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These are the user uploaded subtitles that are being translated: 1 00:00:21,939 --> 00:00:22,940 [SHRIEK] 2 00:00:22,940 --> 00:00:22,940 [SHRIEK] 3 00:01:03,447 --> 00:01:05,449 [SHRIEK] 4 00:01:05,449 --> 00:01:05,449 [SHRIEK] 5 00:01:15,459 --> 00:01:17,895 AH HA HA HA HA HA HA HA! 6 00:01:17,895 --> 00:01:17,895 AH HA HA HA HA HA HA HA! 7 00:01:24,602 --> 00:01:25,603 7. 8 00:01:26,103 --> 00:01:26,103 7. 9 00:01:27,605 --> 00:01:31,108 HELLO KIDDIES WHAT'S IN YOU? 10 00:01:31,108 --> 00:01:31,108 HELLO KIDDIES WHAT'S IN YOU? 11 00:01:33,611 --> 00:01:36,614 I WAS JUST IN THE MIDDLE OF MY DEADLY DOZEN. 12 00:01:36,614 --> 00:01:39,116 FIRST I DO A FEW PULL UPS. 13 00:01:39,617 --> 00:01:41,619 THEN A FEW JUMPING HACKS. 14 00:01:41,619 --> 00:01:46,123 THEN I LIKE TO FINISH WITH A LITTLE DIE IMPACT AEROBICS. 15 00:01:46,123 --> 00:01:46,123 THEN I LIKE TO FINISH WITH A LITTLE DIE IMPACT AEROBICS. 16 00:01:49,126 --> 00:01:50,628 [GASPING] 17 00:01:50,628 --> 00:01:52,129 8. 18 00:01:52,129 --> 00:01:54,131 I'M GETTING IN SHAPE FOR TONIGHT'S TALE. 19 00:01:54,131 --> 00:01:56,634 IT'S ABOUT AN AMBITIOUS YOUNG ACTRESS 20 00:01:56,634 --> 00:01:59,136 WHO'S LOOKING FOR HER BIG BREAK. 21 00:01:59,136 --> 00:02:00,638 WILL SHE MAKE IT? 22 00:02:01,138 --> 00:02:03,641 ONLY HERSCAREDRESSER KNOWS FOR SURE. 23 00:02:03,641 --> 00:02:05,643 HA HA HA! OHH... 24 00:02:05,643 --> 00:02:08,145 I CALL THIS DISMAL DRAMA... 25 00:02:08,646 --> 00:02:10,981 BEAUTY REST. 26 00:02:11,482 --> 00:02:11,482 BEAUTY REST. 27 00:02:20,991 --> 00:02:24,495 WHAT'S YOUR FAVORITE PART OF A WOMAN? 28 00:02:24,995 --> 00:02:26,497 THE NAPE OF HER NECK? 29 00:02:26,997 --> 00:02:26,997 THE NAPE OF HER NECK? 30 00:02:34,505 --> 00:02:36,006 THE LINE OF HER BACK? 31 00:02:36,006 --> 00:02:38,976 OR THE SHAPE OF HER BREASTS? 32 00:02:38,976 --> 00:02:40,978 OR JUST MAYBE IT'S HER MIND. 33 00:02:41,512 --> 00:02:42,980 [MUSIC PLAYING] 34 00:02:42,980 --> 00:02:45,516 IT MAY BE A MAN'S WORLD, 35 00:02:45,516 --> 00:02:49,520 BUT THAT DOESN'T MEAN I HAVE TO TAKE IT LYING DOWN, 36 00:02:50,020 --> 00:02:52,456 BECAUSE I WANT TO COMPETE... 37 00:02:52,456 --> 00:02:54,024 WHETHER I'M A CEO 38 00:02:54,525 --> 00:02:57,027 OR AN M.D. OR AN M.R.S. 39 00:02:57,027 --> 00:03:01,031 I WANT TO BE TAKEN SERIOUSLY... VERY SERIOUSLY. 40 00:03:01,532 --> 00:03:04,034 THAT'S WHY I NEVER FEEL FULLY DRESSED 41 00:03:04,535 --> 00:03:08,005 UNTIL I PUT ON BALL BUSTER. 42 00:03:08,005 --> 00:03:10,674 IT'S NOT FOR JUST ANY WOMAN. 43 00:03:11,175 --> 00:03:13,677 IT'S FOR THE WOMAN WHO MEANS BUSINESS. 44 00:03:13,677 --> 00:03:13,677 IT'S FOR THE WOMAN WHO MEANS BUSINESS. 45 00:03:25,189 --> 00:03:26,657 CUT! 46 00:03:26,657 --> 00:03:28,993 DID YOU GET IT? GOOD. 47 00:03:28,993 --> 00:03:30,828 GENTLEMEN, HELEN CURTIS. 48 00:03:30,828 --> 00:03:32,830 HELEN, YOU WERE FABULOUS! 49 00:03:32,830 --> 00:03:33,831 FABULOUS! 50 00:03:33,831 --> 00:03:34,865 REALLY? 51 00:03:34,865 --> 00:03:35,866 YES. 52 00:03:35,866 --> 00:03:35,866 YES. 53 00:03:37,368 --> 00:03:38,369 AH, YES. 54 00:03:38,869 --> 00:03:38,869 AH, YES. 55 00:03:41,338 --> 00:03:43,374 SHE'S OUT OF TOWN. 56 00:03:43,374 --> 00:03:46,377 EMILIO. I'M SORRY. DID YOU REALLY MEAN THAT? 57 00:03:46,377 --> 00:03:49,847 HELEN, I HAVE BEEN DIRECTING COMMERCIALS FOR 20 YEARS, 58 00:03:49,847 --> 00:03:52,349 AND I'VE NEVER HAD AN ACTRESS 59 00:03:52,349 --> 00:03:54,351 TAKE DIRECTION LIKE YOU. 60 00:03:54,351 --> 00:03:55,853 NEVER! 61 00:03:55,853 --> 00:03:58,856 IN A SCREEN TEST, NO LESS! RIGHT? 62 00:03:58,856 --> 00:04:01,358 I ASKED YOU TO SHOW ME PRICK. 63 00:04:01,859 --> 00:04:04,361 YOU GAVE ME THE WHOLE GODDAMN WALL! 64 00:04:04,862 --> 00:04:06,363 YOU ARE BRILLIANT! 65 00:04:06,363 --> 00:04:06,363 YOU ARE BRILLIANT! 66 00:04:08,632 --> 00:04:10,434 EXCUSE ME, EMILIO. 67 00:04:10,434 --> 00:04:10,434 EXCUSE ME, EMILIO. 68 00:04:11,936 --> 00:04:14,939 DOES THAT MEAN I GOT THE PART? 69 00:04:14,939 --> 00:04:17,441 AS I'M CONCERNED, YOU'RE IT. 70 00:04:17,441 --> 00:04:19,944 YOU ARE THE BALL BUSTER GIRL. 71 00:04:19,944 --> 00:04:21,445 YOU IT. DONE DEAL. 72 00:04:21,879 --> 00:04:21,879 YOU IT. DONE DEAL. 73 00:04:23,113 --> 00:04:26,617 WHAT DO YOU MEAN, I DIDN'T GET THE JOB? 74 00:04:26,617 --> 00:04:29,587 RHONDA, YOU TELL HIM I'D RATHER EAT DRANO 75 00:04:30,120 --> 00:04:33,123 AND JUMP INTO A BOWL OF PUS, O.K.? 76 00:04:33,624 --> 00:04:34,625 YEAH. 77 00:04:35,125 --> 00:04:35,125 YEAH. 78 00:04:36,627 --> 00:04:38,062 THEY WENT ANOTHER WAY. 79 00:04:38,062 --> 00:04:41,031 BUT THE DIRECTOR SAID I HAD THE PART. 80 00:04:41,031 --> 00:04:43,033 IT WAS A DONE DEAL. 81 00:04:43,033 --> 00:04:45,536 WELL, THEY UNDID IT. YOU GOT REAL CLOSE. 82 00:04:45,536 --> 00:04:48,038 I THOUGHT YOU GAVE UP SMOKING. 83 00:04:48,038 --> 00:04:49,039 I DID. 84 00:04:49,039 --> 00:04:49,039 I DID. 85 00:04:50,541 --> 00:04:54,044 ARCHIE, I'M TIRED OF BEING THE BRIDESMAID. 86 00:04:54,044 --> 00:04:55,012 [SIGH] 87 00:04:55,546 --> 00:04:57,548 I WAS PERFECT FOR THAT PART. 88 00:04:57,548 --> 00:04:58,549 IAMTHAT WOMAN. 89 00:04:58,549 --> 00:04:59,850 I KNOW. 90 00:04:59,850 --> 00:05:01,652 YOU ARE THE BALL BUSTER. 91 00:05:01,652 --> 00:05:03,954 IF YOU KNOW WHAT I MEAN? 92 00:05:03,954 --> 00:05:06,924 I'VE BEEN BASHING MY HEAD AGAINST A WALL FOR 10 YEARS. 93 00:05:06,924 --> 00:05:10,461 AREN'T I ENTITLED TO A BREAK? 94 00:05:10,461 --> 00:05:12,463 I KNOW, I KNOW. 95 00:05:12,463 --> 00:05:12,463 I KNOW, I KNOW. 96 00:05:18,802 --> 00:05:21,805 SO WHO DID GET THE PART? 97 00:05:21,805 --> 00:05:21,805 SO WHO DID GET THE PART? 98 00:05:22,806 --> 00:05:23,741 IS IT REALLY IMPORTANT? 99 00:05:23,741 --> 00:05:26,710 WHAT DOES IT MATTER WHO GOT IT? 100 00:05:26,710 --> 00:05:26,710 WHAT DOES IT MATTER WHO GOT IT? 101 00:05:28,712 --> 00:05:29,713 BECAUSE I WANT TO KNOW. 102 00:05:29,713 --> 00:05:30,214 BECAUSE I WANT TO KNOW. 103 00:05:32,216 --> 00:05:35,152 HONEY, YOU KNOW WHAT I SAY? 104 00:05:35,653 --> 00:05:38,288 I SAY LOOK TO THE FUTURE. 105 00:05:38,288 --> 00:05:41,725 ARCHIE, WHO GOT THE PART? TELL ME. 106 00:05:41,725 --> 00:05:44,228 WHO KNOWS WHY THESE THINGS GET CAST THE WAY THEY DO. 107 00:05:44,528 --> 00:05:46,764 I'VE BEEN IN THIS BUSINESS 25 YEARS. 108 00:05:46,764 --> 00:05:48,766 I DON'T UNDERSTAND IT, HUH. 109 00:05:48,766 --> 00:05:51,935 HA HA HA HA HA. 110 00:05:51,935 --> 00:05:55,839 YOUR ROOMMATE JOYCE GOT THE PART, O.K.? 111 00:05:55,839 --> 00:05:58,676 NOW, DON'T GO BLOWING THIS THING OUT OF PROPORTION. 112 00:05:58,676 --> 00:06:01,445 WHAT CAN I SAY? SHE IMPRESSED THE DIRECTOR. 113 00:06:01,445 --> 00:06:04,415 WHAT HAPPENED DID HER ORGASM SHOW SOME ACTING ABILITY? 114 00:06:04,415 --> 00:06:04,415 WHAT HAPPENED DID HER ORGASM SHOW SOME ACTING ABILITY? 115 00:06:06,417 --> 00:06:07,918 YOU KNOW HOW SHE GOT THIS PART, DON'T YOU? 116 00:06:07,918 --> 00:06:10,587 SHE SCREWED THE GUY. 117 00:06:11,121 --> 00:06:12,122 THAT'S NOT FAIR. 118 00:06:12,656 --> 00:06:14,992 RIGHT. SHE'S NOT SLEEPING HER WAY TO THE TOP. 119 00:06:14,992 --> 00:06:16,493 AT THAT RATE, WHO SLEEPS? 120 00:06:16,493 --> 00:06:19,229 NO, NO, NO, RHONDA! 121 00:06:19,229 --> 00:06:22,232 TELL HIM I'LL TURN THE DEAL INTO DOG FOOD! 122 00:06:22,232 --> 00:06:24,001 YOU GOT IT? GOOD! 123 00:06:24,001 --> 00:06:26,570 YOU KNOW WHAT YOUR PROBLEM IS? 124 00:06:26,570 --> 00:06:28,572 YOU'VE GOT A ROTTEN ATTITUDE. 125 00:06:28,572 --> 00:06:30,574 BECAUSE I WON'T PUT OUT? 126 00:06:30,574 --> 00:06:33,577 BECAUSE I THINK IT'S WHAT'S INSIDE THAT COUNTS? 127 00:06:33,577 --> 00:06:37,081 HAVE YOU THOUGHT MAYBE YOUR ROOMMATE GETS THESE PARTS 128 00:06:37,081 --> 00:06:39,049 BECAUSE SHE WANTS THEM MORE? 129 00:06:39,049 --> 00:06:40,584 I WANT THESE PARTS, 130 00:06:40,584 --> 00:06:43,587 BUT THERE ARE SOME THINGS I WON'T DO! 131 00:06:43,587 --> 00:06:45,823 FINE! WHAT WILL YOU DO? 132 00:06:45,823 --> 00:06:48,392 I SHOWEDYOU WHAT I'M WILLING TO DO. 133 00:06:48,892 --> 00:06:50,394 I FIRED YOUR ASS. 134 00:06:50,394 --> 00:06:51,895 OH! 135 00:06:51,895 --> 00:06:53,897 HELEN, IS THAT YOU? 136 00:06:53,897 --> 00:06:56,900 OH, MY GOD. I HAVE THE BEST NEWS. 137 00:06:56,900 --> 00:06:58,902 YOU'RE NEVER GOING TO GUESS 138 00:06:58,902 --> 00:07:00,904 WHAT HAPPENED TO ME TODAY. 139 00:07:00,904 --> 00:07:04,408 EAT NAIL POLISH AND DIE, YOU LITTLE BITCH! 140 00:07:04,408 --> 00:07:08,278 GOSH. WHY ARE YOU IN SUCH A BAD MOOD? 141 00:07:08,278 --> 00:07:11,348 BECAUSE YOU'RE IN SUCH A GOOD MOOD. 142 00:07:11,348 --> 00:07:11,348 BECAUSE YOU'RE IN SUCH A GOOD MOOD. 143 00:07:19,723 --> 00:07:21,859 WHAT DO YOU GOT AGAINST ME HAVING A CAREER? 144 00:07:21,859 --> 00:07:21,859 WHAT DO YOU GOT AGAINST ME HAVING A CAREER? 145 00:07:23,660 --> 00:07:26,730 WHY DO THE HELL DO I EAT THIS SHIT. 146 00:07:27,231 --> 00:07:27,231 WHY DO THE HELL DO I EAT THIS SHIT. 147 00:07:28,732 --> 00:07:31,235 MIGHT AS WELL BE FAT AND MISERABLE. 148 00:07:31,235 --> 00:07:33,237 HELEN, I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 149 00:07:33,237 --> 00:07:33,237 HELEN, I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 150 00:07:35,239 --> 00:07:37,741 WHY IS IT THAT EVERY TIME 151 00:07:37,741 --> 00:07:39,743 SOMEONE GETS CLOSE TO CASTING ME... 152 00:07:39,743 --> 00:07:39,743 SOMEONE GETS CLOSE TO CASTING ME... 153 00:07:41,245 --> 00:07:44,014 YOU SUDDENLY SHOW UP WITH YOUR LEGS SPREAD? 154 00:07:44,014 --> 00:07:46,784 I HAVE NEVER DONE THAT. 155 00:07:46,784 --> 00:07:48,685 AND THAT'S MY ICE CREAM. 156 00:07:48,685 --> 00:07:48,685 AND THAT'S MY ICE CREAM. 157 00:07:50,587 --> 00:07:51,088 SO? 158 00:07:51,588 --> 00:07:51,588 SO? 159 00:07:55,526 --> 00:07:57,494 SO, THAT'S OKAY. 160 00:07:57,494 --> 00:07:59,329 I DIDN'T LIKE THAT FLAVOR ANYWAY. 161 00:07:59,897 --> 00:07:59,897 I DIDN'T LIKE THAT FLAVOR ANYWAY. 162 00:08:01,999 --> 00:08:03,433 EEWW! 163 00:08:03,801 --> 00:08:05,836 I WANT YOU OUT OF THIS APARTMENT. 164 00:08:05,836 --> 00:08:07,938 BUT IT'S MY APARTMENT. 165 00:08:07,938 --> 00:08:07,938 BUT IT'S MY APARTMENT. 166 00:08:11,441 --> 00:08:13,377 GO TO HELL. 167 00:08:13,377 --> 00:08:15,445 HELEN, WOULD YOU CALM DOWN? 168 00:08:15,445 --> 00:08:17,915 LET'S TALK ABOUT THIS. 169 00:08:18,448 --> 00:08:21,051 I THOUGHT THAT WE WERE FRIENDS. 170 00:08:21,051 --> 00:08:22,886 DON'T EVER SAY "FRIENDS" IN RELATIONSHIP TO US. 171 00:08:22,886 --> 00:08:23,687 YOU GOT ME? 172 00:08:23,687 --> 00:08:26,657 NO FRIEND WOULD EVER DO TO ME WHAT YOU DID. 173 00:08:26,657 --> 00:08:29,026 BUT I HAVEN'T DONE ANYTHING. I SWEAR IT. 174 00:08:29,426 --> 00:08:30,828 REALLY? 175 00:08:31,328 --> 00:08:33,330 OH, GOOD. DOUGHNUTS. 176 00:08:33,764 --> 00:08:33,764 OH, GOOD. DOUGHNUTS. 177 00:08:35,299 --> 00:08:37,334 WHAT ABOUT RUBINA'S CAR MART? 178 00:08:37,801 --> 00:08:40,337 WHAT ABOUT BON VOYAGE CRUISES? 179 00:08:40,337 --> 00:08:43,340 WHAT ABOUT BALL BUSTER? 180 00:08:43,841 --> 00:08:45,843 IT'S LIKE COMPETING WITH A SPERM BANK. 181 00:08:46,376 --> 00:08:46,877 BALL BUSTER? 182 00:08:47,377 --> 00:08:50,547 YOU MEAN I GOT BALL BUSTER? 183 00:08:51,114 --> 00:08:53,116 HA HA HA. YES! 184 00:08:53,116 --> 00:08:55,118 YOU DIDN'T EVEN KNOW? 185 00:08:55,118 --> 00:08:55,118 YOU DIDN'T EVEN KNOW? 186 00:08:57,621 --> 00:08:59,623 THEN WHAT THE HELL 187 00:08:59,623 --> 00:09:02,159 ARE YOU SO DAMNED HAPPY ABOUT? 188 00:09:02,159 --> 00:09:05,262 YOU KNOW THIS GUY I'VE BEEN SEEING--TOM? 189 00:09:05,262 --> 00:09:08,265 WELL, HE'S IN CHARGE OF THIS BEAUTY PAGEANT 190 00:09:08,265 --> 00:09:10,534 FOR SOME TRADE SHOW OR SOMETHING, 191 00:09:10,534 --> 00:09:14,104 AND, WELL, HE'S GOING TO MAKE ME THE WINNER. 192 00:09:14,104 --> 00:09:17,174 SEE, HE GAVE ME THIS NOTE, AND... 193 00:09:17,174 --> 00:09:18,675 UHH... 194 00:09:19,176 --> 00:09:21,178 YOU MAKE ME SICK. 195 00:09:21,678 --> 00:09:24,481 YOU MAKE ME SO SICK. 196 00:09:24,481 --> 00:09:25,983 IT'S NOT WHAT YOU'RE THINKING. 197 00:09:26,483 --> 00:09:28,218 I REALLY LIKE THIS GUY. 198 00:09:28,218 --> 00:09:30,053 THAT'S WHAT THE NOTE SAYS? 199 00:09:30,053 --> 00:09:34,324 NO. THE NOTE'S FOR THE GUY EMCEEING THE PAGEANT--GEORGE. 200 00:09:34,324 --> 00:09:36,326 DON'T TALK TO ME. 201 00:09:36,326 --> 00:09:38,428 JOYCE, DON'T TALK TO ME. 202 00:09:38,428 --> 00:09:40,397 JUST DON'T TALK TO ME! 203 00:09:40,964 --> 00:09:40,964 JUST DON'T TALK TO ME! 204 00:09:57,481 --> 00:09:59,549 [ DEMONIC WHISPERING ] 205 00:10:00,050 --> 00:10:00,050 [ DEMONIC WHISPERING ] 206 00:10:24,741 --> 00:10:25,742 HI. 207 00:10:25,742 --> 00:10:25,742 HI. 208 00:10:30,747 --> 00:10:31,748 JOYCE. 209 00:10:32,249 --> 00:10:32,249 JOYCE. 210 00:10:35,752 --> 00:10:37,754 I BROUGHT A LITTLE PEACE OFFERING. 211 00:10:37,754 --> 00:10:37,754 I BROUGHT A LITTLE PEACE OFFERING. 212 00:10:38,755 --> 00:10:40,757 REALLY. 213 00:10:40,757 --> 00:10:42,759 THAT'S SO SWEET OF YOU. 214 00:10:42,759 --> 00:10:42,759 THAT'S SO SWEET OF YOU. 215 00:10:44,761 --> 00:10:46,763 I'M SORRY. 216 00:10:46,763 --> 00:10:49,933 I--I GUESS I JUST GOT FRUSTRATED. 217 00:10:49,933 --> 00:10:53,003 YOU KNOW I BEEN PLUGGING AWAY AT IT FOR SO LONG... 218 00:10:53,003 --> 00:10:56,239 I GOT SO LITTLE TO SHOW FOR IT. 219 00:10:56,239 --> 00:11:00,277 AND YOU JUST WALTZ IN HERE WITH NOT ONE JOB BUT TWO. 220 00:11:00,777 --> 00:11:00,777 AND YOU JUST WALTZ IN HERE WITH NOT ONE JOB BUT TWO. 221 00:11:19,229 --> 00:11:20,230 HEY... 222 00:11:20,230 --> 00:11:20,230 HEY... 223 00:11:21,732 --> 00:11:22,733 IT'S O.K. 224 00:11:22,733 --> 00:11:22,733 IT'S O.K. 225 00:11:28,238 --> 00:11:30,240 I KNOW HOW YOU FEEL. 226 00:11:30,741 --> 00:11:32,109 THANKS. 227 00:11:32,442 --> 00:11:34,778 WOULD YOU MIND GETTING MY NECKLACE? 228 00:11:35,112 --> 00:11:36,179 OH, SURE. 229 00:11:36,179 --> 00:11:36,179 OH, SURE. 230 00:11:39,182 --> 00:11:42,185 BOY, THIS IS, UH... THIS IS REALLY BEAUTIFUL. 231 00:11:42,185 --> 00:11:43,186 THANK YOU. 232 00:11:43,186 --> 00:11:46,690 THE TRUTH IS, I REALLY ADMIRE YOUR ABILITY 233 00:11:46,690 --> 00:11:48,125 TO GET WHAT YOU WANT. 234 00:11:48,558 --> 00:11:52,129 DO YOU GET ANY MONEY FOR WINNING THIS CONTEST? 235 00:11:52,129 --> 00:11:54,131 UH... 236 00:11:54,131 --> 00:11:56,133 I THINK, UM... 237 00:11:56,133 --> 00:11:58,602 I THINK THE WINNER GETS, UM... 238 00:11:59,036 --> 00:11:59,036 I THINK THE WINNER GETS, UM... 239 00:12:01,104 --> 00:12:02,472 [SIGHS] 240 00:12:02,806 --> 00:12:02,806 [SIGHS] 241 00:12:04,374 --> 00:12:06,676 THEY GET TO BE, LIKE, 242 00:12:06,910 --> 00:12:08,979 THE SPOKESPERSON FOR THE COMPANY. 243 00:12:08,979 --> 00:12:10,981 SOMETHING LIKE THAT, YOU KNOW? 244 00:12:10,981 --> 00:12:12,983 OH, REALLY? THAT'S INTERESTING. 245 00:12:12,983 --> 00:12:14,985 UM, WHAT'S IT FOR? 246 00:12:14,985 --> 00:12:14,985 UM, WHAT'S IT FOR? 247 00:12:18,488 --> 00:12:22,125 YOU KNOW, I THINK I FORGOT TO ASK. 248 00:12:22,125 --> 00:12:24,428 HA HA HA. YOU. 249 00:12:24,428 --> 00:12:27,297 ISN'T THAT SILLY OF ME? 250 00:12:27,531 --> 00:12:30,434 HA HA HA HA HA! 251 00:12:30,700 --> 00:12:30,700 HA HA HA HA HA! 252 00:12:36,306 --> 00:12:38,408 OOH. HA HA HA! 253 00:12:38,408 --> 00:12:38,408 OOH. HA HA HA! 254 00:12:53,990 --> 00:12:57,694 YEAH. I'LL MAKE SURE SHE GETS IT, GEORGE. 255 00:12:57,694 --> 00:12:59,262 SWEET DREAMS, YOU LITTLE TRAMP. 256 00:12:59,763 --> 00:13:02,265 BY THE TIME YOU WAKE UP, 257 00:13:02,265 --> 00:13:04,768 YOUR SPOKESMODELING JOB WILL BE MINE. 258 00:13:04,768 --> 00:13:07,904 NOW, I WANT YOU TO TAKE IT EASY. 259 00:13:07,904 --> 00:13:10,507 BY THE TIME I GET...BACK... 260 00:13:10,507 --> 00:13:10,507 BY THE TIME I GET...BACK... 261 00:13:13,276 --> 00:13:14,344 JOYCE? 262 00:13:14,845 --> 00:13:14,845 JOYCE? 263 00:13:22,385 --> 00:13:23,320 JOYCE? 264 00:13:23,887 --> 00:13:23,887 JOYCE? 265 00:13:34,898 --> 00:13:35,899 GOD. 266 00:13:36,399 --> 00:13:37,400 OH, GOD. 267 00:13:37,901 --> 00:13:37,901 OH, GOD. 268 00:13:41,404 --> 00:13:42,405 [GASPS] 269 00:13:42,405 --> 00:13:42,405 [GASPS] 270 00:13:45,408 --> 00:13:46,910 DON'T BE DEAD. 271 00:13:47,410 --> 00:13:47,410 DON'T BE DEAD. 272 00:13:48,912 --> 00:13:51,081 PLEASE DON'T BE DEAD. 273 00:13:51,081 --> 00:13:51,081 PLEASE DON'T BE DEAD. 274 00:13:52,649 --> 00:13:53,650 THIS... 275 00:13:53,650 --> 00:13:53,650 THIS... 276 00:13:55,852 --> 00:13:57,921 THIS IS NOT MY FAULT! 277 00:13:58,421 --> 00:13:58,421 THIS IS NOT MY FAULT! 278 00:14:02,425 --> 00:14:04,928 I'M NOT GOING TO JAIL FOR YOU. 279 00:14:05,428 --> 00:14:06,930 YOU DON'T DESERVE IT. 280 00:14:07,430 --> 00:14:08,932 I'D RATHER KILL MYSELF. 281 00:14:09,432 --> 00:14:09,432 I'D RATHER KILL MYSELF. 282 00:14:16,773 --> 00:14:18,842 [IMITATING JOYCE] "THE DIRECTION MY LIFE HAS BEEN GOING IN 283 00:14:18,842 --> 00:14:21,311 "HAS BEEN DOWNHILL FOR SO LONG... 284 00:14:21,311 --> 00:14:22,846 "I CAN'T TAKE IT, 285 00:14:22,846 --> 00:14:25,682 AND SO I'M TOO DEPRESSED TO GO ON LIVING ANYMORE." 286 00:14:26,249 --> 00:14:27,751 [AS HERSELF] THE END. 287 00:14:27,751 --> 00:14:27,751 [AS HERSELF] THE END. 288 00:14:30,754 --> 00:14:32,956 WHY WOULDN'T YOU BE DEPRESSED? 289 00:14:32,956 --> 00:14:35,458 YOU TALKED ALL THE TIME ABOUT KILLING YOURSELF. 290 00:14:35,458 --> 00:14:35,458 YOU TALKED ALL THE TIME ABOUT KILLING YOURSELF. 291 00:14:36,960 --> 00:14:38,962 THAT'S WHAT I'LL TELL THE POLICE. 292 00:14:38,962 --> 00:14:42,465 WHEN THEY HEAR WHAT A SLEAZY REPUTATION YOU HAD. 293 00:14:42,465 --> 00:14:45,001 THEY'LL PROBABLY WONDER WHY YOU DIDN'T OFF YOURSELF SOONER. 294 00:14:45,001 --> 00:14:45,001 THEY'LL PROBABLY WONDER WHY YOU DIDN'T OFF YOURSELF SOONER. 295 00:15:06,456 --> 00:15:08,959 HI, I'M LOOKING FOR GEORGE. 296 00:15:08,959 --> 00:15:08,959 HI, I'M LOOKING FOR GEORGE. 297 00:15:11,461 --> 00:15:13,363 GREAT, THANKS. 298 00:15:13,363 --> 00:15:14,864 I HAVE AN HOUR? 299 00:15:14,864 --> 00:15:14,864 I HAVE AN HOUR? 300 00:15:16,833 --> 00:15:18,868 THAT'S RIGHT, MISS PALMER. 301 00:15:18,868 --> 00:15:22,839 AT 7 THE PAGEANT BEGINS WITH THE REVIEW OF THE CONTESTANTS. 302 00:15:22,839 --> 00:15:26,876 AND THEN WE DO BALL GOWNS, THEN THE SWIMSUITS, 303 00:15:26,876 --> 00:15:29,879 THEN THE INTERVIEWS, AND THEN THE JUDGING. 304 00:15:29,879 --> 00:15:31,881 WHO EXACTLY IS JUDGING THIS? 305 00:15:31,881 --> 00:15:34,384 A PANEL OF EXPERTS, OF COURSE. 306 00:15:34,384 --> 00:15:35,885 EXCUSE ME. 307 00:15:35,885 --> 00:15:36,886 I'M SORRY. 308 00:15:36,886 --> 00:15:38,388 ARE--ARE YOU GEORGE? 309 00:15:38,388 --> 00:15:40,390 THAT'S RIGHT. AND YOU ARE... 310 00:15:40,390 --> 00:15:44,361 ACTUALLY, IF I COULD TALK TO YOU PRIVATELY FOR A MOMENT... 311 00:15:44,361 --> 00:15:45,395 OF COURSE. 312 00:15:45,395 --> 00:15:45,395 OF COURSE. 313 00:15:46,396 --> 00:15:48,398 DID THAT ANSWER YOUR QUESTION? 314 00:15:48,865 --> 00:15:50,900 YES. THANK YOU, GEORGE. YOU'RE SWEET. 315 00:15:50,900 --> 00:15:51,401 YES. THANK YOU, GEORGE. YOU'RE SWEET. 316 00:15:55,238 --> 00:15:58,608 I THINK I SHOULD SHOW YOU THIS FIRST. 317 00:15:58,608 --> 00:15:58,608 I THINK I SHOULD SHOW YOU THIS FIRST. 318 00:16:06,616 --> 00:16:08,118 TOM GAVE YOU THIS? 319 00:16:08,118 --> 00:16:09,119 MM-HMM. 320 00:16:09,119 --> 00:16:09,119 MM-HMM. 321 00:16:12,622 --> 00:16:16,126 WELL, IF THAT'S WHAT TOM WANTS... 322 00:16:16,126 --> 00:16:17,627 REALLY? 323 00:16:17,627 --> 00:16:19,629 I CAN WORK WITH IT. 324 00:16:19,629 --> 00:16:20,630 O.K. 325 00:16:20,630 --> 00:16:21,631 OH, WHAT THE HELL. 326 00:16:21,631 --> 00:16:25,635 KNOWING WHO THE WINNER IS GOING TO BE NOW 327 00:16:25,635 --> 00:16:29,139 MEANS THAT THE CREW CAN SET UP 328 00:16:29,139 --> 00:16:32,142 FOR THE GRAND FINALE THAT MUCH QUICKER. 329 00:16:32,142 --> 00:16:32,142 FOR THE GRAND FINALE THAT MUCH QUICKER. 330 00:16:34,611 --> 00:16:37,647 HAVE YOU KNOWN TOM A LONG TIME? 331 00:16:37,647 --> 00:16:40,650 NO. JUST... JUST THAT ONCE. 332 00:16:40,650 --> 00:16:40,650 NO. JUST... JUST THAT ONCE. 333 00:16:42,652 --> 00:16:45,155 HA HA HA! THAT TOM. 334 00:16:45,155 --> 00:16:45,155 HA HA HA! THAT TOM. 335 00:16:46,656 --> 00:16:50,160 I LIKE A GIRL WITH YOUR...QUALITIES. 336 00:16:50,160 --> 00:16:51,661 THANK YOU. 337 00:16:51,661 --> 00:16:54,164 LET'S PUT YOU IN DRESSING ROOM 7. 338 00:16:54,164 --> 00:16:55,665 FIRST DOOR ON THE RIGHT. 339 00:16:55,665 --> 00:16:57,133 GEORGE, THANK YOU. 340 00:16:57,133 --> 00:16:57,133 GEORGE, THANK YOU. 341 00:17:10,480 --> 00:17:13,483 HI. YOU MUST BE MY NEXT-DOOR NEIGHBOR. 342 00:17:13,983 --> 00:17:15,485 I KNOW WHAT YOU'RE DOING, 343 00:17:15,985 --> 00:17:17,987 AND I THINK IT'S DISGUSTING. 344 00:17:18,321 --> 00:17:19,656 WHAT? 345 00:17:19,656 --> 00:17:23,560 NOT THAT THIS CONTEST IS A BIG DEAL TO ME, 346 00:17:24,060 --> 00:17:26,062 BUT EVEN IF IT WAS, I WOULDN'T STOOP TO YOUR LEVEL. 347 00:17:26,062 --> 00:17:28,565 I WOULDN'T FUCK SOME STRANGER JUST TO GET A BREAK. 348 00:17:28,565 --> 00:17:28,932 I WOULDN'T FUCK SOME STRANGER JUST TO GET A BREAK. 349 00:17:30,300 --> 00:17:32,302 UP YOURS. 350 00:17:32,302 --> 00:17:35,472 YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT. 351 00:17:35,472 --> 00:17:37,640 I KNOW YOU SLEPT WITH TOM SO YOU COULD WIN THIS THING. 352 00:17:37,640 --> 00:17:37,640 I KNOW YOU SLEPT WITH TOM SO YOU COULD WIN THIS THING. 353 00:17:38,942 --> 00:17:42,345 LOOK, IT'S NOT WHAT YOU THINK. 354 00:17:42,345 --> 00:17:45,815 I BET IT'S WORSE THAN WHAT I THINK. 355 00:17:45,815 --> 00:17:47,617 PROBABLY UNSAFE SEX. 356 00:17:47,617 --> 00:17:50,787 WHO ARE YOU TO COME IN HERE AND GIVE ME-- 357 00:17:50,787 --> 00:17:52,288 OH, I'M SORRY. 358 00:17:52,288 --> 00:17:53,757 IT'S O.K. 359 00:17:53,757 --> 00:17:55,291 I'M JUST LEAVING. 360 00:17:55,792 --> 00:17:55,792 I'M JUST LEAVING. 361 00:17:58,261 --> 00:18:00,797 YOU KNOW, HONEY, TWO CAN PLAY THIS GAME. 362 00:18:01,297 --> 00:18:01,297 YOU KNOW, HONEY, TWO CAN PLAY THIS GAME. 363 00:18:05,268 --> 00:18:08,004 YOU TWO GIRLS GOT A PROBLEM? 364 00:18:08,004 --> 00:18:10,373 NO. NO. WE'RE OLD FRIENDS. 365 00:18:10,673 --> 00:18:10,673 NO. NO. WE'RE OLD FRIENDS. 366 00:18:11,741 --> 00:18:12,742 WE NEED TO SEE YOU IN YOUR COSTUME, 367 00:18:12,742 --> 00:18:15,745 CHECK IT AGAINST THE LIGHTS FOR THE GRAND FINALE. 368 00:18:15,745 --> 00:18:17,714 O.K. 369 00:18:17,714 --> 00:18:18,715 OH, GEORGE? 370 00:18:19,249 --> 00:18:21,084 I DON'T WANT TO SOUND STUPID, 371 00:18:21,084 --> 00:18:24,053 BUT WHEN I BECOME THE COMPANY SPOKESMODEL, 372 00:18:24,053 --> 00:18:26,456 WHAT EXACTLY WILL I BE SELLING? 373 00:18:26,456 --> 00:18:30,960 WELL, MORE THAN ANYTHING ELSE, YOU'LL BE SELLING YOURSELF, 374 00:18:30,960 --> 00:18:34,464 WHO YOU ARE...INSIDE. 375 00:18:34,464 --> 00:18:34,464 WHO YOU ARE...INSIDE. 376 00:18:35,832 --> 00:18:38,134 THAT'S REALLY POETIC. 377 00:18:38,134 --> 00:18:39,135 THANKS. 378 00:18:39,135 --> 00:18:39,135 THANKS. 379 00:18:40,537 --> 00:18:43,907 GEORGE: WAS YOU LAST DAY ON EARTH? 380 00:18:43,907 --> 00:18:45,875 I'VE ALWAYS BEEN A NATURAL KIND OF A GIRL, 381 00:18:46,409 --> 00:18:47,844 SO I SUPPOSE I'D GO TO THE COUNTRY. 382 00:18:47,844 --> 00:18:50,413 AND I'D LOOK AT THE FLOWERS AND THE TREES, 383 00:18:50,413 --> 00:18:52,916 AND THE MOUNTAINS AND THE FRESH AIR. 384 00:18:52,916 --> 00:18:56,419 OF COURSE I COULDN'T SEE THE AIR BECAUSE IT'S INVISIBLE. 385 00:18:56,419 --> 00:19:00,423 BUT I'D BREATH AS MUCH OF IT AS I COULD. 386 00:19:00,423 --> 00:19:01,424 AND THAT'S WHAT I'D DO 387 00:19:01,424 --> 00:19:03,426 IF TODAY WAS MY LAST DAY ON EARTH. 388 00:19:03,927 --> 00:19:06,429 THANK YOU, SHEILA. 389 00:19:06,429 --> 00:19:09,432 LET'S HEAR IT FOR CONTESTANT NUMBER EIGHT, SHEILA. 390 00:19:09,933 --> 00:19:11,634 [ APPLAUSE ] 391 00:19:12,135 --> 00:19:12,135 [ APPLAUSE ] 392 00:19:14,537 --> 00:19:15,538 THANK YOU, SHEILA. 393 00:19:15,538 --> 00:19:16,039 THANK YOU, SHEILA. 394 00:19:17,040 --> 00:19:18,541 AND NOW LADIES AND GENTLEMAN 395 00:19:18,541 --> 00:19:21,044 FOR OUR LAST CONTESTANT OF THE EVENING. 396 00:19:21,044 --> 00:19:24,047 WON'T YOU GIVE A WARM ROUND OF APPLAUSE 397 00:19:24,047 --> 00:19:25,548 FOR HELEN. 398 00:19:25,548 --> 00:19:28,251 [ APPLAUSE ] 399 00:19:28,251 --> 00:19:28,251 [ APPLAUSE ] 400 00:19:35,792 --> 00:19:37,794 HOW ARE YOU TONIGHT, HELEN? 401 00:19:37,794 --> 00:19:40,363 I'M FINE. VERY HAPPY TO BE HERE. 402 00:19:40,363 --> 00:19:42,365 ARE YOU READY FOR YOUR QUESTION? 403 00:19:42,365 --> 00:19:43,867 YES, I AM. 404 00:19:43,867 --> 00:19:45,835 O.K. 405 00:19:45,835 --> 00:19:47,871 TELL US THEN, HELEN, 406 00:19:47,871 --> 00:19:50,874 "IN YOUR LIFE, WHAT IS THE ONE THING 407 00:19:50,874 --> 00:19:53,877 "YOU FEEL MOST GUILTY ABOUT DOING, 408 00:19:53,877 --> 00:19:56,746 AND WHY DID YOU DO IT?" 409 00:19:56,746 --> 00:19:59,415 [AUDIENCE MURMURS AND LAUGHS] 410 00:19:59,415 --> 00:19:59,415 [AUDIENCE MURMURS AND LAUGHS] 411 00:20:00,483 --> 00:20:02,485 THE, UH... 412 00:20:02,485 --> 00:20:02,986 THE, UH... 413 00:20:04,487 --> 00:20:06,990 WHAT MAKES YOU THINK I'M GUILTY? 414 00:20:06,990 --> 00:20:09,993 WE'VE ALL DONE BAD THINGS IN OUR LIVES, 415 00:20:09,993 --> 00:20:11,694 HAVEN'T WE, GEORGE? 416 00:20:11,694 --> 00:20:11,694 HAVEN'T WE, GEORGE? 417 00:20:13,263 --> 00:20:15,298 BUT I HAVE NO REGRETS, 418 00:20:15,298 --> 00:20:18,868 BECAUSE, NO MATTER WHAT, I'VE BEEN TRUE TO MYSELF, 419 00:20:18,868 --> 00:20:22,872 AND AFTER ALL, IT'S WHAT'S INSIDE THAT COUNTS. 420 00:20:22,872 --> 00:20:24,707 RIGHT? 421 00:20:24,707 --> 00:20:26,776 GOOD ANSWER, HELEN! 422 00:20:26,776 --> 00:20:28,778 LET'S HEAR IT FOR HELEN, 423 00:20:28,778 --> 00:20:29,779 AND LET'S HEAR IT 424 00:20:30,280 --> 00:20:32,549 FOR ALL OUR FINE YOUNG CONTESTANTS. 425 00:20:32,549 --> 00:20:34,617 [APPLAUSE] 426 00:20:34,617 --> 00:20:34,617 [APPLAUSE] 427 00:20:40,490 --> 00:20:42,058 AND NOW, LADIES AND GENTLEMEN, 428 00:20:42,058 --> 00:20:44,561 THE JUDGES WILL MAKE THEIR DECISION, 429 00:20:44,561 --> 00:20:46,563 AND IN A FEW MINUTES, 430 00:20:46,563 --> 00:20:49,566 THE WINNER OF OUR PAGEANT WILL APPEAR 431 00:20:49,566 --> 00:20:51,134 IN THE GRAND FINALE. 432 00:20:51,134 --> 00:20:52,702 [APPLAUSE] 433 00:20:52,702 --> 00:20:52,702 [APPLAUSE] 434 00:20:59,976 --> 00:21:02,979 SHOULD I WEAR THE HEADDRESS FOR THE FINALE? 435 00:21:03,479 --> 00:21:04,948 DON'T WORRY ABOUT IT. 436 00:21:04,948 --> 00:21:04,948 DON'T WORRY ABOUT IT. 437 00:21:07,984 --> 00:21:10,486 GEORGE. 438 00:21:10,486 --> 00:21:13,957 WHAT THE HELL KIND OF QUESTION WAS THAT? 439 00:21:13,957 --> 00:21:15,458 WE HAVE TO TALK. 440 00:21:15,992 --> 00:21:15,992 WE HAVE TO TALK. 441 00:21:21,030 --> 00:21:24,500 THIS NOTE... IT DOESN'T EXIST. 442 00:21:24,500 --> 00:21:24,500 THIS NOTE... IT DOESN'T EXIST. 443 00:21:26,035 --> 00:21:28,037 IT NEVER EXISTED. 444 00:21:28,037 --> 00:21:30,039 I'M SORRY. 445 00:21:30,039 --> 00:21:32,041 WAIT A MINUTE. 446 00:21:32,041 --> 00:21:34,544 DOES THIS MEAN I DON'T WIN? 447 00:21:34,544 --> 00:21:38,047 IT'S THAT BITCH DRUSILLA, ISN'T IT? 448 00:21:38,047 --> 00:21:40,550 IT'S OUT OF MY HANDS, HONEY. 449 00:21:40,550 --> 00:21:40,550 IT'S OUT OF MY HANDS, HONEY. 450 00:21:42,552 --> 00:21:44,053 IT'S OUT OF YOUR PANTS, YOU MEAN. 451 00:21:44,053 --> 00:21:44,053 IT'S OUT OF YOUR PANTS, YOU MEAN. 452 00:21:54,230 --> 00:21:56,466 HOW DOES IT FEEL TO BE A WHORE? 453 00:21:56,466 --> 00:21:58,835 AND A HYPOCRITE. 454 00:21:58,835 --> 00:22:00,236 HYPOCRITE? 455 00:22:00,236 --> 00:22:00,236 HYPOCRITE? 456 00:22:02,238 --> 00:22:03,740 I'M IMPRESSED. 457 00:22:03,740 --> 00:22:06,142 THAT'S A BIG WORD FOR A LITTLE SLUT LIKE YOU. 458 00:22:06,142 --> 00:22:07,543 I'M A SLUT? 459 00:22:07,543 --> 00:22:10,546 THAT'S THE POT CALLING THE KETTLE BLACK, DON'T YOU THINK? 460 00:22:10,546 --> 00:22:13,549 YOU FUCKED HIM TO WIN THE CONTEST, DIDN'T YOU? 461 00:22:13,549 --> 00:22:17,553 YEP. YOU COULD SAY THAT. 462 00:22:17,553 --> 00:22:22,458 YOU SHOULD'VE SEEN GEORGE'S EXPRESSION WHEN I SAID I'D SUE HIM. 463 00:22:22,458 --> 00:22:22,458 YOU SHOULD'VE SEEN GEORGE'S EXPRESSION WHEN I SAID I'D SUE HIM. 464 00:22:23,860 --> 00:22:25,862 SUE HIM? 465 00:22:25,862 --> 00:22:27,363 FOR SEXUAL HARASSMENT. 466 00:22:27,864 --> 00:22:29,365 I TOLD HIM I'D CALL THE POLICE, 467 00:22:29,365 --> 00:22:31,367 CALL THE NEWSPAPERS. 468 00:22:31,367 --> 00:22:36,105 THIS BUSINESS OF SLEEPING WITH SOMEONE TO WIN IS BULLSHIT. 469 00:22:36,105 --> 00:22:36,105 THIS BUSINESS OF SLEEPING WITH SOMEONE TO WIN IS BULLSHIT. 470 00:22:37,607 --> 00:22:40,610 I BET GIRLS LIKE YOU LOVE THE CASTING COUCH. 471 00:22:40,610 --> 00:22:45,081 DEGRADING SEX WITH SOME SWEATY STRANGER 472 00:22:45,081 --> 00:22:47,383 IS PROBABLY EASIER THAN MEMORIZING LINES. 473 00:22:47,383 --> 00:22:48,751 BUT I-I... 474 00:22:49,185 --> 00:22:49,752 SPARE ME. 475 00:22:50,253 --> 00:22:52,755 I KNOW ALL ABOUT THE NOTE. 476 00:22:52,755 --> 00:22:55,458 LOOK, THERE'S SOMETHING YOU DON'T UNDERSTAND. 477 00:22:55,458 --> 00:22:58,461 THAT NOTE-- IT WASN'T MINE. 478 00:22:58,461 --> 00:23:01,297 I'M NOT THAT KIND OF GIRL. 479 00:23:01,297 --> 00:23:04,801 OH, YEAH. SO WHAT KIND OF GIRL ARE YOU? 480 00:23:04,801 --> 00:23:04,801 OH, YEAH. SO WHAT KIND OF GIRL ARE YOU? 481 00:23:09,639 --> 00:23:11,140 UHH! 482 00:23:11,140 --> 00:23:11,140 UHH! 483 00:23:13,109 --> 00:23:14,143 [CHOKING] 484 00:23:14,143 --> 00:23:14,143 [CHOKING] 485 00:23:15,645 --> 00:23:18,147 I'M THIS KIND OF GIRL. 486 00:23:18,147 --> 00:23:18,147 I'M THIS KIND OF GIRL. 487 00:23:21,918 --> 00:23:23,953 [GLASS SMASHES] 488 00:23:23,953 --> 00:23:23,953 [GLASS SMASHES] 489 00:23:26,989 --> 00:23:28,491 NICE LOOK, BABE. 490 00:23:28,491 --> 00:23:30,493 THAT SUITS YOU. 491 00:23:30,493 --> 00:23:30,493 THAT SUITS YOU. 492 00:23:31,494 --> 00:23:32,528 [DOOR OPENS] 493 00:23:32,528 --> 00:23:32,528 [DOOR OPENS] 494 00:23:42,605 --> 00:23:45,108 HAVE YOU SEEN DRUSILLA? 495 00:23:45,108 --> 00:23:48,111 UH, DRUSILLA? NO. SHE LEFT. 496 00:23:48,111 --> 00:23:49,612 SHE LEFT? 497 00:23:49,612 --> 00:23:52,115 WHAT DO YOU MEAN, SHE LEFT? 498 00:23:52,115 --> 00:23:54,617 WELL, I WAS TALKING TO HER, 499 00:23:54,617 --> 00:23:56,619 AND, UH, SHE CHANGED HER MIND... 500 00:23:56,619 --> 00:23:59,622 YOU KNOW, ABOUT THAT THREAT SHE MADE. 501 00:23:59,622 --> 00:24:03,126 SHE DECIDED IT WASN'T WORTH GETTING CHOKED UP ABOUT, 502 00:24:03,126 --> 00:24:05,061 SO SHE LEFT. 503 00:24:05,061 --> 00:24:07,130 THAT WORKS FOR ME. 504 00:24:07,130 --> 00:24:10,133 YOU STILL INTERESTED IN WINNING THIS THING? 505 00:24:10,133 --> 00:24:12,635 YOU BET I AM. 506 00:24:12,635 --> 00:24:14,637 I LIKE YOUR ATTITUDE. 507 00:24:15,138 --> 00:24:15,138 I LIKE YOUR ATTITUDE. 508 00:24:36,626 --> 00:24:38,127 WORK FAST, RUDY. 509 00:24:38,127 --> 00:24:39,629 DON'T I ALWAYS? 510 00:24:39,629 --> 00:24:41,631 OPEN YOUR ROBE. 511 00:24:41,631 --> 00:24:43,132 OH! 512 00:24:43,132 --> 00:24:43,132 OH! 513 00:25:01,517 --> 00:25:03,519 GREAT BONE STRUCTURE. 514 00:25:03,920 --> 00:25:04,987 THANKS. 515 00:25:04,987 --> 00:25:04,987 THANKS. 516 00:25:10,426 --> 00:25:12,261 I WASN'T TALKING TO YOU. 517 00:25:12,495 --> 00:25:14,964 I THOUGHT WE WERE GOING FOR THE NATURAL LOOK, 518 00:25:14,964 --> 00:25:17,767 OR DOESN'T MY OPINION MEAN ANYTHING? 519 00:25:17,767 --> 00:25:20,870 OF COURSE YOUR OPINION COUNTS. YOU'RE PART OF THE TEAM. 520 00:25:20,870 --> 00:25:23,339 WAIT. THIS IS TOO HEAVY. IT WON'T LOOK RIGHT. 521 00:25:23,706 --> 00:25:25,608 GET YOUR HAND AWAY. 522 00:25:25,608 --> 00:25:29,879 I'M REALLY FINE WITH DOING MY OWN MAKE-UP. 523 00:25:29,879 --> 00:25:31,948 THIS IS THE LAST YEAR I'M DOING THIS. 524 00:25:32,448 --> 00:25:34,817 THIS WHOLE BEAUTY PAGEANT THING MAKES ME THROW UP. 525 00:25:35,117 --> 00:25:37,386 WE SHOULD JUST TAKE THEM OFF THE STREETS LIKE BEFORE. 526 00:25:37,386 --> 00:25:39,856 RUDY, RUDY, RUDY. 527 00:25:39,856 --> 00:25:39,856 RUDY, RUDY, RUDY. 528 00:25:43,993 --> 00:25:47,396 GEORGE, WOULD YOU MAKE HIM STOP. 529 00:25:47,396 --> 00:25:51,033 HOW CAN I MODEL ANYTHING LOOKING LIKE THIS? 530 00:25:51,300 --> 00:25:53,169 I WOULDN'T WORRY ABOUT THAT. 531 00:25:53,169 --> 00:25:55,471 OH, GOD. NO! 532 00:25:55,471 --> 00:25:57,440 NO! 533 00:25:57,440 --> 00:25:58,875 NO! NO! 534 00:25:58,875 --> 00:26:02,378 YOU'RE GOING TO LOOK JUST FINE. 535 00:26:02,378 --> 00:26:03,713 OH! 536 00:26:03,713 --> 00:26:10,853 AAAAAHHHH! 537 00:26:10,853 --> 00:26:10,853 AAAAAHHHH! 538 00:26:20,162 --> 00:26:24,166 [PIANO PLAYING] 539 00:26:24,166 --> 00:26:24,166 [PIANO PLAYING] 540 00:26:26,669 --> 00:26:28,638 THERE'S SOMETHING ALMOST MAGICAL 541 00:26:28,638 --> 00:26:30,673 ABOUT A PRETTY GIRL. 542 00:26:31,173 --> 00:26:34,143 HER SMILE CAN MELT THE HARDEST HEART. 543 00:26:34,143 --> 00:26:36,779 AND SET THE THING AWHIRL. 544 00:26:36,779 --> 00:26:39,782 BUT PRETTY EYES AND LOVELY HAIR. 545 00:26:39,782 --> 00:26:42,285 ARE THINGS THAT WILL NOT KEEP. 546 00:26:42,785 --> 00:26:45,788 SO I AGREE WITH THOSE WHO SAY 547 00:26:45,788 --> 00:26:49,292 THAT BEAUTY IS JUST SKIN DEEP. 548 00:26:49,292 --> 00:26:49,292 THAT BEAUTY IS JUST SKIN DEEP. 549 00:26:51,794 --> 00:26:53,796 ♪♪ HERE SHE IS ♪♪ 550 00:26:53,796 --> 00:26:56,799 ♪♪ A PICTURE OF GRACE ♪♪ 551 00:26:56,799 --> 00:26:59,302 ♪♪ TWO VACANT BLUE EYES ♪♪ 552 00:26:59,802 --> 00:27:01,804 ♪♪ IN AN ASHEN WHITE FACE ♪♪ 553 00:27:02,305 --> 00:27:05,308 ♪♪ THOUGH SHE SEEMS KIND OF STIFF ♪♪ 554 00:27:05,808 --> 00:27:07,810 ♪♪ AS AN EX-HUMAN-BEIN' ♪♪ 555 00:27:08,311 --> 00:27:11,314 ♪♪ HOW FAR SHE WILL GO ♪♪ 556 00:27:11,314 --> 00:27:14,817 ♪♪ REMAINS TO BE SEEN ♪♪ 557 00:27:15,318 --> 00:27:15,318 ♪♪ REMAINS TO BE SEEN ♪♪ 558 00:27:18,321 --> 00:27:21,123 [AUDIENCE OOHS AND AHHS] 559 00:27:21,123 --> 00:27:22,925 ♪♪ SHE'S CHARMING ♪♪ 560 00:27:22,925 --> 00:27:25,194 THOSE COLORS! 561 00:27:25,194 --> 00:27:27,496 ♪♪ SHE COULDN'T BE NICER ♪♪ 562 00:27:27,496 --> 00:27:29,999 ♪♪ WHAT A PLEASURE ♪♪ 563 00:27:29,999 --> 00:27:32,001 ♪♪ IT WAS TO SLICE HER ♪♪ 564 00:27:32,001 --> 00:27:36,505 ♪♪ SHE'S MAGNIFICENT, EVERY OUNCE ♪♪ 565 00:27:37,006 --> 00:27:40,876 ♪♪ 'CAUSE IT'S WHAT'S INSIDE THAT COUNTS ♪♪ 566 00:27:40,876 --> 00:27:40,876 ♪♪ 'CAUSE IT'S WHAT'S INSIDE THAT COUNTS ♪♪ 567 00:27:43,879 --> 00:27:47,616 ♪♪ HOW EXCITING IT IS TO SUTURE ♪♪ 568 00:27:47,950 --> 00:27:52,688 ♪♪ A BEAUTY WITHOUT ANY FUTURE ♪♪ 569 00:27:52,688 --> 00:27:58,060 ♪♪ SHE'S MAGNIFICENT, EVERY OUNCE ♪♪ 570 00:27:58,060 --> 00:28:02,064 ♪♪ 'CAUSE IT'S WHAT'S INSIDE ♪♪ 571 00:28:02,064 --> 00:28:04,066 ♪♪ THAT ♪♪ 572 00:28:04,066 --> 00:28:09,005 ♪♪ COUNTS ♪♪♪♪ 573 00:28:09,005 --> 00:28:11,841 WHOO! YAY! YAY! 574 00:28:11,841 --> 00:28:11,841 WHOO! YAY! YAY! 575 00:28:31,360 --> 00:28:32,862 GOOD OLD HELEN. 576 00:28:32,862 --> 00:28:34,363 TALK ABOUT AN OPENING NIGHT! 577 00:28:34,864 --> 00:28:37,366 NOW, THAT'S WHAT I CALL A HORRID BODY. 578 00:28:37,366 --> 00:28:41,370 WELL, I GOT TO GET BACK TO MY WORKOUT, KIDDIES. 579 00:28:41,370 --> 00:28:41,370 WELL, I GOT TO GET BACK TO MY WORKOUT, KIDDIES. 580 00:28:45,374 --> 00:28:46,876 UHH... 581 00:28:46,876 --> 00:28:49,879 OOH, I LOVE THAT BURN. 582 00:28:49,879 --> 00:28:51,881 AH HA HA HA HA HA HA HA HA! 583 00:28:51,881 --> 00:28:54,884 CAPTIONING MADE POSSIBLE BY WARNER BROS. 584 00:28:54,884 --> 00:28:57,887 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 585 00:28:57,887 --> 00:29:00,890 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 586 00:29:00,890 --> 00:29:00,890 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 39108

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