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1
00:00:01,400 --> 00:00:02,753
CHARLIE:
ONCE UPON A TIME,
2
00:00:03,040 --> 00:00:05,952
THERE WERE THREE L/TTLE GIRLS
WHO WENT TO THE
POL/CE ACADEMY.
3
00:00:16,800 --> 00:00:22,113
AND THEY WERE EACH ASSIGNED
VERYHAZARDOUS DUTIES.
4
00:00:22,400 --> 00:00:24,436
BUTI TOOK THEMA WA Y
FROM ALL THA 7'.
5
00:00:24,720 --> 00:00:27,917
AND NOW THEY WORK FOR ME.
MYNAME IS CHARLIE.
6
00:02:20,000 --> 00:02:22,560
MR. MALLIN,
YOUR OFFICE SAFE
7
00:02:22,840 --> 00:02:24,512
HAS JUST BEEN OPENED
AND SOME MONEY TAKEN.
8
00:02:24,800 --> 00:02:26,279
HAVE YOU
CALLED THE POLICE?
9
00:02:26,560 --> 00:02:28,232
I DIDN'T THINK
YOU'D WANT ME TO.
10
00:02:28,520 --> 00:02:31,114
IT WAS YOUR WIFE,
MR. MALLIN.
11
00:02:31,400 --> 00:02:33,436
CHARLIE: WHA TABOUT
TINA MALLIN’S BACKGROUND?
12
00:02:33,720 --> 00:02:36,553
SHE DID SOME WORK
AS A BIT ACTRESS.
13
00:02:36,880 --> 00:02:37,995
SHE WORKED A LOT
WHEN SHE WAS AVAILABLE,
14
00:02:38,280 --> 00:02:40,475
BUT SHE HASN'T WORKED SINCE
SHE'S BEEN MARRIED TO MALLIN.
15
00:02:40,800 --> 00:02:42,199
I CHECKED HER
WITH THE POLICE DEPARTMENTS.
16
00:02:42,480 --> 00:02:44,710
NO ARRESTS. NOT EVEN
ANY OUTSTANDING
TRAFFIC TICKETS.
17
00:02:45,000 --> 00:02:46,797
WHA T WAS THE LAST YOU HEARD
FROM SABRINA?
18
00:02:47,080 --> 00:02:48,798
SHE FOLLOWED MRS. MALLIN
TO A BEAUTY SHOP,
19
00:02:49,080 --> 00:02:50,593
THEN TO A DEPARTMENT STORE.
20
00:02:50,880 --> 00:02:53,553
MRS. MALLIN PICKED OUT
A FUR COAT, SIGNED FOR IT,
21
00:02:53,840 --> 00:02:55,159
AND TOOK IT WITH HER
WHEN SHE LEFT.
22
00:02:55,480 --> 00:02:57,710
DIDN'T EVEN LEAVE IT TO BE
MONOGRAMMED ON THE LINING.
23
00:02:58,000 --> 00:02:58,910
[TELEPHONE RINGS]
24
00:02:59,240 --> 00:03:01,435
HOLD ON ONE, CHARLIE.
YEAH.
25
00:03:01,720 --> 00:03:02,835
BOSLE Y
26
00:03:03,160 --> 00:03:05,515
MRS. MALLIN JUST WENT
INTO THE POKER PALACE,
27
00:03:05,800 --> 00:03:07,836
AND ON HER WAY HERE
SHE TOOK HER NEW FUR COAT
28
00:03:08,160 --> 00:03:12,950
TO A PAWN SHOP
ON CALVIN AVENUE-- 862 WEST.
29
00:03:13,240 --> 00:03:14,593
SHE HOCKED IT.
30
00:03:14,920 --> 00:03:16,831
WHAT DID THE PAWNBROKER SAY?
31
00:03:17,120 --> 00:03:18,314
THA TMRS. MALLIN’SA REGULAR--
32
00:03:18,600 --> 00:03:20,431
LIKE ONCE A MONTH
FOR THE LAST THREE MONTHS.
33
00:03:20,760 --> 00:03:22,113
SHE COMES IN HERE
WITH A BRAND-NEW MINK
34
00:03:22,400 --> 00:03:23,515
OR A DIAMOND RING.
35
00:03:23,840 --> 00:03:25,592
ONCE SHE EVEN CAME IN
WITH A MARQUISE EMERALD.
36
00:03:25,880 --> 00:03:27,950
SHE GOES IN
ONCE A MONTH?
37
00:03:28,240 --> 00:03:30,549
SECOND TUESDAYOF THE MONTH,
LIKE CL OCK WORK.
38
00:03:30,840 --> 00:03:32,910
LOOK, THAT'S ALL I GOT
FOR NOW.
39
00:03:33,200 --> 00:03:35,191
I'M GOING TO GO IN
AND WATCH HER PLAY CARDS.
40
00:03:35,520 --> 00:03:37,351
WE'LL COME WATCH
WITH YOU, BREE.
41
00:03:37,640 --> 00:03:39,437
THAT'S A GOOD IDEA.
42
00:03:39,720 --> 00:03:41,517
WE WATCH FOR CHEATS
FROM UP HERE.
43
00:03:41,800 --> 00:03:42,869
THE CUSTOMERS
THAT KNOW ABOUT IT
44
00:03:43,200 --> 00:03:45,270
REALLY APPRECIATE
THE PROTECTION.
45
00:03:45,560 --> 00:03:48,518
DOES SHE ALWAYS PLAY
WITH THE SAME THREE PEOPLE?
46
00:03:48,800 --> 00:03:50,870
EVER SINCE THEY STARTED
TO COME IN HERE
47
00:03:51,200 --> 00:03:52,679
ABOUT FIVE OR SIX MONTHS AGO.
48
00:03:53,000 --> 00:03:57,198
SAME PLAYERS, SAME TABLE.
SECOND TUESDAY OF THE MONTH.
49
00:04:13,040 --> 00:04:15,873
HAVE ANY IDEA HOW MUCH
MONEY'S IN THAT GAME?
50
00:04:16,160 --> 00:04:20,517
THAT'S NONE OF OUR BUSINESS.
WE JUST RENT THEM THE TABLES.
51
00:04:20,800 --> 00:04:22,313
SO MUCH A HALF-HOUR.
52
00:04:22,600 --> 00:04:24,272
BUT IT LOOKS RICH TO ME.
53
00:04:24,560 --> 00:04:26,516
IT DOES, HUH?
54
00:04:26,800 --> 00:04:30,236
HERE COMES MY
GROUND-LEVEL RECON TEAM.
55
00:04:39,040 --> 00:04:40,359
EXCUSE ME.
56
00:04:40,640 --> 00:04:41,993
I SAW THE EMPTY CHAIR.
MIND IF I SIT IN?
57
00:04:42,280 --> 00:04:44,953
SORRY, PRETTY.
THAT ONE'S FOR A FRIEND.
58
00:04:45,240 --> 00:04:47,629
I CAN BE A FRIEND.
59
00:04:47,920 --> 00:04:49,478
WOMAN:
TWO CARDS, PLEASE.
60
00:04:49,800 --> 00:04:52,951
YEAH, BUT THIS ONE HAS
A MUSTACHE AND DRIVES A TRUCK.
61
00:04:58,920 --> 00:05:01,150
STRUCK OUT.
62
00:05:01,480 --> 00:05:05,029
MAYBE I'M NOT THE WORLD'S
BEST CARD PLAYER,
63
00:05:05,360 --> 00:05:06,315
BUT THAT LADY--
LOOK AT HER.
64
00:05:06,600 --> 00:05:09,433
TELL ME IF THE WAY SHE'S
PLAYING MAKES SENSE TO YOU.
65
00:05:20,160 --> 00:05:21,752
DID YOU SEE
WHAT SHE JUST DID?
66
00:05:22,080 --> 00:05:23,559
SHE JUST RAISED
AND THEN SHE FOLDED
67
00:05:23,880 --> 00:05:26,713
WITH THREE KINGS
IN A FIVE-CARD DRAW GAME.
68
00:05:27,960 --> 00:05:30,394
SHE'S BANANAS.
69
00:05:30,720 --> 00:05:32,358
MALLIN:
I CAN'T BELIEVE IT.
70
00:05:32,680 --> 00:05:35,752
WELL, I WATCHED HER THROUGH
A ONE-WAY GLASS CEILING.
71
00:05:36,040 --> 00:05:37,359
I SAW HER CARDS.
72
00:05:37,680 --> 00:05:39,796
SHE'S A GOOD PLAYER.
73
00:05:40,080 --> 00:05:41,195
SHE'S SO MUCH BETTER THAN I AM
74
00:05:41,520 --> 00:05:43,670
THAT SHE WON'T EVEN PLAY
A HAND OF GIN WITH ME.
75
00:05:43,960 --> 00:05:46,110
SHE REMEMBERS ALL THE CARDS.
SHE BEATS ME EVERY TIME.
76
00:05:46,440 --> 00:05:47,919
DOES THAT SOUND
LIKE SOMEONE WHO RAISES
77
00:05:48,240 --> 00:05:49,559
AND THEN
TOSSES IN THREE KINGS?
78
00:05:49,840 --> 00:05:53,435
NO, IT DOESN'T,
BUT THAT'S WHAT SHE DID.
79
00:05:53,720 --> 00:05:57,190
ALL RIGHT. THEN FIND OUT
WHY SHE'S GAMBLING LIKE THIS.
80
00:05:57,480 --> 00:05:59,311
WELL, IT MIGHT HELP,
MR. MALLIN, IF YOU COULD
81
00:05:59,600 --> 00:06:02,239
GIVE US SOME PERSONAL DETAILS
OF YOUR RELATIONSHIP.
82
00:06:02,520 --> 00:06:04,272
PERSONAL?
83
00:06:06,800 --> 00:06:09,951
WHAT CAN I TELL YOU?
I LOVE HER.
84
00:06:10,240 --> 00:06:12,276
I THINK SHE LOVES ME.
85
00:06:12,600 --> 00:06:13,510
I KNOW SHE LOVES ME.
86
00:06:13,840 --> 00:06:15,876
SHE WOULDN'T DO
ANYTHING TO HURT ME.
87
00:06:19,160 --> 00:06:21,310
BUT SHE IS.
88
00:06:24,360 --> 00:06:25,713
YES, SHE IS.
89
00:06:27,040 --> 00:06:29,235
SO, PLEASE...
90
00:06:29,520 --> 00:06:32,034
PLEASE FIND OUT WHY.
91
00:06:32,360 --> 00:06:34,874
CHARLIE: WHATHA I/E WE GOT
ON THE OTHER POKER FLA YERS
92
00:06:35,200 --> 00:06:36,428
MRS. MALLIN WAS FLA YING WITH?
93
00:06:36,720 --> 00:06:39,553
I CHECKED OUT THE WOMAN.
HER NAME IS NADDY SAMUELS.
94
00:06:39,840 --> 00:06:41,239
SHE'S MARRIED
TO HUGH SAMUELS.
95
00:06:41,520 --> 00:06:43,556
NOW, HE'S ANOTHER PLAYER
AT THE TABLE.
96
00:06:43,880 --> 00:06:45,438
THE THIRD PLAYER
IS SIDNEY CARVER,
97
00:06:45,720 --> 00:06:47,153
A TRUCK DRIVER,
LA. TO NEW YORK RUN.
98
00:06:47,440 --> 00:06:49,192
WHA TABOUT THE SAMUELS COUPLE?
99
00:06:49,480 --> 00:06:51,948
WELL, THEY OWN
A SMALL BOUTIQUE IN WESTWOOD,
100
00:06:52,240 --> 00:06:53,355
AND HE ALSO WORKS AS A WAITER
101
00:06:53,680 --> 00:06:54,908
IN A FRENCH RESTAURANT
IN SANTA MONICA.
102
00:06:55,200 --> 00:06:57,156
CONSIDERING
MRS. MALLIN'S LOSSES,
103
00:06:57,440 --> 00:06:59,954
THEIR FINANCIAL SITUATION
MAKES NO SENSE AT ALL.
104
00:07:00,240 --> 00:07:01,593
THE DAY AFTER EACH GAME,
105
00:07:01,880 --> 00:07:03,950
THEY DEPOSIT
ONLY $1,000 TO THEIR ACCOUNT.
106
00:07:04,240 --> 00:07:05,468
NEVER MORE, NEVER LESS.
107
00:07:05,760 --> 00:07:07,716
WHA TABOUT CARVER,
THE TRUCK DRIVER?
108
00:07:08,000 --> 00:07:09,399
HE DEPOSITS A THOUSAND, TOO.
109
00:07:09,680 --> 00:07:11,398
WHA TDO YOU SUPPOSE HAPPENS
TO THE RES T OF THE MONEY?
110
00:07:11,680 --> 00:07:12,874
WE DON'T KNOW.
111
00:07:13,200 --> 00:07:15,668
WE HAVE LEARNED ONE THING
THAT COULD TIE MRS. MALLIN
112
00:07:15,960 --> 00:07:17,678
TO SAMUELS
AND THE TRUCK DRIVER.
113
00:07:17,960 --> 00:07:20,997
MRS. MALLIN WAS A DANCER
IN THE CHORUS LINE AT--
114
00:07:21,280 --> 00:07:24,636
MR. AND MRS. SAMUELS
WORKED AS A WAITER
AND A WAITRESS AT--
115
00:07:24,960 --> 00:07:28,589
SIDNEY CARVER MAKES WEEKLY
DELIVERIES ON WEDNESDAYS TO--
116
00:07:28,920 --> 00:07:30,797
THE VERSAILLES HOTEL
IN LAS VEGAS.
117
00:07:31,080 --> 00:07:32,798
WHICH IS THE ONLY PERSON,
PLACE, 0R THING
118
00:07:33,080 --> 00:07:34,035
THAT THEY ALL FOUR
HAVE IN COMMON.
119
00:07:34,320 --> 00:07:35,514
AND IF WE WERE RIGHT
IN THE BEGINNING
120
00:07:35,840 --> 00:07:37,114
IN THINKING
THIS WAS BLACKMAIL,
121
00:07:37,400 --> 00:07:39,356
THE VERSAILLES COULD BE
WHERE IT ALL STARTED.
122
00:07:39,680 --> 00:07:41,955
IF THE BLACKMAILER ISN'T
ONE OF THE POKER PLAYERS
123
00:07:42,240 --> 00:07:44,071
BUT SOMEBODY
STILL AT THE VERSAILLES,
124
00:07:44,400 --> 00:07:45,515
THAT EXPLAINS WHAT HAPPENS
125
00:07:45,800 --> 00:07:47,677
TO THE REST OF THE MONEY
MRS. MALLIN LOSES.
126
00:07:47,960 --> 00:07:50,554
SID TAKES IT TO VEGAS
ON HIS RUN AND DROPS IT OFF.
127
00:07:50,840 --> 00:07:52,193
THEN YOU THINK
THE POKER GAME
128
00:07:52,480 --> 00:07:54,948
IS THE WA YMRS. MALLIN PA YS
HER BLACKMAIL INS TALLMEN TS .7
129
00:07:55,280 --> 00:07:57,794
WELL, IT'S THE ONLY WAY
HER LOSING IN THOSE GAMES
130
00:07:58,120 --> 00:07:59,473
MAKES ANY SENSE, CHARLIE.
131
00:07:59,760 --> 00:08:01,796
IT ALSO EXPLAINS
THE SAMUELS AND SID
132
00:08:02,120 --> 00:08:04,031
ONLY GETTING $1,000
OF THEIR WINNINGS
133
00:08:04,320 --> 00:08:06,038
AS A CUT AS COLLECTORS.
134
00:08:06,320 --> 00:08:08,436
ALL RIGHT THA T'S THE TRAIL
WE HA VE TO FOLLOW
135
00:08:08,720 --> 00:08:10,551
YOULL ALL HA VE TO GO
UP TO VEGAS.
136
00:08:10,880 --> 00:08:12,916
ONLY PROBLEM IS,
WE DON'T HAVE ANY REAL LEAD
137
00:08:13,200 --> 00:08:14,269
ONCE WE GET THERE.
138
00:08:14,560 --> 00:08:16,516
CHARLIE, WE'VE GOT
TO TALK TO MRS. MALLIN.
139
00:08:16,840 --> 00:08:19,149
WITHOUT THAT, WE COULD SPEND
SIX MONTHS IN VEGAS
140
00:08:19,440 --> 00:08:20,919
AND COME BACK
WITH NOTHING BUT A SUNTAN.
141
00:08:21,200 --> 00:08:23,475
THA T'S MORE THAN A LOT
OF PEOPLE COME BACK WITH.
142
00:08:23,760 --> 00:08:25,990
ILL CALL MALLIN AND TELL HIM
143
00:08:26,280 --> 00:08:28,919
AND SINCE WE REPRESENT
THE INSURANCE COMPANY
144
00:08:29,200 --> 00:08:31,953
THAT COVERS
YOUR HUSBAND, HIS OFFICE,
AND HIS CORPORATION,
145
00:08:32,280 --> 00:08:35,875
THE INVESTIGATION
OF THE ROBBERY FELL TO US.
146
00:08:36,200 --> 00:08:37,633
THIS IS RIDICULOUS.
147
00:08:37,920 --> 00:08:40,229
MRS. MALLIN,
YOUR FINGERPRINTS WERE FOUND
148
00:08:40,520 --> 00:08:42,511
ON THE INSIDE
OF YOUR HUSBAND'S SAFE.
149
00:08:42,800 --> 00:08:44,279
WHY WOULD I ROB
MY OWN HUSBAND?
150
00:08:44,560 --> 00:08:45,913
THAT'S THE QUESTION
THAT WE'RE HERE
151
00:08:46,200 --> 00:08:48,270
TO GET THE ANSWER FOR,
MRS. MALLIN. WHY DID YOU?
152
00:08:48,560 --> 00:08:49,993
WE THINK
YOU'RE BEING BLACKMAILED.
153
00:08:50,280 --> 00:08:53,158
THAT'S EVEN MORE ABSURD,
MR. BOSLEY.
154
00:08:53,440 --> 00:08:55,954
MRS. MALLIN, WE KNOW ABOUT
THE MONTHLY POKER GAMES
155
00:08:56,240 --> 00:08:58,310
AT TABLE NINE
AT THE POKER PALACE.
156
00:08:58,640 --> 00:09:00,358
POKER'S LEGAL IN THAT COUNTY.
157
00:09:00,680 --> 00:09:01,556
YES, IT IS.
158
00:09:01,840 --> 00:09:04,638
BUT GOOD PLAYERS
DON'T USUALLY LOSE.
159
00:09:04,920 --> 00:09:05,955
AND YOU'RE A GOOD CARD PLAYER.
160
00:09:06,240 --> 00:09:11,155
ANYONE COULD HAVE A STREAK
OF BAD LUCK. I DID.
161
00:09:12,800 --> 00:09:15,314
MRS. MALLIN,
YOUR HUSBAND'S ACCOUNT
162
00:09:15,600 --> 00:09:16,589
IS WORTH MORE TO US
163
00:09:16,880 --> 00:09:18,199
THAN THE MONEY
YOU'VE TAKEN. SO FAR.
164
00:09:18,480 --> 00:09:21,358
BUT NOT WITH A BLACK CLOUD
HANGING OVER YOU.
165
00:09:21,640 --> 00:09:24,837
UNLESS YOU LET US HELP YOU,
WE'LL HAVE NO CHOICE
166
00:09:25,160 --> 00:09:27,071
BUT TO INFORM
YOUR HUSBAND, HIS COMPANY,
167
00:09:27,360 --> 00:09:30,318
AND PROSECUTE YOU
FOR THE $22,000 LOSS.
168
00:09:30,600 --> 00:09:32,511
YOU'RE BLACKMAILING ME, TOO!
169
00:09:40,360 --> 00:09:43,158
SOMEONE...
170
00:09:43,440 --> 00:09:46,238
SENT PICTURES OF ME
IN A HOTEL ROOM
171
00:09:46,560 --> 00:09:49,154
TAKEN FIVE YEARS AGO
IN LAS VEGAS,
172
00:09:49,480 --> 00:09:51,994
AND THEY TOLD ME
TO LOSE $30,000 A MONTH
173
00:09:52,320 --> 00:09:54,550
EVERY MONTH
AT THOSE POKER GAMES.
174
00:09:55,920 --> 00:09:58,480
I DON'T KNOW WHO--
175
00:09:58,760 --> 00:10:00,751
HONESTLY, I DON'T KNOW
WHO'S DOING THIS TO ME!
176
00:10:01,040 --> 00:10:04,032
ALL RIGHT. OKAY.
LOOK, UH...
177
00:10:07,000 --> 00:10:08,877
MRS. MALLIN,
YOU KNOW YOU'LL HAVE
178
00:10:09,200 --> 00:10:11,031
TO TELL US ABOUT
THOSE PICTURES.
179
00:10:19,480 --> 00:10:22,233
IWAS INAROOM...
180
00:10:24,680 --> 00:10:26,591
WITH A MAN...
181
00:10:28,280 --> 00:10:31,078
AND THE LIGHTS WERE OUT.
182
00:10:31,400 --> 00:10:34,233
I DON'T KNOW HOW ANYBODY
COULD'VE TAKEN THOSE PICTURES.
183
00:10:39,000 --> 00:10:41,673
LOOK, I'M NOT
COPPING OUT, OKAY?
184
00:10:41,960 --> 00:10:43,916
I DID WHAT I DID.
185
00:10:44,240 --> 00:10:46,435
IT'S TAKEN ME MONTHS
WITH A PSYCHIATRIST
186
00:10:46,720 --> 00:10:48,039
TO BE ABLE TO SAY THAT.
187
00:10:48,320 --> 00:10:50,629
I DID WHATI DID,
BUT I WAS NO TRAMP.
188
00:10:50,960 --> 00:10:52,598
I WASN'T THEN,
AND I'M NOT NOW.
189
00:10:52,920 --> 00:10:56,151
I WAS ALONE,
I WAS BROKE.
190
00:10:56,440 --> 00:11:01,116
| WAS UP FOR A JOB
IN THE CHORUS
AT THE VERSAILLES HOTEL.
191
00:11:01,400 --> 00:11:04,278
THE NEXT OPENING WAS MINE,
BUT THERE WAS NO OPENING.
192
00:11:04,600 --> 00:11:08,149
EVERY DAY PASSING IS TIME.
193
00:11:08,440 --> 00:11:09,793
TIME COSTS MONEY.
194
00:11:10,080 --> 00:11:13,072
AND MINE JUST RAN OUT.
195
00:11:13,400 --> 00:11:18,155
ANYWAY, A GUY INTRODUCED ME
TO A HIGH ROLLER
196
00:11:18,480 --> 00:11:21,040
WHO WAS LOOKING FOR COMPANY
FOR THE EVENING.
197
00:11:21,360 --> 00:11:23,032
I WENT.
198
00:11:25,360 --> 00:11:29,638
AND THE HIGH ROLLER
MADE ME AN OFFER
THAT I COULDN'T REFUSE.
199
00:11:31,560 --> 00:11:32,709
NO, SCRATCH THAT.
200
00:11:33,040 --> 00:11:36,350
I COULD HAVE REFUSED,
BUT I WAS TOO DUMB TO REFUSE.
201
00:11:38,640 --> 00:11:41,393
WHEN THE SUN CAME UP
THE NEXT MORNING...
202
00:11:42,720 --> 00:11:46,474
I HAD $500 IN MY PURSE...
203
00:11:48,440 --> 00:11:54,231
AND FEELING SO DIRTY,
I COULDN'T WASH IT OFF.
204
00:11:54,560 --> 00:11:55,959
| TOOK THE NEXT FLIGHT OUT.
205
00:11:56,240 --> 00:11:59,073
MRS. MALLIN, DO YOU REMEMBER
THE NAME OF THE MAN
206
00:11:59,400 --> 00:12:01,675
WHO INTRODUCED YOU
TO THE HIGH ROLLER?
207
00:12:03,240 --> 00:12:04,389
CASS HARPER.
208
00:12:04,680 --> 00:12:07,956
HE RUNS THE SHOWROOM
AT THE VERSAILLES HOTEL.
209
00:12:08,280 --> 00:12:10,316
I THOUGHT HE WAS
DOING ME A FAVOR.
210
00:12:10,600 --> 00:12:13,797
BIG FAVOR.
211
00:12:14,120 --> 00:12:17,351
I REMEMBER
EVERY ROTTEN DETAIL.
212
00:12:17,640 --> 00:12:19,517
EVEN THE ROOM NUMBER.
213
00:12:20,760 --> 00:12:22,955
EIGHT-SIX-TWO.
214
00:12:25,320 --> 00:12:29,711
ROOM 862.
CASS HARPER, HUH?
215
00:12:43,840 --> 00:12:45,910
HER PARENTS ARE DEAD,
AND NOBODY ELSE
216
00:12:46,240 --> 00:12:48,549
REALLY MUCH CARES
WHETHER SHE'S ALIVE OR DEAD.
217
00:12:48,840 --> 00:12:50,831
MONEY'S ALMOST GONE.
218
00:12:51,160 --> 00:12:52,513
I DON'T KNOW.
IN HER PLACE,
219
00:12:52,800 --> 00:12:56,156
MAYBE I COULD
ALMOST CON MYSELF INTO IT.
220
00:12:56,440 --> 00:12:59,079
I DON'T KNOW.
I THINK I COULD.
221
00:12:59,360 --> 00:13:01,590
WELL, LET'S HOPE NONE OF US
EVER GETS PUT IN A POSITION
222
00:13:01,920 --> 00:13:04,832
WHERE WE'D HAVE
TO FIND OUT WHAT WE'D DO.
223
00:13:05,120 --> 00:13:08,476
WHERE IS KELLY
AND THAT OTHER RENTAL CAR?
224
00:13:08,800 --> 00:13:11,553
SHE IS AT THE VERSAILLES
225
00:13:11,840 --> 00:13:14,673
AUDITIONING
FOR THE CHORUS LINE.
226
00:13:14,960 --> 00:13:16,712
HOPE SHE HAS BETTER LUCK
WITH CASS HARPER
227
00:13:17,000 --> 00:13:18,718
THAN MRS. MALLIN DID.
228
00:13:19,000 --> 00:13:20,752
[PIANO PLAYING]
229
00:13:25,400 --> 00:13:28,312
HEY, BABY, I GOT TO TELL YOU,
YOU ARE A WINNER.
230
00:13:28,600 --> 00:13:30,750
YOU MOVE LIKE SHEER SILK
IN A SUMMER BREEZE.
231
00:13:31,080 --> 00:13:33,116
YOU'RE OUT OF SIGHT. REALLY.
DO YOU KNOW THAT?
232
00:13:33,400 --> 00:13:34,992
DO I HAVE THE JOB,
MR. HARPER?
233
00:13:35,280 --> 00:13:36,793
NO, IT'S CASS, SWEETHEART.
234
00:13:37,120 --> 00:13:38,997
I SWEAR, IF THERE WAS ONE,
YOU'D HAVE IT.
235
00:13:39,280 --> 00:13:41,589
YOU SEE, RIGHT NOW--
WAIT A MINUTE.
236
00:13:41,920 --> 00:13:44,480
THERE'S A CHICK, SHEILA--
237
00:13:44,800 --> 00:13:46,756
RIGHT, SHE'S SUPPOSED
TO BE GETTING MARRIED SOON.
238
00:13:47,040 --> 00:13:48,837
I TELL YOU WHAT, LET ME HAVE
A LITTLE TALK WITH HER,
239
00:13:49,120 --> 00:13:50,235
SEE IF SHE'S
SET A DATE YET.
240
00:13:50,520 --> 00:13:53,239
SHE GOES, YOU'RE IN.
IS THAT FAIR?
241
00:13:53,560 --> 00:13:57,075
CAN'T ASK FOR MUCH MORE
THAN THAT, CAN I?
242
00:13:57,360 --> 00:13:59,112
BABY, THIS TOWN IS FULL
OF BEAUTIFUL BROADS
243
00:13:59,440 --> 00:14:01,431
WHO'D GIVE AN ARM AND A LEG
TO HAVE AS MUCH.
244
00:14:01,720 --> 00:14:03,119
HEY, THEY GOT LOOKS,
245
00:14:03,440 --> 00:14:05,635
BUT THEY GOT
NOWHERE NEAR YOUR TALENT.
246
00:14:05,920 --> 00:14:07,069
NOW, YOU KEEP IN TOUCH.
247
00:14:07,400 --> 00:14:09,755
IT'S JUST A MATTER
OF TIME, YOU KNOW?
248
00:14:10,040 --> 00:14:12,315
IN THE MEANWHILE,
WHAT I WANT YOU TO DO
249
00:14:12,600 --> 00:14:15,068
IS COME DOWN AND SEE THE SHOW,
CHECK OUT THE ROUTINES.
250
00:14:15,360 --> 00:14:18,352
YOU FEEL FREE
TO JUST COME BACKSTAGE
251
00:14:18,640 --> 00:14:21,154
AND WATCH ANY TIME
YOU WANT. OKAY?
252
00:14:21,440 --> 00:14:22,475
OKAY.
253
00:14:22,760 --> 00:14:24,512
I'LL SEE YOU LATER.
254
00:14:33,640 --> 00:14:35,198
EXCUSE ME, BUT...
255
00:14:35,480 --> 00:14:37,357
YOU DON'T LOOK DUMB ENOUGH
TO BELIEVE THAT JIVE
256
00:14:37,680 --> 00:14:39,557
CASS WAS LAYING ON YOU.
257
00:14:39,840 --> 00:14:41,068
YOU MEAN HE WAS LYING TO ME?
258
00:14:41,400 --> 00:14:42,913
THERE ISN'T A JOB
THAT'S OPENING UP?
259
00:14:43,200 --> 00:14:44,758
LET'S LOOK AT IT THIS WAY.
260
00:14:45,040 --> 00:14:46,837
IF THERE WAS,
AND HE OFFERED IT TO YOU,
261
00:14:47,120 --> 00:14:49,031
I'D BREAK YOUR LEG
BEFORE YOU COULD TAKE IT.
262
00:14:49,360 --> 00:14:52,079
LOOK, IF YOU THINK I HAVE
ANY INTEREST IN MR. HARPER--
263
00:14:52,400 --> 00:14:54,868
JUST GO CRAWL BACK
INTO THE WOODWORK, SWEETUMS.
264
00:14:55,200 --> 00:14:58,112
THERE'S NOTHING FOR YOU HERE.
NOTHING AT ALL.
265
00:15:11,040 --> 00:15:11,995
BOSLEY,
DON'T YOU THINK YOU PUT
266
00:15:12,280 --> 00:15:13,633
A LITTLE TOO MUCH GARLIC
IN THERE?
267
00:15:13,920 --> 00:15:17,595
NO ADVICE, PLEASE.
WHEN I COOK, I DO IT ALONE.
268
00:15:17,880 --> 00:15:19,757
YOU EAT THAT MUCH GARLIC,
YOU'LL DO EVERYTHING ALONE.
269
00:15:20,040 --> 00:15:21,155
WE'LL ALL DO
EVERYTHING ALONE.
270
00:15:21,480 --> 00:15:22,117
DO YOU REALLY THINK
I PUT IN TOO MUCH?
271
00:15:22,440 --> 00:15:23,634
UH-HUH.
UH-HUH.
272
00:15:23,920 --> 00:15:27,674
HEY, JILL, DO YOU THINK
IF WE LOBBIED IN WASHINGTON,
273
00:15:27,960 --> 00:15:31,748
WE COULD GET GARLIC DECLARED
AN ENDANGERED SPECIES?
274
00:15:32,040 --> 00:15:34,508
BOY, I COULD FIND MY WAY HERE
FROM DOWNTOWN
275
00:15:34,800 --> 00:15:35,755
WITH MY EYES CLOSED.
276
00:15:36,080 --> 00:15:36,876
NOBODY HAS TO EAT THIS,
YOU KNOW.
277
00:15:37,200 --> 00:15:38,110
GOOD.
278
00:15:38,400 --> 00:15:39,992
NOW, NOW,
IF BOSLEY WENT OUT HUNTING
279
00:15:40,280 --> 00:15:42,157
AND SHOT THIS WHOLE GARLIC
FOR OUR DINNER,
280
00:15:42,440 --> 00:15:43,270
WE MUSTN'T TEASE HIM.
281
00:15:43,560 --> 00:15:44,754
SORRY, BOZ.
282
00:15:45,080 --> 00:15:46,991
DID YOU GET TO MEET
CASS HARPER, KELLY?
283
00:15:47,280 --> 00:15:49,589
IMET HIM.
THERE WAS NO WAY TO AVOID HIM.
284
00:15:49,920 --> 00:15:51,273
HE SLITHERED IN,
285
00:15:51,560 --> 00:15:53,198
GAVE ME THE "SUGAR BABY,
HONEY PIE" ROUTINE,
286
00:15:53,480 --> 00:15:55,232
TOLD ME I HAD REAL TALENT,
287
00:15:55,520 --> 00:15:56,873
THAT THERE WASN'T
A JOB RIGHT NOW
288
00:15:57,160 --> 00:15:59,116
BUT THAT THE FIRST ONE
THAT OPENED UP WOULD BE MINE.
289
00:15:59,400 --> 00:16:01,038
HE ALSO SAID
TO BE SURE AND COME BACK.
290
00:16:01,320 --> 00:16:02,639
AHA.
291
00:16:02,920 --> 00:16:04,911
WE'VE BEEN TALKING ABOUT
THIS BLACKMAIL SETUP,
292
00:16:05,200 --> 00:16:06,918
AND IT DOESN'T MAKE SENSE
293
00:16:07,200 --> 00:16:09,236
THAT A BLACKMAILER WOULD WANT
PICTURES OF THE CHORUS GIRLS.
294
00:16:09,560 --> 00:16:11,039
THEY DON'T MAKE ANY MONEY.
295
00:16:11,360 --> 00:16:12,998
THEY'D WANT PICTURES
OF THE MEN THEY WERE WITH.
296
00:16:13,320 --> 00:16:14,309
HE JUST HAPPENED TO LUCK OUT
297
00:16:14,600 --> 00:16:16,113
WHEN TINA MALLIN
MARRIED A MAN WITH MONEY.
298
00:16:16,400 --> 00:16:18,755
JILL, DON'T BE
SUCH A FEMALE CHAUVINIST.
299
00:16:19,080 --> 00:16:20,433
WHY DOES A BLACKMAILER
HAVE TO BE A MAN?
300
00:16:20,720 --> 00:16:21,596
BET IT IS.
301
00:16:21,880 --> 00:16:23,108
OH, SO DO I.
302
00:16:23,400 --> 00:16:26,631
BUT ON PRINCIPLE, I RESENT
THE SEXIST PRESUMPTION.
303
00:16:26,960 --> 00:16:30,077
POINT WELL TAKEN, BOSLEY.
WE APOLOGIZE.
304
00:16:30,360 --> 00:16:31,076
SORRY.
305
00:16:31,360 --> 00:16:33,191
- ACCEPTED.
- OKAY, OKAY, COME ON.
306
00:16:33,480 --> 00:16:35,391
IT DOESN'T SEEM LIKELY
THAT THE HOTEL MANAGEMENT
307
00:16:35,720 --> 00:16:37,551
WOULD GO ALONG WITH HAVING
THEIR CUSTOMERS BLACKMAILED.
308
00:16:37,880 --> 00:16:39,359
I MEAN,
IT'S BAD FOR BUSINESS.
309
00:16:39,680 --> 00:16:40,590
MAKES SENSE.
310
00:16:40,880 --> 00:16:42,279
YEAH, SO,
WHAT'S OUR NEXT MOVE?
311
00:16:42,600 --> 00:16:46,195
ENTER WILL THURMAN,
TEXAS HIGH ROLLER.
312
00:17:08,120 --> 00:17:10,998
11.
11,AW|NNER.
313
00:17:22,480 --> 00:17:24,118
HOWDY.
314
00:17:24,400 --> 00:17:27,597
MY NAME IS WILL THURMAN.
315
00:17:27,880 --> 00:17:31,236
THAT'S MY CASHIER'S CHECK
FOR 50,000,
316
00:17:31,560 --> 00:17:35,758
AND THIS IS MY IDENTIFICATION
TO PROVE IAM WHO I SAY I AM.
317
00:17:36,040 --> 00:17:38,349
I'D LIKE $1,000
IN CHIPS, PLEASE,
318
00:17:38,640 --> 00:17:42,076
AND THEN BANK THE REST IN CASE
I SHOULD NEED IT LATER.
319
00:17:44,320 --> 00:17:46,276
THANK YOU.
320
00:18:02,840 --> 00:18:06,310
WELL, LOOK WHO DECIDED
NOT TO DO WHAT SHE WAS TOLD.
321
00:18:06,640 --> 00:18:07,755
LOOK, I NEED THIS JOB.
322
00:18:08,040 --> 00:18:10,235
POOR BABY.
323
00:18:11,240 --> 00:18:12,878
I'LL SEE YOU LATER.
324
00:18:13,160 --> 00:18:14,513
HI, BABY.
GLAD YOU COULD MAKE IT.
325
00:18:14,800 --> 00:18:16,153
HOW DO YOU
LIKE THE SHOW SO FAR?
326
00:18:16,480 --> 00:18:18,118
IT'S FANTASTIC.
I THINKI COULD LEARN
327
00:18:18,440 --> 00:18:19,589
ALL THE ROUTINES
IN A COUPLE OF DAYS.
328
00:18:19,880 --> 00:18:22,189
SURE YOU CAN.
I STAGE IT MYSELF.
329
00:18:22,480 --> 00:18:24,630
A LITTLE REHEARSAL,
YOU'LL BE FANTASTIC.
330
00:18:24,920 --> 00:18:25,716
MR. HARPER--
331
00:18:26,040 --> 00:18:27,234
HIYA, BABY.
332
00:18:27,520 --> 00:18:29,829
MEET KELLY.
KELLY, THIS IS ELSBETH.
333
00:18:32,160 --> 00:18:34,071
SURE. AM I EVER
TOO BUSY FOR YOU?
334
00:18:36,080 --> 00:18:38,640
MR. HARPER, LOOK.
335
00:18:38,960 --> 00:18:41,315
I AM RUNNING OUT OF MONEY,
AND YOU DID PROMISE
ME A PLACE--
336
00:18:41,640 --> 00:18:43,392
AND I WILL.
JUST TRUST ME, WILL YOU, BABE?
337
00:18:43,720 --> 00:18:46,712
I GOT TO SPLIT.
I'LL CATCH YOU LATER.
338
00:18:48,480 --> 00:18:50,710
CAN WE TALK, ELSBETH?
339
00:18:51,000 --> 00:18:53,434
YEAH, SURE. WHAT ABOUT?
340
00:18:53,720 --> 00:18:55,233
WELL, IT'S KIND OF IMPORTANT,
SO NOW'S FINE.
341
00:18:55,560 --> 00:18:58,120
BUT NOT HERE, OKAY?
COME ON.
342
00:18:58,440 --> 00:18:59,873
SURE.
343
00:19:00,200 --> 00:19:01,519
CASS IS GOING TO GET A SHOCK
344
00:19:01,800 --> 00:19:04,439
IF HE EVER TRIES
TO PUT ME ON THE STREET.
345
00:19:04,720 --> 00:19:07,473
WOW, I ONLY KNOW YOU TWO
FOR 10 MINUTES,
346
00:19:07,760 --> 00:19:10,354
AND I'VE GONE FROM THINKING
YOU'RE A COUPLE OF WEIRDOS
347
00:19:10,640 --> 00:19:12,756
TO TELLING YOU
MY WHOLE LIFE STORY.
348
00:19:14,360 --> 00:19:17,591
GUESS I'M KIND OF
AT THE END OF MY ROPE.
349
00:19:17,920 --> 00:19:22,755
I GUESS I REALLY JUST NEED
SOMEONE TO TALK TO.
350
00:19:24,120 --> 00:19:25,633
WE'RE GOOD LISTENERS.
351
00:19:29,120 --> 00:19:31,111
OKAY.
352
00:19:33,960 --> 00:19:35,473
PRESENT.
353
00:19:35,760 --> 00:19:39,309
I HAVE GOT $34 IN THE BANK,
354
00:19:39,600 --> 00:19:44,151
$11 IN MY WALLET,
AND MY RENT'S DUE FRIDAY.
355
00:19:46,040 --> 00:19:48,156
PAST.
356
00:19:49,240 --> 00:19:52,152
I GOT MARRIED WHEN I WAS 18.
357
00:19:53,200 --> 00:19:55,156
IT WAS VERY ROMANTIC.
358
00:19:55,440 --> 00:19:58,159
WE RAN AWAY TOGETHER.
359
00:19:59,520 --> 00:20:01,795
WHEN IWAS 19,
360
00:20:02,080 --> 00:20:05,709
HE PUT ME IN A LITTLE
KIND OF SHORT SKIRT
361
00:20:06,000 --> 00:20:07,956
AND SENT ME
OUT TO THE STREET.
362
00:20:08,240 --> 00:20:10,549
THEN FOR MY
20TH BIRTHDAY,
363
00:20:10,840 --> 00:20:12,831
HE SENT ME BACK
ONTO THE STREET
364
00:20:13,120 --> 00:20:17,591
WITH A FAT LIP...
365
00:20:18,560 --> 00:20:20,437
AND A BLACK EYE...
366
00:20:22,120 --> 00:20:23,758
AND TOLD ME
NOT TO COME BACK
367
00:20:24,040 --> 00:20:26,395
WITH ANYTHING LESS
THAN 100 BUCKS.
368
00:20:26,680 --> 00:20:30,195
WELL, HE'S STILL WAITING.
369
00:20:31,840 --> 00:20:33,558
STRAIGHTENED MYSELF UP,
370
00:20:33,840 --> 00:20:35,592
TOOK SOME SINGING LESSONS,
371
00:20:35,920 --> 00:20:37,273
HERE IAM.
372
00:20:37,560 --> 00:20:42,839
WELL, SOUNDS LIKE YOU'VE
GOTTEN YOURSELF TOGETHER.
373
00:20:44,600 --> 00:20:46,636
CASS'LL FIND OUT
HOW TOGETHER I AM
374
00:20:46,920 --> 00:20:48,911
IF HE EVER TRIES
TO PUT ME ON THE STREET.
375
00:20:51,040 --> 00:20:52,792
YOU KNOW,
376
00:20:53,080 --> 00:20:55,275
YOU REALLY ARE
THE SAME PERSON,
377
00:20:55,600 --> 00:21:00,628
WHETHER YOU SELL YOURSELF
FOR FIVE BUCKS OR A THOUSAND.
378
00:21:00,920 --> 00:21:02,956
NO ONE...
379
00:21:03,280 --> 00:21:07,353
IS EVER GOING TO BUY
OR SELL ME ANYMORE.
380
00:21:26,000 --> 00:21:28,309
[CROUPIER CALLING NUMBERS,
BETS]
381
00:21:46,560 --> 00:21:50,553
DON'T WORRY.
IT'LL BE FINE.
382
00:21:50,840 --> 00:21:52,353
MAN, I THINK
WE GOT TROUBLE.
383
00:21:52,640 --> 00:21:53,675
REALLY? WHAT KIND?
384
00:21:53,960 --> 00:21:55,871
THERE'S A BROAD IN HERE AT ONE
OF THE BLACKJACK TABLES.
385
00:21:56,200 --> 00:21:58,316
SHE TRIED TO CRASH OUR GAME
AT THE POKER PALACE.
386
00:21:58,600 --> 00:22:00,079
SO? WHAT MAKES HER TROUBLE?
387
00:22:00,360 --> 00:22:02,351
SHE'S THERE SAYING SHE WANTS
TO PLAY IN OUR GAME,
388
00:22:02,640 --> 00:22:04,358
THEN SHE SHOWS UP HERE.
THAT'S NOT TROUBLE?
389
00:22:04,640 --> 00:22:05,834
COME ON,
DON'T GET PARANOID, SID.
390
00:22:06,120 --> 00:22:07,951
SHE'S PROBABLY JUST A PLAYER.
IT'S A COINCIDENCE.
391
00:22:08,240 --> 00:22:10,754
NOT THAT SHE'S HERE,
BUT THAT YOU'D REMEMBER HER.
392
00:22:11,040 --> 00:22:12,632
YOU DON'T FORGET
THAT KIND OF BROAD.
393
00:22:12,920 --> 00:22:15,115
WHY DON'T YOU
JUST BUY HER A DRINK
394
00:22:15,400 --> 00:22:16,310
AND GET ACQUAINTED?
395
00:22:16,640 --> 00:22:18,835
SHE'S PROBABLY
JUST CRAZY FOR YOU
396
00:22:19,120 --> 00:22:20,439
AND FOLLOWED YOU HERE.
397
00:22:20,720 --> 00:22:22,438
I'M TELLING YOU, CASS,
BAD VIBES, MAN.
398
00:22:24,520 --> 00:22:27,478
THEN WHY DON'T YOU
JUST TAKE THE BROAD
399
00:22:27,760 --> 00:22:29,716
OUT IN THE DESERT
AND ICE HER, SID?
400
00:22:30,000 --> 00:22:33,595
MAYBE I SHOULD,
JUST TO BE SURE.
401
00:23:49,560 --> 00:23:51,073
TAXI!
402
00:23:51,400 --> 00:23:54,631
BY DOG, FRED, IS THAT YOU?
FRED HAMMOND FROM BEAUMONT?
403
00:23:54,920 --> 00:23:56,751
WHAT ARE YOU DOING
HERE IN LAS VEGAS?
404
00:23:57,080 --> 00:23:58,149
YOU GOT
THE WRONG GUY, BUDDY.
405
00:23:58,440 --> 00:24:00,829
I GET IT. YOU DON'T WANT
NOBODY KNOWING WHERE YOU ARE.
406
00:24:01,160 --> 00:24:03,390
I'LL TELL YOU, OLD HOUND DOG,
WHO AM I GOING TO TELL?
407
00:24:03,680 --> 00:24:05,113
I AIN'T SEEN YOU
IN THE LAST TEN YEARS!
408
00:24:05,400 --> 00:24:07,277
I'M NOT YOUR OLD BUDDY.
YOU GOT THE WRONG GUY, OKAY?
409
00:24:07,560 --> 00:24:09,039
OH, NOW, COME ON.
410
00:24:09,320 --> 00:24:10,594
I'LL TELL YOU WHAT I'LL DO.
I'LL BUY YOU A DRINK.
411
00:24:10,920 --> 00:24:12,194
THEN TELL ME WHY YOU DON'T
WANT TO SAY WHO YOU ARE.
412
00:24:13,120 --> 00:24:14,189
I'M NOT FRED.
413
00:24:14,480 --> 00:24:16,198
I'M SID CARVER
FROM LOS ANGELES, ALL RIGHT?
414
00:24:16,480 --> 00:24:17,708
OKAY, THEN, I'M SORRY,
415
00:24:18,000 --> 00:24:19,433
BUT THAT'S NO REASON TO GET
ALL HET UP ABOUT IT.
416
00:24:19,760 --> 00:24:20,749
I'LL TELL YOU WHAT
I'M WILLING TO DO.
417
00:24:21,040 --> 00:24:23,873
I'LL BUY YOU A DRINK
NO MATTER WHO YOU ARE.
418
00:24:24,160 --> 00:24:25,593
N0, THANKS.
419
00:24:25,880 --> 00:24:28,030
OKAY. TAXII
420
00:24:29,800 --> 00:24:31,438
THANKS, FRED!
421
00:24:39,440 --> 00:24:41,590
I KNOW SID CARVER SAW ME
WHEN I TRIED
422
00:24:41,880 --> 00:24:43,757
TO SIT IN ON THE CARD GAME
AT THE POKER PALACE.
423
00:24:44,080 --> 00:24:45,752
AND YOU'RE NOT SURE
IF HE SAW YOU TWO.
424
00:24:46,080 --> 00:24:47,195
HE MIGHT'VE.
425
00:24:47,480 --> 00:24:48,435
I DON'T THINK SO.
426
00:24:48,720 --> 00:24:50,438
WELL, IT COULD'VE
BEEN NOTHING.
427
00:24:52,360 --> 00:24:53,793
AND WAS JUST TRYING
TO PICK HER UP.
428
00:24:54,080 --> 00:24:55,593
THAT HAS HAPPENED BEFORE.
429
00:24:55,920 --> 00:24:58,275
HE NEVER SPOKE TO ME
IN THE CASINO.
430
00:24:58,600 --> 00:25:01,034
IN FACT, I WASN'T EVEN
AWARE HE WAS THERE.
431
00:25:01,320 --> 00:25:04,471
ALL RIGHT, THEN, ON THE CHANCE
THAT HE IS SUSPICIOUS OF YOU
432
00:25:04,760 --> 00:25:07,069
AND HE IS
AT THE CASINO TOMORROW,
433
00:25:07,400 --> 00:25:08,515
WE'LL REWORK THE PLAN
434
00:25:08,800 --> 00:25:11,360
SO AS YOU KEEP HIM AWAY
FROM THE REST OF US.
435
00:25:11,640 --> 00:25:13,915
I WISH I KNEW WHAT
YOU WERE ALL TALKING ABOUT.
436
00:25:14,240 --> 00:25:16,356
I'LL EXPLAIN IT TO YOU
WHEN I DRIVE YOU HOME.
437
00:25:16,640 --> 00:25:20,076
WHICH SHOULD BE NOW,
AS I AM VERY TIRED.
438
00:25:20,360 --> 00:25:22,510
IT HAS BEEN A LONG DAY.
439
00:25:22,800 --> 00:25:24,438
LISTEN, WHILE I'M GONE,
440
00:25:24,720 --> 00:25:28,110
YOU THREE CAN CHECK OUT
THE ELECTRONIC EQUIPMENT.
441
00:25:28,400 --> 00:25:29,753
RIGHT.
442
00:25:30,080 --> 00:25:31,911
OH, SURE.
443
00:25:32,200 --> 00:25:33,076
MM-HM.
444
00:25:37,440 --> 00:25:38,793
WELL, ARE WE THREE READY
445
00:25:39,080 --> 00:25:41,355
TO CHECK OUT
THE ELECTRONIC EQUIPMENT?
446
00:25:41,680 --> 00:25:43,511
I THINK BOSLEY WAS LAYING
447
00:25:43,800 --> 00:25:45,597
A LITTLE MACHO ACTION
ON ELSBETH.
448
00:25:45,880 --> 00:25:48,110
THINK HE'S
INTERESTED IN HER?
449
00:25:48,440 --> 00:25:49,589
SURE WOULDN'T HURT.
450
00:25:49,880 --> 00:25:51,711
LET'S SEE IF WE CAN FIND
THAT ELECTRONIC EQUIPMENT.
451
00:25:52,000 --> 00:25:54,878
| WOULDN'T KNOW
WHAT IT LOOKS LIKE!
452
00:25:55,160 --> 00:25:56,878
YOU SEE, OUR PROBLEM IS
453
00:25:57,200 --> 00:25:59,031
WE DON'T KNOW
WHAT APPROACH CASS USES
454
00:25:59,360 --> 00:26:04,673
T0 PERSUADE A GIRL
TO PLAY IT COZY WITH A CLIENT.
455
00:26:05,000 --> 00:26:07,594
AND THEN YOU'D BE
THE CLIENT IN THIS CASE.
456
00:26:07,880 --> 00:26:09,313
AND THEN I WOULD
ASK FOR A GIRL
457
00:26:09,600 --> 00:26:11,113
FITTING KELLY'S DESCRIPTION.
458
00:26:11,400 --> 00:26:12,674
MM-HM.
459
00:26:13,000 --> 00:26:15,992
AND I'LL
CONVINCE CASS, THEN,
460
00:26:16,280 --> 00:26:18,077
THAT KELLY'D GO ALONG
WITH ALL THIS.
461
00:26:18,360 --> 00:26:20,078
RIGHT.
462
00:26:20,360 --> 00:26:25,832
AND I GET A TICKET TO LA.
AND SOME WALK-AROUND MONEY.
463
00:26:26,120 --> 00:26:29,237
THAT'S REALLY A LOT TO EARN
FOR DOING NOTHING MUCH.
464
00:26:29,560 --> 00:26:32,757
LISTEN, YOUR BEING THERE
TO GIVE YOUR OKAY TO KELLY,
465
00:26:33,040 --> 00:26:34,393
THAT'S ALREADY AVOIDED US
466
00:26:34,680 --> 00:26:37,148
HAVING TO SPEND A COUPLE
OF WEEKS ON HER BUILDUP.
467
00:26:37,480 --> 00:26:40,233
I MEAN, ON A PRO RATA BASIS,
WE'RE GETTING AWAY CHEAP.
468
00:26:40,520 --> 00:26:44,911
WELL, I DON'T REALLY AGREE,
BUT I'M NOT ABOUT TO ARGUE.
469
00:26:45,240 --> 00:26:47,993
AND WITH A COUPLE OF BREAKS,
YOUR PART IN THIS
470
00:26:48,280 --> 00:26:50,748
SHOULD BE OVER TOMORROW NIGHT
AT THE SAME TIME.
471
00:26:51,080 --> 00:26:52,877
WITH A COUPLE OF BREAKS,
HONEY,
472
00:26:53,160 --> 00:26:54,912
I COULD BE
A BIG STAR ON BROADWAY.
473
00:26:57,240 --> 00:26:58,798
I'M SORRY.
474
00:26:59,080 --> 00:27:03,232
I DIDN'T MEAN
TO BE A WISEACRE.
475
00:27:03,520 --> 00:27:05,078
HERE YOU ARE BEING SO NICE,
476
00:27:05,360 --> 00:27:08,557
AND I'M COMING OFF
FLIP AND TOUGH.
477
00:27:08,840 --> 00:27:10,592
I GUESS THAT'S
REALLY WHAT I AM.
478
00:27:14,560 --> 00:27:18,109
BUT INSIDE I DON'T THINK
YOU'RE SO TOUGH.
479
00:27:18,440 --> 00:27:20,317
I'M SORRY. I DIDN'T MEAN
TO BE PERSONAL.
480
00:27:20,600 --> 00:27:22,352
WHAT DO I KNOW?
481
00:27:22,640 --> 00:27:24,551
IT'S ALL RIGHT.
I DON'T MIND.
482
00:27:24,840 --> 00:27:27,957
WELL, I'LL SEE YOU
TOMORROW.
483
00:27:28,280 --> 00:27:29,429
BOSLEY?
484
00:27:31,160 --> 00:27:33,754
UH, COULD YOU DO ME A FAVOR?
485
00:27:34,080 --> 00:27:35,877
SURE, IF I CAN.
486
00:27:37,000 --> 00:27:38,956
COULD YOU KISS ME GOOD NIGHT?
487
00:27:39,240 --> 00:27:42,357
I MEAN, NO ONE'S EVER KISSED
ME GOOD NIGHT
AT MY FRONT DOOR,
488
00:27:42,680 --> 00:27:45,672
AND I'VE ALWAYS KIND OF--
I WONDERED WHAT IT WAS LIKE.
489
00:28:04,800 --> 00:28:07,189
YOU KNOW, THE WAY
I KEEP SIGNING MY NAME,
490
00:28:07,480 --> 00:28:10,517
I'M BEGINNING TO FEEL SORRY
FOR THEM MOVIE STARS
491
00:28:10,800 --> 00:28:12,756
SIGNING AUTOGRAPHS
ALL THE TIME!
492
00:28:13,080 --> 00:28:15,435
WELL, THERE WE GO, JACKSON.
LET HER RIP.
493
00:28:15,720 --> 00:28:21,078
AND WHAT DO YOU SAY I WIN
A HAND OR TWO THIS TIME, HUH?
494
00:28:21,360 --> 00:28:23,396
I'D LIKE TO SEE YOU
WIN THEM ALL, MR. THURMAN.
495
00:28:23,720 --> 00:28:26,234
THANK YOU, JACKSON.
496
00:28:26,520 --> 00:28:29,159
YOU KNOW, MEANTIME, COULD YOU
FETCH THE LITTLE WAITRESS?
497
00:28:29,440 --> 00:28:31,158
I'M GETTING READY
FOR A LITTLE DRINKING.
498
00:28:31,440 --> 00:28:35,228
CERTAINLY.
COCKTAILS, BJ THREE, PLEASE.
499
00:28:35,560 --> 00:28:36,993
OH, OH!
500
00:28:37,280 --> 00:28:40,875
OLD WILL'S LUCK IS STARTING
TO CHANGE. HOT DOG!
501
00:28:41,160 --> 00:28:42,513
TELL YOU WHAT WE'RE
GOING TO DO, JACKSON.
502
00:28:42,800 --> 00:28:46,031
WE'RE JUST GOING TO DOUBLE UP
AND LET HER RIDE.
503
00:28:48,120 --> 00:28:49,553
WELL, MR. THURMAN.
504
00:28:49,840 --> 00:28:51,159
I'M CASS HARPER
WITH THE HOTEL.
505
00:28:52,600 --> 00:28:54,556
THIS IS JANINE.
ANYTHING WE CAN DO FOR YOU?
506
00:28:54,840 --> 00:28:55,909
WELL, HOWDY, JANINE.
507
00:28:56,200 --> 00:28:58,668
WELL, MAYBE JUST A LITTLE
SIPPING WHISKEY
508
00:28:59,000 --> 00:29:00,228
ON SOME SHAVED ICE,
THANK YOU.
509
00:29:00,520 --> 00:29:02,158
YOU GOT THAT?
510
00:29:04,240 --> 00:29:05,309
SO, HOW'S IT GOING?
511
00:29:05,600 --> 00:29:06,794
OH, IT'S GETTING BETTER
ALL THE TIME.
512
00:29:07,080 --> 00:29:09,753
GOOD. THE HOUSE'D LIKE
TO INVITE YOU AND YOUR LADY
513
00:29:10,040 --> 00:29:11,598
TO TAKE IN
THE DINNER SHOW ON US.
514
00:29:11,880 --> 00:29:13,518
THAT IS, IF YOU HAVE
NO OTHER PLANS.
515
00:29:13,800 --> 00:29:16,633
OH, I'VE GOT NO PLANS,
BUT I GOT NO LADY.
516
00:29:16,920 --> 00:29:19,957
WELL, I KNOW A YOUNG LADY--
A VERY NICE YOUNG LADY--
517
00:29:20,240 --> 00:29:22,276
WHO WOULD BE
MORE THAN HAPPY
518
00:29:22,560 --> 00:29:25,279
TO SHARE DINNER WITH YOU,
IF YOU'D LIKE ME
TO ARRANGE IT.
519
00:29:25,560 --> 00:29:27,357
WELL, ANY MAN THAT WOULD
SAY NO TO A FREE MEAL
520
00:29:27,640 --> 00:29:29,198
AND A LADY COMPANION
IS A FOOL.
521
00:29:29,480 --> 00:29:32,358
AND MY MAMA
DIDN'T RAISE UP NO FOOLS.
522
00:29:32,640 --> 00:29:34,392
THEN I'LL ARRANGE IT.
523
00:29:34,680 --> 00:29:35,874
WHEN YOU'RE READY TO GO IN,
524
00:29:36,200 --> 00:29:37,110
JUSTGIVE THE MAITRE 0'
YOUR NAME,
525
00:29:37,400 --> 00:29:39,118
AND YOUR TABLE
WILL BE ARRANGED.
526
00:29:39,400 --> 00:29:42,073
I DIDN'T REALIZE
I'D LOSTENOUGH
527
00:29:42,360 --> 00:29:43,634
TO GET THE A-1 TREA TMENT,
OLD BUDDY!
528
00:29:43,960 --> 00:29:45,552
I'M NOT SURE WHETHER
YOU DID OR YOU DIDN'T,
529
00:29:45,880 --> 00:29:47,677
BUT YOU MIGHT,
AND IF YOU DO,
530
00:29:47,960 --> 00:29:49,473
THE HOUSE WOULD
LIKE YOU TO DO IT HERE
531
00:29:49,800 --> 00:29:50,994
RATHER THAN SOMEPLACE ELSE.
532
00:29:51,280 --> 00:29:53,111
THEIR MAMAS DIDN'T
RAISE UP NO FOOLS EITHER.
533
00:29:53,400 --> 00:29:56,949
I LIKE THAT.
BLESS YOU FOR AN HONEST MAN.
534
00:29:57,240 --> 00:29:59,993
BY THE WAY, THAT YOUNG LADY,
SHE WOULDN'T BE
535
00:30:00,280 --> 00:30:03,033
ABOUT SO HIGH AND HAVE
LONG DARK HAIR, WOULD SHE?
536
00:30:03,360 --> 00:30:05,476
IF SHE DOESN'T, SHE WILL
BY THE TIME YOU SEE HER.
537
00:30:05,760 --> 00:30:06,351
OH, HO HO!
538
00:30:06,640 --> 00:30:07,595
GOOD LUCK.
539
00:30:07,880 --> 00:30:09,552
THANK YOU, MR. CASS.
540
00:30:09,840 --> 00:30:10,750
HE'S A NICE MAN.
541
00:30:12,280 --> 00:30:14,316
THANK YOU, JANINE.
542
00:30:14,600 --> 00:30:17,398
SHAVED ICE AND EVERYTHING.
543
00:30:25,040 --> 00:30:26,075
I THINK CASS IS HERE
544
00:30:26,360 --> 00:30:28,749
TO FIND BOSLEY'S
LADY FOR THE EVENING.
545
00:30:36,200 --> 00:30:38,634
TERRIFIC.
YOU JUST GOT ACED OUT!
546
00:30:38,920 --> 00:30:41,992
AVRIL? SHE DOES
A LITTLE MOONLIGHTING?
547
00:30:42,280 --> 00:30:43,429
I'VE HEARD SOME RUMORS.
548
00:30:43,720 --> 00:30:45,631
OH, NO.
I GOT TO DO SOMETHING.
549
00:30:45,920 --> 00:30:48,036
I DON'T THINK
BOSLEY'S UP TO THAT.
550
00:30:52,600 --> 00:30:56,434
YOU KNOW, I'VE BEEN
THINKING OVER WHAT YOU SAID,
551
00:30:56,720 --> 00:30:57,630
AND I'VE DECIDED
552
00:30:57,920 --> 00:31:00,798
THAT YOU'RE THE ONE
WHO SHOULD PACK IT IN, NOT ME.
553
00:31:02,440 --> 00:31:03,953
GET LOST, SWEETUMS.
554
00:31:04,240 --> 00:31:06,674
YOU'RE TELLING ME TO GET LOST?
555
00:31:07,000 --> 00:31:07,910
I THINK
YOU HEARD ME CORRECTLY.
556
00:31:08,200 --> 00:31:09,792
GET AWAY FROM ME.
557
00:31:21,240 --> 00:31:23,754
COME ON, NOW.
WHAT DO YOU USE FOR BRAINS?
558
00:31:24,040 --> 00:31:26,156
YOU JUST LOST 500,
MAYBE 1,000. STUPID.
559
00:31:26,480 --> 00:31:28,118
I CAN GO CHANGE.
560
00:31:28,440 --> 00:31:29,793
THE JOHN'S
JUST GOING TO STAND AROUND
561
00:31:30,080 --> 00:31:31,911
AND PLAY A LITTLE SOLITAIRE
WHILE HE WAITS?
562
00:31:32,240 --> 00:31:33,832
GO HOME.
563
00:31:36,200 --> 00:31:39,158
I COULD USE 500 OR 1,000,
MR. HARPER,
564
00:31:39,440 --> 00:31:40,634
AND I'M NOT STUPID.
565
00:31:40,960 --> 00:31:42,154
YOU'RE A PRO?
566
00:31:42,440 --> 00:31:46,194
NO, JUST A GIFTED AMATEUR
WHO'S SHORT OF CASH.
567
00:31:46,480 --> 00:31:50,598
IF THE BIDDING'S OPEN,
I WANT IN.
568
00:31:50,920 --> 00:31:53,115
YOU'RE NOT
WHAT THE JOHN WANTS, ELSBETH.
569
00:31:53,400 --> 00:31:55,516
BUT I AM, OR AM I WRONG?
570
00:31:55,840 --> 00:31:58,798
NO, YOU'RE WHAT HE WANTS.
571
00:32:00,880 --> 00:32:03,838
NEW SHOOTER COMING OUT.
572
00:32:08,000 --> 00:32:09,353
HOW YOU DOING?
573
00:32:09,640 --> 00:32:11,437
GOOD. I THOUGHT I WAS
GOING TO HAVE COMPANY.
574
00:32:11,720 --> 00:32:13,233
SHE'S ON HER WAY.
IF IT TURNS OUT YOU TWO
575
00:32:13,520 --> 00:32:17,308
WANT TO GO SOMEPLACE
AND HAVE A PRIVATE CHAT--
576
00:32:17,600 --> 00:32:19,272
SPEAK OF THE LADY,
577
00:32:19,560 --> 00:32:21,710
AND LIKE MAGIC
HERE SHE IS. KELLY!
578
00:32:22,040 --> 00:32:23,917
KELLY, I'D LIKE YOU
TO MEET WILL.
579
00:32:24,200 --> 00:32:24,950
WELL, HOWDY, KELLY.
580
00:32:25,240 --> 00:32:27,435
YOU TWO KIDS HAVE
A GOOD TIME, YOU HEAR?
581
00:32:27,720 --> 00:32:29,915
THANK YOU, MR. HARPER.
582
00:32:30,200 --> 00:32:33,078
COULD I TALK TO YOU FOR JUST
A SECOND, KELLY, HONEY?
583
00:32:33,360 --> 00:32:34,679
SURE.
584
00:32:34,960 --> 00:32:37,758
JUST A LITTLE SWEET TALK,
JACKSON.
585
00:32:38,040 --> 00:32:38,950
NO PROBLEMS?
586
00:32:39,240 --> 00:32:40,992
NONE | COULDN'T HANDLE.
587
00:32:41,280 --> 00:32:44,113
SABRINA?
SABRINA, IT'S BOSLEY.
588
00:32:44,440 --> 00:32:47,716
CASS JUST GAVE ME
THE KEY TO ROOM 562.
589
00:32:48,000 --> 00:32:50,560
THAT'S THE SAME NUMBER
THAT OUR CLIENT GAVE US,
590
00:32:50,840 --> 00:32:52,068
SO IT'S GOTTA BE RIGGED.
591
00:32:52,400 --> 00:32:54,550
WE'RE ON OUR WAY
UP THERE NOW.
592
00:32:56,560 --> 00:32:57,788
SID STILL WITH YOU, JILL?
593
00:32:58,120 --> 00:32:59,519
OH, YEAH.
594
00:32:59,800 --> 00:33:01,199
ANY WA Y YOU CAN
PUTHIM ON ICE FORA WHILE?
595
00:33:01,480 --> 00:33:02,993
HE COULD POP UP
AND MESS THINGS UP.
596
00:33:03,280 --> 00:33:04,679
SURE. I THINK SO.
597
00:34:38,040 --> 00:34:40,634
DROP THE GUN.
598
00:34:40,920 --> 00:34:42,035
DROP IT.
599
00:34:45,960 --> 00:34:47,996
DROP IT.
600
00:34:48,280 --> 00:34:50,032
KICK IT BACK TO ME.
601
00:34:51,560 --> 00:34:54,120
OKAY, NOW REACH IN
AND LEAN ON THE HORN.
602
00:34:55,240 --> 00:34:57,674
[HORN BLARING]
603
00:35:06,840 --> 00:35:09,559
I'M SO GLAD YOU'RE HERE.
I'VE NEVER BEEN THIS UPSET.
604
00:35:09,840 --> 00:35:11,478
THIS MAN WAS FOLLOWING ME
IN THE CASINO.
605
00:35:11,760 --> 00:35:13,557
THEN HE WRECKED MY CAR.
IT'S NOT EVEN MY CAR.
606
00:35:13,880 --> 00:35:16,030
IT'S MY ROOMMATE'S CAR.
I CAN'T BELIEVE
IT HAPPENED TO ME.
607
00:35:16,320 --> 00:35:18,151
HERE, TAKE THIS THING.
I DON'T KNOW WHAT TO DO.
608
00:35:18,440 --> 00:35:19,919
NOTHING LIKE THIS HAS EVER
HAPPENED TO ME BEFORE.
609
00:35:20,200 --> 00:35:21,269
I'M GOING TO GO UP TO MY ROOM.
610
00:35:21,560 --> 00:35:22,959
I'LL GO TO THE POLICE STATION
TOMORROW.
611
00:35:23,240 --> 00:35:25,310
YOU'RE SWEET TO UNDERSTAND.
HE WRECKED MY ROOMMATE'S CAR.
612
00:35:25,640 --> 00:35:28,029
WHAT AM I GOING
TO TELL MY ROOMMATE?
613
00:35:28,320 --> 00:35:29,719
GOOD NIGHT, SID.
614
00:35:49,000 --> 00:35:51,150
OH, YES. COZY.
615
00:35:51,440 --> 00:35:53,032
MM-HM.
616
00:35:54,200 --> 00:35:56,350
HELLO, GOOD-LOOKING.
617
00:35:56,640 --> 00:36:00,838
WELL, NOW, THIS IS A REAL
YAHOO ROOM, AIN'T IT?
618
00:36:01,120 --> 00:36:02,872
WHAT IT AIN'T GOT,
YOU DO, RIGHT?
619
00:36:03,160 --> 00:36:04,752
WELL, WE AIM TO PLEASE, HONEY.
620
00:36:05,040 --> 00:36:08,749
MA'AM, DO YOU KNOW WHERE I AM?
I AM BETWIXT AND BETWEEN.
621
00:36:09,040 --> 00:36:10,996
I MEAN, HERE WE ARE,
622
00:36:11,280 --> 00:36:13,555
AND I GOT
THIS ITCH TO GAMBLE.
623
00:36:13,840 --> 00:36:15,114
I MEAN, GOOD FEELINGS LIKE
624
00:36:15,440 --> 00:36:17,158
I COULDN'T ROLL
ANYTHING BUT SEVENS.
625
00:36:17,480 --> 00:36:20,677
WELL, FIRST THINGS FIRST.
LET'S GO.
626
00:36:20,960 --> 00:36:22,109
HA HA!
627
00:36:49,680 --> 00:36:51,432
JILL, THIS ONE.
628
00:36:53,080 --> 00:36:54,672
HERE, HELP ME WITH THIS.
629
00:36:54,960 --> 00:36:56,279
THIS ONE.
630
00:37:21,040 --> 00:37:23,952
NOW WE KNOW HOW THE PICTURES
ARE TAKEN AND WHO TAKES THEM.
631
00:37:24,240 --> 00:37:26,037
OR AT LEAST
WHAT HE LOOKS LIKE.
632
00:37:26,320 --> 00:37:29,357
I'VE SEEN HIM IN THE CASINO.
I THINK HE WORKS
FOR THE HOTEL.
633
00:37:29,680 --> 00:37:31,477
WELL, HE USES INFRARED FILM.
634
00:37:31,800 --> 00:37:33,597
THAT'S AN INFRARED LIGHT,
RIGHT?
635
00:37:33,880 --> 00:37:34,835
RIGHT.
636
00:37:35,120 --> 00:37:36,155
SO HE CAN GET A SHOT
637
00:37:36,480 --> 00:37:40,075
WHETHER THE LIGHT IS
ON OR OFF IN THAT ROOM.
638
00:37:40,400 --> 00:37:42,789
AND THERE'S NO DOUBT
CASS HARPER'S BEHIND IT.
639
00:37:43,080 --> 00:37:43,956
HE'S OUR BLACKMAILER.
640
00:37:44,280 --> 00:37:46,236
LET'S GET OUT OF HERE.
641
00:38:02,800 --> 00:38:05,075
NO, NO, NOT ALL
YOUR BOOKS, MR. SHARFE.
642
00:38:05,360 --> 00:38:06,475
JUST YOUR SHOWROOM BOOKS.
643
00:38:06,800 --> 00:38:09,712
YOU SEE, I'M NEW WITH
THE STATE AUDITING DEPARTMENT,
644
00:38:10,000 --> 00:38:12,150
AND THEY ONLY ALLOW
NON-TENURED ACCOUNTANTS
645
00:38:12,440 --> 00:38:13,839
TO CHECK LIMITED RECORDS.
646
00:38:14,120 --> 00:38:16,315
YOU WANT THE SHOWROOM BOOKS?
YOU GET THE SHOWROOM BOOKS.
647
00:38:16,640 --> 00:38:18,790
YOU WANT THEM BROUGHT HERE,
OR YOU WANT TO GO TO THEM?
648
00:38:19,080 --> 00:38:21,958
WELL, WHATEVER WOULD BE
MOST CONVENIENT FOR YOU.
649
00:38:22,240 --> 00:38:23,593
YEAH, MAX?
650
00:38:23,880 --> 00:38:26,917
THIS IS MY
EXECUTIVE ASSISTANT FREDDY.
651
00:38:27,240 --> 00:38:28,116
HOW DO YOU DO?
652
00:38:28,440 --> 00:38:29,839
FREDDY, TAKE THIS LADY
FROM THE TAX DEPARTMENT
653
00:38:30,160 --> 00:38:31,275
TO SEE CASS.
654
00:38:31,560 --> 00:38:32,754
SHE'S HERE TO SEE
THE SHOWROOM BOOKS.
655
00:38:33,080 --> 00:38:36,117
AND, FREDDY, NO DANCING.
JUST SHOW HER THE BOOKS.
656
00:38:36,400 --> 00:38:38,152
THANK YOU VERY MUCH,
MR. SHARFE.
657
00:38:38,440 --> 00:38:39,714
MY PLEASURE.
658
00:38:40,040 --> 00:38:41,439
NOW, ANYTHING YOU WANT,
FREDDY'LL GET IT FOR YOU.
659
00:38:41,720 --> 00:38:43,517
FOOD, COFFEE--
ANYTHING SHE WANTS, FREDDY.
660
00:38:43,840 --> 00:38:45,114
JUST THE BOOKS.
THAT'S ALL.
661
00:38:45,400 --> 00:38:47,436
THIS ISN'T A BRIBE.
I JUST DON'T WANT A LADY
662
00:38:47,760 --> 00:38:49,910
TO STARVE TO DEATH
ON MY PREMISES, THAT'S ALL.
663
00:38:50,200 --> 00:38:51,553
THAN KS AGAIN.
664
00:38:57,800 --> 00:38:59,358
KNOW WHAT
THE FRUSTRATING THING IS?
665
00:38:59,680 --> 00:39:00,669
WHAT?
666
00:39:00,960 --> 00:39:02,518
WE HAVE ENOUGH EVIDENCE
AGAINST CASS HARPER
667
00:39:02,800 --> 00:39:03,710
TO HAVE HIM ARRESTED
FOR PANDERING,
668
00:39:04,000 --> 00:39:05,353
AND HE'S STILL
WALKING THE STREETS.
669
00:39:05,640 --> 00:39:07,756
IF WE CALLED THE POLICE,
WE'D HAVE CLEANER STREETS
670
00:39:08,040 --> 00:39:09,837
BUT WE WOULDN'T HAVE
THE BLACKMAIL EVIDENCE,
671
00:39:10,120 --> 00:39:11,269
AND THAT'S WHAT
WE CAME HERE FOR.
672
00:39:11,560 --> 00:39:13,790
YOU KNOW, THERE'S MORE JUSTICE
IN WHAT HE'S GOING GET
673
00:39:14,120 --> 00:39:16,270
THAN ANY THREE-MONTH SENTENCE
HE'D GET FOR PANDERING.
674
00:39:16,560 --> 00:39:18,676
YES, THERE IS, ISN'T THERE?
675
00:39:22,360 --> 00:39:23,952
YOU BACK SO SOON?
676
00:39:24,240 --> 00:39:27,516
WELL, IT DIDN'T TAKE LONG
TO FIND OUT WHAT I FOUND.
677
00:39:27,840 --> 00:39:30,308
YOU FOUND
SOMETHING ILLEGAL?
678
00:39:30,600 --> 00:39:34,036
WELL, YES AND NO.
SEE, THEFT IS ILLEGAL.
679
00:39:34,320 --> 00:39:36,880
IT'S JUST NOT WHAT I WAS
SENT HERE TO LOOK FOR.
680
00:39:37,160 --> 00:39:39,071
I MEAN, IT'S NOT TAX FRAUD.
681
00:39:39,360 --> 00:39:41,078
WHAT I FOUND WAS
682
00:39:41,360 --> 00:39:44,113
THAT SOMEONE IS STEALING
FROM YOU, MR. SHARFE.
683
00:39:44,440 --> 00:39:45,873
SOMEONE IS WHAT?
684
00:39:46,160 --> 00:39:47,354
STEALING FROM YOU.
685
00:39:47,640 --> 00:39:50,518
YOU SEE, THIS BILL SAYS
100 CASES OF CHAMPAGNE
686
00:39:50,800 --> 00:39:52,119
WERE DELIVERED
AND PAID FOR, RIGHT?
687
00:39:52,440 --> 00:39:54,795
THE CELLAR ENTRY HERE...
688
00:39:56,280 --> 00:39:57,713
SAYS 75.
689
00:39:58,040 --> 00:40:01,999
NOW, AT $180 A CASE,
25 CASES COMES TO $4,500.
690
00:40:02,280 --> 00:40:05,352
ALL THESE OTHER BILLS
HAVE THE SAME DISCREPANCY.
691
00:40:05,640 --> 00:40:08,632
ALL TOLD, IN JUST
A FEW MINUTES, I HAVE FOUND
THAT SOMEONE
692
00:40:08,960 --> 00:40:11,554
HAS STOLEN
AT LEAST $29,000 FROM YOU,
693
00:40:11,880 --> 00:40:13,393
AND PROBABLY
A GREAT DEAL MORE.
694
00:40:13,720 --> 00:40:16,837
NOW, IF I WERE YOU, IWOULD
CONSULT MY OWN ACCOUNTANT
695
00:40:17,120 --> 00:40:19,190
AND THEN I WOULD
NOTIFY THE POLICE.
696
00:40:21,680 --> 00:40:26,037
MISS, I CAN'T TELL YOU
HOW MUCH I APPRECIATE THIS.
697
00:40:26,360 --> 00:40:28,920
YOU'RE NEVER GOING TO SPEND
ANOTHER NICKEL IN THIS HOTEL
698
00:40:29,200 --> 00:40:30,838
AS LONG AS YOU LIVE.
699
00:40:31,120 --> 00:40:32,348
YOU'RE REDLINE ALL THE WAY.
700
00:40:32,640 --> 00:40:35,791
AGAIN, NOT AS A BRIBE.
RAW GRATITUDE.
701
00:40:36,120 --> 00:40:38,953
YES, WELL, THANK YOU
VERY MUCH, MR. SHARFE.
702
00:40:39,280 --> 00:40:42,750
SOMEONE FROM OUR OFFICE SHOULD
BE BY IN ABOUT THREE WEEKS.
703
00:40:43,080 --> 00:40:44,354
THAT SHOULD GIVE YOU
TIME TO CLEAR THIS UP.
704
00:40:44,640 --> 00:40:45,436
AT LEAST.
705
00:40:45,720 --> 00:40:47,915
- GOOD DAY.
- GOODBYE. THANK YOU.
706
00:40:51,000 --> 00:40:52,228
FREDDY.
707
00:40:55,240 --> 00:40:56,992
WHAT'S WRONG, MAX?
708
00:40:57,280 --> 00:40:58,759
NOW, LISTEN TO ME.
709
00:40:59,040 --> 00:41:01,395
CASS HARPER
IS STEALING FROM US.
710
00:41:03,680 --> 00:41:05,238
YOU TAKE THESE BOOKS
DOWN TO EDDY
711
00:41:05,560 --> 00:41:07,915
AND TELL HIM TO GO OVER THEM
WITH A FINE-TOOTH COMB.
712
00:41:08,200 --> 00:41:11,431
YOU CHECK HIS ENTRIES
AGAINST OUR BILLS.
713
00:41:11,720 --> 00:41:13,153
I KNOW THE PUNK
IS STEALING FROM ME.
714
00:41:13,480 --> 00:41:14,754
I JUST DON'T KNOW HOW MUCH.
715
00:41:15,040 --> 00:41:16,598
STAY WITH THESE BOOKS, DON'T
LET THEM OUT OF YOUR SIGHT,
716
00:41:16,880 --> 00:41:19,678
WHEN HE FINISHES,
YOU BRING THEM BACK UP HERE.
NOW MOVE.
717
00:41:28,520 --> 00:41:31,353
SAMMY, I HAVE
A TOP-LEVEL EMPLOYEE
718
00:41:31,640 --> 00:41:34,074
I WANT WATCHED FOR STEALING--
CASS HARPER.
719
00:41:34,360 --> 00:41:35,873
NO, NO, JUST WATCHED.
720
00:41:36,160 --> 00:41:38,799
UNLESS HE GETS WISE
AND TRIES TO RUN.
721
00:41:39,080 --> 00:41:42,038
WHAT DO YOU MEAN,
"STARTING WHEN?" NOW!
722
00:41:42,320 --> 00:41:45,198
ALL RIGHT, 20 MINUTES.
JUST GET SOMEBODY ON IT QUICK.
723
00:41:45,520 --> 00:41:47,556
ALL RIGHT.
724
00:41:47,840 --> 00:41:49,068
WE GOT TROUBLE.
MAX IS STEAMING.
725
00:41:49,400 --> 00:41:50,469
YOU JUST SLOW DOWN, FREDDY.
726
00:41:50,760 --> 00:41:52,876
YOU GIVE IT TO ME SO I CAN
UNDERSTAND WHAT YOU'RE SAYING.
727
00:41:53,160 --> 00:41:54,354
I'M SAYING MAX IS FURIOUS!
728
00:41:54,640 --> 00:41:56,312
HE KNOWS YOU'VE BEEN
RIPPING OFF THE SHOWROOM.
729
00:41:56,600 --> 00:41:58,909
I'M TAKING THESE BOOKS TO EDDY
NOW SO HE CAN CHECK THEM,
730
00:41:59,240 --> 00:42:00,753
AND THAT MEANS
YOU'D BETTER GET OUT QUICK.
731
00:42:01,080 --> 00:42:03,640
I NEVER RIPPED OFF A QUARTER.
I'M NOT THAT DUMB.
732
00:42:03,920 --> 00:42:05,990
IT DOESN'T MATTER
YOU DID OR YOU DIDN'T.
733
00:42:06,280 --> 00:42:08,919
YOU KNOW HIM.
THOROUGH LIKE A SCIENTIST.
734
00:42:09,200 --> 00:42:10,394
HE GETS AHOLD OF YOU,
735
00:42:10,680 --> 00:42:11,908
HOW YOU GOING TO EXPLAIN
ALL THAT BLACKMAIL CASH?
736
00:42:12,200 --> 00:42:13,997
YOU THINK HE'S GOING
TO LOVE YOU IF YOU TELL HIM
737
00:42:14,280 --> 00:42:17,033
YOU'VE BEEN USING HIS HOTEL
TO SET UP SUCKERS?
738
00:42:17,320 --> 00:42:18,878
SUCKER, HE'D BREAK
YOU IN HALF!
739
00:42:19,160 --> 00:42:21,754
MAYBE I CAN TALK TO HIM,
EXPLAIN IT.
740
00:42:22,040 --> 00:42:23,837
THAT MEANS YOU'D
HAVE TO INCLUDE ME, CASS.
741
00:42:24,120 --> 00:42:27,112
NO WAY! I'LL KILL YOU
BEFORE I LET YOU DO THAT.
742
00:42:27,400 --> 00:42:28,355
YOU HOLD IT JUST A MINUTE.
743
00:42:28,680 --> 00:42:30,318
NO. NO MORE ARGUMENTS.
744
00:42:30,640 --> 00:42:33,518
I'M HERE
TOO LONG ALREADY. RUN!
745
00:42:35,360 --> 00:42:37,316
NOW!
746
00:42:41,000 --> 00:42:43,514
HE'S GOT THREE QUARTERS
OF A MIL IN HOW MANY BANKS?
747
00:42:43,800 --> 00:42:44,755
[KNOCK ON DOOR]
748
00:42:45,080 --> 00:42:45,910
MR. SHARFE?
749
00:42:46,240 --> 00:42:48,310
HI, I'M LAURIE
FROM LUXURY LIMITED,
750
00:42:48,600 --> 00:42:51,114
AND I THOUGHT YOU MIGHT LIKE
TO SEE MR. HARPER'S NEW CAR.
751
00:42:51,400 --> 00:42:53,231
WHAT NEW CAR?
752
00:42:53,520 --> 00:42:55,636
AND I'M TELLING YOU,
THAT'S NOT MY CAR!
753
00:42:55,960 --> 00:42:57,518
MR. HARPER,
A CHICK DROVE UP IN IT.
754
00:42:57,840 --> 00:42:59,910
SHE SHOWED ME
YOUR OWNER'S PAPERS.
755
00:43:00,200 --> 00:43:01,428
SHE TOOK YOUR OLD ONE
AND DROVE OFF.
756
00:43:01,760 --> 00:43:02,988
WHAT CAN I TELL YOU?
757
00:43:03,280 --> 00:43:04,156
CRAZY. THIS IS JUST CRAZY.
758
00:43:04,440 --> 00:43:07,000
SUCH CRAZY SHOULD HAPPEN
TO ME. A $50,000 CAR.
759
00:43:07,280 --> 00:43:09,999
I WONDER HOW LONG
HE'S GOING TO ARGUE ABOUT IT.
760
00:43:10,280 --> 00:43:11,508
NOT LONG.
761
00:43:11,800 --> 00:43:14,872
KELLY SHOULD HAVE MR. SHARFE
ON THE SCENE ANY SECOND.
762
00:43:18,760 --> 00:43:19,988
MAYBE YOU WON IT IN A RAFFLE.
763
00:43:20,320 --> 00:43:23,915
I DIDN'T WIN IT IN A RAFFLE.
THAT'S NOT MY CAR.
764
00:43:27,160 --> 00:43:28,798
HARPER!
765
00:43:32,120 --> 00:43:34,475
HEY, YOU! COME BACK HERE!
766
00:43:48,080 --> 00:43:49,832
THIS IS MAX.
GIVE ME SAMMY.
767
00:43:50,120 --> 00:43:52,031
SAMMY, WHERE THE HELL
ARE YOUR GUYS?
768
00:43:52,320 --> 00:43:53,912
THE PUNK'S ALREADY RUNNING.
769
00:43:54,200 --> 00:43:55,997
ALL RIGHT, THEY GOT
A PHONE IN THE CAR.
770
00:43:56,320 --> 00:43:57,719
SO CALL THEM
AND TELL THEM HE TOOK OFF.
771
00:43:58,000 --> 00:43:59,353
I DON'T KNOW.
MAYBE HE'S GOING TO HIS PLACE.
772
00:43:59,640 --> 00:44:01,949
I JUST DON'T WANT HIM TO GET
AWAY CLEAN. YOU UNDERSTAND ME?
773
00:44:03,480 --> 00:44:04,754
LET ME KNOW.
774
00:44:07,080 --> 00:44:08,479
BOSLEY:
THERE HE COMES.
775
00:44:08,760 --> 00:44:10,591
I'D BE WILLING
TO BET A YEAR'S PAY
776
00:44:10,880 --> 00:44:12,313
THAT EVERY BIT
OF BLACKMAIL EVIDENCE
777
00:44:12,600 --> 00:44:14,352
IS IN THAT ATTACHE CASE.
778
00:44:14,640 --> 00:44:16,551
WHERE ARE YOU
EVER GOING TO FIND A SUCKER
779
00:44:16,880 --> 00:44:18,359
TO TAKE A BET LIKE THAT?
780
00:44:18,640 --> 00:44:20,517
ONE COULD ALWAYS HOPE.
781
00:44:35,160 --> 00:44:37,151
JILL: UH-OH.
LOOKS LIKE SOMEBODY ELSE
782
00:44:37,480 --> 00:44:38,913
IS LOOKING FOR CASS.
783
00:44:48,840 --> 00:44:49,909
WHAT ARE WE GOING TO DO NOW?
784
00:44:50,240 --> 00:44:52,071
THEY'RE GOING TO GET
TO CASS BEFORE WE DO.
785
00:44:52,360 --> 00:44:54,920
WELL, PRUDENCE WOULD INDICATE
WE JUST FOLLOW BOTH CARS
786
00:44:55,200 --> 00:44:57,668
AT A REASONABLE DISTANCE
AND WAIT FOR A BREAK.
787
00:44:58,000 --> 00:45:00,275
HOW MUCH GAS IS REALLY
LEFT IN THE ROLLS?
788
00:45:00,560 --> 00:45:03,074
FIVE, MAYBE SIX MILES.
JUST ENOUGH TO GET HIM
789
00:45:03,360 --> 00:45:05,476
RIGHT OUT IN THE MIDDLE
OF NOWHERE.
790
00:45:46,760 --> 00:45:48,716
BOSLEY:
LET'S HANG BACK A LITTLE.
791
00:46:00,480 --> 00:46:02,152
[ENGINE SPUTTERING]
792
00:46:24,120 --> 00:46:25,155
WE WERE TOLD TO TAKE YOU
793
00:46:25,440 --> 00:46:27,271
FOR A LITTLE WALK
IN THE DESERT, MR. HARPER.
794
00:46:27,560 --> 00:46:31,678
LOOK, I'M NOT A THIEF.
I DIDN'T STEAL
FROM MR. SHARFE.
795
00:46:31,960 --> 00:46:33,393
WE DON'T KNOW
ANY MR. SHARFE.
796
00:46:33,720 --> 00:46:34,948
WE DON'T KNOW
ANYTHING ABOUT STEALING.
797
00:46:35,240 --> 00:46:37,834
ALL WE KNOW IS TO TAKE YOU
FOR A WALK IN THE DESERT.
798
00:46:38,120 --> 00:46:39,519
LOOK, I'M TELLING YOU,
I'M NOT A THIEF.
799
00:46:39,800 --> 00:46:41,279
I'M A BLACKMAILER.
800
00:46:41,600 --> 00:46:43,670
I KNOW MAX, HE'S A LITTLE MAD
BECAUSE I USED HIS HOTEL,
BUT--
801
00:46:43,960 --> 00:46:47,635
WE'RE TALKING, NOT WALKING.
NOW, WE WANT TO WALK. COME ON.
802
00:46:47,920 --> 00:46:49,990
I'M A BLACKMAILER.
YOU SEE THIS CASE?
803
00:46:50,320 --> 00:46:53,596
IT'S FULL OF PICTURES, SEE?
IMPORTANT PEOPLE.
804
00:46:53,880 --> 00:46:56,394
I'LL TELL YOU WHAT.
I'LL MAKE YOU GUYS A DEAL.
805
00:46:56,680 --> 00:46:58,671
YOU LET ME GO,
AND YOU TAKE THE WHOLE THING.
806
00:46:59,000 --> 00:47:00,274
YOU CAN HAVE THE WHOLE DEAL.
MAKE YOURSELVES RICH.
807
00:47:00,560 --> 00:47:02,516
THAT WOULD PUT US
IN THE TROUBLE YOU'RE IN.
808
00:47:02,840 --> 00:47:03,909
JUST TAKE A LOOK
AT WHAT I GOT!
809
00:47:04,200 --> 00:47:06,589
WE'RE NOT HERE TO LOOK
AT DIRTY PICTURES. COME ON.
810
00:47:17,000 --> 00:47:20,629
HELLO? HEY, YOU GOT
CAR TROUBLE?
811
00:47:20,920 --> 00:47:23,832
YOU MAKE A NOISE,
MR. HARPER, YOU'LL REGRET IT.
| PROMISE YOU.
812
00:47:24,120 --> 00:47:25,553
FELLAS, CAN WE HELP?
813
00:47:25,840 --> 00:47:27,193
N0, THANKS.
814
00:47:27,520 --> 00:47:28,475
OUR FRIEND'S SICK.
WE'RE GETTING HIM SOME AIR.
815
00:47:28,760 --> 00:47:30,512
I'M A NURSE.
MAYBE I CAN HELP.
816
00:47:30,800 --> 00:47:31,391
JUST A HANGOVER. NO BIG THING.
817
00:47:31,680 --> 00:47:32,510
LET'S GO.
818
00:47:32,800 --> 00:47:33,869
ARE YOU SURE?
819
00:47:34,200 --> 00:47:35,713
I'M A DOCTOR, LADY.
I'M SURE.
820
00:47:36,000 --> 00:47:37,274
THANKS JUST THE SAME.
821
00:47:37,560 --> 00:47:39,073
OKAY.
822
00:47:40,840 --> 00:47:42,751
I GOT A HALF MILLION BUCKS.
I'LL GIVE YOU HALF.
823
00:47:43,080 --> 00:47:43,796
N0, THANKS.
824
00:47:50,840 --> 00:47:53,752
TAKE IT ALL,
BUT PLEASE LEAVE ME ALONE.
825
00:47:54,040 --> 00:47:55,678
LOOK, WHY DON'T YOU SHUT UP,
MR. HARPER?
826
00:47:55,960 --> 00:47:58,155
THIS IS GOING TO BE ROUGH
ENOUGH ON YOU AS IT IS.
827
00:47:58,440 --> 00:47:59,839
[PUNCHING SOUNDS]
828
00:48:00,120 --> 00:48:02,475
YOU KNOW, I ALMOST
FEEL SORRY FOR HIM.
829
00:48:02,760 --> 00:48:03,636
YOU WHAT?
830
00:48:03,920 --> 00:48:05,148
I SAID "ALMOST."
831
00:48:05,480 --> 00:48:09,109
WASH YOUR MOUTH OUT
WITH SOAP, BOSLEY.
832
00:48:09,440 --> 00:48:11,635
WELL, IN THE LARGE
PHILOSOPHIC SENSE,
833
00:48:11,920 --> 00:48:13,433
HE IS OUR FELLOW MAN.
834
00:48:13,720 --> 00:48:14,550
NOT MINE!
NOT MINE!
835
00:48:14,840 --> 00:48:16,193
YOU OWE ME A SODA.
836
00:48:22,920 --> 00:48:26,390
YEAH, AND THE ADDRESSES OF ALL
THE OTHER BLACKMAIL VICTIMS
837
00:48:26,680 --> 00:48:29,353
WERE IN THE ATTACHE CASE
WITH THE EVIDENCE.
838
00:48:29,640 --> 00:48:30,550
WE CALLED THEM
839
00:48:30,880 --> 00:48:33,553
AND TOLD THEM THAT THE
EVIDENCE HAD BEEN DESTROYED.
840
00:48:33,880 --> 00:48:36,030
LOOK, I'M NOT SURE
THAT YOU'LL APPROVE,
841
00:48:36,320 --> 00:48:39,232
BUT I PUT THE CALLS
ON MR. MALLIN'S BILL.
842
00:48:39,560 --> 00:48:41,835
FINE WHERE ARE THE ANGELS?
843
00:48:42,120 --> 00:48:46,796
I'M NOT SURE. THEY TOOK
MRS. MALLIN WITH THEM.
844
00:48:47,080 --> 00:48:48,911
SOMETHING ABOUT
DOING SOMETHING
845
00:48:49,200 --> 00:48:51,873
THAT THEY FELT AS WOMEN
THEY HAD TO DO.
846
00:48:52,720 --> 00:48:53,914
[CLEARS THROAT]
847
00:48:54,240 --> 00:48:55,434
HELLO, CASS, BABY.
848
00:48:55,720 --> 00:48:58,359
GOOD TO SEE YOU.
849
00:48:58,640 --> 00:49:01,154
WE'VE NOTIFIED ALL YOUR
FORMER BLACKMAIL VICTIMS
850
00:49:01,440 --> 00:49:03,635
THAT THE EVIDENCE
AGAINST THEM HAS BEEN BURNED.
851
00:49:03,960 --> 00:49:06,155
AND WE TOLD THEM
WHO YOU ARE AND WHERE YOU ARE,
852
00:49:06,440 --> 00:49:08,351
AND THEY JUST CAN'T WAIT
TO COME VISIT YOU.
853
00:49:08,640 --> 00:49:11,074
REMEMBER ALL THAT MONEY
YOU SQUEEZED FROM US?
854
00:49:11,360 --> 00:49:13,032
WON'T DO YOU
ANY GOOD NOW, CASS.
855
00:49:13,320 --> 00:49:17,199
FOR ONCE, A LOUSE GETS
EXACTLY WHAT HE DESERVES.
856
00:49:17,480 --> 00:49:19,038
SO, WE WOULD
LIKE TO LEAVE YOU
857
00:49:19,320 --> 00:49:21,880
A LITTLE SOMETHING
TO REMEMBER US BY.
858
00:49:23,560 --> 00:49:24,595
HERE WE GO.
859
00:49:24,880 --> 00:49:26,154
WE'LL MAKE THESE GOOD.
860
00:49:26,480 --> 00:49:28,277
SURE HOPE
THIS DOESN'T TICKLE.
861
00:49:28,600 --> 00:49:30,352
BE CAREFUL.
862
00:49:30,640 --> 00:49:32,392
IT DOESN'T HURT,
DOES IT, CASS?
863
00:49:32,680 --> 00:49:35,353
KELLY, HOW DO YOU SPELL...
63948
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