Original subtitles

[MUSIC PLAYING]

DIRECTOR: OK, [INAUDIBLE] place with that sky right now.

I like that sun trying to get through there.

Shoot straight out at the boardwalk there.

Just suffice to say, it's going to be the boardwalk

or these two dunes here.

Right there.

What do you have, a 50?

What do you have, a 50?

PHOTOGRAPHER: That's a 50, yeah.

DIRECTOR: And you have a 35, too?

PHOTOGRAPHER: Yeah.

DIRECTOR: Let me take a look at both of those for the wing

shot, and then we might do them in a little longer shot,

like the--

PHOTOGRAPHER: [INAUDIBLE]

DIRECTOR: 35's maybe going to be too

short for what I need to do.

I have to make the wings really feel big.

You got 20--

I'll feel you a bit.

Let's try the 20.

Have the Nikon ready, because I'm just

going to-- to begin with I'm going to try a bunch of things.

Hi.

[INAUDIBLE] from the National Theatre.

DIRECTOR: So we're going to go into a heightened wing position

first.

OK, not-- come back a little bit, come back.

Oh, yeah, turn back a little-- turn back a little bit

this way.

Great.

That's number one.

And number two is the same one, because the wind's

pushing it back.

And number three, they come in tighter.

They fold in.

That's great.

That's great.

OK, now Amanda, go off the boardwalk.

OK, keep your feet like that.

Stay there, Amanda.

It's great.

Hold on, I was going to have you go on action and walk off.

Let me just see.

[FANS]

And step off, step off.

OK.

Hold on.

Hold on.

I love that.

You are so good.

That was so good.

Go, go, go, go, go.

Yuri, Yuri!

[FANS]

OK, stop.

Yeah, let me get 35.

I mean, Yuri, everyone else is pretty passive.

I mean, Yuri, everyone else is pretty passive.

So really, everything-- all their anger is in you.

Amanda, can you turn more to the side for us?

I mean-- yeah, to your right.

Yes.

OK, and then bring your upper body back.

No, OK, try something with your feet.

Let's see.

Bring your foot-- bring your left foot forward, your left--

yes, OK.

yes, OK.

Let me just see.

Yes, yes, exactly there.

OK.

[FANS]

OK, hold on.

Jason, you got to be higher, higher.

Higher, Jason.

[FANS]

OK, relax.

Just so you see your performance, anyway.

Just so you see your performance, anyway.

WOMAN: Oh, that's glorious.

DIRECTOR: OK, we're trying on the hill, very same thing

up there, OK.

OK, now take a little out of that strobe.

Up higher.

Wings up higher.

Amanda, that feeling of being on edge again,

that you're just about ready-- teeter the other way,

though, strangely enough.

The same-- yeah, yes.

The same-- yeah, yes.

Here we go.

[FANS]

OK, and let's go in.

Great.

Let's just go as dark as we can with just some sculpting style

light, OK?

Nathan, Nathan turn around as if you're coming down the hill.

That's cool.

And Andrew, go back to where you were.

OK, Mary, I need to move Nathan down one apple box.

It doesn't look like what it looks like,

because everything is a lot darkened,

and you become these shapes.

it looks kind of amazing, actually,

if I must say so myself.

[LAUGHTER]

It does, it looks cool.

Lee, if you want to look out to sea there, that's great.

Lee, if you want to look out to sea there, that's great.

And Denise, what you're doing is perfect and Andrew,

if you want to go straight out, OK.

OK, Lee, I need you just off camera a little bit more.

Yeah, that's good.

But head down a little bit.

But head down a little bit.

Yeah.

That's great, Denise.

Wow, nice.

That was great.

So you're right where Marco is.

Got [INAUDIBLE].

Got [INAUDIBLE].

[LAUGHTER]

Before you had it a little bit more puffed up here, was it?

Or is that how you--

[INAUDIBLE]

Oh, I don't know.

Let me step you in a little bit, Lee.

Hold on.

Because what we will do at a certain point is we

will take a step, but not yet.

will take a step, but not yet.

And Denise, let me bring you over here.

Come here.

Take the coat and hold it like this, yeah.

As soon as I get you just where you are,

I may actually have you take a step, as if you're actually--

Denise, you might stay put, though.

You'll stay put.

So Nathan-- come up to where he is.

Sir, your Roy Cohn, would he fold his arms like that?

Sure.

DIRECTOR: So look back to me towards the camera, take--

actually, one step back, as if you just came

from somewhere a little bit.

Yes, OK, that's good.

Now come back.

Yeah, that's great.

That's great.

That's great.

[FANS]

I need more power on you.

Hold on, guys.

It's not uninteresting.

It's backlit, so it's pretty good.

We're still going to work with this light.

OK, hold on.

Go ahead and roll up your sleeves.

I don't know, it's just one of those Bobby Kennedy things.

I don't know, it's just one of those Bobby Kennedy things.

[LAUGHTER]

NATHAN LANE: Oh, Bobby Kennedy.

Yeah.

DIRECTOR: Yeah, I know, right.

No, but I mean-- it was it was the way [INAUDIBLE] took

pictures of politicians and lawyers,

you know, that they were working.

NATHAN LANE: Right.

DIRECTOR: OK, that's good.

NATHAN LANE: Yeah, that's good.

DIRECTOR: So Nathan.

NATHAN LANE: Yeah.

DIRECTOR: Turn a little more this way.

Oh no, no, come back.

Oh no, no, come back.

Come back to me.

Go straight into me.

There we go.

Yeah, like a straight in.

Yes.

How would that look?

You got the angels, right-- there

are angels right on your back.

Go ahead and take the step forward.

OK.

[FANS]

[FANS]

Nathan, try looking to your right.

[FANS]

That's great.

That's fucking great.

Thank you.

Thank you very much.

Thanks for having us.

Thank you.

No, no, thank you.

Your ears are cold, ooh.

It's so good.

OK, stay warm.

Thank you very, very much.

You're welcome.

And you were just great, just great.

It's so important you're here.

OK, thank you.

Thank you so much.

And your ears are cold.

Ooh.

Lee, good luck with everything.

Lee, good luck with everything.

[INAUDIBLE] see the show.