Original subtitles

BOYD: Previously on From...

This place is fucking with your head

because it knows how much you miss your dad.

I watched you have two seizures in two days.

You're only angry at me right now 'cause you know I'm right.

[EXHALES SHARPLY] [FOREBODING MUSIC PLAYING]

VICTOR: When I found Mom out by The Bottle Tree, I saw him.

[GASPS] He was eating her.

♪ We'll be leaving On a jet plane ♪

What's wrong with you?

Show him what he did! Okay, okay, okay.

TABITHA: There's something about those dolls.

I think I've seen them before.

[MUSIC INTENSIFIES] [SCREAMS]

[SCREAMS]

[EMBERS SIZZLE]

We have to-- TABITHA: Donna!

Donna! Donna!

[CHOKES]

[GRUNTS]

[MUSIC FADES]

DONNA: What just happened?

I remembered. [UNSETTLING MUSIC PLAYING]

I remembered how to hurt them.

Boyd, I think the mushrooms kicked in.

[RETCHES]

[GROANS]

Show me what I used to know.

It's me when I was 12 years old.

[IN FRENCH] You have to clear the way to see the path.

[OBJECTS CLATTER]

[IN ENGLISH] This is where the children were sacrificed.

Tell me how we save them when we've already failed.

Hi, Jade.

No! No!

[MUSIC RISES]

Anghkooey.

[SCREAMS]

Jade! Jade! Hey, hey!

How the fuck did we get here?

Jade, you never left.

I know what we have to do to go home.

I know how we can save the children.

[MUSIC CONCLUDES]

You can't be serious.

[SIGHS] I'm telling you, it is the only way.

To what? To get everyone killed?

You want to go down in those tunnels

where those things live

because you think the bones of those children

are buried down there?

Yes!

It's getting late. All right?

We should get some sleep.

Listen, I understand

that this all seems a little shaky.

BOYD: "A little shaky"?

Is that how you'd describe this? "A little shaky"?

We knew going into this it was an out-of-the-box swing.

If you're just going to flatly reject

everything I found based on how I found it,

then what the fuck did I even do this for?

BOYD: All right, all right.

JADE: [SIGHS]

All right.

Let's just forget for a second that you saw all this during

a mushroom-infused fever dream.

Let's just...

Let's just put that aside for a second.

Even if you're right... and the bones are down there...

so what?

How does finding bones help us go home?

I'm not entirely sure yet.

Right.

Bones.

Okay, listen to me.

There are countless examples throughout history

of cultures, of religions that hold the remains...

the remains of the deceased in great reverence.

What do you think the Egyptians mummified their rulers for?

This place, this fucking nightmare

that we are stuck in was built...

on a sacrifice.

What if the bones

are what anchor the spirits of those children here?

I mean, have you ever wondered why those creatures

never come out of the tunnels during the day?

What if they're down there protecting the very thing

that makes this place possible?

Which brings me back to the part where you get everyone killed.

Not if we do it right.

Oh, okay.

Tell me what the right version of this plan looks like. Just...

Well, I mean, that's sort of where you come in. [HESITATES]

[SIGHS]

Look, I realize there are a lot of things

in your head right now

that may turn out to be really important,

but look at it from where I'm standing.

You want me to help plan a suicide mission

because of some things that you saw in a mushroom trip.

What do I have to do? What do I have to do

to prove to you this is real?

BOYD: Yeah, I don't know.

[SIGHS]

[SUSPENSEFUL MUSIC PLAYING]

JADE: The door.

What?

You and I went into the basement in Colony House.

I already told you, we didn't go anywhere.

JADE: Yeah, that's right. We didn't.

And I've never been inside the basement of Colony House,

so I would have no way of knowing what it looks like down there.

Jade, describing the basement of Colony House

isn't going to prove-- JADE: There was a hidden door.

Do you remember seeing any doors in the basement of Colony House?

No.

So if we go there, and we find that door...

would you at least consider what I'm telling you

about these bones is true?

It'd be a start.

[MUSIC CONCLUDES]

[SLIDE CLICKS]

BOYD: Come on. Here we go. All right.

Explain to me why this was fun for your generation.

We didn't have phones. Interesting.

It's like social media from the Stone Age.

This is it. This. This is the basement I saw.

It's a little more organized.

Yeah, we're trying to build a narrative

for the people that came before us.

See if we missed anything.

Boyd's just trying to keep me busy

because he knows that I want to kill myself.

JADE: Oh, How's that going?

I haven't slit my wrists yet.

So it's going well then.

What do you need?

I'm looking for a secret door that I saw

while I was on mushrooms I found in the forest.

People have strange conversations here.

[EERIE MUSIC PLAYING]

Yahtzee!

[PANTS]

Come on! Give me a hand!

BOYD: Okay.

[OBJECTS CLATTER]

Just give me a hand. Come on.

[GRUNTS]

[OBJECT CLATTERS]

No, no, no. No, no, no. It's supposed to be here.

- Jade. - JADE: It's supposed to be here.

Everything else-- Everything else

is exactly the same.

All right.

Jade.

[MUSIC RISES]

It's supposed to be here.

[MUSIC FADES]

["QUE SERA, SERA" PLAYING]

♪ When I was just a little boy

♪ I asked my father What will I be? ♪

♪ Will I be handsome? Will I be rich? ♪

♪ Here's what he said to me

♪ Que sera, sera

♪ Whatever will be, will be

♪ The future's not ours to see

♪ Que sera, sera

♪ What will be, will be

♪ Now I have Children of my own ♪

♪ They ask their father What will I be? ♪

♪ Will I be pretty? Will I be rich? ♪

♪ I tell them tenderly

♪ Que sera, sera

♪ Whatever will be, will be

♪ The future's not ours to see

♪ Que sera, sera

♪ What will be, will be

♪ Que sera, sera

[SONG FADES]

[GROANS, INHALES DEEPLY]

[SIGHS]

Maybe the door-- Maybe... [INHALES DEEPLY]

Maybe it's just a metaphor.

Maybe the bones are a metaphor.

No! No! Listen.

Look.

I understand that you have doubts.

Okay, if the situation were reversed,

I'd have doubts too.

And I realize what I'm suggesting

is incredibly risky.

It's fucking suicide.

Maybe-- Maybe for some, yeah.

BOYD: Oh?

You're okay with that?

What, we lose a couple of people?

Maybe a dozen?

How many's too many, Jade?

How many people are gonna die if you keep sitting

on your goddamn hands doing nothing?

How many have you already lost, huh?

What the fuck did you say to me?

Say it again.

Go ahead, say it again. Boyd...

[TENSE MUSIC PLAYING]

...there's only so long

that you can hold this place together

with grit and good intentions.

At some point, something's gonna give,

something's gonna change.

You're gonna lose this whole fucking town.

Don't push me, Jade.

This is our chance, Boyd.

I went looking for answers, and I found answers.

This is our shot.

[MUSIC FADES]

KENNY: What was that about? What?

Let's go outside.

So, Jade thinks

that digging up these bones is gonna...

somehow help us get home.

If the bones are even down there in the first place, yeah.

That's his theory.

[SIGHS] And Jade and Tabitha have these memories because...

reincarnation. Yeah.

[SCOFFS]

Boyd, what do you think?

If you'd asked me before I got worms under my skin

or before I found magic rocks in the forest

that protect us from monsters, what the...

[SCOFFS]

Oh, look, I wasn't...

I wasn't trying to keep any of this from you.

I just... I know, I know, I know.

And I mean things haven't exactly

been quiet lately.

They have not.

[SIGHS]

Remember the good old days

when we used to count the nights where nothing bad would happen?

If you'd have told me that was the good part...

[LAUGHS]

[CLICKS TONGUE]

There is something else we need to talk about.

Look.

WOMAN 1: [IN THE DISTANCE] Oh, my God. What's he doing?

[INDISTINCT CHATTERING]

Hey, what's going on?

Victor's on the roof.

What?

Shit.

What the...

[OVERLAPPING CHATTER]

Goddammit.

WOMAN 2: I don't know. He might need some help.

WOMAN 1: Is he listening? WOMAN 2: Victor!

Pretty nice view.

What are you doing up here?

When I was a boy, a man jumped from here.

He hated this place so much.

[SOMBER MUSIC PLAYING]

And he was so scared all the time,

so one day he jumped.

It took days for him to finally die.

He was trying to fix things...

but he just made them worse.

Are you here because of what I told my dad?

Yeah.

I shouldn't have told him any of that.

BOYD: Hey, Victor.

The man in the suit...

he came here just like everybody else.

Is there anything else you can remember about him?

Hey, hey, Victor.

I can try.

Okay.

Why don't we go inside?

[MUSIC CONCLUDES]

Sara.

Julie.

Hi.

Uh...

What's the paint for?

I wanted to do something nice for Sophia,

make her feel more at home.

Nathan always used to say

a fresh of paint will fix all your woes.

I... I don't know what color's in the cans.

Look, I just wanted to say I'm sorry.

I didn't really understand what you went through.

But I think I do now.

Yeah.

Just wanted to say sorry.

Do you want to help?

I have an extra brush.

Come on inside.

[LOCK CLICKS]

This man in yellow...

you told your dad he came to town

just like everybody else.

I thought his suit was funny.

He seemed like a nice man.

Was he alone when he came here? VICTOR: Yes.

I think so. I don't know. I'm not sure.

Do you remember what kind of car he came in?

It was big and it was...

it was brown.

Big and brown.

Is that one of the cars you took out to the woods?

I didn't want to see it.

Okay.

Hey, you think you could go out there with us

and show us which one it is?

Victor. Hey, hey, Victor.

I'm not going to make you do anything

that you don't want to do, okay?

We just need to get as much information as we can.

We need to find out if this guy, this man, whatever he is,

if it's something that we've gotta worry about.

Just trying to keep everybody safe.

Will you help me do that?

[KNOCKING ON DOOR]

Hey, it's-- Okay. VICTOR: Okay.

DONNA: Boyd? You in there?

What...

Hey, what are you doing back so soon?

Uh... you need to come down to the shed.

Come on.

Um...

Hey, you doing okay?

ETHAN: Have you seen Victor? Yeah. He's up in his room.

Where's Ellis? He's fine.

He went inside to check on Fatima.

Patty's down at the clinic. She got pretty banged up.

How?

Let's, uh, go inside.

[DOOR CREAKS]

The fuck, Donna? Who is that?

It was Roger.

I don't know how else to say this,

so I'm just gonna say it.

We were attacked by giant dolls...

that came out of the lake.

And these?

Not just decorative.

Tabitha used it to kill one of the dolls.

Drove it right through the fucker.

The rest just walked away.

Sadly...

that was after they got ahold of Roger.

We found his body this morning.

[UNEASY MUSIC PLAYING]

Oh, Jesus.

[MUSIC FADES]

We left some food back up at the settlement

so we could bring back the totems.

We figured they'd be worth more than a few bags of turnips.

Anybody need a drink?

Because I need a drink.

Say something.

It's just a lot to take in.

I'm not crazy.

No, I...

No, I know.

I know. That's not...

After everything that this place has done to you,

with everything that this place

is still doing to you,

I just don't understand what's happening.

Okay? And I just--

I feel like there is just so much more

that I should be doing to help.

And I feel like

I am the one that's failing here.

No, babe-- ELLIS: No, I know. And I'm not just--

I'm not just saying that

so that you'll...

Look, just...

Just help me understand.

[SIGHS]

Um...

Growing up, there were a lot of times

when I was afraid.

A lot of times when I felt powerless.

But those stories about the Jinn,

Vishnu and Krishna, the Golem of Prague...

[SOFT MUSIC PLAYING]

I understand now

why my father told me those stories.

The world was so fucking scary.

But if I could believe in magical things, then...

that was something no one could ever take away.

Look, we have seen so much darkness.

We live with so much fear.

I need to believe in magical things.

[MUSIC FADES] [SIGHS]

VICTOR: [GRUNTS]

Victor?

Hi.

What are you doing?

I'm trying to remember stuff. Bad stuff.

Is this about the suit we found in the forest?

Why did you get so scared?

I don't want to tell you that.

Why not?

Because I told my dad, he got... he got really upset.

Why?

I just told you I don't want to tell you that.

Well, then,

I guess I'm not going to tell you

what happened at the settlement.

Fine.

Can I draw with you?

Yes.

The lake had monsters in it.

What kind of monsters?

Giant dolls.

Really?

What did your mom do?

My mom killed one.

Your mom's pretty tough.

Yeah.

Well, my mom was pretty tough, too.

You know, she was always...

She always smiled even if she was scared.

Because she knew that we would be scared

if she didn't.

I don't think my dad's that strong.

[BIRDS SINGING]

Excuse me. Have you seen the sheriff?

No. He...

Try up at Colony House, maybe.

Thanks.

[UNNERVING MUSIC PLAYING]

Your name is Henry, right?

That's right.

You look troubled, Henry.

Well, it's been a bit of a day.

Excuse me.

[EXHALES DEEPLY]

[MUSIC FADES]

You again, huh?

Why is there a bar inside of a gas station?

Better question is, why is there a gas station

in a town where no one can leave?

That's a good point.

[LIQUID POURING]

Who makes the alcohol?

It's my understanding

there used to be a bartender here.

He's dead now, of course.

Do you mind if I join you?

[EXHALES]

Uh... [LAUGHS]

I'm sorry. I didn't mean to bother you.

No, sit, please. I didn't mean to be rude.

[SIGHS]

SOPHIA: I get it. Trust me.

It's kind of amazing that anyone here

has the capacity to do anything even remotely...

Here's to the resiliency of the human spirit.

Let's be resilient together.

I'd like that.

How old are you?

Old enough to have buried my dad.

Old enough to grieve.

Touché.

BOYD: All right.

So you're saying that those things

that attacked you, right,

you're say--

I'm sorry. I'm sorry. What are you saying?

[SIGHS]

They were my dolls. I was a little girl.

The man who took them from me was afraid of them.

He said they gave him nightmares.

So he threw them in the lake.

But then when the man died...

somehow they came to life.

KENNY: Our fears become part of the forest.

What?

When the cicadas were all over town,

Sara told me Nathan

had always been terrified of them.

She thought that maybe the people

who die here, that their fears,

their nightmares become part of the forest.

I think she was right.

Goddammit.

[GLASS THUDS]

Donna--

How are we gonna tell people?

How are we gonna tell them that they not only have to worry

about those smiling pieces of shit

that come out at night,

but now we have literal fucking nightmares

that we can't even protect them from?

How much more can people take before we just--

Why don't you just have a seat? DONNA: No, look.

I just need to splash some water on my face.

Hey, Donna! Donna! KENNY: Donna?

Whoa! Hey, Donna, Donna. Donna, Donna.

Hey, Donna.

Hey, Donna. KENNY: Donna!

Donna, talk to me. Donna, talk to me.

[SOMBER MUSIC PLAYING] Go get Kristi now.

Yeah.

Take the van. KENNY: Yeah!

Donna. Hey, do you know how to check for a pulse?

Yeah, yeah, yeah.

WOMAN: [IN THE DISTANCE] Is everything okay?

BOYD: Come on, Donna. Come on.

[MUSIC CONCLUDES]

I found the ointment. Oh, great.

There's not much left. Okay.

[WHIMPERS]

Okay.

This is gonna sting, okay?

But it's gonna keep it nice and clean, okay?

[BREATHES SHAKILY] KRISTI: Breathe.

[WHIMPERS]

KRISTI: I'm sorry. Just breathe.

[GROANS] I know. You're doing great. Good.

PATTY: [WHIMPERING]

You're okay, just breathe. I know. Just breathe.

Press this here.

There we go.

KENNY: Kristi!

Donna had a heart attack.

What?

BOYD: Come on, Donna. Stay with me.

Hey, watch out. Clear the way. Back it up.

Does she have a pulse? BOYD: What?

TABITHA: No, no, no. She doesn't. She doesn't.

How long has it been?

I don't know. Five, seven minutes.

I don't know.

KRISTI: Okay. You started compressions right away?

- Here. - Okay.

Clear. Yeah.

[DEFIBRILLATOR WHINES]

[BEEPS, PULSES]

[BEEPS]

Okay. Continue compressions. Okay.

Come on, Donna. Come on!

KRISTI: Okay, pulse check.

No pulse.

Okay.

[DEFIBRILLATOR WHINES]

[BEEPS, PULSES]

[BEEPS]

Okay. Continue compressions.

Okay, come on, Donna.

Okay, pulse check.

[PANTS] No.

Clear.

[DEFIBRILLATOR WHINES]

[BEEPS, PULSES]

[BEEPS]

KRISTI: Okay, go.

Come on, Donna.

Okay, pulse check.

Come on.

No.

What?

TABITHA: No, no, no. Come on. Hit her again.

[WOEFUL MUSIC PLAYING]

Hit her again.

[GRUNTS]

[PANTS]

Boyd. Boyd, it's not going to work.

I said hit her again!

Hey! Don't you do this.

You don't die until I say you die.

You hear me?

You don't die until I say you die.

Open your fucking eyes!

[GROANS]

Whoa, whoa. What was that? Did you see that?

Yeah. Did you see it?

Her pulse is back. It's weak, but it's back.

KRISTI: Donna? Hey, Donna, can you hear me?

Is she okay? Why isn't she... I don't know,

but we need the monitor from the ambulance.

Yeah, yeah, yeah. I got it. You got it?

I got it. BOYD: Okay.

How are we going to power them up here?

Power it? Don't worry about that.

I'll take care of that.

You just take care of her, okay?

Donna, can you hear me? [MUSIC FADES]

I haven't seen one of these in years.

Look at this. BOYD: Jade!

Hey, where are the wires?

JADE: The what? I'm sorry.

The extra wires for the radio tower.

Where are they? ACOSTA: What's going on?

Donna had a heart attack.

What? JADE: Jesus.

Jade, where are the fucking wires?

It's out in the shed. Come on. Come on. Go.

What the fuck is this?

BOYD: There was a problem at the settlement. Who? Who is this?

Jade! The wire.

It's under the thing.

Okay, help me move him.

Come on. Yeah, ready? JADE: Yeah.

BOYD: [STRAINING] One, two, three.

JADE: Sweet Jesus! Fuck!

Jade, hey, I promise I'll explain everything later.

[BREATHES HEAVILY]

Jade! I need your help.

Donna needs your help. Get your shit together.

Okay, all right. BOYD: Thank you.

Get the wires.

Look-- Watch out.

What's going on in there? Is she gonna be okay?

[DOOR CLOSES]

Mom?

What happened? I thought you were outside.

Why is everyone sitting by Donna's room?

Um...

Donna had a heart attack.

But she's okay, right?

Is she okay? We don't know yet.

Everyone's doing whatever they can.

Hey.

But she was fine.

Is it because of the settlement?

TABITHA: No.

Because of the dolls? No, no, no. It's...

Honey, sometimes things like this just happen to people.

I want to go see her. TABITHA: Ethan.

I want to see her before she dies.

Hey, don't say that. She's not gonna die.

ETHAN: Yes, she is.

Everyone here dies, so please...

just let me say goodbye.

Please.

JADE: [EXHALES]

Okay.

Almost-- Almost got it.

Okay, we got it.

All right, well?

KRISTI: Well, her vitals are really stable,

which is good.

[HEART RATE MONITOR BEEPS STEADILY]

Okay. Then why isn't she awake?

Hey, no, talk to me.

[SOMBER MUSIC PLAYING]

Well, we just don't know how long

her brain's been deprived of oxygen for.

She's gonna wake up.

Kristi?

I don't know.

[KNOCKING ON DOOR]

[SIGHS]

Hey.

Tabitha's asking if she could bring Ethan

in here for a second.

He's just really upset.

KRISTI: Yeah, just for a second, though.

Okay.

[INHALES SHARPLY]

ETHAN: Donna?

[TENDER MUSIC PLAYING]

I won't forget what you said.

That fear is what makes us heroes.

I promise I'll always do my best to be brave.

I love you, Donna.

[MUSIC CONCLUDES]

That doesn't get any better, does it?

No...[LAUGHS] ...it does not.

And that, it seems, is the end of that.

[BLOWS] [GIGGLES]

I say we go for bottle number two.

My dear, I cannot find it in my heart to disagree.

SOPHIA: I can... I can get it.

[CHUCKLES]

Uh...

[TRILLS LIPS]

Can I ask you something?

Fire away.

[CHUCKLES]

Why were you staring

at that suit in the sheriff's station?

[SIGHS DEEPLY]

I'm sorry. I didn't mean to pry.

No, it's all right. It's just...

the man who wore that suit...

he did things to my family.

[SMACKS LIPS] He did horrible things.

You have family here?

Well, just my son now.

He came here with my wife and daughter...

40 years ago.

And that man, where is he now?

Rotting in hell, I hope.

I say we drink to your family.

[SMACKS LIPS] And to your father.

And to my dad.

[GLASSES CLINK]

Wait.

There has to be something around here

that'll make that taste better.

HENRY: There's not.

Trust me, I've looked.

Well, maybe you didn't look hard en--

[GROANS]

[GROANS]

What happened? SOPHIA: [WINCES]

[UNNERVING MUSIC PLAYING]

Just some broken glass.

Ooh... Well, now...

that doesn't look too bad. Let me see.

There's got to be a clean rag around here somewhere.

[MUSIC RISES]

[MUSIC FADES]

You closed? What are you doing?

I'm going to make food for everyone up at Colony House.

Why?

Donna.

She had a heart attack.

Shit. Um...

Is she okay?

We don't know yet.

You want some help?

That'd be nice.

Let me take that.

It's weird doing something normal.

I'd almost forgotten what it was like.

JULIE: [CHUCKLES]

What do you miss most?

Like, not the obvious things, the little things.

Candy.

I miss candy. I had a real sweet tooth.

JULIE: [CHUCKLES]

What?

Nothing. [CHUCKLES]

I'm trying to picture you on a couch somewhere

eating a box of Milk Duds.

Oh.

I was more partial to gummy worms, gummy bears,

really all things gummy.

I like donuts.

SARA: Oh...

Donuts.

Yeah, I forgot about donuts.

There's this store that my dad used to take me to,

this donut shop, when I was a little girl.

[SENTIMENTAL MUSIC PLAYING]

Just me and him.

A stupid daddy-daughter thing.

But one day, I...

I told him I didn't want to go anymore...

'cause I wanted to hang out with my friends.

I wish that I...

[SMACKS LIPS]

Can I ask you something?

Sure.

Before, you said

you understood what I went through.

How?

Something here convinced me that I could still help my dad.

Like I could go back to the day it happened and...

I could... I could save him.

[INHALES]

I can't do that.

Can I?

[SIGHS SOFTLY]

I'm so sorry that happened to you.

[MUSIC CONCLUDES]

[CLEARS THROAT]

Hey.

Any news?

No, nothing. Nothing yet.

You... You talk to Fatima?

Yeah.

And?

[SIGHS] Well, my wife is building a monster

in a room full of dirt.

Hmm.

And yet it...

I think it's exactly what she needs right now.

- Yeah. - So...

[DOOR OPENS]

She awake?

No, not yet.

You can go sit with her if you want.

- Hey. - Hey.

[HEART RATE MONITOR BEEPING CONTINUES]

I'll give you some space.

All right.

If anything changes, you let me know.

BOYD: Yeah.

I'll just be outside. Okay.

All right, you can cut the shit now

and open your eyes.

[SOMBER MUSIC PLAYING]

I want you...

to listen to me.

Okay?

I cannot...

I cannot do this...

without you.

So you better wake the hell up.

You hear me?

We got things to do, you and me.

I'm not saying goodbye.

You understand?

I ain't fucking saying goodbye.

FATHER KHATRI: : What are you gonna do if she doesn't wake up?

The hell kind of question is that?

Practical one.

[MUSIC FADES]

BAKTA: Make sure you get those nice and thin.

I said I'd help,

not cut off my fingers for a pot of your stew.

It's really good stew. Mm-hmm.

Um... Make them a little bit chunkier.

Why are you lurking over there in the corner?

Get in here and chop some veggies.

Oh, no, I was... I wasn't asking.

Okay.

We're a handsome fucking pair, huh?

You remember the night that me, Abby, and Ellis

rolled into town?

Yeah.

Pretty sure Abby wanted you to shoot me.

You scared the shit out of us,

running into the middle of the street

like a goddamn lunatic.

Then you bring us down to some dugout bunker,

and there was Donna.

And Dale.

Dale was there too, you know?

Remember the first question Donna asked me?

No.

"Do any of you snore?"

I didn't know what the fuck she was talking about.

We just heard monsters screeching in the forest

and then climbed into a hole.

And this lady is talking about snoring.

Then she looked at me calm and steady and said...

"If you snore, they'll find us."

Right there in the middle of all the fear, the disbelief,

the pants-shitting chaos,

a little voice in the back of my head said, "This one...

yeah, she knows how to survive."

"We might be okay."

That's what got me through that night.

Darkest, scariest night of my life,

and she's the one that got me through it.

I don't think I ever told her that.

We-- Did we bump heads in the beginning.

She made it very clear that she did not like me at all.

No, sir.

So what changed?

I don't know, I like to think that...

we got to know each other a little.

The answer is I don't have the slightest fucking idea.

Answer to what?

You asked me what I was gonna do if she didn't wake up.

Then it's time to get these people home.

Look, this might not be the moment to bring this up,

but Jade already told you what you need to do.

You really just gonna ignore that

over a missing door?

I mean, the fact that Donna's lying here right now--

No, you're right. This is not the goddamn moment.

Boyd?

[TENDER MUSIC PLAYING]

[BREATHES HEAVILY]

BOYD: Hey, hey, hey.

[SHUSHES] It's okay. DONNA: [GROANING]

No, no, no. No, you're okay.

Hey. Boyd?

Hey, you're here. You're okay. Kristi!

You're here. You're here. What?

Get in here. Get in here. Get in.

You're okay. You're okay.

You're all right. KRISTI: Donna.

Hey, Donna. Oh, God.

I know. Can you look at me?

Donna, just breathe. BOYD: Hey.

KRISTI: Good.

DONNA: [GROANING] KRISTI: Yeah.

Okay, I need you to squeeze my hands, okay?

Okay.

Dad?

Yeah. Uh...

She's awake.

Oh, my God. BOYD: She's, uh...

Hey, would you...

Would you tell everybody?

Thank you.

Yeah.

PATTY: Hey, guys, she's awake. Yeah.

Hey, did you hear that? Yeah.

PATTY: Guys, she's awake.

Hey.

She's okay? Yeah. Yeah, she is.

Okay. She's... Yeah.

Okay.

I'll be-- I'll be right back.

HENRY: There you go. Good as new.

[MUSIC CONCLUDES] Sort of.

Should we drink to my good health?

Why not?

[GROANS]

That one had some kick.

[COUGHS]

You know what I was thinking, Henry?

I do not,

but I am near certain you are about to tell me.

It's the strangest thought, but I just can't shake it.

[OMINOUS MUSIC PLAYING]

You know, we're trapped in a town we can't escape from,

surrounded by monsters

that come from the forest at night.

None of it feels real, does it?

Have you ever wondered

if maybe this is all just a dream?

[MUSIC CONCLUDES]

Here we go.

FATHER KHATRI: Great news about Donna.

It's just too bad about Roger.

You can't let me have a fucking minute, can you?

Oh, I'm sorry.

Take as much time as you need.

I'm sure it's fine.

It's not as though murderous dolls

climbed out of a lake

and attacked your people.

All right.

What Tabitha said.

About people's fears.

The nightmares becoming part of the forest

after they die. Is that true?

I think it might be, yeah.

"Tip of the spear."

What's that?

This guy named Martin once told me

that those things that come out at night,

they're just the tip of the spear.

[EERIE MUSIC PLAYING]

The bones of those kids, are they down there?

Are they in the tunnels? I don't know.

What the fuck do you know?

FATHER KHATRI: That you're running out of time.

Hey, how am I supposed to take people

down into those tunnels

when I don't have a fucking clue if what Jade saw is even real?

Some things you just have to take on faith.

I...

[GRUMBLES]

[INHALES DEEPLY]

[SIGHS]

Not with something like this.

[SUSPENSEFUL MUSIC PLAYING]

BOYD: [MUTTERS INDISTINCTLY]

[CLEARS THROAT]

[MUSIC RISES]

You wanna fuck with me, huh?

[YELLS]

[GRUNTS]

You wanna test me, huh?

[YELLS]

[RUBBLE PATTERING]

[YELLS]

[MUFFLED YELLS]

What the hell?

BOYD: [YELLS] [SLEDGEHAMMER THUDS]

BOYD: [YELLS] [SLEDGEHAMMER THUDS]

You wanna fuck with me?

[YELLS] [RUBBLE PATTERS]

[YELLS]

[PANTS]

You want me to go down in those tunnels?

[YELLS] [RUBBLE PATTERING]

You want me to risk people's lives? [YELLS]

Then show me the fucking door!

[YELLS]

[STONES CRUMBLING] [MUSIC RISES]

[YELLS]

[MUSIC FADES] [SLEDGEHAMMER CLATTERS]

[BREATHES HEAVILY]

[DRAMATIC MUSIC PLAYING]

Holy shit.

We're gonna need a plan.

[MUSIC FADES]

[CLOSING THEME PLAYING]

[MUSIC CONCLUDES]