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These are the user uploaded subtitles that are being translated: 1 00:00:05,400 --> 00:00:08,800 Once again, it's that time of year when ten designers head 2 00:00:08,800 --> 00:00:12,120 down here to Brighton to see if they've got what it takes 3 00:00:12,120 --> 00:00:14,280 to become a master of interiors. 4 00:00:14,280 --> 00:00:18,600 But to make it to the top, you need to have a unique vision. 5 00:00:18,600 --> 00:00:26,160 THEME TUNE FROM THE A-TEAM PLAYS 6 00:00:27,320 --> 00:00:28,360 BIRD SQUAWKS 7 00:00:28,360 --> 00:00:31,600 If you really want to stand out from the crowd, you've got to think 8 00:00:31,600 --> 00:00:33,600 bigger and better than the rest. 9 00:00:33,600 --> 00:00:37,080 Welcome to Interior Design Masters! 10 00:00:37,080 --> 00:00:39,240 THEY CHEER 11 00:00:39,240 --> 00:00:43,400 Ten aspiring designers looking for a big career break. 12 00:00:43,400 --> 00:00:47,120 I am alternative, but not your average alternative. 13 00:00:47,120 --> 00:00:49,120 I just think he's just cute. 14 00:00:49,120 --> 00:00:51,040 Oh! Oh, my God. 15 00:00:51,040 --> 00:00:53,760 Oh, Lord. People do always say to me, "What can't you do?" 16 00:00:53,760 --> 00:00:55,600 It's moving the flowers! 17 00:00:55,600 --> 00:00:57,880 Every week, they'll be challenged to transform 18 00:00:57,880 --> 00:01:00,200 a different commercial space... 19 00:01:00,200 --> 00:01:03,680 Look at this! ..in the hope of impressing interiors guru 20 00:01:03,680 --> 00:01:05,160 Michelle Ogundehin. 21 00:01:05,160 --> 00:01:09,920 Great interior design is about dreaming, thinking and inspiring. 22 00:01:09,920 --> 00:01:14,520 So I'm looking for someone who can give me that magical combination. 23 00:01:14,520 --> 00:01:15,640 Oh! 24 00:01:17,200 --> 00:01:18,880 They'll be stretched to their limits... 25 00:01:18,880 --> 00:01:20,560 I am going to come out fighting. 26 00:01:20,560 --> 00:01:23,400 I can't stand it. I think it looks like a poo poo. 27 00:01:24,840 --> 00:01:26,800 I'm so disappointed in myself. 28 00:01:26,800 --> 00:01:29,240 Done! I wanted to work together, but... 29 00:01:29,240 --> 00:01:30,560 Oh! 30 00:01:30,560 --> 00:01:31,720 ..I also want to win. 31 00:01:31,720 --> 00:01:33,560 ..their design scrutinised... 32 00:01:33,560 --> 00:01:35,440 I think the story is huge! 33 00:01:35,440 --> 00:01:37,440 ..by the biggest names... 34 00:01:37,440 --> 00:01:39,480 It feels very masculine and rough. 35 00:01:39,480 --> 00:01:40,640 ..in the industry. 36 00:01:40,640 --> 00:01:42,600 This is amazing. 37 00:01:42,600 --> 00:01:44,800 It's very frumpy. 38 00:01:44,800 --> 00:01:47,000 It's big, it's bold, for sure. 39 00:01:49,120 --> 00:01:50,160 At stake... 40 00:01:50,160 --> 00:01:51,680 Where is this place?! 41 00:01:51,680 --> 00:01:56,120 ..a career-defining contract to transform a top cocktail bar. 42 00:01:57,880 --> 00:02:01,240 Is this the Ibiza room? I love this. Woo! 43 00:02:01,240 --> 00:02:04,120 I'm throwing everything at it, and just pushing myself. 44 00:02:04,120 --> 00:02:05,600 It's all I can do. 45 00:02:05,600 --> 00:02:07,520 Spin, spin, spin. 46 00:02:07,520 --> 00:02:10,200 How much more wild do they want? 47 00:02:10,200 --> 00:02:12,600 Howdy, boy! Do I look like Beyonce? 48 00:02:27,800 --> 00:02:30,600 # Last night, I had a dream... # 49 00:02:30,600 --> 00:02:34,400 We're back in beautiful Brighton... 50 00:02:34,400 --> 00:02:37,800 ..with ten talented interior designers making a beeline 51 00:02:37,800 --> 00:02:40,200 to Michelle's design studio. 52 00:02:40,200 --> 00:02:43,880 Oh, wow. Hi. This is a bit fancy, isn't it? Yeah. 53 00:02:43,880 --> 00:02:45,960 What do you do? I'm a furniture artist. 54 00:02:45,960 --> 00:02:48,960 My style, in general, is a little bit dark and moody. 55 00:02:48,960 --> 00:02:50,640 We couldn't guess that. 56 00:02:50,640 --> 00:02:52,080 No? You can't tell? 57 00:02:54,480 --> 00:02:58,240 I am alternative, but not your average alternative. 58 00:02:58,240 --> 00:03:01,160 There is a few must-haves for me in every room. 59 00:03:01,160 --> 00:03:02,520 A little bit of gold, 60 00:03:02,520 --> 00:03:05,440 a little bit of texture, and a little bit of darkness. 61 00:03:06,600 --> 00:03:09,080 Hi. Hi! Hi, guys. 62 00:03:09,080 --> 00:03:11,160 So what do you do, Jack? I'm a furniture dealer. 63 00:03:11,160 --> 00:03:14,000 So I live in an old chapel. Oh! That's my dream! 64 00:03:16,040 --> 00:03:20,520 I delved into interior design when I bought a derelict church 65 00:03:20,520 --> 00:03:21,840 with my boyfriend. 66 00:03:21,840 --> 00:03:25,080 I suppose I am trying to recreate the Sistine Chapel. 67 00:03:25,080 --> 00:03:28,640 That would be pretty cool, and a little bit bonkers in Norfolk. 68 00:03:28,640 --> 00:03:30,040 HE CHUCKLES 69 00:03:30,040 --> 00:03:32,360 Hi. Hi. 70 00:03:32,360 --> 00:03:34,920 What's your name? Carl. I originally trained as an architect. 71 00:03:34,920 --> 00:03:38,200 I also trained as an architect. Oh, did you, actually? 72 00:03:38,200 --> 00:03:40,240 Joanne, what do you do? I'm a content creator. 73 00:03:40,240 --> 00:03:43,120 I do recognise you from social media. Do you? Yeah. 74 00:03:43,120 --> 00:03:44,440 LAUGHTER 75 00:03:46,440 --> 00:03:50,040 My design style, it's maximalist and it's whimsical. 76 00:03:50,040 --> 00:03:51,720 I love collecting things. 77 00:03:51,720 --> 00:03:54,960 And once I start, kind of can't stop. 78 00:03:54,960 --> 00:03:57,280 I sound like a weirdo, don't I? 79 00:03:59,200 --> 00:04:02,440 Is this everyone? Yeah. I think it is. Hello, guys. 80 00:04:02,440 --> 00:04:04,120 ALL: Hi! 81 00:04:04,120 --> 00:04:06,720 Welcome to Interior Design Masters! 82 00:04:06,720 --> 00:04:08,160 THEY CHEER 83 00:04:08,160 --> 00:04:09,720 Looking beautiful. Thank you! 84 00:04:09,720 --> 00:04:12,280 Flattery will get you everywhere. You've won. 85 00:04:12,280 --> 00:04:16,360 Yes! But of course, I'm not the one you need to impress. 86 00:04:16,360 --> 00:04:20,440 Who's been swatting up on Michelle Ogundehin? Who's been a bit creepy 87 00:04:20,440 --> 00:04:23,400 and actually followed her home and looked at her through the letterbox? 88 00:04:23,400 --> 00:04:24,880 LAUGHTER 89 00:04:24,880 --> 00:04:28,320 I can feel my ears burning! Oh! 90 00:04:28,320 --> 00:04:30,080 Hello. You look gorgeous. 91 00:04:30,080 --> 00:04:31,920 Look at you in all those sequins. 92 00:04:31,920 --> 00:04:34,200 Well, someone had to keep up the style stakes 93 00:04:34,200 --> 00:04:36,080 on our side. Please! 94 00:04:37,520 --> 00:04:39,400 Woo! Thanks. 95 00:04:39,400 --> 00:04:41,480 So, look at you fabulous folk. 96 00:04:41,480 --> 00:04:44,000 Are you keen to get started? Yes. Yes. 97 00:04:44,000 --> 00:04:46,560 This could be the start of your journey to becoming 98 00:04:46,560 --> 00:04:48,400 a professional interior designer. 99 00:04:48,400 --> 00:04:52,160 So I'm going to want to see ideas, invention, energy, excitement. 100 00:04:52,160 --> 00:04:56,320 So with that in mind, your first challenge, I'm sending you to create 101 00:04:56,320 --> 00:05:01,400 five new show homes in a brand-new development, where eco-friendly 102 00:05:01,400 --> 00:05:04,280 features are absolutely at the heart of its design. 103 00:05:04,280 --> 00:05:07,640 MUSIC: London Calling by The Clash 104 00:05:07,640 --> 00:05:10,160 With stunning views of the iconic London skyline, 105 00:05:10,160 --> 00:05:13,880 this brand-new development is part of Elephant and Castle's exciting 106 00:05:13,880 --> 00:05:16,360 regeneration. In teams of two, 107 00:05:16,360 --> 00:05:20,000 the designers will transform an apartment, one taking on the living 108 00:05:20,000 --> 00:05:23,480 area, while the other focuses on the bedrooms. 109 00:05:23,480 --> 00:05:25,120 Each flat has a unique brief. 110 00:05:25,120 --> 00:05:29,120 So each team must cater to a specific client, from a mature 111 00:05:29,120 --> 00:05:30,880 couple to flat-sharing friends. 112 00:05:33,120 --> 00:05:37,120 There is one brief per apartment, so I am going to be judging 113 00:05:37,120 --> 00:05:39,360 you on how your schemes work together. 114 00:05:39,360 --> 00:05:43,480 But also, I want you to put sustainability right into the core 115 00:05:43,480 --> 00:05:44,720 of your design. 116 00:05:44,720 --> 00:05:48,080 And, of course, the two weakest pairs will end up in front 117 00:05:48,080 --> 00:05:50,400 of the judges on the dreaded sofa. 118 00:05:50,400 --> 00:05:53,920 And one of you will be going home. 119 00:05:53,920 --> 00:05:56,480 Good luck. Good luck. Thank you. Thank you. 120 00:05:58,680 --> 00:06:02,040 So excited. I was like, "Let's go!" Yes. 121 00:06:03,520 --> 00:06:05,880 Let's see what we've come up with. Show us what you've got. 122 00:06:05,880 --> 00:06:08,840 The designers have already prepared their schemes... 123 00:06:08,840 --> 00:06:10,360 So a lot of natural materials. 124 00:06:10,360 --> 00:06:13,000 ..and can now share their ideas with their partner. 125 00:06:13,000 --> 00:06:14,760 How did you envision this couple? 126 00:06:14,760 --> 00:06:17,000 A hosting couple who want to impress their friends. 127 00:06:17,000 --> 00:06:21,360 Interior shop owner Jack is working with architect Buse. 128 00:06:21,360 --> 00:06:24,880 All of my panels are also reclaimed wood. Amazing. 129 00:06:24,880 --> 00:06:27,080 Buse, Jack, how are you getting on? 130 00:06:27,080 --> 00:06:30,040 I think we've got similar wavelength, so that's quite exciting. 131 00:06:30,040 --> 00:06:32,080 Who's your clientele that you're designing for? 132 00:06:32,080 --> 00:06:34,080 A mature couple in their 40s. 133 00:06:34,080 --> 00:06:36,400 Is that mature now? Apparently it is. 134 00:06:36,400 --> 00:06:39,400 So, what are you going to do? Like, walk-in baths, ramps? 135 00:06:39,400 --> 00:06:42,240 Yeah. You know, I'm in that bracket. Mature 40s? 136 00:06:42,240 --> 00:06:45,240 Yeah, can you say it to this ear? What? Now, Jack, 137 00:06:45,240 --> 00:06:48,920 your style is historic opulence. Yeah! 138 00:06:48,920 --> 00:06:51,440 And I've been given a flat! 139 00:06:51,440 --> 00:06:54,720 But I'm hoping this will bring out another side of me. 140 00:06:54,720 --> 00:06:57,920 It's definitely different from my style. I've used lots of raw 141 00:06:57,920 --> 00:07:00,000 materials, I've zoned things. 142 00:07:00,000 --> 00:07:03,960 I thought I was a confident person, but I don't know if I necessarily 143 00:07:03,960 --> 00:07:05,960 am...right now. 144 00:07:05,960 --> 00:07:11,560 OK, so our brief was 25 to 35-year-old. Yeah. 145 00:07:11,560 --> 00:07:15,160 Interiors graduate Ry is working with furniture artist Monika. 146 00:07:15,160 --> 00:07:18,480 This brief was just made for me. I love this brief. 147 00:07:21,520 --> 00:07:24,720 I am a recent graduate of studying interior design. 148 00:07:24,720 --> 00:07:27,600 I live at home with my parents, which isn't ideal for someone who's 149 00:07:27,600 --> 00:07:30,840 in their late 20s, but that's how it is nowadays. 150 00:07:30,840 --> 00:07:33,360 I have the loft, which is my little crib. 151 00:07:33,360 --> 00:07:36,400 Being on Interior Design Masters will help get me out of living 152 00:07:36,400 --> 00:07:38,400 in my bedroom alone. 153 00:07:38,400 --> 00:07:40,320 HE LAUGHS 154 00:07:40,320 --> 00:07:41,960 This is the main living area here. 155 00:07:41,960 --> 00:07:45,520 A lot of my materials are as natural as possible, and then I've created 156 00:07:45,520 --> 00:07:48,920 this breakfast bar for everyone to sort of get around and socialise. 157 00:07:48,920 --> 00:07:51,040 So great for friends. Exactly. Yes. 158 00:07:51,040 --> 00:07:54,160 I was thinking friends that are eco-conscious, 159 00:07:54,160 --> 00:07:57,360 and then they're Londoners. So, work hard, party hard. 160 00:07:57,360 --> 00:08:02,440 Yeah. My first bedroom is a master bedroom, with neutral tones, 161 00:08:02,440 --> 00:08:05,760 and just a little bit of darkness. Just a little bit. 162 00:08:05,760 --> 00:08:07,400 And then my second bedroom, 163 00:08:07,400 --> 00:08:10,400 this is more like the area of getting ready to go out. 164 00:08:10,400 --> 00:08:13,720 So I'm going to have like a dressing table, and then a day bed that's 165 00:08:13,720 --> 00:08:15,880 actually extendable into a double bed. 166 00:08:15,880 --> 00:08:18,760 It's a versatile space. Yes. 167 00:08:18,760 --> 00:08:20,560 I am so excited. 168 00:08:20,560 --> 00:08:23,240 When I first saw Monika's design, I was like, 169 00:08:23,240 --> 00:08:26,200 "Yes, I'm feeling this energy." 170 00:08:26,200 --> 00:08:29,920 I love his design and I think we're going to work so great together 171 00:08:29,920 --> 00:08:32,040 and create a beautiful apartment. 172 00:08:32,040 --> 00:08:34,480 This is my mood board for the master bedroom. 173 00:08:34,480 --> 00:08:38,720 Karl and Temi are designing a home for a couple and young child. 174 00:08:38,720 --> 00:08:42,760 I took my ideas from my culture and heritage and the colours 175 00:08:42,760 --> 00:08:44,680 of the sea and the natural materials. 176 00:08:44,680 --> 00:08:48,240 My theme is Bohemian meets elegance meets London. 177 00:08:51,000 --> 00:08:53,880 I'm from Kuala Lumpur, Malaysia, and I have lived in 178 00:08:53,880 --> 00:08:55,760 Newcastle upon Tyne for the last ten years. 179 00:08:55,760 --> 00:08:58,200 When I came to Newcastle, people are so lovely and warm. 180 00:08:58,200 --> 00:09:00,080 Everyone's just like, "Y'alreet, pet? 181 00:09:00,080 --> 00:09:02,320 "You know, it's amazing. It's just great." 182 00:09:02,320 --> 00:09:04,760 I'm an architect designer, and I run my own practice. 183 00:09:04,760 --> 00:09:07,280 I definitely bring a bit of an edge to this competition. 184 00:09:07,280 --> 00:09:11,520 I don't think you get big rewards without taking big risks. 185 00:09:11,520 --> 00:09:13,200 Where does this feature in your design? 186 00:09:13,200 --> 00:09:15,200 So that's going to be a self-built dining table. 187 00:09:15,200 --> 00:09:19,240 Temi, Karl, what's going on? I saw you roll your eyes, then. 188 00:09:19,240 --> 00:09:21,040 That wasn't at me, was it? 189 00:09:21,040 --> 00:09:23,680 Was it?! That was my eye roll of happiness, 190 00:09:23,680 --> 00:09:26,120 because Karl's design is filling me with joy right now. 191 00:09:26,120 --> 00:09:27,560 Karl, you're an architect. 192 00:09:27,560 --> 00:09:30,280 Traditionally, in the competition, they push boundaries. 193 00:09:30,280 --> 00:09:32,400 Are you doing that? I certainly hope so. 194 00:09:32,400 --> 00:09:34,480 They're going to have a little child running around, 195 00:09:34,480 --> 00:09:36,160 so I'm going to build a sofa from scratch. 196 00:09:36,160 --> 00:09:38,960 That's going to be integrated as a divider and have lots of storage 197 00:09:38,960 --> 00:09:40,880 underneath, because that's where the toys go. 198 00:09:40,880 --> 00:09:44,560 And then I've got the child's bedroom. It's a vintage circus. 199 00:09:44,560 --> 00:09:46,200 That's probably your wild card. 200 00:09:46,200 --> 00:09:49,760 The vintage circus is going to be interesting. 201 00:09:49,760 --> 00:09:51,560 It's definitely going to be a challenge. 202 00:09:53,120 --> 00:09:56,480 Our brief is a young couple, 25 to 35. 203 00:09:56,480 --> 00:09:58,280 Still young. Still young. 204 00:09:58,280 --> 00:10:01,280 Waiter Tom has been paired with lawyer Charlotte. 205 00:10:01,280 --> 00:10:04,320 My inspiration is sort of India. 206 00:10:04,320 --> 00:10:09,200 I'm doing a guest bed and office space in this greeny-grey, 207 00:10:09,200 --> 00:10:12,720 with like a pop of yellow. This is like my take on the howdah. 208 00:10:12,720 --> 00:10:16,280 It's an Indian term. So it's based on the elephant and castle. 209 00:10:16,280 --> 00:10:19,240 It's like a little enclosed, curtained bed space. 210 00:10:19,240 --> 00:10:21,920 In this turmeric, yellow colour. Looks good. Thanks. 211 00:10:21,920 --> 00:10:26,080 I've gone with the botanical, eco-friendly vibe. 212 00:10:26,080 --> 00:10:28,520 Yeah. My main feature is this wall mural. 213 00:10:28,520 --> 00:10:31,280 And then I've taken all the colours from that wall mural. 214 00:10:31,280 --> 00:10:34,200 So we've got greens. And also, I've got to have a bit 215 00:10:34,200 --> 00:10:35,840 of pink in there. 216 00:10:39,680 --> 00:10:43,600 I do lawyering by day, singing and dancing and acting by night 217 00:10:43,600 --> 00:10:47,560 and interior design any other time that I have free. 218 00:10:48,880 --> 00:10:51,720 My design style has a theatrical flair. 219 00:10:51,720 --> 00:10:54,480 People do underestimate me because I'm quite feminine, 220 00:10:54,480 --> 00:10:57,560 but I'm not afraid of getting my hands dirty, 221 00:10:57,560 --> 00:11:02,120 so, yeah, I'm definitely bringing the girl power to DIY. 222 00:11:02,120 --> 00:11:05,600 So, the show apartment's in Elephant and Castle. 223 00:11:05,600 --> 00:11:08,240 Who thought this up? Elephant and Castle. 224 00:11:08,240 --> 00:11:10,560 All I remember is that massive roundabout. 225 00:11:10,560 --> 00:11:13,920 Yes, and now it's undergoing a huge amount of regeneration, 226 00:11:13,920 --> 00:11:15,440 which is a real opportunity 227 00:11:15,440 --> 00:11:17,840 to kind of inject new ideas from the ground up. 228 00:11:17,840 --> 00:11:21,280 You mentioned sustainability. What are you hoping to see? 229 00:11:21,280 --> 00:11:25,200 It could be recycled materials, it could be upcycling furniture, 230 00:11:25,200 --> 00:11:26,800 it could be the materials themselves, 231 00:11:26,800 --> 00:11:29,200 but what it can't be is just some sort of add-on. 232 00:11:29,200 --> 00:11:31,440 I want it to be core to their designs. 233 00:11:31,440 --> 00:11:33,360 That's a lot of hoops to jump through. 234 00:11:33,360 --> 00:11:36,160 Well, you know what I'm like. I like to throw them in at the deep end 235 00:11:36,160 --> 00:11:38,840 right from the beginning. We'll see who sinks or swims. 236 00:11:38,840 --> 00:11:41,120 It is only week one. You know that, Michelle. 237 00:11:41,120 --> 00:11:45,080 What are you going to do week ten? Oh, well... Abattoir week? 238 00:11:46,400 --> 00:11:50,480 # You should come south of the river 239 00:11:50,480 --> 00:11:52,400 # This is where it all starts... # 240 00:11:52,400 --> 00:11:55,320 It's the first morning at our eco-conscious complex. 241 00:11:55,320 --> 00:11:57,440 Let's do this. Let's do this, go on. 242 00:11:57,440 --> 00:12:00,120 This view. This is what it's all about. Yep. 243 00:12:00,120 --> 00:12:01,840 Is that The Shard, that pointy thing? 244 00:12:01,840 --> 00:12:05,160 The designers have a budget of £1,800... 245 00:12:05,160 --> 00:12:09,800 Why don't you go get the stuff? I'll put the kettle on. 246 00:12:09,800 --> 00:12:11,240 ..a team of tradespeople... 247 00:12:11,240 --> 00:12:13,320 Sorry, which one of you's the carpenter? 248 00:12:13,320 --> 00:12:15,640 I... You need that man. ..need you. 249 00:12:15,640 --> 00:12:19,720 ..and just two days to complete their first designs of the competition. 250 00:12:19,720 --> 00:12:23,600 It's so bright. I love it! It's so bright. It's so fresh. 251 00:12:23,600 --> 00:12:27,320 Visual merchandiser Peter and content creator Joanne 252 00:12:27,320 --> 00:12:29,720 have been tasked with creating the perfect pad 253 00:12:29,720 --> 00:12:31,520 for a post-grad student. 254 00:12:31,520 --> 00:12:34,440 My theme is London. Here we've got a bunch of green. 255 00:12:34,440 --> 00:12:36,480 It's quite dark. It'll look really good. 256 00:12:36,480 --> 00:12:39,240 And then I've got a shelving unit room divider 257 00:12:39,240 --> 00:12:42,120 that's made out of recycled wood. And what's happening on this wall? 258 00:12:42,120 --> 00:12:45,040 Oh, that's where the artwork's going. OK. Everywhere you look, 259 00:12:45,040 --> 00:12:47,360 there's something that's going to interest you and excite you. 260 00:12:47,360 --> 00:12:49,520 And this is me! 261 00:12:47,360 --> 00:12:49,520 JOANNE GASPS 262 00:12:49,520 --> 00:12:51,040 This is my white room. 263 00:12:51,040 --> 00:12:54,000 I'm going to be doing my textured band all the way around 264 00:12:54,000 --> 00:12:56,560 and then I have my big moment in the bedroom, 265 00:12:56,560 --> 00:12:59,040 which is my living cactus headboard. Oh, yeah. 266 00:12:59,040 --> 00:13:02,480 What I want people to feel is Ibizan, kind of chill vibes. 267 00:13:05,480 --> 00:13:07,640 Our home is in a very normal cul-de-sac, 268 00:13:07,640 --> 00:13:10,520 but when you come inside, it's a very Mediterranean space. 269 00:13:10,520 --> 00:13:14,360 I love white spaces and the crisp freshness that they bring. 270 00:13:14,360 --> 00:13:16,920 My aesthetic hasn't always been calm and neutral. 271 00:13:16,920 --> 00:13:19,600 I had a Britney Spears bedroom at one point. 272 00:13:19,600 --> 00:13:22,080 It was floor to ceiling pictures of Britney Spears. 273 00:13:22,080 --> 00:13:24,080 Even the light switch had pictures of her. 274 00:13:27,200 --> 00:13:30,880 So, this is bedroom two, which I'm turning into a study, 275 00:13:30,880 --> 00:13:34,960 a kind of a gallery-studio vibe, so it's going to be a bit more modern. 276 00:13:34,960 --> 00:13:36,880 I'll have a real pops of colour in this room... Yeah. 277 00:13:36,880 --> 00:13:38,920 ..and a big piece of artwork on the wall as well. 278 00:13:40,400 --> 00:13:43,840 It's a risk that I'm taking us out of London, but it's my style, 279 00:13:43,840 --> 00:13:46,880 and in this first challenge, I really want to show my styles. 280 00:13:46,880 --> 00:13:49,640 I love Peter's theme. A designer wouldn't say, 281 00:13:49,640 --> 00:13:52,040 "I'm going to have a London room and an Ibiza room," 282 00:13:52,040 --> 00:13:54,960 but we're going to make it work. Down the hall... 283 00:13:54,960 --> 00:13:57,800 Morning! Hey. Morning! Morning, guys. 284 00:13:57,800 --> 00:14:01,400 ..Charlotte and Tom are designing a home for a young couple. 285 00:14:01,400 --> 00:14:04,680 The ceiling's going to be painted kind of like a mint green colour, 286 00:14:04,680 --> 00:14:08,520 which then comes down 10cm to look a bit like coving. OK. 287 00:14:08,520 --> 00:14:11,160 My main bedroom is going quite dark 288 00:14:11,160 --> 00:14:15,120 and there's wallpaper and paint in the second bedroom. Cool. 289 00:14:15,120 --> 00:14:19,320 Tom will combine graphic wallpaper and a painted border 290 00:14:19,320 --> 00:14:22,800 to create a striking crescent effect in his guest bedroom. 291 00:14:22,800 --> 00:14:26,520 A draped yellow bed will take inspiration from the howdah, 292 00:14:26,520 --> 00:14:28,520 and he'll add sustainable style 293 00:14:28,520 --> 00:14:31,760 by reupholstering a reclaimed headboard and chair. 294 00:14:33,960 --> 00:14:36,400 I'm doing three pieces this morning of upholstery. 295 00:14:36,400 --> 00:14:39,320 It's in this lovely linen check, which makes it really easy 296 00:14:39,320 --> 00:14:40,800 because you're just following the lines 297 00:14:40,800 --> 00:14:44,520 so everything ends up being really straight and correct. 298 00:14:44,520 --> 00:14:47,440 It's a good place to start cos I can get a lot done very quickly 299 00:14:47,440 --> 00:14:50,000 and feel like I'm getting on top of the game, 300 00:14:50,000 --> 00:14:52,760 but I probably will be stuck in here for quite some time! 301 00:14:52,760 --> 00:14:54,520 HE LAUGHS 302 00:14:54,520 --> 00:14:55,960 It's nice and fresh, isn't it? 303 00:14:55,960 --> 00:14:57,680 And look - it's drying lighter, as well. 304 00:14:57,680 --> 00:15:00,600 Tom's doing stuff that's bold and so am I. 305 00:15:00,600 --> 00:15:03,280 I'm just hoping that everything comes together. 306 00:15:03,280 --> 00:15:05,880 So, this is the ceiling. You've got stripes here. 307 00:15:05,880 --> 00:15:06,920 Downstairs... 308 00:15:06,920 --> 00:15:09,440 How are we looking? Yeah, it's good. 309 00:15:09,440 --> 00:15:12,880 ..work in the family flat is also getting started. 310 00:15:12,880 --> 00:15:15,840 I'm attempting to make a headboard. 311 00:15:15,840 --> 00:15:18,480 This is the classic curtain tent. 312 00:15:18,480 --> 00:15:21,000 It's a child's room - it should be fun. 313 00:15:21,000 --> 00:15:25,240 My style is about second-hand vintage, antique items. 314 00:15:25,240 --> 00:15:28,000 That's what this brief's about - is about eco, it's about reusing - 315 00:15:28,000 --> 00:15:31,360 and I just thought, "What a great combination - vintage circus." 316 00:15:33,080 --> 00:15:35,560 I'm a criminal defence lawyer, so my day job 317 00:15:35,560 --> 00:15:39,040 couldn't be more far removed from any form of design, 318 00:15:39,040 --> 00:15:41,120 let alone interior design. 319 00:15:41,120 --> 00:15:43,360 I love multipurpose objects. 320 00:15:43,360 --> 00:15:45,520 Brass because, hello? 321 00:15:45,520 --> 00:15:46,720 Bright colours. 322 00:15:46,720 --> 00:15:48,480 Anything cultural. Art. 323 00:15:48,480 --> 00:15:51,320 Oh, there's just so much! I don't even know where to go. 324 00:15:51,320 --> 00:15:53,200 TEMI LAUGHS 325 00:15:54,880 --> 00:15:56,720 Elsewhere... 326 00:15:56,720 --> 00:15:59,720 Phil! Help! I'm coming, I'm coming. 327 00:15:59,720 --> 00:16:03,960 Temi's team-mate, Karl, has big ambitions for his living space. 328 00:16:03,960 --> 00:16:05,480 Nice. Wallop. 329 00:16:05,480 --> 00:16:08,000 I tried to simplify the construction down as much as I can, 330 00:16:08,000 --> 00:16:09,920 because obviously I know we're under a lot of pressure. 331 00:16:09,920 --> 00:16:13,840 So this is the big build. This is the centrepiece of the whole design. 332 00:16:13,840 --> 00:16:18,000 Karl's self-built sofa and divider will zone his living area, 333 00:16:18,000 --> 00:16:20,520 giving the family space to enjoy time 334 00:16:20,520 --> 00:16:23,120 both independently and together. 335 00:16:23,120 --> 00:16:26,720 Extra storage will keep toys tidy under sleek sofa cushions 336 00:16:26,720 --> 00:16:28,640 that he'll upholster himself. 337 00:16:28,640 --> 00:16:31,480 He'll also create a curved table with tiled legs 338 00:16:31,480 --> 00:16:34,680 for stylish but child-friendly dining. 339 00:16:34,680 --> 00:16:36,800 We're going to make a dining table out of this 340 00:16:36,800 --> 00:16:38,920 and the idea is to have a nice pebbly shape. 341 00:16:40,440 --> 00:16:42,280 Rounds off there. 342 00:16:43,920 --> 00:16:45,760 Right, yep. I think that's the shape. 343 00:16:45,760 --> 00:16:48,960 I love your enthusiasm, but what line am I meant to cut to? 344 00:16:48,960 --> 00:16:52,160 Sorry. That's going to be...this line. 345 00:16:52,160 --> 00:16:53,280 It makes sense, right? 346 00:16:54,800 --> 00:16:55,840 I get the gist. 347 00:16:55,840 --> 00:16:58,640 # Do-do-do-do-do... # 348 00:16:58,640 --> 00:17:01,280 I've definitely got a lot of work to crack on with. 349 00:17:01,280 --> 00:17:03,200 I'm just all systems go, really. 350 00:17:04,440 --> 00:17:06,280 In the mature couple's flat... 351 00:17:06,280 --> 00:17:09,960 So, with the slats I want to run them up this wall here 352 00:17:09,960 --> 00:17:12,920 and then across the ceiling and then down this side, too. 353 00:17:12,920 --> 00:17:16,920 Jack and Buse are also keeping their carpenter busy. 354 00:17:16,920 --> 00:17:20,200 So, this is the artist's studio? It is the artist studio, yes. 355 00:17:20,200 --> 00:17:25,040 So, in here, I'm basically thinking about panelling up to about... 356 00:17:25,040 --> 00:17:28,640 ..two-thirds of the wall. OK. It goes from here all the way around. 357 00:17:28,640 --> 00:17:31,720 The whole room? The whole room is panelled. 358 00:17:31,720 --> 00:17:35,600 Is that the whole room for the other one? Yes. OK. 359 00:17:35,600 --> 00:17:40,240 Buse 's ambitious plans include cladding her entire master bedroom 360 00:17:40,240 --> 00:17:43,640 in reclaimed wooden panels from floor to ceiling. 361 00:17:43,640 --> 00:17:48,120 She'll also repurpose wood to create a dramatic banquette window seat 362 00:17:48,120 --> 00:17:49,960 with vibrant upholstery. 363 00:17:50,880 --> 00:17:52,000 I've got a lot to do. 364 00:17:52,000 --> 00:17:54,960 If I can make it work, I will. OK. I'll do everything I can... Yeah. 365 00:17:54,960 --> 00:17:58,400 ..but we might need to be a bit more realistic. OK. 366 00:17:58,400 --> 00:18:00,600 I think both of us have been quite ambitious, 367 00:18:00,600 --> 00:18:02,960 but I think that's a great thing. 368 00:18:02,960 --> 00:18:05,720 Maybe I'm a bit too confident right now. Let's see. 369 00:18:09,280 --> 00:18:13,440 Around the building, blank canvases are beginning their transformation. 370 00:18:14,520 --> 00:18:17,280 One slat down, 50 more to go. 371 00:18:17,280 --> 00:18:20,560 And the designers are busy creating sustainable style. 372 00:18:20,560 --> 00:18:21,640 So the breakfast bar, 373 00:18:21,640 --> 00:18:23,920 because it's about sustainability, I'm making it out of plywood. 374 00:18:23,920 --> 00:18:27,000 This is a blind that I picked up from a car boot. 375 00:18:27,000 --> 00:18:28,760 I'm going to turn it into a tapestry. 376 00:18:28,760 --> 00:18:33,240 I found this sofa for £50. This is a hardy fabric. 377 00:18:33,240 --> 00:18:35,480 Trying to go for, like, a really high-end look. 378 00:18:35,480 --> 00:18:38,440 I want someone to walk in and go, "That's really nice." 379 00:18:39,440 --> 00:18:42,160 What's this? It's, like, an old cast-iron pipe. 380 00:18:42,160 --> 00:18:44,840 It looks a bit grotty. I think it's time for you to go back 381 00:18:44,840 --> 00:18:47,320 to your room, thank you. It might... Come on. Thank you! 382 00:18:51,440 --> 00:18:54,600 HORNS HONK MUSIC: Cars by Gary Numan 383 00:18:54,600 --> 00:18:56,920 Typical London. Look, he's not letting me in. 384 00:18:56,920 --> 00:18:58,480 I'm Alan Carr off the telly! 385 00:18:58,480 --> 00:19:03,120 Michelle's brief is all about eco living and sustainability. 386 00:19:03,120 --> 00:19:06,120 I mean, she should see me in this electric car. 387 00:19:06,120 --> 00:19:08,200 Let's find out how they put the music on. 388 00:19:08,200 --> 00:19:11,760 # New York to San Francisco An inter-city disco... # 389 00:19:11,760 --> 00:19:14,280 Oh, this is just what we need - The Vengaboys! 390 00:19:14,280 --> 00:19:16,000 # ..traffic lights are burning... # 391 00:19:16,000 --> 00:19:18,520 Just when you think the journey can't get any worse! 392 00:19:18,520 --> 00:19:20,600 # ..move your body... # 393 00:19:20,600 --> 00:19:23,000 MUSIC CONTINUES HORNS HONK 394 00:19:23,000 --> 00:19:25,440 Hello, darling. What's happening? What's happening? 395 00:19:25,440 --> 00:19:27,360 What's this traffic like? 396 00:19:29,440 --> 00:19:30,760 I'm saving the planet. 397 00:19:30,760 --> 00:19:32,680 I might be running over a few cyclists, 398 00:19:32,680 --> 00:19:34,360 but I'm saving the planet. 399 00:19:34,360 --> 00:19:36,040 # The Vengabus is coming. # 400 00:19:36,040 --> 00:19:38,120 I'm just applying this filler in a really rough way 401 00:19:38,120 --> 00:19:39,480 to create this textured band. 402 00:19:39,480 --> 00:19:43,000 White spaces are great, but a touch like this adds a bit more luxe. 403 00:19:43,000 --> 00:19:46,400 # Ooh, ooh, ooh. # Hi, Alan. How are you, love? 404 00:19:46,400 --> 00:19:50,120 Is this the Ibiza room? I love this. This is the club room. Woo! Yeah! 405 00:19:50,120 --> 00:19:51,360 Have you done that before? Yeah. 406 00:19:51,360 --> 00:19:54,480 If I'm not going round a pole, I haven't had a good night. 407 00:19:54,480 --> 00:19:56,640 All I'm worried about is getting a rusty crotch. 408 00:19:56,640 --> 00:20:01,240 Remind me of your clientele again. Postgraduates, 21 to 25. 409 00:20:01,240 --> 00:20:03,800 That's why I wanted to do something youthful and quite modern. 410 00:20:03,800 --> 00:20:07,600 My vibe is escapism, that Ibiza, Mediterranean kind of thing. 411 00:20:07,600 --> 00:20:10,720 It's giving off really peaceful vibes. That's exactly it. 412 00:20:10,720 --> 00:20:14,720 No clutter, no stress. Except that massive, round drainpipe. Yeah. 413 00:20:14,720 --> 00:20:17,240 And, I mean, all I had to do was pay a fiver for that. 414 00:20:18,200 --> 00:20:20,880 You were robbed! 415 00:20:18,200 --> 00:20:20,880 THEY LAUGH 416 00:20:22,040 --> 00:20:25,440 I know Michelle is after sustainability and eco living, 417 00:20:25,440 --> 00:20:30,320 but I'm sure she didn't mean reusing a manky 100-year-old drainpipe. 418 00:20:30,320 --> 00:20:32,680 I hope he's going to zhoosh it up a bit. 419 00:20:36,440 --> 00:20:41,560 It's mid-morning and blank walls are getting an injection of colour. 420 00:20:41,560 --> 00:20:43,960 GASPING 421 00:20:41,560 --> 00:20:43,960 Oh, green's on in here. 422 00:20:43,960 --> 00:20:46,440 That is the perfect shade. 423 00:20:46,440 --> 00:20:48,960 But in the young couples' apartment... 424 00:20:48,960 --> 00:20:50,160 Oh, dear. 425 00:20:50,160 --> 00:20:53,200 ..Charlotte is having to rethink her plans. 426 00:20:53,200 --> 00:20:56,240 It's looking very bright green at the moment. 427 00:20:56,240 --> 00:20:58,720 Do you think it's too vivid? Yeah. 428 00:20:58,720 --> 00:21:01,360 Like I've got a really deep browny-black colour. 429 00:21:01,360 --> 00:21:04,320 We could just mix some of that in, tone it down. Yeah. 430 00:21:04,320 --> 00:21:06,240 You've mixed paint before like this, haven't you? 431 00:21:06,240 --> 00:21:07,880 I mix it literally all the time. 432 00:21:07,880 --> 00:21:09,640 It's happening. It's happening. It's happening. 433 00:21:09,640 --> 00:21:11,120 The magic is happening. 434 00:21:13,880 --> 00:21:16,880 I've worked as an actor, as a waiter. 435 00:21:16,880 --> 00:21:20,400 I did floristry, puppetry and clowning. 436 00:21:20,400 --> 00:21:22,360 I taught myself to be an upholsterer, did that. 437 00:21:22,360 --> 00:21:23,560 I painted artwork. 438 00:21:23,560 --> 00:21:26,560 And all the time I dabbled in interior design. 439 00:21:26,560 --> 00:21:31,040 My design style is earthy and full of texture. 440 00:21:31,040 --> 00:21:35,200 I've had many different jobs. Now is the time to concentrate 441 00:21:35,200 --> 00:21:37,240 on the thing that I'm really passionate about. 442 00:21:38,440 --> 00:21:40,840 Oh, nice! That's now the colour that 443 00:21:40,840 --> 00:21:43,080 I thought it was meant to be, so that's perfect. Brilliant. 444 00:21:43,080 --> 00:21:44,800 Thank you. You're welcome. My saviour. 445 00:21:46,000 --> 00:21:48,600 In the older couple's apartment... 446 00:21:48,600 --> 00:21:51,240 Water, cement, gravel. 447 00:21:51,240 --> 00:21:53,800 Buse is also mixing things up. 448 00:21:53,800 --> 00:21:56,200 So that's one kilo. 449 00:21:56,200 --> 00:22:00,680 I'm just starting the cast of my concrete legs for my office table 450 00:22:00,680 --> 00:22:03,360 for the main part of the second bedroom. 451 00:22:05,920 --> 00:22:08,640 I studied architecture at university. 452 00:22:08,640 --> 00:22:10,880 My signature is texture. 453 00:22:10,880 --> 00:22:13,680 I am quite a competitive person. 454 00:22:13,680 --> 00:22:17,600 My drive comes from a need to go above and beyond. 455 00:22:17,600 --> 00:22:18,800 I want to be the best. 456 00:22:21,280 --> 00:22:24,880 This is the point where you need to start mixing things. 457 00:22:24,880 --> 00:22:29,640 I've used cement with recycled plastic flecks going through it. 458 00:22:29,640 --> 00:22:32,120 I just wanted there to be something a little bit different. 459 00:22:32,120 --> 00:22:34,960 I don't really have a problem with trying something new, so... 460 00:22:37,560 --> 00:22:39,920 OK. This is going to have to be done quickly. 461 00:22:41,840 --> 00:22:44,760 It's fine. 462 00:22:41,840 --> 00:22:44,760 SHE GIGGLES 463 00:22:44,760 --> 00:22:47,000 SHE SNORTS 464 00:22:48,440 --> 00:22:50,640 It's like a cake batter gone bad! 465 00:22:50,640 --> 00:22:52,480 Oh, my God. 466 00:22:52,480 --> 00:22:55,400 SHE LAUGHS 467 00:22:52,480 --> 00:22:55,400 What's happened? 468 00:22:55,400 --> 00:23:00,000 It's OK. It's fine. Oh, Lord. And this is absolutely insane. 469 00:23:00,000 --> 00:23:02,200 Yeah, I'm going to let you carry on. 470 00:23:05,160 --> 00:23:07,600 The cement is very explosive. 471 00:23:07,600 --> 00:23:10,240 As quick as you can cos... OK. ..this might set. 472 00:23:10,240 --> 00:23:11,960 It's just, like, everywhere. 473 00:23:11,960 --> 00:23:13,600 I just hope that when the sides come off, 474 00:23:13,600 --> 00:23:15,520 that it just doesn't go like. 475 00:23:13,600 --> 00:23:15,520 WET SPLAT 476 00:23:15,520 --> 00:23:18,200 That was stressful. 477 00:23:18,200 --> 00:23:21,280 There is no way that this is happening again. 478 00:23:21,280 --> 00:23:23,560 I come bearing gifts! 479 00:23:23,560 --> 00:23:26,480 Oh, you little beauty, you. 480 00:23:26,480 --> 00:23:30,160 In the family flat... She's actually a little bit sexy, isn't she? 481 00:23:30,160 --> 00:23:31,680 As a pegboard goes. 482 00:23:31,680 --> 00:23:34,320 ..Karl has hit an unexpected hurdle. 483 00:23:34,320 --> 00:23:36,640 How are you doing? I'm good. Good, thanks. How are you? 484 00:23:36,640 --> 00:23:38,080 I'll take a seat for this one. 485 00:23:38,080 --> 00:23:42,600 I've just been looking through the material for our room divider 486 00:23:42,600 --> 00:23:45,960 slash sofa build... Yeah. Mm. ..and the OSB that we've got 487 00:23:45,960 --> 00:23:48,600 is only 12mm thick. We need it to be 18. 488 00:23:48,600 --> 00:23:52,440 We will need three sheets of 18mm OSB board? Definitely. 489 00:23:52,440 --> 00:23:54,040 OK. 490 00:23:54,040 --> 00:23:56,000 We've had a bit of a design oversight, 491 00:23:56,000 --> 00:23:57,240 and that's definitely my fault. 492 00:23:57,240 --> 00:24:02,600 Hello? I'm just checking. Have you got 18mm thickness on your site? 493 00:24:02,600 --> 00:24:05,040 I'm freaking out a bit, yeah. 494 00:24:05,040 --> 00:24:07,320 If that divider's not ready for assembly tomorrow, 495 00:24:07,320 --> 00:24:10,600 I would really struggle to see how we get it done. 496 00:24:12,200 --> 00:24:14,240 Do I look like Beyonce? 497 00:24:14,240 --> 00:24:16,040 Stop making me laugh. 498 00:24:14,240 --> 00:24:16,040 SHE LAUGHS 499 00:24:16,040 --> 00:24:20,080 Halfway through the first day... Oh, yay! I love it. 500 00:24:20,080 --> 00:24:23,520 ..the designers' visions are starting to come to life. 501 00:24:23,520 --> 00:24:25,000 Oh, that's loads better. 502 00:24:25,000 --> 00:24:27,040 That could have been a bit of a disaster. 503 00:24:27,040 --> 00:24:29,280 These are the cactuses for my living headboard. 504 00:24:29,280 --> 00:24:30,320 In terms of the brief, 505 00:24:30,320 --> 00:24:33,520 they are bringing the outdoors in and living sustainably. 506 00:24:33,520 --> 00:24:35,320 That's going to be a big old picture. 507 00:24:35,320 --> 00:24:36,800 It's going to be ma-hoossive. 508 00:24:36,800 --> 00:24:38,800 It's a big statement piece. 509 00:24:38,800 --> 00:24:41,800 It's all just test your pots. Slap it on. Get creative. 510 00:24:45,240 --> 00:24:47,200 Hi, Joanne. Hi! 511 00:24:47,200 --> 00:24:49,160 So, what are you drawing? Is that me? 512 00:24:49,160 --> 00:24:53,360 No. It's an elephant and a castle. Oh. Oh! Cos that's up there. 513 00:24:53,360 --> 00:24:56,800 It's there, yeah. You're sort of known on social media for having 514 00:24:56,800 --> 00:25:00,600 this great eye for furniture and colours and everything. Yeah. 515 00:25:00,600 --> 00:25:04,280 This is a whole different skill set, being an interior design master. 516 00:25:04,280 --> 00:25:06,040 I mean, how are you coping? 517 00:25:06,040 --> 00:25:08,080 I've got to show that I'm not a one-trick pony. 518 00:25:08,080 --> 00:25:10,160 I mean, I'm good at shopping, but that's just not... 519 00:25:10,160 --> 00:25:12,000 Not just my only skill. Yeah. So that's why 520 00:25:12,000 --> 00:25:14,920 I'm trying to do some artwork and I can give a nod to the area. 521 00:25:14,920 --> 00:25:17,320 A good drawer, aren't you? Thank you, thank you. 522 00:25:17,320 --> 00:25:19,760 Could you paint me like those French ladies? Go on, then. 523 00:25:19,760 --> 00:25:21,600 Let's see what I can do. No, don't. Don't. 524 00:25:21,600 --> 00:25:23,480 Cos I'll look the same as that elephant. 525 00:25:23,480 --> 00:25:25,240 I've put on a bit of weight! 526 00:25:28,600 --> 00:25:30,840 That's one dining table coming through. 527 00:25:30,840 --> 00:25:33,880 In the family flat... That's perfect. 528 00:25:33,880 --> 00:25:37,200 At least one element of the build is nailed down right now. 529 00:25:37,200 --> 00:25:38,880 Cheers. 530 00:25:38,880 --> 00:25:42,480 Temi's fixing up furniture for her master bedroom. 531 00:25:42,480 --> 00:25:45,840 So I'm just priming my chest. I've sanded it down 532 00:25:45,840 --> 00:25:49,280 so it needs something to help the paint stick to the wood. 533 00:25:49,280 --> 00:25:51,600 Being a criminal lawyer, I would like to think 534 00:25:51,600 --> 00:25:55,160 I would be good at explaining to Michelle my decisions. 535 00:25:55,160 --> 00:25:59,880 Maybe if I wig and gown, then I'll go into character 536 00:25:59,880 --> 00:26:03,320 and I'll be able to defend my design decisions then. 537 00:26:03,320 --> 00:26:04,960 In the friend's flat... 538 00:26:04,960 --> 00:26:07,880 How's it going, dream team? Hello. Hello. 539 00:26:07,880 --> 00:26:10,480 ..Monika's painted canopy is taking shape. 540 00:26:10,480 --> 00:26:13,600 What I wanted to create is this feeling of cosiness. 541 00:26:13,600 --> 00:26:17,400 ..and Ry's statement piece is ready for decorating. 542 00:26:17,400 --> 00:26:20,160 I apologise in advance to all tilers out there. 543 00:26:20,160 --> 00:26:21,840 Don't judge me, please. 544 00:26:23,760 --> 00:26:26,440 So we're going to eyeball the joins. 545 00:26:26,440 --> 00:26:28,760 I'm a little concerned when I grout it, 546 00:26:28,760 --> 00:26:30,720 you'll be able to see all the imperfections. 547 00:26:30,720 --> 00:26:33,000 Everything's going to be fine. 548 00:26:34,200 --> 00:26:36,520 Everything's going to be fine. It's going to be good. 549 00:26:36,520 --> 00:26:37,840 It's going to be good. 550 00:26:39,280 --> 00:26:41,800 That actually wheels quite well! 551 00:26:41,800 --> 00:26:42,840 Tea? 552 00:26:47,280 --> 00:26:49,320 Hi, Buse! Hi, Alan! 553 00:26:49,320 --> 00:26:50,520 What is this? 554 00:26:50,520 --> 00:26:53,720 An attempt at concrete casting. It's going to be a table. 555 00:26:53,720 --> 00:26:56,720 So, what, you're just going to have this room with a concrete table in? 556 00:26:56,720 --> 00:27:02,080 It's not prison cell week. No. I've put plastic inside. 557 00:27:02,080 --> 00:27:04,800 The idea is that there is a bit of a terrazzo effect. 558 00:27:04,800 --> 00:27:10,400 Oh, like in Sicily? Yeah, exactly! I know about terrazzo tiles, yes! 559 00:27:10,400 --> 00:27:11,960 This is the big reveal. 560 00:27:11,960 --> 00:27:14,920 We are opening these up and seeing what it looks like. Oh! 561 00:27:14,920 --> 00:27:18,680 Let's have a grand unveiling. Ooh. DRILL WHIRS 562 00:27:20,160 --> 00:27:21,800 All right. OK. 563 00:27:21,800 --> 00:27:26,960 Oh. The plastic effect does not seem to have made the cut, 564 00:27:26,960 --> 00:27:29,960 but that's a pretty solid leg. And do you know what? 565 00:27:29,960 --> 00:27:33,480 I feel like it has a sleek look. It does have a sleek look. Yeah. 566 00:27:33,480 --> 00:27:36,840 It's not like a concrete in a prison cell. No, of course not! 567 00:27:36,840 --> 00:27:38,400 Concrete leg, tick. 568 00:27:39,640 --> 00:27:42,880 I love Buse's ingenuity, but concrete legs aside, 569 00:27:42,880 --> 00:27:44,520 there's nothing else going on in there. 570 00:27:44,520 --> 00:27:46,440 She hasn't even started on the walls. 571 00:27:46,440 --> 00:27:49,400 I hope she's left herself enough time to get it all done. 572 00:27:50,800 --> 00:27:54,960 As day one draws to a close... This looks great! Thank you. 573 00:27:54,960 --> 00:27:56,240 I am slowly getting there. 574 00:27:56,240 --> 00:27:58,920 ..designers' dreams are being realised. 575 00:28:00,840 --> 00:28:02,360 Oh, my God. I love it. 576 00:28:02,360 --> 00:28:04,440 I actually am, like, beaming. 577 00:28:04,440 --> 00:28:06,840 Good work. I love it. 578 00:28:06,840 --> 00:28:08,760 It actually makes the space look bigger. 579 00:28:08,760 --> 00:28:11,480 But while some designers are pleased with their progress... 580 00:28:11,480 --> 00:28:15,160 The zoning's done. This now makes this a separate area. 581 00:28:15,160 --> 00:28:17,760 ..others might be in for a sleepless night. 582 00:28:17,760 --> 00:28:21,000 The concrete took a lot longer than I thought it was going to take. 583 00:28:21,000 --> 00:28:23,480 Tomorrow, I need to get those timber panels up 584 00:28:23,480 --> 00:28:25,880 or come up with some sort of a Plan B. 585 00:28:25,880 --> 00:28:27,960 That looks about right. 586 00:28:27,960 --> 00:28:30,360 The boards have turned up on site. 587 00:28:30,360 --> 00:28:34,560 I've got to absolutely finish my divider slash seating area. 588 00:28:34,560 --> 00:28:37,800 It's going to be a tight finish, but I think we're going to make it. 589 00:28:37,800 --> 00:28:40,040 SEAGULLS CRY 590 00:28:41,920 --> 00:28:45,640 # I wasn't ready But now I'm ready for you... # 591 00:28:45,640 --> 00:28:49,600 I'm super giddy. Maybe I shouldn't have had that second espresso. 592 00:28:49,600 --> 00:28:52,640 It's all go today. Go, go, go time. 593 00:28:52,640 --> 00:28:54,920 I had a good night's sleep, so let's hope for the best. 594 00:28:54,920 --> 00:28:57,400 It's the final day of the build... 595 00:28:57,400 --> 00:28:59,480 This is a workout. Keep going! 596 00:28:59,480 --> 00:29:01,360 Giving myself a pep talk. It's fine. 597 00:29:01,360 --> 00:29:04,720 ..and some important decisions have been made overnight. 598 00:29:04,720 --> 00:29:06,240 # I risk it all. # 599 00:29:06,240 --> 00:29:11,120 I've got a lot to do so I've reduced the scheme down to just on one wall. 600 00:29:11,120 --> 00:29:13,040 BUSE LAUGHS 601 00:29:13,040 --> 00:29:15,360 So that should make our job a little bit easier. 602 00:29:15,360 --> 00:29:17,840 RY HISSES 603 00:29:15,360 --> 00:29:17,840 Beautiful. 604 00:29:17,840 --> 00:29:19,840 I'm really happy with my tiling. 605 00:29:19,840 --> 00:29:21,680 It looks pretty good. 606 00:29:21,680 --> 00:29:23,440 Onto the next thing. 607 00:29:25,040 --> 00:29:27,720 Ry, how are you doing? Well, hello! 608 00:29:27,720 --> 00:29:29,880 Look at that view. It looks good, right? 609 00:29:29,880 --> 00:29:32,960 You've got the breakfast bar with the best view in London, 610 00:29:32,960 --> 00:29:34,880 but I'm going to be really picky. Of course. 611 00:29:34,880 --> 00:29:36,920 Say you're sitting down here having your breakfast. 612 00:29:36,920 --> 00:29:39,800 You're like, "Oh, look - it's The Shard!" Yeah. 613 00:29:39,800 --> 00:29:43,480 And you sit here and you're like, "Oh, yeah. The Shard." 614 00:29:43,480 --> 00:29:45,560 I see where we're going. And then you're like, 615 00:29:45,560 --> 00:29:49,400 "Oh, no, where's the Shard?" It's gone! "Oh, what's happened?" 616 00:29:49,400 --> 00:29:53,080 What do you say to people who are down here having their granola? 617 00:29:53,080 --> 00:29:56,480 They want to see the Shard. I say...set their alarm earlier. 618 00:29:56,480 --> 00:29:58,840 Yes! Get up, you lazy sod. 619 00:29:58,840 --> 00:30:00,200 Exactly! 620 00:30:01,640 --> 00:30:03,720 With teamwork key to the brief... 621 00:30:03,720 --> 00:30:07,760 I've gone with warm tones because Buse has got oranges in her room. 622 00:30:07,760 --> 00:30:08,840 We're doing this. 623 00:30:08,840 --> 00:30:12,680 ..the designers are doing all they can to create a cohesive space. 624 00:30:12,680 --> 00:30:14,720 I am pinching some of Joanne's paint. 625 00:30:14,720 --> 00:30:17,920 This is a great way to introduce some of her colours into my room. 626 00:30:17,920 --> 00:30:20,640 I'm thinking we do probably need an in-between colour. 627 00:30:20,640 --> 00:30:23,840 Maybe that gold onto this wall here. I think that's a brilliant idea. 628 00:30:23,840 --> 00:30:25,880 While Karl and Temi are going for gold... 629 00:30:25,880 --> 00:30:27,720 It's the link. It's the marriage, isn't it? 630 00:30:27,720 --> 00:30:29,120 Yeah, exactly. Between the two. 631 00:30:29,120 --> 00:30:31,600 ..Tom's toning down his turmeric walls. 632 00:30:32,760 --> 00:30:35,200 Sorry, Megan, but we're changing the colour. 633 00:30:35,200 --> 00:30:38,400 I was going to do this whole space this vivid yellow, 634 00:30:38,400 --> 00:30:41,280 but based on what's happening in Charlotte's space, 635 00:30:41,280 --> 00:30:43,280 this all needs to be a little bit more neutral. 636 00:30:43,280 --> 00:30:46,480 That is fine, because I love painting things five times. 637 00:30:46,480 --> 00:30:48,360 In the postgrad flat... 638 00:30:48,360 --> 00:30:52,080 I love it. ..Joanne's artistic vision is being realised. 639 00:30:52,080 --> 00:30:54,880 I'm really happy with my art. It's not bad. 640 00:30:54,880 --> 00:30:59,120 I am feeling calm. Everything feels under control. 641 00:30:59,120 --> 00:31:01,680 Might be my HRT! 642 00:30:59,120 --> 00:31:01,680 SHE CHUCKLES 643 00:31:01,680 --> 00:31:05,880 And team-mate Peter is attempting something more avant-garde. 644 00:31:05,880 --> 00:31:08,760 This whole room is taking me completely out of my comfort zone. 645 00:31:08,760 --> 00:31:12,680 I want this space to feel like a cool, contemporary art gallery. 646 00:31:12,680 --> 00:31:19,800 LOUD SCRAPING 647 00:31:21,280 --> 00:31:23,120 OK. 648 00:31:23,120 --> 00:31:24,360 Yeah. 649 00:31:24,360 --> 00:31:26,880 GASPING 650 00:31:24,360 --> 00:31:26,880 Stop. Midway through day two... 651 00:31:26,880 --> 00:31:29,640 Oh, we do it up. ..and plans are paying off. 652 00:31:29,640 --> 00:31:30,920 This is why you're the pro. Yeah. 653 00:31:30,920 --> 00:31:34,080 Sofa's upholstered. The island has gone in. 654 00:31:34,080 --> 00:31:35,200 Think I'm on course. 655 00:31:35,200 --> 00:31:38,600 Oh, wow! Looks good, doesn't it? You just want to touch it. 656 00:31:38,600 --> 00:31:41,120 Banquette seating - pretty much done it. Great. 657 00:31:41,120 --> 00:31:42,800 Do you want to do another one of these? 658 00:31:42,800 --> 00:31:45,360 There's paint on the walls. I've got a few of the key items in. 659 00:31:45,360 --> 00:31:47,920 I love it. It's vibrant. It's cultural. 660 00:31:47,920 --> 00:31:49,720 So far, so good. 661 00:31:49,720 --> 00:31:53,480 And Temi's team-mate, Karl, also has good news. 662 00:31:53,480 --> 00:31:55,240 HAMMER TAPS 663 00:31:55,240 --> 00:31:57,400 My centrepiece is finally here. 664 00:31:57,400 --> 00:32:00,920 Now that I'm actually seeing it, I'm feeling a lot better, really. Yeah. 665 00:32:02,760 --> 00:32:07,560 In the friends' apartment, Monika's daybed is causing nightmares. 666 00:32:08,560 --> 00:32:11,640 The problem is that I'm trying to be sustainable. This is second-hand. 667 00:32:11,640 --> 00:32:15,520 It didn't have instructions and it has so many parts. 668 00:32:15,520 --> 00:32:20,640 Hi, Monika. Oh, Alan, hi! Sorry, I didn't see you from my prison. 669 00:32:20,640 --> 00:32:23,880 Looks like you're trapped in a bed. I know! I am. 670 00:32:23,880 --> 00:32:26,200 Free Monika! 671 00:32:23,880 --> 00:32:26,200 SHE LAUGHS 672 00:32:26,200 --> 00:32:28,320 Your clientele is two friends. Yeah. 673 00:32:28,320 --> 00:32:32,960 But you've got a double bed in there and you've got a single bed in here. 674 00:32:32,960 --> 00:32:35,560 Now, are you hoping the ugly one's in here? 675 00:32:35,560 --> 00:32:38,520 "He'll never get lucky - stick him in the single bed." 676 00:32:38,520 --> 00:32:42,400 Is that your thinking? Oh, no! No. This looks like a single bed, 677 00:32:42,400 --> 00:32:45,600 but, actually, it has this cool pull-out area, 678 00:32:45,600 --> 00:32:50,080 so it basically transforms from a daybed into a full-size double bed. 679 00:32:50,080 --> 00:32:52,240 Oh, I see! 680 00:32:52,240 --> 00:32:54,960 So the ugly person can get laid, too. 681 00:32:54,960 --> 00:32:58,200 You are amazing, Monika. Keep up the good work. 682 00:32:58,200 --> 00:32:59,280 Bye! 683 00:32:59,280 --> 00:33:00,640 Yes! 684 00:33:00,640 --> 00:33:02,520 In the postgrad flat... 685 00:33:02,520 --> 00:33:06,640 Ooh-hoo-hoo-hoo! That's really nice. 686 00:33:06,640 --> 00:33:09,280 ..Peter's living headboard is in position. 687 00:33:09,280 --> 00:33:11,440 Shall we be like... I'll see if I can get down. Aww. 688 00:33:11,440 --> 00:33:14,840 Like, erm, Eric and Ernie. In bed with a woman. Or Terry and June. 689 00:33:14,840 --> 00:33:17,760 Is it your first time? First time in bed with a woman. Aww. 690 00:33:19,240 --> 00:33:20,760 Right, let's get this painted. 691 00:33:21,720 --> 00:33:24,240 Brush, brush, brush, brush, brush. 692 00:33:24,240 --> 00:33:26,320 Please, Lord, let this stick. 693 00:33:26,320 --> 00:33:28,480 So this is going on top? It is. Yep. 694 00:33:28,480 --> 00:33:30,400 In the young couple's apartment, 695 00:33:30,400 --> 00:33:33,320 Charlotte's breakfast bar is almost ready. 696 00:33:33,320 --> 00:33:34,800 Watch your fingers. Yeah. 697 00:33:34,800 --> 00:33:36,920 Just a smidge there. 698 00:33:36,920 --> 00:33:39,240 And former thespian Tom... 699 00:33:39,240 --> 00:33:40,280 OK, cool. 700 00:33:40,280 --> 00:33:43,000 ..is getting dramatic in his spare room. 701 00:33:43,000 --> 00:33:45,720 I've decided to do this graphic cane wallpaper 702 00:33:45,720 --> 00:33:51,040 because I wanted to add a drama edge to the neutrality of everything. 703 00:33:51,040 --> 00:33:56,880 I just wanted something dynamic. Mm. Yeah, I'm happy. 704 00:33:56,880 --> 00:33:59,640 Oh, Temi! Oh. 705 00:33:59,640 --> 00:34:02,400 Hello, Alan. Oh, are you OK? I'm a bit vertically challenged. 706 00:34:02,400 --> 00:34:05,520 What do I do? Shall I lift this up? Oh, I've done it. Is this helping? 707 00:34:05,520 --> 00:34:09,320 Oh... I mean, that was a great help. THEY LAUGH 708 00:34:09,320 --> 00:34:12,480 How cute are those dumbbells? I know. They're blooming heavy, Alan. 709 00:34:12,480 --> 00:34:17,000 MOCK STRAINING 710 00:34:12,480 --> 00:34:17,000 They're so heavy! 711 00:34:17,000 --> 00:34:19,000 I told you. They're brilliant! 712 00:34:19,000 --> 00:34:21,920 Look at that. I'd go to the gym more if they were this light. 713 00:34:21,920 --> 00:34:24,160 It's really come together, hasn't it? 714 00:34:24,160 --> 00:34:25,400 I'm happy, Alan. Yeah. 715 00:34:25,400 --> 00:34:28,160 I'm as happy as I can be with an hour to go. Yeah. 716 00:34:29,880 --> 00:34:33,400 Right, I've cut the backing boards for your cushions for your sofa. 717 00:34:33,400 --> 00:34:35,560 But for Temi's team-mate Karl, 718 00:34:35,560 --> 00:34:39,200 time pressures have caused a last-minute change of plan. 719 00:34:39,200 --> 00:34:42,920 Unfortunately, we've kind of, um, skipped back a little bit 720 00:34:42,920 --> 00:34:45,000 in a couple of the additional details. 721 00:34:46,280 --> 00:34:48,800 Because of the delays with the divider, 722 00:34:48,800 --> 00:34:51,640 I lost the upper top part. 723 00:34:51,640 --> 00:34:55,240 I really hope the judges are able to see that the intent of the design 724 00:34:55,240 --> 00:34:56,720 was still realised. 725 00:34:56,720 --> 00:34:59,160 I've put all the cladding round the front of the sofa now, 726 00:34:59,160 --> 00:35:00,840 so once the cushions are on, that's done. 727 00:35:00,840 --> 00:35:05,360 # 22 grand job In the city, it's all right... # 728 00:35:05,360 --> 00:35:08,400 With the clock ticking... Finally done the bed! 729 00:35:08,400 --> 00:35:10,480 ..everyone is feeling the heat. 730 00:35:10,480 --> 00:35:11,520 Come on! 731 00:35:11,520 --> 00:35:16,280 I'm disgusting and sweaty but it's turning out exactly how I wanted. 732 00:35:16,280 --> 00:35:19,440 It's coming together but it's tight now. 733 00:35:19,440 --> 00:35:21,240 I am damn happy with my table. 734 00:35:21,240 --> 00:35:22,560 This is very cool. Thanks. 735 00:35:22,560 --> 00:35:24,800 Up, up, up, up. Perfect. 736 00:35:24,800 --> 00:35:28,000 DRILL WHIRS Ooh! Where's the end of this? 737 00:35:28,000 --> 00:35:29,280 # 22 grand job... # 738 00:35:29,280 --> 00:35:31,080 God, who's that old person looking at me? 739 00:35:31,080 --> 00:35:33,560 # 22 grand job... # Put myself in the corner here. 740 00:35:33,560 --> 00:35:35,600 HE GRUNTS 741 00:35:33,560 --> 00:35:35,600 All right, cool. 742 00:35:35,600 --> 00:35:40,200 # In the city it sounds nice. # 743 00:35:40,200 --> 00:35:42,920 OK. I'm a bit hot. 744 00:35:42,920 --> 00:35:44,840 I think I need some sugar. 745 00:35:45,800 --> 00:35:50,480 MUSIC: LDN by Lily Allen 746 00:35:50,480 --> 00:35:54,560 Finishing touches made, the five apartments are ready for judging. 747 00:35:54,560 --> 00:35:58,320 Joining Michelle this week is master of luxury home decor, 748 00:35:58,320 --> 00:35:59,800 Jonathan Adler. 749 00:36:01,000 --> 00:36:02,920 Well, here we are in Elephant Park. 750 00:36:02,920 --> 00:36:06,120 A fantastic new development, but quite far from home for you. 751 00:36:06,120 --> 00:36:09,920 Far from home. Home is New York, but I am obsessed with England, 752 00:36:09,920 --> 00:36:11,480 especially English design, 753 00:36:11,480 --> 00:36:15,240 so I cannot wait to see what these Brits have concocted. 754 00:36:15,240 --> 00:36:17,160 These are apartments that are for rental. 755 00:36:17,160 --> 00:36:19,400 Each pair has been given a different brief 756 00:36:19,400 --> 00:36:22,400 because I wanted to represent the broad spectrum of clients 757 00:36:22,400 --> 00:36:24,360 that this development is going to cater to. 758 00:36:24,360 --> 00:36:28,440 A space has to function and address the needs of the client, 759 00:36:28,440 --> 00:36:31,760 and only once they achieve that can they really layer on 760 00:36:31,760 --> 00:36:33,440 personal expression and voice. 761 00:36:33,440 --> 00:36:36,520 Also, I've thrown in sustainability, 762 00:36:36,520 --> 00:36:39,040 but I don't want a portrait made out of bottle caps. 763 00:36:39,040 --> 00:36:42,200 It's got to be something really fundamental to the design. 764 00:36:42,200 --> 00:36:45,320 So I'm looking for sustainability and beauty. 765 00:36:45,320 --> 00:36:48,360 Plus we are judging them on how the schemes work together. 766 00:36:48,360 --> 00:36:50,200 So we're not looking for much, then, are we? 767 00:36:50,200 --> 00:36:52,920 Not too much. We're not overly ambitious or demanding. 768 00:36:52,920 --> 00:36:54,440 Let's go, then. Let's do this. 769 00:37:01,240 --> 00:37:02,680 I'm really chuffed with it. 770 00:37:02,680 --> 00:37:04,880 Me and Monika have really good schemes. 771 00:37:04,880 --> 00:37:06,520 I'm really proud of my tiles. 772 00:37:06,520 --> 00:37:07,960 That's so sad to say it, 773 00:37:07,960 --> 00:37:10,080 but I've never tiled before in my life 774 00:37:10,080 --> 00:37:12,880 and I can't wait to tell my dad. 775 00:37:12,880 --> 00:37:16,800 So this is Ry's design, and he is a fresh new graduate 776 00:37:16,800 --> 00:37:18,400 from an interior design school. 777 00:37:18,400 --> 00:37:21,520 I feel like I'm in the space of a very thoughtful designer. 778 00:37:21,520 --> 00:37:23,600 I like the kind of mid line thing. 779 00:37:23,600 --> 00:37:26,280 I love the way that it interconnects with the pictures. 780 00:37:26,280 --> 00:37:28,680 We've got a really generous breakfast bar 781 00:37:28,680 --> 00:37:31,800 and I guess that's his nod to sustainability as well. I mean, 782 00:37:31,800 --> 00:37:35,360 this is all made of untreated ply, which is always a lovely material. 783 00:37:35,360 --> 00:37:39,040 This tiled grid is very much on trend. 784 00:37:39,040 --> 00:37:42,400 There's a sense of polish that I'm totally digging. 785 00:37:42,400 --> 00:37:46,880 There's just something extra that I'm going to want to see. 786 00:37:46,880 --> 00:37:49,360 I think mad props for the foundation. 787 00:37:49,360 --> 00:37:52,160 It's the playful punctuation I am missing. 788 00:37:52,160 --> 00:37:54,880 You have so eloquently put your finger on it. 789 00:37:54,880 --> 00:37:56,480 That's what's missing. 790 00:38:01,040 --> 00:38:03,320 I am super exhausted. I feel happy. 791 00:38:03,320 --> 00:38:06,080 I feel anxious, stressed, nervous. 792 00:38:06,080 --> 00:38:09,560 A lot of... It is a mix of feelings, yeah. 793 00:38:09,560 --> 00:38:12,880 Oh. Well, she's dialled back the Gothic glamour, 794 00:38:12,880 --> 00:38:17,840 but I'm loving a little nod to the sort of the dark side over there. 795 00:38:17,840 --> 00:38:20,640 Do we feel this is the bedroom of that living room? 796 00:38:20,640 --> 00:38:23,040 There's a unified palette. 797 00:38:23,040 --> 00:38:26,600 This mauve has a similar milkiness, 798 00:38:26,600 --> 00:38:28,920 and so there's a harmony of colours. 799 00:38:28,920 --> 00:38:30,240 I'm loving the canopy. 800 00:38:30,240 --> 00:38:32,600 It's a really clever way to denote bed. 801 00:38:32,600 --> 00:38:35,440 And I love the kind of window enclave. 802 00:38:35,440 --> 00:38:37,360 It's a very considered design. 803 00:38:37,360 --> 00:38:40,720 It perfectly frames what is a spectacular view. 804 00:38:41,960 --> 00:38:44,360 Ooh, this is different. I don't know about you, but I'm getting 805 00:38:44,360 --> 00:38:46,200 immediate nursery vibes... 806 00:38:46,200 --> 00:38:48,280 Right? ..which is strange because this is supposed 807 00:38:48,280 --> 00:38:49,920 to be two flatmates sharing. 808 00:38:49,920 --> 00:38:52,880 It's the cabinet in the corner that's throwing me off 809 00:38:52,880 --> 00:38:55,160 and making it feel very junior. 810 00:38:55,160 --> 00:38:56,680 The whole day bed thing, 811 00:38:56,680 --> 00:38:59,280 I don't think is quite appropriate for a flatshare. 812 00:38:59,280 --> 00:39:02,000 Every time I'm pulling my bed out, I've got to move my chair. 813 00:39:02,000 --> 00:39:03,680 I'm not quite sure where my chair is going. 814 00:39:03,680 --> 00:39:07,200 Yeah. I'm seeing my nods to sustainability with the older 815 00:39:07,200 --> 00:39:09,560 furniture and the natural fibres. 816 00:39:09,560 --> 00:39:12,200 Ry and Monika clearly worked together. 817 00:39:12,200 --> 00:39:14,400 It's not like, "Oh, we've got exactly the same colours." 818 00:39:14,400 --> 00:39:16,520 They've done their own thing, but it works together. 819 00:39:16,520 --> 00:39:21,000 I like how each room is a different chapter in the same story. 820 00:39:24,240 --> 00:39:25,920 I'm proud of both me and Tom because we've 821 00:39:25,920 --> 00:39:27,520 done our own rooms and we've also 822 00:39:27,520 --> 00:39:29,680 tried to have some synergy between the two. 823 00:39:29,680 --> 00:39:33,160 So, I think we've really succeeded with that. 824 00:39:33,160 --> 00:39:35,080 Ooh. Wow. 825 00:39:35,080 --> 00:39:36,600 Well, this is a good first impression. 826 00:39:36,600 --> 00:39:39,840 You know what I've seen immediately that I love is the pale green 827 00:39:39,840 --> 00:39:42,520 ceiling and the little bit of, like, architrave. Isn't that clever? 828 00:39:42,520 --> 00:39:45,160 It's the first thing that drew me in, 829 00:39:45,160 --> 00:39:47,280 and it completely creates the mood. 830 00:39:47,280 --> 00:39:49,680 And to have painted the skirting board as well. 831 00:39:49,680 --> 00:39:52,360 It kind of creates architecture where there is none, 832 00:39:52,360 --> 00:39:54,920 and I think that's very clever. 833 00:39:54,920 --> 00:39:56,720 Oh, and look at this wallpaper. 834 00:39:56,720 --> 00:39:58,760 That's a great, big gesture. 835 00:39:58,760 --> 00:40:01,200 I love this island. You know, you can move it around, 836 00:40:01,200 --> 00:40:04,720 have dance parties. They're young, they're going to have dance parties. 837 00:40:04,720 --> 00:40:06,000 Duh! 838 00:40:06,000 --> 00:40:09,600 But sustainability. Got a lot of natural materials, which is great. 839 00:40:09,600 --> 00:40:12,160 I could see sort of adulting in this space. 840 00:40:12,160 --> 00:40:15,840 I think it's a really great statement of home. 841 00:40:21,600 --> 00:40:25,280 I'm stoked with how the main bedroom turned out. 842 00:40:25,280 --> 00:40:29,760 And then the second bedroom was a bit of a curveball for me. 843 00:40:29,760 --> 00:40:31,320 It's memorable in a good way, 844 00:40:31,320 --> 00:40:34,280 like, it makes you go in and go, "Oh, wow!" 845 00:40:34,280 --> 00:40:36,600 Definite first impressions - teamwork. 846 00:40:36,600 --> 00:40:39,560 The colours are different, but they're working together. 847 00:40:39,560 --> 00:40:43,440 I feel very calm. I feel like I'm in contemporary London. 848 00:40:43,440 --> 00:40:46,280 Tom is on trend with this arched headboard 849 00:40:46,280 --> 00:40:48,200 and it all feels very today. 850 00:40:48,200 --> 00:40:51,000 I'm imagining this is one of his own artworks as well. 851 00:40:51,000 --> 00:40:52,320 It's fantastic. 852 00:40:52,320 --> 00:40:55,680 It's as if he did take all the colours and worked them into this. 853 00:40:55,680 --> 00:40:58,000 That's giving me sophistication. 854 00:40:59,040 --> 00:41:00,520 Oh! Interesting. 855 00:41:00,520 --> 00:41:01,920 We've got some of the same ideas, 856 00:41:01,920 --> 00:41:04,360 but then a very different vibe happening here. 857 00:41:04,360 --> 00:41:07,400 I am loving this room. 858 00:41:07,400 --> 00:41:08,960 There's just some master strokes. 859 00:41:08,960 --> 00:41:10,920 And really, for me, it's the bed. 860 00:41:10,920 --> 00:41:14,120 It is wonderful making a cocoon space out of that bed. 861 00:41:14,120 --> 00:41:18,200 But I'm loving how he's used the walls. It's kind of fun. 862 00:41:18,200 --> 00:41:21,520 There's something very bold and confident about that gesture. 863 00:41:21,520 --> 00:41:24,000 Sustainability, nod to it over in the shelving. 864 00:41:24,000 --> 00:41:27,400 And I think I'm seeing some of his skill set with upholstery, which is 865 00:41:27,400 --> 00:41:30,680 always a brilliant way to update an existing piece of furniture. 866 00:41:30,680 --> 00:41:33,760 And it shows mad skills, like, that ain't easy. 867 00:41:33,760 --> 00:41:37,360 Overall, Charlotte and Tom, they've worked together. 868 00:41:37,360 --> 00:41:42,000 I think it's really cohesive and I would happily move in here 869 00:41:42,000 --> 00:41:45,160 if I were to turn back time and be 25 again. 870 00:41:49,960 --> 00:41:52,280 I think any post-grad would be delighted to live there. 871 00:41:52,280 --> 00:41:54,840 The green colour on the walls is beautiful. 872 00:41:54,840 --> 00:41:57,200 It's a lovely place to socialise. 873 00:41:57,200 --> 00:42:00,000 It's young and it's funky and it's fun. 874 00:42:01,960 --> 00:42:03,200 Oh, gosh! 875 00:42:03,200 --> 00:42:06,120 It's a very different approach to the space. 876 00:42:06,120 --> 00:42:09,280 I like this reused wood little divider. 877 00:42:09,280 --> 00:42:12,000 It zones the space. We've got living area here and I've got 878 00:42:12,000 --> 00:42:13,600 this little dining space. 879 00:42:13,600 --> 00:42:17,320 For me, this green gets a little bit too dark. 880 00:42:17,320 --> 00:42:19,200 Roll on our English winters, 881 00:42:19,200 --> 00:42:21,520 I think I might be feeling a little bit hemmed in. 882 00:42:21,520 --> 00:42:22,960 I'm getting post-grad. 883 00:42:22,960 --> 00:42:25,560 However, it's like a lot of little bits and bobs. 884 00:42:25,560 --> 00:42:28,600 Those little bitty things are very popular online, 885 00:42:28,600 --> 00:42:32,000 but in a real space, things need to be grander. 886 00:42:37,080 --> 00:42:39,920 I showed myself. But then I also really pushed myself. I made things. 887 00:42:39,920 --> 00:42:42,040 We worked on our cohesion as a team. 888 00:42:42,040 --> 00:42:44,400 I think I have nailed the brief. 889 00:42:44,400 --> 00:42:47,040 I wouldn't change a thing. 890 00:42:47,040 --> 00:42:49,160 Oh, my word. A white room. 891 00:42:49,160 --> 00:42:52,240 Got some textural effects going on, which I kind of like. 892 00:42:52,240 --> 00:42:54,480 Kind of feels like Ibiza themed. 893 00:42:54,480 --> 00:42:57,680 Good read, because that is entirely Peter's thing. 894 00:42:57,680 --> 00:43:00,360 He has just transported us to his home. 895 00:43:00,360 --> 00:43:02,720 If the entire flat were like this, I'd be like, 896 00:43:02,720 --> 00:43:04,080 "Oh, this is fantastic." 897 00:43:04,080 --> 00:43:08,720 It's the disjointed-ness that is harshing my mellow. 898 00:43:08,720 --> 00:43:11,480 I do kind of love this whole bed construct thing, 899 00:43:11,480 --> 00:43:13,760 but we're in Elephant and Castle. 900 00:43:13,760 --> 00:43:17,480 Why, if I've chosen this deluxe apartment that I want to transport 901 00:43:17,480 --> 00:43:19,840 myself to a Spanish island? 902 00:43:20,960 --> 00:43:25,280 Oh, we've gone into a different vibe again, haven't we? 903 00:43:25,280 --> 00:43:27,200 He's not even collaborating with himself. 904 00:43:27,200 --> 00:43:30,560 The first base was very natural Ibiza. 905 00:43:30,560 --> 00:43:33,200 This is more like foam party Ibiza, and they're 906 00:43:33,200 --> 00:43:34,800 two very different voices. 907 00:43:34,800 --> 00:43:37,880 Also, I'm very distracted by these sort of bits of reclaimed 908 00:43:37,880 --> 00:43:41,680 stuff, because if that's the nod to sustainability - that's not it. 909 00:43:41,680 --> 00:43:44,960 Overall, I just don't see that sense of teamwork. 910 00:43:44,960 --> 00:43:47,600 Um, at least Joanne, I know who she is, with Peter, 911 00:43:47,600 --> 00:43:48,880 now I'm very confused. 912 00:43:53,480 --> 00:43:55,240 I've never done anything like this before. 913 00:43:55,240 --> 00:43:57,080 I think me and Buse have pulled it off. 914 00:43:57,080 --> 00:43:59,960 There's the cohesion. It feels like a lovely space. 915 00:43:59,960 --> 00:44:02,840 I'd love to sit in the space and enjoy it. 916 00:44:02,840 --> 00:44:04,640 Ooh. First impressions - 917 00:44:04,640 --> 00:44:06,320 I love this. 918 00:44:06,320 --> 00:44:10,080 It's really a very open, welcoming space. 919 00:44:10,080 --> 00:44:13,720 The thing that hits me straight away is there's a generosity here. 920 00:44:13,720 --> 00:44:16,280 The width of this, it's not just a little slither - 921 00:44:16,280 --> 00:44:18,280 it's zoned the whole kitchen. 922 00:44:18,280 --> 00:44:22,640 It's the graciousness of scale that makes it so inviting. 923 00:44:22,640 --> 00:44:26,800 And boucle is the fabric du jour. 924 00:44:26,800 --> 00:44:30,680 It's very flumpy and delicious. 925 00:44:30,680 --> 00:44:34,320 I'm impressed because Jack is one of our youngest designers as well. 926 00:44:34,320 --> 00:44:36,200 Really? I would not have thought 927 00:44:36,200 --> 00:44:39,680 this was done by a very young designer. It's very confident. 928 00:44:43,920 --> 00:44:45,960 It was touch-and-go there. 929 00:44:45,960 --> 00:44:48,680 I don't know what it would have looked like if I did everything 930 00:44:48,680 --> 00:44:52,600 I wanted, but when you walk in, it does feel like a show home 931 00:44:52,600 --> 00:44:56,720 and at the same time it really represents sustainability. 932 00:44:57,960 --> 00:45:00,000 I like that. Mm. 933 00:45:00,000 --> 00:45:03,120 Yeah, it's quite beautiful and I actually really like the tone. 934 00:45:03,120 --> 00:45:05,200 It kind of feels like well-worn leather. 935 00:45:05,200 --> 00:45:07,680 I think it's really a nice gesture. I love it. 936 00:45:07,680 --> 00:45:10,920 The built-in bench, that's giving me hints of her architectural 937 00:45:10,920 --> 00:45:14,160 sensibility, which I like. That has that generosity to it as well. 938 00:45:14,160 --> 00:45:16,360 Love it. And saffron! 939 00:45:16,360 --> 00:45:21,040 She had me at saffron, but this wall is a bit of a disappointment to me. 940 00:45:21,040 --> 00:45:25,160 We turn around and go, "Oh, you obviously ran out of time." 941 00:45:26,520 --> 00:45:28,920 Oh, gosh, Buse's done the same thing again. 942 00:45:28,920 --> 00:45:30,840 I've got, like, half of a room. 943 00:45:30,840 --> 00:45:32,600 Yeah. It seems like Buse isn't 944 00:45:32,600 --> 00:45:35,600 so great at planning her time or her resources. 945 00:45:35,600 --> 00:45:37,160 I do feel potential. 946 00:45:37,160 --> 00:45:40,240 She's obviously re-crafting this room as a studio. 947 00:45:40,240 --> 00:45:43,600 And the one thing I really like about this whole apartment 948 00:45:43,600 --> 00:45:46,640 is I'm feeling the re-use of materials. I'm going to give them 949 00:45:46,640 --> 00:45:49,120 a big yes for the sustainability aspect, 950 00:45:49,120 --> 00:45:52,880 but clearly there is quite a lot to be learnt here. 951 00:45:52,880 --> 00:45:54,520 Agreed. 952 00:45:59,360 --> 00:46:02,160 I definitely feel a bit gutted about having to change my design, 953 00:46:02,160 --> 00:46:05,720 but most of the elements were there, and I still feel that the design 954 00:46:05,720 --> 00:46:07,040 stands on its own. 955 00:46:09,160 --> 00:46:11,160 OK. Huh. 956 00:46:11,160 --> 00:46:15,400 I'm feeling a lot of very un-child-friendly features here. 957 00:46:15,400 --> 00:46:18,720 Yeah, I'm seeing lots of corners and pointy bits. 958 00:46:18,720 --> 00:46:21,240 I'm happy to see a rounded edge on the table, 959 00:46:21,240 --> 00:46:24,400 but in general it doesn't feel super childy. 960 00:46:24,400 --> 00:46:27,320 There's just a big sense of unfinished-ness here. 961 00:46:27,320 --> 00:46:30,560 I mean, I see the sides of this table are tiled. 962 00:46:30,560 --> 00:46:33,600 Obviously, this has been built and yet I'm not seeing that big 963 00:46:33,600 --> 00:46:35,840 signature thing that clearly took all the time. 964 00:46:35,840 --> 00:46:39,680 I mean, this is a seriously uncomfortable looking sofa. 965 00:46:39,680 --> 00:46:43,440 Funny, when you think about this versus Jack's built-in sofa - 966 00:46:43,440 --> 00:46:45,200 the power of upholstery. 967 00:46:45,200 --> 00:46:48,560 It changes everything about the feel of a room. 968 00:46:53,280 --> 00:46:56,200 I genuinely think my rooms are gorgeous. That main bedroom, 969 00:46:56,200 --> 00:46:59,200 you walk in and you feel that ocean breeze on your face. 970 00:46:59,200 --> 00:47:00,440 It reminds you of the sea. 971 00:47:00,440 --> 00:47:03,520 I think the child's room is fun, playful. 972 00:47:03,520 --> 00:47:05,680 It's exactly what I envisaged. 973 00:47:06,800 --> 00:47:09,640 Oh, I like the colours in here! Mm-hm! 974 00:47:09,640 --> 00:47:11,120 It's got that freshness. 975 00:47:11,120 --> 00:47:13,920 There's something about coming into this colour 976 00:47:13,920 --> 00:47:17,080 that makes you feel good. And I like the bed. 977 00:47:17,080 --> 00:47:20,000 It kind of has a nice caszh, natural feel. 978 00:47:20,000 --> 00:47:22,960 It's got that sense of being handmade, which is what I love, 979 00:47:22,960 --> 00:47:26,480 but then also reflected with this rather fabulous whatever-it-is. 980 00:47:26,480 --> 00:47:29,360 If we delve in deeper, I would have liked to have seen 981 00:47:29,360 --> 00:47:31,560 slightly bigger pots for the plants. 982 00:47:31,560 --> 00:47:33,640 Not quite sure what's going on with the side tables 983 00:47:33,640 --> 00:47:35,920 because I can't use those. That's not functional. 984 00:47:35,920 --> 00:47:37,120 Yeah, I agree. 985 00:47:38,320 --> 00:47:39,560 Ah... 986 00:47:39,560 --> 00:47:42,320 We've got such a strong statement here with the sort of circus 987 00:47:42,320 --> 00:47:43,600 and the stripes. 988 00:47:43,600 --> 00:47:45,480 I'm mad for the circus tent ceiling, 989 00:47:45,480 --> 00:47:47,560 and I'm just now getting a little angry 990 00:47:47,560 --> 00:47:50,440 at my own parents for not giving me a circus tent ceiling. 991 00:47:50,440 --> 00:47:53,880 Kids' rooms are an incredible chance to go over the top 992 00:47:53,880 --> 00:47:57,040 and make them fun and playful and I think Temi did that. 993 00:47:57,040 --> 00:47:59,720 But one of the key things to me is that everything needs 994 00:47:59,720 --> 00:48:01,760 to be at child level. 995 00:48:01,760 --> 00:48:05,200 And so we've kind of win, win, win, win, win until we get here. 996 00:48:05,200 --> 00:48:07,480 And I've got a trapeze hanging from the ceiling 997 00:48:07,480 --> 00:48:10,120 and a very high level pegboard shelf thing. 998 00:48:10,120 --> 00:48:13,400 So many designers forget about the needs of the client. 999 00:48:13,400 --> 00:48:15,320 It's a scale issue. 1000 00:48:15,320 --> 00:48:19,160 As a duo, I do feel that there's a sense of collaboration. 1001 00:48:19,160 --> 00:48:22,040 There's a kind of attention to colour that has continued 1002 00:48:22,040 --> 00:48:24,280 from room to room. I agree. 1003 00:48:24,280 --> 00:48:27,120 So we've seen five identical apartments, 1004 00:48:27,120 --> 00:48:29,680 but each treated in such a different way. 1005 00:48:29,680 --> 00:48:32,280 I think we're going to have to have quite a bit of discussion 1006 00:48:32,280 --> 00:48:34,360 to decide who is going to be on my sofa. 1007 00:48:36,160 --> 00:48:38,560 Look at this. Wow. 1008 00:48:38,560 --> 00:48:41,600 Before they head back to Brighton to find out their fate... 1009 00:48:41,600 --> 00:48:45,040 This is lovely. Smile! 1010 00:48:41,600 --> 00:48:45,040 SHE LAUGHS 1011 00:48:45,040 --> 00:48:48,680 ..the designers have a chance to snoop on their rivals. 1012 00:48:48,680 --> 00:48:52,080 This is absolutely amazing. Look at these tiles! Yeah. 1013 00:48:52,080 --> 00:48:55,840 So it's, like, changeable storage. Very clever. I would've lowered it 1014 00:48:55,840 --> 00:48:58,760 about a metre. This is a five-year-old's room. Yeah, five-year-old. 1015 00:48:58,760 --> 00:49:02,480 Oh, my God. There's so much handmade stuff. 1016 00:49:02,480 --> 00:49:04,320 Has he made all this himself? Yes. 1017 00:49:04,320 --> 00:49:06,760 That does make me a little bit worried, actually. 1018 00:49:06,760 --> 00:49:09,920 OK. Ooh... So this is not the bedroom. 1019 00:49:09,920 --> 00:49:12,560 I would be a little nervous just with this space. 1020 00:49:12,560 --> 00:49:14,800 You're not pulling that out to make a double bed. 1021 00:49:14,800 --> 00:49:17,000 You're pulling out for someone to come over. 1022 00:49:17,000 --> 00:49:19,240 But you're having nobody over. Not in that! 1023 00:49:19,240 --> 00:49:20,840 All right, you might not! 1024 00:49:20,840 --> 00:49:22,480 THEY LAUGH 1025 00:49:27,160 --> 00:49:30,800 The ten designers are back in Michelle's design studio... 1026 00:49:32,320 --> 00:49:33,880 SINGSONG: Nervous! 1027 00:49:33,880 --> 00:49:36,760 ..to discover whose chance at a professional contract 1028 00:49:36,760 --> 00:49:38,440 may be in jeopardy. 1029 00:49:41,680 --> 00:49:43,080 Hi, everyone. 1030 00:49:43,080 --> 00:49:44,360 ALL: Hi, Alan. 1031 00:49:44,360 --> 00:49:47,200 I'm sure you're dying to know what Michelle and Jonathan thought 1032 00:49:47,200 --> 00:49:51,160 of your apartments, so I won't keep you in the dark any further. 1033 00:49:53,960 --> 00:49:56,960 The judges were impressed with some of your designs. 1034 00:49:56,960 --> 00:50:00,720 They felt some of you could have pushed yourselves further 1035 00:50:00,720 --> 00:50:02,320 and delivered more. 1036 00:50:03,400 --> 00:50:07,400 However, there was one team that showed strong teamwork 1037 00:50:07,400 --> 00:50:11,160 and delivered a brief with ambitious designs. 1038 00:50:12,760 --> 00:50:14,680 Well done... 1039 00:50:14,680 --> 00:50:16,040 ..Tom and Charlotte. 1040 00:50:16,040 --> 00:50:17,240 SHE GASPS 1041 00:50:17,240 --> 00:50:21,400 Congratulations, you're through to next week. Oh, my God! 1042 00:50:24,520 --> 00:50:27,240 The other teams going through are... 1043 00:50:28,640 --> 00:50:30,960 ..Monika and Ry, well done. 1044 00:50:32,960 --> 00:50:34,280 And also... 1045 00:50:37,920 --> 00:50:40,240 ..Buse and Jack. Well done. 1046 00:50:44,320 --> 00:50:47,800 That, of course, leaves Karl and Temi, 1047 00:50:47,800 --> 00:50:49,520 and Joanne and Peter. 1048 00:50:50,840 --> 00:50:53,960 Michelle will see all of you on her sofa, and sadly, 1049 00:50:53,960 --> 00:50:56,480 one of you will be going home. 1050 00:50:56,480 --> 00:50:58,280 Good luck. Thank you. 1051 00:51:01,480 --> 00:51:06,080 So, some wonderful designs and some not so wonderful designs. 1052 00:51:06,080 --> 00:51:09,960 This challenge was really about bringing together collaboration. 1053 00:51:09,960 --> 00:51:13,920 It was about sustainability, and the four coming through are on the sofa 1054 00:51:13,920 --> 00:51:17,320 because they just didn't get that juggle well enough at all. Yeah... 1055 00:51:17,320 --> 00:51:21,040 Let's start with Peter. Did you enjoy visiting Ibiza? 1056 00:51:21,040 --> 00:51:25,440 I came away from it, only knowing that Peter loves Ibiza. 1057 00:51:25,440 --> 00:51:27,760 This wasn't the moment for signature style. 1058 00:51:27,760 --> 00:51:29,640 And then what about Joanne? 1059 00:51:29,640 --> 00:51:32,440 I thought it was all a little...small. 1060 00:51:32,440 --> 00:51:35,120 Yeah, and with Peter and Joanne, I really felt like every room 1061 00:51:35,120 --> 00:51:37,680 was totally different, completely unrelated. 1062 00:51:37,680 --> 00:51:40,560 I think Temi and Karl had a bit more cohesion, didn't they, 1063 00:51:40,560 --> 00:51:43,200 with their designs? You could feel it slightly more, yes. 1064 00:51:43,200 --> 00:51:44,840 They had the family home. 1065 00:51:44,840 --> 00:51:48,200 Temi did embrace that, but there was a question of scale. 1066 00:51:48,200 --> 00:51:51,240 The child is five, so things need to be slightly a lower level. 1067 00:51:51,240 --> 00:51:52,920 Yeah. That wasn't working for me. 1068 00:51:52,920 --> 00:51:55,360 Karl's room is slightly less family friendly. 1069 00:51:55,360 --> 00:51:57,600 And Karl really didn't juggle his time. 1070 00:51:57,600 --> 00:52:00,000 Was it a case of him being overambitious? 1071 00:52:00,000 --> 00:52:02,680 I think we really need to ask him the questions on that. 1072 00:52:03,840 --> 00:52:07,720 This is going to be so tough. No-one wants to go home week one, do they? 1073 00:52:07,720 --> 00:52:10,160 No, they don't, but they have everything to play for 1074 00:52:10,160 --> 00:52:12,880 and I'm really interested to see what they have to say. 1075 00:52:15,920 --> 00:52:17,280 Hello! Hello. 1076 00:52:18,440 --> 00:52:20,000 Hi. Hi. 1077 00:52:21,400 --> 00:52:24,120 So, challenge one, you're on the sofa, I get it. 1078 00:52:24,120 --> 00:52:27,840 It is not where you want to be, but I would really encourage you 1079 00:52:27,840 --> 00:52:30,600 to see this as a valuable opportunity for feedback. 1080 00:52:31,600 --> 00:52:34,880 A really big part of this challenge was about collaboration. 1081 00:52:34,880 --> 00:52:37,840 Joanne and Peter, let me just dive straight in. 1082 00:52:37,840 --> 00:52:41,040 I didn't see visual evidence of collaboration 1083 00:52:41,040 --> 00:52:44,000 in the way that I understand it. Do you think that's fair? 1084 00:52:44,000 --> 00:52:48,160 We both felt that we had a neutral base, but with pops of colour. Yeah. 1085 00:52:48,160 --> 00:52:50,880 That's where I tried to bring in some of her pops of colour. 1086 00:52:50,880 --> 00:52:53,760 But it isn't about, "I'm doing this, you're doing this," and 1087 00:52:53,760 --> 00:52:56,520 "Oh, OK, you've used that colour, I'm going to use that colour too." 1088 00:52:56,520 --> 00:52:59,480 That isn't it. You had one client 1089 00:52:59,480 --> 00:53:02,600 and I just felt you did your style and you did your style. 1090 00:53:02,600 --> 00:53:05,160 Does that make sense to you? Yeah, it makes sense. Yeah. 1091 00:53:05,160 --> 00:53:08,200 But we thought because there were locations, that was a collaboration 1092 00:53:08,200 --> 00:53:11,560 as well, a well-travelled person, these are the places 1093 00:53:11,560 --> 00:53:13,200 where they've been and this is home. 1094 00:53:13,200 --> 00:53:16,280 I think you guys are trying to stand out in a competition, 1095 00:53:16,280 --> 00:53:19,280 but I shouldn't have even known there were two separate designers. 1096 00:53:19,280 --> 00:53:22,080 I never felt a vibe that was consistent, 1097 00:53:22,080 --> 00:53:24,720 so I think you need to think beyond just colour. 1098 00:53:24,720 --> 00:53:27,480 But if we now go into your individual design. 1099 00:53:27,480 --> 00:53:30,680 Peter, I'll start with you. I get it - you like Ibiza. 1100 00:53:30,680 --> 00:53:34,080 But if I was going to spend that much money renting an apartment 1101 00:53:34,080 --> 00:53:38,240 in this gorgeous block, why are you taking me totally away from that? 1102 00:53:38,240 --> 00:53:41,000 Most people in this day and age look forward to an escape. 1103 00:53:41,000 --> 00:53:44,760 My way of designing is bringing that escape home. For my bedroom, 1104 00:53:44,760 --> 00:53:47,800 I wanted to create that oasis that we all look forward to. 1105 00:53:47,800 --> 00:53:49,320 And I get that, it's a nice idea. 1106 00:53:49,320 --> 00:53:52,080 But then I'm "party central" over on the other side. 1107 00:53:52,080 --> 00:53:55,440 I wanted to show you my two polar opposites to kind of surprise you. 1108 00:53:55,440 --> 00:53:57,560 But there you go, you see, that's all about you. 1109 00:53:57,560 --> 00:54:01,320 What about your post-graduate student? Has he got both those sides? 1110 00:54:01,320 --> 00:54:03,240 Yeah, I understand. 1111 00:54:03,240 --> 00:54:06,680 Joanne, we talked a lot about scale in your space... Yeah. 1112 00:54:06,680 --> 00:54:10,120 ..that some of the pieces you chose would've had so much more impact 1113 00:54:10,120 --> 00:54:11,560 if they were bigger. Yeah. 1114 00:54:11,560 --> 00:54:15,640 Your space was styled... Uh-huh. ..it was decorated. 1115 00:54:15,640 --> 00:54:18,640 Yeah. What didn't work was an overall design. 1116 00:54:18,640 --> 00:54:20,840 I am good at styling. That's my talent, 1117 00:54:20,840 --> 00:54:23,760 and if I was to come back again, I need to push myself further 1118 00:54:23,760 --> 00:54:26,200 with the design element and show you what I can do. 1119 00:54:26,200 --> 00:54:29,480 Karl, what does "family friendly" mean to you? 1120 00:54:29,480 --> 00:54:32,040 I thought about the kind of people who would be raising a child 1121 00:54:32,040 --> 00:54:34,960 in the city, so I was thinking that I'd have a divider 1122 00:54:34,960 --> 00:54:38,920 for decorative purposes, but also for storage, which is ultimately key 1123 00:54:38,920 --> 00:54:40,360 when you're thinking of a child. 1124 00:54:40,360 --> 00:54:43,120 And my immediate klaxon is like, "What about safety?" 1125 00:54:43,120 --> 00:54:45,320 You had a lot of pointy corners. Mm-hm. 1126 00:54:45,320 --> 00:54:47,320 I admit that that was a design flaw. 1127 00:54:47,320 --> 00:54:49,280 Your space did feel very unfinished. 1128 00:54:49,280 --> 00:54:52,720 It was the room divider that I definitely put all my effort into. 1129 00:54:52,720 --> 00:54:55,800 It was going to have shelving on the other side facing the dining, 1130 00:54:55,800 --> 00:54:58,240 and it was going to be sort of an aesthetic divided top. 1131 00:54:58,240 --> 00:55:01,040 So what happened? I was overly ambitious. 1132 00:55:01,040 --> 00:55:03,560 My job, day-to-day, is sat behind a computer. 1133 00:55:03,560 --> 00:55:06,160 Now I've seen how it actually gets made in a workshop, 1134 00:55:06,160 --> 00:55:09,160 I now know how long that's actually going to take in the future. 1135 00:55:09,160 --> 00:55:12,640 Design is so tactile, it's like a 3D experience. 1136 00:55:12,640 --> 00:55:16,360 Everything in your space was very 2D. It was very hard. 1137 00:55:17,560 --> 00:55:21,520 So Temi, your rooms did appear to be dressed in a very nice way. 1138 00:55:21,520 --> 00:55:25,520 Jonathan loved your circus room. Yeah. When design is really good, it's memorable. 1139 00:55:25,520 --> 00:55:28,560 But children are quite small, they roam around a lot on the floor. 1140 00:55:28,560 --> 00:55:30,840 There was a lot of things that seemed at the right scale, 1141 00:55:30,840 --> 00:55:33,440 but then there was suddenly something quite high up on the wall. 1142 00:55:33,440 --> 00:55:36,440 It's quite hard brief because it was five plus. I put the pegboard there, 1143 00:55:36,440 --> 00:55:39,000 so as a child grew, they could go up the pegboard. 1144 00:55:39,000 --> 00:55:42,200 That's overcomplicated. Yeah. Keep it simple. Your kid is five years old, 1145 00:55:42,200 --> 00:55:44,920 they're this high and because you've designed for them all the way 1146 00:55:44,920 --> 00:55:48,000 for the next, like, five years of their life. Yeah, yeah. 1147 00:55:49,520 --> 00:55:52,200 You four are all here because you dropped the ball 1148 00:55:52,200 --> 00:55:55,320 on a fundamental aspect of this challenge. 1149 00:55:55,320 --> 00:55:57,880 Temi, we really appreciated a lot that was going on 1150 00:55:57,880 --> 00:55:59,240 in both of your rooms. 1151 00:55:59,240 --> 00:56:02,280 But if you're going to continue, I'm going to need to see you 1152 00:56:02,280 --> 00:56:05,160 really understanding - client is king or queen. Yeah. 1153 00:56:06,160 --> 00:56:08,640 Joanne, it was a promising start, 1154 00:56:08,640 --> 00:56:10,840 but you've got to give me more confidence. 1155 00:56:10,840 --> 00:56:12,360 It's go big or go home. 1156 00:56:13,480 --> 00:56:17,440 Peter, there is a time and a place for signature style. 1157 00:56:17,440 --> 00:56:18,840 This wasn't it. 1158 00:56:20,000 --> 00:56:22,600 Karl, you didn't finish. 1159 00:56:22,600 --> 00:56:26,080 And I really didn't feel that you met the "family friendly" brief. 1160 00:56:26,080 --> 00:56:28,240 So, I'm afraid, for that reason, 1161 00:56:28,240 --> 00:56:31,120 you will be the person leaving us this week. 1162 00:56:31,120 --> 00:56:33,240 Thank you so much for this opportunity. 1163 00:56:33,240 --> 00:56:36,520 It's been such a great honour, really, just to be here. 1164 00:56:36,520 --> 00:56:39,520 Thank you. See you later. Bye, Karl! 1165 00:56:45,000 --> 00:56:47,080 It's been a blow to go out in the first round. 1166 00:56:47,080 --> 00:56:49,520 You know, it's the first time I'd ever worked practically 1167 00:56:49,520 --> 00:56:51,880 in that way, and I fell short. 1168 00:56:51,880 --> 00:56:55,120 Now, I'm going to keep trying and doing more adventurous builds. 1169 00:56:55,120 --> 00:56:58,320 I'm just going to pray that I don't have to do it in two days! 1170 00:56:59,400 --> 00:57:01,160 Karl had ambitious ideas, 1171 00:57:01,160 --> 00:57:04,200 but in trying to do too much, he didn't finish. 1172 00:57:04,200 --> 00:57:06,640 And I felt he missed the mark on the brief. 1173 00:57:07,880 --> 00:57:08,920 Next time... 1174 00:57:08,920 --> 00:57:10,840 Wow! It's like a castle. 1175 00:57:10,840 --> 00:57:12,680 Not everything is child's play... 1176 00:57:12,680 --> 00:57:16,280 I don't know what babies do! ..when the designers team up... 1177 00:57:16,280 --> 00:57:19,840 You want to paint the walls beige? Yeah. I don't think it works. 1178 00:57:19,840 --> 00:57:22,200 ..to turn nurseries... 1179 00:57:19,840 --> 00:57:22,200 SHE LAUGHS 1180 00:57:22,200 --> 00:57:25,000 ..into worlds of wonder. Here's one I made earlier. 1181 00:57:25,000 --> 00:57:26,960 Why have you gone with brown? 1182 00:57:26,960 --> 00:57:29,280 It's looking like a massive mess! 98961

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