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thank you

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we've had an approach from ABBA or and

Communications with them they built a

studio and they really wanted to put it

on the map so they offered us a great

deal and we in turn off a Democrat deal

and we went to Stockholm the worst thing

about it was that we we had a great deal

we went there but we went in the winter

and although the studio itself was

remarkable at the time going to and from

it was probably one of the most

experiences ever it was probably like

Napoleon's return from Moscow the

Russian campaign gone wrong and so you

had to drink several hits of schnapps

before you could actually even get off

out of the hotel it was so cold but yeah

experiments in sand basically and I

think the drum sound on in through the

outdoor was really phenomenal you did a

lot of work on on improving outdoor

recorded in right in myhometones.com

wasn't it particularly bad at the time

um there was probably yes it probably

Rose to a head but the upshot was that

we put out a good album of the people

who were there doing it you know Robert

and I were at the rehearsals first me

and Jesse were always there before the

others we were up so we we put them down

didn't we but I mean it's always been

the way of of the band sort of whoever

gets this first come first served really

as far as the members are concerned yeah

if Jimmy gets to the rehearsal place

first the next album will go totally

differently

I'd just taken delivery of this big

Yamaha

organ synthesizer thing I mean three

keyboards and full pedalboard and so as

is always the way with me I was very

inspired with this new instrument so I

just started writing stuff and I had it

delivered to the rehearsal rooms and I

was there early playing it yeah and then

Robert turned up next and by the time

Bonzo and Jimmy had turned up we kind of

finished the album we're not written

most of the album

is really done before we went into the

studio and then we went to the studio

and put it down but not much changed

from the rehearsal to the studio whereas

normally the writing um the writing

process with Led Zeppelin is that an

idea would start with any member of the

band perhaps and then everybody would

work on that and became Zeppelin

property as it were

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thank you

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Cara salambra

which is a peculiar title I suppose

really

it got slammed in the British press for

being once again that tired old mystical

feel but what it is is in fact an

extended piece with John Paul doing a

lot of the kind of work on it well not a

lot of the kind of work but by dictating

the movement of the thing it's not on

one of those nice little hidden things

where one day the person who it's all

about okay oh my God is it really like

that you know it's a long piece and it's

an interesting piece in a way and that's

one of the good things really it's it's

not like Achilles Last Stand which I

really love but it's it contains some of

the Majesty that was in that song I mean

Achilles Last Stand was basically about

travels and dreams and wishes and

positivity whereas this is like a

retrospective

a period of time and a few characters

so Carousel Amber is one of the more

lengthy bits that we do

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the Epic indeed a three-part Suite A

Trilogy of moments poetry in motion John

Paul Jones delivers a wild frenzy of

synthesizer leads futuristic soundscapes

and pulsating rhythm-based lines a

progressive suite and a cinematic

experience for the listener despite

being heavily associated with this

iconic guitar this is the only Studio

track that features Jimmy's Famous

Gibson Ed s1275 previous recordings had

Jimmy using a fender electric 12 string

Carissa lambra gave the double neck

guitar space to shine those long cord

openers had page revisiting a similar

idea found in The Song Remains the Same

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's intro features an A Minor sequence

that is basically 10 Years Gone In

Reverse

there's a sense of urgency in the

revolving sound in this carousel number

which could explain the song's title as

British musicians refer to songs as

numbers and they love a play on words

Bonham's Groove and fills enhance Jones

because of keyboard work

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in terms of composition its sums Led

Zeppelin's story of recent years and

three parts like a symphony first

movement Fanfare for the Rockstar men

adulation and destruction of Veteran

life the search for excitement fans away

the heroes expectations High the music

theme acts like a big announcement the

landing of the aircraft dwelling

non-stop moving across the map Led

Zeppelin searching for another place to

play plant describes the colorful and at

the same time Grim Vibes of the Majestic

Fishbowl microcosmos of excess

Sisters of the Wayside by their time in

quiet peace a way that place within the

Ring of calm still stand to turn in

seconds of release await the call they

know may never come in times of

lightness no Intruder dared upon to

jeopardize the cause upset the run and

always joy and hands were raised toward

the Sun as love in the halls of Plenty

overrun

second movement

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an arpeggio instrumental leads us into

the second part of the song a tired riff

a cry for help this is Robert at his

most honest regarding the incidents from

1977 and what became inevitable it's no

coincidence that Jimmy buried the vocals

when mixing the album especially on the

song where was your word where did you

go where was your helping where was your

bow

does the armor cold as the day hard was

the journey dark was the way I heard the

word I couldn't stay I couldn't stand it

another day

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textures representing present-day

Zeppelin In 1978 embracing the sounds of

now in an almost prophetic way Robert

Plant describes his final days with the

band he had a foot outside the door

while fronting Zeppelin in through the

outdoor

touched by the timely coming roused from

the Keeper's sleep release the grip

throw down the key held now within the

knowing rest now within the piece take

of the fruit began the seed

they had to stay held now within the

knowing rest now within the peace take

off the fruit burgard the seed

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uh I'm gonna crawl

it's got nothing to do with carpet Burns

or anything like that

in the 60s there were there was a great

kind of movement with Atlantic Records

and a lot of little Independent Record

companies the first thing that Wilson

Pickett ever did it's too late yes you

know and all those great slow RMB but

just going into Seoul

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so look well I thought I wanted to just

do something a little bit like that but

a little bit

kind of tongue-in-cheek too God forbid

that it should be taken seriously and so

like I mean the lyrics are really

mundane it's really like she's the apple

of my eye Vibe you know but it's a great

great atmosphere I mean really good

atmosphere and the only thing that's

missing is the horn section because

Jersey couldn't learn how to play horns

in time you know

but it's great I love that it's really

good it's very moody

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scream when the closing moment says it

all the band crawled their way out of

Despair into the unknown sights of a new

decade

the fitting coder as if they felt the

end was near or maybe they hoped their

Brotherhood would never die

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I hope you're doing well I just recorded

a special musical tribute that I wanted

to share with you guys as you know

sessions for the album ended up

circulating as a bootleg recording that

featured Bonham's isolated drum tracks

While most of his grooves are

recognizable there is one song that

remains Untitled it appears to be taken

from a synth based number but it doesn't

sound like anything on the Final Mix for

info the outdoor using the intro and

Main Groove I wrote a special tribute

for the band adding guitar layers over

bonzo's drums inspired by Jimmy's Latter

day style this is my take on the last

song recorded at polar Studios I laid

down the Bass track first and then built

the backing track so all guitar layers

could be recorded on camera I know this

has been done before but without most

respect for Led Zeppelin I hope you

enjoy this guitar layer experiment as

always thank you for watching please

subscribe

stay tuned for episode 7 and the events

of 1980 a year of Hope expectations and

tragedy bye bye

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