Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,560 --> 00:00:03,879
CHARLIE:
ONCE UPON A TIME,
2
00:00:04,160 --> 00:00:06,116
THERE WERE THREE
BEAUTIFUL GIRLS.
3
00:00:07,960 --> 00:00:09,996
TWO OF THEM GRADUA TED
FROM THE POLICE ACADEMY.
4
00:00:11,680 --> 00:00:15,309
THE OTHER GRADUA TED
FROM A TOP SCHOOL FOR MODELS.
5
00:00:16,680 --> 00:00:18,636
AND THE YEACH
REAPED THE REWARDS
6
00:00:18,920 --> 00:00:20,956
OF THEIR EXCITING CAREERS.
7
00:00:21,280 --> 00:00:22,474
[CAMERA SHUTTERS CLICKING]
8
00:00:22,760 --> 00:00:24,159
BUTI TOOK THEMA WA Y
FROM ALL THA T
9
00:00:24,440 --> 00:00:26,271
AND NOW THEY WORK FOR ME.
10
00:00:26,560 --> 00:00:28,152
M YNAME IS CHARLIE
11
00:00:28,440 --> 00:00:30,351
W]
12
00:01:13,000 --> 00:01:15,150
W]
13
00:01:33,760 --> 00:01:35,557
[WOMEN CHUCKLING]
14
00:01:37,480 --> 00:01:41,996
LADIES, MR. TUSTIN'S
GLASS LOOKS EMPTY.
15
00:01:50,800 --> 00:01:53,360
MAY | POUR MORE COGNAC,
SIR?
16
00:01:57,280 --> 00:02:00,192
MAY | POUR MORE WINE, SIR?
HMM.
17
00:02:01,640 --> 00:02:03,437
THANK YOU.
18
00:02:03,760 --> 00:02:06,354
NOW, LADIES, YOU MAY GO
ENJOY YOURSELVES.
19
00:02:08,760 --> 00:02:10,079
TUSTIN:
I DIDN'T COME HERE
20
00:02:10,400 --> 00:02:13,198
FOR A SOCIAL FUNCTION,
MR. REARDON.
21
00:02:13,520 --> 00:02:14,999
I'M HERE TO--
22
00:02:15,320 --> 00:02:17,038
YOU CAME HERE TO HIRE
AN ASSASSIN.
23
00:02:17,360 --> 00:02:19,078
SPEAK UP.
YOU NEEDN'T WORRY.
24
00:02:19,400 --> 00:02:21,038
THEY WON'T REMEMBER A THING
THAT YOU'VE SAID.
25
00:02:21,360 --> 00:02:23,237
[WOMEN CHUCKLING]
26
00:02:24,960 --> 00:02:28,396
QUIET, PLEASE, LADIES.
27
00:02:30,320 --> 00:02:34,279
YOU'RE DISTURBING
MR. TUSTIN'S SENSIBILITIES.
28
00:02:36,520 --> 00:02:39,910
HE GETS VERY UNEASY
WITH TALK OF KILLING.
29
00:02:40,200 --> 00:02:42,634
SO YOU LADIES
ARE NOT TO REMEMBER A WORD
30
00:02:42,920 --> 00:02:44,194
OF WHAT YOU HEAR
IN THIS ROOM.
31
00:02:44,480 --> 00:02:46,198
UNDERSTOOD?
YES, SIR.
32
00:02:46,480 --> 00:02:48,994
OF COURSE, MR. REARDON.
33
00:02:49,280 --> 00:02:50,872
I UNDERSTAND, SIR.
34
00:02:51,160 --> 00:02:53,879
IMPRESSIVE FOR A FLOOR SHOW
35
00:02:54,160 --> 00:02:56,037
BUT I'M NOT HERE
FOR HYPNOTIC TRICKS.
36
00:02:56,360 --> 00:02:57,679
IT'S HARDLY A TRICK,
MR. TUSTIN.
37
00:02:57,960 --> 00:02:59,359
HYPNOSIS, YES, SOME
38
00:02:59,640 --> 00:03:01,551
BUT WHAT YOU ARE WITNESSING
IS MUCH MORE THAN THAT.
39
00:03:01,840 --> 00:03:03,717
YOU'RE CERTAIN
THEY CAN KILL?
40
00:03:04,000 --> 00:03:07,788
MUCH MORE EFFICIENTLY
THAN YOU CAN IMAGINE.
41
00:03:08,120 --> 00:03:10,156
WITHOUT FEAR,
WITHOUT PASSION
42
00:03:10,440 --> 00:03:12,476
AND WITHOUT MEMORY.
THINK OF THAT.
43
00:03:12,760 --> 00:03:17,231
NOT EVEN THE ASSASSIN KNOWS
WHO HAS DONE THE WORK.
44
00:03:17,520 --> 00:03:20,080
WHERE'S THE PROOF
YOU PROMISED ME?
45
00:03:20,360 --> 00:03:23,432
ROBERT, MR. TUSTIN WANTS
SOME PROOF.
46
00:03:23,760 --> 00:03:28,311
FRANCINE HAS JUST COMPLETED
HER SECOND SENSORY PROGRAM.
47
00:03:28,640 --> 00:03:30,596
IF SHE CAN'T CONVINCE HIM,
NOBODY CAN.
48
00:03:30,880 --> 00:03:31,630
REARDON:
FRANCINE, MY DEAR,
49
00:03:31,920 --> 00:03:32,796
WOULD YOU COME HERE, PLEASE?
50
00:03:42,400 --> 00:03:44,630
YOU LOOK LOVELY TODAY.
51
00:03:44,920 --> 00:03:47,115
NOW, WATCH VERY CAREFULLY
WHAT I DO.
52
00:03:47,400 --> 00:03:48,435
YES, MR. REARDON.
53
00:03:49,600 --> 00:03:50,510
REARDON:
WELL.
54
00:04:19,760 --> 00:04:21,830
[ELECTRICITY CRACKLING]
55
00:04:29,440 --> 00:04:34,036
OUR SECURITY SYSTEM IS CHARGED
WITH MORE THAN 30,000 VOLTS.
56
00:04:34,320 --> 00:04:36,675
NOW, WOULD YOU BE CONVINCED
OF FRANCINE'S DEDICATION
57
00:04:37,000 --> 00:04:38,877
IF SHE THREW HERSELF
UPON THESE SAME BARS?
58
00:04:39,160 --> 00:04:40,639
YOU CAN'T BE SERIOUS.
59
00:04:40,960 --> 00:04:44,794
MR. TUSTIN,
HE'S DEADLY SERIOUS.
60
00:05:13,160 --> 00:05:15,390
REARDON:
NOW, YOU'RE IN A TRANCE.
61
00:05:15,680 --> 00:05:18,638
DEEPER AND EVER DEEPER.
62
00:05:18,960 --> 00:05:22,111
YOU FEEL BETTER NOW, FRANCINE,
DON'T YOU?
63
00:05:22,400 --> 00:05:23,674
MUCH BETTER, SIR.
64
00:05:24,000 --> 00:05:25,752
REARDON:
GOOD.
65
00:05:29,840 --> 00:05:31,910
NOW, GO TO THE WINDOW
66
00:05:32,200 --> 00:05:35,875
AND REMOVE THOSE BARS
FOR ME, PLEASE.
67
00:05:38,800 --> 00:05:39,949
REARDON,
YOU MUST STOP THIS.
68
00:05:40,240 --> 00:05:42,196
OH, NOW, YOU SAID
YOU WANTED PROOF.
69
00:05:51,840 --> 00:05:53,558
PLEASE, PLEASE, STOP HER.
70
00:05:53,840 --> 00:05:54,750
[CHUCKLES]
71
00:05:55,080 --> 00:05:58,959
FRANCINE,
YOU MAY STOP NOW.
72
00:06:00,160 --> 00:06:02,913
YOU SEE,
IT ONLY REQUIRES MY VOICE.
73
00:06:10,000 --> 00:06:12,070
THANK YOU, FRANCINE.
74
00:06:31,680 --> 00:06:33,875
NOW, MR. TUSTIN
75
00:06:34,200 --> 00:06:36,668
ARE YOU READY TO SIT DOWN
AND DISCUSS BUSINESS?
76
00:06:41,400 --> 00:06:45,313
NOW, YOU SAID
YOU WANT FOUR MEN KILLED.
77
00:06:45,600 --> 00:06:48,114
THAT WILL BE
ONE MILLION DOLLARS, PLEASE.
78
00:06:48,400 --> 00:06:50,152
THERE ARE FOUR NAMES HERE.
79
00:06:50,440 --> 00:06:54,035
AND THEY MUST ALL BE
ELIMINATED WITHIN SIX WEEKS.
80
00:06:54,320 --> 00:06:55,389
AND ALL FOUR OF THEM
81
00:06:55,720 --> 00:06:57,676
ARE MEMBERS IN THE BOARD
OF WESTERN TECHTRONICS.
82
00:06:58,960 --> 00:07:01,190
HOW DID YOU KNOW?
OH, IT'S QUITE SIMPLE.
83
00:07:01,520 --> 00:07:02,999
SEE, SOME OF MY LADIES
HAVE BEEN WORKING
84
00:07:03,280 --> 00:07:04,952
AT WESTERN TECHTRONICS
FOR WEEKS.
85
00:07:05,240 --> 00:07:07,800
YOUR COMPANY PLANS A TAKEOVER
OF WESTERN TECHTRONICS.
86
00:07:08,080 --> 00:07:09,718
AND THESE FOUR BOARD MEMBERS
87
00:07:10,000 --> 00:07:11,752
WILL DEFINITELY
TRY TO STOP YOU.
88
00:07:18,120 --> 00:07:20,156
CHARLIE [OVER SPEAKERS]:
ANGEL S, HOW FAM/L/AR ARE YOU
89
00:07:20,440 --> 00:07:22,954
WITH THE NAME
WESTERN TECHTRONICS?
90
00:07:23,240 --> 00:07:25,993
I KNOW THE NAME IS
WESTERN TECHTRONICS, CHARLIE.
91
00:07:26,280 --> 00:07:28,032
BUT AREN'T THEIR
INTERESTS WORLDWIDE?
92
00:07:28,320 --> 00:07:30,276
YOU GO TO THE HEAD
OF THE CLASS, JULIE
93
00:07:30,560 --> 00:07:32,755
LET'S SEE.
COMPUTERS, SOFTWARES,
94
00:07:33,040 --> 00:07:34,792
SATELLITES, STEEL MILLS, OIL
95
00:07:35,080 --> 00:07:36,991
AND A BILLION-DOLLAR
GEOTHERMAL DEVELOPMENT.
96
00:07:37,280 --> 00:07:40,158
AND TWO OF WESTERN TECHTRONICS
PRIME EXECUTIVES
97
00:07:40,480 --> 00:07:42,596
HAVE BEEN KILLED RECENTLY.
THAT’S RIGHT.
98
00:07:42,880 --> 00:07:44,472
CHAIRMAN OF THE BOARD
AND A VICE PRES/DEN T.
99
00:07:44,760 --> 00:07:46,273
THE Y’VE GOT OTHER BIG
TROUBLES TOO.
100
00:07:46,600 --> 00:07:49,512
SINCE THE/R BREAKTHROUGH
IN GEOTHERMAL RESEARCH
101
00:07:49,800 --> 00:07:52,030
A NUMBER OF TAKEOVER A TTEMPTS
HA VE BEEN TRIED.
102
00:07:52,360 --> 00:07:53,270
LEGITIMATE?
103
00:07:53,560 --> 00:07:55,073
THE LEG/TIMA TE ONES
HA VE BEEN HANDLED.
104
00:07:55,400 --> 00:07:57,391
BU T I TAPPEARS
WESTERN TECHTRONICS
105
00:07:57,680 --> 00:08:00,877
HA l/E BECOME THE TARGET
0F DARKER FORCES.
106
00:08:01,200 --> 00:08:04,317
BUT, CHARLIE, WEREN'T THOSE
DEATHS ACCIDENTAL?
107
00:08:04,600 --> 00:08:06,397
WELL, THA T'S WHA T
WE HA VE TO FIND OUT.
108
00:08:06,680 --> 00:08:09,069
I'I/E ARRANGED FOR KELLY
AND KRIS TO GO TO WORK
109
00:08:09,360 --> 00:08:12,432
FOR WESTERN TECH TRON/CS
AS JUN/0R EXECUTIVES.
110
00:08:12,760 --> 00:08:14,830
EXECUTIVES?
TRAINEES.
111
00:08:15,120 --> 00:08:16,235
IT’S AFFIRMA TI VE AC T/ON
112
00:08:16,520 --> 00:08:17,316
LOVE IT.
113
00:08:17,640 --> 00:08:19,039
THOUGHT YOU WOULD, KELLY.
114
00:08:19,320 --> 00:08:22,232
UH, JUL/E, IHA VE ANOTHER
ASSIGNMENT IN MIND FOR YOU.
115
00:08:22,560 --> 00:08:25,199
IN THE ACCIDENT
INVOLVING THE VICE PRES/DEN T
116
00:08:25,520 --> 00:08:27,238
THEYALSO FOUND THE BODY
OF A YOUNG WOMAN
117
00:08:27,560 --> 00:08:29,232
FRANCINE MILLER.
118
00:08:29,560 --> 00:08:32,552
SHE WAS A LOAN-0U T FROM A FIRM
CALLED REARDON AND COMPANY.
119
00:08:32,840 --> 00:08:34,796
BOSLEYHAS A PICTURE
OF BOTH OF THEM
120
00:08:35,080 --> 00:08:36,274
REARDON AND COMPANY.
121
00:08:36,560 --> 00:08:38,676
THEY SUPPLY SECRETARIAL HELP,
RIGHT, CHARLIE?
122
00:08:38,960 --> 00:08:42,077
NOTEXACTL Y, BOSLEY.
MORE LIKE EFF/CIENC YANAL YS TS.
123
00:08:42,360 --> 00:08:45,432
THE YREN TPEOPLE TO FIRMS
LIKE WESTERN TECHTRONICS
124
00:08:45,720 --> 00:08:47,870
TO HELP SMOOTH OUT
OPERA T/ONS.
125
00:08:48,160 --> 00:08:49,275
HOW ’3 YOUR TYPING, JULIE?
126
00:08:49,560 --> 00:08:53,109
WELL, CHARLIE,
IF I HAD TO PASS TESTS,
127
00:08:53,400 --> 00:08:55,231
I DON'T THINK
I'D BE WORKING FOR YOU.
128
00:08:55,520 --> 00:08:58,239
I UNDERSTAND REARDON
AND COMPANY CAN WORK MIRA CLES.
129
00:08:58,520 --> 00:09:01,239
BUT DON’T WORRY
IF YOU DON’TPASS THEIR TEST,
130
00:09:01,560 --> 00:09:04,950
YOU CAN AL WA YS COME BA CK
TO WORK HERE
131
00:09:05,240 --> 00:09:07,196
WELL, I HOPE
THAT GOES FOR ALL OF US.
132
00:09:08,800 --> 00:09:09,915
REALLY.
133
00:09:12,080 --> 00:09:14,469
WI
134
00:09:19,360 --> 00:09:20,156
[GASPS]
135
00:09:20,440 --> 00:09:22,192
WE'RE LATE,
15 MINUTES LATE.
136
00:09:22,480 --> 00:09:24,311
CAN YOU START AS AN EXECUTIVE
BY BEING LATE?
137
00:09:24,600 --> 00:09:26,158
I THINK THAT COMES LATER.
LET'S HURRY.
138
00:09:26,440 --> 00:09:27,714
WAIT, WAIT, WAIT.
HOW DO I LOOK?
139
00:09:28,040 --> 00:09:29,871
KRIS.
140
00:09:30,160 --> 00:09:32,071
I'D SAY YOU
LOOK JUST FINE.
141
00:09:32,360 --> 00:09:34,157
OH, THANK YOU.
142
00:09:34,440 --> 00:09:36,078
BUT YOUR OPINION
WON'T BE OF MUCH HELP
143
00:09:36,360 --> 00:09:37,793
UNLESS WE GET TO ROOM 308
IN A HURRY.
144
00:09:38,080 --> 00:09:40,753
OH, THE ORIENTATION LECTURE
FOR JUNIOR EXECUTIVE TRAINEES.
145
00:09:41,040 --> 00:09:42,155
LET ME GUESS.
146
00:09:42,440 --> 00:09:45,079
YOU'RE KRIS MONROE
AND YOU'RE KELLY GARRET.
147
00:09:45,360 --> 00:09:46,588
HOW DID YOU KNOW THAT?
148
00:09:46,880 --> 00:09:48,757
I'M STEVE BRIGGS,
PRESIDENT OF THE COMPANY.
149
00:09:49,040 --> 00:09:50,519
CHARLIE SENT ME YOUR PICTURES
AND FILES.
150
00:09:50,800 --> 00:09:52,358
HE DID?
STEVE: OH, BUT DON'T WORRY,
UH,
151
00:09:52,640 --> 00:09:55,598
I'M THE ONE WHO HAS SEEN THEM
AND I'M THE ONLY ONE WHO WILL.
152
00:09:55,880 --> 00:09:57,359
TO ANYONE ELSE HERE
AT WESTERN TECHTRONICS
153
00:09:57,640 --> 00:09:59,596
YOU'LL BE TRAINEES
AND TRAINEES ONLY.
154
00:09:59,880 --> 00:10:01,871
WELL, COME ON,
I'LL SHOW YOU THE WAY.
155
00:10:02,200 --> 00:10:04,395
WI
156
00:10:07,120 --> 00:10:09,395
BE ASSURED
THAT WESTERN TECHTRONICS
157
00:10:09,680 --> 00:10:12,672
WANTS TO SEE THEIR EXECUTIVES
DIVERSIFY THEIR EXPERIENCE
158
00:10:13,000 --> 00:10:15,798
AS MUCH AS POSSIBLE
IN AN EFFORT TO CREATE
159
00:10:16,080 --> 00:10:17,149
THE MOST PLEASANT
160
00:10:17,440 --> 00:10:20,159
AND ENLIGHTENING CAREER
POSSIBLE.
161
00:10:20,440 --> 00:10:23,193
EXCUSE ME, CYNTHIA.
EXCUSE ME.
162
00:10:23,480 --> 00:10:25,357
I HAVE A COUPLE OF OTHER
CANDIDATES HERE FOR YOU
163
00:10:25,680 --> 00:10:26,908
WHO SEEM TO HAVE LOST
THEIR WAY.
164
00:10:27,200 --> 00:10:28,349
THIS IS KELLY GARRETT.
HELLO.
165
00:10:28,680 --> 00:10:31,194
KRIS MONROE.
HELLO. I'M CYNTHIA WEAVER.
166
00:10:31,520 --> 00:10:33,954
WELL, PLEASE, COME IN
AND MAKE YOURSELVES AT HOME.
167
00:10:34,240 --> 00:10:35,673
UH, THERE'S COFFEE,
TEA AND DOUGHNUTS.
168
00:10:35,960 --> 00:10:38,349
INDULGE YOURSELF.
169
00:10:38,640 --> 00:10:41,677
WE ALSO HAVE A GYM AVAILABLE
SO YOU CAN KEEP IN SHAPE.
170
00:10:41,960 --> 00:10:43,359
HOW NICE.
171
00:10:43,640 --> 00:10:44,868
WELL, THAT'S ONE
OF OUR FACILITIES
172
00:10:45,200 --> 00:10:46,918
I DON'T THINK
YOU'LL EVER NEED.
173
00:10:47,240 --> 00:10:49,390
UH, EXCUSE ME, LADIES.
174
00:10:53,320 --> 00:10:56,392
I THINK I'M GONNA LIKE
WORKING HERE.
175
00:11:05,480 --> 00:11:06,629
0H!
176
00:11:06,920 --> 00:11:08,148
ALL FINISHED?
177
00:11:08,440 --> 00:11:10,715
OH, I HAVEN'T SEEN
SO MANY LOOPS AND WHIRLS
178
00:11:11,000 --> 00:11:11,876
SINCE | TOOK PENMANSHIP.
179
00:11:12,160 --> 00:11:14,674
WELL, DON'T WORRY.
WHEN I CAME HERE
180
00:11:14,960 --> 00:11:17,235
| WAS AFRAID TO PUT FIVE WORDS
TOGETHER IN FRONT OF ANYBODY.
181
00:11:17,560 --> 00:11:19,232
MR. REARDON WAS VERY PATIENT
WITH ME.
182
00:11:19,520 --> 00:11:22,432
THAT'S ONE OF THE REASONS
| PUT IN AN APPLICATION.
183
00:11:22,720 --> 00:11:25,473
MY FRIEND, FRANCINE MILLER,
SAID THE SAME THING.
184
00:11:25,760 --> 00:11:27,716
SHE REALLY LOVED IT HERE
AT REARDON AND COMPANY.
185
00:11:28,040 --> 00:11:29,598
YOU KNEW FRANCINE?
186
00:11:29,880 --> 00:11:32,917
YEAH. WE WERE IN THE SAME
SORORITY AT STATE.
187
00:11:34,880 --> 00:11:37,269
SHE WAS SUCH A SWEET PERSON.
188
00:11:37,560 --> 00:11:38,959
WE ALL MISS HER VERY MUCH.
189
00:11:39,240 --> 00:11:40,992
IT WAS SUCH A TRAGEDY.
190
00:11:41,280 --> 00:11:42,793
HMM.
191
00:11:43,080 --> 00:11:44,308
WELL, I'LL RUN THESE
THROUGH THE COMPUTER
192
00:11:44,640 --> 00:11:46,437
AND HAVE AN ANSWER FOR YOU
VERY QUICKLY.
193
00:11:46,760 --> 00:11:49,194
OKAY.
OH, SHOULD I STAY HERE?
194
00:11:49,520 --> 00:11:51,033
YES, IT'LL JUST BE
A FEW MINUTES.
195
00:11:51,320 --> 00:11:53,436
OKAY. OH.
196
00:11:53,720 --> 00:11:55,631
[SIGHS]
197
00:12:02,000 --> 00:12:03,069
[SIGHS]
198
00:12:14,120 --> 00:12:16,236
SHE'S A LOOKER, JOHN.
199
00:12:23,560 --> 00:12:26,074
I SAY WE TAKE HER.
200
00:12:27,480 --> 00:12:29,994
I WOULD.
201
00:12:30,280 --> 00:12:31,793
IF LOOKS WERE ALL OF IT,
202
00:12:32,080 --> 00:12:35,595
WE COULD JUST PULLED THEM
IN OFF THE STREETS.
203
00:12:35,880 --> 00:12:36,835
[KNOCKING ON DOOR]
204
00:12:37,120 --> 00:12:38,678
COME IN.
205
00:12:38,960 --> 00:12:40,837
EXCUSE ME.
206
00:12:41,120 --> 00:12:45,955
MR. REARDON, THE TEST RESULTS
ON MISS ROGERS ARE QUITE GOOD.
207
00:12:49,600 --> 00:12:51,511
YOU'RE RIGHT.
208
00:12:51,800 --> 00:12:53,552
SHE'S NEARLY PERFECT
FOR OUR NEEDS.
209
00:12:53,840 --> 00:12:55,910
MISS ROGERS WAS A FRIEND
OF FRANCINE MILLER'S.
210
00:12:56,960 --> 00:12:57,995
FRANCINE?
211
00:12:58,280 --> 00:13:00,555
YES, THEY WERE SORORITY
SISTERS TOGETHER
212
00:13:00,880 --> 00:13:01,676
AND FRANCINE TOLD HER
213
00:13:02,000 --> 00:13:03,115
HOW WONDERFUL
IT WAS TO WORK HERE--
214
00:13:03,400 --> 00:13:05,356
JOHN. JOHN.
215
00:13:05,640 --> 00:13:07,278
QUIET, PLEASE.
216
00:13:11,600 --> 00:13:13,795
NOW, WHAT IS SHE
TALKING ABOUT?
217
00:13:14,080 --> 00:13:15,991
FRANCINE WAS NEVER
IN A SORORITY.
218
00:13:16,280 --> 00:13:17,349
THAT WAS JUST PART
OF THE PHONY BIO
219
00:13:17,680 --> 00:13:19,193
SHE SUBMITTED
TO WESTERN TECHTRONICS.
220
00:13:19,520 --> 00:13:23,035
I KNOW. I KNOW.
221
00:13:23,360 --> 00:13:25,999
YOU KNOW? THEN JULIE ROGERS
MUST BE A PLANT.
222
00:13:26,320 --> 00:13:27,514
YES, BUT WHOSE.
223
00:13:27,800 --> 00:13:28,710
ROBERT:
WHAT DIFFERENCE DOES IT MAKE?
224
00:13:29,000 --> 00:13:29,955
I SAY WE GET RID OF HER NOW.
225
00:13:30,280 --> 00:13:33,352
NO, I THINK WE CAN USE HER
226
00:13:33,640 --> 00:13:36,393
AND SHE THINKS
SHE CAN USE US.
227
00:13:36,680 --> 00:13:38,830
YES.
228
00:13:39,160 --> 00:13:42,391
DARLENE, GO TELL MISS ROGERS
THAT SHE DID VERY WELL
229
00:13:42,680 --> 00:13:45,114
AND THAT WE WILL HAVE
THE DIGITAL SKILLS TEST NEXT.
230
00:13:45,400 --> 00:13:46,958
YES, SIR.
231
00:13:54,080 --> 00:13:58,437
SHE'S A PERFECT CANDIDATE.
BRIGHT, QUICK AND RECEPTIVE.
232
00:13:58,720 --> 00:14:01,234
I JUST HOPE YOU KNOW
WHAT YOU'RE DOING.
233
00:14:15,240 --> 00:14:17,629
DARLENE:
NOW, THE ONLY TEST LEFT
IS THE DIGITAL APTITUDE.
234
00:14:17,960 --> 00:14:20,679
A LITTLE TYPING AND, OF
COURSE, THE LIGHT RESPONSE.
235
00:14:21,000 --> 00:14:24,788
OH, I UNDERSTAND THE TYPING,
BUT WHAT'S LIGHT RESPONSE?
236
00:14:25,080 --> 00:14:27,230
OH, THAT'S THE EASIEST PART.
YOU'LL SEE.
237
00:14:27,520 --> 00:14:29,795
NOW, JUST TYPE THE MATERIAL
238
00:14:30,080 --> 00:14:32,469
THAT YOU HEAR COMING THROUGH
THAT HEADSET OVER THERE.
239
00:14:32,800 --> 00:14:36,349
AND THE STROBE LIGHT WILL JUST
HELP YOU INCREASE YOUR SPEED.
240
00:14:36,680 --> 00:14:39,478
NO POINTS
FOR NERVOUSNESS.
241
00:14:39,760 --> 00:14:43,116
DON'T WORRY. YOU JUST TYPE
WHAT THE VOICE TELLS YOU TO.
242
00:14:50,040 --> 00:14:53,999
REARDON [OVER HEADPHONE]:
NOW JUL/E, THE KEY TO ANY
GOAL IS TO BE ABLE TO RELAX.
243
00:14:54,320 --> 00:14:57,517
THE SAME IS TRUE
WHEN YOU TYPE
244
00:14:57,800 --> 00:15:00,075
YOU MUS TALLOW THE MIND
TO EASE
245
00:15:03,720 --> 00:15:06,109
LET YOUR HANDS RELAX
ON THE KEYS.
246
00:15:06,400 --> 00:15:09,756
LET YOUR BOD Y
COMPLE TEL YRELAX
247
00:15:10,040 --> 00:15:12,838
LET THE LIGHT GUIDE
YOUR RHYTHM OF THE KEYS.
248
00:15:13,120 --> 00:15:15,076
FASTER AND LIGHTER.
249
00:15:15,360 --> 00:15:17,635
BREATHE SLOWLY AND DEEPLY.
250
00:15:17,920 --> 00:15:20,673
SLOWL YAND DEEPL Y.
251
00:15:20,960 --> 00:15:25,033
HANDS FASTER AND LIGHTER.
252
00:15:35,920 --> 00:15:37,478
JULIE, THIS IS MR. REARDON.
253
00:15:37,760 --> 00:15:39,671
YOU MAYSTOP NOW
254
00:15:41,040 --> 00:15:42,837
I'VE STOPPED, SIR.
255
00:15:43,160 --> 00:15:45,594
THA T'S VER Y GOOD. RELAX
256
00:15:47,360 --> 00:15:48,873
YOU MAY REST NOW.
257
00:15:49,160 --> 00:15:51,435
CLOSE YOUR EYES.
258
00:15:56,400 --> 00:15:59,233
WI
259
00:16:05,640 --> 00:16:07,710
WI
260
00:16:14,120 --> 00:16:15,314
[DOOR CLOSES]
261
00:16:29,960 --> 00:16:31,393
REARDON:
YOU DID VERY WELL, JULIE.
262
00:16:31,680 --> 00:16:32,954
YOU SHOULD BE HAPPY.
263
00:16:33,240 --> 00:16:35,071
YOU MAY OPEN YOUR EYES NOW.
264
00:16:35,360 --> 00:16:38,238
BUT YOU WILL ONLY LISTEN
TO MY VOICE.
265
00:16:38,520 --> 00:16:40,397
YOU WILL ONLY HEAR MY VOICE.
266
00:16:40,720 --> 00:16:43,393
DO YOU UNDERSTAND THAT?
267
00:16:43,720 --> 00:16:45,836
ALL RIGHT,
NOW OPEN THE DRAWER.
268
00:16:46,120 --> 00:16:49,590
TAKE OUT THE MIRROR.
HAND IT TO ME.
269
00:17:02,440 --> 00:17:06,274
TAKE OUT THE CANDLE AND PUT IT
IN FRONT OF THE MIRROR.
270
00:17:13,280 --> 00:17:15,510
NOW, TAKE OUT THE MATCHES
271
00:17:16,720 --> 00:17:18,995
AND LIGHT THE CANDLE.
272
00:17:21,720 --> 00:17:23,039
ROBERT:
SHE'S RESISTING YOU.
273
00:17:23,320 --> 00:17:24,275
REARDON:
I KNOW.
274
00:17:24,600 --> 00:17:26,477
NOW, LIGHT THE CANDLE.
275
00:17:47,920 --> 00:17:51,674
SHE MUST HAVE HAD TRAINING
IN HYPNOTIC RESISTANCE.
276
00:17:52,000 --> 00:17:54,434
BUT IT'S ALL RIGHT,
SHE'S DEEPER NOW.
277
00:17:54,760 --> 00:17:57,194
ROBERT: ARE YOU SURE?
MM-HM.
278
00:17:59,240 --> 00:18:04,030
NOW, YOUR HANDS ARE VERY COLD
AND THE FLAME IS LIKE ICE.
279
00:18:04,320 --> 00:18:05,355
I WANT YOU TO TAKE
YOUR RIGHT HAND
280
00:18:05,680 --> 00:18:07,511
AND HOLD
IT OVER THAT FLAME.
281
00:18:07,800 --> 00:18:11,509
YOU WILL NOT BE HURT AS LONG
AS YOU LOOK AT THE FLAME
282
00:18:11,800 --> 00:18:14,519
AND DO AS I SAY.
EVER DEEPER NOW.
283
00:18:14,800 --> 00:18:20,272
YOU'RE BEYOND TIME,
BEYOND PAIN, BEYOND MEMORY.
284
00:18:22,040 --> 00:18:25,430
NOW, JULIE, TELL ME,
WHY DID YOU COME HERE?
285
00:18:25,720 --> 00:18:30,510
I WORK FOR CHARLES TOWNSEND
AND ASSOCIATES.
286
00:18:30,800 --> 00:18:34,873
I WAS SENT HERE TO FIND OUT
ABOUT FRANCINE MILLER.
287
00:18:35,160 --> 00:18:36,752
WELL, THAT CUTS IT.
288
00:18:37,040 --> 00:18:40,032
TOWNSEND IS THE SLICKEST
DETECTIVE AGENCY ON THE COAST.
289
00:18:40,320 --> 00:18:41,958
SHE'S BIG TROUBLE, JOHN.
290
00:18:42,240 --> 00:18:44,959
MAYBE NOT, ROBERT.
291
00:18:45,240 --> 00:18:48,312
JULIE, OBVIOUSLY, YOU'RE NOT
WORKING ALONE ON THIS.
292
00:18:48,640 --> 00:18:51,074
NO, SIR.
293
00:18:51,400 --> 00:18:54,358
THERE'S KRIS AND KELLY.
294
00:18:54,640 --> 00:18:57,473
NOW, JULIE, I WANT YOU
TO WRITE DOWN THOSE NAMES
295
00:18:57,760 --> 00:18:58,954
AND A LIST OF EVERYONE ELSE
296
00:18:59,280 --> 00:19:00,759
WHO IS INVOLVED
IN THIS INVESTIGATION
297
00:19:01,040 --> 00:19:02,712
AND EVERYTHING
YOU KNOW ABOUT THEM.
298
00:19:03,000 --> 00:19:04,149
YES, SIR.
299
00:19:04,440 --> 00:19:06,556
YOU DON'T WANT
TO KEEP HER AROUND HERE.
300
00:19:06,840 --> 00:19:08,717
HER LOYALTIES
ARE TO TOWNSEND.
301
00:19:09,040 --> 00:19:11,110
AND THAT'S WHY
SHE'S VALUABLE.
302
00:19:11,600 --> 00:19:13,670
TOWNSEND THINKS THAT SHE'S
STILL HIS OPERATIVE.
303
00:19:14,000 --> 00:19:15,319
SHE BELONGS TO ME NOW.
304
00:19:15,600 --> 00:19:19,513
I COULDN'T HAVE ASKED FOR A
MORE BEAUTIFUL VOLUNTEER.
305
00:19:22,720 --> 00:19:24,073
[PHONE RINGING]
306
00:19:29,160 --> 00:19:30,593
BOSLEY HERE.
307
00:19:30,880 --> 00:19:32,074
JULIE [OVER PHONE]:
HI, BOS. IT'S ME, JUL/E.
308
00:19:32,360 --> 00:19:34,954
IJUST CALLED TO CHECK IN
309
00:19:35,240 --> 00:19:36,753
WELL, IF YOU'RE NOT BUSY,
310
00:19:37,040 --> 00:19:38,473
WE COULD USE
A LITTLE HELP OVER HERE.
311
00:19:38,760 --> 00:19:40,273
IT LOOKS LIKE I'M GONNA BE
TIED UP FOR A WHILE.
312
00:19:40,560 --> 00:19:42,073
I STILL
HAVE TO TAKE SOME TESTS.
313
00:19:42,400 --> 00:19:44,868
I SHOULD BE HOME
BY ABOUT 11 OR SO.
314
00:19:45,200 --> 00:19:46,553
ANYTHING ON FRANCINE MILLER?
315
00:19:46,840 --> 00:19:50,116
IF YOU MEAN BETWEEN HER
AND HER BOSS, IDOUBT IT.
316
00:19:50,400 --> 00:19:52,152
THE YDIS C OURA GE
THA TKIND 0F THING HERE
317
00:19:52,440 --> 00:19:54,351
IT DOESN'T MAKE FOR GOOD
WORKING RELATIONSHIPS
318
00:19:54,640 --> 00:19:55,709
WITH THE CLIENT COMPANIES.
319
00:19:56,040 --> 00:19:57,439
KELLY [OVER PHONE]:
S0 E VERYTHING'SALL RIGHT?
320
00:19:57,720 --> 00:20:00,553
YEAH, FINE. SHOULDN'T TAKE
MORE THAN A DAY 0R SO.
321
00:20:00,880 --> 00:20:02,074
I THINK CHARLIE WILL BE
ABLE TO WRITE OFF
322
00:20:02,360 --> 00:20:03,429
REARDON AND COMPANY
AS A LEAD.
323
00:20:03,760 --> 00:20:06,115
OH, WOW,
YOU SHOULD SEE ME TYPE.
324
00:20:06,400 --> 00:20:08,550
THIS PROGRAM'S REALLY
INCREASED MY SPEED.
325
00:20:08,840 --> 00:20:10,910
WELL, ALL THAT'S INCREASED
HERE IS OUR WORKLOAD.
326
00:20:11,200 --> 00:20:12,474
IT'S A REAL PAPER CHASE.
327
00:20:12,760 --> 00:20:15,274
OH, THA T'S TOO BAD.
THIS PROGRAM'S GREA T.
328
00:20:15,600 --> 00:20:17,511
KRIS:
WELL, THIS YOUNG EXECUTIVE
IS GONNA TAKE IT EASY
329
00:20:17,800 --> 00:20:19,153
A LITTLE BIT LATER.
AND BY THE WAY,
330
00:20:19,480 --> 00:20:20,549
| WANTED TO BORROW
THAT MIND BOOK OF YOURS.
331
00:20:20,840 --> 00:20:22,910
CAN I COME GET IT?
SURE KRIS.
332
00:20:23,240 --> 00:20:25,515
LISTEN, I GOTTA GO,
COMPANY TIME AND ALL THAT.
333
00:20:25,800 --> 00:20:26,789
KRIS [OVER PHONE]:
OKA Y SEE YOU LA TER.
334
00:20:27,120 --> 00:20:29,475
JULIE:
BYE.
335
00:20:31,080 --> 00:20:33,640
WELL, AT LEAST
IT IS GOOD TO HEAR
336
00:20:33,960 --> 00:20:35,791
THAT SHE IS ENJOYING
HER WORK.
337
00:20:41,560 --> 00:20:43,312
REARDON:
YOU DID VERY WELL.
338
00:20:50,160 --> 00:20:54,073
KELLY GARRETT, KRIS MUNROE
AND JOHN BOSLEY.
339
00:20:55,960 --> 00:20:57,473
YOU DID VERY WELL.
340
00:20:57,760 --> 00:21:00,115
DARLENE.
341
00:21:03,720 --> 00:21:06,837
TAKE MISS ROGERS
FOR SENSORY CONDITIONING.
342
00:21:07,160 --> 00:21:08,593
YES, SIR.
343
00:21:19,200 --> 00:21:20,633
IF YOU INTEND
TO PROGRAM HER
344
00:21:20,960 --> 00:21:23,076
BEFORE SHE HAS TO SEE
HER FRIENDS
345
00:21:23,360 --> 00:21:24,554
THAT'S PUSHING IT, JOHN.
346
00:21:24,880 --> 00:21:26,359
EACH NEW SUGGESTION
THAT SHE ACCEPTS
347
00:21:26,680 --> 00:21:28,193
JUST RE-ENFORCES
HER TRANCE.
348
00:21:32,720 --> 00:21:35,154
YOU HEAR ME NOW?
349
00:21:35,480 --> 00:21:38,199
YES, SIR.
I CAN HEAR YOU VERY WELL.
350
00:21:38,520 --> 00:21:40,875
ARE YOU COMFORTABLE?
351
00:21:41,160 --> 00:21:44,470
YES, VERY COMFORTABLE,
MR. REARDON.
352
00:21:44,760 --> 00:21:46,478
YOU'RE DOING VERY WELL,
JULIE.
353
00:21:46,760 --> 00:21:49,069
I WANT YOU
TO CONCENTRATE NOW.
354
00:21:49,400 --> 00:21:52,198
PICTURE THE CANDLE,
PICTURE THE FLAME.
355
00:21:52,480 --> 00:21:54,277
IT IS RIGHT
BEFORE YOUR EYES.
356
00:21:54,560 --> 00:21:57,438
THE FLAME WILL HELP YOU
TO RELAX.
357
00:21:57,720 --> 00:22:02,077
|-- I CAN'T.
I DON'T SEE IT.
358
00:22:07,480 --> 00:22:08,879
[AIR HISSING]
359
00:22:22,120 --> 00:22:23,917
REARDON:
YOU WILL LISTEN TO MY VOICE.
360
00:22:24,200 --> 00:22:26,919
ALWAYS ONLY LISTEN
TO MY VOICE.
361
00:22:27,240 --> 00:22:28,559
IT IS PART OF YOU NOW.
362
00:22:28,840 --> 00:22:32,435
YOU MUST ALWAYS OBEY
MY VOICE.
363
00:22:32,720 --> 00:22:34,551
DO YOU HEAR?
364
00:22:34,840 --> 00:22:38,594
YOU CAN RELAX WHEN YOU SEE
THE FLAME, JULIE.
365
00:22:38,880 --> 00:22:41,713
[BREATHING HEAVILY]
366
00:22:42,040 --> 00:22:45,874
YES. YES, I SEE IT.
367
00:22:46,160 --> 00:22:48,958
| SEE THE FLAME.
368
00:22:51,960 --> 00:22:54,110
JULIE, THE FLAME
IS OURS TOGETHER.
369
00:22:54,400 --> 00:22:56,118
IT IS GROWING COLDER NOW,
ISN'T IT?
370
00:22:56,400 --> 00:23:00,313
YES. IT'S GETTING COLDER.
371
00:23:01,560 --> 00:23:03,869
IT'S GETTING MUCH COLDER.
372
00:23:08,520 --> 00:23:11,796
MR. REARDON, WILL YOU
PLEASE LET ME OUT?
373
00:23:12,080 --> 00:23:13,354
NO, NOT YET, JULIE.
374
00:23:13,640 --> 00:23:17,189
BREATHE DEEPLY
AND ONLY LISTEN TO MY VOICE.
375
00:23:17,480 --> 00:23:19,710
THE FLAME
IS DIMMING NOW.
376
00:23:20,040 --> 00:23:23,316
IT IS GROWING DARKER
AND DARKER.
377
00:23:25,960 --> 00:23:29,191
YES, IT'S GONE.
GOOD.
378
00:23:29,480 --> 00:23:32,472
JUST RELAX NOW.
379
00:23:35,960 --> 00:23:37,951
IT'S TIME TO REST.
380
00:23:39,240 --> 00:23:43,677
COMPLETELY REST
AND FORGET.
381
00:23:43,960 --> 00:23:46,155
FORGET EVERYTHING
382
00:23:46,480 --> 00:23:51,349
EXCEPT WHAT MY VOICE
INSTRUCTS YOU TO DO.
383
00:24:00,880 --> 00:24:03,189
HI.
HI.
384
00:24:03,480 --> 00:24:04,515
I DIDN'T THINK
YOU WERE GONNA SHOW UP,
385
00:24:04,800 --> 00:24:06,199
SO I LET MYSELF IN.
I HOPE YOU DON'T MIND.
386
00:24:06,480 --> 00:24:07,993
OH, THAT'S OKAY.
I'M SORRY I'M LATE.
387
00:24:08,280 --> 00:24:09,998
THE INDOCTRINATION TOOK
LONGER THAN I THOUGHT.
388
00:24:10,280 --> 00:24:11,315
LOOK AT THIS.
389
00:24:11,600 --> 00:24:14,319
ISN'T IT BEAUTIFUL?
KRIS: IT'S TERRIFIC.
390
00:24:14,600 --> 00:24:16,875
YOU WANNA KNOW
WHAT KELLY AND I GOT?
391
00:24:17,160 --> 00:24:18,991
FILES.
STACKS 0F FILES.
392
00:24:19,280 --> 00:24:21,191
[BOTH LAUGH]
393
00:24:21,520 --> 00:24:22,350
I GOTTA RUN. I'LL SEE YOU
TOMORROW.
394
00:24:22,680 --> 00:24:24,750
OKAY. I'LL CALL YOU
IN THE MORNING.
395
00:24:26,240 --> 00:24:29,118
OH, YOUR PURSE.
OH, THANKS.
396
00:24:29,440 --> 00:24:30,759
AND THANKS FOR THE BOOK.
OKAY, SURE.
397
00:24:31,040 --> 00:24:33,235
NIGHT.
NIGHT.
398
00:24:44,800 --> 00:24:48,395
REARDON:
YOU WILL ONL YHEAR MY VOICE
399
00:24:48,680 --> 00:24:51,148
AND YOU WILL ONLYLISTEN
TO MY VOICE.
400
00:24:51,440 --> 00:24:53,954
YOU WILL ONL YHEAR
MY VOICE.
401
00:24:54,240 --> 00:24:56,231
NOW, LIGHT THE CANDLE
402
00:25:23,840 --> 00:25:27,355
YOUR HANDS ARE VERY COLD NOW
403
00:25:27,640 --> 00:25:30,359
AND THE FLAME
IS LIKE ICE
404
00:25:30,640 --> 00:25:34,189
YOU WILL NOTBE HURTAS LONG
AS YOULOOKAT THE FLAME
405
00:25:36,360 --> 00:25:38,112
YOU WILL NOTBE HURT.
406
00:25:39,680 --> 00:25:42,069
AND THE FLAME IS LIKE ICE.
407
00:25:54,480 --> 00:25:56,550
WI
408
00:26:09,360 --> 00:26:10,713
IF I KNEW WHAT YOU WERE
LOOKING FOR.
409
00:26:11,040 --> 00:26:12,268
MAYBE I COULD HELP.
410
00:26:12,560 --> 00:26:14,118
WELL, A SUSPECT WOULD HELP.
411
00:26:14,400 --> 00:26:16,197
SOME HARD EVIDENCE TO PROVE
THAT THOSE TWO DEATHS
412
00:26:16,480 --> 00:26:18,835
WERE NOT JUST ACCIDENTS
WOULD HELP.
413
00:26:19,120 --> 00:26:22,192
TWO DEATHS IN THREE WEEKS
IS HARDLY COINCIDENTAL.
414
00:26:23,560 --> 00:26:26,757
AND THE MOTIVE,
THAT'S VERY STRONG.
415
00:26:27,040 --> 00:26:28,029
KELLY:
WE KNOW THE MOTIVE.
416
00:26:28,320 --> 00:26:29,878
A BILLION DOLLARS,
THAT'S THE MOTIVE.
417
00:26:30,160 --> 00:26:31,878
MEANS AND OPPORTUNITY
WE'RE SHORT ON.
418
00:26:32,160 --> 00:26:34,116
WE NEED THOSE
TO ESTABLISH MURDER.
419
00:26:34,440 --> 00:26:36,271
WE'VE BEEN THROUGH
ALL THE PERSONNEL FILES,
420
00:26:36,560 --> 00:26:37,629
ALL THE INVESTIGATION
REPORTS.
421
00:26:37,920 --> 00:26:39,114
WE EVEN RAN IT THROUGH
THE COMPUTER AGAIN.
422
00:26:39,440 --> 00:26:40,873
NOTHING.
423
00:26:41,200 --> 00:26:42,633
WHAT, YOU THINK
I'M PARANOID?
424
00:26:42,920 --> 00:26:44,433
EVEN THE INSURANCE
COMPANIES AGREE
425
00:26:44,720 --> 00:26:45,914
THAT BOTH DEATHS
WERE ACCIDENTAL.
426
00:26:46,240 --> 00:26:48,356
WELL, I DID TOO.
427
00:26:48,640 --> 00:26:49,550
UNTIL DANVERS CONVINCED ME
428
00:26:49,840 --> 00:26:51,273
IT MIGHT BE
MORE THAN A COINCIDENCE.
429
00:26:51,560 --> 00:26:52,629
DANVERS?
430
00:26:52,960 --> 00:26:55,554
HE'S THE ONLY ONE LEFT
ON THE BOARD ON MY SIDE.
431
00:26:55,880 --> 00:26:57,552
IT WAS DANVERS WHO MADE
OUR ORIGINAL BREAKTHROUGH
432
00:26:57,880 --> 00:26:59,074
IN GEOTHERMAL.
433
00:26:59,360 --> 00:27:02,079
HE'S BEEN FIGHTING
TO PROTECT HIS DISCOVERIES
434
00:27:02,360 --> 00:27:05,238
JUST AS I'VE BEEN FIGHTING
TO PROTECT THE COMPANY.
435
00:27:05,560 --> 00:27:08,074
KRIS, I THINK WE OUGHT TO PAY
MR. DANVERS A VISIT.
436
00:27:08,360 --> 00:27:09,236
WILL YOU EXCUSE US?
437
00:27:18,760 --> 00:27:20,557
[DOOR CLOSES]
438
00:27:22,200 --> 00:27:23,315
WE'LL BE LOOKING FORWARD
439
00:27:23,600 --> 00:27:24,999
TO WORKING WITH YOU GENTLEMEN
ON THIS PROJECT.
440
00:27:25,320 --> 00:27:26,275
IT'S GOING TO BE EXCITING.
441
00:27:26,560 --> 00:27:27,913
AND DON'T FORGET
YOUR BUDGET FIGURES.
442
00:27:28,240 --> 00:27:30,071
I'LL NEED THEM
AS SOON AS POSSIBLE.
443
00:27:35,000 --> 00:27:37,992
COFFEE, MR. DANVERS?
PLEASE.
444
00:27:39,880 --> 00:27:41,757
[DOOR CLOSES]
445
00:28:14,240 --> 00:28:17,198
HERE YOU ARE, SIR.
HMM? OH, THANK YOU, CYNTHIA.
446
00:28:19,640 --> 00:28:21,039
[SIGHS]
447
00:28:54,040 --> 00:28:55,996
OKAY, THANK YOU.
448
00:28:56,280 --> 00:28:58,157
DANVERS' SECRETARY SAYS
HE'S IN THE CONFERENCE ROOM.
449
00:28:58,440 --> 00:29:01,352
GREAT. NOW, ALL WE HAVE
TO DO IS FIND IT.
450
00:29:01,640 --> 00:29:04,393
UH, DO YOU KNOW
WHERE THE, UH,..?
451
00:29:04,720 --> 00:29:05,789
OH. I THINK WE FOUND IT.
452
00:29:06,080 --> 00:29:07,069
KELLY:
AH.
453
00:29:12,800 --> 00:29:16,031
IT'S MR. DANVERS.
HE'S HAD A HEART ATTACK.
454
00:29:17,720 --> 00:29:21,599
HE'S DEAD. I KNOW IT.
HE'S DEAD.
455
00:29:21,880 --> 00:29:23,711
HE'S STILL ALIVE.
CALL MEDICAL.
456
00:29:24,000 --> 00:29:26,434
GET SOMEONE DOWN HERE
IMMEDIATELY.
457
00:29:27,760 --> 00:29:29,318
ALIVE?
458
00:29:29,600 --> 00:29:30,999
BUT I...
459
00:29:31,320 --> 00:29:33,470
I DON'T KNOW THE NUMBER.
460
00:29:33,760 --> 00:29:35,273
[SCOFFS]
461
00:29:38,720 --> 00:29:40,392
YES, GET EMERGENCY
TO THE CONFERENCE ROOM.
462
00:29:40,680 --> 00:29:41,669
IT'S DANVERS.
463
00:29:42,000 --> 00:29:44,798
IT LOOKS LIKE A HEART ATTACK.
HURRY.
464
00:29:47,080 --> 00:29:51,596
THIS IS TERRIBLE.
I DON'T KNOW WHAT HAPPENED.
465
00:29:51,880 --> 00:29:53,996
I'M SUPPOSED TO BE PREPARED
FOR EMERGENCIES
466
00:29:54,280 --> 00:29:56,589
WITHIN THE CLIENT COMPANIES.
467
00:29:57,760 --> 00:29:59,637
[PHONE BUZZES]
YES?
468
00:29:59,920 --> 00:30:01,148
KRIS [OVER SPEAKERS]:
IT'S AN EMERGENCY.
469
00:30:01,480 --> 00:30:04,199
I T’S MR. DANVERS IN
THE CONFERENCE ROOM HE...
470
00:30:12,440 --> 00:30:13,395
JOHN. WHAT HAPPENED?
471
00:30:13,680 --> 00:30:14,715
HEART ATTACK MAYBE.
IT'S HARD TO TELL.
472
00:30:15,040 --> 00:30:16,029
IF IT WASN'T FOR THOSE
TWO LADIES IN THERE,
473
00:30:16,320 --> 00:30:18,197
HE'D BE DEAD ALREADY.
474
00:30:18,480 --> 00:30:19,708
[CYNTHIA WHIMPERING]
475
00:30:20,040 --> 00:30:21,393
CYNTHIA.
476
00:30:21,680 --> 00:30:22,749
I'M SO SORRY.
477
00:30:23,080 --> 00:30:26,231
HE WAS GOING OVER
THE SURVEY MAPS
478
00:30:26,520 --> 00:30:29,671
AND THEN IN THE NEXT MINUTEHE
WAS JUST LYING ON THE FLOOR.
479
00:30:29,960 --> 00:30:32,872
IT'S ALL RIGHT, CYNTHIA.
IT'S NOT YOUR FAULT.
480
00:30:33,160 --> 00:30:34,957
NOTHING.
481
00:30:36,840 --> 00:30:39,638
MAYBE IT WAS A HEART ATTACK.
I CAN'T FIND ANYTHING EITHER.
482
00:30:39,920 --> 00:30:42,753
WELL, WE CAN'T BE TOO SURE.
WE BETTER KEEP LOOKING.
483
00:30:43,040 --> 00:30:44,951
STEVE, DID DANVERS HAVE
A HEART CONDITION?
484
00:30:45,280 --> 00:30:47,430
NO, WE PLAYED HANDBALL
THREE TIMES A WEEK.
485
00:30:47,720 --> 00:30:49,358
HE'S AS STRONG AS AN OX.
486
00:30:49,640 --> 00:30:50,436
YOU SOUND SO POSITIVE.
487
00:30:50,720 --> 00:30:52,119
I'D STAKE MY LIFE ON IT.
488
00:30:52,400 --> 00:30:53,435
YOU MIGHT HAVE TO.
489
00:30:53,720 --> 00:30:55,278
I DON'T GET IT.
490
00:30:56,680 --> 00:30:58,113
YOU'RE DEFINITELY
THE NEXT TARGET.
491
00:30:58,400 --> 00:31:00,436
WI
492
00:31:10,960 --> 00:31:12,916
MR. TUSTIN IS HERE
TO SEE YOU, MR. REARDON.
493
00:31:13,200 --> 00:31:15,430
HE SEEMS VERY IMPATIENT.
494
00:31:15,760 --> 00:31:17,591
THAT'S ALL RIGHT.
TELL HIM TO COME IN, DARLENE.
495
00:31:17,880 --> 00:31:19,632
YES, SIR.
496
00:31:21,360 --> 00:31:23,715
IS THERE ANYTHING ELSE, SIR?
NO, YOU MAY GO NOW.
497
00:31:24,000 --> 00:31:25,956
THANK YOU.
THANK YOU.
498
00:31:28,200 --> 00:31:31,237
I HEARD ABOUT DANVERS.
499
00:31:31,520 --> 00:31:33,590
CYNTHIA DID EXACTLY
AS SHE WAS PROGRAMMED.
500
00:31:33,880 --> 00:31:35,154
NO SUSPICION ON ANYONE.
501
00:31:35,440 --> 00:31:38,318
BUT DANVERS IS STILL ALIVE.
THAT WASN'T OUR AGREEMENT.
502
00:31:38,600 --> 00:31:40,636
BUT HE'S OUT OF THE PICTURE
AND THAT'S WHAT YOU WANTED.
503
00:31:40,960 --> 00:31:42,518
NOT GOOD ENOUGH, REARDON.
504
00:31:42,800 --> 00:31:44,552
[CHUCKLES]
505
00:31:45,960 --> 00:31:49,111
MR. TUSTIN, IF YOU WANT
WESTERN TECHTRONICS
506
00:31:49,400 --> 00:31:50,879
BY THE END OF THE WEEK,
507
00:31:51,160 --> 00:31:52,878
IT'S GONNA COST YOU
A LITTLE MORE.
508
00:31:53,160 --> 00:31:55,469
YOU'RE ALREADY GETTING
A MILLION DOLLARS, REARDON.
509
00:31:55,800 --> 00:31:57,836
MR. TUSTIN, FIRST, YOU WANTED
IT DOWN IN SIX WEEKS.
510
00:31:58,120 --> 00:31:59,633
NOW YOU WANT A RUSH JOB.
511
00:31:59,920 --> 00:32:02,229
I THINK STEVE BRIGGS
IS WORTH MORE THAN THAT.
512
00:32:02,560 --> 00:32:03,629
YOU'RE OUT OF YOUR MIND.
513
00:32:03,920 --> 00:32:05,512
I'VE GOT MY LIFE IN THIS.
514
00:32:05,800 --> 00:32:08,030
THAT'S WHY IT'S WORTH MORE.
515
00:32:08,360 --> 00:32:09,998
NOW, LISTEN TO ME.
516
00:32:10,320 --> 00:32:12,038
OUR WEAPON IS ALREADY
IN PLACE.
517
00:32:12,360 --> 00:32:14,999
STEVE BRIGGS WILL GO TODAY,
IF I SAY SO.
518
00:32:15,320 --> 00:32:18,278
NOW, YOUR CHOICES
ARE LIMITED.
519
00:32:18,560 --> 00:32:20,835
I JUST WANT $2 MILLION
FOR THE JOB.
520
00:32:21,160 --> 00:32:23,196
OKAY.
521
00:32:23,480 --> 00:32:28,190
OKAY. YOU GET RID OF BRIGGS
IN A HURRY AND YOU'VE GOT IT.
522
00:32:30,280 --> 00:32:33,716
BUT I PROMISE YOU,
IF THINGS GET FOULED UP--
523
00:32:34,000 --> 00:32:36,878
THINGS HAVEN'T BEEN
FOULED UP, MR. TUSTIN.
524
00:32:37,160 --> 00:32:39,037
JUST TAKES A LITTLE TIME
TO DEVELOP
525
00:32:39,320 --> 00:32:43,233
CONFIDENCE BETWEEN PARTNERS,
THAT'S ALL.
526
00:32:45,760 --> 00:32:47,034
[CHUCKLES]
527
00:32:48,040 --> 00:32:50,110
WI
528
00:32:59,160 --> 00:33:00,388
HI.
529
00:33:00,680 --> 00:33:01,874
JULIE?
YEAH.
530
00:33:02,200 --> 00:33:03,952
I'M CYNTHIA.
I KNEW YOU WOULD BE.
531
00:33:04,240 --> 00:33:06,071
WOULD YOU SIT DOWN WITH ME?
SURE.
532
00:33:07,560 --> 00:33:10,791
MR. REARDON TOLD ME
YOU'D REPORT TODAY.
533
00:33:11,080 --> 00:33:12,752
IT'S NICE TO HAVE YOU
ON THE TEAM.
534
00:33:13,040 --> 00:33:15,759
WESTERN TECHTRONICS
IS A WONDERFUL PLACE TO WORK.
535
00:33:16,040 --> 00:33:17,996
I'M SURE YOU'LL LOVE IT.
536
00:33:18,280 --> 00:33:21,192
YOU KNOW,
I HAVE THE NICEST BOSS.
537
00:33:24,400 --> 00:33:27,631
AT LEAST, I DID.
538
00:33:27,920 --> 00:33:29,194
WELL, WHAT HAPPENED?
539
00:33:31,600 --> 00:33:35,673
HE HAD A HEART ATTACK
OR SOMETHING THIS MORNING.
540
00:33:36,880 --> 00:33:39,269
I FEEL SO AWFUL ABOUT IT.
541
00:33:39,560 --> 00:33:41,471
MAYBE YOU SHOULD GO HOME.
542
00:33:42,840 --> 00:33:44,398
MAYBE.
543
00:33:45,840 --> 00:33:49,753
IT WON'T BE THE SAME
WITHOUT MR. DANVERS.
544
00:33:50,080 --> 00:33:51,638
I FELT SO ATTACHED
TO HIM.
545
00:33:51,960 --> 00:33:54,315
THAT'S STRANGE.
546
00:33:54,600 --> 00:33:56,556
I FEEL THE SAME WAY
ABOUT MY NEW BOSS
547
00:33:56,880 --> 00:33:57,995
AND I HAVEN'T EVEN
MET HIM YET.
548
00:33:58,280 --> 00:33:59,554
OH, WHO IS IT?
549
00:33:59,880 --> 00:34:03,190
STEVEN BRIGGS, THE PRESIDENT
OF THE CLIENT COMPANY.
550
00:34:03,480 --> 00:34:05,550
I'M SUPPOSED TO CHECK
IN WITH HIM AT 1:15.
551
00:34:06,720 --> 00:34:08,472
WELL, YOU'D BETTER HURRY.
552
00:34:08,760 --> 00:34:09,670
IT'S NOT GOOD TO BE LATE
553
00:34:09,960 --> 00:34:11,552
THE FIRST DAY
WITH A CLIENT COMPANY.
554
00:34:11,840 --> 00:34:13,990
YEAH, I JUST WANTED TO LOOK UP
SOME OF MY FRIENDS
555
00:34:14,320 --> 00:34:15,958
WHO WORK HERE FIRST.
WOULD YOU KNOW THEM?
556
00:34:16,280 --> 00:34:17,235
KELLY GARRETT
AND KRIS MUNROE.
557
00:34:17,520 --> 00:34:20,080
THEY'RE IN JUNIOR
EXECUTIVE TRAINING.
558
00:34:20,400 --> 00:34:21,879
OH, I MET THEM BOTH.
559
00:34:22,200 --> 00:34:24,794
THEY'RE WORKING VERY CLOSELY
WITH MR. BRIGGS.
560
00:34:25,120 --> 00:34:26,872
IN FACT, THEY MIGHT BE
IN HIS OFFICE.
561
00:34:27,200 --> 00:34:28,269
OH, I'LL TRY THERE FIRST.
562
00:34:28,560 --> 00:34:30,630
YOU KNOW, YOU'RE LUCKY.
563
00:34:30,960 --> 00:34:33,872
WHEN I STARTED HERE, I DIDN'T
KNOW ANYONE EXCEPT FRANCINE.
564
00:34:36,760 --> 00:34:38,990
FRANCINE.
565
00:34:39,280 --> 00:34:43,319
SHE HAD THAT
HORRIBLE ACCIDENT
566
00:34:43,640 --> 00:34:45,596
AFTER SHE STARTED HERE.
567
00:34:45,880 --> 00:34:47,757
[CRIES]
568
00:34:49,520 --> 00:34:51,192
I'M SORRY.
569
00:34:51,520 --> 00:34:54,637
I JUST CAN'T HANDLE IT
ALL AT ONCE.
570
00:34:54,920 --> 00:34:57,992
YOU SHOULD SEE MR. REARDON.
HE'LL BE ABLE TO HELP YOU.
571
00:34:58,320 --> 00:35:00,356
I KNOW.
572
00:35:01,400 --> 00:35:03,197
I KNOW.
573
00:35:12,400 --> 00:35:14,630
OKAY, LET'S GIVE IT
ONE MORE GOING OVER.
574
00:35:14,960 --> 00:35:17,520
I'M AFRAID IT'S GONNA BE
A COMPLETE WASHOUT.
575
00:35:17,840 --> 00:35:19,398
I DON'T THINK
YOU LEAVE FINGERPRINTS
576
00:35:19,720 --> 00:35:22,029
WHEN YOU GIVE SOMEBODY
A HEART ATTACK.
577
00:35:36,720 --> 00:35:38,950
.IC'W'I.
578
00:35:39,280 --> 00:35:41,748
CYNTHIA WEAVER.
579
00:35:42,040 --> 00:35:45,237
IN ALL THE EXCITEMENT TODAY,
SHE MUST HAVE LEFT THIS BEHIND
580
00:36:00,840 --> 00:36:03,035
ISN'T IT BEAUTIFUL?
581
00:36:07,800 --> 00:36:10,189
KELLY, LOOK AT THIS.
582
00:36:10,520 --> 00:36:12,556
WELL, IT'S NOT EXACTLY
A SMOKING PISTOL, KRIS.
583
00:36:14,640 --> 00:36:16,358
JULIE HAS ONE JUST LIKE THIS
IN HER APARTMENT.
584
00:36:16,640 --> 00:36:18,358
WELL, MAYBE THEY WENT
TO THE SAME SWAP MEET.
585
00:36:19,840 --> 00:36:21,910
NO, SHE SAID IT WAS A GIFT
FROM THE REARDON COMPANY.
586
00:36:22,240 --> 00:36:23,593
I DON'T SEE THE CONNECTION.
587
00:36:23,880 --> 00:36:26,110
IT DOESN'T MAKE ANY SENSE.
588
00:36:26,400 --> 00:36:27,879
DANVERS NEARLY DIES TODAY,
589
00:36:28,200 --> 00:36:30,998
THE WOMAN WITH HIM HAS
A CANDLESTICK LIKE JULIE'S
590
00:36:31,280 --> 00:36:33,350
AND SHE ALSO WORKED
FOR THE REARDON COMPANY.
591
00:36:33,640 --> 00:36:35,676
DIDN'T BOSLEY SAY JULIE
HAD AN APPOINTMENT
592
00:36:36,000 --> 00:36:37,433
WITH STEVE BRIGGS TODAY?
593
00:36:37,720 --> 00:36:39,870
LET'S CHECK
WITH MR. BRIGGS.
594
00:36:44,760 --> 00:36:45,829
[KNOCKING ON DOOR]
595
00:36:46,120 --> 00:36:47,189
COME IN.
596
00:36:51,200 --> 00:36:52,349
HI, I'M JULIE ROGERS.
597
00:36:53,480 --> 00:36:54,708
UH, HOLD ON.
598
00:36:55,000 --> 00:36:56,956
YEAH, YOU'RE THE ONLY ANGEL
| HAVEN'T MET.
599
00:36:57,240 --> 00:36:58,639
UH, I'LL JUST BE A MINUTE.
600
00:36:58,920 --> 00:37:01,309
I'LL GET BACK TO YOU, SAM.
601
00:37:05,040 --> 00:37:06,553
IT'S NICE TO MEET YOU,
MR. BRIGGS.
602
00:37:06,840 --> 00:37:07,795
OH, CALL ME STEVE.
603
00:37:08,120 --> 00:37:09,758
I CAN'T TELL YOU
HOW I'VE BEEN LOOKING FORWARD
604
00:37:10,080 --> 00:37:11,593
TO MEETING YOU.
605
00:37:11,880 --> 00:37:12,995
[GRUNTING]
606
00:37:17,720 --> 00:37:18,709
JULIE?
607
00:37:28,400 --> 00:37:30,356
[BOTH GRUNTING]
608
00:37:33,200 --> 00:37:34,633
JULIE, WHAT ARE YOU DOING?
609
00:37:34,920 --> 00:37:36,148
JULIE!
610
00:37:36,480 --> 00:37:38,471
JULIE.
611
00:37:39,760 --> 00:37:41,512
[GRU NTS]
612
00:37:43,840 --> 00:37:45,558
KRIS, WATCH HER.
613
00:37:47,080 --> 00:37:49,469
[BOTH GRUNTING]
614
00:37:52,720 --> 00:37:54,039
JULIE!
615
00:37:54,320 --> 00:37:55,594
WHY DID YOU ATTACK
MR. BRIGGS?
616
00:37:55,880 --> 00:37:57,836
I DIDN'T ATTACK ANYONE!
I CAME HERE TO SEE
617
00:37:58,160 --> 00:38:00,754
TO THE PRESIDENT
OF THE CLIENT COMPANY.
618
00:38:01,080 --> 00:38:01,876
THE WHAT?
619
00:38:02,160 --> 00:38:05,311
THE CLIENT COMPANY?
THAT'S YOU.
620
00:38:05,600 --> 00:38:07,795
KRIS:
YOU AND DANVERS
WERE THE TARGETS.
621
00:38:08,080 --> 00:38:12,039
JULIE AND CYNTHIA WERE THE--
THEY WERE THE WEAPONS.
622
00:38:12,320 --> 00:38:14,356
IN!
623
00:38:27,840 --> 00:38:29,831
BOSLEY: CHARLIE,
I KNOW IT SOUNDS CRAZY
624
00:38:30,160 --> 00:38:33,914
BUT JULIE ACTUALLY TRIED
TO KILL STEVE BRIGGS.
625
00:38:34,240 --> 00:38:36,071
CHARLIE [OVER SPEAKER]:
THA T JUS T DOESN’T MAKE SENSE,
BOSLEY.
626
00:38:36,360 --> 00:38:37,713
I AGREE WITH YOU,
CHARLIE.
627
00:38:38,040 --> 00:38:39,359
THERE'S SOMETHING
VERY STRANGE HERE.
628
00:38:39,640 --> 00:38:40,470
THAT'S WHY
I HAD THE PSYCHIATRIST
629
00:38:40,760 --> 00:38:42,079
EXAMINE HER
AT OUR FACILITY.
630
00:38:42,360 --> 00:38:43,918
WHA TKIND OF EXAM/NA TION?
631
00:38:44,200 --> 00:38:45,952
WELL, I FIGURED
SHE WAS DRUGGED OR SOMETHING,
632
00:38:46,240 --> 00:38:47,434
BUT THE DOCTOR SAID NO.
633
00:38:47,760 --> 00:38:49,716
DR. LANTRY'S
TRYING HYPNOSIS.
634
00:38:50,000 --> 00:38:51,558
WHA TARE YOU TALKING
ABOUTANYWA Y?
635
00:38:51,880 --> 00:38:53,916
CHARLIE, JULIE HAS AMNESIA.
636
00:38:54,200 --> 00:38:55,599
SHE DOESN'T REMEMBER
ANYTHING
637
00:38:55,880 --> 00:38:57,393
AFTER SHE ENTERED
STEVE'S OFFICE.
638
00:38:57,720 --> 00:38:59,631
LOOK, I'VE ANSWERED
ALL YOUR QUESTIONS.
639
00:38:59,920 --> 00:39:00,955
I'VE EVEN LET YOU PUT ME
IN A TRANCE
640
00:39:01,240 --> 00:39:02,229
AND NOW YOU WANNA DRUG ME?
641
00:39:02,560 --> 00:39:04,357
FORGET IT! ENOUGH'S ENOUGH.
642
00:39:04,640 --> 00:39:07,677
IT'S NOTHING MORE THAN A
TRANQUILIZER, A HYPNOTIC.
643
00:39:07,960 --> 00:39:10,758
THERE'S A MENTAL BLOCK.
PERHAPS IF WE TRIED TO...
644
00:39:11,040 --> 00:39:13,474
JULIE, DR. LANTRY
IS TRYING TO HELP YOU.
645
00:39:13,760 --> 00:39:14,749
YOU HAVE TO COOPERATE.
646
00:39:15,080 --> 00:39:16,957
WHY?
AND COOPERATE WITH WHAT?
647
00:39:17,280 --> 00:39:19,953
WON'T SOMEBODY PLEASE TELL ME
WHAT'S GOING ON AROUND HERE?
648
00:39:20,240 --> 00:39:23,357
ABOUT TWO HOURS AGO, IF KELLY
AND I HADN'T STOPPED YOU
649
00:39:23,640 --> 00:39:24,709
YOU WOULD'VE KILLED
STEVEN BRIGGS.
650
00:39:25,040 --> 00:39:29,318
OH, COME ON, KRIS,
I DID NOT AND I WOULD NOT.
651
00:39:29,600 --> 00:39:32,512
I WENT TO SEE
STEVE BRIGGS TO...
652
00:39:34,400 --> 00:39:36,118
TO...
653
00:39:42,920 --> 00:39:45,115
TO TELL HIM.
654
00:39:45,440 --> 00:39:46,793
TELL HIM ABOUT WHAT,
JULIE?
655
00:39:52,560 --> 00:39:54,551
DR. LANTRY.
656
00:39:54,840 --> 00:39:56,956
I WENT TO JULIE'S APARTMENT
TO GET THIS.
657
00:39:57,280 --> 00:40:00,158
WE FOUND A SIMILAR ONE IN
CYNTHIA WEAVER'S BRIEFCASE.
658
00:40:00,440 --> 00:40:02,192
AND CYNTHIA'S NOT HERE
AND DOESN'T ANSWER HER PHONE.
659
00:40:02,480 --> 00:40:03,754
KELLY'S TRYING
TO LOCATE HER.
660
00:40:04,080 --> 00:40:05,035
LANTRY:
WHAT IS IT FOR?
661
00:40:05,320 --> 00:40:06,469
KRIS:
I DON'T KNOW.
662
00:40:06,760 --> 00:40:08,591
BUT WHEN WE FOUND THE ONE
IN CYNTHIA'S BRIEFCASE
663
00:40:08,920 --> 00:40:10,831
I REMEMBERED THAT JULIE
HAD BEEN GIVEN ONE TOO.
664
00:40:11,120 --> 00:40:13,111
LANTRY:
BY WHOM?
665
00:40:13,400 --> 00:40:14,958
KRIS:
MR. REARDON.
666
00:40:15,240 --> 00:40:17,629
IT'S JUST A SHOT
IN THE DARK.
667
00:40:17,920 --> 00:40:20,229
MAYBE NOT SO DARK.
668
00:40:20,560 --> 00:40:23,154
JULIE, WOULD YOU LIKE
TO SEE THE CANDLE BURN?
669
00:40:25,680 --> 00:40:28,433
CLOSE YOUR EYES.
670
00:40:28,720 --> 00:40:30,995
DO YOU SEE THE FLAME,
JULIE?
671
00:40:32,760 --> 00:40:34,751
I DON'T GET IT.
672
00:40:36,280 --> 00:40:40,432
FIRE AND WATER ARE VERY STRONG
HYPNOTIC SYMBOLS.
673
00:40:40,720 --> 00:40:42,039
YOU'RE TELLING ME
674
00:40:42,320 --> 00:40:44,038
THAT SHE SEES A FLAME
WITH HER EYES CLOSED?
675
00:40:44,320 --> 00:40:49,189
YES. OPEN YOUR EYES NOW,
JULIE. WE'RE GOING TO TALK.
676
00:40:53,000 --> 00:40:56,037
GOOD. YOU CAN SEE THE FLAME.
677
00:40:56,320 --> 00:40:57,639
NOW, THIS TIME, JULIE,
678
00:40:57,920 --> 00:41:00,832
YOU'RE GOING TO REMEMBER
EVERYTHING.
679
00:41:01,120 --> 00:41:03,918
IN!
680
00:41:13,040 --> 00:41:14,519
KELLY:
I DON'T LIKE IT, JULIE.
681
00:41:14,800 --> 00:41:16,233
KELLY, REARDON STILL THINKS
682
00:41:16,520 --> 00:41:17,589
HE HAS ME WRAPPED AROUND
HIS LITTLE FINGER
683
00:41:17,880 --> 00:41:19,438
AND I DESERVE A CHANCE
TO BREAK IT.
684
00:41:19,720 --> 00:41:22,632
BESIDES, DR. LANTRY TOLD ME
NOT TO WORRY ABOUT A THING.
685
00:41:22,920 --> 00:41:24,831
YEAH, BUT I DO WORRY.
686
00:41:25,160 --> 00:41:26,479
OKAY, YOU'VE GOT
10 MINUTES.
687
00:41:26,760 --> 00:41:28,079
YOU GO IN THERE,
YOU LOCATE YOUR EVIDENCE,
688
00:41:28,360 --> 00:41:29,509
AND THEN YOU COME OUT
OR WE COME IN.
689
00:41:29,840 --> 00:41:32,229
OKAY, 10 MINUTES.
ALL RIGHT.
690
00:42:12,520 --> 00:42:16,399
UH, I DON'T UNDERSTAND,
MR. REARDON.
691
00:42:18,120 --> 00:42:21,271
SINCE THIS MORNING, I'VE HAD
THESE STRANGE FEELINGS
692
00:42:21,600 --> 00:42:26,071
LIKE I'M RESPONSIBLE FOR WHAT
HAPPENED TO MR. DENVERS.
693
00:42:26,360 --> 00:42:29,750
HMM. THAT'S QUITE NATURAL,
CYNTHIA.
694
00:42:30,040 --> 00:42:31,268
EVERYONE EXPERIENCES GUILT
695
00:42:31,600 --> 00:42:34,956
WHEN THEY'RE NEAR SOMEONE
WHO SUFFERS A CRISIS.
696
00:42:35,280 --> 00:42:37,635
DID YOU TRY MEDITATING
ON THE FLAME?
697
00:42:38,880 --> 00:42:40,438
I...
MM-HM.
698
00:42:41,880 --> 00:42:45,475
UH, UM...
699
00:42:45,760 --> 00:42:48,035
| COULDN'T SEEM TO.
700
00:42:50,240 --> 00:42:52,071
| LOST IT.
701
00:42:53,440 --> 00:42:54,270
MM-HM.
702
00:42:54,560 --> 00:42:56,755
THAT'S WHY
I HAD TO COME HERE.
703
00:42:59,760 --> 00:43:02,320
JUST CLOSE YOUR EYES NOW
704
00:43:02,640 --> 00:43:04,358
AND REST.
705
00:43:09,800 --> 00:43:12,553
WHAT'S THE MATTER WITH HER?
WHY IS SHE FALLING APART?
706
00:43:12,840 --> 00:43:14,671
IT'S GUILT.
707
00:43:14,960 --> 00:43:16,313
IT'S AN ATTACK
OF CONSCIENCE
708
00:43:16,600 --> 00:43:17,749
WITHOUT THE SUPPORT
OF REINFORCEMENT.
709
00:43:18,040 --> 00:43:19,109
PUT HER IN THE TANK.
710
00:43:19,440 --> 00:43:20,839
ROBERT:
ARE YOU REPROGRAMMING HER?
711
00:43:21,160 --> 00:43:23,833
REARDON:
NO, IT'S A PITY BUT SHE'S
REALLY SERVED HER PURPOSE.
712
00:43:24,160 --> 00:43:26,515
WHEN YOU TAKE
THE OXYGEN DOWN.
713
00:43:26,800 --> 00:43:28,870
KEEP IT AT HYPERVENTILATION
LEVEL.
714
00:43:29,200 --> 00:43:30,713
DEATH BY NATURAL CAUSES
715
00:43:31,040 --> 00:43:32,758
WILL TAKE CARE
OF A LOT OF QUESTIONS.
716
00:43:38,640 --> 00:43:40,710
IN!
717
00:44:00,520 --> 00:44:01,919
[KNOCKING ON DOOR]
718
00:44:09,920 --> 00:44:11,035
WHAT ARE YOU DOING HERE?
719
00:44:11,320 --> 00:44:14,073
I, UH, I TOLD DARLENE,
I'D BE WAITING FOR YOU.
720
00:44:14,360 --> 00:44:16,828
EVERYTHING WENT WELL?
721
00:44:17,120 --> 00:44:18,519
YES, SIR.
722
00:44:24,760 --> 00:44:27,399
DID YOU MEET STEVE BRIGGS?
723
00:44:27,720 --> 00:44:29,312
YES, SIR.
724
00:44:30,960 --> 00:44:31,915
DID YOU KILL HIM?
725
00:44:33,320 --> 00:44:37,074
WELL, I-- I TRIED
BUT THERE WAS A PROBLEM.
726
00:44:37,400 --> 00:44:39,436
I'M SURE THERE WAS.
727
00:44:41,440 --> 00:44:43,271
IT'S A MISTAKE.
YOU SHOULDN'T HAVE ANSWERED.
728
00:44:45,920 --> 00:44:47,433
YOU ASKED ME.
729
00:44:47,720 --> 00:44:49,597
IKNOW | ASKED YOU.
730
00:44:49,880 --> 00:44:52,713
BUT YOU'RE NOT PROGRAMMED
TO REMEMBER KILLING
731
00:44:53,040 --> 00:44:55,076
UNLESS | TURNED THE KEY.
732
00:44:55,360 --> 00:44:58,272
THERE'S NO PRETENDING
IN HYPNOSIS.
733
00:45:00,480 --> 00:45:04,189
THERE'S NO PRETENDING
IN DEATH.
734
00:45:10,040 --> 00:45:11,917
[AIR HISSING]
735
00:45:13,960 --> 00:45:17,475
KELLY:
JULIE? JULIE, WHERE ARE YOU?
736
00:45:20,920 --> 00:45:23,275
WHO ARE YOU, GIRLS?
WHAT ARE YOU DOING DOWN HERE?
737
00:45:28,000 --> 00:45:30,560
[GRU NTS]
738
00:45:30,840 --> 00:45:31,716
MY GOD.
THERE'S SOMEONE IN THERE.
739
00:45:32,040 --> 00:45:33,029
[PANTING]
740
00:45:33,320 --> 00:45:34,309
SHE'S SUFFOCATING.
741
00:45:34,600 --> 00:45:37,239
IT'S CYNTHIA.
[CYNTHIA GASPS]
742
00:45:45,560 --> 00:45:48,552
CYNTHIA?
CYNTHIA, COME ON.
743
00:45:48,880 --> 00:45:50,313
[BOTH GRUNTING]
744
00:46:19,200 --> 00:46:20,519
KRIS:
JULIE?
745
00:46:21,880 --> 00:46:23,791
JULIE?
746
00:46:24,080 --> 00:46:25,149
JULIE?
747
00:46:25,440 --> 00:46:26,714
IS THAT YOUR FRIEND?
748
00:46:27,000 --> 00:46:29,195
DON'T WORRY. I'M NOT GONNA
SHARE YOU WITH HER.
749
00:46:37,680 --> 00:46:39,716
[SIGHS]
750
00:46:43,320 --> 00:46:46,312
UH, HI.
751
00:46:46,600 --> 00:46:48,556
THIS MUST BE THE DISCO ROOM
YOU WERE TELLING ME ABOUT.
752
00:46:48,840 --> 00:46:52,674
YEP, BUT I JUST, UH, CAN'T
SEEM TO KEEP A PARTNER.
753
00:46:52,960 --> 00:46:55,076
[BOTH CHUCKLING]
754
00:46:55,360 --> 00:46:57,874
IN!
755
00:47:07,000 --> 00:47:08,479
CHARLIE [OVER SPEAKER]:
ANGELS, I'M VERYHAPPY TO HEAR
756
00:47:08,800 --> 00:47:09,915
THA T THERE WAS NO PROBLEM
757
00:47:10,200 --> 00:47:12,430
DEPROGRAMMING
MR. REARDON'S VICTIMS.
758
00:47:12,760 --> 00:47:15,672
NOT HALF AS HAPPY AS I AM
TO HEAR IT, CHARLIE.
759
00:47:15,960 --> 00:47:17,712
WELL, IM REALL Y SORRY
ABOUT THA T. JULIE
760
00:47:18,000 --> 00:47:19,718
NOT NEARLY AS SORRY
AS MR. REARDON.
761
00:47:20,000 --> 00:47:21,433
HE HAS A NEW PROGRAM
HIMSELF.
762
00:47:21,720 --> 00:47:23,517
MURDER ONE,
SPECIAL CIRCUMSTANCE.
763
00:47:23,800 --> 00:47:25,518
NOT TO MENTION THE PROBLEMS
OF HIS ACCOMPLICES,
764
00:47:25,800 --> 00:47:26,596
TUSTIN AND CARVER.
765
00:47:26,880 --> 00:47:28,074
LOOKS LIKE
THEY'RE IN FOR SOME
766
00:47:28,400 --> 00:47:31,551
SENSORY DEPRIVATION OF THEIR
OWN. SAY, FOR 20 YEARS.
767
00:47:31,840 --> 00:47:34,115
IT WAS GOOD WORK, ANGELS,
768
00:47:34,400 --> 00:47:36,595
AND STEVE BRIGGS
WAS VER YAPPRECIA TI VE
769
00:47:36,880 --> 00:47:38,393
YOU MEAN,
WESTERN TECHTRONICS
770
00:47:38,680 --> 00:47:40,193
ISN'T GONNA BE PUT ON
THE MARKET, CHARLIE?
771
00:47:40,480 --> 00:47:41,595
NOTFORA WHILE, ATLEAST.
772
00:47:41,920 --> 00:47:42,955
AN EMERGENCY BOARD MEETING
773
00:47:43,240 --> 00:47:45,754
ELECTED STEVE BRIGGS
CHIEF EXECUTIVE OFFICER.
774
00:47:46,080 --> 00:47:47,513
AND THANKS TO YOUR HELP
775
00:47:47,840 --> 00:47:50,115
WESTERN TECH TRON/CS
IS PROCEEDING FULL SPEED
776
00:47:50,400 --> 00:47:52,550
TO DEVELOP
THEIR GEOTHERMAL RESOURCES.
777
00:47:52,880 --> 00:47:55,838
YOU MA YSOON BE
DINING B YLA MPL IGH T
778
00:47:56,120 --> 00:47:58,395
SUPPLIED
BY WESTERN TECHTRONICS.
779
00:47:58,720 --> 00:48:01,951
AS LONG AS IT'S ELECTRIC,
IT'S FINE WITH ME, CHARLIE.
780
00:48:02,240 --> 00:48:06,438
SOMEHOW, CANDLELIGHT SEEMS
TO HAVE LOST ITS CHARM.
781
00:48:06,720 --> 00:48:08,119
OH, I DON'T KNOW.
782
00:48:08,440 --> 00:48:12,035
I'VE ALWAYS
FOUND IT RELAXING.
783
00:48:12,360 --> 00:48:14,794
[ALL LAUGHS]
784
00:48:16,400 --> 00:48:19,153
IN!
785
00:48:23,560 --> 00:48:25,710
IN!
55915
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof