All language subtitles for Holocaust parte seconda i ricordi i deliri la vendetta-en(2)

WORK MAKES YOU FREE

(DRAMATIC MUSIC)

(Man) Our men in Rome,
in South Tyrol and Ljubljana...

...they informed us exactly
that Major Werk...

...with other managers
of the servile na1ist secrets...

...they are hidden in a small village
on the border with Austria, in this area.

(squm: on PHONE)

(Man) As for...
(PHONE RINGS)

(squm: on PHONE)

- Ready?
- Sana Felix, sum: at the airport.

- Go to Luciani's house.
- Agree.

- Is the car there? - Safe.
See you at 5pm in front of the villa.

Please, try to be punctual.

(INAUDIBLE DIALOGUE)

(INAUDIBLE DIALOGUE)

- Is that okay?
- Yes, certainly.

The police guard the villa night and day.

- Be very careful.
- Don't worry.

We know that Saturday is the day off
of servitil, we must act before they return.

It'll be fine, don't worry.

- I'll call you tonight.
- Agree.

(Man) Good! Don't worry, come on.

Go slowly, don't pull.

Good!

Ah!

0k, run, now.

(SUSPENSIVE MUSIC)

(SUSPENSIVE MUSIC
AND DOG BARKING)

(SUSPENSIVE MUSIC)

(SUSPENSIVE MUSIC
AND DOGS BAKING)

(SUSPENSIVE MUSIC)

(DRAMATIC MUSIC)

(VERSES OF MAN'S PAIN)

(DRAMATIC MUSIC)

(INAUDIBLE WORDS)

(DRAMATIC MUSIC)

(VERSES OF MAN'S PAIN)

(Man) Colonel Hans ?

(SHOT)

(DRAMATIC MUSIC)

(MUFFLED SINGING)

(THE 00mm SCREAMS)

(MUFFLED SINGING)

No!

(THE WOMAN COMPLAINS)

(THE 00mm SCREAMS)

(DRAMATIC MUSIC
AND VERSES OF WOMAN'S PAIN)

(DRAMATIC MUSIC)

(BELLS TOLLING)

That's it. I'm ready, let's go.

(BELLS TOLLING)

This plant
it should be pruned.

(SUSPENSIVE MUSIC)

(BELLS TOLLING)

- Ready?
- It's me, everything's fine. - Very good.

- Have you found out where he lives?
- Yes, of course, she lives alone. You can rest assured.

- Be careful, it must look like suicide.
- No weapons, I understood correctly.

- Hello, Felix.
- Hello, I'm on time, huh?

Dorotea is in Anlio, she has to go to her.

We have already chosen the ragaua
who must act. Everything is under control.

- May I know your name?
- It's a certain Lucilla Maisner.

It is certainly an element suitable for our purpose.
Dorotea could maneuver it easily.

Look, his photo.

- Why not use a faster system?
- No, no, we have to mix things up.

- Polilia must not find the motive.
It's clear, isn't it? - Yes, right.

Dorotea does it: acting in a state of hypnosis.
It should look like a crime of passion.

- This is the photo of the man he must be
killed. - Why kill a boy?

- Because we haven't been able to track him down yet
the father. - But... - I understand, but it's necessary.

- At the point we are at, we can't
make us scruples, Felix. Right ? - Oh.

It's the only way
to bring the father out into the open.

- Does the guy live in Anlio? - Yes. It's kind of
of playboys. Hang out with the good locals.

Dorotea often meets him at the riding track,
it seems that he is also courting her.

I have to tell you something else. It's information that
it also concerns that coward Memmo Proietti.

Looks like he runs a restaurant
with him at the port. You know what to do, don't you?

- Do you agree?
- Yes, I agree. - Well. Now go.

- (Felix) See you, huh?
- HI.

(ROMANTIC MUSIC FROM THE TURNTABLE)

(INAUDIBLE WORDS)

(ROMANTIC MUSIC FROM THE TURNTABLE)

(INAUDIBLE WORDS)

(ROMANTIC MUSIC FROM THE TURNTABLE)

(INAUDIBLE WORDS)

(SUSPENSIVE MUSIC)

(Girl) 0/1, mom!

- Mom!
- Tesaro min !

(SUSPENSIVE MUSIC)

(SUSPENSIVE MUSIC
AND SINGING NOT AUDIBLE)

(smu)

(Piflngendo) on, no m» !

(SUSPENSIVE MUSIC)

(INDISTINCT VOICE)

I am absolutely convinced
what creates confusion in investigations...

...it's security
that these crimes are connected.

The murderer, or murderers,
He acts very intelligently.

Yes, I agree with her.

Gentlemen, please have palienla.
Let us pass, please.

- Please, let us pass.
- We don't have any communication.

(Commissioner) At this moment
we can't tell you anything.

- Try to understand us.
- We have no information to give.

Please don't insist. You know it isn't
It is our habit to leave you with information.

(Commissioner) No, the captain is right,
for the moment we can't tell you anything.

- Now I thank you, but you have to
let us pass. - Please, gentlemen.

(Captain) Anyway, I thank you.

(INDISTINCT VOICE)

- Do you believe? - Of course!
In her field she is a celebrity!

Yet he manages to appear in every gesture,
in all his commitments with great simplicity.

As if she were family. It is not true ?

- You must know that I love my job.
- A truly excellent quality. Can't you find it?

- But in the end it's monotonous. - Not in your case.
Peru: in general the work is monotonous.

I think it became for me too...
let's say... a habit.

Here, you see, Dorothea,
Obviously that's my opinion...

...but every day
we become more and more alienated.

We become more and more abnormal,
more schilophrenics.

I think you nailed it.

- Matilda! Lisa!
- (together) Yu-hu!

(Man) We're coming now!

(Lisa) Lorenlo is very nice.

- Let's invite them on the boat, Lorenlo.
- 0k.

- Look, I like Lisa.
- I like Matilde.

- (Loren1o)Ouch! The sea is a bit rough, huh?
- Don't worry.

- Well, here we are.
- Nice day, huh?

- Hey, what are you doing? You are there
the bra? - Don't be stupid!

- So, this is Franco.
- HI. - Matilda. And Lisa.

So, what do you think we do with it
a nice boat trip, eh?

- No, I'm scared.
- But I'm here.

(Matilde) It's really you that I'm afraid of.

(THEY LAUGH)

Stop it.

- Thank you. - You're welcome,
Miss. - Have a good trip. - Gralie.

(MELANCHOLIC MUSIC)

(SUSPENSIVE MUSIC)

(DOROTEA HONKS)

(SUSPENSIVE MUSIC)

Here we are.
I have to continue to Positano.

All I have to do is thank her.

So happy holidays!

Good sea.

(MELANCHOLIC MUSIC)

(MELANCHOLIC MUSIC
AND NON-AUDIBLE DIALOGUE)

(MELANCHOLIC MUSIC)

- Hello. Miss Lucilla Maisner?
- Yes.

We were waiting for her.

I think I'll just stay for a few
day. Let's say four or five, maybe.

It's the first time
that I come to this place.

Would you like to give me an ID, please?

- Here you are.
- Gralie.

- Do you want to follow me?
- (Lucilla) Of course.

Alessandra... Marina...

- But who is he? - I do not know.
-How do you know my name?

Hmm... I know everything!

(FELIX LAUGHS)

(SUFFICIENT VERSE
OF ALESSANDRA AND MARINA)

(ROMANTIC MUSIC FROM THE TURNTABLE)

(KNOCKS ON THE DOOR)

(ROMANTIC MUSIC FROM THE TURNTABLE)

(A DOG BARKS IN THE DISTANCE)

(INDISTINCT VOICE)

Like every man born in the sign of Aquarius,
you are a dreamer, it is impractical.

- He has revolutionary ideas in mind.
- Ah, it's not that I believe in these things very much.

It's not true, deep down he believes it. Here I am!

It's all written here, in this book.

Um... these legs, for example,
I'm a Sagittarius.

- (Woman) How do you know?
- Well, you can see.

(Daratea) The art of double candidacy
a series of ipatesl}...is constituted

"Of which only parts are valid
from an operational point of view.

(Daratea) One of the liabilities
more in teressan gives you birth...

...it's the narrow link to the stop
among these texts and some tealagiclle.

(ROMANCE MUSIC)

Excuse me if I took the liberty
to look at her with such insistence...

...but she is so beautiful I think
is a normal reality for a man.

At least for a man who considers himself such.
Although I think there are only a few of us left.

(Lorenlo) But please sit down.

- Excuse me if I insist.
- Okay, thank you.

Please.

I think it's the first time
she comes here, I've never seen her before.

(ROCK MUSIC)

Be careful if you don't lick yourselves afterwards
mustache", you are no longer my friends!

- And who doesn't have a moustache?
- Uh, funny!

- Mm... what a good smell! Come on, let's eat.
- Very good. - Don't waste time, help yourself.

- Forla, get busy! - I'll serve.
- Good. - It's the only thing I know how to do.

- Do you know anything about Lorenlo? - We haven't seen each other
in the afternoon, but I'll come, otherwise worse for him.

- I am sorry. - Maybe he "blown us off."
- We agreed to meet here.

But enough of this Lorenlo,
we are here. Now let's think about eating.

Come on, take it. You take. Come on, come on.

I don't remember it.
(LUCILLA LAUGHS)

- Shall we have a nice toast? - Okay, to ours
meeting. - At our new meeting. - Agree.

You know, I have to pay attention
Don't drink too much, Lorenlo.

What if I lied to you?

What would you tell me, huh?
(LUCILLA LAUGHS)

No, it's not true, I didn't lie to you!
Believe me, I promise.

Waiter ?

- You're welcome, sir. - Bring me the bill,
please. - Right away, sir.

- You know what, Lorenlo? I hear
that I feel very comfortable with you. - Me too.

Listen, Lucilla, I have to tell you a secret.

(LORENZO'S WORDS INaudible)

- Gralie. And keep the rest too.
- (Waiter) Thank you, sir.

I want to start brutally.

Nothing elegant about it.

I want to experience the squalor!
The same thing prostitutes feel.

Sure, Lorenlo,
I want to behave like them.

And also try to understand
what they feel. This attracts me.

I find it very interesting.

Play their part...
Let me do it!

"Auschwitl".
(crying) It's horrible!

(DOROTEA CRYING)

(crying) - 0/1, no...
- 0/1, mom!

Mom!

My child...

Minimal love...

(DRAMATIC MUSIC)

(smu)

(INAUDIBLE DIALOGUE)

(INAUDIBLE WORDS)

(THE CHILDREN SING)

(CHILDREN'S SINGING AND SHOTS)

(THE CHILDREN SING)

(CHILDREN'S SINGING AND SHOTS)

(THE CHILDREN SING)

(DRAMATIC MUSIC)

(DRAMATIC MUSIC)

Let's stop here.

I want to smoke a cigarette first.

I want you to kiss me all over.

(SUSPENSIVE MUSIC)

(DRAMATIC MUSIC)

(LORENZO'S PAIN VERSES)

(DRAMATIC MUSIC)

(LORENZO'S PAIN VERSES)

(SUSPENSIVE MUSIC)

(CHILDREN'S CHOIR)

(HEART BEAT NOISE)

(MELANCHOLIC MUSIC)

(Commissioner) Incredible, absurd!
As if we were in Tokyo or New York.

I can't believe it!
Disappeared, vanished into thin air.

But I am sure that she is the key to everything
this. We need to find that ragua.

We have already checked all the hotels,
the pensions of the lona and the trains in transit.

Checkpoints have been set up
on every road and at airports.

The ragua was a visit to the II Corsaro restaurant
together with the victim two hours before the crime.

We absolutely must find the ragaua.

I remember... when I was still a little girl...

...and my mother surprised me by chance
that I was playing strange games with a friend.

Her name was Silvia.

Oh, I was so happy!

You know, Dorotea, of the two...

...of the two I was definitely
the most enterprising, the most cunning.

My mother didn't say anything, but I was scared
of the fact that my mother had discovered me!

Was your mother alone that day?

No one else noticed
about what you were doing, Lucilla?

No, no one else. If that had happened, I would have
terrified, I would have felt profound shame.

Silvia and I were inseparable,
she had a great admiration for me.

And he was happy to lend himself to my whims.

We ran free among the trees. We knew
every corner, full of shadows and strange scents.

We took off our clothes,
we tore them from each other.

Our faces were full of blushes
and his eyes shone with joy.

We both had our hearts in our mouths.

Subsequent memories were nothing but
squalid extermination camps in Germany.

- Tremendous! - Where I was taken with my parents
parents together with many other innocents.

Those images are the imprint
which seals every other memory of mine.

- Dorothy!
- Lucilla!

- (Uama) Ready?- Ready!
I would like to talk to my father, please!

- It's u rg e n te .
- ( llama) Pass it right away, miss.

- (Dad) Home Hey, Linda?
- Dad, they killed Lorenlo!

- (Dad) Lorenzo?! But what are you saying?
- Yes, killed!

- (Dad) Killed?!
- Yes. - But home...? Linda!

- Yes, yes, dad.
- (Dad) Nan is liable !

(Dad) Linda lPar/a...
Linda llinda, par/a!

(LINDA CRYING)

Turn on the light. Look, but not this one
Is this the girl we questioned yesterday?

"He has an iron alibi",
we checked it in every detail.

It has a common face which unfortunately
it can be confused with hundreds of other faces.

- (Commissioner) Exactly. - Indeed. - But al
at the moment it is the only one that corresponds to the identikit.

- (Commissioner) Don't you agree?
- Mm-mm. Yes, certainly.

(llama, from TV) Hundreds of meals of bloom and
searches sum: were carried out this night.

Nanastante the riser/m of the autarités seems
clle no element nun v0 is close.

L fimim data positive
at the discretion of the investigators...

...it's the narrow street
of this crime to the previous ones...

...clle Ilanna in mmune
fapparent lack of a ma vente.

Let's move on to another topic.

A silent massacre takes place between [Tndifference
of the people accustomed to the drama of the dredger.

The ballettina emitted perimmically
from the dredge phenomenon observatory...

(DOROTEA TURNS OFF THE TV)

(BELL)

(THE MAN TURNS OFF THE TRUCK)

- Good morning, Mrs. Vivaldi.
- Good morning.

Look, don't put it in the cellar.

- Huh?
- Put it in the garage.

Oh, okay.

- Goodbye, ma'am.
- (Dorotea) Goodbye.

(SUSPENSIVE MUSIC)

(SOUND OF A DOOR OPENING)

(SUSPENSIVE MUSIC)

(Dorotea) He's gone.

(SUSPENSIVE MUSIC)

(Woman) No, it's not her.

For me it's not her,
Commissioner, it was different.

How can I say?
Very...very...Sen1'other sweeter.

As you can see, Commissioner,
I told the truth.

I spent the whole night in company
of my friends. You have to believe me, really!

You questioned them, didn't you?
And they confirmed.

- Do you know any girls who look like you?
- No.

- Gralie, you can go.
- Until we meet again.

- (Inspector) Let the waiter come in.
- Immediately, Commissioner.

You have to be extremely careful,
It seems that Interpool has linked the deaths...

...and discovered that the victims
they were part of the same concentration camp.

They were present in the extermination camp
in the same period.

I expected it.

(INAUDIBLE DIALOGUE)

(VERSE OF FEAR)
What do you do? What do you do? Help !

(Man) And stop screaming!

(U0I110) Come on, go!

- (Giosi) You have already killed my son,
isn't that enough? - The target has always been her.

(Man) It is his name that is
in the list, his son entered the game.

- (Giosi) Game! You call it a game?
- (Man) Stay quiet! - You are murderers!

(Man) We did it
to bring it out into the open.

(Giosi) There were a thousand other ways to do it!

(Giosi) The truth is that you want to give yourself
an image of political fighters...

...when you are nothing but criminals!

(Man) You don't want to use this tone.
Remember what he did in Spandau.

(Giosi) I always have been
a scientist, a medical researcher.

(Giosi) I knew nothing about what was happening.
I was just doing my duty to science.

(Man) Really? And his research
Who were they for? Have you ever asked yourself this?

It wasn't the fault of the scientists if their studies
they were exploited by those in charge!

(Man) My dear doctor, your line of defense
it's grotesque. I'll refresh your memory.

(Male) Performed 783 experiments on
brains of selected prisoners of both sexes.

(Man) Of those 783 palientients
only 27 left the concentration camps alive.

(Man) But all irremediably impaired.
Except one little girl.

(Man) Of those victims, over 300
they were children aged between 9 and 13.

(Man) You're a bastard! He always has
display of his monstrous anti-Semitic ideas.

(Man) Both before and after!

(Giosi) I have always been consistent
with myself. Is this a crime for you?

(Man) That's what they said
all the assassins of the second line:...

...the servants, the supporters of nalifascism,
those who reject criminal responsibility...

...which they say they did
the higher orders.

(Giosi) I was doing experiments
of great scientific importance...

...which I otherwise wouldn't have been able to do.

(Giosi) I blindly believed in
function of progress and in the upper raua.

(Man) There's no need to continue,
the process is concluded.

(Man) He is sentenced to death
for crimes against humanity...

...and more specifically
against the Jewish people.

(VERSE OF FEAR BY GIOSI)

(@1051 RIDE)

(DRAMATIC MUSIC)

(INDISTINCT VOICE)

Hey, listen to me.

For the days that he will still have to remain in Anlio,
can you find me a place to sleep?

Any place for the night.
I know how to adapt, I just need a roof.

You are afraid that some prostitute will steal from you
the money you earned, isn't it, Felix?

You can see that the business is profitable, right?

Don't worry, Felix,
you don't have to worry, I have a place...

...but it costs 3000 lire per night.

Let's make it 2000 lire.

(Commissioner) Ah, hello, engineer Donati.

Sorry for the delay, but I arrived from Milan
a little while ago and I learned about your invitation.

- Don't worry. Please, sit down.
- Come in.

I suppose he summoned me
about death... Gralie.

...about that guy.

Ah, did you know him well?

Not really, I'd say. He was a regular visitor
of the riding track. We often met there.

You have to tell me everything you know.

Who were his friends, if he remembers any
detail, even of little importance...

- Anything.
- I don't have many things to say.

As I told you, our acquaintance
it was rather superficial.

He was a playboy! "Ronlava" around
to every beautiful girl he met.

He liked, pen'), women of a certain kind
culture, of a certain level, in short.

In fact he was assiduous in courting
Dr. Dorotea Vivaldi.

Ah, Vivaldi, you say?

It happens, by chance, to be that doctor who is
doing research on the human brain?

Yes, Dorotea told me her odyssey
in the nalist extermination camps...

"where she was interned with her entire family.

Right in one of those concentration camps
the boy's father was a doctor.

(SUSPENSIVE MUSIC)

Goodnight, dear.
(THE WOMAN SIGHS)

(SUSPENSIVE MUSIC)

(DOOR OPENING)

(SOUND OF STEPS)

(DRAMATIC MUSIC)

(FELIX'S PAIN VERSE)

(FELIX CRYING)

(Man) "Heil, Hitler" !

(Man) I brought the list
that you requested of me.

(Man) Here it is.

Arthur Striker, Enlo Bresciani...

...Leo Natti,
Antonio Venturini and Felix Oppenheimer.

(SUSPENSIVE MUSIC)

(SUSPENSIVE MUSIC)

(THE WOMAN CRYING)

(crying) Tesaro min!

- (Danna) Min love!
- (Girl) Mommy!

(THE WOMAN CRYING)

Enough, go! Go!
(THE WOMAN SCREAMS AND CRYS)

Go, go!

- (Danna) Murderers!
- Go! - You are one of the assassins!

(THE WOMAN CRYING)

(WOMAN'S CRYING
AND CHILDREN'S SINGING)

(WOMAN'S VERSE)

(THE CHILDREN SING)

(VERSES OF DISGUST)

(THE CHILDREN SING)

(SHOTS AND SOUNDS OF PAIN)

(SUSPENSIVE MUSIC)

Watch out, watch out!
This is Auurro 5, over.

Received. Speak.
Speak up, Auurro 5.

Parisi and Teodori have passed now.

We are certain it will arrive
Felix Oppenheimer too, be careful.

But as soon as you see it
inform me immediately, please.

Do not intervene without my precise instructions,
unless they try to leave the house.

Step.

(DRAMATIC MUSIC)

(HAPPY MUSIC)

(DOROTEA LAUGHS)

Lucilla, they think we are monsters...

...but we are the beings
most beautiful of creation.

(ROMANTIC MUSIC
FROM A TURNTABLE)

(softly) You did well.

(ROMANTIC MUSIC
FROM A TURNTABLE)

(Dorotea) Lucilla, my darling.

(ROMANTIC MUSIC FROM THE TURNTABLE)

- To the two of us, Lucilla.
- To the two of us.

(ROMANTIC MUSIC FROM THE TURNTABLE)

(NOISE OF THE POINT
THAT SCRATCHES THE DISC)

Okay.

Come along.

It's over.

(DRAMATIC MUSIC)