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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,360 --> 00:00:02,554 CHARLIE: ONCE UPON A TIME, 2 00:00:02,840 --> 00:00:06,071 THERE WERE THREE L/TTLE GIRLS WHO WENT TO THE POLICE ACADEMY. 3 00:00:17,040 --> 00:00:22,353 AND THEY WERE EACH ASSIGNED VERYHAZARDOUS DUTIES. 4 00:00:22,640 --> 00:00:24,437 BUTI TOOK THEMA WA Y FROM ALL THA 7'. 5 00:00:24,720 --> 00:00:28,395 AND NOW THEY WORK FOR ME. M YNAME IS CHARLIE 6 00:02:00,800 --> 00:02:02,791 [DRILL OPERATING] 7 00:02:43,760 --> 00:02:48,629 [RUSTLING AND RATTLING] 8 00:02:53,240 --> 00:02:54,070 HEY, WHAT'S GOING ON--?! 9 00:03:30,600 --> 00:03:32,158 [TIRES SQUEALING] 10 00:04:19,000 --> 00:04:22,993 PHALAENOPSIS AMABILIS,’ SUPERB! 11 00:04:23,320 --> 00:04:29,555 MARVIN, ALWAYS SO THOUGHTFUL, SO GENEROUS. 12 00:04:29,840 --> 00:04:33,515 A FILMMAKER, A REGULAR WALT DISNEY. 13 00:04:33,800 --> 00:04:37,509 BUT GUS, HIS PAPA, HE SHOULD REST IN PEACE, 14 00:04:37,800 --> 00:04:41,236 HE WAS A REAL SHTARKER! 15 00:04:41,520 --> 00:04:43,715 HE WAS RUN DOWN BY A BEER TRUCK. 16 00:04:44,000 --> 00:04:45,069 DID MARVIN TELL YOU? 17 00:04:45,360 --> 00:04:47,430 HE DID SAY YOU WERE WIDOWED, MRS. GOLDMAN. 18 00:04:47,760 --> 00:04:51,753 GUS ALMOST SURVIVED THE CRASH. 19 00:04:52,040 --> 00:04:56,318 IF ONLY THE TRUCK HAD BEEN EMPTY. 20 00:04:56,640 --> 00:04:59,108 SUCH A SHTARKERI 21 00:05:01,040 --> 00:05:06,558 AFTER MY STROKE, MARVIN BUILT ME THIS, MY REFUGE. 22 00:05:06,840 --> 00:05:09,718 MY SALVATION. 23 00:05:10,000 --> 00:05:12,560 SUCHABOY. 24 00:05:13,720 --> 00:05:15,517 MAMA LIKES FLOWERS. 25 00:05:15,800 --> 00:05:18,109 DID HE TELL YOU HE WAS THREATENED LAST WEEK? 26 00:05:18,400 --> 00:05:19,719 NO, HE DIDN'T. 27 00:05:20,040 --> 00:05:21,359 TWICE HE WAS THREATENED. 28 00:05:21,640 --> 00:05:23,517 HOW WERE YOU THREATENED, MR. GOLDMAN? 29 00:05:23,840 --> 00:05:25,114 CALL HIM MARVIN. 30 00:05:26,720 --> 00:05:28,119 PHONE CALLS, IT MEANT NOTHING. 31 00:05:28,400 --> 00:05:30,755 IT MEANT NOTHING, HEH. 32 00:05:31,040 --> 00:05:33,873 LAST NIGHT THEY ALMOST COOKED HIM TO A CRISP. 33 00:05:34,160 --> 00:05:37,118 AND HE STILL WOULDN'T LET ME CALL PROFESSIONAL HELP. 34 00:05:37,440 --> 00:05:38,793 | CALLED THE INSURANCE COMPANY. 35 00:05:39,080 --> 00:05:40,513 THEY CALLED THE POLICE. 36 00:05:40,800 --> 00:05:42,711 AND WHAT ELSE IS THERE TO DO? 37 00:05:45,560 --> 00:05:47,118 HOW CAN THEY HELP? 38 00:05:47,440 --> 00:05:49,954 HOW CAN THEY HURT? 39 00:05:55,440 --> 00:05:57,635 ANGELS, I’l/E MADE ARRANGEMENTS FOR ONE OF YOU 40 00:05:57,960 --> 00:05:59,678 TO TALK TOA TECHNICIAN AT THE POLICE LAB. 41 00:06:00,000 --> 00:06:01,353 I'LL GET ON IT RIGHT AWAY, CHARLIE. 42 00:06:01,640 --> 00:06:04,074 IN THE MEANTIME, WE'RE STILL WONDERING WHY MR. GOLDMAN 43 00:06:04,360 --> 00:06:07,432 WAS 80 RELUCTANT TO HAVE HIS MOTHER HIRE US. 44 00:06:07,760 --> 00:06:10,991 I DID SOME CHECKING ON MR. GOLDMAN’S BUSINESS AFFAIRS. 45 00:06:11,280 --> 00:06:12,679 CALL HIM MARVIN. 46 00:06:12,960 --> 00:06:16,236 YES, WELL MARVIN HAS SEVERAL SILENTPARTNERS. 47 00:06:16,560 --> 00:06:18,755 MA YBE THEY CAN GIVE YOUAN ANGLE ABOUTHIS, UH, 48 00:06:19,040 --> 00:06:20,951 HIS REL UCTANCE. 49 00:06:21,240 --> 00:06:23,754 WE'LL CHECK THEM OUT, CHARLIE. 50 00:06:24,040 --> 00:06:26,429 CHARLIE, WHOEVER BROKE INTO MARVIN'S LAB 51 00:06:26,720 --> 00:06:29,280 WENT FOR THE FILM STORAGE ROOM SPECIFICALLY. 52 00:06:29,560 --> 00:06:32,313 LUCKILY IT WAS AIRTIGHT AND MARVIN GOT THE DOOR SHUT 53 00:06:32,600 --> 00:06:33,555 AND SMOTHERED THE FLAMES. 54 00:06:33,840 --> 00:06:34,989 SO, WHATEVER THIS IS ALL ABOUT, 55 00:06:35,320 --> 00:06:36,389 CHARLIE, IT MUST HAVE SOMETHING 56 00:06:36,680 --> 00:06:37,874 TO DO WITH A PIECE OF THAT FILM. 57 00:06:38,200 --> 00:06:40,430 WHICH MEANS WE'RE GOING TO HAVE TO LOOK AT ALL OF IT. 58 00:06:40,720 --> 00:06:41,516 ALL OF IT? 59 00:06:41,800 --> 00:06:43,995 ALL OF IT. 60 00:06:44,280 --> 00:06:46,953 GOOD THINKING. ID PURSUE THA T. 61 00:06:47,240 --> 00:06:49,117 OH, BY THE WAY, CHARLIE, HOW’S MILLICENT? 62 00:06:49,400 --> 00:06:51,595 NOT FEELING TOO WELL, I'M AFRAID, JILL. 63 00:06:51,920 --> 00:06:53,273 SHE'S STILL BELLY UP. 64 00:06:53,560 --> 00:06:54,436 GLORIA'S WITH HER NOW. 65 00:06:54,760 --> 00:06:55,476 KELLY: 0H, WHO’S GLORIA? 66 00:06:55,800 --> 00:06:57,711 AN ICHTHYOLOGIST I'VE SUMMONED. 67 00:06:58,000 --> 00:06:58,910 VERY BRIGHT LADY. 68 00:06:59,200 --> 00:07:00,713 WE'LL SAY A PRAYER FOR GLORIA. 69 00:07:01,000 --> 00:07:02,274 YOU MEAN MILL/CENT. 70 00:07:02,600 --> 00:07:04,397 HER TOO. BYE, CHARLIE. 71 00:07:19,600 --> 00:07:20,874 MISS MUNROE? YES? 72 00:07:21,200 --> 00:07:21,996 PAUL BAYLOR. 73 00:07:22,280 --> 00:07:26,068 OUR DEPUTY DISTRICT ATTORNEY? HI. 74 00:07:26,360 --> 00:07:27,429 YOU WERE IN THERE ASKING QUESTIONS 75 00:07:27,720 --> 00:07:29,073 ABOUT THE FIRE IN THE GOLDMAN LAB. 76 00:07:29,360 --> 00:07:30,236 WELL, MY BOSS MADE ARRANGEMENTS. 77 00:07:30,520 --> 00:07:31,430 YOUR BOSS? 78 00:07:31,760 --> 00:07:32,715 CHARLES TOWNSEND. 79 00:07:33,000 --> 00:07:33,989 THE TOWNSEND AGENCY. 80 00:07:34,280 --> 00:07:35,508 I'M NOT USED TO PRIVATE DETECTIVES 81 00:07:35,840 --> 00:07:37,068 GETTING INVOLVED IN MY CASES, 82 00:07:37,360 --> 00:07:40,272 OH, YOU HAVE A CASE, I MEAN SOMEONE TO PROSECUTE? 83 00:07:40,600 --> 00:07:45,116 NO, UH, WHAT I'VE GOT IS AN ANONYMOUS PHONE CALL, 84 00:07:45,440 --> 00:07:46,270 ABOUT A WEEK AGO. 85 00:07:46,600 --> 00:07:47,794 I'M NOT FOLLOWING YOU. 86 00:07:48,080 --> 00:07:48,637 THE CALLER SAID THAT THE GOLDMAN LAB 87 00:07:48,920 --> 00:07:49,909 WAS WORTH WATCHING. 88 00:07:50,200 --> 00:07:51,030 FOR WHAT? 89 00:07:51,360 --> 00:07:52,475 WELL, THAT HE DIDN'T SAY 90 00:07:52,760 --> 00:07:54,159 AND I'VE BEEN PLAYING IT BY EAR. 91 00:07:54,440 --> 00:07:56,351 AND THEN WHEN I HEARD THAT YOU WERE HERE ASKING QUESTIONS-- 92 00:07:56,640 --> 00:07:58,358 YOU THOUGHT I MIGHT HAVE SOME INFORMATION. 93 00:07:58,640 --> 00:07:59,755 WELL, MAYBE I WAS HOPING. 94 00:08:00,080 --> 00:08:03,834 ANYWAY, YOU'RE HERE, AND IF THE LEFT HAND 95 00:08:04,160 --> 00:08:05,388 KNEW WHAT THE RIGHT HAND WERE DOING... 96 00:08:05,680 --> 00:08:07,671 MAYBE WE COULD FIND SOME ANSWERS, TOGETHER. 97 00:08:08,000 --> 00:08:09,718 -WOULD YOU MIND? -ARE YOU KIDDING? 98 00:08:10,040 --> 00:08:11,598 YOU'RE THE MAN WITH THE TERRIFIC BATTING AVERAGE. 99 00:08:11,920 --> 00:08:13,797 I MEAN, MR. CRIME-BUSTER HIMSELF. 100 00:08:14,080 --> 00:08:18,153 WELL, THERE ARE SOME WHO THINK I'M OVERLY ZEALOUS. 101 00:08:18,440 --> 00:08:19,998 0H, THE MANESCU CASE. 102 00:08:20,280 --> 00:08:21,349 YOU'VE BEEN READING THE PAPERS. 103 00:08:21,680 --> 00:08:24,911 UH-HUH, PAUL BAYLOR, THE AVENGING ANGEL. 104 00:08:25,200 --> 00:08:28,875 YEAH. 105 00:08:29,160 --> 00:08:31,469 LISTEN, I'VE GOT TO RUN. 106 00:08:31,760 --> 00:08:35,469 CAN WE, LUNCH LATER, COMPARE NOTES? 107 00:08:35,760 --> 00:08:36,510 THAT'S A GOOD IDEA. 108 00:08:36,800 --> 00:08:39,155 HOW ABOUT DONATELLO'S? 109 00:08:39,440 --> 00:08:41,158 12:30? 110 00:08:41,440 --> 00:08:43,476 YOU'RE ON. 111 00:09:06,160 --> 00:09:07,195 IS THAT HER? 112 00:09:07,520 --> 00:09:08,669 THAT'S HER. 113 00:09:08,960 --> 00:09:10,154 SO, WHAT DOES SHE KNOW? 114 00:09:10,480 --> 00:09:12,596 NOTHING, YET. 115 00:09:12,880 --> 00:09:17,795 IF SHE GETS TOO CLOSE, THEN WHAT? 116 00:09:18,080 --> 00:09:21,436 I GUESS WE'LL JUST HAVE TO USE THESE AGAIN. 117 00:09:26,280 --> 00:09:27,838 0H BOY. 118 00:09:28,160 --> 00:09:29,798 I'M TELLING YOU, MY EYES HURT. 119 00:09:30,120 --> 00:09:31,235 HAVE I GOT SOMETHING IN THIS EYE? 120 00:09:31,520 --> 00:09:32,635 I DON'T THINK SO. 121 00:09:32,960 --> 00:09:33,995 IT HURTS. 122 00:09:34,280 --> 00:09:36,794 YOU TWO LOOK BLOODSHOT. YEAH. 123 00:09:37,080 --> 00:09:38,115 MARVIN'S BEEN SHOWING US ENOUGH 124 00:09:38,400 --> 00:09:40,630 FOOTAGE FOR A MINOR FILM FESTIVAL. 125 00:09:40,920 --> 00:09:42,399 DID YOU COME UP WITH ANYTHING AT THE POLICE LAB? 126 00:09:42,720 --> 00:09:43,709 NO FINGERPRINTS, NO TIRE MARKS 127 00:09:44,000 --> 00:09:45,399 THAT THEY COULD ISOLATE IN THE PARKING LOT. 128 00:09:45,720 --> 00:09:46,630 BUT THEY'RE STILL TRYING 129 00:09:46,920 --> 00:09:47,989 TO TRACE THE CONTENTS OF THE CANISTER. 130 00:09:48,280 --> 00:09:50,111 FIGURES. 131 00:09:52,720 --> 00:09:54,278 CHECK RUN THIS. 132 00:09:54,560 --> 00:09:56,312 THE CLIENTS ARE WAITING IN THE WAITING ROOM. 133 00:09:56,600 --> 00:09:58,272 MARVIN... HM? 134 00:09:58,560 --> 00:10:00,232 YOU KNOW THOSE THREATENING PHONE CALLS THAT YOU RECEIVED? 135 00:10:00,520 --> 00:10:03,353 CAN YOU TELL ME EXACTLY AGAIN WHAT THE CALLER SAID TO YOU? 136 00:10:03,640 --> 00:10:06,837 HE WARNED-- WARNED ME TO SHUT DOWN MY BUSINESS. 137 00:10:07,160 --> 00:10:08,275 AND DO WHAT? 138 00:10:08,560 --> 00:10:10,437 WELL, HE DIDN'T SUGGEST A NEW LINE OF WORK. 139 00:10:10,720 --> 00:10:12,358 PAUL BAYLOR, THE DEPUTY D.A. 140 00:10:12,640 --> 00:10:15,518 ALSO RECEIVED AN ANONYMOUS PHONE CALL ABOUT THIS LAB. 141 00:10:15,840 --> 00:10:17,068 HE DID? LAST WEEK. 142 00:10:17,360 --> 00:10:18,759 HE SAID THE CALLER TOLD HIM 143 00:10:19,040 --> 00:10:20,996 THAT THE FILM LAB WOULD BEAR WATCHING. 144 00:10:21,280 --> 00:10:23,748 BEAR WATCHING WHAT? WHAT DOES THAT MEAN? 145 00:10:24,040 --> 00:10:24,836 HE DIDN'T KNOW I-- 146 00:10:25,120 --> 00:10:26,792 [SHEEP BLEATING] 147 00:10:38,640 --> 00:10:41,154 JILL, DO ME A FAVOR. 148 00:10:41,440 --> 00:10:43,431 NO, YOU'RE NOT HALLUCINATING. 149 00:10:43,720 --> 00:10:46,473 THAT WAS LITTLE BO PEEP WASN'T IT? 150 00:10:46,760 --> 00:10:48,637 AND HER SHEEP. ITHINK SO. 151 00:10:48,920 --> 00:10:51,309 ER, WE HAVE A SOUND STAGE IN THE BACK. 152 00:10:51,600 --> 00:10:52,999 WE RENT IT OUT. 153 00:10:53,280 --> 00:10:55,111 THEY'RE FILMING SOME CHILDREN'S STORIES. 154 00:10:55,400 --> 00:10:56,310 0H. 155 00:10:56,600 --> 00:10:58,556 AFTER YOU, LADIES. 156 00:11:03,960 --> 00:11:07,669 I NEVER REALIZED LITTLE BO PEEP WAS SO MATURE. 157 00:11:16,680 --> 00:11:18,796 WHAT'S HE GOING TO DO? 158 00:11:19,080 --> 00:11:19,990 BAYLOR, I MEAN. 159 00:11:20,320 --> 00:11:21,435 NOTHING YET. 160 00:11:21,720 --> 00:11:23,711 WELL, DON'T YOU HAVE ANY IDEA WHAT HE'S GOING TO DO? 161 00:11:24,000 --> 00:11:26,150 NO, I DON'T, MARVIN. 162 00:11:26,440 --> 00:11:30,433 ALL RIGHT, ROLL THEM, KARL. 163 00:11:35,000 --> 00:11:38,151 [MORSE CODE BEEPING] 164 00:11:58,240 --> 00:12:01,596 UH, MARVIN, WHAT IS THIS? 165 00:12:30,840 --> 00:12:32,671 THANK YOU, KARL. 166 00:12:36,840 --> 00:12:40,071 INTERESTING FILM, MARVIN. 167 00:12:40,400 --> 00:12:45,474 WHO WAS THE GUY WITH THE EARRING WITH THE WHITE BREAD? 168 00:12:45,760 --> 00:12:47,034 WHO KNOWS? WHO KNOWS? 169 00:12:47,360 --> 00:12:49,874 LOOK I DON'T MAKE MOVIES, I DEVELOP FILM. 170 00:12:50,200 --> 00:12:52,589 A LOT OF CRAZIES COME IN HERE ALL THE TIME. 171 00:12:52,880 --> 00:12:55,155 THAT WAS, ER, TOLCHUKI 172 00:12:55,440 --> 00:12:57,351 MY NECK. 173 00:12:57,640 --> 00:13:00,234 THERE'S GOATS. 174 00:13:08,000 --> 00:13:10,150 LITTLE B0 PEEP? 175 00:13:10,440 --> 00:13:13,432 SHE MEETS A SHEPHERD. 176 00:13:13,760 --> 00:13:15,239 SHE MEETS A SHEPHERD. 177 00:13:15,560 --> 00:13:18,677 LET'S GET SOME AIR. 178 00:13:18,960 --> 00:13:20,757 I'LL BE BACK IN A MINUTE. 179 00:13:29,040 --> 00:13:30,678 WE'RE REALLY GROPING, YOU KNOW? 180 00:13:30,960 --> 00:13:32,678 I MEAN STARING AT ALL THAT FILM 181 00:13:32,960 --> 00:13:34,552 MARVIN KEEPS FEEDING US, AND WE DON'T EVEN KNOW 182 00:13:34,840 --> 00:13:36,159 -WHAT WE'RE LOOKING FOR. -MM-HM. 183 00:13:36,440 --> 00:13:37,953 WELL, I'M HAVING LUNCH WITH PAUL BAYLOR THIS AFTERNOON. 184 00:13:38,240 --> 00:13:40,276 MAYBE HE CAN HELP US GET A HANDLE ON THIS. 185 00:13:40,560 --> 00:13:41,470 THAN KS. 186 00:13:41,760 --> 00:13:43,193 LOVE TO MEET HIM. RIGHT? 187 00:13:43,480 --> 00:13:45,789 RIGHT. BOSLEY AND I HAVE TO CHECK OUT A LIST 188 00:13:46,080 --> 00:13:47,911 OF MARVIN'S SILENT PARTNERS. 189 00:13:48,200 --> 00:13:50,111 WELL, I THINKI BETTER DO THIS ONE SOLO. 190 00:13:50,400 --> 00:13:51,753 -YES, RIGHT, UH-HUH. -LET ME EXPLAIN WHY. 191 00:13:52,040 --> 00:13:53,234 IF HE FINDS OUT CHARLIE HAS THREE OF US 192 00:13:53,560 --> 00:13:55,278 WORKING ON HIS SIDE OF THE STREET, HE'S LIABLE 193 00:13:55,600 --> 00:13:56,828 -TO GET A LITTLE UPTIGHT. -LOG|CAL. 194 00:13:57,120 --> 00:13:58,712 YOU MEAN HE LOOKS AS GOOD AS HIS NEWS PHOTOS, 195 00:13:59,000 --> 00:14:00,797 -AND YOU DON'T WANT TO SHARE HIM. -WELL, UGLY HE ISN'T. 196 00:14:01,080 --> 00:14:03,196 -SEE YA LATER. -HAVE A NICE LUNCH. 197 00:14:03,520 --> 00:14:04,748 I WILL. 198 00:14:05,040 --> 00:14:07,235 SHE GETS BAYLOR AND I GET MARVIN. 199 00:14:07,520 --> 00:14:09,636 LISTEN, SUFFERING-- IT BUILDS CHARACTER. 200 00:14:09,920 --> 00:14:10,875 -RIGHT. -YOU KNOW WHAT I MEAN? 201 00:14:11,200 --> 00:14:12,110 YEAH. 202 00:14:24,640 --> 00:14:26,232 EXCUSE ME. 203 00:14:26,520 --> 00:14:27,748 EXCUSE ME. 204 00:14:28,040 --> 00:14:30,600 EXCUSE ME, TOLCHUK? 205 00:14:30,920 --> 00:14:32,319 HOW DO YOU KNOW, TOLCHUK? 206 00:14:32,640 --> 00:14:36,838 YOUR EARRING I SAW YOUR FILM, I DIDN'T UNDERSTAND IT. 207 00:14:37,120 --> 00:14:38,519 YOU WEREN'T SUPPOSED TO UNDERSTAND. 208 00:14:38,800 --> 00:14:39,630 IT WAS IN CODE. 209 00:14:39,920 --> 00:14:42,718 0H. 210 00:14:43,000 --> 00:14:46,709 WELL YOU THINK YOU COULD EXPLAIN IT TO ME THEN? 211 00:14:47,000 --> 00:14:48,956 WHY SHOULD TOLCHUK TALK TO YOU? 212 00:14:49,280 --> 00:14:52,158 WELL, YOU SEE I'M A REPORTER FOR THE BROWN EARTH GAZETTE 213 00:14:52,440 --> 00:14:53,759 AND EVERY YEAR WE DO AN ANNUAL 214 00:14:54,040 --> 00:14:56,349 AND I THOUGHT THIS YEAR MAYBE WE COULD USE YOU ON THE COVER. 215 00:14:56,640 --> 00:15:00,918 I MEAN, WELL, THE BACK OF YOUR HEAD. 216 00:15:02,480 --> 00:15:04,914 THE FILM IS ABOUT WHITE BREAD. 217 00:15:05,200 --> 00:15:07,634 WHITE BREAD? 218 00:15:07,960 --> 00:15:10,997 THE RAPE OF THE WHEAT! 219 00:15:11,280 --> 00:15:12,633 HOW DO YOU RAPE WHEAT? 220 00:15:12,920 --> 00:15:13,670 NOT ME! 221 00:15:13,960 --> 00:15:16,110 THEM! OH, I DIDN'T MEAN YOU. 222 00:15:16,400 --> 00:15:18,197 I DIDN'T MEAN YOU. 223 00:15:25,240 --> 00:15:28,869 THE GREAT ENERGY COMES FROM THE GOD SUN, 224 00:15:29,160 --> 00:15:32,755 AND IT HAMMERS ITS RAYS INTO THE EARTH, 225 00:15:33,040 --> 00:15:38,353 AND THE GREAT WATER GOD IN THE SKY SPITS DOWN THE RAINS. 226 00:15:38,640 --> 00:15:39,834 SPITS IT... 227 00:15:40,160 --> 00:15:43,311 AND THE PLOW RUPTURES THE DIRT, 228 00:15:43,600 --> 00:15:45,158 AND OUT OF THE ANGUISH 229 00:15:45,440 --> 00:15:50,195 AND THE AGONY, THE SEED QUIETLY EXPLODES! 230 00:15:53,960 --> 00:15:56,474 AND THEN IT BECOMES WHEAT, 231 00:15:56,800 --> 00:15:59,314 AND IT SACRIFICES ITS VIRGIN STALK 232 00:15:59,640 --> 00:16:03,155 UNDER THE DEADLY BLADE OF THE SCYTHE. 233 00:16:04,600 --> 00:16:06,079 AND, AND THEN, 234 00:16:06,400 --> 00:16:11,952 THIS... THIS RICH, GOLDEN BOUNTY, 235 00:16:12,280 --> 00:16:15,477 IS RAPED BY YOUR MODERN PROCESSING PLANT. 236 00:16:19,000 --> 00:16:20,274 I NEVER THOUGHT OF IT THAT WAY. 237 00:16:20,560 --> 00:16:25,156 COMES THE REVOLUTION, YOU WILL! 238 00:16:57,280 --> 00:16:59,794 I'M TELLING YOU, SHE'S GETTING TOO CLOSE. 239 00:17:00,120 --> 00:17:03,510 WE'RE GOING TO HAVE TO WASTE HER. 240 00:18:10,480 --> 00:18:12,994 MRS. EVERS? 241 00:18:13,320 --> 00:18:14,389 YES? 242 00:18:14,680 --> 00:18:15,749 | STOPPED BY YOUR HOUSE 243 00:18:16,040 --> 00:18:17,314 AND YOUR MAID TOLD ME YOU WERE HERE, 244 00:18:17,600 --> 00:18:18,715 SO I TOOK A SMALL LIBERTY... 245 00:18:19,000 --> 00:18:21,230 DID YOU ENJOY IT? 246 00:18:21,520 --> 00:18:22,919 ENJOY, WHAT? 247 00:18:23,240 --> 00:18:25,231 TAKING A SMALL LIBERTY WITH MY MAID? 248 00:18:25,520 --> 00:18:30,116 OH, NO, NO, NOT WITH HER, WITH YOU. 249 00:18:30,400 --> 00:18:34,916 THAT IS, WHAT I MEAN IS SHE-- | WANTED TO TALK WITH YOU, 250 00:18:35,200 --> 00:18:36,918 SO I TOOK THE SMALL LIBERTY 0F COMING DOWN. 251 00:18:37,200 --> 00:18:39,077 I'M GLAD WE WORKED THAT OUT. 252 00:18:42,640 --> 00:18:45,359 I UNDERSTAND THAT YOU HAVE AN ASSOCIATE, MR. GOLDMAN? 253 00:18:45,680 --> 00:18:46,669 GOLDMAN? 254 00:18:46,960 --> 00:18:49,315 NO, NO, I DON'T KNOW ANYONE BY THAT NAME. 255 00:18:49,640 --> 00:18:51,949 WELL FROM THE INFORMATION I'VE RECEIVED, 256 00:18:52,240 --> 00:18:54,276 YOU'VE HELPED FINANCE MR. GOLDMAN. 257 00:18:54,600 --> 00:18:57,876 NOW LOOK, I TOLD YOU I DON'T KNOW A MR. GOLDMAN, 258 00:18:58,160 --> 00:18:59,559 AND IF YOU DON'T LEAVE ME ALONE, 259 00:18:59,840 --> 00:19:04,960 I'LL MAKE CERTAIN YOU REGRET HAVING TAKEN THAT SMALL LIBERTY. 260 00:19:10,120 --> 00:19:11,633 HE HAS A SMOOTH STROKE. 261 00:19:13,040 --> 00:19:14,109 HE HAD TWO. 262 00:19:48,480 --> 00:19:49,708 MR. PARMADOOR? 263 00:19:50,040 --> 00:19:50,836 THAT'S ME. 264 00:19:51,160 --> 00:19:53,196 I AM IN THE MARKET FOR A GIFT. 265 00:19:53,480 --> 00:19:55,914 WHAT SORT OF GIFT DID YOU HAVE IN MIND? 266 00:19:56,200 --> 00:20:01,433 WELL, A GIFT OF INFORMATION, ACTUALLY, ABOUT MR. GOLDMAN? 267 00:20:01,760 --> 00:20:04,638 I DON'T KNOW ANYBODY BY THAT NAME. 268 00:20:04,920 --> 00:20:08,708 WELL, YOU'RE ONE OF HIS INVESTORS. 269 00:20:09,000 --> 00:20:10,433 AREN'T YOU? 270 00:20:10,760 --> 00:20:11,875 YOU'RE MISTAKEN. 271 00:20:12,160 --> 00:20:13,070 I DON'T THINK SO. 272 00:20:13,360 --> 00:20:14,509 LADY, GET THE HELL OUT OF HERE 273 00:20:14,800 --> 00:20:15,789 BEFORE YOU GET HURT. 274 00:20:16,080 --> 00:20:19,152 I'LL GIVE MARVIN YOUR REGARDS. 275 00:20:27,000 --> 00:20:28,752 BYE. 276 00:20:52,200 --> 00:20:54,760 EXCUSE ME, I'M HOLDING THAT SEAT FOR A YOUNG LADY. 277 00:20:59,520 --> 00:21:01,351 WHITE WINE, PLEASE. 278 00:21:01,640 --> 00:21:04,950 I'M SORRY I'M LATE. YOU'RE LOOKING WELL, HELLO. 279 00:21:05,280 --> 00:21:06,838 WHAT'S LEFT FOR ME TO SAY? 280 00:21:07,160 --> 00:21:09,151 YOU CAN TELL ME YOU'VE GOT VITAL INFORMATION THAT'LL HELP US 281 00:21:09,440 --> 00:21:10,714 GET A HANDLE ON THIS CASE. 282 00:21:11,000 --> 00:21:12,752 WHAT I GOT IS ANOTHER ANONYMOUS PHONE CALL ABOUT YOUR CLIENT. 283 00:21:13,080 --> 00:21:13,830 WHEN? 284 00:21:14,160 --> 00:21:15,673 ABOUT AN HOUR AGO. 285 00:21:16,000 --> 00:21:17,194 AND? 286 00:21:17,480 --> 00:21:18,913 AND THE SAME VAGUE REFERENCE ABOUT WATCHING THE LAB. 287 00:21:19,200 --> 00:21:20,997 LISTEN. THIS COULD BE DANGEROUS. 288 00:21:21,280 --> 00:21:22,110 IF YOU COME UP WITH SOMETHING, 289 00:21:22,400 --> 00:21:25,278 I WANT YOU TO CALL ME IMMEDIATELY. 290 00:21:25,560 --> 00:21:26,709 IF THERE'S N0 ANSWER AT MY OFFICE, 291 00:21:27,000 --> 00:21:27,876 CALL THIS OTHER NUMBER. 292 00:21:28,160 --> 00:21:29,388 WHICH IS? 293 00:21:29,720 --> 00:21:30,835 I'VE ASKED FOR HELP FROM THE POLICE DEPARTMENT. 294 00:21:31,120 --> 00:21:37,150 AN OFFICER CAN BE REACHED AT THAT NUMBER AT ALL TIMES. 295 00:21:37,480 --> 00:21:40,552 THIS CASE-- EVERY TIME I TURN A CORNER 296 00:21:40,840 --> 00:21:42,512 I COME UP STARING AT MYSELF. 297 00:21:42,800 --> 00:21:47,555 AND WHEN YOU STARE AT YOURSELF, WHAT DO YOU FEEL? 298 00:21:47,840 --> 00:21:50,798 CONFUSION. 299 00:21:51,120 --> 00:21:53,076 IT'S HARD, TO SEE OURSELVES AS OTHER PEOPLE SEE US, 300 00:21:53,360 --> 00:21:54,395 AS THEY THINK WE ARE. 301 00:21:54,680 --> 00:21:55,829 BUT YOU AND I, TO DO OURJOBS 302 00:21:56,160 --> 00:22:00,278 WE'VE REALLY GOT TO KNOW OURSELVES, MAKE DECISIONS. 303 00:22:00,560 --> 00:22:02,755 -|T'S TOUGH. -BUT YOU DO IT SO WELL. 304 00:22:03,080 --> 00:22:05,071 YOU'VE GOT THE BEST RATE OF CONVICTION IN THE STATE. 305 00:22:05,360 --> 00:22:08,591 WELL, LET'S HOPE WE HAVE AS MUCH LUCK 306 00:22:08,920 --> 00:22:09,875 WITH OUR LITTLE PUZZLE. 307 00:22:10,160 --> 00:22:12,355 LET'S HOPE. 308 00:23:25,040 --> 00:23:28,555 MARVIN, LOOK, WHEN CAN WE SEE THE FILM WE SHOT YESTERDAY? 309 00:23:28,880 --> 00:23:30,916 WE BETTER HOLD OFF A COUPLE OF DAYS. 310 00:23:31,200 --> 00:23:33,270 AND WILL YOU TRY TO KEEP THE SHEEP OUT OF THE HALLWAYS! 311 00:23:33,560 --> 00:23:36,028 YEAH, YEAH, YEAH. JUST GET ME THE FILM WILL YOU? 312 00:24:29,000 --> 00:24:32,959 IS, UH, THAT WHAT YOU CALL A PHOTOPLAY? 313 00:24:39,160 --> 00:24:40,354 IS IT? 314 00:24:41,480 --> 00:24:42,435 WHAT? 315 00:24:42,720 --> 00:24:45,280 A PHOTOPLAY, FOR MAKING MOVIES. 316 00:24:45,560 --> 00:24:46,549 A SCRIPT, YOU MEAN. 317 00:24:46,880 --> 00:24:50,270 ARE YOU IN THE MOVIES? 318 00:24:50,560 --> 00:24:53,279 I'M A DIRECTOR. 319 00:24:53,560 --> 00:24:54,788 YEAH? 320 00:24:55,080 --> 00:24:56,229 GUESS WHAT? 321 00:24:56,520 --> 00:24:59,318 YOU ALWAYS WANTED TO BE AN ACTRESS. 322 00:24:59,640 --> 00:25:02,108 HOW'D YOU KNOW THAT? 323 00:25:02,400 --> 00:25:08,111 I GUESS YOU MIGHT SAY I'VE GOT AN EYE FOR...TALENT. 324 00:25:08,440 --> 00:25:09,031 I'M FAMOUS FOR IT. 325 00:25:09,360 --> 00:25:12,113 | BET YOU ARE. 326 00:25:14,760 --> 00:25:20,949 YOU KNOW, I'D DO ANYTHING TO GET IN A MOVIE. 327 00:25:21,280 --> 00:25:22,076 YOU WOULD, HUH? 328 00:25:24,240 --> 00:25:25,468 YEAH. 329 00:25:29,640 --> 00:25:31,153 WHAT KIND OF MOVIES DO YOU MAKE? 330 00:25:35,280 --> 00:25:36,599 FREE-FORM. 331 00:25:38,480 --> 00:25:39,390 YEAH? 332 00:25:39,720 --> 00:25:42,109 FREE-FORM? 333 00:25:43,840 --> 00:25:47,310 WHAT EXACTLY IS FREE-FORM? 334 00:25:47,640 --> 00:25:50,632 SHOW THEM, BOSLEY. 335 00:25:50,920 --> 00:25:54,549 NOW HERE'S SOME FILM MARVIN DIDN'T WANT US TO SEE. 336 00:25:58,760 --> 00:26:01,479 A LITTLE BO PEEP 337 00:26:01,760 --> 00:26:05,355 I” HAS LOSTHER SHEPHERD I 338 00:26:05,640 --> 00:26:09,633 OH, LITTLE BO PEEP. 339 00:26:09,960 --> 00:26:11,393 THAT IS NOT THE LITTLE BO PEEP 340 00:26:11,680 --> 00:26:12,999 | KNEW AND LOVED AS A CHILD. 341 00:26:13,280 --> 00:26:16,397 KELLY: YEAH, WELL THIS IS THE UNABRIDGED EDITION. 342 00:26:20,840 --> 00:26:24,833 OH, HOW DO THEY DO THAT? 343 00:26:25,120 --> 00:26:28,510 VERY CAREFULLY. 344 00:26:35,800 --> 00:26:37,552 I'M CONFUSED. 345 00:26:37,840 --> 00:26:39,637 OH, ALL RIGHT, ASK QUESTIONS AND I'LL TRY TO EXPLAIN. 346 00:26:39,920 --> 00:26:41,831 OH NO, THIS PLOT I GOT FIGURED. 347 00:26:42,160 --> 00:26:44,754 QUESTION IS, WHAT DO WE DO WHEN OUR CLIENT TURNS OUT 348 00:26:45,080 --> 00:26:46,559 TO BE A LIAR AND A PORNOGRAPHER. 349 00:26:46,840 --> 00:26:49,035 WELL, WE'RE NOT HERE TO EXAMINE HIS MORAL FIBER, 350 00:26:49,320 --> 00:26:51,515 WE'RE SUPPOSED TO FIND OUT WHO'S TRYING TO BURN HIM 351 00:26:51,800 --> 00:26:53,199 OUT OF BUSINESS AND WHY. 352 00:26:53,480 --> 00:26:54,629 THAT'S TRUE, BUT THERE IS A LAW 353 00:26:54,960 --> 00:26:56,188 AGAINST THIS SORT OF THING. 354 00:26:56,480 --> 00:26:57,674 SHE'S RIGHT. 355 00:26:58,000 --> 00:26:59,274 JILL'S GOT PAUL BAYLOR'S CONFIDENCE. 356 00:26:59,560 --> 00:27:00,993 IF HE FINDS OUT WHAT MARVIN'S BEEN DOING-- 357 00:27:01,280 --> 00:27:02,030 AND HE WILL. 358 00:27:02,320 --> 00:27:03,150 GIVE ME THE PHONE. 359 00:27:03,440 --> 00:27:04,714 MEANING, YOU'RE GOING TO TELL HIM. 360 00:27:05,000 --> 00:27:06,911 YOU'VE GOT IT. 361 00:27:45,880 --> 00:27:47,950 MM-HM. 362 00:27:48,240 --> 00:27:49,912 MM-HM. 363 00:27:50,200 --> 00:27:53,033 I'LL TAKE CARE OF IT. 364 00:27:53,320 --> 00:27:54,514 I'M SORRY. 365 00:27:54,800 --> 00:27:55,710 YOU WERE SAYING? 366 00:27:56,000 --> 00:27:57,831 I WAS SAYING, YOU REALIZE, 367 00:27:58,120 --> 00:27:59,872 I'M IN A DIFFICULT POSITION WITH MY CLIENT. 368 00:28:00,160 --> 00:28:01,149 | WAS HIRED TO PROTECT HIM. 369 00:28:01,480 --> 00:28:03,357 AND NOW I'M GOING TO BLOW THE WHISTLE ON HIM. 370 00:28:03,640 --> 00:28:05,676 YOU CAN'T COVER FOR HIM IF HE'S BREAKING THE LAW. 371 00:28:05,960 --> 00:28:08,190 I GUESS THAT'S TRUE. 372 00:28:08,480 --> 00:28:13,429 YOU BUST DRUGS, PROSTITUTION, YOU GET ORGANIZED CRIME. 373 00:28:13,720 --> 00:28:15,119 IT'S THE SAME THING WITH PORNOGRAPHY. 374 00:28:15,400 --> 00:28:17,709 MAYBE MARVIN GOT MIXED UP WITH SOME HEAVYWEIGHTS. 375 00:28:18,040 --> 00:28:21,316 THAT WOULD EXPLAIN HIS RELUCTANCE IN HIRING US. 376 00:28:21,600 --> 00:28:28,472 I WOULD BE WILLING TO SLAP HIS WRISTS, CONFISCATE THE FILM 377 00:28:28,800 --> 00:28:29,471 AND LET IT GO AT THAT, 378 00:28:29,800 --> 00:28:31,279 IF HE'LL COOPERATE. 379 00:28:31,600 --> 00:28:32,828 THAT SURPRISES ME. 380 00:28:33,120 --> 00:28:34,997 BECAUSE I'M WILLING TO DEAL? 381 00:28:35,280 --> 00:28:36,633 UH-HUH, 382 00:28:36,920 --> 00:28:39,070 AND BECAUSE! THINK COMPROMISING IS DIFFICULT FOR YOU. 383 00:28:39,400 --> 00:28:42,790 I ADMIT I'VE NEVER MADE AN OFFER LIKE THIS BEFORE. 384 00:28:43,080 --> 00:28:46,277 AND YOU'RE RIGHT, IT'S NOT EASY FOR ME. 385 00:28:46,560 --> 00:28:47,276 WHY THEN? 386 00:28:47,560 --> 00:28:51,030 CALL IT A FAVOR. 387 00:28:51,320 --> 00:28:53,231 FOR ME? 388 00:28:53,520 --> 00:28:54,748 DO YOU MIND? 389 00:28:55,080 --> 00:28:56,115 SHOULD I? 390 00:28:56,400 --> 00:28:58,709 NO, I'M THE ONE WITH THE DEVIL AT HIS BACK. 391 00:28:59,040 --> 00:28:59,916 THE DEVIL? 392 00:29:00,200 --> 00:29:05,228 MY OLD MAN WAS A PREACHER. 393 00:29:05,520 --> 00:29:08,876 A SURE ENOUGH, TEXAS BORN, HELLFIRE DUST ROAD PREACHER. 394 00:29:09,160 --> 00:29:12,755 AND HE ALWAYS TOLD ME WALK BRISKLY TOWARD THE LORD, 395 00:29:13,040 --> 00:29:15,508 BECAUSE IF YOU LOOK BACK YOU'LL SEE THE DEVIL'S FACE 396 00:29:15,800 --> 00:29:16,789 AND TURN TO STONE. 397 00:29:19,120 --> 00:29:21,076 SO I GUESS I'VE BEEN FAST FORWARD ALL MY LIFE. 398 00:29:21,400 --> 00:29:23,994 I THINK YOU'VE DONE GREAT IN FAST FORWARD. 399 00:29:28,000 --> 00:29:30,434 I'M GOING TO HAVE A LITTLE HEART TO HEART WITH MARVIN, 400 00:29:30,720 --> 00:29:32,358 THEN I'LL GET BACK TO YOU. OKAY? 401 00:29:32,640 --> 00:29:34,119 COULD YOU PUT A RUSH ON THAT? 402 00:29:34,400 --> 00:29:35,594 A RUSH? 403 00:29:35,880 --> 00:29:36,835 IN GETTING BACK TO ME. 404 00:29:37,160 --> 00:29:41,358 COMPLIMENT NOTED. 405 00:29:41,640 --> 00:29:42,914 AND ACCEPTED. 406 00:29:44,520 --> 00:29:46,112 WHEN-- 407 00:29:46,400 --> 00:29:47,435 WHEN THIS IS ALL CLEARED UP 408 00:29:47,760 --> 00:29:49,751 AND I HAVEN'T GOT A CLOCK AT MY BACK, 409 00:29:51,640 --> 00:29:53,676 I'M GOING TO COME AT YOU LIKE A FREIGHT TRAIN. 410 00:29:53,960 --> 00:29:55,359 OH, YOU ARE? 411 00:29:55,680 --> 00:29:56,749 IARE. 412 00:29:59,040 --> 00:30:00,951 LISTEN, I'VE GOT TO RUN, 413 00:30:01,240 --> 00:30:02,719 GOT A LATE MEETING WITH THE GRAND JURY. 414 00:30:03,000 --> 00:30:04,558 THE MANESCU CASE? 415 00:30:04,840 --> 00:30:06,353 WE GO TO TRIAL NEXT WEEK. 416 00:30:06,640 --> 00:30:10,155 THE AVENGING ANGEL BACK IN ACTION. 417 00:30:10,440 --> 00:30:11,759 KEEP IN TOUCH? 418 00:30:14,280 --> 00:30:15,759 WATCH OUT FOR THE DEVIL. 419 00:30:35,360 --> 00:30:37,715 HI BREE, IT'S JILL. 420 00:30:38,000 --> 00:30:40,275 MM-HM, I THINK EVERYTHING'S GOING TO BE OKAY. 421 00:30:40,600 --> 00:30:42,272 HEY, I'M TOO TIRED TO DRIVE OUT TO THE BEACH TONIGHT. 422 00:30:42,600 --> 00:30:44,318 CAN I STAY AT YOUR PLACE? 423 00:30:44,600 --> 00:30:46,431 I HAVE MY GARAGE KEY. 424 00:30:46,720 --> 00:30:47,596 OH, THANK YOU. 425 00:30:47,880 --> 00:30:48,915 I'LL TIPPY-TOE. 426 00:30:49,240 --> 00:30:50,229 BYE. 427 00:33:49,320 --> 00:33:50,594 [ENGINE STARTS] 428 00:33:50,920 --> 00:33:53,309 [TIRES SQUEALING] 429 00:34:12,000 --> 00:34:13,479 DO YOU KNOW THE PRICE 430 00:34:13,760 --> 00:34:14,636 OF AN IMPORTED PHALAENOPSIS AMABIL/S ? 431 00:34:14,920 --> 00:34:16,672 I NEVER DROVE ONE. 432 00:34:16,960 --> 00:34:18,029 YOU DON'T DRIVE IT, YOU SMELL IT! 433 00:34:18,360 --> 00:34:19,873 IT HAPPENS TO BE A RARE WHITE ORCHID 434 00:34:20,200 --> 00:34:21,679 THAT CAN ONLY BE FOUND IN MALAYA. 435 00:34:21,960 --> 00:34:25,589 AS YOU PROBABLY NOTICED, MY MOTHER ACQUIRED 436 00:34:25,880 --> 00:34:27,074 A FONDNESS FOR THEM LAST YEAR. 437 00:34:27,360 --> 00:34:28,395 OH, COME ON MARVIN. 438 00:34:28,680 --> 00:34:30,398 YOU'RE NOT GOING TO BLAME ALL THIS ON YOUR MOTHER! 439 00:34:30,680 --> 00:34:31,715 AND HER FLOWERS? 440 00:34:32,040 --> 00:34:33,996 LOOK, MARVIN, WE APPRECIATE YOUR EXPENSES, 441 00:34:34,280 --> 00:34:36,635 BUT JILL WAS NEARLY KILLED LAST NIGHT, 442 00:34:36,960 --> 00:34:38,791 NOW YOU HAVE GOT TO LEVEL WITH US. 443 00:34:39,080 --> 00:34:40,274 | WAS GOING TO TELL YOU. 444 00:34:40,560 --> 00:34:42,118 I REALLY WAS. 445 00:34:42,400 --> 00:34:44,834 BUT IF MY MOTHER EVER KNEW WHAT I WAS DOING-- 446 00:34:45,120 --> 00:34:50,513 MARVIN, I TALKED TO AN INVESTOR OF YOURS, MRS. EVERS. 447 00:34:50,800 --> 00:34:52,950 WELL, HOW'D YOU GET TO KNOW HER? 448 00:34:53,240 --> 00:34:54,719 THERE'S ALSO A CERTAIN MR. PARMADOOR... 449 00:34:55,000 --> 00:34:56,558 NOW HE NEARLY FED HIMSELF TO HIS FISH 450 00:34:56,840 --> 00:34:57,909 WHEN I MENTIONED YOUR NAME. 451 00:34:58,240 --> 00:34:58,956 WELL, THEY HAVE NO COMPLAINTS WITH ME. 452 00:34:59,280 --> 00:35:00,030 THEY'VE MADE MONEY WITH ME. 453 00:35:00,360 --> 00:35:01,236 YOU GET ALONG WITH THEM? 454 00:35:01,520 --> 00:35:02,316 NO PROBLEMS? 455 00:35:02,600 --> 00:35:06,275 WELL, YES. 456 00:35:06,560 --> 00:35:09,870 IT TOOK A LITTLE PERSUADING TO, UH, 457 00:35:10,200 --> 00:35:13,272 GET THEM TO AGREE TO INVEST. 458 00:35:13,560 --> 00:35:15,152 WHAT KIND OF PERSUASION, MARVIN? 459 00:35:15,440 --> 00:35:19,319 WELL, THEY ASKED TO SEE EXAMPLES OF MY WORK. 460 00:35:19,600 --> 00:35:23,388 THEY MUST HAVE LIKED WHAT THEY SAW. 461 00:35:23,720 --> 00:35:24,709 NOT REALLY. 462 00:35:25,000 --> 00:35:26,069 THEN WHY DID THEY INVEST? 463 00:35:26,360 --> 00:35:31,912 WELL, THEY COMMITTED CERTAIN INDISCRETIONS 464 00:35:32,200 --> 00:35:34,430 AT A MOTEL THAT I OWN. 465 00:35:34,720 --> 00:35:38,429 AND THESE INDISCRETIONS 466 00:35:38,720 --> 00:35:44,033 WERE CAPTURED, ER, CINEMATICALLY. 467 00:35:44,360 --> 00:35:45,315 WAIT A MINUTE, WAIT A MINUTE, 468 00:35:45,600 --> 00:35:48,398 ARE YOU SAYING THAT YOUR INVESTORS 469 00:35:48,680 --> 00:35:53,037 WERE UNKNOWING PARTICIPANTS IN THE EXAMPLES 470 00:35:53,320 --> 00:35:55,390 THAT YOU SHOWED THEM OF YOUR WORK? 471 00:35:56,360 --> 00:35:57,349 YES. 472 00:35:57,640 --> 00:35:59,232 OH, BOY. 473 00:35:59,520 --> 00:36:00,430 OH, MARVIN, 474 00:36:00,760 --> 00:36:03,228 YOU ARE A VERY ENTERPRISING FELLOW. 475 00:36:03,520 --> 00:36:07,832 NOT TO MENTION A LIAR, A PORNOGRAPHER, A BLACKMAILER. 476 00:36:08,120 --> 00:36:10,190 WELL, I NEVER SAID I WAS PERFECT. 477 00:36:11,680 --> 00:36:12,874 OKAY. 478 00:36:13,160 --> 00:36:14,275 WHERE DO WE GO FROM HERE? 479 00:36:14,600 --> 00:36:17,160 WELL, 480 00:36:17,480 --> 00:36:19,789 FIRST WE TRY TO TIE UP A FEW OF THESE PIECES. 481 00:36:20,080 --> 00:36:22,435 OKAY. 482 00:36:22,720 --> 00:36:24,233 YOU SAY YOU RECEIVED THE FIRST THREATENING PHONE CALL, 483 00:36:24,520 --> 00:36:26,192 -TEN DAYS AGO. -YES. 484 00:36:26,480 --> 00:36:27,708 WERE YOU, UH, WERE YOU SHOOTING 485 00:36:28,000 --> 00:36:29,513 ONE OF YOUR EPIDERMAL EPICS THEN? 486 00:36:29,800 --> 00:36:32,030 SALLY OF SIN CITY 487 00:36:32,320 --> 00:36:34,595 THAT IS A PROVOCATIVE TITLE. 488 00:36:34,920 --> 00:36:36,114 I THOUGHT OF IT MYSELF. 489 00:36:36,400 --> 00:36:38,470 OH. I'VE GOT A TITLE FOR YOU, MARVIN. 490 00:36:38,760 --> 00:36:41,069 IT'S CALLED "SHOW US THE NAUGHTY FILM." 491 00:36:41,360 --> 00:36:43,078 YEAH, WELL I'VE GOT A TITLE FOR YOU TOO. 492 00:36:43,360 --> 00:36:45,999 IT'S CALLED "GO TELL CHARLIE WHAT'S GOING ON." 493 00:36:46,280 --> 00:36:49,477 YES. 494 00:36:49,800 --> 00:36:54,271 KARL, RUN SALL YOF SIN CITY, ALIAS LI TTLEBO PEEP. 495 00:36:54,600 --> 00:36:57,160 LITTLE BO PEEP? 496 00:37:01,080 --> 00:37:02,991 MARVIN, REALLY. 497 00:37:03,320 --> 00:37:04,196 THERE ARE JUST SCENES. 498 00:37:04,480 --> 00:37:06,436 WE HAVEN'T PUT THE PICTURE TOGETHER YET. 499 00:37:06,720 --> 00:37:09,871 TACKY, MARVIN, THIS IS VERY TACKY STUFF. 500 00:37:20,600 --> 00:37:23,398 -HEY WAIT A MINUTE. -WHAT'S WRONG? 501 00:37:23,680 --> 00:37:24,795 RUN THE FILM BACK. 502 00:37:25,080 --> 00:37:26,593 OH, NO, NO, NO. 503 00:37:26,920 --> 00:37:28,512 THIS MAN DIDN'T-- HE WASN'T SUPPOSED TO BE IN THIS SHOT. 504 00:37:28,840 --> 00:37:29,909 NO, THERE'S A BETTER SEGMENT COMING UP. 505 00:37:30,200 --> 00:37:31,315 I DON'T CARE ABOUT THAT. 506 00:37:31,640 --> 00:37:33,790 RUN THE FILM BACK. I WANT TO SEE THAT MAN'S FACE. 507 00:37:34,960 --> 00:37:35,836 RUN THE FILM BACK, KARL. 508 00:37:36,120 --> 00:37:37,109 AND KEEP RE-RUNNING |T. 509 00:37:37,440 --> 00:37:38,668 I WANT TO GET A CLOSER LOOK AT HIM. 510 00:37:38,960 --> 00:37:39,756 KEEP RE-RUNNING IT, KARL. 511 00:37:40,040 --> 00:37:41,473 WHAT IS IT? 512 00:37:41,760 --> 00:37:44,115 YOU KNOW THAT MAN WHO SHOT AT ME THE OTHER NIGHT IN THE GARAGE? 513 00:37:44,440 --> 00:37:45,316 YEAH? 514 00:37:45,600 --> 00:37:48,512 HE WAS ABOUT THE SAME SIZE, THAT SAME BLOND HAIR. 515 00:37:48,800 --> 00:37:49,789 YOU SURE? 516 00:37:50,120 --> 00:37:52,076 NO, IT'S, IT'S JUST A FEELING I HAVE. 517 00:37:52,360 --> 00:37:53,554 THE BLOND HAIR. 518 00:37:53,840 --> 00:37:55,273 WELL, WAIT. SO, SO WHAT YOU'RE SAYING IS THAT 519 00:37:55,560 --> 00:37:56,515 THIS IS THE PIECE OF FILM 520 00:37:56,800 --> 00:37:58,552 THAT WAS SUPPOSED TO BE BURNED IN THE FIRE? 521 00:37:58,840 --> 00:38:00,353 MAYBE. 522 00:38:00,640 --> 00:38:02,039 WELL, WHY? YOU CAN'T EVEN SEE HIS FACE. 523 00:38:02,320 --> 00:38:04,151 WELL, THAT MAN DOESN'T KNOW THAT. 524 00:38:04,440 --> 00:38:05,634 RIGHT! AND FOR SOME REASON 525 00:38:05,960 --> 00:38:08,918 HE DOESN'T WANT TO BE SEEN THERE, NOW. 526 00:38:11,680 --> 00:38:15,514 JILL: MARVIN, STOP THE FILM THIS TIME. 527 00:38:21,600 --> 00:38:24,637 MARVIN WHAT'S UP THE HILL FROM THAT BUILDING? 528 00:38:24,920 --> 00:38:26,956 NOTHING. JUST AN OLD APARTMENT HOUSE. 529 00:38:27,280 --> 00:38:28,633 I'M GOING TO GO THERE AND HAVE A LOOK. 530 00:38:28,920 --> 00:38:29,955 WHAT FOR? 531 00:38:30,280 --> 00:38:32,157 I DON'T KNOW, IT'S JUST A FEELING. 532 00:38:32,440 --> 00:38:34,317 MARVIN, CAN YOU GET ME A BLOW-UP OF THAT PIECE OF FILM? 533 00:38:34,600 --> 00:38:36,352 -A CLOSE-UP ON THE CAR? -SURE. 534 00:38:36,640 --> 00:38:37,470 THE LICENSE PLATE? 535 00:38:37,760 --> 00:38:39,193 LISTEN, UH, KELLY, 536 00:38:39,480 --> 00:38:41,038 WHAT'S THAT GUY'S NAME THAT WE WENT TO THE ACADEMY WITH 537 00:38:41,320 --> 00:38:42,230 WHO WORKS AT THE DMV? 538 00:38:42,520 --> 00:38:43,270 -LT. CANTRELL. -ED CANTRELL. 539 00:38:43,560 --> 00:38:45,437 OKAY, LISTEN, I'LL CALL HIM. 540 00:38:45,760 --> 00:38:47,512 HE'LL PROBABLY PUT A RUSH ON IT FOR US. 541 00:38:47,840 --> 00:38:49,273 OKAY, LOOK I'LL STAY HERE, GET THE BLOW-UP, 542 00:38:49,560 --> 00:38:50,595 CALL YOU AT CANTRELL'S OFFICE 543 00:38:50,920 --> 00:38:51,796 -THAT WAY WE'LL SAVE TIME. -RIGHT. 544 00:38:52,080 --> 00:38:53,513 I'VE GOT TWO MORE MINUTES ON THIS REEL 545 00:38:53,840 --> 00:38:55,910 AND I THINK WE HAVE A BETTER ANGLE ON THE LICENSE PLATE. 546 00:38:56,200 --> 00:38:57,269 LET ME KNOW IF YOU FIND SOMETHING. ALL RIGHT. 547 00:38:57,600 --> 00:38:58,715 WHY DON'T YOU ROLL THE REST OF IT. 548 00:38:59,000 --> 00:39:01,958 KEEP ON ROLLING IT, KARL. ALL OF IT. 549 00:39:45,000 --> 00:39:46,115 OH, HELLO, YES, 550 00:39:46,440 --> 00:39:49,716 CAN I HAVE LIEUTENANT ED CANTRELL'S OFFICE, PLEASE? 551 00:39:50,000 --> 00:39:52,468 THANK YOU. 552 00:39:52,760 --> 00:39:56,548 ED, THIS IS KELLY GARRETT. IS SABRINA THERE? 553 00:39:56,840 --> 00:39:58,558 MARVIN, WHAT WAS IT AGAIN? 554 00:39:58,840 --> 00:40:02,958 2-9-4... 555 00:40:03,240 --> 00:40:06,437 O-D-L. 556 00:40:06,720 --> 00:40:09,393 SABRINA, I'VE GOT IT. 557 00:40:09,680 --> 00:40:13,229 LICENSE NUMBER 294 ODL. 558 00:40:13,520 --> 00:40:14,669 OKAY, YOU START ON IT. 559 00:40:14,960 --> 00:40:16,359 I'LL BE DOWN IN A MINUTE. 560 00:40:16,680 --> 00:40:17,476 BYE. 561 00:40:20,080 --> 00:40:23,595 MARVIN, WE MAY PULL YOU OUT OF THIS YET. 562 00:41:20,720 --> 00:41:21,709 MANESCU. 563 00:41:22,040 --> 00:41:23,837 THAT'S BAYLOR'S CASE. 564 00:42:21,240 --> 00:42:22,912 MOBILE OPERA TOR. 565 00:42:32,960 --> 00:42:33,870 YEAH. 566 00:42:34,160 --> 00:42:35,752 THIS IS JILL MUNROE. 567 00:42:36,040 --> 00:42:37,155 PAUL BAYLOR GAVE ME THIS NUMBER. 568 00:42:37,480 --> 00:42:38,799 I UNDERSTAND. 569 00:42:39,080 --> 00:42:40,479 OH, THEN YOU KNOW ABOUT THE GOLDMAN CASE? 570 00:42:40,760 --> 00:42:42,591 YES, AND I'VE BEEN ALERTED 571 00:42:42,880 --> 00:42:45,155 TO HELP YOU IN ANY POSSIBLE WAY I CAN, MISS MUNROE. 572 00:42:45,440 --> 00:42:46,395 GREAT. 573 00:42:46,680 --> 00:42:47,749 I'M AT THE CORNER OF EIGHTH AND LAGRANDE. 574 00:42:48,080 --> 00:42:49,957 WOULD YOU LIKE ME TO COME RIGHT DOWN THERE? 575 00:42:50,240 --> 00:42:53,437 YES, I THINK I'VE STUMBLED ON SOMETHING. 576 00:42:53,720 --> 00:42:54,630 IMONMYWAY. 577 00:42:54,960 --> 00:42:57,315 THANK YOU. 578 00:43:32,680 --> 00:43:34,113 DID YOU FIND OUT WHOSE LICENSE IT WAS? 579 00:43:34,400 --> 00:43:36,550 YEAH, WE'VE GOT TO GET TO JILL, FAST! 580 00:43:37,920 --> 00:43:39,114 HELLO, MOBILE? 581 00:43:39,400 --> 00:43:41,038 MOBILE OPERATOR THIS IS AN EMERGENCY. 582 00:44:19,200 --> 00:44:19,996 MISS MUNROE? 583 00:44:20,280 --> 00:44:21,793 YES? 584 00:44:22,080 --> 00:44:23,433 I'M DETECTIVE SERGEANT DANNER. 585 00:44:23,760 --> 00:44:26,354 THIS IS DETECTIVE LEMBECK. 586 00:44:26,680 --> 00:44:28,033 | APPRECIATE Y'ALL COMING. 587 00:44:28,320 --> 00:44:30,231 YOU SAID THAT YOU STUMBLED ON SOMETHING. 588 00:44:30,560 --> 00:44:33,120 YES. PAUL BAYLOR TOLD YOU, WE WERE STUDYING THE GOLDMAN FILM? 589 00:44:33,440 --> 00:44:34,509 YES. 590 00:44:34,800 --> 00:44:35,471 DID YOU FIND SOMETHING? 591 00:44:35,760 --> 00:44:39,548 WELL, LET ME SHOW YOU. 592 00:44:39,840 --> 00:44:43,435 WHEN THEY WERE FILMING HERE, A MAN CAME OUT OF THIS ALLEY, 593 00:44:43,720 --> 00:44:46,871 SORT OF PANICKED WHEN HE SAW THE CAMERAS, HE TURNED AROUND, 594 00:44:47,200 --> 00:44:49,316 GOT INTO A CAR THAT WAS PARKED RIGHT THERE AND DROVE AWAY 595 00:44:49,600 --> 00:44:50,510 WITH ANOTHER MAN. 596 00:44:50,800 --> 00:44:52,279 A MAN. COULD YOU IDENTIFY HIM? 597 00:44:52,560 --> 00:44:55,472 NO, OTHER THAN HE HAD BLONDE HAIR, AND IT WAS DARK. 598 00:44:55,760 --> 00:44:58,513 SO I FIGURED I'D COME DOWN HERE, AND LOOK AROUND FOR MYSELF. 599 00:44:58,840 --> 00:45:00,353 LOOK AROUND, FOR WHAT? 600 00:45:00,640 --> 00:45:01,789 WELL, I DIDN'T KNOW. 601 00:45:02,080 --> 00:45:04,958 BUT LOOK I FOUND OUT, IN THAT REAR APARTMENT 602 00:45:05,240 --> 00:45:07,629 IN THE CORNER THAT'S WHERE MANESCU LIVES. 603 00:45:07,920 --> 00:45:09,194 MANESCU? 604 00:45:09,480 --> 00:45:11,198 YOU KNOW, MANESCU, 605 00:45:11,520 --> 00:45:16,036 THAT'S THE MAN PAUL BAYLOR INDICTED FOR MURDER. 606 00:45:16,320 --> 00:45:19,153 HIS TRIAL IS DUE TO START SOMETIME NEXT WEEK. 607 00:45:19,480 --> 00:45:20,754 THAT'S RIGHT. 608 00:45:21,040 --> 00:45:23,873 MANESCU IS SUPPOSED TO LIVE HERE IN THIS AREA, RIGHT? 609 00:45:24,160 --> 00:45:25,513 OH, I'M SORRY. 610 00:45:25,800 --> 00:45:27,074 I'M NOT FAMILIAR WITH THAT CASE. 611 00:45:27,400 --> 00:45:30,153 OH, WELL, PAUL BAYLOR TOLD ME 612 00:45:30,440 --> 00:45:33,000 HE RECEIVED SOME CALLS TELLING HIM 613 00:45:33,280 --> 00:45:35,510 TO KEEP AN EYE ON THE GOLDMAN LAB. 614 00:45:35,800 --> 00:45:38,997 AND I KNEW HE WAS IN THE MIDDLE OF THE MANESCU TRIAL, SO, 615 00:45:39,280 --> 00:45:41,919 I FIGURED THERE WAS SOME SORT OF CONNECTION. 616 00:45:42,200 --> 00:45:43,679 POSSIBLE. 617 00:46:08,880 --> 00:46:12,509 UM, WELL, THE NEWSPAPERS SAY 618 00:46:12,800 --> 00:46:14,153 THAT MANESCU CLAIMED 619 00:46:14,440 --> 00:46:16,749 THE EVIDENCE WAS PLANTED IN HIS APARTMENT. 620 00:46:17,080 --> 00:46:18,035 I'M NOT FOLLOWING YOU. 621 00:46:18,320 --> 00:46:24,190 WELL, THE BLOND MAN, YOU KNOW HE-- 622 00:46:24,480 --> 00:46:30,715 UH, I EXPLAINED IT, WHEN HE WAS-- 623 00:46:32,960 --> 00:46:35,554 WELL, LET ME SHOW YOU OKAY? 624 00:46:39,000 --> 00:46:40,513 [GUNSHOT] 625 00:46:43,680 --> 00:46:45,671 DON'T! 626 00:46:45,960 --> 00:46:47,029 HOLD IT! 627 00:47:19,720 --> 00:47:20,869 I'M SORRY. 628 00:47:21,160 --> 00:47:22,559 ME TOO. 629 00:47:22,840 --> 00:47:27,356 ALL THOSE YEARS, FAST FORWARD. 630 00:47:31,280 --> 00:47:33,032 NOW I GUESS I'LL HAVE TO LOOK BACK. 631 00:47:34,880 --> 00:47:36,154 WATCH OUT FOR THE DEVIL. 632 00:47:46,600 --> 00:47:49,319 BEFORE YOU CONDEMN BAYLOR AND US, REMEMBER, 633 00:47:49,600 --> 00:47:52,114 HE'S GOT THE BEST DAMN CONVICTION RATE IN THE STATE. 634 00:47:52,400 --> 00:47:54,994 HOW MANY TIMES HAVE YOU PLANTED EVIDENCE? 635 00:47:55,280 --> 00:47:58,636 WE DID WHAT WAS NECESSARY, WHEN IT WAS NECESSARY. 636 00:47:58,920 --> 00:48:01,992 AND THAT'S THE MOST FRIGHTENING THING I'VE HEARD TODAY. 637 00:48:11,640 --> 00:48:13,596 YOU OKAY? 638 00:48:13,880 --> 00:48:15,233 I'VE HAD BETTER DAYS. 639 00:48:15,520 --> 00:48:16,236 YEAH. 640 00:48:30,680 --> 00:48:32,511 JILL, THE ANONYMOUS PHONE CALLS 641 00:48:32,840 --> 00:48:35,513 BA YL OR CLAIMS T0 HA VE RECEIVED: THERE WERE NONE? 642 00:48:35,840 --> 00:48:38,400 NO, HE WAS JUST BAITING ME INTO WORKING WITH HIM 643 00:48:38,720 --> 00:48:40,039 SO HE'D KNOW IF I WAS GETTING TOO CLOSE. 644 00:48:40,320 --> 00:48:42,470 ESTHER GOLDMAN CALLED ME. SHE'S VERY GRA TEFUL. 645 00:48:42,760 --> 00:48:43,988 I TAKE IT SHE DOESN'T KNOWABOUT 646 00:48:44,280 --> 00:48:46,669 MARVIN 'S CINEMA TIC INDISCRETIONS .7 647 00:48:46,960 --> 00:48:49,633 MARVIN'S TAKEN HER ON A SHORT CRUISE. 648 00:48:49,920 --> 00:48:50,909 HOPEFULLY BY THE TIME HE GETS BACK, 649 00:48:51,200 --> 00:48:52,269 THE MEDIA WILL HAVE MOVED ON 650 00:48:52,560 --> 00:48:55,074 TO SOME OTHER FORM OF CURRENT EVENTS. 651 00:48:55,400 --> 00:48:57,391 SINCE MARVIN WAS COOPERATIVE 652 00:48:57,680 --> 00:48:58,954 THERE WON'T BE ANY CHARGES FILED. 653 00:48:59,280 --> 00:49:00,793 BY THE WAY, CHARLIE, HOW'S MILLICENT, YOUR FISH? 654 00:49:01,120 --> 00:49:05,716 STILL BELLY UP. I'M AFRAID. 655 00:49:06,040 --> 00:49:09,157 WHAT ABOUT THE ICHTHYOLOGIST, GLORIA? 656 00:49:09,440 --> 00:49:10,475 OH, ABOUT THE SAME. 657 00:49:10,800 --> 00:49:13,360 I'M STILL SAYING A PRAYER FOR HER, CHARLIE. 658 00:49:13,640 --> 00:49:14,675 GL ORIA .7 659 00:49:14,960 --> 00:49:16,393 NO, MILLICENT. GLORIA'S PRAYERS 660 00:49:16,720 --> 00:49:17,789 HAVE ALREADY BEEN ANSWERED BY NOW. 661 00:49:18,080 --> 00:49:21,436 I'M DOING MY BEST TO KEEP HER FAITH INTACT. 662 00:49:21,760 --> 00:49:23,273 BYE, ANGELS. 663 00:49:26,480 --> 00:49:29,916 BY THE WAY, WHAT IS AN ICHTHYOLOGIST? 664 00:49:30,200 --> 00:49:31,758 IT DOESN'T MATTER, BOSLEY. 665 00:49:32,040 --> 00:49:33,951 IT DOESN'T MATTER. 46476

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