12:30,313 --> 01:12:32,382
WHOA, WHOA.
WHAT'S WRONG?
1166
01:12:36,453 --> 01:12:38,455
I DON'T UNDERSTAND.
1167
01:12:38,522 --> 01:12:41,791
I DON'T-- I DON'T SEE
HOW THINGS CAN JUST GO
FROM BEING SO GREAT
1168
01:12:41,858 --> 01:12:44,694
ONE SUMMER TO TURN
TO SUCH CRAP THE NEXT.
1169
01:12:49,433 --> 01:12:50,700
I'M SORRY, ROBIN.
1170
01:12:51,801 --> 01:12:53,036
CAN WE TALK?
1171
01:12:54,638 --> 01:12:56,673
I MEAN, PRIVATELY?
1172
01:13:01,778 --> 01:13:05,649
HEY, MR. TORVALD.
I'M SORRY I MISSED CLASS.
1173
01:13:05,715 --> 01:13:07,216
WELL, THAT'S OKAY.
1174
01:13:07,283 --> 01:13:10,386
ARE YOU FEELING BETTER?
1175
01:13:10,454 --> 01:13:13,590
- WHAT?
- IF YOU MISSED MY CLASS,
1176
01:13:13,657 --> 01:13:15,391
YOU MUST BE DEATHLY ILL.
1177
01:13:15,459 --> 01:13:18,562
IT'S TOO BAD
BECAUSE WE WERE GONNA
WORK ON YOUR SOLO TODAY.
1178
01:13:21,965 --> 01:13:24,367
- I'M NOT READY FOR A SOLO.
- YES, YOU ARE.
1179
01:13:24,434 --> 01:13:27,771
DON'T YOU EVEN KNOW
HOW MUCH YOU'VE IMPROVED
SINCE YOU'VE BEEN HERE?
1180
01:13:27,837 --> 01:13:30,339
OKAY, BUT THERE
ARE MUCH BETTER SINGERS
HERE, MR. TORVALD.
1181
01:13:30,406 --> 01:13:32,341
I'LL BE THE JUDGE OF THAT.
1182
01:13:32,408 --> 01:13:34,844
WE'LL TRY IT AGAIN TOMORROW.
1183
01:13:34,911 --> 01:13:36,513
LOOK, TERRI,
1184
01:13:36,580 --> 01:13:38,982
THERE'S PEOPLE
IN THE CLASS WHO ARE
DESPERATE TO DO THIS SOLO,
1185
01:13:39,048 --> 01:13:42,652
SO IF YOU DON'T CARE
ABOUT THE WORK,
1186
01:13:42,719 --> 01:13:44,788
WHAT HAVE YOU
BEEN DOING HERE?
1187
01:13:46,222 --> 01:13:47,791
( door shuts )
1188
01:13:47,857 --> 01:13:51,394
THIS IS SO HUMILIATING.
YOU'RE SUPPOSE TO BE WITH ME.
1189
01:13:51,461 --> 01:13:53,196
LOOK, JUST--
1190
01:13:53,262 --> 01:13:54,464
TAKE IT EASY.
1191
01:13:58,001 --> 01:14:00,537
WORSE THINGS
HAVE HAPPENED, RIGHT?
1192
01:14:00,604 --> 01:14:02,539
YEAH, ALL THE TIME.
1193
01:14:02,606 --> 01:14:04,073
JUST NOT TO ME.
1194
01:14:04,140 --> 01:14:07,644
- I ALWAYS GET MY WAY.
- (chuckles )
1195
01:14:10,313 --> 01:14:13,517
- IS THAT A BAD THING TO SAY?
- WELL, MAYBE A LITTLE, YEAH.
1196
01:14:15,819 --> 01:14:18,021
BUT I THOUGHT YOU LIKED BAD.
1197
01:14:19,122 --> 01:14:21,157
MAYBE A LITTLE BAD?
1198
01:14:21,224 --> 01:14:24,628
COME ON, WE GOT ALONG
REALLY WELL LAST SUMMER,
DIDN'T WE?
1199
01:14:24,694 --> 01:14:26,630
PEOPLE CHANGE, ROBIN.
1200
01:14:26,696 --> 01:14:28,965
I'M NOT THE SAME PERSON
I WAS LAST SUMMER.
1201
01:14:29,032 --> 01:14:30,433
NEITHER ARE YOU.
1202
01:14:30,500 --> 01:14:31,968
I DON'T KNOW.
1203
01:14:32,035 --> 01:14:34,904
I THINK WE CAN BE
THOSE TWO PEOPLE AGAIN.
DON'T YOU?
1204
01:14:39,242 --> 01:14:40,710
( students chatting )
1205
01:14:42,679 --> 01:14:46,482
- HEY, HAVE YOU SEEN JAY?
- UH, HEADING TO THE PRACTICE
ROOM, I THINK.
1206
01:14:48,384 --> 01:14:50,554
I THINK I KNOW THE PROBLEM.
1207
01:14:53,590 --> 01:14:54,824
I'M BAD.
1208
01:14:56,626 --> 01:14:58,161
BUT I CAN BE BETTER.
1209
01:15:07,871 --> 01:15:09,005
( gasps )
1210
01:15:09,072 --> 01:15:10,674
TERRI, WAIT!
TERRI!
1211
01:15:13,242 --> 01:15:15,879
TERRI!
TERRI, WAIT!
1212
01:15:15,945 --> 01:15:17,213
TERRI!
1213
01:15:17,280 --> 01:15:19,082
- WAIT.
- JERK!
1214
01:15:20,116 --> 01:15:21,785
TERRI!
1215
01:15:21,851 --> 01:15:26,122
- JAY?
- STAY AWAY FROM ME!
TERRI!
1216
01:15:28,357 --> 01:15:30,226
( crying )
1217
01:15:37,033 --> 01:15:38,001
STUPID.
1218
01:15:56,352 --> 01:15:59,689
* I DON'T KNOW YOUR FACE
1219
01:15:59,756 --> 01:16:02,626
* NO MORE
1220
01:16:04,460 --> 01:16:07,430
* OR FEEL THE TOUCH
1221
01:16:07,496 --> 01:16:10,566
* THAT I ADORE
1222
01:16:14,503 --> 01:16:18,274
* I DON'T KNOW YOUR FACE
1223
01:16:18,341 --> 01:16:21,577
* NO MORE
1224
01:16:22,812 --> 01:16:25,849
* IT'S JUST A PLACE
1225
01:16:25,915 --> 01:16:29,052
* I'M LOOKING FOR...
1226
01:16:31,621 --> 01:16:34,523
- TERRI, COME ON, PLEASE.
- SHE DOESN'T WANT TO TALK
TO YOU.
1227
01:16:34,590 --> 01:16:35,759
JUST BACK OFF.
1228
01:16:37,794 --> 01:16:40,630
* WE MIGHT AS WELL
BE LIVING *
1229
01:16:40,697 --> 01:16:44,433
* IN ANOTHER TOWN
1230
01:16:44,500 --> 01:16:47,771
* WE MIGHT AS WELL
1231
01:16:47,837 --> 01:16:51,274
* WE MIGHT AS WELL
1232
01:16:51,340 --> 01:16:54,177
* WE MIGHT AS WELL
1233
01:16:54,243 --> 01:16:58,381
* BE STRANGERS
1234
01:17:04,353 --> 01:17:08,758
* BE STRANGERS
1235
01:17:13,329 --> 01:17:16,465
* FOR ALL I KNOW
1236
01:17:16,532 --> 01:17:21,237
* OF YOU NOW
1237
01:17:22,872 --> 01:17:25,675
* FOR ALL I KNOW.
1238
01:17:27,877 --> 01:17:32,115
AW, HEY.
YOU OKAY?
1239
01:17:32,181 --> 01:17:34,350
IT'S NOTHING.
1240
01:17:34,417 --> 01:17:36,352
I'M SORRY IF I WAS HARD
ON YOU THE OTHER DAY.
1241
01:17:36,419 --> 01:17:39,956
I JUST WANT YOU TO KNOW
THAT I'M HERE FOR YOU
1242
01:17:40,023 --> 01:17:43,126
IF YOU NEED ANYTHING.
IF YOU WANT TO TALK.
ANYTHING.
1243
01:17:44,527 --> 01:17:45,995
OKAY?
1244
01:17:51,801 --> 01:17:54,603
HAVE YOU EVER LOST ANYONE?
1245
01:17:54,670 --> 01:17:55,839
YEAH.
1246
01:17:57,807 --> 01:17:59,876
I JUST CAN'T LET THIS GO.
1247
01:17:59,943 --> 01:18:01,745
WELL, YOU'RE AN ARTIST
1248
01:18:01,811 --> 01:18:03,880
AND ARTISTS
FEEL THINGS DIFFERENTLY
1249
01:18:03,947 --> 01:18:06,916
THAN REGULAR PEOPLE.
1250
01:18:06,983 --> 01:18:09,285
LOOK AT PATSY CLINE OR
1251
01:18:09,352 --> 01:18:12,421
BILLIE HOLIDAY.
YOU COULD HEAR IT
IN THEIR VOICE.
1252
01:18:12,488 --> 01:18:14,223
OR,
1253
01:18:14,290 --> 01:18:18,027
VINCENT VAN GOGH.
CUT OFF HIS EAR, BUT HEY,
HE COULD PAINT.
1254
01:18:18,094 --> 01:18:20,163
VINCENT VAN GOGH
KILLED HIMSELF.
1255
01:18:20,229 --> 01:18:22,665
THAT'S RIGHT.
THAT'S A BAD EXAMPLE.
1256
01:18:22,732 --> 01:18:24,233
( laughs )
1257
01:18:24,300 --> 01:18:26,602
HEY, I'M A MUSIC TEACHER,
NOT A SHRINK.
1258
01:18:26,669 --> 01:18:29,372
WHAT DO YOU WANT?
1259
01:18:29,438 --> 01:18:31,340
I GUESS...
1260
01:18:31,407 --> 01:18:35,511
WHAT I'M TRYING TO SAY
IS ARTISTS CONVEY EMOTION.
1261
01:18:35,578 --> 01:18:39,849
THEY MAKE AN AUDIENCE FEEL
WHAT THEY'RE FEELING.
1262
01:18:39,916 --> 01:18:41,985
YOU KNOW, THAT'S
WHAT IT'S ALL ABOUT, RIGHT?
1263
01:18:42,986 --> 01:18:43,987
YOU JUST HAVE TO FIND A WAY
1264
01:18:44,053 --> 01:18:47,656
TO TAKE WHAT'S IN HERE
1265
01:18:47,723 --> 01:18:49,425
AND PUT IT IN HERE.
1266
01:18:56,499 --> 01:18:59,468
- ( pounding at door )
- WHAT THE HELL. WHO IS IT?
1267
01:18:59,535 --> 01:19:01,737
IT'S JAY.
LET ME IN!
1268
01:19:01,805 --> 01:19:04,107
- GO AWAY, YOU JACKASS!
- NO, NO, NO!
1269
01:19:04,173 --> 01:19:06,709
I JUST-- PLEASE, I JUST WANT
TO TALK TO TERRI, OKAY?
1270
01:19:06,776 --> 01:19:09,745
- JUST LET ME IN.
- HE SOUNDS DRUNK.
1271
01:19:09,813 --> 01:19:11,747
UH, YOU THINK?
1272
01:19:11,815 --> 01:19:14,083
HEY, GIRL,
DO NOT OPEN THAT DOOR.
1273
01:19:14,150 --> 01:19:16,920
OKAY, I'M GONNA MAKE
HIM LEAVE, ALL RIGHT?
1274
01:19:16,986 --> 01:19:18,788
JAY, YOU HAVE TO LEAVE NOW.
1275
01:19:18,855 --> 01:19:20,289
- WAIT, WAIT, WAIT.
- OKAY?
1276
01:19:20,356 --> 01:19:22,691
- NO!
- OW!
1277
01:19:22,758 --> 01:19:26,562
- THAT HURT A LOT.
- ( sighs )
1278
01:19:26,629 --> 01:19:28,064
- SHH.
- NO, IT'S NOT
WHAT YOU THINK.
1279
01:19:28,131 --> 01:19:29,565
Student:
WHAT'S GOING ON?!
1280
01:19:29,632 --> 01:19:31,700
- I SAW YOU
KISSING HER, OKAY?
- NO, NO.
1281
01:19:31,767 --> 01:19:33,870
- SHUT UP!
- YOU SHUT UP!
1282
01:19:33,937 --> 01:19:35,738
- Denise: COME ON, TERRI.
- Girl in dorm: I'M TRYING
TO SLEEP!
1283
01:19:35,805 --> 01:19:38,942
SH-- I WASN'T KISSING HER.
SHE WAS-- SHE WAS KISSING ME.
1284
01:19:39,008 --> 01:19:41,677
OH NO.
HE DIDN'T EVEN TRY
TO GO THERE, PLEASE.
1285
01:19:41,744 --> 01:19:43,246
I'M SURE THAT MAKES
A LOT OF SENSE, JAY,
1286
01:19:43,312 --> 01:19:45,448
- WHEN YOU'RE DRUNK.
- TERRI,
1287
01:19:45,514 --> 01:19:47,250
I DON'T CARE ABOUT HER.
1288
01:19:47,316 --> 01:19:50,253
- I CARE ABOUT YOU.
- BOY, WHO YOU TRYING TO PLAY?
1289
01:19:50,319 --> 01:19:54,557
- TERRI?
- DENISE, JUST CHILL OUT,
ALL RIGHT?
1290
01:19:54,623 --> 01:19:56,292
LOOK, TERRI,
1291
01:19:56,359 --> 01:19:58,094
I CARE ABOUT YOU.
1292
01:19:58,161 --> 01:20:01,597
- YOU KNOW I DO.
- WHY WOULD YOU DO THAT?
1293
01:20:01,664 --> 01:20:03,532
WHY WOULD YOU DRINK?
1294
01:20:06,235 --> 01:20:09,238
BECAUSE, BECAUSE I'M--
I'M WORTHLESS.
1295
01:20:09,305 --> 01:20:12,608
YOU KNOW WHAT?
DON'T EVEN TRY AND GIVE ME
THAT SELF-PITY THING, OKAY?
1296
01:20:12,675 --> 01:20:14,911
TERRI, LOOK.
Y'ALL NEED TO RELOCATE.
1297
01:20:14,978 --> 01:20:17,580
OKAY, WELL, I'M NEVER
GOING TO GET HIM PAST
THE NIGHT GUARD, SO YOU--
1298
01:20:17,646 --> 01:20:20,349
- I'LL BE FINE.
I'LL JUST--
- YOU HAVE--
1299
01:20:20,416 --> 01:20:22,185
YOU HAVE TO HELP ME
GET HIM UP TO THE ROOF.
1300
01:20:22,251 --> 01:20:24,053
THIS IS TOO MUCH
DRAMA FOR ME.
1301
01:20:24,120 --> 01:20:26,055
- SHH-HH.
- I'M FINE.
1302
01:20:26,122 --> 01:20:28,724
YOU'RE NOT FINE, OKAY?
1303
01:20:28,791 --> 01:20:30,326
OH WOW!
1304
01:20:30,393 --> 01:20:34,063
I LOVE THIS ROOF!
IT'S SO COOL.
1305
01:20:34,130 --> 01:20:36,732
- WHOO!
- OH, HIS BREATH IS NASTY.
1306
01:20:36,799 --> 01:20:38,734
OH!
1307
01:20:38,801 --> 01:20:40,736
I'M SPINNING.
1308
01:20:40,803 --> 01:20:43,439
HELP HIM!
1309
01:20:43,506 --> 01:20:45,441
OH MY GOD.
1310
01:20:45,508 --> 01:20:47,443
I'M OUT.
1311
01:20:47,510 --> 01:20:49,745
THANK YOU.
1312
01:20:49,812 --> 01:20:52,515
- WHAT DID YOU DO?
- I DON'T FEEL SO GOOD.
1313
01:20:52,581 --> 01:20:53,883
I'M SURE YOU DON'T.
1314
01:20:54,884 --> 01:20:57,753
* IN A MOMENT
1315
01:20:57,820 --> 01:21:01,257
* EVERYTHING CAN CHANGE
1316
01:21:01,324 --> 01:21:05,528
* FEEL THE WIND
ON YOUR SHOULDER *
1317
01:21:05,594 --> 01:21:08,231
* FOR A MINUTE
1318
01:21:08,297 --> 01:21:11,968
* ALL THE WORLD CAN WAIT
1319
01:21:12,035 --> 01:21:15,671
- * LET GO OF YOUR YESTERDAY
- WAKE UP.
1320
01:21:15,738 --> 01:21:18,341
* CAN YOU HEAR IT CALLING?
1321
01:21:18,407 --> 01:21:20,743
* CAN YOU FEEL IT
IN YOUR SOUL? *
1322
01:21:20,809 --> 01:21:24,713
- * CAN YOU TRUST
THIS LONGING *
- WAKE UP, IT'S A NEW DAY.
1323
01:21:24,780 --> 01:21:27,050
* AND TAKE CONTROL?
1324
01:21:27,116 --> 01:21:29,085
* FLY
1325
01:21:29,152 --> 01:21:31,254
* OPEN UP THE PART OF YOU
1326
01:21:31,320 --> 01:21:35,191
* 'CAUSE IT'S YOUR TIME
1327
01:21:35,258 --> 01:21:40,163
- * TIME TO FLY...
- ( exhales deeply )
1328
01:21:44,533 --> 01:21:47,103
I'M REALLY SORRY.
1329
01:21:47,170 --> 01:21:50,106
SAVE IT.
YOU'RE NOT FORGIVEN YET.
1330
01:21:50,173 --> 01:21:51,540
COME ON, LET'S GO.
1331
01:21:59,182 --> 01:22:01,784
* IN A MOMENT
1332
01:22:01,850 --> 01:22:05,454
* EVERYTHING CAN CHANGE.
1333
01:22:05,521 --> 01:22:08,557
FRANCES!
DO YOU HAVE THE CAR KEYS?
1334
01:22:09,658 --> 01:22:11,694
FRANCES?
1335
01:22:11,760 --> 01:22:13,262
CAR KEYS?
1336
01:22:15,898 --> 01:22:17,633
( rattles )
1337
01:22:29,778 --> 01:22:31,580
FRANCES?
1338
01:22:31,647 --> 01:22:35,218
SO I WROTE SOME NEW LYRICS
AND NOW ALL WE HAVE TO DO
IS PRACTICE,
1339
01:22:35,284 --> 01:22:37,220
- SO WE CAN PULL THIS OFF.
- RIGHT.
1340
01:22:41,857 --> 01:22:43,426
HERE'S THE MUSIC.
1341
01:22:45,161 --> 01:22:46,962
OKAY, WELL,
LET'S START HERE.
1342
01:22:47,030 --> 01:22:49,498
- I WANNA WORK
ON THE BRIDGE.
- OKAY.
1343
01:22:53,502 --> 01:22:57,240
* IT DOESN'T MATTER
WHAT PEOPLE SAY *
1344
01:22:57,306 --> 01:23:01,510
* AND IT DOESN'T MATTER
HOW LONG IT TAKES *
1345
01:23:01,577 --> 01:23:06,815
* BELIEVE IN YOURSELF
AND YOU'LL FLY-- *
1346
01:23:06,882 --> 01:23:08,551
OKAY.
1347
01:23:08,617 --> 01:23:12,621
IT'S NOT--
LET'S, UM, GO AGAIN
AND TRY IT A LITTLE FASTER.
1348
01:23:12,688 --> 01:23:14,490
- OKAY.
- OKAY.
1349
01:23:14,557 --> 01:23:16,392
- ( playing ragtime )
- * IT DOESN'T--
1350
01:23:16,459 --> 01:23:18,127
( laughs )
1351
01:23:19,128 --> 01:23:21,264
STOP.
1352
01:23:21,330 --> 01:23:23,066
OKAY, FOR REAL THIS TIME.
LET'S GO.
1353
01:23:26,435 --> 01:23:30,406
* IT DOESN'T MATTER
WHAT PEOPLE SAY-- *
1354
01:23:30,473 --> 01:23:31,574
( sighs )
1355
01:23:31,640 --> 01:23:33,276
IT SOUNDED FINE
THE FIRST TIME.
1356
01:23:33,342 --> 01:23:36,679
OKAY, BUT "FINE"
IS NOT GOING TO WIN US
THE SCHOLARSHIP.
1357
01:23:36,745 --> 01:23:38,114
OKAY, IT'S GOTTA BE RIGHT.
1358
01:23:38,181 --> 01:23:40,049
AND I'M NOT GONNA GIVE UP
UNTIL I NAIL IT.
1359
01:23:40,116 --> 01:23:41,584
IT'LL DRIVE ME NUTS.
1360
01:23:43,652 --> 01:23:46,155
* IT DOESN'T MATTER--
IT DOESN'T MATTER *
1361
01:23:46,222 --> 01:23:49,592
* IT DOESN'T MATTER
HOW LONG IT TAKES *
1362
01:23:49,658 --> 01:23:55,098
* BELIEVE IN YOURSELF
AND YOU'LL FLY HIGH. *
1363
01:23:55,164 --> 01:23:57,800
WHAT?
YOU DID WHAT?
1364
01:23:57,866 --> 01:23:59,435
SHE GOT ACCEPTED, SIMON.
1365
01:23:59,502 --> 01:24:01,170
OUT OF ALL THE APPLICANTS
IN AMERICA,
1366
01:24:01,237 --> 01:24:03,506
OUR TERRI GOT IN.
1367
01:24:03,572 --> 01:24:06,242
YOU MEAN SHE'S BEEN THERE
THIS WHOLE TIME?
1368
01:24:06,309 --> 01:24:07,843
- DID YOU HEAR ME?
- YOU-- YOU LIED TO ME?
1369
01:24:07,910 --> 01:24:10,213
- DID YOU HEAR?
OUR DAUGHTER...
- YOU AND NINA?
1370
01:24:10,279 --> 01:24:14,583
- GOT INTO THE BEST
MUSIC SCHOOL IN THE COUNTRY.
- ALL OF YOU LIED TO ME.
1371
01:24:14,650 --> 01:24:16,519
ALL OF YOU.
1372
01:24:18,887 --> 01:24:21,690
BUT TERRI WANTED TO GO.
1373
01:24:21,757 --> 01:24:23,426
PAUL WANTED HER TO GO.
1374
01:24:23,492 --> 01:24:24,627
PAUL!
1375
01:24:26,395 --> 01:24:29,865
TERRI'S SINGING AGAIN.
WHY DOESN'T THIS MATTER TO YOU?
1376
01:24:29,932 --> 01:24:33,302
WHAT IN GOD'S NAME
IS WRONG WITH YOU, FRANCES?
1377
01:24:33,369 --> 01:24:36,705
WHAT'S WRONG WITH ME?
1378
01:24:36,772 --> 01:24:38,241
WE JUST LOST OUR SON.
1379
01:24:38,307 --> 01:24:42,077
WE WERE LOSING THE ONLY
CHILD WE HAVE LEFT.
1380
01:24:42,145 --> 01:24:44,012
I'M NOT GONNA LET
THAT HAPPEN.
1381
01:24:44,079 --> 01:24:46,382
THAT'S MY POINT.
1382
01:24:46,449 --> 01:24:49,852
SHE'S JUST A CHILD.
SHE'S OUR CHILD.
1383
01:24:49,918 --> 01:24:52,188
AND HOW CAN I PROTECT HER
IF SHE'S NOT HERE?
1384
01:24:53,756 --> 01:24:55,724
I WANT HER HOME.
1385
01:24:55,791 --> 01:24:57,660
I WANT HER HOME NOW.
1386
01:24:59,928 --> 01:25:01,830
( piano playing )
1387
01:25:16,812 --> 01:25:18,647
( drumming )
1388
01:25:27,990 --> 01:25:29,758
( drumming increases )
1389
01:25:45,040 --> 01:25:46,575
( pounding )
1390
01:25:46,642 --> 01:25:50,145
- WILL YOU SHUT UP IN HERE?!
- ( breathing heavily )
1391
01:25:50,213 --> 01:25:54,016
YOU ARE THE LOUDEST,
NOISIEST, RUDEST JERK
ON THE PLANET!
1392
01:25:54,082 --> 01:25:56,452
( drumsticks drop )
1393
01:26:19,775 --> 01:26:21,176
( giggling )
1394
01:26:26,815 --> 01:26:28,584
( both laughing )
1395
01:26:30,419 --> 01:26:31,854
( Sloan shrieks )
1396
01:26:38,261 --> 01:26:39,595
( cymbal clangs )
1397
01:26:39,662 --> 01:26:41,163
- Sloane: OH, OW!
- Kiwi: SORRY.
1398
01:26:41,230 --> 01:26:43,666
( classical music
playing throughout )
1399
01:27:07,456 --> 01:27:09,558
- ( applause )
- THANK YOU.
1400
01:27:11,460 --> 01:27:13,462
THANK YOU AND WELCOME.
1401
01:27:13,529 --> 01:27:15,264
WELL, IT'S TIME TO BRING
THINGS TO A CLOSE.
1402
01:27:15,331 --> 01:27:18,667
IT'S BEEN GREAT FUN
AND WE HAVE EVEN MORE
IN STORE FOR YOU.
1403
01:27:18,734 --> 01:27:21,804
TODAY WE HAVE A FULL SLATE
OF FINAL PERFORMANCES.
1404
01:27:21,870 --> 01:27:24,940
AND SOME OF OUR PERFORMERS
WILL BE BACKED UP BY MEMBERS
1405
01:27:25,007 --> 01:27:27,510
OF THE BRISTOL-HILLMAN
HOUSE BAND.
1406
01:27:27,576 --> 01:27:29,478
- ( crowd cheering )
- OH MY GOD!
1407
01:27:29,545 --> 01:27:33,081
- WHAT?
- I DON'T HAVE
PAUL'S NECKLACE.
1408
01:27:33,148 --> 01:27:35,017
NO, I CAN'T DO THIS
WITHOUT HIM.
1409
01:27:35,083 --> 01:27:38,721
- TERRI? TERRI, WAIT.
- NO, UH, DON'T WORRY.
I'LL BE BACK.
1410
01:27:38,787 --> 01:27:42,391
AND GIVE A HAND
TO OUR FIRST PERFORMER,
MISS ROBIN CHILDERS.
1411
01:27:42,458 --> 01:27:44,427
( cheering )
1412
01:27:44,493 --> 01:27:47,496
- Man: ALL RIGHT!
- Man #2: YEAH!
1413
01:27:48,497 --> 01:27:50,533
( pop music playing )
1414
01:27:56,505 --> 01:27:59,808
* LET YOUR BODY MOVE
ON THE DANCE FLOOR *
1415
01:27:59,875 --> 01:28:03,712
* FEEL THE RHYTHM
AS YOUR BODY GETS WARM... *
1416
01:28:06,214 --> 01:28:08,451
- DAD?
- PACK YOUR THINGS, TERRI.
1417
01:28:08,517 --> 01:28:10,018
- LET'S GO HOME.
- DADDY, NO!
1418
01:28:10,085 --> 01:28:11,720
NOT A WORD, TERESA.
JUST DO IT.
1419
01:28:11,787 --> 01:28:14,723
YOUR MOTHER'S WAITING
DOWNSTAIRS.
1420
01:28:16,925 --> 01:28:18,627
UH-- UH--
1421
01:28:18,694 --> 01:28:20,062
* JUST AS YOU HEAD
IS SPINNING *
1422
01:28:20,128 --> 01:28:24,299
* AS YOU SLOWLY START
TO LOSE CONTROL. *
1423
01:28:24,367 --> 01:28:27,235
( crowd cheering )
1424
01:28:27,302 --> 01:28:29,672
Man:
GO, ROBIN!
1425
01:28:32,575 --> 01:28:35,678
THANK YOU.
GREAT PERFORMANCE!
1426
01:28:35,744 --> 01:28:38,714
OUR NEXT PERFORMER
IS MR. ENGELBERT WILSON.
1427
01:28:38,781 --> 01:28:41,216
- ENGELBERT?
- ( crowd applauding )
1428
01:28:41,283 --> 01:28:43,452
- Man in audience:
COME ON OUT, BOY!
- ( laughing )
1429
01:28:43,519 --> 01:28:45,754
- Man #2: KIWI!
- ( cheering continues )
1430
01:28:45,821 --> 01:28:48,256
DID YOU HEAR WHAT I SAID?
PACK YOUR THINGS.
1431
01:28:48,323 --> 01:28:51,794
DAD, YOU KNOW WHAT?
YOU DID THIS TO PAUL AND NOW
YOU'RE DOING THIS TO ME.
1432
01:28:51,860 --> 01:28:53,662
DON'T YOU DARE
BRING PAUL INTO THIS.
1433
01:28:53,729 --> 01:28:55,798
OKAY, WELL, I'M NOT GONNA
LET YOU HOLD ME BACK.
1434
01:28:55,864 --> 01:28:58,634
- YOU LIED TO ME, TERRI.
- AND I'M SORRY ABOUT THAT.
1435
01:28:58,701 --> 01:29:00,603
BUT I DID WHAT
I HAD TO DO.
1436
01:29:00,669 --> 01:29:04,840
OKAY, YOU DON'T LISTEN
TO ANYBODY, AND WE'RE
ALL AFRAID OF YOU.
1437
01:29:04,907 --> 01:29:07,042
- ( synthesizer playing )
- ( slams drawer )
1438
01:29:11,113 --> 01:29:13,315
SHE DOESN'T EVEN KNOW!
1439
01:29:13,382 --> 01:29:15,518
( electronic music playing )
1440
01:29:21,624 --> 01:29:23,859
* She wants the creature
from outer space *
1441
01:29:27,062 --> 01:29:28,564
* Gentlemen
1442
01:29:39,374 --> 01:29:40,576
* Time is running out.
1443
01:29:41,276 --> 01:29:42,445
DAD...
1444
01:29:43,846 --> 01:29:46,782
THIS PLACE
IS THE SCARIEST,
HARDEST
1445
01:29:46,849 --> 01:29:49,384
BEST THING
THAT HAS EVER
HAPPENED TO ME,
1446
01:29:49,452 --> 01:29:51,153
NO MATTER
HOW I GOT HERE.
1447
01:29:51,219 --> 01:29:53,689
- ( piano music playing )
- WE'LL DISCUSS IT AT HOME.
1448
01:30:10,372 --> 01:30:12,207
I'M NOT LEAVING.
1449
01:30:12,274 --> 01:30:14,610
OKAY, I DID THIS
1450
01:30:14,677 --> 01:30:17,012
AND I DID THIS
FOR ME AND I'M GONNA
FINISH IT FOR ME.
1451
01:30:18,947 --> 01:30:20,883
YOU CAN TAKE ME HOME
IF YOU WANT TO, DAD.
1452
01:30:22,651 --> 01:30:24,620
BUT I'M PERFORMING
ANY MINUTE NOW,
1453
01:30:24,687 --> 01:30:28,457
AND IT WOULD MEAN THE WORLD
TO ME IF YOU AND MOM WERE
THERE TO SUPPORT ME.
1454
01:30:30,292 --> 01:30:32,427
I WORKED SO HARD HERE.
1455
01:30:32,495 --> 01:30:34,497
AND I'M REALLY GOOD.
1456
01:30:34,563 --> 01:30:37,099
I WANT YOU TO HEAR ME.
1457
01:30:37,165 --> 01:30:39,134
PLEASE, DAD.
1458
01:30:39,201 --> 01:30:42,505
- PLEASE, LET ME STAY.
- ( violin playing )
1459
01:30:54,016 --> 01:30:56,451
- ( changes tempo )
- ( laughs )
1460
01:31:06,428 --> 01:31:08,597
( distorted )
1461
01:31:17,172 --> 01:31:19,041
( crowd cheering )
1462
01:31:22,277 --> 01:31:24,580
- Woman: ALL RIGHT, DENISE!
- Man: YES!
1463
01:31:25,814 --> 01:31:30,185
YES, THAT WAS
WONDERFUL, DENISE.
1464
01:31:32,721 --> 01:31:35,624
- NICE JOB, DENISE!
- THANKS.
1465
01:31:35,691 --> 01:31:37,159
YOU WERE GREAT, GIRL!
1466
01:31:37,225 --> 01:31:39,227
AND NOW LAST,
BUT NOT LEAST,
1467
01:31:39,294 --> 01:31:42,130
TERESA FLETCHER
AND JAY CORGAN.
1468
01:31:42,197 --> 01:31:45,133
- ( applause )
- ( piano playing )
1469
01:31:50,238 --> 01:31:52,675
( inaudibly whispering )
1470
01:31:54,810 --> 01:31:58,113
- LADIES AND GENTLEMEN,
I'M SORRY TO ANNOUNCE--
- ( footsteps )
1471
01:32:16,765 --> 01:32:19,802
( guitar playing )
1472
01:32:30,478 --> 01:32:32,547
Paul:
LADIES AND GENTLEMEN,
IT IS MY SINCERE PLEASURE
1473
01:32:32,615 --> 01:32:35,784
TO PRESENT TO YOU
THE DISTINCTIVE VOCAL STYLINGS
OF THE ONE,
1474
01:32:35,851 --> 01:32:39,154
THE ONLY,
TERRI FLETCHER!
1475
01:32:46,995 --> 01:32:48,063
UM--
1476
01:32:50,332 --> 01:32:52,234
THIS SONG JAY
AND I WROTE TOGETHER,
1477
01:32:52,300 --> 01:32:54,436
AND, UM, I WOULD
LIKE TO DEDICATE IT
1478
01:32:54,502 --> 01:32:56,639
TO MY BROTHER,
PAUL FLETCHER.
1479
01:33:12,554 --> 01:33:15,958
* I FOUND MYSELF TODAY
1480
01:33:16,024 --> 01:33:21,864
* OH I FOUND MYSELF
AND RAN AWAY *
1481
01:33:24,867 --> 01:33:28,170
* BUT SOMETHING
PULLED ME BACK *
1482
01:33:28,236 --> 01:33:33,976
* THE VOICE OF REASON,
I FORGOT I HAD *
1483
01:33:34,042 --> 01:33:38,681
* ALL I KNOW
IS YOU'RE NOT HERE TO SAY *
1484
01:33:38,747 --> 01:33:41,684
* WHAT YOU ALWAYS
USED TO SAY *
1485
01:33:41,750 --> 01:33:47,956
* BUT IT'S WRITTEN
IN THE SKY TONIGHT *
1486
01:33:48,023 --> 01:33:51,526
* SO I WON'T GIVE UP
1487
01:33:51,593 --> 01:33:54,730
* NO, I WON'T BREAK DOWN
1488
01:33:54,797 --> 01:34:00,335
* SOONER THAN IT SEEMS
LIFE TURNS AROUND *
1489
01:34:00,402 --> 01:34:06,975
* AND I WILL BE STRONG
EVEN IF IT ALL GOES WRONG *
1490
01:34:07,042 --> 01:34:13,515
* WHEN I'M STANDING IN THE DARK,
I'LL STILL BELIEVE *
1491
01:34:13,581 --> 01:34:19,087
* SOMEONE'S WATCHING OVER ME
1492
01:34:21,757 --> 01:34:24,827
* SEEN
THAT RAY OF LIGHT *
1493
01:34:24,893 --> 01:34:30,532
* AND IT'S SHINING
ON MY DESTINY *
1494
01:34:30,598 --> 01:34:37,472
* SHINING ALL THE TIME,
AND I WON'T BE AFRAID *
1495
01:34:37,539 --> 01:34:43,712
* TO FOLLOW EVERYWHERE
IT'S TAKING ME *
1496
01:34:43,779 --> 01:34:48,150
* ALL I KNOW
IS YESTERDAY IS GONE *
1497
01:34:48,216 --> 01:34:51,720
* AND RIGHT NOW
I BELONG *
1498
01:34:51,787 --> 01:34:57,459
* TO THIS MOMENT,
TO MY DREAMS *
1499
01:34:57,525 --> 01:35:00,628
* SO I WON'T GIVE UP
1500
01:35:00,695 --> 01:35:04,132
* NO, I WON'T BREAK DOWN
1501
01:35:04,199 --> 01:35:10,205
* SOONER THEN IT SEEMS
LIFE TURNS AROUND *
1502
01:35:10,272 --> 01:35:16,378
* AND I WILL BE STRONG
EVEN IF IT ALL GOES WRONG *
1503
01:35:16,444 --> 01:35:23,185
* WHEN I'M STANDING IN THE DARK,
I'LL STILL BELIEVE *
1504
01:35:23,251 --> 01:35:27,823
* SOMEONE'S WATCHING OVER ME
1505
01:35:27,890 --> 01:35:30,926
* IT DOESN'T MATTER
WHAT PEOPLE SAY *
1506
01:35:30,993 --> 01:35:33,996
* AND IT DOESN'T MATTER
HOW LONG IT TAKES *
1507
01:35:34,062 --> 01:35:40,135
* BELIEVE IN YOURSELF
AND YOU'LL FLY HIGH *
1508
01:35:40,202 --> 01:35:43,305
* AND IT ONLY MATTERS
HOW TRUE YOU ARE *
1509
01:35:43,371 --> 01:35:50,045
* BE TRUE TO YOURSELF
AND FOLLOW YOUR HEART *
1510
01:35:51,146 --> 01:35:54,449
* SO I WON'T GIVE UP
1511
01:35:54,516 --> 01:35:57,552
* NO, I WON'T BREAK DOWN
1512
01:35:57,619 --> 01:36:03,725
* SOONER THAN IT SEEMS
LIFE TURNS AROUND *
1513
01:36:03,792 --> 01:36:09,497
* AND I WILL BE STRONG
EVEN IF IT ALL GOES WRONG *
1514
01:36:09,564 --> 01:36:16,538
* WHEN I'M STANDING IN THE DARK,
I'LL STILL BELIEVE *
1515
01:36:16,604 --> 01:36:19,574
* THAT I WON'T GIVE UP
1516
01:36:19,641 --> 01:36:22,444
* NO, I WON'T BREAK DOWN
1517
01:36:22,510 --> 01:36:28,716
* SOONER THAN IT SEEMS
LIFE TURNS AROUND *
1518
01:36:28,783 --> 01:36:35,057
* AND I WILL BE STRONG
EVEN WHEN IT ALL GOES WRONG *
1519
01:36:35,123 --> 01:36:41,796
* WHEN I'M STANDING IN THE DARK,
I'LL STILL BELIEVE *
1520
01:36:41,864 --> 01:36:45,133
* THAT SOMEONE'S
WATCHING OVER-- *
1521
01:36:45,200 --> 01:36:48,370
* SOMEONE'S
WATCHING OVER-- *
1522
01:36:48,436 --> 01:36:53,575
* SOMEONE'S
WATCHING OVER ME *
1523
01:36:53,641 --> 01:36:57,612
* OH YEAH,
OH, OH *
1524
01:36:57,679 --> 01:37:01,149
* OH, O-OH
1525
01:37:01,216 --> 01:37:04,319
* OH, OH
1526
01:37:04,386 --> 01:37:07,289
* OH, OH
1527
01:37:07,355 --> 01:37:10,425
* OH, O-OH
1528
01:37:10,492 --> 01:37:13,795
* OH, OH
1529
01:37:13,862 --> 01:37:16,731
* OH, OH
1530
01:37:16,798 --> 01:37:23,071
* SOMEONE'S WATCHING OVER ME.
1531
01:37:23,138 --> 01:37:25,473
( crowd cheering )
1532
01:37:38,653 --> 01:37:40,355
WAY TO GO, TERRI!
1533
01:37:42,925 --> 01:37:44,893
( silent )
1534
01:37:55,370 --> 01:37:57,639
- YOU DID IT!
YOU WERE AWESOME!
- WE DID IT!
1535
01:37:57,705 --> 01:38:00,909
( gasps )
NOTHING WILL EVER TOP
WHAT I JUST FELT.
1536
01:38:00,976 --> 01:38:02,610
- WE GOT IT.
- WE GOT IT?
1537
01:38:02,677 --> 01:38:04,212
ARE YOU SURE?
ALL RIGHT.
1538
01:38:08,883 --> 01:38:11,920
EACH YEAR WE PRESENT
A $10,000 ACADEMIC SCHOLARSHIP
1539
01:38:11,987 --> 01:38:16,591
IN MUSIC STUDIES
TO AN OUTSTANDING STUDENT
IN THE SUMMER MUSIC PROGRAM.
1540
01:38:16,658 --> 01:38:19,294
THIS YEAR'S PROGRAM
WAS BETTER THAN MOST,
1541
01:38:19,361 --> 01:38:21,429
FULL OF TALENTED,
HARDWORKING STUDENTS.
1542
01:38:21,496 --> 01:38:24,266
IT'S A SHAME WE ONLY HAVE
ONE SCHOLARSHIP TO GIVE.
1543
01:38:24,332 --> 01:38:28,003
SO WITHOUT FURTHER ADO,
THE BOARD OF DIRECTORS
1544
01:38:28,070 --> 01:38:30,238
OF THE BRISTOL-HILLMAN
MUSIC CONSERVATORY
1545
01:38:30,305 --> 01:38:34,442
IS PLEASED TO PRESENT
THIS SCHOLARSHIP TO...
1546
01:38:36,911 --> 01:38:38,947
DENISE GILMORE.
1547
01:38:39,014 --> 01:38:41,283
( cheering )
1548
01:39:17,519 --> 01:39:19,387
( crowd chatting )
1549
01:39:22,457 --> 01:39:26,861
- OH HONEY!
YOU WERE SO WONDERFUL!
- OH, THANK YOU!
1550
01:39:26,928 --> 01:39:29,931
TRULY AMAZING,
BUT THEN AGAIN,
IT'S IN THE GENES.
1551
01:39:29,998 --> 01:39:32,700
- AUNT NINA, THANK YOU
FOR EVERYTHING.
- ( laughing )
1552
01:39:35,103 --> 01:39:37,172
I WISH YOU WOULD
HAVE WON THAT SCHOLARSHIP.
1553
01:39:37,239 --> 01:39:38,840
NO, MOM, IT DOESN'T
EVEN MATTER.
1554
01:39:38,906 --> 01:39:41,676
- I JUST-- I GOT TO BE
UP THERE, YOU KNOW?
- YEAH.
1555
01:39:41,743 --> 01:39:43,145
Simon:
YOU UM...
1556
01:39:44,379 --> 01:39:46,348
YOU WERE GREAT, TERRI.
REALLY.
1557
01:39:47,149 --> 01:39:49,284
THANK YOU, DAD.
1558
01:39:49,351 --> 01:39:52,120
LET ME TALK TO YOU
FOR A SECOND ALONE,
ALL RIGHT?
1559
01:39:58,060 --> 01:39:59,027
( chuckles )
1560
01:39:59,094 --> 01:40:00,495
I UH--
1561
01:40:00,562 --> 01:40:02,330
I JUST WANT TO TELL
YOU I WAS WRONG.
1562
01:40:02,397 --> 01:40:04,266
NO, YOU KNOW WHAT, DAD?
I SHOULD HAVE NEVER--
1563
01:40:04,332 --> 01:40:06,000
JUST LET ME TALK, PLEASE.
1564
01:40:07,969 --> 01:40:09,537
I JUST-- I WAS WRONG.
1565
01:40:09,604 --> 01:40:14,276
I CAN JUST BE,
UH, PRETTY HARDHEADED
SOMETIMES, YOU KNOW?
1566
01:40:14,342 --> 01:40:17,979
ANYWAY, I JUST WANTED
TO TELL YOU THAT, UH...
1567
01:40:18,046 --> 01:40:20,915
IT WAS PROBABLY THE PROUDEST
MOMENT OF MY LIFE
1568
01:40:20,982 --> 01:40:23,551
SEEING YOU UP THERE.
1569
01:40:25,353 --> 01:40:27,622
I JUST WISH PAUL
COULD HAVE SEEN IT.
1570
01:40:29,824 --> 01:40:31,159
ME TOO.
1571
01:40:40,902 --> 01:40:42,104
HI.
1572
01:40:42,170 --> 01:40:44,872
THE FLETCHERS HAVE
AN AMAZING DAUGHTER.
1573
01:40:44,939 --> 01:40:46,541
- THANK YOU.
- AWESOME.
1574
01:40:46,608 --> 01:40:49,244
WE HOPE, UH, WE SEE
HER NEXT YEAR.
1575
01:40:51,413 --> 01:40:53,348
WELL, YOU JUST MIGHT.
1576
01:40:53,415 --> 01:40:54,749
GOOD.
1577
01:40:58,220 --> 01:41:00,888
( both laughing )
1578
01:41:00,955 --> 01:41:02,824
( pop music playing )
1579
01:41:03,958 --> 01:41:06,228
HEY, TERRI.
COME ON!
1580
01:41:16,371 --> 01:41:20,041
* IN THIS PLACE
THAT HAS NO NAME *
1581
01:41:20,108 --> 01:41:24,045
* I CAN'T REMEMBER
WHY I CAME *
1582
01:41:24,112 --> 01:41:28,216
* AND THEN I HEAR
YOU WHISPERING *
1583
01:41:28,283 --> 01:41:31,586
* ONE MORE MILE
TO JERICHO *
1584
01:41:31,653 --> 01:41:34,956
* NOTHING IS EVER
WHAT IT SEEMS *
1585
01:41:35,022 --> 01:41:39,427
* WHEN YOU LIVE
INSIDE YOUR DREAMS *
1586
01:41:39,494 --> 01:41:43,998
* THE WALLS WILL TUMBLE,
THE WALLS WILL TUMBLE *
1587
01:41:44,065 --> 01:41:47,402
* BUT I'M NOT
GOING TO CRY *
1588
01:41:47,469 --> 01:41:51,939
* MY HEART WON'T CRUMBLE,
MY HEART WON'T CRUMBLE *
1589
01:41:52,006 --> 01:41:56,678
* IF WE EVER SAY GOODBYE
1590
01:42:04,186 --> 01:42:07,755
* EVERYBODY GETS THE JOKE
1591
01:42:07,822 --> 01:42:12,093
* WHERE'S THE FIRE?
WHERE'S THE SMOKE? *
1592
01:42:12,160 --> 01:42:15,897
* MONEY, LOVE AND JEALOUSY
1593
01:42:15,963 --> 01:42:19,334
* SOMETHING'S GOT
A HOLD ON ME *
1594
01:42:19,401 --> 01:42:23,538
* BUT I WILL FOLLOW
WHERE YOU GO *
1595
01:42:23,605 --> 01:42:27,275
* ONE MORE MILE TO JERICHO
1596
01:42:27,342 --> 01:42:32,214
* THE WALLS WILL TUMBLE,
THE WALLS WILL TUMBLE *
1597
01:42:32,280 --> 01:42:34,949
* BUT I'M NOT GONNA CRY
1598
01:42:35,016 --> 01:42:40,222
* MY HEART WON'T CRUMBLE,
MY HEART WON'T CRUMBLE *
1599
01:42:40,288 --> 01:42:45,760
* IF WE EVER SAY GOODBYE
1600
01:42:46,961 --> 01:42:50,865
* GOODBYE NOW
1601
01:42:50,932 --> 01:42:54,769
* GOODBYE
1602
01:42:56,271 --> 01:42:59,974
* ONE MORE MILE,
ONE MORE KISS *
1603
01:43:00,041 --> 01:43:03,578
* ONE MORE WORD,
ONE MORE WISH *
1604
01:43:11,353 --> 01:43:15,557
* THE WALLS WILL TUMBLE,
THE WALLS WILL TUMBLE *
1605
01:43:15,623 --> 01:43:19,261
* BUT I'M NOT GONNA CRY
1606
01:43:19,327 --> 01:43:23,965
* MY HEART WON'T CRUMBLE,
MY HEART WON'T CRUMBLE *
1607
01:43:24,031 --> 01:43:27,235
* IF WE EVER SAY GOODBYE
1608
01:43:27,302 --> 01:43:31,973
* THE WALLS WILL TUMBLE,
THE WALLS WILL TUMBLE *
1609
01:43:32,039 --> 01:43:35,410
* BUT I'M NOT GONNA CRY
1610
01:43:35,477 --> 01:43:40,014
* MY HEART WON'T CRUMBLE,
MY HEART WON'T CRUMBLE *
1611
01:43:40,081 --> 01:43:43,951
* IF WE EVER SAY GOODBYE
1612
01:43:44,018 --> 01:43:48,055
* MY HEART WON'T CRUMBLE,
MY HEART WON'T CRUMBLE *
1613
01:43:48,122 --> 01:43:51,526
* IF WE EVER SAY GOODBYE
1614
01:43:51,593 --> 01:43:56,030
* MY HEART WON'T CRUMBLE,
MY HEART WON'T CRUMBLE *
1615
01:43:56,097 --> 01:44:00,702
* IF WE EVER SAY GOODBYE
1616
01:44:00,768 --> 01:44:04,005
* MY HEART WON'T CRUMBLE,
MY HEART WON'T CRUMBLE *
1617
01:44:04,071 --> 01:44:07,709
* IF WE EVER SAY GOODBYE
1618
01:44:07,775 --> 01:44:12,113
* MY HEART WON'T CRUMBLE,
MY HEART WON'T CRUMBLE *
1619
01:44:12,179 --> 01:44:17,251
* IF WE EVER SAY GOODBYE.
1620
01:44:41,443 --> 01:44:43,945
( score playing )
110948
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