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[Music]
breaking through a door has always been
one of the most difficult oh well never
mind commercial successes in themselves
Italian westerns have also brought
prosperity to Al Maria on the Costa Del
sa of southern Spain once a sleepy
provincial town alaria has bloomed under
the influx of Italian film Capital into
a Spanish
Hollywood luxury hotels fashionable
restaurants and shops have sprung up to
cater to the International Film
set the reason for Al Maria's Success is
Not only because there are more sunny
days here than anywhere else in Europe
but also because of its real Western
Countryside within 20 mi of the city
there are Barren deserts Mexican
villages and deep Canyons
[Music]
w
[Music]
fore
[Music]
Al Maria also has its Western towns
today it's hickland gateway to the
Mexican border tomorrow it could be
Dodge City Tombstone or abene but always
populated by local gypsies pressed into
Service as Mexican trick riders and
stuntmen
Al Maria's five Western Villages and
Rome's 10 are the world's liveliest
ghost towns
[Music]
well dozen of small producers are
following each other in and out of the
western
towns the man who started it all Sergio
Leon has completed his fourth and
biggest
Western he says it will be his
last the unknown director who couldn't
interest anyone in his first Western is
now the alltime Italian box office
Champion for his film about about the
construction of the railroad across the
American West Ser Jo Leon built his own
track in the remote Spanish
Countryside he even blasted a mountain
out of the way and then hauled an
ancient Spanish locomotive rescued from
a Barcelona scrap Heap to run on his
iron
[Music]
Road and who be riding the
train well there's Henry Fonda clodia
cardali Jason robarts and Charles
Bronson among
[Applause]
others yes American actors are coming to
work in the European version of the old
west the most recent arrival is
television star Chuck Connors
hi Chuck how's your Italian coming
along Chuck according to your experience
starring an American TV and feature
westerns how does the Italian Western
differ from those made in the
USA well there are many things basically
the same about doing a western here in
Italy as well as America the sets look
the the same we have the horses and the
extras and the Cavalry and the Cowboys
and what have you I would say the
underlying difference to me is the
emphasis that's placed on the elements
of the Western that make it a western H
by that I mean for instance in a western
you usually have one or two or maybe
three fights fist fights among the uh
contesting parties well in American
Western there might be five or six or
maybe seven punches thrown here you'll
you'll see a fight go on for 5 minutes
they may throw 25 30 or 40 punches
another element of the western is the
shooting of a gun uh when we make one at
home we fire the gun two or three times
here that gun May Fire 40 or 50 times
I'm sure that when we get to riding
horses the same thing will be true what
they do is that they set it up in a
larger frame the Western element of the
western motion picture and I think
they've come a long way and I I expect
that they'll get better as time
progresses uh basically however I uh
I've enjoyed it very much and we
continue to the one element which might
be in contradiction to that is that from
what I've seen of course my viewing is
limited I've seen about seven or eight
Italian westerns and of course I know
this script that uh the early American
Western the hero was always a pure hero
it was a question of black and white and
uh I noticed in most Italian pictures
I've seen that the hero is really an
anti-hero there's a lot of bad in him as
a matter of fact I myself for the first
time in a long time am playing someone
somebody who's not a pure hero and
truthfully I kind of like it all right
we'll give that stuntman just one more
chance I just don't believe it
[Music]
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