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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.BZ 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.BZ 3 00:01:44,887 --> 00:01:46,497 THESE THINGS ARE KIND OF TRICKY. 4 00:01:46,541 --> 00:01:47,194 SHH! 5 00:03:21,070 --> 00:03:22,289 EXCUSE ME... 6 00:03:22,332 --> 00:03:24,465 YOU KNOW YOU'RE BEING FOLLOWED? 7 00:03:24,508 --> 00:03:26,293 YES, I SAW YOU DOWNSTAIRS. 8 00:03:26,336 --> 00:03:28,033 OH, NO. I-I DIDN'T MEAN ME. 9 00:03:28,077 --> 00:03:29,731 I MEANT HIM. 10 00:03:32,473 --> 00:03:34,692 HEY, WAIT A MINUTE. THAT'S YOUR PURSE! 11 00:03:34,736 --> 00:03:35,911 AH, WAIT... 12 00:04:26,875 --> 00:04:27,963 ARE YOU ALL RIGHT? 13 00:04:28,006 --> 00:04:30,618 YEAH, YEAH, I AM... YOU? 14 00:04:30,661 --> 00:04:31,488 YEAH, I'M GREAT. 15 00:04:37,364 --> 00:04:39,191 SINCE I CAUGHT A GLIMPSE OF YOU ACROSS THE ROOM 16 00:04:39,235 --> 00:04:42,412 AND TIME STOPPED. 17 00:04:42,456 --> 00:04:44,327 AND IN THAT MOMENT, I KNEW YOU WERE MY DESTINY. 18 00:04:53,423 --> 00:04:55,860 HOW ABOUT, UH... 19 00:04:55,904 --> 00:04:57,253 "CALL ME ISHMAEL"? 20 00:04:59,429 --> 00:05:01,953 YOU TWO ARE IN BIG TROUBLE! 21 00:05:03,912 --> 00:05:05,827 I'M REALLY SORRY THAT SHE TORE UP 22 00:05:05,870 --> 00:05:06,915 YOUR LIBRARY CARD, ISHMAEL. 23 00:05:06,958 --> 00:05:08,351 NO, SEAN. SEAN? 24 00:05:08,395 --> 00:05:09,004 SEAN McDONALD. 25 00:05:11,833 --> 00:05:14,052 I WISH SHE WOULD'VE TAKEN IT OUT OF THE WALLET FIRST. 26 00:05:14,096 --> 00:05:16,664 [ laughing ] 27 00:05:16,707 --> 00:05:19,797 I WANT TO THANK YOU FOR WHAT YOU DID UP THERE. 28 00:05:19,841 --> 00:05:22,626 I MEAN, MOST GUYS WOULD'VE JUST LOOKED THE OTHER WAY. 29 00:05:22,670 --> 00:05:24,672 IF I'D TIMED THAT LEAP JUST A LITTLE BIT BETTER, 30 00:05:24,715 --> 00:05:26,195 IT WOULD HAVE REALLY IMPRESSED YOU. 31 00:05:26,238 --> 00:05:27,849 I WAS IMPRESSED. REALLY? 32 00:05:27,892 --> 00:05:28,589 YEAH. 33 00:05:33,724 --> 00:05:37,424 WELL, THIS, UH, MACHO STUFF IS KIND OF EXHILARATING. 34 00:05:37,467 --> 00:05:40,122 YOU NOTICE SORT OF A CHARLES BRONSONY GLOW? 35 00:05:40,165 --> 00:05:42,254 OH, I DO, AND IT'S MOST BECOMING. 36 00:05:42,298 --> 00:05:43,560 HAVE YOU HAD LUNCH? LUNCH? 37 00:05:45,693 --> 00:05:47,564 IT'S ABOUT... 6:00! 38 00:05:47,608 --> 00:05:49,914 OH, MY GOD, MY BOSS IS GONNA SHOOT ME! 39 00:05:49,958 --> 00:05:52,526 THE OL' "MY BOSS IS GONNA SHOOT ME" ROUTINE, HUH? 40 00:05:52,569 --> 00:05:53,353 NO. 41 00:05:55,659 --> 00:05:57,835 NO, IT'S NOT. 42 00:05:57,879 --> 00:06:00,229 I WANT YOU TO CALL ME. 43 00:06:00,272 --> 00:06:02,144 I KNOW THIS IS KIND OF FORMAL, 44 00:06:02,187 --> 00:06:04,712 BUT HERE'S MY CARD. 45 00:06:04,755 --> 00:06:07,367 MAYBE I COULD TAKE YOU TO LUNCH OR... 46 00:06:07,410 --> 00:06:09,934 I DON'T KNOW... THE LIBRARY? 47 00:06:09,978 --> 00:06:12,459 OH, A TRAVEL AGENT. 48 00:06:12,502 --> 00:06:15,070 IT IS SUCH A COINCIDENCE BECAUSE, I, UM... 49 00:06:15,113 --> 00:06:17,028 I OWN LUGGAGE. 50 00:06:19,814 --> 00:06:21,424 I'LL CALL. 51 00:06:21,468 --> 00:06:22,512 TOMORROW? 52 00:06:22,556 --> 00:06:23,121 TOMORROW. 53 00:06:29,563 --> 00:06:31,521 I... 54 00:06:31,565 --> 00:06:33,915 YOU WOULDN'T FORGET OR ANYTHING LIKE... 55 00:06:33,958 --> 00:06:36,526 YOU'RE GONNA BUY ME LUNCH, AREN'T YA? 56 00:06:36,570 --> 00:06:38,006 I WON'T FORGET. 57 00:06:52,063 --> 00:06:53,804 [ phone ringing ] 58 00:06:53,848 --> 00:06:55,676 Tina: KENT'S TRAVEL. CAN YOU HOLD, PLEASE? 59 00:06:55,719 --> 00:06:57,982 KENT'S TRAVEL, CAN YOU HOLD, PLEASE? 60 00:06:58,026 --> 00:06:59,462 KENT'S TRAVEL. CAN YOU HOLD, PLEASE? 61 00:07:02,726 --> 00:07:04,989 OH, THANK GOD! 62 00:07:05,033 --> 00:07:07,818 MRS. KENT'S GOT ME TRACKING YOU DOWN EVERYWHERE. 63 00:07:07,862 --> 00:07:08,863 OKAY... 64 00:07:16,348 --> 00:07:18,568 Doris: OH, FINALLY! 65 00:07:18,612 --> 00:07:19,830 HOW'D IT GO? 66 00:07:19,874 --> 00:07:21,876 MMM, OKAY. 67 00:07:24,531 --> 00:07:26,576 THAT OKAY DOESN'T SOUND SO OKAY. 68 00:07:35,455 --> 00:07:38,588 OH, OH, OH, YOU NAUGHTY, NAUGHTY BOY AND GIRL. 69 00:07:38,632 --> 00:07:41,548 DO YOU WANT TO TAKE A GANDER AT THESE 70 00:07:41,591 --> 00:07:43,419 BEFORE I SEND THEM OVER TO STATE? 71 00:07:43,463 --> 00:07:46,291 NO THANKS. 72 00:07:46,335 --> 00:07:48,946 IT'S A VERY IMAGINATIVE APPROACH TO FOREIGN POLICY. 73 00:07:48,990 --> 00:07:50,252 MMM... IF I DO SAY SO MYSELF. 74 00:07:51,688 --> 00:07:55,083 DORIS... 75 00:07:55,126 --> 00:07:57,912 I MET A GUY AT THE LIBRARY. 76 00:07:57,955 --> 00:07:59,957 IS THAT THE WHOLE STORY? 77 00:08:00,001 --> 00:08:04,571 WELL, HE, UH, HE THOUGHT MY PURSE WAS BEING ROBBED, AND HE CAME TO MY RESCUE. 78 00:08:04,614 --> 00:08:06,050 HE EVEN TACKLED DORFMAN. 79 00:08:06,094 --> 00:08:08,183 OH, MY GOD. 80 00:08:08,226 --> 00:08:10,751 WELL, HE DIDN'T TACKLE HIM VERY WELL. 81 00:08:10,794 --> 00:08:14,450 YOU DON'T THINK IT WAS SOME TWIT FROM THE CIA CHECKING UP ON US, DO YOU? 82 00:08:14,494 --> 00:08:16,626 NO. I-I'D KNOW IT IF HE WAS. 83 00:08:16,670 --> 00:08:18,367 YOU KNOW, IT WAS... 84 00:08:18,410 --> 00:08:19,977 IT WAS REALLY VERY SWEET. 85 00:08:20,021 --> 00:08:22,240 WHAT? 86 00:08:22,284 --> 00:08:25,374 THE... THE GUY, UH... WHO TACKLED DORFMAN. 87 00:08:36,646 --> 00:08:39,040 TOMORROW'S TOO LATE. 88 00:08:39,083 --> 00:08:40,781 IMMEDIATELY WOULD BE BETTER. 89 00:08:40,824 --> 00:08:43,523 HOW IMMEDIATE? 90 00:08:43,566 --> 00:08:45,394 I'D SAY DINNER, BUT YOU MAKE ME TOO NERVOUS TO EAT. 91 00:08:45,437 --> 00:08:47,135 OH, ME? 92 00:08:47,178 --> 00:08:48,179 THIS USUALLY DOESN'T HAPPEN TO ME. 93 00:08:51,052 --> 00:08:53,054 YOU ARE SOBEAUTIFUL. 94 00:08:53,097 --> 00:08:55,056 WELL, IT'S JUST MY OPINION. 95 00:08:55,099 --> 00:08:56,492 YOU DON'T HAVE TO AGREE WITH IT. 96 00:08:56,536 --> 00:08:57,232 WELL, I'M FLATTERED. 97 00:08:59,626 --> 00:09:01,149 I FLATTER YOU... 98 00:09:01,192 --> 00:09:04,195 I PROTECT YOU... 99 00:09:04,239 --> 00:09:05,545 I THINK SOMETHING'S DEVELOPING HERE. 100 00:09:07,503 --> 00:09:09,897 MARRY ME. 101 00:09:09,940 --> 00:09:13,509 OH, I-I DON'T THINK IT'S FULLY DEVELOPED. 102 00:09:13,553 --> 00:09:17,078 OH, YEAH. I'M RUSHING THINGS A LITTLE TOO MUCH. 103 00:09:17,121 --> 00:09:20,081 ARE... YOU TOO NERVOUS TO HAVE A DRINK? 104 00:09:20,124 --> 00:09:22,039 I'M JUST NERVOUS ENOUGH TO HAVE A DRINK. 105 00:09:25,565 --> 00:09:28,089 WE'LL DO THE MARRIAGE THING SOME OTHER TIME. 106 00:09:28,132 --> 00:09:30,657 WHAT'S YOUR WEDNESDAY LIKE? 107 00:09:30,700 --> 00:09:33,007 Minister: DO YOU SEAN McDONALD TAKE CHRIS NELSON 108 00:09:33,050 --> 00:09:34,965 FOR YOUR LAWFUL WIFE, 109 00:09:35,009 --> 00:09:37,359 TO HAVE AND TO HOLD FROM THIS DAY FORWARD, 110 00:09:37,402 --> 00:09:39,187 FOR BETTER OR FOR WORSE, 111 00:09:39,230 --> 00:09:41,319 FOR RICHER OR POORER, 112 00:09:41,363 --> 00:09:43,060 IN SICKNESS AND IN HEALTH UNTIL DEATH DO YOU PART? 113 00:09:43,104 --> 00:09:44,758 Sean: I DO. 114 00:09:44,801 --> 00:09:46,977 THEY KNOW EACH OTHER FOR FIVE WEEKS, 115 00:09:47,021 --> 00:09:48,152 AND THEY GET MARRIED. 116 00:09:48,196 --> 00:09:50,154 IT'S INSANE. 117 00:09:50,198 --> 00:09:52,853 HEY, I'M WITH YOU, SIR. 118 00:09:52,896 --> 00:09:55,638 I TOLD SEAN, "WHY DON'T YOU LIVE WITH HER FOR A COUPLE YEARS, 119 00:09:55,682 --> 00:09:57,161 TEST THE WATERS?" 120 00:09:57,205 --> 00:09:59,120 Minister: IF ANYONE HERE 121 00:09:59,163 --> 00:10:01,688 KNOWS OF ANY REASON WHY THESE TWO 122 00:10:01,731 --> 00:10:03,864 SHOULD NOT BE JOINED TOGETHER IN HOLY MATRIMONY, 123 00:10:03,907 --> 00:10:06,301 SPEAK NOW, OR FOREVER HOLD YOUR PEACE. 124 00:10:06,344 --> 00:10:07,302 UH... 125 00:10:19,096 --> 00:10:21,316 I PRONOUNCE YOU MAN AND WIFE. 126 00:10:21,359 --> 00:10:23,971 YOU MAY KISS THE BRIDE. 127 00:10:24,014 --> 00:10:25,320 ♪ [ Mendelssohn's Wedding March plays ] ♪ 128 00:10:33,545 --> 00:10:35,286 CONGRATULATIONS. 129 00:10:35,330 --> 00:10:37,245 TO NEW BEGINNINGS. 130 00:10:37,288 --> 00:10:38,550 MMM... THERE IT IS. 131 00:10:40,988 --> 00:10:42,511 I'LL TRADE YOU. 132 00:10:42,554 --> 00:10:44,774 HONEYMOON RETIREMENT GIFT, 133 00:10:44,818 --> 00:10:46,863 EUROPE, FIRST-CLASS, TWO WEEKS... 134 00:10:46,907 --> 00:10:47,995 FROM ALL OF US. 135 00:10:48,038 --> 00:10:50,780 DORIS! I... I... 136 00:10:50,824 --> 00:10:53,435 I KNOW, I KNOW. YOU DON'T KNOW WHAT TO SAY. 137 00:10:53,478 --> 00:10:56,220 YOU'LL MISS ME. MISS THE GOOD TIMES WE HAD. 138 00:10:56,264 --> 00:10:59,136 DORIS, UM... 139 00:10:59,180 --> 00:11:01,486 I HAVEN'T SAID ANYTHING TO SEAN, BUT I'D LIKE TO. 140 00:11:01,530 --> 00:11:03,140 Yeah. 141 00:11:03,184 --> 00:11:04,489 YOU KNOW THE RULES. 142 00:11:04,533 --> 00:11:07,797 WE DON'T EXIST. 143 00:11:07,841 --> 00:11:09,712 AS FAR AS SEAN IS CONCERNED, 144 00:11:09,756 --> 00:11:11,671 YOU'RE NOTHING BUT A TRAVEL AGENT. 145 00:11:11,714 --> 00:11:14,412 I KNOW... I KNOW. 146 00:11:16,284 --> 00:11:18,678 AND A VERY GOOD ONE. 147 00:11:18,721 --> 00:11:19,896 I'M GONNA MISS YOU. 148 00:11:19,940 --> 00:11:21,419 [ sighs ] 149 00:11:21,463 --> 00:11:24,031 ME TOO. 150 00:11:24,074 --> 00:11:26,033 [ chuckling ] 151 00:11:28,644 --> 00:11:31,038 YOU SURE YOU DON'T WANT TO KEEP THIS? 152 00:11:31,081 --> 00:11:32,692 IT CAME IN REALHANDY IN MY FIRST MARRIAGE. 153 00:11:34,519 --> 00:11:35,433 NO. 154 00:11:46,618 --> 00:11:50,057 P.A.: AMERICAN AIRLINES VUELO NUMERO 59, 155 00:11:50,100 --> 00:11:52,320 LLEGARA A MADRID DE WASHINGTON D.C. 156 00:11:52,363 --> 00:11:54,235 A LA PUERTA NUMERO DOCE. 157 00:11:57,064 --> 00:11:59,762 AMERICAN AIRLINES FLIGHT NUMBER 59 158 00:11:59,806 --> 00:12:02,373 ARRIVING MADRID FROM WASHINGTON D.C. 159 00:12:02,417 --> 00:12:04,767 AT GATE 12. 160 00:12:04,811 --> 00:12:09,119 [ both sigh ] 161 00:12:09,163 --> 00:12:12,644 WHY DO I FEEL LIKE I'VE GOT 8 KILOS OF HEROIN IN HERE? 162 00:12:12,688 --> 00:12:14,995 THE WORST THING I'VE GOT IN HERE IS SOCKS WITH BAD ELASTIC. 163 00:12:15,038 --> 00:12:16,344 [ excited ] OOH... 164 00:12:16,387 --> 00:12:17,693 IT WOULD'VE EVENTUALLY COME OUT. 165 00:12:20,348 --> 00:12:22,132 IT'S NOT A VERY GOOD LIKENESS. 166 00:12:22,176 --> 00:12:24,178 I HAD RECENTLY WORN A HAT. 167 00:12:24,221 --> 00:12:28,008 YOU KNOW... 168 00:12:28,051 --> 00:12:30,445 P.A.: ALL PASSENGERS ON IBERIA AIRLINES... 169 00:12:30,488 --> 00:12:32,229 COME WITH ME, PLEASE. 170 00:12:32,273 --> 00:12:34,362 IS THERE A PROBLEM? 171 00:12:34,405 --> 00:12:35,755 NO PROBLEM. COME WITH ME, PLEASE. 172 00:12:43,675 --> 00:12:45,155 SIT DOWN, MISS. 173 00:12:48,942 --> 00:12:50,204 PASSPORT. 174 00:12:50,247 --> 00:12:51,248 GRACIAS. 175 00:12:57,341 --> 00:12:58,386 GUESS WHO? 176 00:13:01,258 --> 00:13:04,435 HOW DID YOU KNOW IT WAS ME? 177 00:13:04,479 --> 00:13:05,959 WHAT ARE YOU DOING HERE? 178 00:13:06,002 --> 00:13:07,787 I THINK YOU DISLOCATED MY LIVER. 179 00:13:07,830 --> 00:13:09,353 [ agitated ] ALEX! 180 00:13:09,397 --> 00:13:12,313 WHAT ARE YOU DOING HERE?! 181 00:13:12,356 --> 00:13:14,881 PLEASE DON'T SHOUT, DARLING. I HAD TO DO THAT AWFUL EMBASSY PARTY, 182 00:13:14,924 --> 00:13:16,839 AND I HAVE A TERRIBLE HEADACHE. 183 00:13:16,883 --> 00:13:19,537 I DON'T LIKE YOU BEING HERE. I SMELL A RAT. 184 00:13:19,581 --> 00:13:23,367 DID IT OCCUR TO YOU THAT I MIGHT JUST BE HERE TO CONGRATULATE YOU? 185 00:13:23,411 --> 00:13:25,195 SO YOU KNOW ME... BIG DEAL. 186 00:13:25,239 --> 00:13:26,544 I NEED A SMALL FAVOR. 187 00:13:26,588 --> 00:13:28,416 WAIT A MINUTE... 188 00:13:28,459 --> 00:13:31,245 THIS WHOLE HONEYMOON THING... 189 00:13:31,288 --> 00:13:33,813 IT'S A SET UP. 190 00:13:33,856 --> 00:13:35,118 NOW WE KNOW WHY I'M HERE. 191 00:13:35,162 --> 00:13:36,424 I'M AN IDIOT. 192 00:13:39,993 --> 00:13:41,864 I MUST ADMIT, DARLING, IWOULDN'T HAVE FALLEN FOR IT. 193 00:13:41,908 --> 00:13:44,214 ANYWAY, LAZOS IS BACK, 194 00:13:44,258 --> 00:13:46,086 AND HE TRUSTS ONLY YOU. 195 00:13:46,129 --> 00:13:48,740 LAZOS?! 196 00:13:48,784 --> 00:13:50,394 HE HAS SOMETHING WE WANT, MY DEAR. 197 00:13:50,438 --> 00:13:52,005 JUST GIVE US AN HOUR. 198 00:13:52,048 --> 00:13:53,658 MEET HIM, PAY HIM, 199 00:13:53,702 --> 00:13:54,877 AND PASS THE MERCHANDISE ON TO ME. 200 00:13:54,921 --> 00:13:56,226 NO, NO, NO, NO. 201 00:13:56,270 --> 00:13:58,359 I AM RETIRED. 202 00:13:58,402 --> 00:13:59,664 I'M ON MY HONEYMOON. 203 00:14:06,410 --> 00:14:09,718 MAY I SUGGEST YOU LOOK IN YOUR SUITCASE BEFORE YOUR HUSBAND? 204 00:14:09,761 --> 00:14:11,589 WHAT? SINCE YOU WILL BE CHANGING YOUR MIND, 205 00:14:11,633 --> 00:14:13,635 I'VE ARRANGED FOR A MILLION DOLLARS IN PAYOFF MONEY 206 00:14:13,678 --> 00:14:15,855 TO BE SLIPPED INTO YOUR BAG... 207 00:14:15,898 --> 00:14:16,464 RIGHT ABOUT NOW. 208 00:14:25,212 --> 00:14:26,735 WHERE YOU BEEN? WHAT'S GOIN' ON? 209 00:14:26,778 --> 00:14:28,084 IT'S JUST... 210 00:14:28,128 --> 00:14:30,434 THE TICKET. 211 00:14:30,478 --> 00:14:33,437 THE TICKET WAS IN MY MARRIED NAME, 212 00:14:33,481 --> 00:14:35,570 AND THE PASSPORT WAS IN MY MAIDEN NAME, 213 00:14:35,613 --> 00:14:37,093 AND THEY GET SO EASILY CONFUSED... 214 00:14:37,137 --> 00:14:39,226 ARE YOU ALL RIGHT? 215 00:14:39,269 --> 00:14:41,924 ARE YOU KIDDING? HE READ MY ARTICLE ON THE LOU BROTHERS, 216 00:14:41,968 --> 00:14:43,578 "WHERE ARE THEY NOW?" OH, HE LOVES ME, 217 00:14:43,621 --> 00:14:45,580 AS DO ALL THE SPANISH PEOPLE. 218 00:14:51,934 --> 00:14:52,804 THERE. 219 00:14:52,848 --> 00:14:55,372 [ whistles ] 220 00:14:55,416 --> 00:14:56,547 SORRY. 221 00:15:24,053 --> 00:15:24,749 HEY! 222 00:15:27,361 --> 00:15:28,231 [ tires squealing ] 223 00:15:32,235 --> 00:15:34,716 [ brakes squeal ] OH! 224 00:15:58,261 --> 00:15:59,088 BIENVENIDOS. 225 00:15:59,132 --> 00:16:00,307 HA HA! 226 00:16:00,350 --> 00:16:01,569 SURE HOPE HE WORKS HERE. HA HA! 227 00:16:08,184 --> 00:16:09,620 WHERE'S THE LUGGAGE? 228 00:16:09,664 --> 00:16:10,839 BELLHOP TOOK IT IN. 229 00:16:18,803 --> 00:16:24,026 CHRIS... WHAT'S WRONG? ARE THEY GONNA CHECK OUR LUGGAGE AGAIN? 230 00:16:24,070 --> 00:16:26,159 NO, I JUST WANTED TO GET SOMETHING OUT OF MY SUITCASE. 231 00:16:26,202 --> 00:16:27,551 WE'LL DO IT LATER, HUH? LATER. 232 00:16:27,595 --> 00:16:28,335 AFTER WE CHECK IN. 233 00:16:54,361 --> 00:16:56,015 HAVE THE BAGS SENT UP IMMEDIATELY. 234 00:16:56,058 --> 00:16:56,928 YES, OF COURSE. 235 00:17:09,680 --> 00:17:12,379 IS THIS SOME SORT OF LUGGAGE FETISH THING THAT I OUGHTA KNOW ABOUT? 236 00:17:16,470 --> 00:17:18,167 HE WILL SHOW YOU TO YOUR ROOM. 237 00:17:18,211 --> 00:17:21,083 AND YOUR BAGS ARE ON THEIR WAY UP. 238 00:17:21,127 --> 00:17:22,954 HAVE YOU FOUND MY LUGGAGE YET, OR DO YOU HAVE SOME NEW EXCUSE?! 239 00:17:28,743 --> 00:17:31,746 Chris: NO, NO, NO. POR FAVOR, POR FAVOR. 240 00:17:31,789 --> 00:17:34,314 NO, D-DON'T PUT ME ON HOLD AGAIN, PLEASE. 241 00:17:34,357 --> 00:17:37,099 I DON'T WANT TO HEAR ANYMORE OF THAT MUSIC. 242 00:17:37,143 --> 00:17:40,798 LOOK, JUST LET ME SPEAK TO THE MANAGER. 243 00:17:40,842 --> 00:17:42,148 EL JEFE. 244 00:17:42,191 --> 00:17:46,152 I-I HAVE BEEN WAITING... 245 00:17:46,195 --> 00:17:48,632 I-I HAVE BEEN WAITING FOR FIVE MINUTES. 246 00:17:48,676 --> 00:17:51,548 I-I DON'T WANT TO WAIT ANYMORE, I JUST WANT MY LUGGAGE. 247 00:17:51,592 --> 00:17:53,637 I THOUGHT YOU WERE GONNA SLIP INTO A LITTLE NOTHIN' 248 00:17:53,681 --> 00:17:55,639 AND JOIN ME IN THE BATHROOM. 249 00:17:55,683 --> 00:17:57,380 WITH THE BAGS NOT HERE, THERE IS NOTHING TO SLIP INTO. 250 00:17:57,424 --> 00:17:58,555 [ knocking ] 251 00:17:58,599 --> 00:18:00,644 THAT COULD BE THEM. 252 00:18:00,688 --> 00:18:02,081 THAT COULD BE THEM. HOLD ON. 253 00:18:07,129 --> 00:18:08,348 Sean: FINE... 254 00:18:08,391 --> 00:18:10,089 YOU CAN JUST PUT 'EM DOWN, UH... 255 00:18:12,395 --> 00:18:13,527 RIGHT IN THE MIDDLE OF THE ROOM. 256 00:18:16,399 --> 00:18:19,141 UH... I DON'T HAVE ANY... 257 00:18:19,185 --> 00:18:20,925 I'LL CATCH YA LATER. 258 00:18:20,969 --> 00:18:22,101 I PROMISE. 259 00:18:30,500 --> 00:18:31,936 THEY'RE HERE! 260 00:18:31,980 --> 00:18:34,548 AH! THEY'RE HERE! THEY'RE HERE. 261 00:18:34,591 --> 00:18:36,071 THEY'RE HERE... 262 00:18:37,986 --> 00:18:39,770 CAN WE START OUR HONEYMOON NOW? 263 00:18:39,814 --> 00:18:41,207 UM, I'LL BE RIGHT BACK 264 00:18:41,250 --> 00:18:42,251 AND WE CAN PRACTICE. 265 00:18:55,221 --> 00:18:57,701 HEY, THE WATER'S GETTIN' COLD, 266 00:18:57,745 --> 00:18:59,225 AND THE CHAMPAGNE'S GETTIN' WARM. 267 00:18:59,268 --> 00:19:01,227 I'LL BE RIGHT BACK! 268 00:19:01,270 --> 00:19:02,967 WHAT? 269 00:19:05,579 --> 00:19:06,145 CHRIS? 270 00:19:10,279 --> 00:19:10,975 CHRIS? 271 00:19:13,456 --> 00:19:14,240 CHRIS? 272 00:19:18,635 --> 00:19:20,115 OH, SHIT. 273 00:19:24,902 --> 00:19:27,601 EXCUSE ME, UH... COULD YOU HELP ME OUT HERE? 274 00:19:27,644 --> 00:19:29,907 UH, POR FAVOR, 275 00:19:29,951 --> 00:19:31,387 LIMPIAR EL CUARTO... 276 00:19:40,353 --> 00:19:42,137 CATCH YOU LATER. I PROMISE. 277 00:19:58,806 --> 00:19:59,372 OW! 278 00:20:01,809 --> 00:20:03,724 WELL, DEAR CHRIS, 279 00:20:03,767 --> 00:20:06,683 I'M AFRAID YOU'VE BACKED ME INTO A CORNER. 280 00:20:06,727 --> 00:20:09,512 NOW I HAVE NO CHOICE BUT TO GET TOUGH WITH YOU. 281 00:20:09,556 --> 00:20:11,993 NOW, YOU LISTEN TO ME... 282 00:20:12,036 --> 00:20:13,255 THE MONEY IS IN A SMALL TAN SUITCASE. 283 00:20:13,299 --> 00:20:15,039 YOU WANT IT? YOU HELP ME FIND IT. 284 00:20:25,876 --> 00:20:31,317 HOW COULD YOU PUT IT IN MY BAG? HOW COULD YOU JUST ASSUME THAT I WOULD DO THIS? 285 00:20:31,360 --> 00:20:35,016 I WANT MY HONEYMOON, ALEX. 286 00:20:35,059 --> 00:20:38,106 OH, THIS IS YOUR PROBLEM! 287 00:20:38,149 --> 00:20:41,283 THIS IS OUR PROBLEM. 288 00:20:41,327 --> 00:20:43,111 TAKE A LOOK AT THESE. 289 00:20:43,154 --> 00:20:44,112 VERY NICE. 290 00:20:46,723 --> 00:20:49,813 TAKE A GOODLOOK. CAN YOU TELL THE DIFFERENCE? 291 00:20:49,857 --> 00:20:52,468 NO, I CAN'T. 292 00:20:52,512 --> 00:20:54,209 THAT'S EXACTLY THE POINT! NO ONE CAN. 293 00:20:54,253 --> 00:20:56,472 LAZOS HAS FINALLY MADE 294 00:20:56,516 --> 00:20:58,909 THE SET OF PERFECT COUNTERFEIT PLATES. 295 00:20:58,953 --> 00:21:00,563 HOW PERFECT? 296 00:21:00,607 --> 00:21:02,043 PERFECT PERFECT. 297 00:21:04,915 --> 00:21:06,134 "RUIN THE ECONOMY" PERFECT. 298 00:21:24,631 --> 00:21:27,721 ALL I HAVETO DO IS GET SEAN AND GO HOME. 299 00:21:27,764 --> 00:21:30,550 DO THAT AND TWO THINGS WILL HAPPEN... 300 00:21:30,593 --> 00:21:34,249 ONE, I TELL STATE THAT YOU STOLETHE MONEY. 301 00:21:34,293 --> 00:21:37,339 AND TWO, SEAN FINDS OUT ABOUT YOUR SECRET PAST. 302 00:21:37,383 --> 00:21:38,079 OH! 303 00:21:48,524 --> 00:21:49,308 WHOA! 304 00:21:54,661 --> 00:21:56,184 I'M NOT GOING TO TAKE THAT PERSONALLY. 305 00:21:56,227 --> 00:21:57,054 PLEASE DO. 306 00:22:00,014 --> 00:22:02,364 OH! SEAN! 307 00:22:11,330 --> 00:22:13,680 [ chuckling ] 308 00:22:21,209 --> 00:22:22,428 OH, HONEY... 309 00:22:28,216 --> 00:22:30,827 SO... DID, UM... DID HE FIND YOUR BAGS? 310 00:22:30,871 --> 00:22:33,264 WHO? 311 00:22:33,308 --> 00:22:36,355 THAT HOTEL GUY WITH THE BELA LUGOSI HAIR. 312 00:22:36,398 --> 00:22:38,531 YOU KNOW, THE, UH... 313 00:22:38,574 --> 00:22:40,750 THE ONE WITH HIS TONGUE IN YOUR EAR? 314 00:22:40,794 --> 00:22:42,361 [ chuckling ] 315 00:22:42,404 --> 00:22:43,971 THAT WAS NO HOTEL GUY, THAT WAS... 316 00:22:44,014 --> 00:22:45,451 ALEX. 317 00:22:45,494 --> 00:22:47,627 OH... GOOD. 318 00:22:47,670 --> 00:22:49,193 ALEX. 319 00:22:52,240 --> 00:22:54,068 YOU KNOW, HONEY, ALEX DESBAINS... 320 00:22:54,111 --> 00:22:56,853 WE USED TO WORK TOGETHER, AND WE HAVEN'T SEEN EACH OTHER FOR AWHILE, 321 00:22:56,897 --> 00:23:00,161 AND WE WERE JUST CATCHING UP TO SEE HOW WE WERE. 322 00:23:00,204 --> 00:23:02,468 AND HOW WERE WE? 323 00:23:02,511 --> 00:23:04,600 ONE OF US WAS HANGING NAKED FROM A STAIRWAY. 324 00:23:07,037 --> 00:23:10,214 YOU THINK HE WAS IMPRESSED? 325 00:23:10,258 --> 00:23:13,348 OH, I THINK EVERYONE IN THE LOBBY WAS IMPRESSED. 326 00:23:17,570 --> 00:23:19,223 BUT ESPECIALLY ME. 327 00:23:22,923 --> 00:23:26,492 ♪ [ Flamenco music playing ] 328 00:23:26,535 --> 00:23:30,191 ♪ PASA DICIENDO AQUI DEJO TU ALMA♪ 329 00:23:30,234 --> 00:23:33,194 ♪ PASA DICIENDO AQUI DEJO TU ALMA...♪ 330 00:24:22,286 --> 00:24:24,463 EXCUSE ME, BUT, UH, 331 00:24:24,506 --> 00:24:26,160 YOU'RE REALLY STARTING TO IRRITATE ME. 332 00:24:28,554 --> 00:24:29,206 SACK, OPEN THIS. 333 00:24:47,877 --> 00:24:48,661 GUESS WHO? AH! 334 00:24:52,099 --> 00:24:54,797 SEAN, MEET ALEX DESBAINS. 335 00:24:54,841 --> 00:24:57,104 AH, YES. SEAN... DRESSED. 336 00:24:57,147 --> 00:24:59,323 VERY NICE. 337 00:24:59,367 --> 00:25:01,151 I'M SURE CHRIS HAS TOLD YOU ALLABOUT ME. 338 00:25:01,195 --> 00:25:03,502 ENOUGH. 339 00:25:03,545 --> 00:25:05,591 CHRIS, THAT FAVOR I ASKED YOU FOR 340 00:25:05,634 --> 00:25:07,767 SIMPLY MUST BE TAKEN CARE OF TOMORROW, DARLING. 341 00:25:07,810 --> 00:25:10,117 FAVOR? JUST A TOUR MIX-UP, 342 00:25:10,160 --> 00:25:13,337 THE KIND OF THING CHRIS IS SO GOOD AT STRAIGHTENING OUT. 343 00:25:13,381 --> 00:25:16,253 CHRIS IS ON HER HONEYMOON. CHRIS IS RETIRED. 344 00:25:16,297 --> 00:25:19,126 SURELY YOU CAN SPARE HER FOR A FEW HOURS TO HELP US OUT. 345 00:25:19,169 --> 00:25:21,563 I DON'T WANT TO BE THE BAD GUY. 346 00:25:21,607 --> 00:25:23,478 IF IT'S SOMETHING YOU HAVE TO DO, IT'S OKAY WITH ME. 347 00:25:23,522 --> 00:25:25,524 THEN IT'S SETTLED. 348 00:25:25,567 --> 00:25:27,395 PARA FINALIZAR, 349 00:25:27,438 --> 00:25:29,615 Y PARA QUE TODOS USTEDES PUEDAN BAILAR, 350 00:25:29,658 --> 00:25:31,834 VAMOS A INTERPRETAR UN TANGO. 351 00:25:31,878 --> 00:25:34,881 GOD, HOW I LOVE THE TANGO. 352 00:25:34,924 --> 00:25:40,234 IT'S SUCH A PROVOCATIVE, SEXUALLY STIMULATING DANCE. 353 00:25:40,277 --> 00:25:43,193 VIRTUALLY PULSATING WITH PASSION. 354 00:25:43,237 --> 00:25:45,326 DO YOU MIND IF I DANCE WITH YOUR WIFE? 355 00:25:51,637 --> 00:25:54,335 WOULD YOU RELAX? 356 00:25:54,378 --> 00:25:57,077 OR WOULD YOU RATHER HAVE THIS DISCUSSION IN FRONT OF SEAN? 357 00:25:57,120 --> 00:26:00,646 ♪ VENTE CORMINGO Y SERAS♪ 358 00:26:00,689 --> 00:26:05,302 ♪ CAPITANA DE MI BARCO♪ 359 00:26:05,346 --> 00:26:09,611 ♪ YO ME IRE SIN RUMBO FIJO...♪ 360 00:26:09,655 --> 00:26:11,657 TOMORROW WE'LL GO TO THE FIESTA, 361 00:26:11,700 --> 00:26:12,832 AND WE'LL FIND LAZOS THERE. 362 00:26:25,627 --> 00:26:26,976 [ air dryer hums ] 363 00:26:49,303 --> 00:26:51,218 WAIT A MINUTE... 364 00:26:51,261 --> 00:26:53,524 I'M A CABALLERO, RIGHT? 365 00:26:53,568 --> 00:26:55,701 SO... 366 00:26:55,744 --> 00:26:57,964 I'M SORRY, YOU GUYS ARE IN THE WRONG ROOM. 367 00:26:58,007 --> 00:26:59,705 ESPERE UN MOMENTO. 368 00:26:59,748 --> 00:27:02,098 YO SOY UN CABALLERO, VERDAD? 369 00:27:02,142 --> 00:27:03,534 CREO QUE SE HA EQUIVOCADO DE BAÑO. 370 00:27:03,578 --> 00:27:05,058 HA HA! 371 00:27:05,101 --> 00:27:07,582 DEJA DE HACER EL IDIOTA, 372 00:27:07,626 --> 00:27:08,801 TENEMOS MUCHO DE QUE HABLAR. 373 00:27:11,368 --> 00:27:14,067 DON'T PLAY IDIOT. WE HAVE MUCHTO DISCUSS. 374 00:27:14,110 --> 00:27:15,677 UH... UH... 375 00:27:15,721 --> 00:27:17,679 I'M NOT PLAYIN'. 376 00:27:17,723 --> 00:27:19,550 NO ESTOY JUGANDO. 377 00:27:19,594 --> 00:27:22,336 ERES MUY ATRACTIVO, MEJOR, 378 00:27:22,379 --> 00:27:24,904 ESTO NO TIENE POR QUE SER UNA RELACION 379 00:27:24,947 --> 00:27:26,688 EXCLUSIVAMENTE DE NEGOCIOS. 380 00:27:26,732 --> 00:27:27,994 I FIND YOU VERY ATTRACTIVE. 381 00:27:28,037 --> 00:27:30,257 MM, BETTER... 382 00:27:30,300 --> 00:27:33,390 IT NEED NOT TO BE JUST A BUSINESS RELATIONSHIP. 383 00:27:33,434 --> 00:27:35,610 WELL, UH, I THINK IT SHOULD BECAUSE... 384 00:27:35,654 --> 00:27:39,440 BECAUSE MY WIFE FINDS ME ATTRACTIVE, TOO. 385 00:27:39,483 --> 00:27:42,095 CREO QUE SI, PORQUE MI MUJER TAMBIEN ME ENCUENTRA MUY ATTRACTIVO. 386 00:27:42,138 --> 00:27:43,879 BONITO, DEJA DE DECIR TONTERIAS, MM? 387 00:27:43,923 --> 00:27:45,751 SWEETHEART, STOP THE CHARADE. 388 00:27:45,794 --> 00:27:47,927 TU Y YO SOMOS PROFESIONALES Y LOS DOS QUEREMOS 389 00:27:47,970 --> 00:27:49,972 ESAS PLANCHAS. 390 00:27:50,016 --> 00:27:53,454 WE ARE BOTH PROFESSIONAL, AND WE BOTH WANT THE PLATES. 391 00:27:53,497 --> 00:27:56,326 PLATES... 392 00:27:56,370 --> 00:27:57,371 OH, THE PLATES! 393 00:27:57,414 --> 00:27:59,721 OH... 394 00:27:59,765 --> 00:28:03,725 UH... I TELL YOU WHAT, WHY DON'T YOU JUST KEEP 'EM? 395 00:28:03,769 --> 00:28:06,206 NICE TALKIN' WITH YOU, BUT I GOTTA GO NOW. 396 00:28:06,249 --> 00:28:08,512 TE VAMOS A DEJAR SIN NADA, DESGRACIADO! 397 00:28:08,556 --> 00:28:11,341 WE WILL LEAVE YOU NOTHING, YOU WRETCHED... PIG! 398 00:28:11,385 --> 00:28:11,994 CERDO! 399 00:28:15,389 --> 00:28:17,173 CAREFUL IN THERE, PAL, IT'S DANGEROUS. 400 00:28:27,096 --> 00:28:28,402 [ door closes ] 401 00:28:28,445 --> 00:28:29,490 [ gunshot ] 402 00:28:29,533 --> 00:28:31,100 [ screams ] 403 00:28:39,369 --> 00:28:40,762 SORRY. MMM. 404 00:28:43,939 --> 00:28:45,375 [ mumbling ] 405 00:28:54,471 --> 00:28:56,604 WHAT? 406 00:28:56,647 --> 00:28:58,171 HE SAID TO HURRY BECAUSE HE'S IN GREAT PAIN. 407 00:29:01,000 --> 00:29:02,741 BECAUSE I'M A FAT, BRAINLESS PUTZ. 408 00:29:05,569 --> 00:29:07,397 PLEASE, LANCE... 409 00:29:07,441 --> 00:29:08,790 PLEASE HURRY... 410 00:29:08,834 --> 00:29:09,486 PLEASE? 411 00:29:14,404 --> 00:29:15,449 [ door slams ] 412 00:29:15,492 --> 00:29:16,755 AH... 413 00:29:29,942 --> 00:29:32,466 DO I STAND AROUND GAPING AT YOU? 414 00:29:32,509 --> 00:29:34,294 I DON'T THINK SO. 415 00:29:34,337 --> 00:29:35,338 [ scoffs ] 416 00:30:09,503 --> 00:30:11,722 SEAN, WHAT IS IT? 417 00:30:11,766 --> 00:30:13,855 WHAT'S WHAT? 418 00:30:13,899 --> 00:30:16,162 DO YOU HATE YOUR TIE? 419 00:30:16,205 --> 00:30:17,511 ARE YOU TRYING TO KILL YOUR TIE? 420 00:30:20,035 --> 00:30:20,949 I'M DISCIPLINING IT. 421 00:30:23,909 --> 00:30:26,868 IT'S ALEX, RIGHT? 422 00:30:26,912 --> 00:30:28,827 MAYBE IT'S ANOTHER CULTURE I HAVE TO GET USED TO. 423 00:30:28,870 --> 00:30:30,480 TWO WOMEN DO A WRESTLEMANIA NUMBER ON ME 424 00:30:30,524 --> 00:30:32,482 IN THE MEN'S ROOM, 425 00:30:32,526 --> 00:30:35,050 AND SOME CLOWN WITH A CASE OF 10-40 OIL IN HIS HAIR 426 00:30:35,094 --> 00:30:37,052 TRIES TO SEDUCE MY WIFE. 427 00:30:37,096 --> 00:30:39,794 ALEX SEDUCE ME? 428 00:30:39,838 --> 00:30:41,491 COME ON, SEAN, YOU ACTUALLY SOUND JEALOUS. 429 00:30:44,277 --> 00:30:45,800 MAYBE IT'S 'CAUSE I... 430 00:30:45,844 --> 00:30:47,758 ACTUALLY AM JEALOUS. 431 00:30:47,802 --> 00:30:49,499 YOU DON'T NEED TO BE JEALOUS OF ANYONE, 432 00:30:49,543 --> 00:30:50,674 ESPECIALLY NOT ALEX. 433 00:30:50,718 --> 00:30:52,589 YEAH, WELL... 434 00:30:52,633 --> 00:30:55,027 HOW ABOUT THE WAY HE WAS DANCING WITH YOU? 435 00:30:55,070 --> 00:30:57,246 HE'S NOT A VERY GOOD DANCER. 436 00:30:57,290 --> 00:31:00,162 WHAT ABOUT THAT FAVOR TOMORROW? 437 00:31:00,206 --> 00:31:02,164 YOU'RE THE ONE WHO SAID, "GO AHEAD, DO THE FAVOR." 438 00:31:02,208 --> 00:31:04,558 IT WAS JET LAG TALKING. 439 00:31:04,601 --> 00:31:06,386 HONEY, I DON'T WANT TO FIGHT, ESPECIALLY NOT ABOUT ALEX. 440 00:31:13,828 --> 00:31:16,091 [ Chris giggling ] 441 00:31:16,135 --> 00:31:17,397 [ Chris and Sean kissing ] 442 00:31:25,057 --> 00:31:26,449 [ snoring ] 443 00:31:26,493 --> 00:31:31,063 [ honking ] 444 00:31:33,761 --> 00:31:35,154 [ exhales deeply ] 445 00:31:35,197 --> 00:31:37,896 SORRY. MY HEAD MUST'VE SLIPPED. 446 00:31:39,854 --> 00:31:42,204 YOU KNOW, MY ELBOW STILL HURTS. 447 00:31:46,252 --> 00:31:47,340 YOUR ELBOW HURTS? 448 00:31:47,383 --> 00:31:49,951 YEAH. 449 00:31:49,995 --> 00:31:53,259 HOW DO YOU THINK MY ENTIRE HEAD FEELS, YOU MORON? 450 00:31:53,302 --> 00:31:54,390 HUH? 451 00:31:57,263 --> 00:31:58,568 [ Chris moaning ] 452 00:32:18,458 --> 00:32:19,502 Chris: HELP ME MOVE BACK. YEAH. OH! 453 00:32:41,655 --> 00:32:42,308 [ gasps ] 454 00:32:48,488 --> 00:32:51,491 YOU KNOW, I WAS THINKING... 455 00:32:51,534 --> 00:32:53,493 MAYBE I OUGHT TO GO WITH YOU THIS MORNING. 456 00:32:53,536 --> 00:32:55,843 HONEY, IT'S BUSINESS AND IT'S BORING. 457 00:32:55,886 --> 00:32:58,150 I-I LEFT A LIST OF SOME MUSEUMS 458 00:32:58,193 --> 00:32:59,368 THAT YOU MIGHT WANNA SEE AROUND HERE. 459 00:33:02,850 --> 00:33:05,200 I DON'T WANT TO GO TO MUSEUMS ALONE. 460 00:33:05,244 --> 00:33:07,681 HEY, LADY, I'M HERE MINDING MY OWN BUSINESS! 461 00:33:07,724 --> 00:33:08,725 I WON'T KNOW WHEN TO BE IMPRESSED. 462 00:33:11,206 --> 00:33:15,689 JUST OHH! AND AHH! AT EVERY OTHER PAINTING. 463 00:33:15,732 --> 00:33:16,646 WHAT? 464 00:33:19,301 --> 00:33:20,650 WHAT? 465 00:33:20,694 --> 00:33:22,391 [ muffled yelling ] 466 00:33:22,435 --> 00:33:23,479 YOUR SHOE. 467 00:33:28,571 --> 00:33:29,877 AAH! 468 00:33:29,920 --> 00:33:31,226 MY SHOES... 469 00:33:35,491 --> 00:33:37,015 AAH! 470 00:33:41,845 --> 00:33:43,195 HA HA! 471 00:33:49,549 --> 00:33:51,507 CHRIS? 472 00:33:51,551 --> 00:33:53,248 YOUR HAIRDRYER JUST TRIED TO KILL ME. 473 00:33:53,292 --> 00:33:54,510 I'M SORRY. 474 00:33:58,819 --> 00:34:00,081 WHO SENT YOU? 475 00:34:00,125 --> 00:34:01,778 THAT'S A SECRET I'LL TAKE TO MY GRAVE. 476 00:34:01,822 --> 00:34:02,779 MARLIS. 477 00:34:02,823 --> 00:34:03,432 AAH! 478 00:34:07,436 --> 00:34:09,395 WHO'S MARLIS? 479 00:34:09,438 --> 00:34:12,093 YOU LOOK ABSOLUTELY DELICIOUS THIS MORNING, MY DEAR. 480 00:34:12,137 --> 00:34:15,444 THERE'S A DEFINITE ROBUST, SEXUAL BLUSH TO YOUR CHEEKS. 481 00:34:15,488 --> 00:34:18,665 OH, YES, MARLIS... HE'S A LOW LIFE, 482 00:34:18,708 --> 00:34:20,797 PROBABLY HE WANTS TO GIVE THE PLATES TO A FOREIGN DICTATOR. 483 00:34:20,841 --> 00:34:22,103 LAZOS WILL WANT TO SEE THE MONEY. 484 00:34:22,147 --> 00:34:23,452 NOT TO WORRY. 485 00:34:23,496 --> 00:34:26,107 YOU'LL SHOW HIM THIS. 486 00:34:26,151 --> 00:34:28,675 LAZOS TRUSTS YOU. HE'LL THINK THE MONEY'S IN HERE. 487 00:34:36,900 --> 00:34:41,296 AND WHEN LAZOS FINDS OUT THERE'S NOTHING BUT PAPER IN HERE, THEN WHAT? 488 00:34:41,340 --> 00:34:44,473 THEN WE TRY REASON, AND ASK FOR TIME. 489 00:34:44,517 --> 00:34:47,868 BUT IF WE DON'T MAKE THIS APPOINTMENT, LAZOS MAY TRY TO DO BUSINESS WITH SOMEONE ELSE. 490 00:34:47,911 --> 00:34:49,217 GREAT PLAN. 491 00:34:49,261 --> 00:34:51,524 I NEVER SAID IT WAS A PLAN, DARLING. 492 00:34:51,567 --> 00:34:52,568 [ engine starts ] 493 00:34:52,612 --> 00:34:54,440 [ tires squealing ] 494 00:35:03,275 --> 00:35:04,450 UH, FOLLOW THAT CAR. 495 00:35:06,974 --> 00:35:08,193 THAT CAR... FOLLOW IT? 496 00:35:13,285 --> 00:35:15,069 UH... COMOMIAMI VICE? 497 00:35:15,113 --> 00:35:15,983 AH, Sí! 498 00:35:16,026 --> 00:35:16,723 WHOA! 499 00:35:20,161 --> 00:35:21,815 [ tires squealing ] 500 00:36:15,260 --> 00:36:16,522 [ distant guitar playing ] 501 00:36:19,264 --> 00:36:20,526 [ distant voices murmuring ] 502 00:36:24,399 --> 00:36:26,532 [ people chattering ] 503 00:36:31,014 --> 00:36:32,451 [ guitar playing loudly ] 504 00:36:52,819 --> 00:36:55,125 MUY BUENA ESTA, ESTA P'HACER PATATAS, 505 00:36:55,169 --> 00:36:57,911 PATATAS Y BACALAO, P'A LLEVAR BARATA. 506 00:36:57,954 --> 00:36:59,521 SOLO QUINIENTAS, QUINIENTAS Y VA. 507 00:36:59,565 --> 00:37:01,915 NA' MAS QUE QUINIENTAS. 508 00:37:01,958 --> 00:37:03,308 NO, I DON'T WANNA COOK ANY QUINIENTOS. 509 00:37:03,351 --> 00:37:04,396 QUINIENTOS, NADA MAS. 510 00:37:04,439 --> 00:37:05,310 NO, THANK YOU. 511 00:37:44,087 --> 00:37:46,264 SEAN? 512 00:37:46,307 --> 00:37:49,310 SEAN, WHAT ARE YOU DOING HERE? 513 00:37:49,354 --> 00:37:51,573 I WAS JUST LOOKING FOR SOME OF THOSE MINI-FORK THINGS 514 00:37:51,617 --> 00:37:53,314 YOU HOLD CORN WITH... 515 00:37:53,358 --> 00:37:55,534 I WAS WORRIED ABOUT YOU. 516 00:37:55,577 --> 00:37:57,405 I DON'T TRUST A GUY WITH A VARNISHED HEAD. 517 00:37:57,449 --> 00:37:59,842 YOU STAY HERE, AND I'LL BE RIGHT BACK, 518 00:37:59,886 --> 00:38:01,191 AND THEN I'M GONNA TELL YOU EVERYTHING. 519 00:38:15,380 --> 00:38:16,685 [ bell tolls ] 520 00:38:19,209 --> 00:38:21,560 [ bell tolling ] 521 00:38:31,091 --> 00:38:31,874 BOO! AH! 522 00:38:34,399 --> 00:38:37,184 OH! YOU ALMOST GAVE ME A HEART ATTACK! 523 00:38:37,227 --> 00:38:39,882 BUT YOU ARE YOUNG AND STRONG... YOU CAN TAKE IT! 524 00:38:39,926 --> 00:38:40,840 [ hand buzzer ] 525 00:38:40,883 --> 00:38:42,363 AAH! 526 00:38:42,407 --> 00:38:44,452 YOU NEVER LEARN, DO YOU? 527 00:38:44,496 --> 00:38:47,673 YOU FELL FOR THAT ONE SEVEN YEARS AGO. 528 00:38:47,716 --> 00:38:49,631 I KEEP THINKING THAT YOU'LL GROW UP. 529 00:38:49,675 --> 00:38:52,547 WHATEVER FOR? I CAN'T AVOID GROWING OLD, 530 00:38:52,591 --> 00:38:54,984 BUT I CAN RESIST FEROCIOUSLY GROWING UP. 531 00:38:55,028 --> 00:38:57,073 MY DEAR, LAZOS, YOU... 532 00:38:57,117 --> 00:39:00,425 I SAW YOU WITH A YOUNG MAN OUT THERE JUST NOW. 533 00:39:00,468 --> 00:39:03,471 OH, THAT'S SEAN, HE'S MY HUSBAND. 534 00:39:03,515 --> 00:39:07,257 HE DOESN'T KNOW ANYTHING ABOUT THIS. I'M RETIRED. IT'S YOU WHO GOT ME INTO THIS! 535 00:39:07,301 --> 00:39:09,129 YES, YOU. 536 00:39:09,172 --> 00:39:12,959 B-B-BUT W-W-WHO COULD I TRUST? 537 00:39:13,002 --> 00:39:16,310 YOU REMEMBER THE LAST TIME I DEALT WITH YOUR GOVERNMENT, 538 00:39:16,354 --> 00:39:19,139 THEY THREW ME INTO JAIL! 539 00:39:19,182 --> 00:39:21,228 OF COURSE, THERE WAS A DELICIOUS IRONY IN ALL THIS, 540 00:39:21,271 --> 00:39:23,535 BECAUSE DURING MY HOLIDAY, 541 00:39:23,578 --> 00:39:27,060 GAVE ME AMPLE TIME TO PERFECT MY MASTERPIECE! 542 00:39:27,103 --> 00:39:29,715 THERE'S A LOT OF OTHER PEOPLE CHASING AFTER THESE PLATES. 543 00:39:29,758 --> 00:39:31,281 I KNOW, I KNOW, BUT THEY'LL NEVER FIND THEM. 544 00:39:31,325 --> 00:39:33,414 THEY'RE VERY WELL HIDDEN. 545 00:39:33,458 --> 00:39:35,373 WHY DIDN'T YOU JUST PRINT UP A COUPLE BILLION FOR YOURSELF? 546 00:39:35,416 --> 00:39:37,636 WHERE WOULD BE THE FUN IN THAT? 547 00:39:37,679 --> 00:39:40,116 I WOULD NEVER GET TO SEE YOUR PEOPLE SQUIRM 548 00:39:40,160 --> 00:39:41,596 AT THE THOUGHT THAT I WAS SELLING THEM TO THEIR ENEMIES 549 00:39:41,640 --> 00:39:43,946 FOR 20 TIMES THE PRICE! 550 00:39:43,990 --> 00:39:45,992 AND I COULD HAVE DONE, YOU KNOW, OH, YES, I COULD. 551 00:39:46,035 --> 00:39:50,344 BUT THEN THIS WAS NEVER ABOUT MONEY, WAS IT? 552 00:39:50,388 --> 00:39:54,043 I'M GLAD TO HEAR THAT, BECAUSE WE HAVE A SLIGHT PROBLEM. 553 00:39:54,087 --> 00:39:54,957 [ motorcycle approaching ] 554 00:40:06,142 --> 00:40:06,752 LAZOS! 555 00:40:09,319 --> 00:40:10,625 RUN! RUN! 556 00:40:15,587 --> 00:40:17,893 GOT A LIGHT, PAL? 557 00:40:17,937 --> 00:40:20,287 I'D SAY THINGS HAVE GONE A TAD AWRY, YOU AND SEAN... 558 00:40:20,330 --> 00:40:22,507 OUGHT TO GET TO LA PARRA. 559 00:40:22,550 --> 00:40:24,073 WAIT FOR ME THERE, I'LL GET YOU OUT. 560 00:40:24,117 --> 00:40:26,075 IF ANYTHING SHOULD HAPPEN TO SEAN... 561 00:40:26,119 --> 00:40:29,383 YOU'LL BE SAFE, OKAY? I'LL CALL MRS. KENT AND TELL HER YOU'RE OUT OF IT. 562 00:40:48,141 --> 00:40:50,578 NO, THANKS, I ALREADY HAVE THE WHOLE SET. 563 00:40:50,622 --> 00:40:55,061 BASILICA... DOCE... TWELVE... 564 00:40:55,104 --> 00:40:58,325 WELL, IS... IS THAT DOLLARS OR PESETAS? 565 00:40:58,368 --> 00:41:00,458 UH... 566 00:41:13,253 --> 00:41:14,733 OKAY, OKAY. FINE. SOLD! 567 00:41:26,179 --> 00:41:28,311 BASILICA... 568 00:41:28,355 --> 00:41:29,530 B-BASILICA... 569 00:41:29,574 --> 00:41:30,531 D-DOCE! 570 00:41:30,575 --> 00:41:33,491 [ hand buzzer ] 571 00:41:36,189 --> 00:41:37,538 [ buzzer fades ] 572 00:41:43,370 --> 00:41:44,676 [ crowd yelling ] 573 00:41:48,723 --> 00:41:49,463 GET ON! 574 00:41:56,949 --> 00:41:58,603 SOMETHING GOING ON I DON'T KNOW ABOUT? 575 00:42:09,222 --> 00:42:10,789 I'M GONNA GET US OUT OF THIS! 576 00:42:10,832 --> 00:42:13,139 OUT OF WHAT? WHAT ARE WE IN? 577 00:42:13,182 --> 00:42:15,097 YOU'RE GONNA HATE ME, AND I WOULDN'T BLAME YOU! 578 00:42:15,141 --> 00:42:15,881 [ tires squealing ] 579 00:42:15,924 --> 00:42:18,579 SLOW DOWN! 580 00:42:18,623 --> 00:42:20,450 WE'RE NOT GONNA FIT... OH, MY GOD! 581 00:42:20,494 --> 00:42:22,888 - BUT IT'S NOT MY FAULT! - WHAT'S NOT YOUR FAULT? LET'S START WITH THAT. 582 00:42:24,977 --> 00:42:25,673 HIM! 583 00:42:32,071 --> 00:42:33,202 HUH? HUH? 584 00:42:33,246 --> 00:42:34,552 DON'T WE KNOW HIM? 585 00:42:51,220 --> 00:42:52,570 HOW'D SHE DO THAT? 586 00:42:52,613 --> 00:42:53,440 OH, SHE'S TERRIFIC! 587 00:42:57,313 --> 00:43:01,361 WHOOOOAAA! 588 00:43:04,582 --> 00:43:07,062 ARE YOU OKAY? 589 00:43:07,106 --> 00:43:09,195 I CAN'T HEAR YOU! MY NUTS ARE CLOGGING MY EARS! 590 00:43:09,238 --> 00:43:09,848 HUH? 591 00:43:48,321 --> 00:43:49,627 Sean: OH, SHIT! 592 00:44:10,212 --> 00:44:12,693 THIS IS A HELL OF A HONEYMOON PACKAGE 593 00:44:12,737 --> 00:44:13,738 YOUR FRIENDS FIXED US UP WITH. 594 00:44:25,445 --> 00:44:26,664 I GUESS YOU'LL HAVE TO STEAL ANOTHER MOTORCYCLE. 595 00:44:31,843 --> 00:44:34,062 WHEN THEY SAID, "TILL DEATH TO US PART," 596 00:44:34,106 --> 00:44:36,064 I DIDN'T THINK THEY MEANT THE FIRST WEEK. 597 00:44:36,108 --> 00:44:38,588 SEAN, I'M GONNA EXPLAIN EVERYTHING. 598 00:44:38,632 --> 00:44:41,722 BUT RIGHT NOW WE'VE GOTTA KEEP MOVING. 599 00:44:41,766 --> 00:44:44,333 NO! I'M NOT GOING ANYWHERE UNTIL I FIND OUT 600 00:44:44,377 --> 00:44:46,422 WHAT THE HELL'S GOING ON HERE! 601 00:44:46,466 --> 00:44:49,034 OKAY. 602 00:44:49,077 --> 00:44:51,558 THE TRAVEL AGENCY... IT ISN'T JUST A TRAVEL AGENCY, 603 00:44:51,601 --> 00:44:54,300 AND I WASN'T... JUST A TRAVEL AGENT. 604 00:44:54,343 --> 00:44:56,824 YEAH? 605 00:44:56,868 --> 00:44:59,653 WE'RE RUN BY THE STATE DEPARTMENT. 606 00:44:59,697 --> 00:45:02,134 WE DO DIFFERENT ERRANDS FOR DIFFERENT GOVERNMENT AGENCIES, 607 00:45:02,177 --> 00:45:03,570 SORT OF LIKE A... LIKE A 608 00:45:03,613 --> 00:45:05,006 LIKE A COURIER SERVICE. 609 00:45:05,050 --> 00:45:07,008 A COURIER SERVICE? 610 00:45:07,052 --> 00:45:09,837 YEAH. WE DEAL WITH BLACKMAILERS AND RANSOM DEMANDS. 611 00:45:09,881 --> 00:45:13,754 WE DO TRICKY STUFF THEY DON'T WANT TO BE CAUGHT DOING. 612 00:45:13,798 --> 00:45:17,758 THIS IS A... A LITTLE TIDBIT OF PERSONAL INFO 613 00:45:17,802 --> 00:45:19,673 THAT YOU MIGHT'VE SHARED WITH ME. 614 00:45:19,717 --> 00:45:22,371 SEAN, I WANTED TO TELL YOU. 615 00:45:22,415 --> 00:45:25,853 I COULDN'T. 616 00:45:25,897 --> 00:45:27,725 MY JOB WAS CLASSIFIED, NOBODY KNEW... NOT MY PARENTS, 617 00:45:27,768 --> 00:45:29,291 MY FRIENDS... YOUR HUSBAND. 618 00:45:29,335 --> 00:45:30,553 MY HUSBAND... 619 00:45:38,213 --> 00:45:38,997 WHAT IS THAT? 620 00:45:45,481 --> 00:45:46,091 AAH! 621 00:45:52,488 --> 00:45:53,402 OOH... 622 00:46:02,803 --> 00:46:05,284 [ jacket sleeve rips ] 623 00:46:05,327 --> 00:46:06,807 HEY, SORRY ABOUT THE JACKET. 624 00:46:12,595 --> 00:46:13,422 [ ripping ] 625 00:46:13,466 --> 00:46:15,468 WHOA! 626 00:46:15,511 --> 00:46:16,817 SORRY ABOUT THE SHIRT. 627 00:46:19,777 --> 00:46:21,082 COME ON, GIVE ME YOUR HAND. 628 00:46:26,087 --> 00:46:28,307 [ mumbling ] 629 00:46:28,350 --> 00:46:30,875 WHAT DID HE SAY? 630 00:46:30,918 --> 00:46:32,398 HE SAID TO LEAVE ME, I'M WORTHLESS. C'MON. 631 00:46:32,441 --> 00:46:34,748 AAH! 632 00:46:34,792 --> 00:46:37,011 [ crashes on the ground ] 633 00:46:37,055 --> 00:46:39,840 IS THIS ONE OF THOSE EVIL TWIN DEALS? 634 00:46:39,884 --> 00:46:41,668 HAVE YOU GOT SOME... SOME DUNGEON IN WASHINGTON 635 00:46:41,711 --> 00:46:43,539 WHERE CHRIS IS TIED UP? 636 00:46:43,583 --> 00:46:46,107 THIS IS NO EVIL TWIN DEAL. 637 00:46:46,151 --> 00:46:48,370 YOU HAVE NO IDEA WHERE WE'RE HEADING, DO YOU? 638 00:46:48,414 --> 00:46:50,024 YES, I DO, WE'RE GOING TO LA PARRA. 639 00:46:50,068 --> 00:46:52,287 TO A SAFE HOUSE. 640 00:46:52,331 --> 00:46:54,115 DESBAINS WILL MEET US. HE GOT US INTO THIS... 641 00:46:54,159 --> 00:46:55,987 HE'S GONNA GET US OUT OF IT. 642 00:46:56,030 --> 00:46:57,640 WE'RE COUNTING ON HIM? 643 00:46:57,684 --> 00:46:58,554 WE'RE DEAD MEAT! 644 00:47:18,531 --> 00:47:20,185 Sean: I'D LIKE TO SUGGEST WE FIND AN ALTERNATE ROUTE. 645 00:47:28,106 --> 00:47:29,107 OVER THERE. 646 00:47:35,940 --> 00:47:38,203 Lance: I CAN NAIL A BUTTERFLY AT A HUNDRED PACES! 647 00:47:38,246 --> 00:47:42,250 YEAH. I BET HE'D ENJOY IT, TOO. 648 00:47:42,294 --> 00:47:44,122 PLEASE! I WANT NO HOSTILITIES HERE, 649 00:47:44,165 --> 00:47:47,168 AND NO HARM'S GONNA COME TO YOU. 650 00:47:47,212 --> 00:47:49,997 LAZOS GAVE YOU SOMETHING AT THE RASTRO. 651 00:47:50,041 --> 00:47:51,956 I SIMPLY WANT IT. 652 00:47:51,999 --> 00:47:53,522 HE DIDN'T GIVE ME ANYTHING. 653 00:47:53,566 --> 00:47:56,395 I'M NOT TALKIN' TO YOU, LADY, I'M TALKING TO HIM! 654 00:47:56,438 --> 00:48:00,703 THIS? YOU'RE SHOOTING AT US FOR THIS? 655 00:48:00,747 --> 00:48:03,010 I'M SHOOTING AT THEM FOR THAT? 656 00:48:03,054 --> 00:48:04,533 WAIT A MINUTE... 657 00:48:07,972 --> 00:48:09,582 [ panting ] 658 00:48:13,934 --> 00:48:17,111 IT'S A CLUE TO WHERE LAZOS HID A SET OF PERFECT COUNTERFEIT PLATES. 659 00:48:17,155 --> 00:48:18,852 OH, PERFECT COUNTERFEIT PLATES. 660 00:48:18,896 --> 00:48:21,637 EXCUSE ME! 661 00:48:21,681 --> 00:48:23,988 BUT I BELIEVE I'M THE ONE CONDUCTING THIS MEETING HERE! 662 00:48:24,031 --> 00:48:26,816 YOU EITHER GIVE ME THAT THING, 663 00:48:26,860 --> 00:48:28,688 OR I'M GONNA HAVE MY VICE PRESIDENT OF PUBLIC RELATIONS HERE 664 00:48:28,731 --> 00:48:30,472 PLANT SOME LEAD IN YOUR HEAD! 665 00:48:30,516 --> 00:48:32,344 NOW, WAIT A MINUTE, PAL. DO YOU WANT IT? 666 00:48:37,218 --> 00:48:39,960 [ creaking and rumbling ] 667 00:48:59,023 --> 00:49:01,068 I DON'T KNOW ABOUT YOU, BUT I'M GOIN' BACK TO THE STATES. 668 00:49:05,029 --> 00:49:06,073 SEAN! 669 00:49:15,735 --> 00:49:17,563 Sean: ♪ IF YOU GO DOWN IN THE WOODS TODAY ♪ 670 00:49:17,606 --> 00:49:20,087 ♪ YOU'D BETTER NOT GO ALONE 671 00:49:20,131 --> 00:49:22,307 ♪ IF YOU GO OUT IN THE WOODS TODAY ♪ 672 00:49:22,350 --> 00:49:24,787 ♪ BE SURE TO GO IN DISGUISE 673 00:49:24,831 --> 00:49:27,007 ♪ IF YOU GO OUT IN THE WOODS TODAY ♪ 674 00:49:27,051 --> 00:49:28,269 ♪ YOU'RE IN FOR A BIG SURPRISE 675 00:49:33,013 --> 00:49:34,058 WE'RE TOTALLY FUCKING LOST. 676 00:49:41,543 --> 00:49:42,980 ♪ CAUSE EVERY DAY'S THE DAY THE TEDDY BEAR... 677 00:49:43,023 --> 00:49:44,372 AAH! 678 00:49:44,416 --> 00:49:45,373 SEAN? 679 00:49:50,291 --> 00:49:53,033 OH, GOD, SEAN, ARE YOU OKAY? 680 00:49:53,077 --> 00:49:55,253 OH, I'M HAVING A BLAST! NOW, GET ME DOWN. 681 00:49:59,474 --> 00:50:02,260 SEAN, I'M GOING TO LET YOU DOWN, 682 00:50:02,303 --> 00:50:04,784 BUT FIRST OF ALL, I'VE SOMETHING I WANT TO SAY. 683 00:50:04,827 --> 00:50:07,265 YOU'VE GOT ABOUT 90 SECONDS TILL MY HEAD EXPLODES. 684 00:50:07,308 --> 00:50:08,657 I DON'T THINK YOU'RE BEING FAIR TO ME... 685 00:50:08,701 --> 00:50:09,832 OR TO US. 686 00:50:09,876 --> 00:50:11,095 WHAT? HOW? 687 00:50:11,138 --> 00:50:13,793 HOW AM I NOT BEING FAIR? 688 00:50:13,836 --> 00:50:16,796 I SUPPOSE... I SUPPOSE YOU DON'T HAVE ANY SECRETS, 689 00:50:16,839 --> 00:50:18,972 ANY SKELETONS IN YOUR CLOSET? 690 00:50:19,016 --> 00:50:21,366 YEAH, BUT THE HENSHAW SISTERS AREN'T GONNA KILL US! 691 00:50:21,409 --> 00:50:24,630 SEAN... 692 00:50:24,673 --> 00:50:27,937 SEAN, DO YOU ACTUALLY BELIEVE THAT I WANTED TO LIE TO YOU? 693 00:50:27,981 --> 00:50:30,375 DO YOU ACTUALLY BELIEVE THAT I WOULD DO ANYTHING TO HARM YOU? 694 00:50:30,418 --> 00:50:33,030 I QUIT MY JOB SO WE COULD LEAD A NORMAL LIFE. 695 00:50:33,073 --> 00:50:35,032 SO HOW'D WE END UP LIKE THIS? 696 00:50:37,860 --> 00:50:40,080 SHE SAID IF I DIDN'T DO THIS ONE LAST FAVOR, 697 00:50:40,124 --> 00:50:41,168 I COULD END UP A WIDOW. 698 00:50:43,649 --> 00:50:44,563 I RESPECT YOUR DECISION. 699 00:50:46,956 --> 00:50:49,220 SO YOU BELIEVE... 700 00:50:49,263 --> 00:50:52,092 THAT I WOULD NEVER DO ANYTHING TO HURT YOU? 701 00:50:52,136 --> 00:50:55,052 THIS IS A LOT TO DIGEST. YES, BUT... 702 00:50:55,095 --> 00:50:56,792 ESPECIALLY WHEN YOU'RE HANGING UPSIDE DOWN LIKE THIS. 703 00:50:56,836 --> 00:50:58,359 BUT YOU BELIEVE ME? 704 00:50:58,403 --> 00:51:00,144 YEAH, YEAH, I BELIEVE YOU. 705 00:51:11,590 --> 00:51:12,243 EW! 706 00:51:14,375 --> 00:51:15,072 [ spits ] 707 00:51:45,189 --> 00:51:45,972 [ twig snaps ] 708 00:51:47,974 --> 00:51:49,193 BAMBI? THUMPER, IS THAT YOU? 709 00:51:51,804 --> 00:51:53,327 Marlis: HEY! HEY! 710 00:52:00,987 --> 00:52:01,988 WH-WHICH WAY'S MY MERCEDES? 711 00:52:06,253 --> 00:52:09,038 UH, THAT WAY, I THINK. 712 00:52:09,082 --> 00:52:10,431 I THINK IT'S OVER THERE. [ gunshot ] 713 00:52:17,917 --> 00:52:20,398 THESE THINGS ARE VERY TRICKY. 714 00:52:20,441 --> 00:52:21,442 IT, UH... 715 00:52:28,971 --> 00:52:30,973 YOU INCREDIBLE DICK! 716 00:52:34,238 --> 00:52:35,152 [ cocks gun ] 717 00:52:42,289 --> 00:52:43,464 [ gunshot ] DANCE! 718 00:52:46,772 --> 00:52:47,468 [ gunshot ] DANCE! 719 00:52:51,211 --> 00:52:52,212 SOFT SHOE. [ gunshot ] 720 00:52:55,868 --> 00:52:57,652 DANCE! [ gun clicking ] 721 00:53:05,617 --> 00:53:06,400 [ gunshot ] DANCE! 722 00:53:09,229 --> 00:53:11,057 [ repeated gunshots ] 723 00:53:22,938 --> 00:53:24,940 CALL ME MR. CURIOSITY, 724 00:53:24,984 --> 00:53:27,508 BUT HOW DID YOU EVER WIND UP IN A JOB LIKE THIS? 725 00:53:27,552 --> 00:53:29,510 I WAS RECRUITED. 726 00:53:29,554 --> 00:53:32,252 [ chuckling ] FROM WHAT? YOUR COLLEGE SPY TEAM? 727 00:53:32,296 --> 00:53:34,428 NO, I WAS A TRANSLATOR AT STATE. 728 00:53:34,472 --> 00:53:36,691 I THOUGHT IT WOULD BE FUN AND... 729 00:53:36,735 --> 00:53:39,520 GENERALLY SAFE. 730 00:53:39,564 --> 00:53:41,043 AND YOU MEET SUCH A HIGH CALIBER OF PEOPLE. 731 00:53:41,087 --> 00:53:45,134 WELL, I MET YOU. 732 00:53:45,178 --> 00:53:47,093 WHAT DO YOU MEAN? 733 00:53:47,136 --> 00:53:49,574 NOTHING. 734 00:53:49,617 --> 00:53:51,228 OH, NO, YOU MEANT SOMETHING BY THAT. 735 00:53:52,838 --> 00:53:54,796 WAIT A MINUTE! 736 00:53:54,840 --> 00:53:57,059 YOU WERE WORKING THAT DAY AT THE LIBRARY. 737 00:53:57,103 --> 00:53:59,627 YES. 738 00:53:59,671 --> 00:54:02,151 THAT GUY WASN'T TRYING TO STEAL YOUR PURSE! 739 00:54:02,195 --> 00:54:03,501 NO... 740 00:54:03,544 --> 00:54:05,285 OH, MAN! 741 00:54:05,329 --> 00:54:06,721 I FEEL LIKE SUCH AN IDIOT! 742 00:54:10,203 --> 00:54:11,944 YOU WERE PASSING HIM SOMETHING, AND I SCREWED IT UP! 743 00:54:11,987 --> 00:54:13,250 I SCREWED UP SOME DEAL. 744 00:54:13,293 --> 00:54:17,602 SEAN, NO. YOU WEREN'T AN IDIOT, 745 00:54:17,645 --> 00:54:20,126 AND... AND YOU REALLY DIDN'T SCREW ANYTHING UP. 746 00:54:20,169 --> 00:54:22,737 BECAUSE I TACKLED HIS SHOE! I SCREWED UP SCREWING UP. 747 00:54:22,781 --> 00:54:25,871 THE POSSIBILITIES FOR SELF-RECRIMINATION ON THIS ARE ENDLESS. 748 00:54:25,914 --> 00:54:29,570 - I THOUGHT IT WAS A BEAUTIFUL GESTURE... - STAY OVER ON YOUR SIDE OF THE FIRE. 749 00:54:29,614 --> 00:54:32,138 THIS IS A LOW SELF-ESTEEM MOMENT. 750 00:54:35,359 --> 00:54:41,408 MAYBE IT'D BE A GOOD IDEA IF WE DIDN'T TALK FOR A WHILE, UNLESS YOU HAVE SOMETHING IMPORTANT TO SAY, LIKE, 751 00:54:41,452 --> 00:54:42,627 "LOOK OUT, HE'S GOT A GUN!" 752 00:54:44,803 --> 00:54:48,197 I HAVE SOMETHING IMPORTANT TO SAY. 753 00:54:48,241 --> 00:54:50,461 SEAN, I'M SORRY. 754 00:54:50,504 --> 00:54:53,246 I'M SORRY I GOT YOU INTO ALL OF THIS. 755 00:54:53,290 --> 00:54:55,161 I... I NEVER MEANT TO HURT YOU OR DECEIVE YOU. 756 00:54:55,204 --> 00:54:58,991 NO MATTER WHAT HAPPENS... 757 00:54:59,034 --> 00:55:01,036 NO MATTER WHAT YOU THINK, I LOVE YOU. 758 00:55:56,570 --> 00:55:57,832 HEY. HEY. 759 00:56:00,574 --> 00:56:01,706 FEELING BETTER? 760 00:56:01,749 --> 00:56:03,708 MUCH BETTER. 761 00:56:03,751 --> 00:56:05,144 BUT I THINK MAYBE I'M STILL ASLEEP. 762 00:56:05,187 --> 00:56:06,319 HMM? 763 00:56:06,363 --> 00:56:07,668 I'M HALLUCINATING NORMAN BATES' HOUSE. 764 00:56:13,457 --> 00:56:16,503 [ Chris breathing heavily ] 765 00:56:19,463 --> 00:56:23,423 DO WE... REALLY WANT TO MEET THE PEOPLE WHO LIVE HERE? 766 00:56:23,467 --> 00:56:25,120 AS OPPOSED TO SPENDING THE REST OF OUR LIVES 767 00:56:25,164 --> 00:56:26,774 WITH TARANTULAS AND ORANGUTANS? 768 00:56:26,818 --> 00:56:28,428 I DON'T THINK WE HAVE TO DWELL ON THAT. 769 00:56:28,472 --> 00:56:30,343 DO YOU RECOGNIZE THAT CAR? 770 00:56:30,387 --> 00:56:32,737 BECAUSE I THINK I RECOGNIZE THAT CAR. 771 00:56:32,780 --> 00:56:34,565 I'M SURE I RECOGNIZE THAT CAR. 772 00:56:37,263 --> 00:56:40,788 WELL... THIS IS A PLEASANT SURPRISE. 773 00:56:44,488 --> 00:56:45,053 COVER 'EM. 774 00:57:19,305 --> 00:57:21,655 THIS IS THE LAST TIME I'M GONNA ASK YA... 775 00:57:21,699 --> 00:57:22,961 WHAT'S THIS THING MEAN?! 776 00:57:25,398 --> 00:57:27,356 I TOLD YOU WE DON'T KNOW. 777 00:57:27,400 --> 00:57:28,706 ASK LAZOS. 778 00:57:28,749 --> 00:57:30,577 [ mumbles ] 779 00:57:30,621 --> 00:57:32,623 WHAT? 780 00:57:32,666 --> 00:57:34,233 HE SAID, "LAZOS IS DEAD." 781 00:57:34,276 --> 00:57:38,063 [ mumbles ] 782 00:57:38,106 --> 00:57:39,717 AND IN A MINUTE, YOU'LL BE ABLE TO ASK HIM YOURSELF. 783 00:57:49,248 --> 00:57:50,205 MOVE, LANCE. 784 00:57:57,343 --> 00:58:00,346 I'D LIKE TO SPEAK TO YOU A MOMENT AS IF... 785 00:58:02,522 --> 00:58:05,786 WELL... 786 00:58:05,830 --> 00:58:08,528 AS IF YOU WERE MY... RECENTLY DEPARTED WIFE. 787 00:58:10,878 --> 00:58:12,184 YOU BITCH! 788 00:58:12,227 --> 00:58:14,926 HEY! HEY! 789 00:58:14,969 --> 00:58:17,755 Sean: THIS CHARADE HAS GONE FAR ENOUGH! 790 00:58:17,798 --> 00:58:22,368 IF THERE'S ANY BUSINESS THAT'S GONNA BE DONE, IT'LL BE DONE WITH ME. 791 00:58:22,411 --> 00:58:23,978 SEAN... 792 00:58:24,022 --> 00:58:27,895 SORRY, BABE... THE AGENCY DIDN'T WANT ME TO TELL YOU. 793 00:58:27,939 --> 00:58:30,855 I HOPE YOU UNDERSTAND. 794 00:58:30,898 --> 00:58:34,946 WE'VE HAD OUR EYE ON YOU FOR SOME TIME, MARLIS. 795 00:58:34,989 --> 00:58:43,476 WE KNEW WE'D HOOK YOU IF WE PUT OUT THE RIGHT BAIT. OH, FORGET HER. SHE'S A FRONT, A DIVERSION. 796 00:58:43,520 --> 00:58:45,957 WHO DO YOU THINK SET UP THE GUTZMAN HIT IN GENEVA? 797 00:58:46,000 --> 00:58:48,307 OR THE BLOFELD STING IN PRAGUE? 798 00:58:48,350 --> 00:58:51,092 WHO DO YOU THINK PUT WO-FAT TO SLEEP IN HONG KONG? 799 00:58:51,136 --> 00:58:57,708 YOU'RE LOOKING AT HIM, PAL. SO LET THE FILLY GO, AND WE'LL TALK DEAL. 800 00:58:57,751 --> 00:58:59,100 - DEAL? - FILLY? 801 00:58:59,144 --> 00:59:01,450 THAT'S RIGHT, DEAL. 802 00:59:03,931 --> 00:59:08,719 THE ANSWER TO THAT PUZZLE IS RIGHT HERE. 803 00:59:08,762 --> 00:59:11,112 IF YOU WANT IT... 804 00:59:11,156 --> 00:59:13,245 YOU'LL HAVE TO GET IT OUTTA ME. 805 00:59:20,992 --> 00:59:23,777 NOW, THAT'S ENTERTAINMENT. 806 00:59:23,821 --> 00:59:25,431 BUT BACK TO BUSINESS, SWEETHEART. 807 00:59:25,474 --> 00:59:26,693 AAH! 808 00:59:26,737 --> 00:59:28,869 BASILICA DOCE... 809 00:59:28,913 --> 00:59:33,091 UH, TWELVE. THAT'S ALL HE SAID. IT WAS JUST, UH, THE GLOBE AND BASILICA DOCE. 810 00:59:33,134 --> 00:59:36,311 THERE WAS NOTHING MORE. THAT'S IT, IT WAS ZILCH. 811 00:59:40,098 --> 00:59:41,926 [ mumbling ] 812 00:59:49,498 --> 00:59:51,413 HE SAID, THANK YOU VERY MUCH. 813 00:59:51,457 --> 00:59:53,633 THIS TIME HE BELIEVES YOU... 814 00:59:53,677 --> 00:59:54,634 AND TO KILL YOU. 815 01:00:16,177 --> 01:00:18,136 SEAN, I'M SO SORRY. I LOVE YOU SO MUCH. 816 01:00:20,268 --> 01:00:21,095 AND I LOVE YOU. 817 01:00:26,361 --> 01:00:30,452 COME ON, STOP THAT! COME ON! 818 01:00:30,496 --> 01:00:32,890 ALL RIGHT. RELEASE THE BRAKE. 819 01:00:36,241 --> 01:00:36,981 GUN THE ENGINE. 820 01:00:38,417 --> 01:00:41,376 [ engine revs ] 821 01:00:41,420 --> 01:00:42,726 NOW PUT THE CAR IN DRIVE. 822 01:01:02,049 --> 01:01:03,050 [ tires squealing ] 823 01:01:04,661 --> 01:01:06,097 [ honks ] 824 01:01:38,390 --> 01:01:38,912 ARE THEY DEAD? 825 01:01:41,828 --> 01:01:43,961 YEAH, THEY'RE DEAD, I, UH... 826 01:01:44,004 --> 01:01:45,527 I PUSHED THEM OFF A CLIFF. 827 01:01:45,571 --> 01:01:46,833 Marlis: GOOD. 828 01:01:46,877 --> 01:01:49,531 WHAT... WHAT TOOK YOU SO LONG? 829 01:01:49,575 --> 01:01:50,794 LONG? 830 01:01:52,839 --> 01:01:54,798 I HAD TO WALK BACK. 831 01:01:54,841 --> 01:01:56,103 YOU HAD TO WALK BACK? 832 01:02:08,594 --> 01:02:10,727 I'M ALMOST AFRAID TO ASK YOU THIS... 833 01:02:10,770 --> 01:02:13,904 YOU DON'T HAVE TO BE, UH... 834 01:02:13,947 --> 01:02:15,253 ALMOST AFRAID TO ASK ME ANYTHING. 835 01:02:19,779 --> 01:02:20,693 W-WHERE'S MY CAR? 836 01:02:23,304 --> 01:02:24,175 YOUR CAR? 837 01:02:26,525 --> 01:02:29,658 MY CAR. 838 01:02:29,702 --> 01:02:32,096 THEY WERE IN IT. 839 01:02:32,139 --> 01:02:34,707 MY MERCEDES? 840 01:02:34,751 --> 01:02:37,014 YEAH... YOUR MERCEDES. 841 01:02:44,325 --> 01:02:45,674 Marlis: MM-HMM. 842 01:02:47,502 --> 01:02:48,286 [ glass shatters ] 843 01:03:41,774 --> 01:03:42,819 WE'RE ALMOST HOME. 844 01:03:46,126 --> 01:03:48,259 AS LONG AS WE MAKE IT BACK FOR THE WORLD SERIES, 845 01:03:48,302 --> 01:03:49,738 NO HARM DONE. 846 01:03:49,782 --> 01:03:50,565 [ chuckling ] 847 01:03:53,873 --> 01:03:55,657 UH, HONEY, WHEN IS THE WORLD SERIES? 848 01:03:55,701 --> 01:03:56,615 NOT UNTIL TOMORROW. 849 01:03:56,658 --> 01:03:58,356 OH, NO PROBLEM. 850 01:03:58,399 --> 01:03:59,618 I NEED A BATH. 851 01:04:08,366 --> 01:04:09,149 [ screams] 852 01:04:10,890 --> 01:04:13,110 WHY DIDN'T YOU TELL ME? 853 01:04:13,153 --> 01:04:14,720 MY HAIR LOOKS LIKE SHREDDED WHEAT! 854 01:04:17,854 --> 01:04:19,594 YOU CAN CARRY THAT LOOK OFF. 855 01:04:21,858 --> 01:04:22,859 REALLY? 856 01:04:31,432 --> 01:04:34,696 SO NOW WHAT? 857 01:04:34,740 --> 01:04:36,960 WE WAIT FOR DESBAINS TO CONTACT US. 858 01:04:37,003 --> 01:04:38,700 YOU REALLY THINK HE'S GONNA SHOW UP? 859 01:04:38,744 --> 01:04:41,921 OH, HE'LL SHOW UP. 860 01:04:41,965 --> 01:04:46,360 I CAN'T BELIEVE I'M SAYING THIS, BUT... 861 01:04:46,404 --> 01:04:48,536 I THINK I'M GONNA BE GLAD TO SEE HIM. 862 01:04:48,580 --> 01:04:50,930 AAH! 863 01:04:50,974 --> 01:04:52,889 HONEY, I TOLD YOU, YOUR HAIR DOESN'T LOOK THAT BAD. 864 01:05:00,374 --> 01:05:01,462 OH, GREAT, HE'S DEAD. 865 01:05:04,901 --> 01:05:06,685 PLEASE TELL ME THE FALL KILLED HIM. 866 01:05:06,728 --> 01:05:09,601 HE'S BEEN SHOT. 867 01:05:09,644 --> 01:05:11,124 [ knocking] 868 01:05:16,825 --> 01:05:18,523 ROOM SERVICE! 869 01:05:18,566 --> 01:05:21,134 I'M REALLY GONNA BE ABLE TO EAT. 870 01:05:21,178 --> 01:05:23,136 IN THE CLOSET. HELP ME! 871 01:05:35,148 --> 01:05:37,759 DIN-DIN. 872 01:05:37,803 --> 01:05:40,023 YOU CAN JUST LEAVE IT AND GO, THANK YOU. 873 01:05:47,639 --> 01:05:48,161 Chris: OH! 874 01:06:30,987 --> 01:06:32,771 WE PROBABLY WON'T EVEN BE USING A FORK. 875 01:06:34,425 --> 01:06:36,035 [ slams chair down ] 876 01:06:36,079 --> 01:06:37,950 SIT. PLEASE... 877 01:06:45,784 --> 01:06:47,525 I'M... I'M REALLY NOT VERY... 878 01:06:51,094 --> 01:06:52,530 THE GUY'S ANGLING FOR A HELL OF A TIP. 879 01:06:59,363 --> 01:07:01,017 ROMANTIC, ISN'T IT? 880 01:07:03,715 --> 01:07:06,152 WHERE IS IT, MR. McDONALD? 881 01:07:06,196 --> 01:07:08,198 I KNOW I'M GONNA REGRET ASKING THIS, 882 01:07:08,241 --> 01:07:09,460 BUT WHERE'S WHAT? 883 01:07:09,503 --> 01:07:10,678 AH...! 884 01:07:13,116 --> 01:07:15,770 WHAT THE HELL KIND OF CRACK IS THAT? 885 01:07:15,814 --> 01:07:16,858 IS THERE SOMETHING WRONG WITH MY HAIR? 886 01:07:16,902 --> 01:07:18,512 NO! 887 01:07:18,556 --> 01:07:20,906 IT'S PERFECT. IT'S GREAT. 888 01:07:20,949 --> 01:07:23,691 LAZOS GAVE YOU SOMETHING, I WANT IT. 889 01:07:23,735 --> 01:07:26,172 THE THING? 890 01:07:26,216 --> 01:07:28,044 OH, HONEY, YOU REMEMBER THE THING 891 01:07:28,087 --> 01:07:30,524 THE GUY GAVE ME IN THE... PLACE. 892 01:07:30,568 --> 01:07:32,744 THE THING! OH, THE THING. 893 01:07:32,787 --> 01:07:34,920 THE THING... I PUT IT IN MY PURSE. 894 01:07:34,963 --> 01:07:37,009 BUT I TOOK IT BACK FROM YOU. I PUT IT IN THE CAR. 895 01:07:37,053 --> 01:07:38,402 UNDER THE SEAT. YOU BETTER SHOW ME WHERE. 896 01:07:38,445 --> 01:07:39,707 WE'LL BE RIGHT BACK. 897 01:07:39,751 --> 01:07:40,578 SIT DOWN NOW! 898 01:07:42,623 --> 01:07:49,108 NOW, ONE OF YOU BETTER SHOW ME, BECAUSE I CAN GET VERY UGLY. 899 01:07:49,152 --> 01:07:50,370 BELIEVE ME, YOU'RE ALREADY THERE. 900 01:08:05,429 --> 01:08:06,169 [ gunshot ] 901 01:08:44,120 --> 01:08:45,991 MAYBE IF I BOUGHT ONE FOR HIM. 902 01:08:46,034 --> 01:08:46,905 [ gunshot ] AH! 903 01:08:57,350 --> 01:08:58,569 THINK WE LOST HIM? 904 01:09:03,704 --> 01:09:04,575 [ gunshot ] 905 01:09:16,500 --> 01:09:17,588 DROP! 906 01:09:26,292 --> 01:09:27,989 HOLY SHIT! 907 01:09:30,775 --> 01:09:32,124 DORIS? 908 01:09:32,168 --> 01:09:33,473 WELL! 909 01:09:33,517 --> 01:09:35,823 EVERYBODY IN ONE PIECE? 910 01:09:35,867 --> 01:09:38,217 I DON'T KNOW. 911 01:09:38,261 --> 01:09:38,913 LET ME CHECK. 912 01:09:42,874 --> 01:09:44,397 WHO WAS THAT MAN? 913 01:09:44,441 --> 01:09:46,530 OUR WAITER. 914 01:09:46,573 --> 01:09:49,010 DORIS... 915 01:09:49,054 --> 01:09:50,708 IF YOU HADN'T JUST SAVED OUR LIVES, 916 01:09:50,751 --> 01:09:53,101 I'D STRANGLE YOU. 917 01:09:53,145 --> 01:09:55,800 OH, YOU'RE GONNA FEEL GREAT AFTER A HOT BATH 918 01:09:55,843 --> 01:09:57,541 AND A GOOD SLEEP. 919 01:09:57,584 --> 01:09:58,846 A BATH. 920 01:09:58,890 --> 01:10:00,065 GOOD SLEEP... 921 01:10:04,243 --> 01:10:06,724 IT'S SOME BUSINESS, HUH? 922 01:10:06,767 --> 01:10:09,422 PEOPLE GETTIN' KILLED OVER SOME SHAKY, FLAKY THING 923 01:10:09,466 --> 01:10:10,293 YOU CAN BUY ANYWHERE. 924 01:10:10,336 --> 01:10:11,163 WHAT? 925 01:10:14,079 --> 01:10:16,212 WHAT? 926 01:10:16,255 --> 01:10:21,129 YOU KNOW, THE, UH, THE GLASS GLOBE SNOWY THING THAT... THAT LAZLOS GAVE US. 927 01:10:21,173 --> 01:10:22,827 WE SAW 50 OF THEM IN A STORE WINDOW BACK THERE. 928 01:10:33,490 --> 01:10:35,753 PEDRAZA! 929 01:10:35,796 --> 01:10:37,798 THE BASILICA AT PEDRAZA! 930 01:10:53,292 --> 01:10:55,033 HERE, HONEY. 931 01:10:55,076 --> 01:10:56,904 BLESS YOU. 932 01:10:56,948 --> 01:10:59,298 YOU'RE FEELING BETTER? 933 01:10:59,342 --> 01:11:03,346 TONS. TONS BETTER. WHERE IS THIS BOAT? 934 01:11:03,389 --> 01:11:04,695 ANY SECOND NOW. 935 01:11:04,738 --> 01:11:07,306 A 20-MINUTE RIDE TO IBIZA, YOU'RE ON THE PLANE. 936 01:11:07,350 --> 01:11:09,352 YOU'LL BE HOME IN TIME FOR BRUNCH. 937 01:11:09,395 --> 01:11:12,050 BUT THEN, AGAIN, IBIZA IS SUCH A LOVELY ISLAND. 938 01:11:12,093 --> 01:11:13,747 MAYBE YOU'D LIKE TO STAY THERE AWHILE AND... 939 01:11:16,228 --> 01:11:17,098 I GUESS NOT. 940 01:11:24,367 --> 01:11:26,456 OH, I'M SO SORRY ALL THIS HAPPENED. 941 01:11:26,499 --> 01:11:28,675 HA HA! SO AM I. 942 01:11:28,719 --> 01:11:30,764 CHRIS... 943 01:11:30,808 --> 01:11:33,289 NOW, DON'T GET UPSET BUT... 944 01:11:33,332 --> 01:11:36,422 I WANT YOU TO THINK VERY CAREFULLY... 945 01:11:36,466 --> 01:11:39,164 DO YOU THINK THAT SEAN IS HOLDING ANYTHING BACK FROM US? 946 01:11:39,207 --> 01:11:41,166 MAYBE BECAUSE HE'S ANGRY, OR HURT, OR... 947 01:11:41,209 --> 01:11:43,516 OR WHAT?! 948 01:11:43,560 --> 01:11:45,213 DORIS, JUST FORGET ABOUT IT! 949 01:11:48,695 --> 01:11:52,003 I'M SORRY. I... I JUST KEEP HOPING FOR SOMETHING ELSE. 950 01:11:52,046 --> 01:11:55,659 BASILICA DOCE, TWELVE... IT'S SO VAGUE. 951 01:11:55,702 --> 01:11:59,184 AND THEBASILICA IS SOBIG. 952 01:11:59,227 --> 01:12:00,620 IT'LL TAKE US FOREVER TO FIND THOSE PLATES. 953 01:12:00,664 --> 01:12:02,318 DORIS... 954 01:12:05,973 --> 01:12:06,757 I COULDN'T CARE LESS. 955 01:12:10,500 --> 01:12:12,197 [ boat approaching ] 956 01:12:26,733 --> 01:12:28,866 GOOD NEWS... 957 01:12:28,909 --> 01:12:30,346 YOUR RIDE'S HERE. 958 01:12:40,791 --> 01:12:42,401 THIS ONE DOESN'T HAVE BLANKS IN IT. 959 01:12:42,445 --> 01:12:45,622 YOU... YOU AND HIM? 960 01:12:45,665 --> 01:12:47,885 DORIS, YOU... YOU COULDN'T, YOU WOULDN'T! 961 01:12:47,928 --> 01:12:50,453 FUNNY, ALEX THOUGHT THAT, TOO. 962 01:12:50,496 --> 01:12:53,543 IF IT WERE UP TO ME, I'D ALLOW A QUICK DEATH. 963 01:12:53,586 --> 01:12:56,067 BUT YOU ANGERED MR. PITT, 964 01:12:56,110 --> 01:12:58,286 SO HE HAS A SPECIAL PAIN PLAN FOR YOU. 965 01:12:58,330 --> 01:12:59,331 HE HAS A PAIN PLAN? 966 01:13:01,464 --> 01:13:03,379 WHY? 967 01:13:03,422 --> 01:13:06,556 TEN, TWENTY, THIRTY MILLION DOLLARS! 968 01:13:06,599 --> 01:13:10,255 THE PLATES ARE PERFECT. NO TELLING HOW HIGH THE BIDDING WILL GO. 969 01:13:10,298 --> 01:13:12,649 LOOK, NOW YOU'VE GOT THE PLATES, SO WE'LL JUST WALK HOME. 970 01:13:12,692 --> 01:13:15,782 I'M SORRY, YOU'RE LOOSE ENDS. 971 01:13:15,826 --> 01:13:18,785 I REALLY DIDN'T WANT IT TO END LIKE THIS. 972 01:13:18,829 --> 01:13:20,570 NO HARD FEELINGS, CHRIS. 973 01:13:20,613 --> 01:13:21,919 PLENTY OF THEM. 974 01:13:37,978 --> 01:13:39,893 Sean: SO, I GUESS THIS IS THE END OF YOUR PAIN PLAN. 975 01:13:39,937 --> 01:13:40,764 Pitt: BINGO! 976 01:13:40,807 --> 01:13:41,417 AAAGGH! 977 01:14:22,283 --> 01:14:24,416 I TOLD YOU YOU SHOULDN'T HAVE PISSED ME OFF! 978 01:14:59,277 --> 01:15:00,104 [ gasps for air ] 979 01:15:02,106 --> 01:15:03,673 [ gasping ] 980 01:15:11,202 --> 01:15:13,900 Lance: COME ON, WE'RE NEVER GONNA FIND THE PLATES HERE! 981 01:15:13,944 --> 01:15:15,511 IT'S TOO BIG. IT'S TOO DARK. 982 01:15:15,554 --> 01:15:16,990 IT'S TOO WET! 983 01:15:17,034 --> 01:15:19,036 EXCUSE ME. 984 01:15:19,079 --> 01:15:21,255 WHEN YOU GUYS ARE FINISHED WITH YOUR BITCHIN', 985 01:15:21,299 --> 01:15:22,996 WE'RE GONNA SEARCH EVERY SQUARE INCH 986 01:15:23,040 --> 01:15:24,911 OF THIS BIG, DARK, COLD, WET PLACE 987 01:15:24,955 --> 01:15:28,132 UNTIL WE FIND WHAT 12 THIS KEY OPENS! 988 01:15:28,175 --> 01:15:29,699 I'M GOING THAT WAY. YOU GUYS GO THAT WAY. 989 01:15:37,750 --> 01:15:39,622 EVERYBODY'S HAD THEIR CHANCE TO KILL US. 990 01:15:39,665 --> 01:15:42,363 NOW WHAT? 991 01:15:42,407 --> 01:15:44,278 I GOTTA MAKE SOME CALLS... 992 01:15:44,322 --> 01:15:46,019 STATE DEPARTMENT, LOCAL AUTHORITIES... 993 01:15:46,063 --> 01:15:47,630 TELL THEM WHAT'S BEEN GOING ON. 994 01:15:47,673 --> 01:15:49,240 IT'S NOT OUR PROBLEM ANYMORE. 995 01:15:49,283 --> 01:15:50,502 HA HA! WE CAN GO HOME. 996 01:15:52,373 --> 01:15:54,462 [ sighs in relief ] 997 01:15:54,506 --> 01:15:56,029 I DON'T WANNA GO HOME. 998 01:15:56,073 --> 01:15:57,901 WHAT? 999 01:15:57,944 --> 01:15:59,946 IT MAY SOUND KIND OF SILLY, BUT... 1000 01:15:59,990 --> 01:16:02,601 BACK THERE AT THE LIBRARY, I KINDA... 1001 01:16:02,645 --> 01:16:04,690 I THOUGHT I WAS YOUR HERO, BUT I WASN'T. 1002 01:16:04,734 --> 01:16:05,996 I NEED REDEMPTION. 1003 01:16:06,039 --> 01:16:07,954 SEAN! 1004 01:16:07,998 --> 01:16:09,956 NO, I... IF YOUR WORK IS IMPORTANT TO YOU, 1005 01:16:10,000 --> 01:16:11,567 THEN IT'S IMPORTANT TO ME, TOO. 1006 01:16:11,610 --> 01:16:14,221 I WANNA DO THIS. 1007 01:16:14,265 --> 01:16:17,224 WHAT ARE YOU TALKING ABOUT? DO WHAT? 1008 01:16:17,268 --> 01:16:19,357 SOMETHING THAT'S GOOD AND RIGHT, 1009 01:16:19,400 --> 01:16:21,402 AND NOT TOO DAMN SELFISH. 1010 01:16:21,446 --> 01:16:23,622 HELL, WE'RE IN THE NEIGHBORHOOD. 1011 01:16:23,666 --> 01:16:26,190 WHY NOT FINISH THE JOB? 1012 01:16:26,233 --> 01:16:28,018 LET'S GET TO THOSE PLATES BEFORE EVERYBODY ELSE DOES! 1013 01:16:28,061 --> 01:16:30,498 SEAN, THOSE PEOPLE ARE DANGEROUS! 1014 01:16:30,542 --> 01:16:32,936 THEY TRIED TO KILL US! 1015 01:16:32,979 --> 01:16:36,113 SURE, BUT, HEY, I GOTTA PUNCH SOMEBODY RIGHT NOW! 1016 01:16:36,156 --> 01:16:37,288 OH, I'M FEELING TOO GOOD ABOUT YOU. 1017 01:16:37,331 --> 01:16:37,941 SEAN... 1018 01:16:43,642 --> 01:16:44,556 LISTEN TO ME, YOU CAN'T... 1019 01:16:53,391 --> 01:16:54,479 OKAY, SEÑOR. 1020 01:16:54,522 --> 01:16:56,786 [ laughing and voices ] 1021 01:16:56,829 --> 01:16:59,136 Sack: YOU INCREDIBLE DOG! 1022 01:16:59,179 --> 01:17:01,268 DANCE! DANCE! 1023 01:17:01,312 --> 01:17:03,619 LANCE, LOOK AT THIS ONE. 1024 01:17:03,662 --> 01:17:05,316 THIS IS FUNNY. WAIT, HERE GOES. 1025 01:17:05,359 --> 01:17:07,100 THIS YOU'RE GONNA LOVE. 1026 01:17:07,144 --> 01:17:08,449 [ mimicking Marlis ]: 1027 01:17:08,493 --> 01:17:10,582 WHERE'S MY CAR? 1028 01:17:10,626 --> 01:17:13,019 BOY, MY NECK HURTS. 1029 01:17:13,063 --> 01:17:14,673 [ laughing ] 1030 01:17:14,717 --> 01:17:16,806 YOU'RE A FAT, BRAINLESS PUTZ. 1031 01:17:16,849 --> 01:17:20,766 MY MERCEDES! MY NEW MERCEDES! 1032 01:17:20,810 --> 01:17:24,117 YOU REMIND ME OF MY NEWLY D-DEARLY DEPARTED WIFE. 1033 01:17:24,161 --> 01:17:26,816 AH, AH, I'M GONNA... 1034 01:17:26,859 --> 01:17:27,773 UH-OH... 1035 01:17:30,646 --> 01:17:33,736 GET OFF YOUR FAT ASS AND FIND OUT WHAT THIS THING FITS. 1036 01:17:45,443 --> 01:17:48,011 [ children's choir singing ] 1037 01:17:57,716 --> 01:18:02,329 ♪ ALELUYA 1038 01:18:02,373 --> 01:18:05,811 ♪ ALELUYA 1039 01:18:05,855 --> 01:18:12,165 ♪ ALELUYA 1040 01:18:12,209 --> 01:18:14,951 [ organ music] 1041 01:18:26,527 --> 01:18:29,139 [ children singing ] 1042 01:18:29,182 --> 01:18:30,357 [ bench creaks ] 1043 01:18:30,401 --> 01:18:31,010 [ body thuds ] 1044 01:18:31,054 --> 01:18:32,664 [ woman screams ] 1045 01:18:47,592 --> 01:18:48,636 WHAT NOW? 1046 01:18:50,769 --> 01:18:52,815 WE SPREAD OUT. 1047 01:18:52,858 --> 01:18:54,468 LOOK FOR ANYTHING WITH A 12 ON IT. 1048 01:19:00,736 --> 01:19:02,085 [ children continue singing ] 1049 01:19:27,763 --> 01:19:29,590 OH, GOOD MORNING, MONK. 1050 01:19:52,570 --> 01:19:54,615 WHOA, BABY! 1051 01:20:05,626 --> 01:20:07,106 HEY! 1052 01:20:07,150 --> 01:20:09,848 THAT'S MY RETINAS, YOU MORON! 1053 01:20:09,892 --> 01:20:10,762 CAREFUL. 1054 01:20:13,678 --> 01:20:14,635 [ more softly ] CAREFUL. 1055 01:20:26,691 --> 01:20:29,694 THAT WAS FUN. 1056 01:20:29,737 --> 01:20:31,652 THERE'S CERTAIN EDUCATIONAL ADVANTAGES TO GROWING UP IN NEW YORK. 1057 01:20:31,696 --> 01:20:32,523 [ chuckling ] 1058 01:21:08,167 --> 01:21:08,907 OH, YEAH. 1059 01:21:10,604 --> 01:21:12,432 MM-HMM. 1060 01:21:12,476 --> 01:21:14,782 MM-HMM. THIS IS IT. 1061 01:21:14,826 --> 01:21:17,002 THIS IS IT? THIS IS IT. 1062 01:21:17,046 --> 01:21:18,308 THIS IS IT. 1063 01:21:18,351 --> 01:21:19,570 WHERE'S THE VALISE? 1064 01:21:19,613 --> 01:21:21,137 GET THE VALISE. 1065 01:21:21,180 --> 01:21:22,486 YEAH... YEAH. 1066 01:21:24,618 --> 01:21:25,489 - CLOSE IT. - OKAY. 1067 01:21:35,194 --> 01:21:37,544 [ gun cocks ] STOP RIGHT THERE, GENTLEMEN! 1068 01:21:37,588 --> 01:21:39,895 GIVE IT TO ME. 1069 01:21:39,938 --> 01:21:43,072 EXCUSE ME, MISS, BUT IS THIS THING LOADED? 1070 01:21:43,115 --> 01:21:46,031 IT'S A WALTHER PPK. IT'LL BLOW YOUR HEAD OFF. 1071 01:21:46,075 --> 01:21:47,903 IN THAT CASE, YOU'RE POINTING IT AT THE WRONG GUY, 1072 01:21:47,946 --> 01:21:49,339 'CAUSE IT BELONGS TO HIM. 1073 01:21:49,382 --> 01:21:50,209 HAND IT OVER, SLIM. 1074 01:21:50,253 --> 01:21:50,949 COME ON! 1075 01:22:00,524 --> 01:22:01,960 I THOUGHT YOU KILLED THEM! 1076 01:22:03,831 --> 01:22:04,963 I THOUGHT WEKILLED THEM. 1077 01:22:42,087 --> 01:22:44,089 HERE! HERE! 1078 01:22:44,133 --> 01:22:46,483 HERE! HERE! 1079 01:22:46,526 --> 01:22:47,571 HERE! HERE! 1080 01:22:47,614 --> 01:22:48,702 HERE! 1081 01:22:51,662 --> 01:22:53,490 Chris: HERE! 1082 01:22:53,533 --> 01:22:54,491 HERE. 1083 01:23:00,149 --> 01:23:02,020 [ whistling ] 1084 01:23:14,902 --> 01:23:16,513 I'LL TAKE THAT! 1085 01:23:16,556 --> 01:23:18,863 THANK YOU. 1086 01:23:18,906 --> 01:23:20,038 GIVE IT UP. YOU AREN'T GOING ANYWHERE. 1087 01:23:22,084 --> 01:23:23,781 YEAH, WE ARE... WITH HER. 1088 01:23:23,824 --> 01:23:25,652 SEAN... 1089 01:23:25,696 --> 01:23:27,045 COME ON! 1090 01:23:27,089 --> 01:23:28,133 Chris: SEAN... 1091 01:23:28,177 --> 01:23:29,961 GET AWAY FROM ME! 1092 01:23:30,005 --> 01:23:32,050 GET AWAY! GET AWAY! 1093 01:23:32,094 --> 01:23:33,573 [ bystanders shouting ] 1094 01:23:36,098 --> 01:23:36,620 Pitt: SO LONG! 1095 01:24:00,731 --> 01:24:02,254 HEY! HEY! HEY! DONDE VAS?! 1096 01:24:05,605 --> 01:24:06,780 HURRY! 1097 01:24:11,263 --> 01:24:15,137 STOP! STOP! WAIT! 1098 01:24:15,180 --> 01:24:16,486 WAIT! 1099 01:24:17,922 --> 01:24:18,792 WAIT! 1100 01:24:21,012 --> 01:24:22,361 WAIT! 1101 01:24:34,591 --> 01:24:37,855 HEY, WHAT'S GOIN' ON? YOU'RE NOT OUR DRIVER! 1102 01:24:37,898 --> 01:24:39,291 [ slams on brakes, woman thrown to the rear ] 1103 01:24:49,127 --> 01:24:51,390 DO YOU REALLY THINK YOU'RE GONNA GET AWAY WITH THIS? 1104 01:24:51,434 --> 01:24:53,523 HA HA! I'M ALWAYS THE OPTIMIST. 1105 01:25:00,617 --> 01:25:02,880 WE'RE RUNNING A LITTLE LATE, FOLKS, 1106 01:25:02,923 --> 01:25:04,882 SO IF EVERYBODY'D JUST SIT DOWN AND RELAX. 1107 01:25:04,925 --> 01:25:06,884 YOU'LL NOTICE BELOW US 1108 01:25:06,927 --> 01:25:08,886 THE BEAUTIFUL SEACOAST OF PEDRAZA. 1109 01:25:08,929 --> 01:25:11,280 [ tires squealing ] 1110 01:25:11,323 --> 01:25:12,150 [ passengers yelling ] 1111 01:25:12,194 --> 01:25:14,152 SORRY. 1112 01:25:22,029 --> 01:25:23,292 WOULD YOU SLOW DOWN? 1113 01:25:23,335 --> 01:25:24,423 WOULD YOU SHUT UP? 1114 01:25:26,512 --> 01:25:27,818 [ passengers screaming ] 1115 01:25:30,864 --> 01:25:31,822 HEY! 1116 01:25:31,865 --> 01:25:33,302 HEY! 1117 01:25:41,353 --> 01:25:43,834 STEP ON IT, SLICK! 1118 01:25:43,877 --> 01:25:45,183 I CAN WALK FASTER THAN THIS THING'S MOVIN'! 1119 01:25:45,227 --> 01:25:46,924 GO AHEAD! 1120 01:25:46,967 --> 01:25:47,751 Marlis: WHOA! 1121 01:25:59,023 --> 01:26:00,546 [ ringing bell ] 1122 01:26:06,639 --> 01:26:08,337 JUST DROP US OFF ANYWHERE. 1123 01:26:10,077 --> 01:26:11,253 [ tires squealing ] 1124 01:26:18,129 --> 01:26:20,305 I SURRENDER! I QUIT! 1125 01:26:20,349 --> 01:26:22,612 I SURRENDER! TAKE ME! 1126 01:26:22,655 --> 01:26:24,179 I'VE PLACED MYSELF IN MY OWN CUSTODY! 1127 01:26:24,222 --> 01:26:25,180 OH, GET OUTTA HERE! 1128 01:26:33,753 --> 01:26:38,497 A GOVERNMENT SALARY, EXQUISITE TASTE... WHAT DID YOU EXPECT? I WAS RIPE FOR TEMPTATION. 1129 01:26:53,860 --> 01:26:55,558 COME ON! 1130 01:26:55,601 --> 01:26:57,255 COME ON, MOVE IT! 1131 01:26:57,299 --> 01:26:59,953 YOU, MOVE! MOVE IT! 1132 01:27:10,790 --> 01:27:12,792 WELL, WE'RE ON OUR WAY! 1133 01:27:12,836 --> 01:27:13,924 OH, GOOD! 1134 01:27:13,967 --> 01:27:15,969 AAH! 1135 01:28:32,002 --> 01:28:32,568 SEAN? 1136 01:28:37,529 --> 01:28:39,314 OH! OH! 1137 01:28:59,421 --> 01:29:02,946 Hartman: THANKS AGAIN FOR CLEARING UP THIS WHOLE MRS. KENT BUSINESS. 1138 01:29:02,989 --> 01:29:05,340 I HOPE IT DIDN'T SPOIL YOUR HONEYMOON TOO MUCH. 1139 01:29:05,383 --> 01:29:07,472 NO! IT WAS JUST LIKE THE BROCHURE SAID, 1140 01:29:07,516 --> 01:29:09,822 - BOATING... - SWIMMING... 1141 01:29:09,866 --> 01:29:13,130 NATURE HIKES, DEEP-SEA DIVING. THE ONLY PART THEY LEFT OUT WAS THE SHOOTING AND KILLING. 1142 01:29:13,173 --> 01:29:16,568 WE HATE TO LOSE YOU. SURE YOU WON'T RECONSIDER THAT RESIGNATION? 1143 01:29:16,612 --> 01:29:18,091 - POSITIVE. - POSITIVE. 1144 01:29:18,135 --> 01:29:19,571 SUCH A PITY, SUCH A FINE CAREER. 1145 01:29:19,615 --> 01:29:21,138 OH, WELL, THANKS AGAIN! 1146 01:29:21,181 --> 01:29:22,400 W-WAIT! 1147 01:29:22,444 --> 01:29:24,446 W-W...! THAT'S IT? 1148 01:29:24,489 --> 01:29:26,056 "THANKS AGAIN" IS IT? 1149 01:29:26,099 --> 01:29:27,666 THAT'S IT. 1150 01:29:27,710 --> 01:29:28,537 LET'S GO. 1151 01:29:40,418 --> 01:29:41,680 LOOK, PAL, I HAVEN'T... 1152 01:29:41,724 --> 01:29:43,203 NO, NO! 1153 01:29:43,247 --> 01:29:45,684 HERE! FOR YOU! 1154 01:30:01,700 --> 01:30:03,876 HONEY, COULD YOU ASK THEM TO BRING DOWN THE HOTEL ROOM, 1155 01:30:03,920 --> 01:30:06,923 BECAUSE I'M... I'M JUST TOO TIRED TO MOVE. 1156 01:30:06,966 --> 01:30:08,794 I JUST HAD A THOUGHT. 1157 01:30:08,838 --> 01:30:11,014 WHAT? 1158 01:30:11,057 --> 01:30:16,106 IF MRS. KENT DID ALL THIS ON HER OWN, AND THE STATE DEPARTMENT KNEW NOTHING ABOUT THIS, 1159 01:30:16,149 --> 01:30:18,674 WHO THE HELL IS GONNA PAY FOR OUR ROOM? 1160 01:30:18,717 --> 01:30:19,892 OH... 1161 01:30:19,936 --> 01:30:21,894 YOU'RE THE McDONALDS, RIGHT? 1162 01:30:21,938 --> 01:30:23,853 RIGHT. 1163 01:30:23,896 --> 01:30:27,683 OH, THANK GOODNESS! I'VE BEEN LUGGING THIS THING AROUND, LOOKING FOR YOU. 1164 01:30:27,726 --> 01:30:29,859 I WOULDN'T LEAVE IT WITH THE HOTEL... HUH! 1165 01:30:29,902 --> 01:30:31,426 THEY HAVEN'T FOUND MY LUGGAGE YET. 1166 01:30:36,605 --> 01:30:37,432 OH... 1167 01:30:41,436 --> 01:30:42,654 HOLEY MOLEY! 1168 01:31:07,592 --> 01:31:09,115 HEY! COME BACK HERE! 1169 01:31:09,159 --> 01:31:11,291 COME BACK HERE! 1170 01:31:11,335 --> 01:31:13,119 WAIT A MINUTE! 1171 01:31:13,163 --> 01:31:14,338 SLOW DOWN! 1172 01:31:22,215 --> 01:31:23,303 Captioned by CAPTIONEERING Your Closed Captioning Resource www.captioneering.com... 73933

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