All language subtitles for charlies.angels.s03e12.remastered.bdp.x264-rovers-en

Once upon a time,

there were ihree iitl/e girls who went
to the police academy--

two in Los Ange/es,

the other in San Francisco--

and they were each assigned
very hazardous duties.

[Buzzing]

But i took them away from all that,
and now they work for me.

My name is Charlie.

[No Audible Dialogue]

[ Woman On PA. ]
All passengers for Flight 419
to Chicago,

now boarding at Gate 43.

[No Audible Dialogue]

[ Woman On P.A. ]
Will Mr. Rowan please call
the flight desk

[ Man On P.A. ]
Passengers for Flight 709
may new board at Gate 16‘.

[No Audible Dialogue]

[Man On RA. ]
Use the left ramp for
meeting all incoming flights.

[Phone Rings ]

[ Charlie’s Voice /
Good day.
This is the Townsend Agency.

Since we do not
toll on Sundays,

this machine
will record any messages
you might wish to leave.

Wait till the sound ofthe
tone and then leave your name,

time of day and any message.

Eilherl or one of my
associates will get
back to you

as soon as possible.

[Beeps]

Charlie, this is Tom Norton.
[Panting ] It's 10:45.

I'm in a hurry and I can only
say this once, so listen good.

There's an acquaintance
of mine I owed a favor to.

He asked me to find him
a guy here in town...

to muscle someone a little.

I did what he asked.

Trouble is,
it turns out my acquaintance
didn't want just muscle,

he wanted a killing.

And I found
out it's apparently a girl
who works for you, Charlie.

I told him I didn't want
any part of any killing,

least-- leastwise
it it concerns you, Charlie.

I owe you, Charlie,and that's
the reason I don't--

[Phone Booth Door Opens]

[Jet Engine Roaring]
No.

No, please. No.

Oh, God! Please--
[Gunshot]

I hope he wasn't
too close a friend
of yours, Mr. Gorman.

I've very precise
in my work.

ldon't like sudden decisions,
but I had no choice.
You understand.

I understand.

I'll be at
the Fremont Hotel.
Call me when she's dead.

And remember: time.

[ Norton’s Voice]
Trouble is, it turns out
my acquaintance...

didn‘t wantjust muscle,
he wanted a killing.

And llound out
it's apparently a girl
who works for you, Charlie.

/ told him / didn’t want
any part of any killing,

/east-- leastwise
if it concerns you, Charlie.

lowe you, Charlie,
and that’s the reason
/ don ’t--

[Jet Engine Roaring]
No. No, please. No.

Oh, God! Please--
[ Gunshot]

[ Tape Player Stops ]
Oh, boy.

Well, I came in 15 minutes
ago. I heard that, and
I called you.

[ Sabrina /
Did you try to
call Charlie?

I tried, but/cant
reach him. He’s out
sailing today.

Norton. Tom Norton.

Do you have any idea
who that is, Bosley?

No. I looked through the tiles
and the name
just doesn't show up.

This is crazy
One of us is due to be killed.

We don't know why,
when, by whom--

Where do we start?
We've got nothing to go on.

Wait a minute.
Now listen.

lowe you, Charlie,
and that's the reason
ldon't--

[Jet Engine Roaring]
No. No, please.

No. Oh, God. Please--
[ Gunshot]

I have a friend who works
at the police lab.

Maybe he can tell us what kind
of background noise that is.

Well, that beats
sitting around here
and waiting.

Let's go.

[Norton's Voice]
Charlie, this is Tom Norton.

lt's 10:45.
lm in a hurry and / can
only say this once--

[Man ]
You say this was a local call?

Well, that's what we figure.
What do you think?

Los Angeles airport.

Wait a minute.
How do you know that?
Jet prop noise.

Turboprops,
regular reciprocating engines,

which would be intercity
commuter-type aircraft.

Since it's mixed in
with heavy jet noise,
it's gotta be LA.X.--

probably outside, near
the international terminals.

[Clicks Tongue]
Thanks, Eddie.
I won't forget it's Sunday.

- Neither will I.
- Mm-hmm.

Thanks, Eddie.
[Sabrina]
Bye-bye.

Now where?
L.A.X.

To look for what?
Well, the phone booth
Norton called from.

[Kelly]
Even if we find it,
what will it tell us?

[Sabrina]
Maybe nothin',
but we gotta start somewhere.

[ Kris ]
Okay, where do we start?

The phone booths
inside the terminal are

the new, open-compartment
types.

Yeah?
But on the tape,

there was the sound
of a metal door
opening and closing,

which means our mysterious
Mr. Norton was
probably calling

from an outside-type booth.

Which would explain
the heavy noise level
on the tape.

Hey, there are phone booths in
those parking lots over there.
Okay. Let's go.

Yeah.
Wait a minute.
Wait a minute.

Uh, why don't you
let me do this? I mean,
one of you is a target.

And everything has been
happening so darned fast,

we haven 't real/y stopped
and thought about that.

I mean, one of you could
step out of this car
right now, and that's it.

So why don't you just let me
carry the ball this time?

Bos, you could do it alone,
but it would take time--

maybe more time than
we've got.

All l'm trying to say is that
lhalre grown rather attached
to you three.

The feeling's mutual, Bosley,
but it's still team play.

Look, besides, I'm not one
for hiding in corners
while some

freak is out there with a gun.

[Sabrina] We know one thing
about professional hit men.
They don't like complications.

They want one shot,
neat and clean,
then a fast exit.

So from now on,
we'll all walk close together.
We'll shift positions.

We'll never give him
a clear shot.

Right. Like Kris said,
it beats hiding in corners.

it sure does.
Bos, wh y don't
you call Charlie?

See if he's home yet,
and don't worry about us.

Okay.

lt done?
Not yet, Mr. German.

Why'd you call me?
It's getting
a little complicated.

What's she doin' here?
i don't know.

And who are those two?
They've been with her...

ever since I picked her up
coming out of
the Townsend office.

Probably work with her.

What are they doin'?
I'd say they're looking
for Norton's body.

He must have told 'em
where he was calling from.

If he told them that,
he could've mentioned
your name.

It's getting messy.
I think we better call if off,
Mr. Gorman.

I think we'd better not.
'Cause it could be
you're right.

Maybe Norton
did mention our names,

and if he did, we'd
better know,

and we better do something
about it.

I don't like it.
Maybe you should
do it yourself.

[Laughs]

Jellek, ifl had
the stomach for this,

lwouldn't have hired you
to kill her.

Every hour that goes by,

she's gonna come closer
to figurin' it out.

So you do it,
and you do it quick.

Well-- [Chuckles]
some guys can
hold their liquor...

and some can 't, huh?
[ Kellrl
Yeah, some can ’t.

Right.
See you later.

So long.
Come on, dear.
Let's get this thing open.

Be careful.
Wait a minute.

One--
One, two, three, go.
Easy, easy.

He's dead. Let's see
if there's any identification.

We got a wallet.

"Norton, Thomas A."
I'll call the police.

Operator, I'd like
to report a homicide.

Would you please
give me the police?
It's an emergency.

Well, it was a clean shot,
close range,
right through the heart.

I found this.

Right.
We're the Townsend Agency.

Yes, we'll stay here
till the officers arrive.

Thank you.

"Flight 717, Sovereign
Airlines, 10:35 from Chicago.
Today."

On the tape,
Norton said it was 10:45.

He met someone on that flight.
Ten minutes later
he was killed.

Well, maybe it was the guy who
asked him to find the hit man?

Or maybe it was
the hit man himself?

Or both.

[Siren Wailing, Distant]

[Siren Stops]

[ Chattering 0n Police Radio ]

Yeah, that's right.
Flight 717 from Chicago.
Came in at 10:35.

Okay. Certainly do
appreciate it,
Lieutenant Kane.

Yeah, I'm sure Charlie will
too, if we ever find him.

Okay We'll get back to you.
Thanks a lot.

Well, Lieutenant Kane's
gonna get a fast court order,

subpoena the passenger list
and everything related
to Flight 717,

and, uh, he'll get back to us
in a couple hours.

Listen, maybe there'll be
a name on that list that

we can tie into Norton
somehow.

Maybe, if we can figure how
Norton ties up with Charlie.

Well, I left a message for
Charlie to call us the minute
he gets back from sailing.

Listen, I've got a weekend
houseguest I left at home,

and / think for her safety,
l'd better check her
into a hotel.

I don't want her
accidently getting in front
of a gun pointed at me.

Well, we'll all
pick her up.
Yeah.

Okay.

[ Car Doors Close ]

[ Car Phone Buzzes ]

Hello? Charlie.

Uh, Charlie, there was
a message on the

answering machine
this morning,

a very urgent message.

Uh, yes. It was from a man
by the name of Tom Norton.

0h, then you do know him.
Well, that's terrific. Listen,
could you help us all out?

Would you please tell us
who he is, or i mean,
rather, who he was?

He's dead.

You want me to go
to a hotel?
Just for a day or so.

And you won't tell me why?
Well, H can,
but I'd rather not.

You're angry with me.
Are you mad at me
or something?

Of course not, Sally.
Well, then why do you
want me to leave?

Kelly, look. I'm not
trying to be difficult.
Really, I'm not.

It's just that I'm a little
sensitive these days.

You know, since Mom died,
I've-I've been really alone,
and I've looked forward to--

[Phone Ringing ]
I'll get it.

Kelly, you're my best friend.
You always have been,

- and this is a very important
time for me right now.
- Hello?

And, well, l-l wanna
share it with you.
Okay, Bosley,

We'll be right out.
Charlie called.

- Did he get a line
on Norton for us?
- Yeah, he did.

And I think maybe we oughta,
you know, hurry.

Yeah.

Look, I'm not going anywhere
till somebody tells me
what's going on.

Okay, Sally. Look, we'll tell
you on the way to the hotel.
Get your coat.

What'd Charlie tell you
about Norton?

Norton apparently was
a small-time hustler,

but he got mixed up
with some heavyweights

on a bank heist
that went sour.

He was accused
of shooting a guard.

But Charlie proved that he
wasn't involved in
the killing,

and he got off
on a lesser charge.

Norton did time, but he was
very grateful to Charlie.

Which explains
his phone call to Charlie.

Would somebody please
tell me what's going on?

[Kai/kl
Bosley, this is Sally Miles.
[Bosley] How do you do?

[Sally] Youll tell me.
[Kelly] We it tell you.
Let's go now, Bosley,

So someone is trying
to kill one of you,
but you don't know who?

That's the picture.

Charlie suggested we check out
Norton's house in the canyon.

So why don't you help her
settle in, and then we'll
come back and pick you up?

Okay. Meanwhile,
I'll call Lieutenant Kane...

and see if he got
the passenger list
for Flight 717 yet.

Yeah, and we'll
be back in-- What?
Oh, hour and a half?

- Yeah.
- All righty. See you later.

Yes, I heard right.
Miles. Sally Miles.

They're going inside now.

Well, how would I know
how much has been said?

You want to--
You want to what?

Look, German, I told you.
I don't like complications,
sudden changes of plan.

I'm a direct man.
I like to deal with problems
in a direct manner.

[lnhales]
All right. All right.
We'll proceed your way.

But for your own sake,
it better work.

[ Bosley]
Yeah, Charlie.
We're at Norton's house now

Sabrina and Kris
are checking it out.

Okay.

That was Charlie. He's sending
all the material he has
on Norton over to the office.

Did you find anything
in Norton's house?

Well, a lot of dust
and this address and
phone book.

Maybe it'll give us something.

Let's get back
to Kelly, huh?
Yeah.

Hey.
What is it?

l have a feeling I saw that
car earlier at the hotel.
Take a look at that.

You know what?
Come to think of it, I think
I saw him behind us before.

Mm-hmm.
You think
he's tagging us?

I don't know.
You got a pencil?
Yeah.

Pen, anything?
Pencil.

Thank you.

694 IJZ.
See if that's a "Z."

"Zn?
IJZ.

[Engine Revving]

Bosley, look out!
Whoal

[Tires Squealing]

[Bumpers Crashing]

- [Gunshot]
- Ohl Stopl

[ All Shouting,
indistinct]

- Ohl
- Whoal

Everybody okay?

[Panting]
Bosley, are you okay?
Yeah.

Boy, I whacked my head good.

Well, I guess the killer
made his move, huh?

Yeah, but which one of us
is he trying to kill?

We still don't know.

[Charlie 0n Speakerphone]
Well, we 've made
some progress.

Since Kelly wasn't in the car
with you, it looks like we've
eliminated her as a target.

Uh, Charlie, the license
number we got off
the car that tried

to force us off the road--

Did you get anything on that?
it was a rental car.

The police found it abandoned
half an hour ago.

Well, I figured once he knew
we got a look at it,
he'd dump it.

[ Charlie]
Kris, Sabrina-- i could
get you police protection.

For how long, Charlie?
Forever? No good.
We gotta play this one out.

But i do think Kris and i
should split up.
Split up? Why?

Well, until we know
which one of us he's after,
we're never gonna know why.

[ Charlie ]
Perhaps Sabrina is right, Kris.

if we can learn the reason
someone wants one of you dead,

then we have a fair chance
of stopping it.

Okay. How do we handle it?
Both of you go home.

The moment either of you
see or even feel
something is wrong, call in.

Now, Bosley,
you stay there
in the office...

to coordinate communications
between all of us.
Good idea, Charlie.

Oh, by the way, I got the file
on Norton that you sent over--

his, uh, friends,
accomplices...

and, uh, material relative to
his life in prison, et cetera.

Also, I got
the related material...

on Sovereign Airlines's
passenger list that
Lieutenant Kane sent over,

plus the, uh,
phone and address book
we took from Norton's house.

I'll see ifl can tie any of
those pieces together
from here.

[ Charlie ] All right.
Now remember, well all stay
as close as the nearest phone.

Kris or Sabrina's life
may depend on it.
[Speakerphone Disconnects ]

Yeah.
[Sucks Teeth]

[Coin C/atters ]
[Bell Dings]

[Clears Throat]
[Line Ringing]

[ Woman ]
Paciflca Hotel.
Registration desk, please.

Hello. Listen, uh, I dropped
a couple of young
ladies off at

your hotel about
20 minutes ago,

and one of them
left a wallet in my cab.

I tried to return the wallet,
but I may have gotten
to the wrong room.

I can't be sure about that.
Her name is
Miles-- Sally Miles.

Room 411? Thankyou.

Uh, is the room on either
side of her unoccupied,
by any chance?

Room 409 is unoccupied.

Yeah, I may have gone
to that room by mistake.

Uh, thankyou.
Thank you very much.

Kelly, why are
you still pacing?

Kris and Sabrina told you.
You're off the hook.

I know. But one ofthem
is still on the hook.

You care a lot about them,
don't you?
Quite a lot.

Oh, Kelly.
I really picked a poor time
to drop in on you, didn't I?

Sally, I'm very happy
to see you.

And I'm glad things are
getting better for you.

/ know how close
you were to your mother.

0h, Kelly,
it was terrible.

Losing her
was the cruelest thing
that's ever happened to me.

And then all of a sudden,
being faced with
the responsrbility..

of all that money
and everything.

It's just all been
too much to handle.
I know that.

But you gotta think of
what's ahead of you,
the good things.

I'm Wing I know.

Kelly, I can't wait
for you to meet him.
He's a stockbroker.

He's intelligent.
He's educated. He's cute.

[Laughing]
[Laughing]
I'm looking forward to it.

You are like
the only family l have left,
and I want you to be pleased.

Sally, |wi|| be.

[Sighs]
I guess I'm, uh, still that
insecure little ding-a-ling...

you befriended in summer camp
all those years ago.

I guess I'm still looking
for your approval.
You don't need it.

You're your own person now.

I've always admired you.
I think I wanted
to be just like you.

You know, / told John
thatl was gonna ask you to
get me a job working with you.

[Exhales]
I... don't think
it's your kind of work, Sally.

[ Ch uck/es ]
i know.

l was just kidding him.

Oh, Kelly, thanks.
Thanks for being
such a good friend.

Sure.

[Engine Revving]

[Tires Screeching ]

[Tires Screeching ]

Put the window down!

The window!
Put the window down!

Put it downl
Hey. What--

Okay, put your hands
on the wheel.
On the wheel!

Put your--
Why are you following me?

[Speaking Eastern European
Language]

What? What?
Don't you speak English?

[Speaking Eastern European
Language]

Oh, okay. Okay.
What's your name?

Oh. Stashu Wyszniewsky.

Sta-- Stash--
Stashu Wyszniewsky.

- "Voshnosky."
- Wyszniewsky.

Oh, the heck with it.
Okay, okay.

- What you got in the backseat?
What is that?
- Ah.

[Shutter Clicks]

- Uh, "grull."
Pretty... "grull."
- Grill?

"Prytee grull."

Oh. Oh, I'm--
I'm really sorry.

See, someone
was try/rig to--
Girl pretty.

Oh, you're not gonna--
|-- Oh.

I'm--
[Whimpers]

l'm-- It's just, l--

[Speaking Eastern European
Language]

[Tires Squealing]

[Engine Shuts Off]

[ Gunshots ]

[ Tires Squealing ]

[Charlie 0n Speakerphone]
All right. Now we know
which of you is the target,

but we don't know
the why of it.

Sabrina, think carefully.

Is there anything
new or different
that's happened to you lately?

Some new person you've met,
some change
in your lifestyle...

that might be
significant somehow.

No, Charlie.
I keep thinkin'
about that tire.

Now, the bullet missed me
but it hit the tire.

So, somebody shoots at you
and accidentally
hits the tire.

I think he meant
to hit the tire.
You lost me.

Well, it doesn't make sense.
A professional hit man who
hits a guy in a phone booth...

in a public place
with no problem
misses me at close range,

but... he hits the tire
of my car so I can't
follow him.

Hey. Hey, now.
This is interesting.

What?
Sovereign Airlines Flight 717
from Chicago to LA.

Now, besides
the passenger manifest,
Lieutenant Kane sent over...

a list of people who took out
flight insurance, rented cars,
et cetera, et cetera.

Well, now, when you
take out flight insurance...

the passenger has to put
his home telephone number
on the policy.

Now, here: John Gorman.

Horne number in Chicago,
area code 312-KL5-4761.

And in the address book that
we took from Norton's house,
here is the same number,

but this time it's listed
under the name Wilson Flicker.

- Wilson Flicker. Does that
ring a bell for anybody?
- Mm-mmm.

- [ Charlie ] Not me. Bosley?
- No. No bells, Charlie.

But get this.

Wilson Flicker
or John Gorman orwhatever
you want to call him...

was Tom Norton's cell mate
in prison.

- Here's his picture.
- Now, that is interesting.

[ Sabrina ]
Well, maybe Kelly would
remember the name Flicker.

Maybe you oughta give Kelly
a call at the hotel.

Yeah.
Bye-bye, Charlie.

Get the number.

[Phone Ringing]

Hello?
Hi, Sally. Sabrina.

ls Kelly there?
Oh, Sabrina,
she's not here.

She's not?
No.

I was kind oftired so Kelly
took a cab home.

She said she'd call you as
soon as she got there though.

How long ago
did she leave?
Oh, about 15 minutes.

Okay
Uh, thank you, Sally

Bye-bye.

[Phone Ringing]

[Line Ringing]
Not there.

I'll try again
in a few minutes.

How much?
Five dollars,
ma'am.

Before you--
[Sighs]
kill her,

you've gotta find out
what she's learned.

Gorman--
You've got to!

What's been said,
who's been discussed,
who can be identified.

Millions of dollars are
at stake, and if Norton
mentioned our names...

before you... killed him,
even our lives
may be at stake.

- Now, these are questions
that have to be asked, Jellek.
- Then why don't you ask them?

Because you may have
to get rough with her,
and I'm-- I'm not--

I'm not good
at that sort of thing.

[lnhales]

Oh, Miss Johnson.
Miss Johnson?

-I beg your pardon?
- Miss Emily Johnson?

Well, I'm sorry.
You must have the
wrong address.

l have the right address,
Miss Garrett. Step inside.

Inside.

[ Objects Clattering ]

What is it you want?

[Ringing]

[Line Ringing]

[Ringing Continues]

[Ringing Continues]

All right. What cab company
would most likely service
the Pacifica Hotel?

Well, there were some Tower
cabs out front while
we were there.

- Do we have the number?
- I think I've got it
right here.

Your friend, Sally Miles--

Did she give you anything
before you left the hotel?

Like what?

- A picture, a snapshot.
- Of who?

A friend or someone close.

Oh, no photos of friends
or of anyone.

Did she give you anything
before you went to the hotel?
Nothing.

[Rif/ing ]

[ Rifling Continues]

What is it
you're looking for?

You stay right there!
[Groans]

0h.

Thank you. Appreciate
your help. Cab dropped her off

about five minutes ago.

Then why isn't
she answering?
Mm-mmm.

Maybe she decided
to drive over here.

No, she told Sally
she was gonna callus
when she got home.

Well, she could have
changed her mind.
/ don't know i don't like it.

Car forced us off the road
but none of us were hurt,

and those bullets
all missed me at my house.

You saying
those were diversions, Bree?

I'm saying I think we oughta
get over to Kelly's, fast.

[ Rifling Continues]

[Phone Ringing]

[Ringing Continues]

[Line Ringing]

[Handset Settles in Cradle ]

[Phone Ringing]

Your phone rings a lot.

- I have a lot of friends.
- Maybe too many friends!

You and Sally Miles--
What did you talk about?

We're old friends.
We talked about
a lot of things.

Who did you talk about mostly?

Her fiance’ maybe?

Uh, her mother.

It's really too bad.

You're a very pretty girl.

i don't ordinarily
notice those things, but...

you're very pretty.

Hey, Sabrina!
What?

You know that list with the
names of people
from the flight

who had rental cars reserved?

Yeah?
Well, that car over there
was rented...

by Norton 's friend
Mr. John Gorman, otherwise
known as Wilson Flicker.

- [Engine Revving]
- Bosley, he's gonna run!

[Tires Squealing]

- How did they get here?
- [Hammer Clicks]

Hey, empty guns--

Okay, friend.
The next one's for real.

Go for it.
It's your choice.

Let's go.

[ Car Door Opens ]

[Sabrina]
Okay. Let's have 'em
in the air. Get out.

Come on. Just--
[ Car Door Closes ]

John?

What's going on?

John, answer me!

Sally, his name isn't John.

lt's Wilson Flicker.

I helped send him to prison
five years ago
for embezzlement.

Kelly, what are you saying?
You wanted me to meet him?

Well, that's the last thing
he wanted.

That's what all this
has been about.

John? Tell me this is
some kind of misunderstanding.

Tell me something.

Sally, do you have any, uh,
investment deals pending...

with your...
stockbroker fiancé?

Well, we, uh--

we discussed his... handling
some of the business deals
I have pending.

Five years ago,
he was engaged to another
young woman of means.

That engagement cost her
two million dollars.

Worthless stocks of some sort,
as I remember.

You remember too well.

I know.
It almost got me killed.

[Siren Wailing, Distant]

Sorry.

[Tires Squealing]

You all right?
Yeah, I'm fine.

Funny,huh?

Years later and it's still
just like it was in
summer camp.

You're still
taking care of me.
So what are friends for?

Oh, Kelly.
You're so dear to me.

Likewise.

There's just one thing.
What?

Next time you think
about getting engaged,
let me check him out first?

Deal.
Okay.

[Charlie 0n Speakerphone]
Well, Kelly,

I assume
your friend's wedding plans
were quickly canceled.

Very quickly, Charlie.
it could have
been much worse.

Right.
She could've married him.

Ohh! Listen, Charlie.
Since we did work on Sunday,

I assume that we have a few
days off to rest and
rehabilitate?

Hmml

Kris, I'd like to help you,
but I'm afraid there's
another case...

that needs
our immediate attention.

[ Bos/e y ]
Ah, right you are, Charlie.

And / have the material
right here.

The case concerns
the disappearance of some
rather valuable art pieces,

and the insurance company has
promised us a most generous
stipend if we recover them.

The way I figure,
it should come... to--

- Bosley?
- Uh, yes, Charlie?

You've stopped talking.
What is it?

Oh, uh, well, I, uh, think
it's Sunday again, Charlie.

i don't follow you, Bos/e y
Explain.