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These are the user uploaded subtitles that are being translated: 1 00:00:02,400 --> 00:00:03,833 CHARLIE: ONCE UPON A TIME, 2 00:00:04,120 --> 00:00:08,033 THERE WERE THREE LITTLE GIRLS WHO WENT TO THE POLICE ACADEMY. 3 00:00:20,640 --> 00:00:24,952 AND THEY WERE ASSIGNED VER Y HAZARDOUS DUTIES. 4 00:00:28,640 --> 00:00:30,153 BUTI TOOK THEMA WA Y FROM ALL THA 7', 5 00:00:30,440 --> 00:00:33,000 AND NOW THEY WORK FOR ME. 6 00:00:33,280 --> 00:00:35,953 M YNAME IS CHARLIE 7 00:00:42,880 --> 00:00:45,110 [PHONE RINGING] 8 00:00:52,200 --> 00:00:54,031 THANK YOU. 9 00:00:54,360 --> 00:00:55,110 HELLO? 10 00:00:55,440 --> 00:00:56,509 IT’S CHARLIE, ANGEL. 11 00:00:56,800 --> 00:00:57,949 TIME TO GO TO WORK 12 00:01:11,240 --> 00:01:14,312 [PHONE RINGING] 13 00:01:17,560 --> 00:01:18,390 HELLO? 14 00:01:18,720 --> 00:01:19,516 IT’S CHARLIE ANGEL. 15 00:01:19,840 --> 00:01:21,432 TIME TO GO TO WORK 16 00:01:21,760 --> 00:01:22,829 OKAY. 17 00:01:25,960 --> 00:01:30,272 [PHONE RINGING] 18 00:01:33,600 --> 00:01:34,396 HELLO? 19 00:01:34,680 --> 00:01:35,669 IT’S CHARLIE, ANGEL. 20 00:01:35,960 --> 00:01:37,518 TIME TO GO TO WORK 21 00:02:13,440 --> 00:02:14,634 GOOD MORNING, WOODVILLE, THEY'RE INSIDE. 22 00:02:14,920 --> 00:02:17,036 GOOD, CHARLIE'LL BE CALLING ANY MINUTE NOW. 23 00:02:17,360 --> 00:02:18,429 WILL YOU SET UP THE PROJECTION MACHINE, BOSLEY? 24 00:02:18,720 --> 00:02:20,438 RIGHT, I SUPPOSE I'M TO BE LEFT BEHIND AGAIN 25 00:02:20,720 --> 00:02:22,119 FOR THE REALLY HEAVY STUFF. 26 00:02:22,400 --> 00:02:24,072 LOOK AFTER THE OFFICE, ANSWER THE MAIL, 27 00:02:24,360 --> 00:02:25,634 PICK UP THE PHONE WHEN IT RINGS. 28 00:02:25,920 --> 00:02:27,035 SORRY, BOSLEY. MM-HM. 29 00:02:32,240 --> 00:02:35,277 SABRINA, WHY CAN'T I EVER COME OUT AHEAD OF THE BANK? 30 00:02:35,560 --> 00:02:38,916 I THINK YOU HAVE TO PUT IN MORE THAN YOU TAKE OUT. 31 00:02:39,200 --> 00:02:40,679 AH, IS THAT THE TRICK? 32 00:02:40,960 --> 00:02:42,393 WELL, IT HELPS. 33 00:02:44,880 --> 00:02:46,108 ARE YOU TRYING TO GET ME FAT? 34 00:02:46,400 --> 00:02:48,595 NO, I'M TRYING TO GET YOU HEALTHY. 35 00:02:48,880 --> 00:02:49,756 GOOD MORNING. 36 00:02:50,040 --> 00:02:50,836 GOOD MORNING. 37 00:02:51,120 --> 00:02:52,314 - GOOD MORNING, LADIES. - HI. 38 00:02:52,640 --> 00:02:53,709 YOU'RE ALL LOOKING VERY CHIPPER. 39 00:02:54,000 --> 00:02:56,036 READY FOR THE LAUNCHING PAD? 40 00:02:56,360 --> 00:02:57,759 ANY IDEA WHAT THIS ONE'S ALL ABOUT, WOODVILLE? 41 00:02:58,040 --> 00:02:58,995 CHARLIE'LL LET YOU KNOW WHEN HE CALLS. 42 00:02:59,320 --> 00:03:01,117 WHY DOES IT ALWAYS HAVE TO BE ON THE PHONE, 43 00:03:01,440 --> 00:03:04,034 WHY CAN'T WE EVER SEE CHARLIE? 44 00:03:04,360 --> 00:03:07,158 I BELIEVE THAT WAS VERY CLEARLY SPELLED OUT WHEN YOU WERE HIRED. 45 00:03:07,440 --> 00:03:08,759 NOBODY SEES CHARLIE EXCEPT ME. 46 00:03:09,080 --> 00:03:10,957 HE'S A VERY PRIVATE PERSON. 47 00:03:11,240 --> 00:03:13,117 I KNOW THAT, BUT TO WORK FOR A MAN 48 00:03:13,400 --> 00:03:16,437 YOU'VE NEVER LAID EYES ON SEEMS SO IMPERSONAL. 49 00:03:16,720 --> 00:03:20,076 AND YOU MS. MONROE, WOULD LIKE TO MAKE IT PERSONAL? 50 00:03:20,360 --> 00:03:22,510 COME ON, BE A PAL. 51 00:03:22,840 --> 00:03:24,990 I CAN'T TELL YOU HOW MANY HOURS I'VE SPENT LYING IN BED 52 00:03:25,280 --> 00:03:28,636 TRYING TO PUT A FACE, AND A BODY ON THAT VOICE. 53 00:03:28,920 --> 00:03:31,878 BEATS WATCHING THE LATE SHOW, | IMAGINE. 54 00:03:32,160 --> 00:03:34,071 MAKE YOURSELVES COMFORTABLE. 55 00:03:35,360 --> 00:03:37,510 DON'T TELL ME YOU'VE FALLEN FOR CHARLIE. 56 00:03:37,800 --> 00:03:39,552 - A VOICE ON THE TELEPHONE? - MM-HM. 57 00:03:39,840 --> 00:03:41,478 DON'T BE SILLY. MM-MM. 58 00:03:42,400 --> 00:03:43,515 HERE WE GO. 59 00:03:48,840 --> 00:03:50,910 ALL PRESENT AND ACCOUNTED FOR, SIR. 60 00:03:53,960 --> 00:03:55,234 GOOD MORNING, ANGELS. 61 00:03:55,520 --> 00:03:57,511 GOOD MORNING, CHARLIE. 62 00:03:57,840 --> 00:03:59,034 ARE WE READY, BOSLEY? 63 00:03:59,320 --> 00:04:01,788 GIVE ME JUST A MOMENT, SIR. 64 00:04:05,640 --> 00:04:07,039 THIS IS A TOUCH ONE, ANGELS, 65 00:04:07,320 --> 00:04:09,993 IDOUBT/F/ COULD DO IT MYSELF, EVEN IF I WANTED TO, 66 00:04:10,280 --> 00:04:12,157 NEEDS THE FEM/NINE TOUCH 67 00:04:12,480 --> 00:04:13,196 ALL RIGHT, WOOD |/ILLE. 68 00:04:13,520 --> 00:04:14,748 ALL SET, SIR? 69 00:04:15,040 --> 00:04:16,155 FIRST SLIDE. 70 00:04:16,480 --> 00:04:19,438 NOW THIS'LL BE YOUR SCENE OF OPERA TIONS. 71 00:04:19,720 --> 00:04:22,553 THE SAMARRA VINE YARDS IN THE VALLEY OF THE MOO/II. 72 00:04:22,840 --> 00:04:27,868 15,000ACRES OF THE FINEST WINE COUNTRY/N CALIFORNIA. 73 00:04:28,200 --> 00:04:31,317 IT WAS FOUNDED B Y THIS MAN, VINCENTLA MER, 74 00:04:31,600 --> 00:04:32,430 WHO VAN/SHED SEVEN YEARS AGO 75 00:04:32,720 --> 00:04:35,439 AND HIS WHEREABOUTS ARE UNKNOWN TO THIS DAY. 76 00:04:35,720 --> 00:04:37,870 ANY THEORIES, CHARLIE? 77 00:04:38,160 --> 00:04:39,434 NO EVIDENCE OF FOUL PLA Y, 78 00:04:39,720 --> 00:04:42,154 NO RANSOM DEMAND, NO FAREWELL NOTE, 79 00:04:42,440 --> 00:04:44,749 SIMPL Y DISAPPEARED WITHOUTA TRACE 80 00:04:45,040 --> 00:04:46,712 BUT YOU THINK THERE'S MORE TO IT? 81 00:04:47,000 --> 00:04:49,036 I'D SAYOUR CLIENT IS CON V/NCED 82 00:04:49,320 --> 00:04:51,550 THA T VINCENT LA MER WAS MURDERED. 83 00:04:51,840 --> 00:04:54,593 WHO'S THE CLIENT, CHARLIE? 84 00:04:54,880 --> 00:04:56,199 ALL IN GOOD TIME. 85 00:04:59,200 --> 00:05:00,838 SAMARRA IS NOW THE RESPONSIBILITY 86 00:05:01,120 --> 00:05:03,475 OF RACHEL LA MER, VINCENT’S SECOND WIFE, 87 00:05:03,760 --> 00:05:05,910 BUT SHE ISN’T EOUIPPED FOR THE JOB, 88 00:05:06,240 --> 00:05:09,755 UNFOR TUNA TEL Y, SHE'S BECOME T00 FOND OF THE STUFF THE YBOTTLE 89 00:05:10,040 --> 00:05:11,917 HOW DOES SHE MANAGE? 90 00:05:12,240 --> 00:05:13,514 WITH THE HELP OF THIS MAN' 91 00:05:13,800 --> 00:05:15,995 BEAU CREEL. 92 00:05:16,280 --> 00:05:18,032 FIRSTJOB A T SAMARRA: TRUCK DRIVER. 93 00:05:18,320 --> 00:05:21,995 THEN F OREMAIII, NOWHE HAS THE RUN OF THE HOUSE 94 00:05:22,280 --> 00:05:23,156 THE WHOLE HOUSE? 95 00:05:23,440 --> 00:05:24,873 E VERYROOM 96 00:05:25,160 --> 00:05:28,516 WELL, I HATE A MAN WITHOUT AMBITION. 97 00:05:28,840 --> 00:05:30,717 WA TCH OUT FOR BEAU CREEL, ANGEL S. 98 00:05:31,000 --> 00:05:33,389 THE PEOPLE WHO WORK FOR HIM CAN TELL YOU WHATHE'S LIKE 99 00:05:33,720 --> 00:05:36,280 A GREA T WHITE SHARK 100 00:05:36,600 --> 00:05:38,716 CHARLIE, YOU SAID LA MER'S SECOND WIFE. 101 00:05:39,000 --> 00:05:40,638 VERY GOOD, JILL. 102 00:05:40,920 --> 00:05:42,751 WOOD VILLE .7 103 00:05:43,040 --> 00:05:44,268 THE FIRSTMRS. LA MER. 104 00:05:44,560 --> 00:05:46,073 ORIGINALL Y FROM BRIGHTON, ENGLAND. 105 00:05:46,400 --> 00:05:48,595 THE LITTLE GIRL IS THEIR ONL Y CHILD, JANET. 106 00:05:48,880 --> 00:05:50,393 WHERE ARE THEY NOW? 107 00:05:50,680 --> 00:05:52,557 THE MOTHER DIED A YEAR OR TWO LA TER. 108 00:05:52,840 --> 00:05:55,912 JANET PASSED FROM ONE MEMBER OF THE FAMILY TO ANO THER, 109 00:05:56,240 --> 00:05:59,312 TILL SHE WAS OLD ENOUGH TO GO OUT ON HER OWN 110 00:05:59,600 --> 00:06:03,434 SHE ’5 OUT THERE NOW SOMEWHERE IN THE WORLD, 111 00:06:03,720 --> 00:06:07,156 AND SA TURDA Y VINCENT LA MER WILL BE DECLARED LEGALL YDEAD. 112 00:06:08,760 --> 00:06:09,715 IF JANET DOESN'T SHOW UP, 113 00:06:10,000 --> 00:06:12,958 ALL OF SAMARRA BELONGS TO RACHEL LA MER. 114 00:06:13,240 --> 00:06:15,071 AND THA T'S WHERE YOU COME IN, ANGELS, 115 00:06:15,360 --> 00:06:16,110 WOODVILLE WILL BRIEF YOU, 116 00:06:16,400 --> 00:06:18,277 HE HAS EVERYSCRAP OF INFORMATION YOU'LL NEED-- 117 00:06:18,600 --> 00:06:20,636 MAKE SURE YOU'RE LETTER PERFECT. 118 00:06:20,920 --> 00:06:23,957 CHARLIE, I WAS JUST WONDERING, IF I COULD-- 119 00:06:24,240 --> 00:06:25,719 NOTJUSTNOW, BOSLEY. 120 00:06:26,320 --> 00:06:28,038 BUT DON'T GIVE UP HOPE 121 00:06:28,360 --> 00:06:29,873 OH, NO. 122 00:06:30,200 --> 00:06:32,873 AND WHERE WILL YOU BE, CHARLIE? 123 00:06:33,200 --> 00:06:36,192 WHERE I AL WA YS AM, WITH MY NOSE TO THE GRINDS TONE 124 00:06:36,480 --> 00:06:38,357 THE WA TERS RUN DEEP IN THIS CASE ANGELS, 125 00:06:38,640 --> 00:06:40,835 AND I'M UP TO MYHIPS RIGHT NOW 126 00:06:50,520 --> 00:06:52,556 HERE YOU ARE, CHARLIE. 127 00:06:52,880 --> 00:06:54,757 BLESS YOU, MY DEAR. 128 00:07:42,800 --> 00:07:43,949 HEY. 129 00:07:47,480 --> 00:07:49,038 CAN I HELP YOU, MISTER? 130 00:07:50,160 --> 00:07:52,196 I'D LIKE TO SEE MRS. LA MER, IS SHE IN? 131 00:07:54,920 --> 00:07:55,989 WHO'D LIKE TO SEE HER? 132 00:07:56,320 --> 00:07:57,878 TELL HER JANET LA MER. 133 00:07:58,200 --> 00:07:59,474 WHO'D YOU SAY? 134 00:07:59,760 --> 00:08:01,079 JANET LA MER. 135 00:08:01,360 --> 00:08:02,554 I USED TO LIVE HERE. 136 00:08:02,840 --> 00:08:05,229 YOU STAY RIGHT WHERE YOU ARE. 137 00:08:21,360 --> 00:08:23,191 MR. CREEL? 138 00:08:23,520 --> 00:08:26,114 CAN I TALK TO YOU FOR A MINUTE? 139 00:08:26,440 --> 00:08:28,112 BEAU, I WAS TALKING TO YOU, PLEASE! 140 00:08:28,440 --> 00:08:30,670 IN A MINUTE, IN A MINUTE. 141 00:08:34,200 --> 00:08:35,076 YEAH, WHAT IS IT, WILDER? 142 00:08:35,400 --> 00:08:37,516 THERE'S A GIRL OUTSIDE. 143 00:08:37,800 --> 00:08:39,950 SHE SAYS SHE'S JANET LA MER. 144 00:08:43,160 --> 00:08:44,275 WHAT ARE WE GOING TO DO? 145 00:08:46,920 --> 00:08:48,717 ALL RIGHT, LEAVE HER TO ME. 146 00:08:49,040 --> 00:08:50,029 BRING HER IN. 147 00:08:53,520 --> 00:08:55,715 NOW ARE YOU GOING TO BE ALL RIGHT? 148 00:08:56,000 --> 00:08:58,798 I MEAN, CAN YOU HANDLE HER? 149 00:08:59,200 --> 00:09:00,235 ALL RIGHT, WELL, LISTEN. 150 00:09:00,560 --> 00:09:02,949 YOU JUST BE NICE TO HER AND I'LL TAKE CARE OF THE REST, 151 00:09:03,240 --> 00:09:05,549 ALL RIGHT? 152 00:09:18,840 --> 00:09:19,670 MORNING. 153 00:09:19,960 --> 00:09:20,949 HI. 154 00:09:23,120 --> 00:09:24,792 YOU, UH, SAY YOU'RE JANET LA MER? 155 00:09:25,120 --> 00:09:27,588 YES, I HOPE YOU DON'T MIND, 156 00:09:27,920 --> 00:09:29,478 I JUST WANTED TO SEE WHAT IT WAS LIKE, 157 00:09:29,760 --> 00:09:30,954 THE PLACE WHERE I WAS BORN. 158 00:09:31,240 --> 00:09:34,073 WELL, OF COURSE I DON'T MIND. 159 00:09:34,360 --> 00:09:36,828 THE FACT IS, I'VE BEEN WONDERING ABOUT YOU FOR SOME TIME. 160 00:09:38,040 --> 00:09:39,268 I DON'T SUPPOSE YOU REMEMBER ME. 161 00:09:39,560 --> 00:09:41,471 WHY, YES! 162 00:09:41,800 --> 00:09:44,030 YOU'RE BEAU CREEL. 163 00:09:44,320 --> 00:09:45,912 YOU DRIVE ONE OF MY FATHER'S TRUCKS. 164 00:09:46,200 --> 00:09:49,510 I USED TO, I, UH, 165 00:09:49,800 --> 00:09:51,631 RUN THE PLACE NOW FOR MRS. LA MER. 166 00:09:51,920 --> 00:09:53,717 HOW NICE. 167 00:09:54,000 --> 00:09:57,231 HOW DID YOU HAPPEN TO COME BACK JUST NOW? 168 00:09:57,520 --> 00:10:01,308 WELL, I GUESS YOU COULD CALL IT KIND OF A CRAZY IMPULSE. 169 00:10:01,600 --> 00:10:03,079 I'VE BEEN OUT OF TOUCH WITH EVERYTHING 170 00:10:03,360 --> 00:10:04,509 EVER SINCE | LEFT ENGLAND. 171 00:10:04,800 --> 00:10:07,234 RATTLING AROUND ALL OVER THE PLACE ON MY BIKE. 172 00:10:07,520 --> 00:10:10,193 AND THEN ALL OF A SUDDEN IT WAS CALIFORNIA, 173 00:10:10,480 --> 00:10:14,189 AND I THOUGHT, OH, IT'S JUST OVER THAT HILL. 174 00:10:14,480 --> 00:10:15,390 SO HERE I AM. 175 00:10:15,680 --> 00:10:21,232 YEAH, WELL, UH, I GUESS YOU AND MRS. LA MER 176 00:10:21,520 --> 00:10:24,990 WILL HAVE A LOT TO TALK ABOUT IN THE NEXT FEW DAYS. 177 00:10:25,280 --> 00:10:26,918 YOU WILL STAY, WON'T YOU? 178 00:10:27,200 --> 00:10:30,829 THANK YOU, I'LL JUST GET MY THINGS. 179 00:10:31,120 --> 00:10:32,030 OH, NO, DON'T BOTHER. 180 00:10:32,360 --> 00:10:34,669 I'LL HAVE THEM BROUGHT UP TO YOU, MS. LA MER. 181 00:10:38,320 --> 00:10:40,629 WHY DON'T YOU SHOW HER UPSTAIRS? 182 00:10:40,920 --> 00:10:42,558 JANET. 183 00:10:42,840 --> 00:10:43,670 MAY I CALL YOU JANET? 184 00:10:43,960 --> 00:10:45,871 I'D LIKE THAT. 185 00:10:54,080 --> 00:10:56,389 WILDER. 186 00:10:56,680 --> 00:10:59,558 LET ME SEE THOSE BAGS. 187 00:11:03,560 --> 00:11:06,870 SEE IF YOU CAN FIND A PASSPORT. 188 00:11:30,040 --> 00:11:32,235 OKAY, TAKE HER BAGS UP. 189 00:11:32,520 --> 00:11:34,636 GET YOUR SERVANTS OUT OF THE HOUSE. 190 00:11:34,960 --> 00:11:37,793 TELL THEM TO TAKE A FEW DAYS OFF. 191 00:11:52,480 --> 00:11:55,119 UH, LET ME SPEAK T0 MR. BANCROFT. 192 00:11:55,440 --> 00:12:00,070 TELL HIM BEAU CREEL, FROM THE SAMARRA VINEYARDS. 193 00:12:00,400 --> 00:12:01,799 YES, BEAU, WHAT/S IT? 194 00:12:02,080 --> 00:12:02,876 HENRY? 195 00:12:03,200 --> 00:12:04,030 WE GOT TROUBLE 196 00:12:04,360 --> 00:12:06,396 JANET LA MER SHOWED UP. 197 00:12:09,240 --> 00:12:11,879 OH, MY GOD. 198 00:12:12,200 --> 00:12:13,349 YOU KNOW WHAT THAT MEANS. 199 00:12:13,640 --> 00:12:18,236 WELL, TAKE IT EASY, WE HAVEN'T LOST A THING YET, 200 00:12:18,520 --> 00:12:19,669 BUT YOU BETTER GET OUT HERE NOW. 201 00:12:20,000 --> 00:12:21,831 I, UH, I’MDUE IN COURT. 202 00:12:22,120 --> 00:12:25,430 NOW, HENRY, NOW! 203 00:12:43,720 --> 00:12:46,075 WOODVILLE, ARE YOU THERE? 204 00:12:46,400 --> 00:12:49,756 YES. HOW'S IT GOING? 205 00:12:50,080 --> 00:12:51,559 EVERYTHING'S FINE. 206 00:12:51,840 --> 00:12:54,115 I'M ALL SETTLED IN. 207 00:12:54,400 --> 00:12:56,391 IF YOU NEED ANYTHING, JUSTBUZZ. 208 00:12:56,680 --> 00:12:58,193 OKAY. 209 00:12:59,960 --> 00:13:03,430 HOW DO YOU KNOW SHE'S THE REAL GIRL? 210 00:13:03,760 --> 00:13:05,193 HER PASSPORT. 211 00:13:05,480 --> 00:13:08,790 WELL, YOU CAN BUY A PASSPORT ON THE BLACK MARKET. 212 00:13:09,080 --> 00:13:10,035 FOR A COUPLE 0F HUNDRED DOLLARS, 213 00:13:10,320 --> 00:13:13,312 YOU CAN BE WHOEVER YOU WANT TO BE. 214 00:13:13,640 --> 00:13:14,959 WELL, THAT'S WHY YOU'RE HERE. 215 00:13:15,240 --> 00:13:19,392 YOU KNEW THE KID FROM THE DAY SHE WAS BORN. 216 00:13:19,680 --> 00:13:21,193 CHECK HER OUT. 217 00:13:21,520 --> 00:13:25,274 WHY WOULD SHE COME BACK AFTER ALL THESE YEARS? 218 00:13:29,880 --> 00:13:32,348 I DON'T KNOW. 219 00:13:32,640 --> 00:13:34,676 MAYBE SHE DIDN'T BUY THE FACT THAT HER 220 00:13:35,000 --> 00:13:37,958 OLD MAN JUST DISAPPEARED. 221 00:13:38,240 --> 00:13:41,676 MAYBE SHE THOUGHT IF SHE CAME BACK TO SOON, 222 00:13:42,000 --> 00:13:44,230 THE SAME THING COULD HAPPEN T0 HER. 223 00:13:44,520 --> 00:13:46,590 NOW WAIT A MINUTE, BEAU, 224 00:13:46,920 --> 00:13:50,629 I DON'T WANT TO BE PARTY TO ANY ROUGH STUFF. 225 00:13:50,920 --> 00:13:52,751 WHAT DO YOU THINK HAPPENS IF SHE GETS SOME 226 00:13:53,040 --> 00:13:55,110 FANCY ACCOUNTANT TO GO THROUGH THE BOOKS 227 00:13:55,400 --> 00:13:56,389 AND THEY FIND OUT WE'VE TAKEN 228 00:13:56,720 --> 00:13:59,837 OVER A QUARTER OF A MILLION OFF THE TOP? 229 00:14:00,120 --> 00:14:04,272 NOW I'VE NEVER HEARD YOU COMPLAIN ABOUT YOUR CUT BEFORE. 230 00:14:04,560 --> 00:14:07,836 I HAD BUSINESS REVERSES! 231 00:14:08,120 --> 00:14:09,269 I WENT ALONG WITH YOU ON THAT, 232 00:14:09,560 --> 00:14:12,597 BUT I HAVE TO DRAW THE LINE SOMEWHERE. 233 00:14:12,880 --> 00:14:15,917 YOU'RE ACROSS THE LINE, HENRY. YOU'RE AN ACCESSORY TO MURDER. 234 00:14:16,240 --> 00:14:19,277 IWASN'T HERE THAT NIGHT. 235 00:14:19,560 --> 00:14:20,595 NOW, I CAN PROVE THAT. 236 00:14:20,920 --> 00:14:23,195 BUT WHEN YOU FOUND OUT, 237 00:14:23,480 --> 00:14:25,471 YOU FORGOT TO TELL THE SHERIFF, DIDN'T YOU? 238 00:14:25,800 --> 00:14:27,836 SAME THING. 239 00:14:28,120 --> 00:14:30,270 CHECK HER OUT. 240 00:14:33,480 --> 00:14:35,198 JANET, WOULD YOU MIND COMING 241 00:14:35,480 --> 00:14:36,549 INTO THE LIVING ROOM FOR A MINUTE? 242 00:14:36,840 --> 00:14:38,114 OF COURSE NOT. 243 00:14:38,400 --> 00:14:39,879 DO YOU HAVE EVERYTHING YOU NEED? 244 00:14:40,160 --> 00:14:42,276 FINE, THANK YOU. 245 00:14:42,600 --> 00:14:43,874 RACHEL, THE HOUSE LOOKS LOVELY. 246 00:14:44,160 --> 00:14:45,479 THANK YOU. 247 00:14:45,760 --> 00:14:46,636 ARE YOU ON YOUR WAY OUT? 248 00:14:46,920 --> 00:14:48,638 - YEA, I THOUGHT-- - HELLO, JANET. 249 00:14:54,400 --> 00:14:56,834 WHY, MR. BANCROFT, WHAT A SURPRISE! 250 00:14:57,160 --> 00:14:58,832 HOW ARE YOU? 251 00:15:01,320 --> 00:15:02,594 JUST FINE. 252 00:15:02,920 --> 00:15:03,670 GOOD TO SEE YOU. 253 00:15:04,000 --> 00:15:05,399 WELCOME HOME. 254 00:15:05,680 --> 00:15:07,875 SIT DOWN, SIT DOWN. 255 00:15:08,160 --> 00:15:10,230 WELL, WELL, WELL. 256 00:15:10,520 --> 00:15:12,829 DO YOU STILL HAVE THAT LOVELY OLD OFFICE 0N MOORING STREET? 257 00:15:13,120 --> 00:15:15,634 YES, NUMBER 17. 258 00:15:15,920 --> 00:15:17,831 IT'S GOOD TO KNOW SOME THINGS NEVER CHANGE. 259 00:15:18,120 --> 00:15:20,509 YES, WE GO BACK A LONG WAY, DON'T WE? 260 00:15:20,800 --> 00:15:25,749 YOU KNOW, I REMEMBER THE DAY YOU TURNED 6. 261 00:15:26,040 --> 00:15:28,554 YOU ROLLED DOWN TO THE OFFICE 262 00:15:28,840 --> 00:15:31,638 JUST TO SHOW ME YOUR NEW CHESTNUT PONY. 263 00:15:33,800 --> 00:15:35,995 "BUNKY," I THINK YOU CALLED HIM. 264 00:15:36,320 --> 00:15:37,833 FORGIVE ME, HENRY. 265 00:15:38,160 --> 00:15:39,673 BUT IT WAS MY SEVENTH BIRTHDAY, 266 00:15:40,000 --> 00:15:42,195 THE PONY WAS A GRAY, AND HER NAME WAS CINDY. 267 00:15:42,480 --> 00:15:43,435 DON'T YOU REMEMBER? 268 00:15:43,720 --> 00:15:45,358 YES, YOU'RE RIGHT ABOUT THAT, 269 00:15:45,640 --> 00:15:48,871 I GUESS I GOT THAT ALL MIXED UP. 270 00:15:50,520 --> 00:15:53,080 BUT THERE IS ONE THING I KNOW I'M RIGHT ABOUT. 271 00:15:53,360 --> 00:15:54,236 THE MILK? 272 00:15:54,520 --> 00:15:56,875 YOU MEAN THE WARM MILK? 273 00:15:57,160 --> 00:15:58,229 AT NIGHT. 274 00:15:58,560 --> 00:16:00,391 HE'S DOING BETTER. 275 00:16:00,720 --> 00:16:01,869 I HAD A GLASS OF WARM MILK 276 00:16:02,160 --> 00:16:03,832 EVERY NIGHT OF MY LIFE BEFORE I WENT TO SLEEP. 277 00:16:04,120 --> 00:16:04,950 I STILL DO. 278 00:16:05,240 --> 00:16:06,878 I'LL SEE TO IT YOU GET SOME TONIGHT. 279 00:16:07,160 --> 00:16:08,309 THANK YOU. 280 00:16:08,600 --> 00:16:10,192 YES, THAT WOULD BE NICE. 281 00:16:10,520 --> 00:16:12,397 AND RACHEL, DON'T FORGET, 282 00:16:12,680 --> 00:16:14,591 SHE LIKES A LITTLE CINNAMON SPRINKLED ON THE TOP. 283 00:16:14,880 --> 00:16:17,872 NO, MR. BANCROFT. NUTMEG. 284 00:16:22,000 --> 00:16:25,151 YOU'VE BEEN TESTING ME, HAVEN'T YOU? WHY? 285 00:16:26,160 --> 00:16:29,550 YES, WE HAVE AND I'M TRULY SORRY 286 00:16:29,880 --> 00:16:32,269 TO HAVE TO YOU PUT YOU THROUGH THAT, JANET, |-- 287 00:16:32,560 --> 00:16:34,915 WELL, WE HAD TO MAKE CERTAIN THAT YOU WERE IN FACT 288 00:16:35,200 --> 00:16:36,349 JANET LA MER. 289 00:16:36,680 --> 00:16:39,399 AS RACHEL'S ATTORNEY, I HAD TO PROTECT HER 290 00:16:39,720 --> 00:16:42,393 AGAINST THE POSSIBILITY THAT SOME ADVENTURIST 291 00:16:42,720 --> 00:16:44,597 MIGHT SHOW UP JUST ABOUT NOW. 292 00:16:44,880 --> 00:16:46,836 YOU MEAN BEFORE SATURDAY. 293 00:16:47,440 --> 00:16:49,829 YOU KNEW ABOUT SATURDAY? 294 00:16:50,120 --> 00:16:52,190 ABOUT MY FATHER'S WILL? YES. 295 00:16:52,520 --> 00:16:55,671 WELL, THEN WHY PRETEND YOU JUST DROPPED IN OUT OF THE BLUE? 296 00:16:55,960 --> 00:16:58,554 WELL, WHEN I MET YOU AND YOU WERE SO KIND, 297 00:16:58,840 --> 00:17:00,273 I DIDN'T HAVE THE HEART TO TELL YOU. 298 00:17:00,560 --> 00:17:02,710 I GUESS I WAS HOPING I COULD FIND THE RIGHT WORDS. 299 00:17:03,040 --> 00:17:05,952 BUT, UH-- WELL, NOW THAT WE'RE ALL SUCH GOOD FRIENDS 300 00:17:06,240 --> 00:17:07,958 IT DOESN'T HAVE TO BE THAT DIFFERENT 301 00:17:08,240 --> 00:17:10,276 JUST BECAUSE SAMARRA'S GOING TO BELONG TO ME. 302 00:17:12,000 --> 00:17:13,558 RACHEL, I DO HOPE YOU'LL COME 303 00:17:13,880 --> 00:17:15,518 AND VISIT WHENEVER YOU'RE IN THE NEIGHBORHOOD. 304 00:17:15,840 --> 00:17:17,671 OH, AND BEAU, 305 00:17:17,960 --> 00:17:19,871 I HOPE YOU'LL STAY ON, 306 00:17:20,160 --> 00:17:21,309 THAT IS IF YOU DON'T MIND TAKING ORDERS 307 00:17:21,640 --> 00:17:24,677 FROM SOMEONE YOU PROBABLY STIL L THINK OF AS A LITTLE GIRL. 308 00:17:24,960 --> 00:17:31,149 WELL, UH, WE'LL TALK ABOUT IT MS. LA MER, AFTER SATURDAY. 309 00:17:31,480 --> 00:17:33,311 OF COURSE. 310 00:17:33,600 --> 00:17:36,068 WELL, I'M OFF. 311 00:17:36,400 --> 00:17:38,436 I THINK I'LL JUST TAKE A SPIN AROUND THE OLD PLACE. 312 00:17:38,720 --> 00:17:39,914 HENRY, IT'S BEEN MARVELOUS SEEING YOU. 313 00:17:40,240 --> 00:17:41,798 AND YOU. 314 00:17:54,080 --> 00:17:56,799 HEY, MIKE, YOU WANT TO DRIVE, OR WHAT? 315 00:17:57,080 --> 00:17:58,513 GET OVER THERE. 316 00:17:58,840 --> 00:18:01,195 GET IN YOUR OWN CORNER, PAL. 317 00:18:21,160 --> 00:18:22,832 ARE YOU OKAY? 318 00:18:23,160 --> 00:18:24,912 I THINK I'M ALL IN ONE PIECE. 319 00:18:25,240 --> 00:18:27,834 BACK OFF, MIKE. 320 00:18:28,160 --> 00:18:29,354 GUESS WE RAN OUT OF ROAD. 321 00:18:29,640 --> 00:18:31,710 MY FAULT, I WAS SIGHT-SEEING. 322 00:18:34,000 --> 00:18:34,830 IS IT ALL RIGHT? 323 00:18:35,120 --> 00:18:36,519 I DON'T KNOW, LET'S CHECK IT OUT. 324 00:18:40,800 --> 00:18:42,870 YEAH, THE BIKE SEEMS OKAY. 325 00:18:43,160 --> 00:18:46,436 YOU KNOW, I JOCKEY THIS BRONCO HALF WAY AROUND THE WORLD, 326 00:18:46,760 --> 00:18:49,320 AND THE FIRST TIME IT THROWS ME IS WHEN I COME HOME. 327 00:18:49,640 --> 00:18:50,550 YOU LIVE AROUND HERE? 328 00:18:50,840 --> 00:18:53,957 I DID WHEN I WAS A CHILD, IN THE HOUSE ON THE HILL. 329 00:18:54,240 --> 00:18:56,834 YOU'RE JANET LA MER? 330 00:18:57,120 --> 00:18:58,633 YES. 331 00:18:58,920 --> 00:19:00,638 WELL, WELL, HOW ARE YOU? 332 00:19:00,920 --> 00:19:04,993 FINE, THANK YOU. 333 00:19:06,920 --> 00:19:08,911 WHAT'S THE MATTER? 334 00:19:09,240 --> 00:19:11,708 WELL, I THOUGHT MAYBE YOU'D REMEMBER. 335 00:19:12,040 --> 00:19:13,268 REMEMBER? 336 00:19:13,560 --> 00:19:15,232 YOU KNOW, WHEN YOU WERE SUPPOSED TO BE ASLEEP, 337 00:19:15,840 --> 00:19:17,068 AND YOU'D COME OUT THE WINDOW 338 00:19:17,360 --> 00:19:19,555 AND DOWN THE TREE, AND COME DOWN THE HILL TO SEE ME? 339 00:19:19,880 --> 00:19:22,030 OF COURSE, YOU MUST BE-- 340 00:19:22,320 --> 00:19:23,150 ARAM KOLEGIAN. 341 00:19:23,440 --> 00:19:24,236 ARAM! 342 00:19:24,520 --> 00:19:25,589 ARAM KOLEGIAN. 343 00:19:25,880 --> 00:19:27,233 IT'S BEEN A LONG TIME. 344 00:19:27,560 --> 00:19:29,039 IT CERTAINLY HAS. 345 00:19:29,320 --> 00:19:30,673 HEY, YOU REMEMBER THAT NIGHT? 346 00:19:30,960 --> 00:19:32,996 HALLOWEEN! HALLOWEEN? 347 00:19:33,280 --> 00:19:34,633 THE BLOOD OATH. 348 00:19:34,920 --> 00:19:38,833 HOW COULD I FORGET, HALLOWEEN! THE BLOOD OATH! 349 00:19:39,120 --> 00:19:42,476 I NEVER TOLD ANYBODY ABOUT THAT, DID YOU? 350 00:19:42,760 --> 00:19:43,749 WELL, OF COURSE NOT. 351 00:19:44,040 --> 00:19:45,109 WE PROMISED, DIDN'T WE? 352 00:19:45,400 --> 00:19:46,719 WE DID. 353 00:19:47,000 --> 00:19:48,592 AND NO ONE EVER KNEW. 354 00:19:48,880 --> 00:19:51,519 NOT A SOUL. 355 00:19:51,800 --> 00:19:54,473 WELL, I BETTER BE GETTING BACK, 356 00:19:54,760 --> 00:19:56,079 THEY'RE PROBABLY WORRYING ABOUT ME. 357 00:19:56,360 --> 00:20:00,319 I HOPE WE RUN INTO EACH OTHER AGAIN SOMETIME. 358 00:20:03,560 --> 00:20:05,118 SAY JANET, YOU REMEMBER THAT TIME 359 00:20:05,400 --> 00:20:06,515 IN THE BARN DOWN BY THE RIVER? 360 00:20:06,840 --> 00:20:09,400 YOU FELL OUT OF THE HAY LOFT, 361 00:20:09,720 --> 00:20:11,676 I TRIED TO CATCH YOU AND BROKE MY COLLARBONE. 362 00:20:11,960 --> 00:20:14,030 | FELT SO AWFUL ABOUT THAT. 363 00:20:14,320 --> 00:20:15,639 IT'S ALL HEALED NOW. 364 00:20:15,920 --> 00:20:17,353 THAT'S GOOD. 365 00:20:17,640 --> 00:20:18,959 WELL, GOODBYE, ARAM. 366 00:20:29,600 --> 00:20:30,476 COME HERE, MIKE! 367 00:20:30,760 --> 00:20:31,749 COME HERE! 368 00:20:32,080 --> 00:20:32,796 COME HERE, MIKE! 369 00:20:33,120 --> 00:20:35,350 COME ON. 370 00:20:35,640 --> 00:20:37,437 COME HERE, YEAH. 371 00:20:37,720 --> 00:20:39,995 YOU LIKE HER, HUH? 372 00:20:40,280 --> 00:20:42,999 WELL, DON'T LET THAT PRETTY FACE FOOL YOU, SHE'S A PHONY. 373 00:20:43,280 --> 00:20:46,670 THERE NEVER WAS A BARN DOWN BY THE RIVER. 374 00:21:01,800 --> 00:21:03,438 BEAU. 375 00:21:03,720 --> 00:21:06,837 BEAU! 376 00:21:08,920 --> 00:21:10,717 DO WE HAVE TO GO THROUGH WITH THIS? 377 00:21:11,000 --> 00:21:13,514 RACHEL, I DON'T INTEND ON TURNING THIS PLACE 378 00:21:13,800 --> 00:21:14,596 OVER TO ANYONE. 379 00:21:14,880 --> 00:21:16,438 WON'T SHE TASTE IT? 380 00:21:16,720 --> 00:21:20,269 NOT WITH NUTMEG ON TOP. 381 00:21:20,560 --> 00:21:24,348 NOW GO ON. 382 00:21:33,360 --> 00:21:35,351 [BELL RINGING] 383 00:21:35,680 --> 00:21:37,079 COME IN. 384 00:21:41,000 --> 00:21:43,560 | BROUGHT YOU MILK. 385 00:21:43,840 --> 00:21:45,068 I HOPE IT'S WARM ENOUGH. 386 00:21:45,400 --> 00:21:47,994 HOW KIND OF YOU. 387 00:21:48,320 --> 00:21:49,070 DID YOU THINK I'D FORGET? 388 00:21:49,400 --> 00:21:50,992 NO, I DIDN'T. 389 00:21:51,320 --> 00:21:55,074 WELL, PLEASANT DREAMS. 390 00:21:55,360 --> 00:21:56,509 RACHEL... 391 00:21:59,280 --> 00:22:00,952 THANK YOU FOR EVERYTHING. 392 00:22:29,720 --> 00:22:30,869 DID YOU GET EVERYTHING? 393 00:22:31,200 --> 00:22:34,556 BLOCK OF CEMENT, CANVAS TARP AND SOME NYLON ROPE. 394 00:22:34,840 --> 00:22:36,159 WHAT ABOUT HER MOTORCYCLE? 395 00:22:36,440 --> 00:22:40,353 THAT'S IN THE GARAGE, I'LL PICK IT UP. 396 00:22:40,640 --> 00:22:43,438 OKAY, GO IN AROUND BACK. 397 00:22:43,720 --> 00:22:45,278 WON'T BE LONG. 398 00:23:31,800 --> 00:23:33,870 LITTLE BITTY NIGHTGOWN LIKE THAT? 399 00:23:34,160 --> 00:23:37,550 SHE'LL CATCH HER DEATH IN THE SWAMP. 400 00:23:37,840 --> 00:23:40,149 JUST LIKE HER DADDY DID. 401 00:23:43,440 --> 00:23:44,873 [KNOCKING 0N DOOR] 402 00:23:45,160 --> 00:23:47,674 WHOEVER IT IS GET RID OF THEM! 403 00:24:07,480 --> 00:24:09,994 [KNOCKING 0N DOOR] 404 00:24:15,720 --> 00:24:17,199 MRS. LA MER? YES? 405 00:24:17,480 --> 00:24:18,959 I HAVE TO SPEAK TO YOU, IT'S URGENT. 406 00:24:19,240 --> 00:24:20,639 IT'S LATE, YOU'LL HAVE TO COME BACK TOMORROW. 407 00:24:20,920 --> 00:24:21,830 IT WILL ONLY TAKE A SECOND. 408 00:24:22,120 --> 00:24:23,519 I UNDERSTAND THERE'S A YOUNG WOMAN 409 00:24:23,800 --> 00:24:25,518 IN THIS HOUSE WHO CLAIMS TO BE JANET LA MER. 410 00:24:25,800 --> 00:24:27,153 CLAIMS TO BE? YES. 411 00:24:27,480 --> 00:24:29,118 THE GASOLINE ATTENDANT IN TOWN 412 00:24:29,440 --> 00:24:31,112 TOLD ME THAT SHE REFUELED HER MOTORCYCLE THIS MORNING, 413 00:24:31,440 --> 00:24:34,318 AND ASKED FOR DIRECTIONS TO SAMARRA VINEYARD. 414 00:24:34,600 --> 00:24:36,716 SHOW THE MAN IN. 415 00:24:45,440 --> 00:24:46,395 HOW YOU DOING? 416 00:24:46,680 --> 00:24:48,636 I'M BEAU CREEL. I RUN THE PLACE FOR MRS. LA MER. 417 00:24:48,960 --> 00:24:50,552 SCOTT WOODVILLE, I'M AN ATTORNEY. 418 00:24:50,880 --> 00:24:54,839 THIS GIRL, SAYING SHE'S AN IMPOSTOR? 419 00:24:55,120 --> 00:24:55,996 FIRST ORDER, SHE'S-- 420 00:24:56,280 --> 00:24:58,999 WELL, I'M SORRY, I'M NOT AT LIBERTY TO DISCUSS 421 00:24:59,280 --> 00:25:00,554 THE DETAILS OF THE CASE. 422 00:25:00,840 --> 00:25:01,590 UH, WHERE IS SHE? 423 00:25:01,880 --> 00:25:03,996 OH, SHE'S NOT HERE. 424 00:25:04,280 --> 00:25:06,430 NOT HERE? I DON'T UNDERSTAND. 425 00:25:06,720 --> 00:25:08,836 SAYS SHE'S GOING INTO TOWN? 426 00:25:10,440 --> 00:25:12,351 ANY IDEA WHERE? NO. 427 00:25:12,640 --> 00:25:15,438 JUST TO VISIT A CHILDHOOD FRIEND. 428 00:25:15,720 --> 00:25:18,393 SAID SHE WOULDN'T BE BACK TILL LATE. 429 00:25:18,680 --> 00:25:20,750 WELL, I SUGGEST THAT WHEN SHE DOES GET BACK, 430 00:25:21,080 --> 00:25:22,149 WE HAVE A SHERIFF WAITING FOR HER. 431 00:25:22,440 --> 00:25:25,034 OH, NO NEED FOR YOU TO STAY HERE MR. WOODVILLE, 432 00:25:25,320 --> 00:25:28,676 WE'LL CALL SHERIFF HOPKINS OURSELVES. 433 00:25:29,000 --> 00:25:30,877 OH, VERY WELL. 434 00:25:31,160 --> 00:25:33,355 I'M GLAD IT WILL BE TAKEN CARE OF TONIGHT. 435 00:25:33,640 --> 00:25:34,470 IT WOULD BE VERY EMBARRASSING 436 00:25:34,800 --> 00:25:35,949 IF THOSE TWO WOMEN WERE TO MEET. 437 00:25:36,240 --> 00:25:37,753 TWO WOMEN? 438 00:25:38,040 --> 00:25:40,759 WELL, YES, THE IMPOSTOR AND THE REAL JANET LA MER. 439 00:25:42,160 --> 00:25:43,639 OH, DIDN'T I MENTION IT? 440 00:25:43,920 --> 00:25:44,909 THERE'S GOOD NEWS, 441 00:25:45,200 --> 00:25:47,111 MS. LA MER'LL BE FLYING IN TOMORROW MORNING AT 10:00. 442 00:25:47,440 --> 00:25:49,112 THERE'S NO NEED FOR YOU TO MAKE ANY FUSS, 443 00:25:49,440 --> 00:25:50,395 SHE'LL BE STAYING AT THE HOTEL. 444 00:25:50,680 --> 00:25:51,715 HOTEL? 445 00:25:52,000 --> 00:25:55,276 WHY WON'T SHE-- WON'T SHE BE STAYING HERE? 446 00:25:55,560 --> 00:25:58,233 I'M SURE MS. LA MER WOULD RATHER EXPLAIN THAT HERSELF. 447 00:25:58,520 --> 00:26:00,272 GOOD NIGHT. 448 00:26:02,400 --> 00:26:03,879 BEAU: GOOD NIGHT. 449 00:26:11,400 --> 00:26:14,392 LOOKS LIKE WE JUST WASTED A GLASS OF WARM MILK. 450 00:26:14,680 --> 00:26:16,557 WHAT ARE WE GOING TO TELL THE SHERIFF? 451 00:26:16,880 --> 00:26:20,156 SHE DIDN'T COME BACK, SHE LOST HER NERVE. 452 00:26:20,440 --> 00:26:22,829 TELL WILDER TO BRING IN THE TARP AND THE ROPE. 453 00:26:23,120 --> 00:26:26,510 WHAT ABOUT THE REAL JANET LA MER? 454 00:26:26,920 --> 00:26:31,038 WE'LL TAKE CARE OF HER WHEN THE TIME COMES. 455 00:27:00,800 --> 00:27:02,552 I'LL TAKE THE BACK. 456 00:27:14,640 --> 00:27:16,471 [DOOR CREAKING] 457 00:27:26,400 --> 00:27:28,038 AHH! 458 00:27:36,160 --> 00:27:37,673 WHAT HAPPENED? 459 00:27:50,000 --> 00:27:53,117 WELL, I'LL SAY THIS: 460 00:27:53,440 --> 00:27:54,919 YOU GOT SOME NERVE COMING BACK HERE. 461 00:27:55,200 --> 00:27:57,794 DID YOU REALLY THINK I'D FALL FOR THAT WARM MILK BIT? 462 00:27:58,080 --> 00:28:02,073 LAWYER NAMED WOODVILLE JUST DROPPED BY, 463 00:28:02,400 --> 00:28:03,753 SAID THAT THE REAL JANET LA MER 464 00:28:06,200 --> 00:28:07,428 SHE GOT AWAY? 465 00:28:07,720 --> 00:28:10,280 OH, NICE TRY. 466 00:28:10,560 --> 00:28:12,596 YOU KNOW, I'LL SAY THIS FOR YOU. YOU SURE CAME PREPARED. 467 00:28:12,880 --> 00:28:17,556 BUT, ALL I GOT TO DO IS CALL THE SHERIFF 468 00:28:17,880 --> 00:28:20,348 AND HE'S GOING TO PUT YOU AWAY FOR A NICE LONG STRETCH. 469 00:28:20,640 --> 00:28:24,918 FINE, THAT'LL GIVE ME PLENTY OF TIME TO TELL HIM 470 00:28:25,200 --> 00:28:28,954 ABOUT THE KIND OF MILKSHAKES YOU SERVE AROUND HERE. 471 00:28:36,560 --> 00:28:38,471 WHY DID YOU COME BACK? 472 00:28:38,760 --> 00:28:41,832 OKAY, SHE GOT AWAY. 473 00:28:42,120 --> 00:28:45,874 NO ONE KNOWS WHAT I LOOK LIKE, IT'D STILL WORK. 474 00:28:46,200 --> 00:28:47,633 WHAT ARE YOU AFTER? 475 00:28:47,920 --> 00:28:49,797 HALF OF WHATEVER THERE IS. 476 00:28:50,120 --> 00:28:52,350 HALF THE VINEYARDS? 477 00:28:52,640 --> 00:28:54,073 GRAPES? 478 00:28:54,360 --> 00:28:55,952 WHO'S TALKING ABOUT GRAPES? 479 00:28:56,240 --> 00:28:58,117 WHAT ELSE IS THERE? 480 00:28:58,400 --> 00:29:00,470 THAT'S WHAT I'M HERE TO FIND OUT. 481 00:29:00,800 --> 00:29:02,870 FIND OUT ABOUT WHAT? 482 00:29:03,160 --> 00:29:06,391 I DON'T HAVE TO BE A MIND READER 483 00:29:06,720 --> 00:29:07,914 TO KNOW WHAT YOU TWO ARE THINKING. 484 00:29:08,200 --> 00:29:10,430 YOU GET ME TO TELL YOU WHAT I KNOW, 485 00:29:10,760 --> 00:29:12,876 AND THEN YOU DUMP ME SOME PLACE. 486 00:29:13,160 --> 00:29:15,310 WELL, I'D ADVISE YOU NOT TO DO THAT. 487 00:29:15,640 --> 00:29:18,313 ANYTHING HAPPENS TO ME, I'VE GOT FRIENDS OUT THERE. 488 00:29:25,440 --> 00:29:26,429 KEEP TALKING. 489 00:29:26,720 --> 00:29:27,835 WHEN WE KIDNAPPED JANET LA MER 490 00:29:28,160 --> 00:29:29,354 THAT'S ALL IT WAS GOING TO BE. 491 00:29:29,640 --> 00:29:32,837 I'D SELL OFF EVERYTHING AND WE DIVVY UP THE PROCEEDS. 492 00:29:33,160 --> 00:29:35,071 WE GAVE HER A SHOT, A TRUTH DRUG. 493 00:29:35,360 --> 00:29:36,918 I ASK HER THE QUESTIONS, 494 00:29:37,200 --> 00:29:38,394 AND SHE FILLED ME IN ON EVERYTHING 495 00:29:38,680 --> 00:29:40,159 FROM THE TIME SHE WAS A KID. 496 00:29:40,440 --> 00:29:42,670 THEN SUDDENLY SHE STARTED MUMBLING ABOUT SOME GUYS 497 00:29:43,000 --> 00:29:44,433 WHO MADE HER A BUSINESS PROPOSITION. 498 00:29:44,760 --> 00:29:46,034 WHAT GUYS? 499 00:29:46,320 --> 00:29:48,072 I ASKED HER THAT, SHE DIDN'T KNOW. 500 00:29:48,360 --> 00:29:49,952 WHAT SHE DID SAY WAS THAT THE VINEYARDS 501 00:29:50,240 --> 00:29:51,309 WERE WORTH A FORTUNE. 502 00:29:51,640 --> 00:29:54,757 SHE SAID THEY MENTIONED A FIGURE. 503 00:29:55,040 --> 00:29:56,075 WHAT FIGURE? 504 00:29:56,360 --> 00:29:57,918 20 MILLION. 505 00:29:58,200 --> 00:30:01,715 HERE? 506 00:30:02,000 --> 00:30:05,515 WELL, WELL. 507 00:30:05,800 --> 00:30:06,994 WELL, DON'T YOU UNDERSTAND? 508 00:30:07,320 --> 00:30:08,958 YOU GAVE HER A NEEDLE. 509 00:30:09,280 --> 00:30:10,554 SHE'S DREAMING. 510 00:30:10,840 --> 00:30:13,752 YOU GIVE SOMEBODY A TRUTH DRUG AND THEY TELL YOU THE TRUTH. 511 00:30:14,080 --> 00:30:17,038 NOW, WHAT COULD BE ON THIS PLACE WORTH 20 MILLION BUCKS? 512 00:30:17,320 --> 00:30:18,958 THAT'S WHAT WE'RE GOING TO FIND OUT. 513 00:30:19,240 --> 00:30:20,389 HOW? 514 00:30:20,680 --> 00:30:23,148 FIRST OFF, NO MILKSHAKES. 515 00:30:23,440 --> 00:30:24,953 WE KEEP AN EYE ON HER. 516 00:30:25,240 --> 00:30:27,276 SHE'S BRIGHT, BUT SHE DOESN'T KNOW WE KNOW. 517 00:30:27,560 --> 00:30:29,869 SHE'LL MAKE A SLIP, JUST ONE LITTLE SLIP 518 00:30:30,160 --> 00:30:31,036 AND THAT'S ALL WE NEED. 519 00:30:31,320 --> 00:30:32,912 THEN WE'LL MAKE OUR MOVE. 520 00:30:33,200 --> 00:30:35,191 DO WE HAVE A DEAL? 521 00:31:29,320 --> 00:31:33,393 THAT, MY BOY, IS NO MOTORCYCLE. 522 00:31:33,680 --> 00:31:36,672 MAKE IT LOOK GOOD, YOU HAVE AN AUDIENCE. 523 00:31:36,960 --> 00:31:38,916 JILL, YOU LOOK TERRIBLE. 524 00:31:39,240 --> 00:31:40,719 THANK YOU. 525 00:31:41,600 --> 00:31:43,909 SEE, BOSLEY, NEVER GIVE UP HOPE, PLANS DO CHANGE. 526 00:31:44,200 --> 00:31:45,155 YES, INDEED THEY DO. 527 00:31:45,440 --> 00:31:46,509 HOW MUCH THAT JACKET SET YOU BACK? 528 00:31:46,840 --> 00:31:47,590 A BUTTON. 529 00:31:47,920 --> 00:31:49,194 HOW'S KELLY? 530 00:31:49,480 --> 00:31:52,950 LAST NIGHT THEY TRIED TO DROP HER INTO THE SWAMP. 531 00:31:53,240 --> 00:31:54,992 RIGHT NEXT TO HER DADDY. 532 00:31:55,280 --> 00:31:56,315 TODAY THEY'RE THICK AS THIEVES. 533 00:31:57,760 --> 00:31:58,476 THE WHOLE PACKAGE. 534 00:31:58,800 --> 00:32:00,074 OH, SABRINA, ONE THING. 535 00:32:00,360 --> 00:32:02,237 IT SEEMS THERE WAS SOMEONE IN JANET LA MER'S LIFE 536 00:32:02,560 --> 00:32:03,515 WHEN SHE WAS A CHILD. 537 00:32:03,800 --> 00:32:05,392 I BETTER FILL YOU IN ABOUT THE YOUNG MAN 538 00:32:05,680 --> 00:32:07,159 WITH A PICKUP TRUCK AND A DOG CALLED MIKE. 539 00:32:07,480 --> 00:32:09,948 I'LL TELL YOU ABOUT IT IN THE CAR. 540 00:32:10,280 --> 00:32:13,238 BOSLEY, I THINK PERHAPS I OUGHT TO SIGN SOMETHING. 541 00:32:13,520 --> 00:32:14,953 OH. 542 00:32:37,600 --> 00:32:41,798 I WANT TO KNOW WHO HE IS AND WHAT HE'S UP TO. 543 00:33:09,400 --> 00:33:11,356 THEY JUST CAME IN. 544 00:33:11,640 --> 00:33:14,916 YES, SIR. THE FLOWERS HAVE BEEN TAKEN CARE OF. 545 00:33:17,320 --> 00:33:18,230 MAY | HELP YOU? 546 00:33:18,520 --> 00:33:19,669 YES, I'M JANET LA MER. 547 00:33:19,960 --> 00:33:21,359 OH, YES, MS. LA MER, 548 00:33:21,680 --> 00:33:23,159 WE HAVE YOUR RESERVATION. 549 00:33:23,440 --> 00:33:24,634 AND MAY I SAY, WELCOME HOME. 550 00:33:24,920 --> 00:33:26,194 THANK YOU. 551 00:33:26,520 --> 00:33:27,555 IT IS THE FOURTH FLOOR? 552 00:33:27,840 --> 00:33:28,829 ABSOLUTELY. 553 00:33:29,120 --> 00:33:30,553 UH, SUITE 400. 554 00:33:30,840 --> 00:33:32,876 I'M AFRAID THERE'S BEEN SOME MISTAKE. 555 00:33:33,160 --> 00:33:33,990 NOW, MY SEC-- 556 00:33:34,320 --> 00:33:35,435 MR. WOODVILLE, WHEN I PHONED YOU 557 00:33:35,720 --> 00:33:37,278 FROM MEXICO CITY, DIDN'T I TELL YOU 558 00:33:37,560 --> 00:33:39,278 THAT MS. LA MER WANTED THE FOURTH FLOOR? 559 00:33:39,560 --> 00:33:40,515 ISN'T THAT WHAT I REQUESTED? 560 00:33:40,800 --> 00:33:41,915 YES, SIR. 561 00:33:42,240 --> 00:33:43,639 I CAN ASSURE YOU, MS. LA MER, 562 00:33:43,920 --> 00:33:46,673 SUITE 400 IS ON THE FOURTH FLOOR. 563 00:33:47,000 --> 00:33:49,150 YES, WELL, YOU DON'T SEEM TO UNDERSTAND, 564 00:33:49,440 --> 00:33:53,115 I MEANT, THE FOURTH FLOOR. 565 00:33:53,400 --> 00:33:55,755 THE ENTIRE FLOOR? 566 00:33:56,040 --> 00:33:58,270 YES. 567 00:33:58,560 --> 00:34:00,118 THERE ARE TWO OF US. 568 00:34:00,400 --> 00:34:02,755 BUT THERE ARE PEOPLE ON THE FOURTH FLOOR. 569 00:34:03,040 --> 00:34:03,870 VERY WELL. 570 00:34:04,160 --> 00:34:05,195 IF YOU CAN'T ARRANGE |T-- 571 00:34:05,520 --> 00:34:06,475 OH, NO, NO, UH, 572 00:34:06,760 --> 00:34:09,320 IT'LL TAKE JUST A MINUTE TO MOVE THEM. 573 00:34:09,640 --> 00:34:10,675 YOU'RE VERY KIND. 574 00:34:10,960 --> 00:34:11,790 MS. LA MER, DON'T FORGET, 575 00:34:12,080 --> 00:34:12,956 THEY'RE EXPECTING YOU AT SAMARRA. 576 00:34:13,240 --> 00:34:14,150 YES. 577 00:34:18,680 --> 00:34:21,956 THEY'RE ON THEIR WA Y UP. 578 00:34:24,400 --> 00:34:27,039 HER OWN PLANE AND THE WHOLE FOURTH FLOOR. 579 00:34:27,320 --> 00:34:29,197 ALL THAT MONEY AND SHE'S BACK FOR MORE. 580 00:34:29,480 --> 00:34:34,349 MONEY COMES TO MONEY. 581 00:34:34,640 --> 00:34:38,553 NOT IF WE GET THERE FIRST, HENRY. 582 00:34:38,880 --> 00:34:40,438 NOT IF WE GET THERE FIRST. 583 00:34:45,400 --> 00:34:46,992 WOODVILLE: SHALL IPUT THESE IN THE BEDROOM? 584 00:34:47,280 --> 00:34:48,395 SABRINA: YES, PLEASE. 585 00:34:48,720 --> 00:34:50,756 IT'S A NICE ROOM, ISN'T IT? 586 00:34:51,040 --> 00:34:52,234 IT'S NOT BAD. 587 00:34:52,560 --> 00:34:53,913 IT'S A LITTLE OVERDONE. 588 00:34:54,200 --> 00:34:55,474 IT'S NOT BAD, ACTUALLY. 589 00:34:55,760 --> 00:34:58,797 KIND OF EARLY AMERICA NOTHING. 590 00:34:59,080 --> 00:35:00,957 WOULD YOU LIKE ME TO HAVE THEM SEND UP SOME COFFEE? 591 00:35:01,280 --> 00:35:02,508 NO, I DON'T THINK SO, 592 00:35:02,800 --> 00:35:06,918 MAYBE A LITTLE BIT LATER. 593 00:35:07,240 --> 00:35:08,593 HOW ABOUT A SALAD? 594 00:35:08,880 --> 00:35:10,677 YOU DIDN'T HAVE ANYTHING TO EAT ON THE PLANE. 595 00:35:11,000 --> 00:35:13,468 WELL, I SUPPOSE IT'S MADE ME NERVOUS, 596 00:35:13,760 --> 00:35:17,036 COMING HOME AGAIN FOR THE FIRST TIME. 597 00:35:17,320 --> 00:35:19,993 0H, MS. LA MER, WHAT LOVELY FLOWERS. 598 00:35:20,280 --> 00:35:21,349 I WONDER WHO COULD HAVE SENT THEM. 599 00:35:21,680 --> 00:35:24,672 THERE'S A CARD. 600 00:35:24,960 --> 00:35:26,154 LET'S SEE. 601 00:35:28,840 --> 00:35:31,035 DIFFICULT TO OPEN. 602 00:35:33,000 --> 00:35:34,911 "WELCOME HOME, JANET. 603 00:35:35,200 --> 00:35:38,556 FROM AN OLD FAMILY FRIEND HENRY BANCROFT." 604 00:35:38,840 --> 00:35:41,354 DO YOU REMEMBER HIM? 605 00:35:41,640 --> 00:35:43,039 YES, OF COURSE. 606 00:35:43,360 --> 00:35:45,430 HE USED TO COME TO THE HOUSE EVERY SUNDAY. 607 00:35:45,720 --> 00:35:47,836 SABRINA: FATHER USED TO SAY IF THERE 'S ONE PERSON 608 00:35:48,160 --> 00:35:50,469 IN THE WORLD YOU CAN TRUST, IT'S HENRYBANCROF T. 609 00:35:50,760 --> 00:35:52,398 BELLHOP: MS. LA MER? 610 00:35:54,560 --> 00:35:56,278 I'LL LET YOU KNOW WHEN THE REST OF THE FL OOR'S READY. 611 00:35:56,560 --> 00:35:58,118 SABRINA: THANK YOU. 612 00:35:58,400 --> 00:35:59,310 JILL: THANK YOU. 613 00:35:59,600 --> 00:36:01,033 BELLHOP: THANK YOU, MISS. 614 00:36:01,320 --> 00:36:03,117 [KNOCKING 0N DOOR] 615 00:36:08,000 --> 00:36:09,513 HIS NAME'S BOSLEY. 616 00:36:09,800 --> 00:36:12,075 HE'S AT THAT MOTEL ON THE WEST END OF TOWN. 617 00:36:12,360 --> 00:36:13,429 WHAT'S HE DO? 618 00:36:13,720 --> 00:36:15,438 SAYS HE'S A BIRD WATCHER. 619 00:36:17,080 --> 00:36:19,878 BIRD WATCHER. 620 00:36:20,160 --> 00:36:24,392 SHE TAKES A WHOLE FLOOR, HE STAYS AT A MOTEL. 621 00:36:24,680 --> 00:36:27,877 WHY? 622 00:36:28,200 --> 00:36:30,668 IT'S A COVER. 623 00:36:31,000 --> 00:36:31,910 [KNOCKING 0N DOOR] 624 00:36:32,240 --> 00:36:33,958 SH. 625 00:36:34,240 --> 00:36:35,195 WE GOT COMPANY. 626 00:36:35,480 --> 00:36:37,630 JILL: ILL GET/T. 627 00:36:39,200 --> 00:36:42,158 OH, COME IN. 628 00:36:42,440 --> 00:36:43,270 IT'S MR. BOSLEY. 629 00:36:43,560 --> 00:36:44,436 COMING. 630 00:36:44,760 --> 00:36:46,398 OUR FRIEND THE BIRD WATCHER. 631 00:36:46,720 --> 00:36:47,789 JILL: WON'T YOU SITDOWN? 632 00:36:48,080 --> 00:36:50,116 THANK YOU. 633 00:36:50,400 --> 00:36:55,633 WELL, MR. BOSLEY, RIGHT ON TIME AS USUAL. 634 00:36:55,920 --> 00:36:57,876 RIGHT ON TIME FOR WHAT? 635 00:36:58,160 --> 00:36:59,832 IT'S ABOUT THE DEAL, I CAN JUST FEEL IT. 636 00:37:00,120 --> 00:37:01,155 JILL: CAN I GET YOU A DRINK? 637 00:37:01,480 --> 00:37:02,799 NO, NO THANK YOU, 638 00:37:03,080 --> 00:37:05,878 NOTHING FOR ME, I'VE GOT TO KEEP A CLEAR HEAD TODAY. 639 00:37:07,640 --> 00:37:10,916 ODD THING, UH, I'VE NEVER BEEN OVERLY IMPRESSED WITH MONEY. 640 00:37:11,240 --> 00:37:14,835 I'M A MAN OF SIMPLE HABITS, MY NEEDS ARE FEW, 641 00:37:15,160 --> 00:37:17,071 BUT SUDDENLY TO BE WITHIN ARM'S LENGTH 642 00:37:17,360 --> 00:37:18,315 OF A KING’S RANSOM /-- 643 00:37:18,600 --> 00:37:21,433 I ONL Y HOPE THA TNO THING GOES WRONG. 644 00:37:21,720 --> 00:37:23,790 DON'T WORRY, MR. BOSLEY. 645 00:37:24,080 --> 00:37:26,116 NOTHING WILL GO WRONG. 646 00:37:26,400 --> 00:37:27,276 THAT'S VERY KIND OF YOU. 647 00:37:27,560 --> 00:37:29,073 [PHONE RINGS] 648 00:37:29,360 --> 00:37:31,078 OH, THAT'LL BE LOS ANGELES. 649 00:37:31,360 --> 00:37:32,156 BOSLEY, HERE. 650 00:37:32,440 --> 00:37:33,190 CHARLIE, HERE 651 00:37:33,520 --> 00:37:34,270 CAN YOU TALK? 652 00:37:34,600 --> 00:37:35,316 NO PROBLEM, SIR. 653 00:37:35,640 --> 00:37:36,709 CHARLIE: WELL, WHATDO YOU THINK? 654 00:37:37,000 --> 00:37:38,479 IS ITA-OKAY? 655 00:37:38,760 --> 00:37:39,909 NOW, THE TESTARE VERY PROM/SING, SIR, 656 00:37:40,200 --> 00:37:42,111 AS I WAS .IUS TINDICA TING TO MS. LA MER. 657 00:37:42,440 --> 00:37:44,158 CHARLIE: YOUMEAN SHE'S THERE WITH YOU NOW? 658 00:37:44,480 --> 00:37:45,515 BOSLEY: YOU CAN SAY THAT, SIR. 659 00:37:45,800 --> 00:37:47,677 NOW, LISTEN, BOSLE Y, I WANTA YES ORA NO. 660 00:37:47,960 --> 00:37:48,836 JUST THA T, YOU UNDERSTAND? 661 00:37:49,160 --> 00:37:51,276 YES, OR NO. 662 00:37:51,560 --> 00:37:52,470 DID SHE SIGN? 663 00:37:52,760 --> 00:37:53,715 NO. 664 00:37:54,040 --> 00:37:55,393 CHARLIE: BOSLEY, WE'RE TALKING ABOUTMILLIONS. 665 00:37:55,680 --> 00:37:56,795 WILL SHE? 666 00:37:57,120 --> 00:37:58,075 BOSLEY: I'VE CONVINCED HER. 667 00:37:58,360 --> 00:37:59,190 CHARLIE: GOOD. 668 00:37:59,480 --> 00:38:01,038 THEY'RE REALLY CARVING HER UP. 669 00:38:01,320 --> 00:38:02,912 CHARLIE: AND YOULL MAKE YOUR FINAL TEST WHEN? 670 00:38:03,200 --> 00:38:04,349 B O S LEY: THA T’LL BE IN THE MORNING, SIR. 671 00:38:04,640 --> 00:38:05,709 CHARLIE: OH, AND ONE MORE THING, BOSLE Y. 672 00:38:06,000 --> 00:38:07,513 WE’LL HAVE TO MOVE FAST. 673 00:38:07,840 --> 00:38:09,432 WE'RE DONE FOR IF THA T GANG FROM OVERSEAS 674 00:38:09,760 --> 00:38:11,478 HEARS ABOU TI T, WE CAN'T OUTBID THEM 675 00:38:11,800 --> 00:38:13,199 ALREADY HERE, SIR. 676 00:38:13,480 --> 00:38:15,516 WE CAN ROLL AS SOON AS YOU GET THE EQUIPMENT HERE. 677 00:38:15,800 --> 00:38:17,153 YOU DON'T HA VE TO WORRY ABOUT MYEND, BOSLE Y, 678 00:38:17,480 --> 00:38:19,596 I'MLOOKINGA TSOME OF THE EQUIPMENT RIGHT NOW, 679 00:38:19,880 --> 00:38:23,509 AND BELIEVE ME IT'S READY TO MOVE 680 00:38:25,320 --> 00:38:27,038 WELL, THEN YOU KNOW WHERE TO REACH ME, MS. LA MER. 681 00:38:27,360 --> 00:38:28,110 YES, OF COURSE. 682 00:38:28,440 --> 00:38:30,829 IF YOU'LL JUST LEAVE THE PAPERS WITH MY SECRETARY, 683 00:38:31,160 --> 00:38:32,115 I'LL SIGN THEM TONIGHT. 684 00:38:32,400 --> 00:38:33,196 HERE YOU ARE. 685 00:38:33,480 --> 00:38:35,869 THANK YOU. WELL, GOODBYE. 686 00:38:38,320 --> 00:38:39,196 GET GOING. 687 00:38:39,480 --> 00:38:41,596 DON'T LET HIM OUT OF YOUR SIGHT. 688 00:38:41,920 --> 00:38:43,717 AND YOU'RE SURE SHE WON'T RECOGNIZE YOU? 689 00:38:44,040 --> 00:38:46,270 I TOLD YOU, SHE WAS DRUGGED THE WHOLE TIME. 690 00:38:46,560 --> 00:38:48,949 ALL RIGHT, YOU'D BETTER GET ON BACK TO THE HOUSE. 691 00:38:49,240 --> 00:38:51,993 HAVE RACHEL FILL YOU IN ON WHO YOU'RE SUPPOSED TO BE. 692 00:38:52,280 --> 00:38:53,190 OKAY. 693 00:39:00,720 --> 00:39:04,793 I, UH, I DON'T TRUST THAT ONE. 694 00:39:05,080 --> 00:39:08,152 WHAT MAKES YOU THINK I DO, HENRY? 695 00:39:32,240 --> 00:39:33,116 YEAH, YOU WERE RIGHT, PAL. 696 00:39:33,400 --> 00:39:35,960 LIVING WAGE MEANS ONE THING UP HERE 697 00:39:36,240 --> 00:39:38,196 AND SOMETHING ELSE DOWN THE HILL. 698 00:40:16,480 --> 00:40:18,675 SO, SORRY, ARE YOU ALL RIGHT? 699 00:40:18,960 --> 00:40:20,188 IT WAS MY FAULT, NO HARM DONE. 700 00:40:20,520 --> 00:40:21,794 ARE YOU OKAY, MIKE? HM? 701 00:40:25,760 --> 00:40:28,149 UH,YES. THANK YOU. 702 00:40:28,480 --> 00:40:29,435 STAY IN THERE, MIKE. 703 00:40:29,720 --> 00:40:30,994 GOOD DOG. 704 00:40:31,320 --> 00:40:34,676 ARAM? 705 00:40:34,960 --> 00:40:37,394 AREN'T YOU ARAM? 706 00:40:37,680 --> 00:40:39,398 ARAM KOLEGIAN? 707 00:40:39,680 --> 00:40:40,829 YEAH, THAT'S RIGHT. 708 00:40:41,160 --> 00:40:43,435 BUT YOU DON'T REMEMBER ME. 709 00:40:45,160 --> 00:40:46,195 NO? 710 00:40:48,240 --> 00:40:51,550 AND YOU'VE PROBABLY FORGOTTEN ALL ABOUT OUR BLOOD OATH. 711 00:40:55,520 --> 00:40:56,509 JANET LA MER. 712 00:40:56,840 --> 00:40:57,829 YES. 713 00:41:00,280 --> 00:41:02,271 THIS IS GETTING TO BE SOME CURVE. 714 00:41:04,880 --> 00:41:07,030 YOU KNOW YOU REALLY HAVEN'T CHANGED A BIT. 715 00:41:08,240 --> 00:41:09,389 YOU HAVE. 716 00:41:11,000 --> 00:41:11,876 HAVE I? 717 00:41:12,160 --> 00:41:15,675 WELL, LITTLE GIRLS DO GROW UP, THEY SAY. 718 00:41:15,960 --> 00:41:17,393 SOMETIMES INTO BEAUTIFUL WOMEN. 719 00:41:17,680 --> 00:41:18,999 THANK YOU. 720 00:41:20,840 --> 00:41:22,478 HEY, 721 00:41:22,760 --> 00:41:24,637 HOW'S YOUR COLLAR BONE? 722 00:41:28,320 --> 00:41:31,312 WHICH COLLAR BONE IS THAT? 723 00:41:31,600 --> 00:41:33,272 WELL, DON'T YOU REMEMBER? 724 00:41:33,560 --> 00:41:36,199 THE DAY I FELL OUT OF THE HAY LOFT IN THE BARN. 725 00:41:36,480 --> 00:41:37,959 THE BARN. 726 00:41:38,240 --> 00:41:39,389 THE BARN DOWN BY THE RIVER. 727 00:41:39,720 --> 00:41:40,675 YOU KNOW, I'M GETTING PRETTY TIRED 728 00:41:40,960 --> 00:41:42,188 OF MEETING JANET LA MERS EVERYDAY. 729 00:41:42,520 --> 00:41:44,078 WHAT THE DEVIL ARE YOU TWO UP TO? 730 00:41:44,360 --> 00:41:45,998 WHO? 731 00:41:46,280 --> 00:41:49,272 YOU. AND THE ONE YESTERDAY, THE ONE THAT FILLED YOU IN. 732 00:41:49,600 --> 00:41:52,558 FILLED ME IN ABOUT WHAT? 733 00:41:52,840 --> 00:41:53,636 YOU CAN TURN IT OFF, HONEY. 734 00:41:53,920 --> 00:41:56,388 THERE NEVER WAS A BARN DOWN BY THE RIVER. 735 00:41:56,680 --> 00:41:57,795 I MADE IT UP. 736 00:41:59,840 --> 00:42:03,389 ISEE. 737 00:42:03,680 --> 00:42:05,432 YOU GOING TO GIVE ME AWAY? 738 00:42:05,720 --> 00:42:08,029 GIVE ME A REASON | SHOULDN'T. 739 00:42:08,320 --> 00:42:10,993 YOU DIDN'T SAY ANYTHING ABOUT YESTERDAY'S JANET LA MER. 740 00:42:11,280 --> 00:42:12,713 NO, I DIDN'T. 741 00:42:13,040 --> 00:42:15,076 WHY NOT? 742 00:42:15,360 --> 00:42:17,476 ANYTHING SHE COULD DO TO SHAKE UP THOSE TWO ON THE HILL 743 00:42:17,800 --> 00:42:20,439 WAS OKAY WITH ME. 744 00:42:20,760 --> 00:42:22,955 YOU KNOW, IT'S TOO BAD YOU WEREN'T FOR REAL. 745 00:42:23,240 --> 00:42:25,356 THE GIRL I USED TO KNOW HAD A LOT OF SPUNK. 746 00:42:25,680 --> 00:42:27,910 SHE WOULD HAVE CHANGED SOME THINGS AROUND HERE. 747 00:42:28,200 --> 00:42:30,839 EVER SINCE OLD MAN LA MER DISAPPEARED IT'S BEEN TOUGH 748 00:42:31,120 --> 00:42:33,031 FOR THE PEOPLE DOWN THE HILL TO GET A FAIR BREAK. 749 00:42:33,360 --> 00:42:35,999 THINGS ARE GOING TO CHANGE AROUND HERE, ARAM. 750 00:42:36,320 --> 00:42:38,629 TRUST ME. 751 00:42:38,920 --> 00:42:40,194 PLEASE DON'T GIVE ME AWAY. 752 00:42:40,480 --> 00:42:44,155 WHAT'S YOUR NAME? 753 00:42:45,680 --> 00:42:46,635 SABRINA. 754 00:42:50,640 --> 00:42:52,995 GO SHAKE THEM UP, SABRINA. 755 00:43:05,440 --> 00:43:08,955 THAT TREE. 756 00:43:09,240 --> 00:43:11,959 I USED TO CLIMB DOWN IT WHEN I WAS SUPPOSED TO BE ASLEEP 757 00:43:12,240 --> 00:43:13,798 AND NO ONE EVER KNEW. 758 00:43:18,240 --> 00:43:22,199 WHAT CAN I SAY? 759 00:43:22,480 --> 00:43:24,232 IT'S HOME. 760 00:43:26,280 --> 00:43:29,352 THAT LAWYER FELLOW, WOODVILLE, 761 00:43:29,640 --> 00:43:33,428 I GUESS HE TOLD YOU ABOUT THE IMPOSTER? 762 00:43:33,720 --> 00:43:34,835 YES. 763 00:43:35,120 --> 00:43:38,237 SHE WAS WORKING WITH THE TWO MEN WHO DRUGGED ME. 764 00:43:38,520 --> 00:43:40,511 MUST HAVE BEEN AN AWFUL EXPERIENCE. 765 00:43:40,840 --> 00:43:43,559 WELL, FORTUNATELY, ALL I REMEMBER ABOUT IT 766 00:43:43,880 --> 00:43:44,756 IS HER VOICE. 767 00:43:45,040 --> 00:43:47,474 THAT DREADFUL GIRL LEANING OVER ME 768 00:43:47,800 --> 00:43:51,554 ASKING QUESTION AFTER QUESTION AFTER-- 769 00:43:51,840 --> 00:43:55,389 WELL, IT DOESN'T... 770 00:43:55,680 --> 00:43:59,912 AND, UH, YOU'RE RACHEL'S COUSIN, GEORGETTE? 771 00:44:00,240 --> 00:44:01,468 FROM HOUSTON. 772 00:44:01,760 --> 00:44:02,909 YES, 773 00:44:03,240 --> 00:44:04,434 WELL, 774 00:44:04,720 --> 00:44:05,755 YOU'RE VERY PRETTY. 775 00:44:06,080 --> 00:44:08,071 THANK YOU. 776 00:44:08,360 --> 00:44:11,875 IT MUST BE NICE TO BE HOME, SAFE AND SOUND. 777 00:44:12,200 --> 00:44:13,553 YES, IT IS. 778 00:44:13,840 --> 00:44:17,674 AND ON SATURDAY, SAMARRA IS ALL YOURS. 779 00:44:18,160 --> 00:44:20,037 WELL, NOT REALLY, HENRY. 780 00:44:20,320 --> 00:44:22,709 WHAT DO YOU MEAN BY THAT? 781 00:44:23,000 --> 00:44:29,553 WELL, ON SATURDAY, SAMARRA MAY BE MINE BY LAW, 782 00:44:29,840 --> 00:44:30,795 BUT NO BY RIGHT. 783 00:44:31,080 --> 00:44:34,959 AFTER ALL THE LOVE AND THE CARE THAT YOU'VE GIVEN TO SAMARRA 784 00:44:35,240 --> 00:44:36,195 ALL THESE YEARS, RACHEL, 785 00:44:36,520 --> 00:44:38,954 I COULDN'T DREAM OF TAKING IT AWAY FROM YOU. 786 00:44:39,240 --> 00:44:41,310 YOU MEAN, YOU'RE LETTING ME KEEP IT? 787 00:44:41,600 --> 00:44:46,151 QUITE SIMPLY, YES. 788 00:44:46,440 --> 00:44:49,750 WELL, THAT'S THE MOST GENEROUS THING I'VE EVER HEARD. 789 00:44:50,080 --> 00:44:52,310 WELL, IT'S VERY EASY TO BE GENEROUS 790 00:44:52,600 --> 00:44:54,272 WHEN YOU'RE THE ONLY NIECE OF A NUMBER OF RICH RELATIVES, 791 00:44:54,560 --> 00:44:56,312 ALL OF WHOM DIED CHILDLESS. 792 00:44:56,600 --> 00:44:58,352 I'VE BEEN VERY LUCKY. 793 00:44:59,640 --> 00:45:01,278 YOU CAN WORK OUT THE DETAILS WITH MR. WOODVILLE, 794 00:45:01,560 --> 00:45:02,470 CAN'T YOU HENRY? 795 00:45:02,800 --> 00:45:04,791 YES, YES, YES, OF COURSE. 796 00:45:05,080 --> 00:45:06,798 I DON'T KNOW WHAT TO SAY. 797 00:45:07,080 --> 00:45:10,789 WELL, THERE'S JUST ONE SMALL THING. 798 00:45:11,080 --> 00:45:14,356 WHAT'S THAT? 799 00:45:17,720 --> 00:45:21,759 I'VE BEEN TRAVELING QUITE A LOT, AND WHEN I WAS IN TIBET, 800 00:45:22,040 --> 00:45:24,429 I MET AN OLD MAN IN THE LAMASERYWHO TAUGHT ME 801 00:45:24,720 --> 00:45:27,473 THAT THE TRUE POWER OF MONEY IS IN GIVING, 802 00:45:27,760 --> 00:45:31,639 AND LEAVING SOMETHING TO SHOW THAT YOUR LIFE HAD BEEN USEFUL. 803 00:45:31,920 --> 00:45:33,239 WELL, WHEREVER I'VE GONE, 804 00:45:33,520 --> 00:45:35,476 I'VE TRIED TO REMEMBER WHAT HE TAUGHT ME. 805 00:45:35,760 --> 00:45:39,435 I HELPED TO BUILD A CHURCH IN ATINY INDIAN PUEBLO, 806 00:45:39,720 --> 00:45:42,996 AND A HOME FOR UNWED MOTHERS IN BOSTON. 807 00:45:43,280 --> 00:45:46,158 HERE AT SAMARRA, I WOULD LIKE TO LEAVE SOMETHING 808 00:45:46,440 --> 00:45:51,594 IN ITS OWN BEAUTIFUL SETTING THAT WOULD LAST FOREVER. 809 00:45:51,880 --> 00:45:53,518 A BIRD SANCTUARY. 810 00:45:55,960 --> 00:45:59,669 A BIRD SANCTUARY? 811 00:45:59,960 --> 00:46:00,836 YES. 812 00:46:01,120 --> 00:46:04,556 I WAS THINKING OF THE 40 ACRES DOWN BY THE SOUTH END. 813 00:46:04,840 --> 00:46:06,273 THE SWAMP? 814 00:46:06,560 --> 00:46:08,596 WELL, IT'S OF NO USE, TO YOU, RACHEL, 815 00:46:08,880 --> 00:46:10,359 AND THE BIRDS WOULD LOVE IT. 816 00:46:10,640 --> 00:46:12,949 WOULD YOU MIND TERRIBLY? 817 00:46:13,280 --> 00:46:15,555 NO, OF COURSE NOT. 818 00:46:16,720 --> 00:46:20,952 WELL, I REALLY MUST BE GOING. 819 00:46:21,240 --> 00:46:22,639 IT WAS SO NICE TO SEE YOU AGAIN, HENRY. 820 00:46:22,960 --> 00:46:23,790 AND YOU. 821 00:46:24,080 --> 00:46:25,911 - I'LL SHOW YOU TO THE DOOR. - THANK YOU, RACHEL. 822 00:46:26,200 --> 00:46:27,599 IT WAS LOVELY TO SEE YOU ALL. 823 00:46:27,920 --> 00:46:29,751 - GOODBYE. - GOODBYE. 824 00:46:32,640 --> 00:46:34,870 I'M SO HAPPY YOU AGREED WITH MY PLAN, RACHEL. 825 00:46:35,160 --> 00:46:36,991 IT WAS SUCH A SMALL THING TO ASK. 826 00:46:37,280 --> 00:46:41,398 YES, WELL, WE'LL CALL IT THE VINCENT LA MER SANCTUARY. 827 00:46:41,680 --> 00:46:44,069 AFTER MY FATHER. 828 00:46:44,400 --> 00:46:45,435 WHEREVER HE MAY BE. 829 00:46:52,200 --> 00:46:55,829 YOU KNOW IT'S ALL JUST EXACTLY AS I REMEMBER IT. 830 00:46:56,160 --> 00:46:59,516 EXCEPT, 831 00:46:59,800 --> 00:47:02,189 SOMEHOW, I THOUGHT IT WAS LARGER. 832 00:47:10,440 --> 00:47:12,112 THE SWAMP. 833 00:47:12,400 --> 00:47:15,119 THAT'S GOT TO BE IT. 834 00:47:36,520 --> 00:47:38,670 BEEN OUT HERE FOR A COUPLE OF HOURS NOW. 835 00:47:39,000 --> 00:47:41,673 IT DOESN'T LOOK LIKE HE'S AFTER BIRDS. 836 00:47:52,120 --> 00:47:55,078 NOT UNLESS THEY FLY UNDERWATER. 837 00:48:07,640 --> 00:48:08,709 WHERE'S HE GOING? 838 00:48:09,000 --> 00:48:12,549 LOOK'S LIKE HE'S HEADING FOR THE LANDING. 839 00:48:12,840 --> 00:48:14,319 COME ON. 840 00:48:46,720 --> 00:48:47,675 MORNING. 841 00:48:48,640 --> 00:48:50,551 OH, GOOD MORNING. 842 00:48:50,840 --> 00:48:52,558 NICE DAY, HUH? 843 00:48:52,840 --> 00:48:54,319 OH, YES. 844 00:48:54,600 --> 00:48:59,230 THIS IS PRIVATE PROPERTY, WHAT WERE YOU DOING OUT THERE? 845 00:48:59,520 --> 00:49:04,230 OH, I'M TERRIBLY SORRY, I WAS BIRD WATCHING. 846 00:49:04,520 --> 00:49:06,556 MARVELOUS HOBBY, OUR FEATHERED FRIENDS. 847 00:49:06,880 --> 00:49:09,792 I MADE A FEW REMARKABLE DISCOVERIES THIS MORNING. 848 00:49:10,080 --> 00:49:12,036 I SAW A SPECKLED ROBIN. 849 00:49:12,320 --> 00:49:13,799 NOW THAT'S THE FIRST ONE I'VE SEEN 850 00:49:14,080 --> 00:49:15,559 THIS FAR NORTH IN YEARS. 851 00:49:15,880 --> 00:49:20,795 BY ANY CHANCE, DID YOU SEE A LYING SWALLOW? 852 00:49:21,080 --> 00:49:23,958 I DON'T BELIEVE I KNOW THE SPECIES. 853 00:49:24,240 --> 00:49:25,355 I'M LOOKING AT ONE. 854 00:49:25,680 --> 00:49:28,558 I DON'T UNDERSTAND. 855 00:49:28,840 --> 00:49:31,035 YOU'RE NO MORE BIRD WATCHER THAN I AM. 856 00:49:31,360 --> 00:49:34,477 I AM A LIFE MEMBER OF THE AUDUBON SOCIETY. 857 00:49:34,760 --> 00:49:36,113 LOOK, MR. BOSLEY, 858 00:49:36,440 --> 00:49:39,477 I KNOW ALL ABOUT THE PHONE CALL FROM CHARLIE. 859 00:49:39,760 --> 00:49:42,558 TESTS, THE EQUIPMENT, AND I DIDN'T HEAR ANYTHING 860 00:49:42,840 --> 00:49:45,195 ABOUT NO SPECKLED ROBIN. 861 00:49:47,840 --> 00:49:50,274 PLEASE, IF CHARLIE FINDS OUT I'VE BLOWN MY COVER, 862 00:49:50,560 --> 00:49:52,391 I'LL LOSE MY JOB. 863 00:49:52,680 --> 00:49:54,830 WHAT IS YOUR JOB? 864 00:49:55,120 --> 00:49:58,396 I BEG OF YOU, DON'T ASK ME. 865 00:49:58,720 --> 00:50:00,915 YOU DON'T KNOW THE PEOPLE YOU'RE DEALING WITH. 866 00:50:01,200 --> 00:50:02,758 THEY CAN TOPPLE GOVERNMENTS. 867 00:50:08,320 --> 00:50:10,595 AND YOU DON'T KNOW THE PEOPLE YOU'RE DEALING WITH. 868 00:50:10,880 --> 00:50:13,314 IF YOU DON'T TALK, THE ONLY BIRD AROUND HERE'S 869 00:50:13,600 --> 00:50:15,079 GOING TO BE A DEAD DUCK. 870 00:50:17,600 --> 00:50:20,797 YOU GOT FIVE SECONDS, BOSLEY. 871 00:50:21,120 --> 00:50:23,634 NOW WHAT IS IT OUT THERE THAT'S WORTH MILLIONS? 872 00:50:23,920 --> 00:50:25,035 OIL? 873 00:50:25,320 --> 00:50:27,311 ENOUGH TO MAKE TEXAS LOOK LIKE A COUNTRY GAS STATION. 874 00:50:27,600 --> 00:50:29,272 ARE YOU SURE, MAYBE WE OUGHT TO CHECK IT OUT. 875 00:50:29,560 --> 00:50:30,356 WE DID. WE-- 876 00:50:30,640 --> 00:50:32,392 [GLASS CLINKING] 877 00:50:34,160 --> 00:50:42,352 WE PERSUADED THE BIRD WATCHER TO GIVE US THAT LA. NUMBER. 878 00:50:42,680 --> 00:50:44,113 YOU KNOW WHO CHARLIE IS? 879 00:50:44,400 --> 00:50:46,789 XO OIL. 880 00:50:47,080 --> 00:50:49,196 AND THAT BUNCH FROM OVERSEAS? 881 00:50:49,520 --> 00:50:50,635 FROM IRAN. 882 00:50:50,920 --> 00:50:54,993 NO WONDER MS. HIGH-AND-MIGHTY CAN AFFORD TO BE SO GENEROUS. 883 00:50:55,320 --> 00:50:58,710 THE PROBLEM IS, HOW ARE WE GOING TO GET THE SWAMP AWAY FROM THEM? 884 00:50:59,000 --> 00:51:01,150 WE DON'T HAVE TO. 885 00:51:01,440 --> 00:51:05,149 THE LAND ISN'T HERS. WE SOLD IT OFF TO A MAN NAMED HAWKINS. 886 00:51:05,440 --> 00:51:08,591 THE LAND WAS WORTHLESS AND BEAU WANTED A NEW CAR. 887 00:51:08,880 --> 00:51:10,518 CAN YOU GET IT BACK? 888 00:51:10,800 --> 00:51:12,392 NO PROBLEM. 889 00:51:12,680 --> 00:51:15,274 HAWKINS IS WHAT YOU MIGHT CALL A... 890 00:51:15,560 --> 00:51:16,834 ANXIOUS SELLER. 891 00:51:50,160 --> 00:51:51,195 HOLD IT. 892 00:51:51,480 --> 00:51:52,754 NOW HOLD IT. 893 00:51:53,080 --> 00:51:54,957 I KNOW WE'VE HAD OUR RUN-INS, 894 00:51:55,240 --> 00:51:56,673 BUT I'M HERE TO STRAIGHTEN ALL THAT OUT. 895 00:51:57,000 --> 00:52:00,151 HOW ABOUT IT, HAWKINS? 896 00:52:01,160 --> 00:52:02,036 HAWKINS? 897 00:52:02,320 --> 00:52:06,074 JILL: HE AIN'T HERE. 898 00:52:06,360 --> 00:52:07,190 WHEN'S HE COMING BACK? 899 00:52:07,480 --> 00:52:09,630 AIN'T. 900 00:52:13,200 --> 00:52:14,599 WELL, CAN WE TALK? 901 00:52:14,880 --> 00:52:17,599 STAY WHERE YOU ARE. 902 00:52:23,960 --> 00:52:25,029 HI. 903 00:52:25,360 --> 00:52:26,395 I'M BEAU CREEL. 904 00:52:26,680 --> 00:52:27,749 I KNOW WHO YOU ARE. 905 00:52:28,080 --> 00:52:31,072 MR. HAWKINS, WARNED US ABOUT YOU WHEN WE BOUGHT THIS PLACE. 906 00:52:31,360 --> 00:52:32,839 YOU BOUGHT IT? 907 00:52:33,160 --> 00:52:34,912 YEAH, MY GRANDPA AND ME. 908 00:52:35,200 --> 00:52:38,078 GAVE MR. HAWKINS WHAT HE PAID FOR IT, 20,000. 909 00:52:38,360 --> 00:52:40,555 HIM AND HIS FAMILY WENT BACK TO ARIZONA. 910 00:52:40,880 --> 00:52:42,313 BOSLEY: WHO IS IT, JILLY LOU? 911 00:52:42,600 --> 00:52:45,160 CALLS HIMSELF BEAU CREEL. 912 00:52:45,440 --> 00:52:47,351 WHAT'S HE WANT? 913 00:52:47,680 --> 00:52:48,908 DON'T KNOW YET. 914 00:52:49,200 --> 00:52:51,191 WELL, YOU SEE, UH, ICOME HERE 915 00:52:51,520 --> 00:52:53,112 WITH THIS VERY GENEROUS BUSINESS PROPOSITION. 916 00:52:53,440 --> 00:52:57,831 I DON'T TRUST A MAN WHOSE TEETH DON'T SHOW WHEN HE SMILES. 917 00:53:00,600 --> 00:53:01,430 WHEN HAWKINS SOLD YOU THIS PLACE, 918 00:53:01,720 --> 00:53:03,551 I GUESS HE FORGOT TO MENTION IT WAS WORTHLESS. 919 00:53:03,840 --> 00:53:08,118 DIDN'T HAVE TO, ANY FOOL COULD SEE THAT, IT'S MOSTLY SWAMP. 920 00:53:08,400 --> 00:53:10,595 THEN WHY BUY IT? 921 00:53:10,880 --> 00:53:13,110 AH, YOU WOULDN'T UNDERSTAND. 922 00:53:13,400 --> 00:53:16,278 GRANDPA'D ALWAYS WANTED TO FIND THE RIGHT PIECE OF SWAMPLAND 923 00:53:16,560 --> 00:53:18,869 WHERE HE COULD LIVE OUT THE REST OF HIS DAYS. 924 00:53:19,160 --> 00:53:21,310 BORN IN A SWAMP, HE WAS, JUST LIKE ME AND MY MA. 925 00:53:21,600 --> 00:53:24,114 IN A BAYOU DOWN BY THE MOUTH OF THE BIG MUDDY. 926 00:53:24,400 --> 00:53:27,278 AS FAR AS YOUR EYES COULD SEE IT WAS SWAMPLAND, 927 00:53:27,560 --> 00:53:31,189 WITH TREE STUMPS ROTTING IN THE SLIME. 928 00:53:31,480 --> 00:53:32,799 BUT IT WEREN'T OURS. 929 00:53:33,080 --> 00:53:35,640 WHAT IF YOU HAD ENOUGH MONEY TO BUY 930 00:53:35,920 --> 00:53:37,273 A BIGGER AND BETTER PLACE? 931 00:53:37,600 --> 00:53:40,319 HOW MUCH MONEY YOU TALKING ABOUT? 932 00:53:40,600 --> 00:53:42,989 HOW'S 25,000 SOUND? 933 00:53:43,320 --> 00:53:45,834 WHAT'S HE AFTER, JILLY LOU? 934 00:53:46,120 --> 00:53:49,157 TRYING TO STEAL THE PLACE AWAY FROM US, FROM THE SOUND OF IT. 935 00:53:49,440 --> 00:53:52,238 OH, YOU WON'T LET HIM DO THAT, WILL YOU? 936 00:53:52,520 --> 00:53:53,714 DON'T WORRY, GRANDPA. 937 00:53:54,040 --> 00:53:56,110 SHOOT HIM, IF YOU HAVE TO. 938 00:53:56,400 --> 00:53:57,549 HE'S TRESPASSING. 939 00:53:57,840 --> 00:53:58,989 I CAN HANDLE HIM. 940 00:53:59,280 --> 00:54:02,078 SAME THING GOES FOR THAT ARAB WHEN HE COMES BACK. 941 00:54:02,360 --> 00:54:03,475 ARAB? 942 00:54:03,800 --> 00:54:06,030 FROM IRAN. 943 00:54:06,320 --> 00:54:07,150 WHAT'D HE WANT? 944 00:54:07,440 --> 00:54:09,670 SAME AS YOU, GRANDPA'S SWAMP. 945 00:54:09,960 --> 00:54:13,111 HE HAD A FELLOW WITH HIM WITH A WHOLE BIG BAG OF MONEY. 946 00:54:15,400 --> 00:54:16,276 HOW MUCH DID HE OFFER? 947 00:54:16,600 --> 00:54:17,919 100,000. 948 00:54:18,200 --> 00:54:19,269 SAID HE'D GO HIGHER. 949 00:54:19,600 --> 00:54:23,957 WELL, UH... 950 00:54:24,280 --> 00:54:25,030 HOW MUCH HIGHER? 951 00:54:25,360 --> 00:54:27,078 WHY DO YOU WANT IT SO BAD? 952 00:54:27,400 --> 00:54:32,679 WELL, YOU SEE, UH, WE'RE GOING TO BUILD THIS BIRD SANCTUARY. 953 00:54:32,960 --> 00:54:35,190 HOW DOES 150,000 SOUND? 954 00:54:35,480 --> 00:54:39,189 I DON'T KNOW, I TOLD YOU, GRANDPA'S SWAMP FOLK. 955 00:54:39,480 --> 00:54:40,879 200. 956 00:54:41,160 --> 00:54:44,152 GET RID OF HIM, JILLY LOU! 957 00:54:44,440 --> 00:54:46,158 HE'S GOING, GRANDPA. 958 00:54:52,120 --> 00:54:53,348 JUST LEAVE HIM TO ME. 959 00:54:53,680 --> 00:54:54,874 YOU KNOW, GRANDPA'S GETTING OLD, 960 00:54:55,160 --> 00:54:57,116 AND HE REALLY AIN'T DEALING WITH A FULL DECK UP THERE, 961 00:54:57,400 --> 00:55:00,233 SO, UH, ITHINK I CAN GET HIM TO SELL. 962 00:55:02,720 --> 00:55:03,675 FOR HOW MUCH? 963 00:55:03,960 --> 00:55:06,394 QUARTER OF A MILLION. 964 00:55:10,320 --> 00:55:15,235 230,000... 965 00:55:15,520 --> 00:55:18,273 240... 966 00:55:18,560 --> 00:55:23,475 $250,000. 967 00:55:23,760 --> 00:55:27,548 WON'T MY GRANDPA BE HAPPY TO SEE ALL THIS MONEY? 968 00:55:27,880 --> 00:55:30,519 HE'S WAITING FOR ME OUTSIDE THE SHERIFF'S OFFICE. 969 00:55:31,160 --> 00:55:32,479 DEED. 970 00:55:32,800 --> 00:55:34,836 OH, 971 00:55:35,120 --> 00:55:38,874 I GUESS I JUST GOT NO HEAD FOR BUSINESS. 972 00:55:39,160 --> 00:55:41,594 THANK YOU. 973 00:55:41,880 --> 00:55:46,874 JILL...MUN...ROE. 974 00:55:47,160 --> 00:55:52,792 MR. CREEL, YOU'VE GOT YOURSELF A BIRD SANCTUARY. 975 00:56:01,760 --> 00:56:05,196 WELL, THERE GOES EVERY PENNY WE HAD IN THE WORLD. 976 00:56:05,480 --> 00:56:10,634 THINK OF A HUNDRED TIMES THAT MUCH, HENRY. 977 00:56:19,120 --> 00:56:19,950 SIGNED, SEALED, AND DELIVERED. 978 00:56:20,240 --> 00:56:21,116 WE'RE IN BUSINESS. 979 00:56:21,400 --> 00:56:22,196 LOOKS LIKE. 980 00:56:22,520 --> 00:56:23,919 IT'S GOING TO TAKE A LOT OF EQUIPMENT 981 00:56:24,200 --> 00:56:25,679 AND THAT COSTS MONEY. 982 00:56:25,960 --> 00:56:30,238 WELL, WE'VE GOT THE BIGGEST OUTFIT IN THE PANHANDLE 983 00:56:30,520 --> 00:56:33,239 COMING IN WITH US. 984 00:56:35,040 --> 00:56:36,871 SENDING MEN OUT TOMORROW TO CHECK IT OUT. 985 00:56:37,200 --> 00:56:39,555 THAT'LL GIVE US MANPOWER, DREDGING EQUIPMENT, 986 00:56:39,840 --> 00:56:41,671 OIL RIGS, WHATEVER WE NEED. 987 00:56:42,000 --> 00:56:43,752 MAYBE WE ALL OUGHT TO GET SOME SLEEP. 988 00:56:44,080 --> 00:56:46,469 WE HAVE A BIG DAY AHEAD. 989 00:56:46,760 --> 00:56:50,548 YEAH, WELL, UH, YOU GO AHEAD. 990 00:56:50,880 --> 00:56:53,189 WE GOT SOME BUSINESS TO TAKE CARE OF. 991 00:56:53,480 --> 00:56:59,669 GOOD NIGHT. GOOD NIGHT 992 00:56:59,960 --> 00:57:01,757 GOOD NIGHT. 993 00:57:07,800 --> 00:57:09,153 DO YOU HAVE TO GO OUT THERE TONIGHT? 994 00:57:09,480 --> 00:57:12,392 YOU WANT THEM TO DREDGE THE SWAMP AND FIND THE OLD MAN? 995 00:57:13,800 --> 00:57:16,712 WHAT ARE WE GOING TO DO ABOUT HER? 996 00:57:18,640 --> 00:57:25,159 ONE THING AT A TIME HENRY, ONE THING AT A TIME. 997 00:57:43,120 --> 00:57:43,996 WOODVILLE? 998 00:57:44,280 --> 00:57:45,349 YES, I'M HERE 999 00:57:45,680 --> 00:57:46,556 IT'S TONIGHT. 1000 00:57:46,840 --> 00:57:48,956 GOOD. MEET US A T THE SOUTH END OF THE SWAMP. 1001 00:57:49,240 --> 00:57:50,559 RIGHT. 1002 00:58:04,760 --> 00:58:08,070 FIND A NICE PLACE ON THE BACK OF THE RIDGE. 1003 00:58:08,360 --> 00:58:10,476 DIG HIM A NEW GRAVE. 1004 00:58:34,280 --> 00:58:35,110 EVERYTHING ALL RIGHT? 1005 00:58:35,440 --> 00:58:36,236 GOOD. 1006 00:58:36,520 --> 00:58:39,478 KELLY! OVER HERE. 1007 00:58:46,200 --> 00:58:47,076 WHERE'S BOSLEY? 1008 00:58:47,360 --> 00:58:48,679 HE'S ON HIS WAY BACK TO LOS ANGELES WITH THE MONEY. 1009 00:58:49,000 --> 00:58:50,035 WE'LL EACH TAKE A SECTION. 1010 00:58:50,320 --> 00:58:51,753 THE MINUTE THEY SHOW, I'LL CALL THE SHERIFF. 1011 00:58:52,080 --> 00:58:53,479 HE'LL HAVE PLENTY OF TIME TO GET HERE 1012 00:58:53,800 --> 00:58:54,676 BEFORE THEY BRING UP THE EVIDENCE. 1013 00:58:55,000 --> 00:58:57,150 - ALL RIGHT. - LET'S GO. 1014 00:59:55,880 --> 00:59:58,110 WOODVILLE, ITHINK I'VE GOT SOMETHING. 1015 00:59:58,440 --> 01:00:00,556 WHAT IS IT? 1016 01:00:00,840 --> 01:00:02,637 THREE OF THEM IN AN OUTBOARD. 1017 01:00:04,800 --> 01:00:06,119 I'LL CALL THE SHERIFF. STAY WHERE YOU ARE. 1018 01:00:06,400 --> 01:00:07,469 DON'T TAKE ANY CHANCES. 1019 01:00:07,760 --> 01:00:09,113 OKAY. 1020 01:00:29,680 --> 01:00:32,353 YOU'VE BEEN DISCONNECTED. 1021 01:00:51,800 --> 01:00:54,997 OKAY. 1022 01:00:55,280 --> 01:00:57,236 HE'S TIED TO AN OLD PLOW. 1023 01:00:57,520 --> 01:00:59,397 BRING HIM UP. 1024 01:01:45,520 --> 01:01:47,988 THEY'RE PULLING SOMETHING UP. 1025 01:02:03,040 --> 01:02:04,109 THEY'VE GOT IT. 1026 01:02:04,440 --> 01:02:05,793 WOODVILLE, WHERE'S THE SHERIFF? 1027 01:02:09,640 --> 01:02:11,392 WOODVILLE, CAN YOU HEAR ME? 1028 01:02:13,080 --> 01:02:15,514 WOODVILLE? 1029 01:02:15,800 --> 01:02:20,191 WOODVILLE? 1030 01:02:20,480 --> 01:02:21,310 SABRINA, JILL, 1031 01:02:21,600 --> 01:02:22,350 SOME THING 'S GONE WRONG, 1032 01:02:22,640 --> 01:02:23,550 WE BETTER GET OUT OF HERE 1033 01:02:23,880 --> 01:02:24,835 RIGHT! 1034 01:02:29,440 --> 01:02:30,350 I JUST HEARD YOU TALKING 1035 01:02:30,680 --> 01:02:32,830 TO YOUR FRIENDS JILL AND SABRINA. 1036 01:02:33,120 --> 01:02:35,509 ANYBODY ELSE OUT THERE? 1037 01:02:35,800 --> 01:02:37,950 HUH? 1038 01:02:38,240 --> 01:02:40,390 I'D LIKE TO MEET THEM. 1039 01:02:43,600 --> 01:02:44,999 GIVE ME THAT. 1040 01:02:49,840 --> 01:02:50,795 JILL AND SABRINA 1041 01:02:51,120 --> 01:02:51,950 AND WHOEVER ELSE IS OUT THERE 1042 01:02:52,280 --> 01:02:53,508 YOU BETTER S TOP AND LIS TEIII. 1043 01:02:53,800 --> 01:02:57,509 I GOT YOUR FRIEND IN A CLEARING OVER HERE NEAR YOUR CAR. 1044 01:02:57,800 --> 01:02:59,074 GET OVER HERE AND JOIN HER. 1045 01:02:59,360 --> 01:03:01,510 OR I'LL PUT A BULLET THROUGH HER. 1046 01:03:02,920 --> 01:03:04,512 YOU GOT THAT? 1047 01:03:16,160 --> 01:03:19,470 YOU STAY RIGHT THERE. 1048 01:03:33,240 --> 01:03:34,195 YOU ALL RIGHT? 1049 01:03:34,480 --> 01:03:35,959 FINE. HE'S OVER THERE. 1050 01:03:36,280 --> 01:03:38,396 DON'T MOVE, ANY OF YOU. 1051 01:03:45,680 --> 01:03:46,795 MR. CREEL. 1052 01:03:47,080 --> 01:03:48,991 CAN YOU HEAR ME? 1053 01:03:49,280 --> 01:03:50,076 WHAT IS IT? 1054 01:03:50,360 --> 01:03:53,352 MADE ME A NICE LITTLE CATCH RIGHT HERE ON SHORE. 1055 01:03:53,680 --> 01:03:57,389 ONE FISHERMAN AND THREE PRETTY FISH. 1056 01:03:57,720 --> 01:03:59,153 WHERE ARE YOU? 1057 01:03:59,480 --> 01:04:00,629 SOUTH SIDE. 1058 01:04:00,920 --> 01:04:04,117 ALL RIGHT. WELL, STAY THERE. 1059 01:04:06,680 --> 01:04:09,148 YOU GOT ANY IDEAS, FORGET IT! 1060 01:04:33,920 --> 01:04:36,275 ALL RIGHT, YOU STAY HERE WITH THE BOAT. 1061 01:04:36,600 --> 01:04:39,717 KEEP AN EYE ON OUR FRIEND. 1062 01:04:40,000 --> 01:04:42,116 WILDER! 1063 01:04:42,440 --> 01:04:45,716 OVER HERE. 1064 01:05:01,680 --> 01:05:02,999 WHO'S THE OTHER ONE? 1065 01:05:03,280 --> 01:05:06,352 THE LAWYER, BACK BY HIS CAR, OUT COLD. 1066 01:05:07,720 --> 01:05:08,835 GO GET HIM. 1067 01:05:12,960 --> 01:05:15,155 ANY SIGN OF THE BIRD WATCHER? 1068 01:05:15,440 --> 01:05:16,668 NOTASIGN. 1069 01:05:19,680 --> 01:05:23,878 IT WAS ALL A CON. 1070 01:05:24,160 --> 01:05:25,149 ONE GREAT BIG CON. 1071 01:05:25,480 --> 01:05:27,755 I GUESS YOU KNOW THAT, UH, 1072 01:05:28,040 --> 01:05:29,871 THERE WAS NEVER REALLY ANY OIL. 1073 01:05:30,160 --> 01:05:34,199 YEAH, I GUESS I KNOW THAT. 1074 01:05:34,480 --> 01:05:37,995 WHAT DO WE DO WITH THEM? 1075 01:05:38,320 --> 01:05:41,198 WELL, WE CAME TO DIG A GRAVE, 1076 01:05:41,480 --> 01:05:43,391 MAY HAVE TO MAKE IT A WHOLE CEMETERY. 1077 01:05:43,680 --> 01:05:45,671 ANYTHING HAPPENS TO US, 1078 01:05:46,000 --> 01:05:49,037 YOU'RE OUT A QUARTER OF A MILLION DOLLARS. 1079 01:05:49,320 --> 01:05:51,959 WE'LL CALL BOSLEY IN LA. AND HE'LL BRING IT ALL BACK. 1080 01:05:52,240 --> 01:05:53,514 YEAH, THAT WAY NOBODY'LL GET HURT. 1081 01:05:53,840 --> 01:05:55,512 OH, NO. 1082 01:05:55,840 --> 01:05:58,673 NO, NO. 1083 01:05:58,960 --> 01:06:02,032 NO, IF YOU'D HAD THE MONEY YOU'D HAVE BEEN LONG GONE. 1084 01:06:03,160 --> 01:06:04,354 THIS WHOLE CON WAS SET UP 1085 01:06:04,680 --> 01:06:06,716 TO MAKE ME LEAD YOU TO WHAT'S IN THAT BOAT. 1086 01:06:08,400 --> 01:06:11,949 I MEAN, WITHOUT OLD MAN LA MER'S BODY, YOU GOT NOTHING. 1087 01:06:12,240 --> 01:06:15,710 NOW YOU GOT MURDER ONE. 1088 01:06:16,000 --> 01:06:19,879 ONLY, WHO YOU GOING TO TELL ABOUT IT? 1089 01:06:33,520 --> 01:06:35,556 LET'S GO! 1090 01:06:35,880 --> 01:06:36,869 COME ON MOVE IT! 1091 01:06:42,760 --> 01:06:44,398 WHAT HAPPENED TO YOU? 1092 01:06:44,720 --> 01:06:45,755 SOMEBODY HIT ME. 1093 01:06:46,040 --> 01:06:47,917 BEAU, THE BOAT. 1094 01:07:10,400 --> 01:07:13,153 WELL, DON'T JUST STAND THERE, LEAVE HIM WITH BANCROFT. 1095 01:07:13,440 --> 01:07:15,351 WELL GO AFTER THEM! 1096 01:07:15,640 --> 01:07:16,436 I'LL TAKE THE GIRL IN THE SWAMP. 1097 01:07:16,760 --> 01:07:18,432 ONE WENT THAT WAY. 1098 01:07:20,120 --> 01:07:23,590 HERE, YOU WATCH HIM. 1099 01:08:33,120 --> 01:08:34,439 STOP WHERE YOU ARE. 1100 01:08:38,520 --> 01:08:40,954 OKAY, BACK TO THE BOAT. 1101 01:10:40,560 --> 01:10:43,518 CREEL, IT'S SHERIFF HOPKINS. 1102 01:10:43,840 --> 01:10:46,798 COME ON IN 1103 01:10:53,680 --> 01:10:55,159 IT'S TOO LA TE CREEL. 1104 01:10:55,440 --> 01:10:56,589 COME ON IN 1105 01:10:58,040 --> 01:11:00,998 AND REMEMBER, YOU'RE COVERED. 1106 01:11:16,920 --> 01:11:18,194 JILL, ARE YOU ALL RIGHT? 1107 01:11:18,480 --> 01:11:20,471 I'M FINE. 1108 01:11:38,640 --> 01:11:40,790 NOT THAT WE AREN'T GRATEFUL, MR. KOLEGIAN, 1109 01:11:41,080 --> 01:11:43,548 BUT WHAT WERE YOU AND YOUR FRIENDS DOING OUT HERE? 1110 01:11:43,840 --> 01:11:45,558 TRYING TO SLOW THEM DOWN. 1111 01:11:45,840 --> 01:11:48,070 SENT ANOTHER FRIEND INTO TOWN FOR THE SHERIFF. 1112 01:11:48,400 --> 01:11:51,153 BUT HOW DID YOU ALL KNOW WE'D BE HERE? 1113 01:11:51,440 --> 01:11:53,237 THAT KIND OF THREW ME FOR A SECOND TOO. 1114 01:11:53,520 --> 01:11:55,556 GOT A PHONE CALL ABOUT AN HOUR AGO. 1115 01:11:55,840 --> 01:11:56,716 FELLOW WAS REALLY WORRIED, 1116 01:11:57,040 --> 01:11:58,189 HE SAID THAT IF ANYTHING WENT WRONG 1117 01:11:58,480 --> 01:12:00,710 SOMEBODY MIGHT HAVE TO BAIL YOU OUT. 1118 01:12:03,880 --> 01:12:05,279 KNOW A GUY NAMED CHARLIE? 1119 01:12:10,200 --> 01:12:11,235 JILL! 1120 01:12:11,520 --> 01:12:14,512 YOU'LL NEVER GUESS WHO ORDERED THE SHERIFF! 1121 01:12:14,840 --> 01:12:15,716 CHARLIE! 1122 01:12:16,000 --> 01:12:17,592 WHO ELSE? 1123 01:12:17,880 --> 01:12:23,034 AND THIS ANGELS IS OUR CLIENT, THE REAL JANE TLA MER. 1124 01:12:23,320 --> 01:12:25,151 WHAT ABOUT THE QUARTER OF A MILLION CHARLIE? 1125 01:12:25,480 --> 01:12:26,754 JANET WANTED IT TO BE OUR FEE 1126 01:12:27,040 --> 01:12:29,429 AFTER ALL, WE'VE PRO VED THEY KILLED HER FA THER 1127 01:12:29,720 --> 01:12:31,950 AND WE MADE SURE THE YDIDN'T KILL HER. 1128 01:12:32,280 --> 01:12:34,191 NOBOD Y BELIEVED HER STORY, 1129 01:12:34,480 --> 01:12:36,596 I DID. 1130 01:12:36,880 --> 01:12:37,915 OH, YOU’LL BE GLAD TO HEAR 1131 01:12:38,240 --> 01:12:40,708 THA TJANETAND ARAM RECOGNIZED EACH OTHER A T ONCE 1132 01:12:41,040 --> 01:12:42,393 AND THE FIRST THING SHE'S GOING TO DO 1133 01:12:42,680 --> 01:12:44,671 IS TO BUILD A BARN DOWN BY THE RIVER. 1134 01:12:49,760 --> 01:12:51,193 WELL DONE ANGELS. 1135 01:12:51,480 --> 01:12:52,799 THANK YOU, CHARLIE! 1136 01:12:53,080 --> 01:12:54,115 AND YOU, WOOD VILLE 1137 01:12:54,400 --> 01:12:56,470 THANK YOU, SIR. 1138 01:13:03,320 --> 01:13:06,915 OH, AND YOU TOO, BOSLE Y, OF COURSE. 1139 01:13:07,200 --> 01:13:10,636 THANK YOU, CHARLIE. 1140 01:13:10,920 --> 01:13:12,558 WELL, THA T'S IT UNTIL NEXT TIME 1141 01:13:12,840 --> 01:13:16,958 NOW I’D BETTER GET BA CK TO THE JOB A T HAND. 1142 01:13:17,280 --> 01:13:18,156 WHAT'S THAT CHARLIE? 1143 01:13:18,440 --> 01:13:20,635 SAME OLD THING, BURNING THE MIDNIGHT OIL. 1144 01:13:20,920 --> 01:13:22,638 BEARING DOWN ON OUR NEXT CASE 1145 01:13:22,960 --> 01:13:26,475 AND BELIEVE ME IT'S A REAL SCORCHER. 1146 01:13:31,920 --> 01:13:34,195 WOMAN: HERE YOU ARE, CHARLIE 1147 01:13:34,480 --> 01:13:36,675 CHARLIE: BLESS YOU, MY DEAR. 1148 01:14:11,440 --> 01:14:14,512 JILL: CALL IF YOU NEED US, HUH? 79014

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