All language subtitles for Hideout in the Sun_full

M I met you in a hideout in the sun I

I Far from everyplace and everyone J'

m I saw you standing
there beneath the tree r

m I saw gold hair waiving in the breeze I

r I found you in a secluded paradise I

r Where our love alone would suffice I'

r But then they came and tore
me from your fond embrace J'

r No more to ever see the sunny place I

(gentle bright music)

I I met you in a sunny hideaway J'

r Where our love grew
stronger day by day J'

r But then the clouds above
passed and shadowed our love I

I And I knew I'd had
to leave my hideaway J'

J' Hideout in the sun I

(gentle music)

(curious music)

(moves to lively music)

- Bank job should be a pushover,

I've cased the joint for weeks,

if only that kid brother
of mine stays in life.

What's the matter kid, you look nervous?

After this job, you'll
be livin' on easy street.

- Ah, take it easy, will
ya, Duke? Cut it out.

- Scared, huh?

- Yeah, I'm scared.

This is my first job,

maybe I'm sorry I let ya talk me into it.

- Just don't louse me up.

_ Qkay-

- It's just ahead.

- Right.

(lively music)

- [Duke] Okay, this is it. Stop here.

- [Steve Voiceover] I'm
suppose to drive around

the block three times,
then he should be out.

What if something that was wrong?

What do I do then?

Like to drive off alone
and forget this whole idea.

I can't do that to Duke.

- [Duke Voiceover] Hm, one minute to go.

That teller better not give
me any trouble, or else.

- [Steve Voiceover] I
hope nothin's gone wrong.

Phew.

- [Duke Voiceover] Hm.

Now.

(lively music)

(alarm bell ringing)

Step on it.

- How'd you make out?

- [Duke] Nothin' to it.

Everything okay.

(intense music)

- How much did you get?

- [Duke] The entire
payroll, just as I planned.

- Honest to God, I sure was scared.

(alarm bell ringing)

(ominous music)

I still don't like it, Duke.

- Oh, quit worrying, kid.

(suspenseful music)

- [Steve] I'll be glad when we're on

that boat goin' to Cuba.

You think the police are lookin' for us?

- Hmm. We'll see.

(bright music)

- [Reporter] We interrupt this program

to bring you an extra news bulletin.

A major back holdup has been committed,

with a spectacular haul,

estimated at close to $100,000 in cash.

Exact details of the
holdup are still missing,

but the police are watching
all exits from the city.

- [Steve] The police sure work fast.

Wherever that freight train is goin',

I sure wish I was on it.

- With the rest of the bums

that don't have any money. (laughs)

(train clanking)

There it is. That's the
place we change cars.

(tense music)

Steve, did you see anything special?

Did you notice if anybody
followed us over here?

- No.

- That's good.

Then we'll just walk quietly
over to the other car.

_ Qkay-

- Come on.

You stay at the wheel.

(car engine sputters)

- The battery's dead.

- Keep tryin' will ya?

- I can't start this battery.

- Come on! Come on!

- I can't start it.

(car engine sputters)

- Hey, look over there,
that gives me an idea.

(concerned music)

That dame can give us a lift.

- Yeah!

Scuse me, can you give us a lift, miss?

- Why, I-

- We mean business, see?

(concerned music)

Just do as you're told and
nothin' will happen to ya.

Understand me?

- Hm.

- Get goin', Steve.

(suspenseful music)

Take it easy goin' through here,

don't get picked up for speedin'.

- [Dorothy] Where are you taking me?

- [Duke] You'll fin out soon enough.

(suspenseful music)

(seagulls squawking)

(boat horn honking)

(accomplished music)

There he is.

- Hello.
- Hi, Rodriquez.

- I think we're in trouble, Duke.

- Trouble? What do you mean?

- But everything was all setup for us.

Now, what do you mean, "trouble"?

- No, we can't go now.

- What, are ya kiddin'?

We just have to shove off, that's all.

- The police are around.

- What do you mean, are they lookin'

for us around here or what?

- We can't take a chance right now.

- But why not?

- [Rodriquez] Me, I don't take chances.

- But we do.

- [Rodriquez] Not in my boat you don't.

- Aah, shut up!

- Oh, pipe down, what's
the matter with you, Duke?

He maybe right.
- Yellow belly!

- [Steve] Did you really
see the police here?

- All right, all right,
where are they wise guy?

Uh-uh.

We better make other plans.

We'll have to call you.

- And make sure you're ready to pick us up

when we call, you hear, Rodriquez?

- [Rodriquez] Yeah, yeah, sure.

(concerned music)

- Where to now?

- Let me think.

Yeah.

Uh, you're a member and employee

of the Hibiscus Country Club.

(curious music)

- Yes, it's a very exclusive
club on Terain Island.

- [Duke] Exclusive, huh?

- [Dorothy] Yes, very.

- It's fine, baby.

We're going to the Hibiscus Country Club

and layover till Rodriquez picks us up.

Okay, let's go.

(elated music)

- [Steve Voiceover] She seems
to be a pretty nice kid,

why did we get her into this?

- [Dorothy Voiceover] Good heavens,

what have I gotten into now?

How do I get out of this?

- [Duke Voiceover] too
bad we had to get mixed up

with this dame.

She looks like trouble.

- [Dorothy Voiceover] The
fellow at the wheel seems nice,

but this, this person.

(suspenseful music)

- All right, pull over there.

- [Duke] You just sit tight, you get me?

- You boys must have a
lotta money to spend.

Maybe you don't know
what to do with it all.

- Well, uh, what do you mean, officer?

- [Officer] What's the matter,
you like to buy batteries?

- Well, I, uh, I don't get it, officer.

- [Officer] Don't get
so exited, take it easy.

I'm just tryin' to help you, buddy.

Look, I just want to tell you,

you've been drivin' with your light on.

- Well, many thanks for telling us.

- Yeah, yeah, thanks, officer.

Let's go.

(bright music)

(upbeat ominous music)

Okay, honey, we're all going
to the Hibiscus Country Club,

you said it was very exclusive.

- Come on, take your hands off of her!

- Look, bright boy, she's
gonna take us into the club,

we're all members now!

- I'm sorry, it's for
married couples only.

- Okay, we'll take care
of that right away.

My brother here's quite a Romeo.

- But the guards won't let you in.

- Well, the guards won't see me.

I'll be hiding in the trunk.

(anxious music)

Come on.

(buzzer buzzing)

(accomplished music)

- Hi, Dorothy, you bringing a guest?

- Oh, he's not a guest, he's my husband.

- Ooh, what do ya know,
you got yourself married.

But why so secretive about it?

When this happen?

- Well, only just this morning.

- Oh.

Gee, Dorothy, he looks nice.

- It happened rather suddenly.

- Oh, so you're spending your
honeymoon here at the club.

Well, now that's wonderful.

Ken and I spend our honeymoon here too.

You'll really love it.

Is your husband a member
of any other club?

- Yes, he's been a member
of many clubs up north.

We were planning on staying
at my cottage for a few days,

until I can go back to work.

There's not much doing
at the office right now.

- Good heavens, no.

Besides, we can always find someone else

to take your place during your honeymoon.

Well, good luck to both of you.

- Bye. Good luck to you too.

- Buh-bye.

(ominous music)

- Okay, Duke, nobody around. Come on.

(ominous music)

Pretty nice place.

Have they got any maids who
might come in here suddenly?

- No, we have no servants at all.

- Not very exclusive.

Can you order something to eat or drink

and have it brought over here?

- No, I'll have to get it for you.

- Nevermind, the bridegroom will bring it

to the happy bride.

You stay here with me,
and no funny business.

Does this go through a switchboard,

or is it a direct line outside?

- It goes through a switchboard.

- Come on, bridegroom, go
get your wife's suitcases

and bring 'em in here.

You sit down!

And don't you move till I tell you to!

Hey, I hear voices.

- They're just house
phones, extension phones,

but you can get an outside
line if you want to.

- Nevermind, I'll wait
till they quit babblin'.

Yeah. (chuckles)

It's a good thing the guard didn't see you

with that one small suitcase,

she might have thought you
were planin' a quick swim.

- Are we near water?

Do they have a landin' pier?

- Yes, we have a landing
pier, and boats too.

- Fine, in that case, we
won't be here too long.

- [Betty] Dorothy, come on out,

we all wanna meet the bridegroom

and congratulate the bride.

- Just a minute, Betty.

- I'll go out with her.

- Yeah, maybe you're right.

Ya can't trust her.

- [Betty] Dorothy, come on out!

- What you say this was?

- The Hibiscus Country Club.

- This is no country club,
this is a nudest camp!

- That's true. It's still
the Hibiscus Country Club.

- Did you figure you'd get
us into trouble, little lady?

Look, I can sit this out pretty well,

I'm just wondering what your angle is?

Have a look, Steve.

- They're waiting her out there,

we're not gonna be able to
keep her in here all the time.

I'd better go outside with her.

- Yeah.

- We'll have to go outside.

- Will you call the police?

- I don't know what you've
done, except to kidnap me.

You certainly won't be able
to take me out of here again.

Let's just say I gave you a lift.

- Yeah, that sounds pretty good,

but I don't trust ya.

You musta heard on the
radio about the holdup.

Well, let me tell ya this.

If you go to the police,
it will mean curtains

for both of us.

And you can be damn
sure, before they get me,

a lotta people around
here are gonna get hurt.

And you, baby, will be
the first to get it.

- Please don't call the
police, just help us.

In an hour or so we'll be gone,

and nobody will know the difference.

- All right, if you promise
you'll leave as soon as you can

I won't tell anybody.

I don't want to see anybody hurt,

certainly not any members of my club.

- Uh. Thanks, I'm glad you understand.

You know, I don't like
being in this myself.

Well, maybe I'll get out of it someway.

- Maybe you just double-cross us,

and you're gonna be real sorry!

- [Betty] Dorothy, come on
out, we're waiting for you.

- I'll be out in a minute, Betty.

(bright music)

- Hello, Dorothy.

- Hello, Betty.

Hello, Mary.

- Congratulations.

- Thank you.

Oh, these flowers are pretty.

- You look upset.

- When did you arrive?

- This morning.

- I wonder if we can trust her?

We're in a heck of a fix.

I guess we got no choice now.

- I think you can trust her,

but you also promised not
to cause her any trouble.

Come on, let's try to
blow this joint fast-like.

- Lemme try the the phone again.

Rodriquez, Hibiscus Country Club.

- Is you, Duke?

Well, listen, lcannot
send Pedro over right away

to pick you UP-

You'll have to wait a couple of hours.

- What do you mean you can't
get over here right away?

Well, who cares?

You mean they won't let
over near the boat landing?

- Yeah, that's right.

Well, we can't move until
the police boat leaves.

- Well, all right, but
don't louse me up, boy.

Joe and Dan will take
care of ya if you do.

- All right, all right, quit worrying.

Pedro will pick you up as
soon as things are quiet,

my boat is ready to leave.

Goodbye.
- Okay.

He says he can't come over right now,

it'll cause a rumble.

You go out there and watch that gal.

Tell her we can't leave in an hour,

it'll be a little longer.

See she doesn't get
impatient and start trouble.

Stay wit her.

- What are ya gonna do
with her when we leave?

- I don't trust her,
she's gotta come with us.

- Why can't ya leave her behind here?

- Are you fallin' that babe?

Now, the minute we leave here,

she'll be at that phone so
fast it'll make your head swim.

- Ah, with a head start nobody will be able

to catch us anymore.

Anyway, what good would
she be to us in Cuba?

- We'll get to Cuba.

She's lucky if she makes it halfway.

Now, you better get out
there and watch that gal.

- I can't get over it.

Did Dorothy tell you
she was getting married?

- [Betty] No, she didn't.

(soft bright music)

- Hi.

I'd like you to meet my husband.

- How do you do?

- Ooh.

He's very nice.

- See ya later.

Look, I want you to, uh, keep smiling

and act as if everything is all right.

(people chattering)

- Hello, Dorothy.
- Hi there, nice couple.

- Hello.

Uh, you know that our attache case is, uh,

full of stolen money, don't ya, Dorothy?

- I thought so.

(people chattering)
(soft bright music continues)

- [Woman] The water feels good.

- [Woman] Here, catch.

(people chattering)
(bright music)

- Oh look, there's Dorothy.

Hi, Dorothy.
- Hi, Dorothy.

- Do you like it here?

- It's great.

- Of course it is.

- I've never been to a
camp like this before.

- Well, what do you think about it?

- Well, I must say, I'm surprised.

Everyone here is so healthy looking,

they seem so happy.

It's a wonderful way to live
and to bring up children.

I envy these people.

You know, they have the right idea.

(bright music)

You know, Dorothy, it's too bad we had

to meet the way we did.

I'm really not a bad guy.

As a matter of fact,

I'm pretty nice when you get to know me.

- Mm-hmm.

- No, I...

I really am.

(people playing)
(gentle music)

- [Duke Voiceover] This
waitin' is drivin' me nuts.

Rodriguez said Pedro would
pick us up in a couple hours.

Hm, how much longer do we have to wait?

(anxious music)

(gentle bright music)

I I met you in a sunny hideaway J'

r Where our love grew
stronger day by day J'

r But then the clouds above
passed and shadowed our love I

m And I knew I'd have
to leave my hideaway J'

- [Duke Voiceover] Boy, it's hot in here.

They all look so cool out there, and me,

I gotta be stuck in this joint.

I get to do all the dirty work.

(anxious music)

Wonder what Steve's doin'.

Hope he didn't get too
chummy over that dame.

I wonder if that kid brother
of mine would cross me up?

(people chattering)
(gentle bright music)

(gentle bright music)

(people chattering)

(lively music)

(gentle anxious music)

- [Duke Voiceover] What's keepin' 'em?

They should be back by now.

What are they doin' out there?

- Hold it.

Hold it, now.

Pull your arrow back.

Pull it way back.

Hold it, now. Steady, steady.

Steady, now. That's it.

Now you got it.

Slide it through.

That's it, that's it.
- Getting tired.

- That's all right.
- Too much of a strain.

(bright music)

(Steve laughs)

- What a first shot.

Some archer.

- I can do better, okay?

Now.

(arrow whooshing)

(arrow thuds)

There.
- Where?

You're supposed to hit the red.

(Steve laughs)

- You wait and see.

- Steady, now, Dorothy.

Steady. All right, try.

Bull's eye! Wonderful!

Oh, that's terrific.

Keep it up, you're doing all right.

- Come on, let's go.

(soft bright music)

- Come on!

- That's good form.

- Ah, come on.

" Aah!

(Dorothy giggleS)

Ah!

- Come on, now.

Hit it back now.

You can do better. Come on!

(Dorothy chuckles)

- Ah!

(Dorothy chuckles)
(soft bright music)

- Hey, Dorothy, don't drink it dry,

save a little for me, huh?

Come on.

Save some.

(Dorothy chuckles)

(soft bright music continues)

(soft bright music)

What beautiful flamingos.

- Mm-hmm.

- That's a pretty
picture, isn't it, Steve?

Beautiful.

- [Steve] You make a beautiful
picture too, Dorothy.

- Well, doesn't that
bird look sad, all alone?

- Mm-hmm.

Yes, Dorothy.

You know, Dorothy, birds are like people,

they shouldn't be alone.

- Will you sit round me?

- Yes, I, I think I'm
beginning to get used to it.

You know, I'm sorry I
caused you all this trouble.

- How did you get into this?

- I did a lotta crazy things in my life

just because my older brother told me to.

But I made up my mind, I'm not going

to do another crazy thing.

- I hope you're not going
to do anything dangerous?

- Oh, I have to.

Look, I don't want you to come
back to the cabin with me.

- What are you going to do? Fight him?

Why did you change your mind?

- Well, in a way, you
changed my mind for me.

You know, I've done a lotta
stupid things in my life

to get other people into trouble,

this time I gotta do something decent

to get you out of trouble, that's all

- I don't understand.

- You'll understand later on.

- Can't you just stay here

and let him go with all that money.

- He wouldn't leave.

He doesn't trust us.

So I'll have to go.

I'll have to go along with him.

You know, I'd really like
to stay here with you,

but it, it can't be that way.

So please don't follow
me back to the cabin,

because you're in real danger now.

I'll come back and see you
again, just as soon as I can.

- I wish you would.

(gentle music)

(gentle bright music)

r I found you in a secluded paradise I

r Where our love alone would suffice I'

r But then they came and tore
me from your fond embrace J'

r No more to ever see this sunny place 1*

I I met you in a sunny hideaway J'

r Where our love grew
stronger day by day J'

r But then the clouds above
passed and shadowed our love I

m And I knew I'd have
to leave my hideaway J'

J' Hideout in the sun I

(people playing)
(bright music)

- That was fine.

You're good.

You're coming along just
fine, that's marvelous.

(people playing)
(bright music)

- [Duke Voiceover] The
afternoon's almost shot.

When will Pedro get here?

What I need is a good, stiff drink.

- [Woman] Hey, you too, enjoying the sun?

- It's so nice being with you, Steve.

- It's wonderful being with you.

- If only you could stay.

- I'd like to, more than anything.

- Steve, if you really
wanted to stay here,

you'd find some way.

You did mean everything
you said, didn't you?

- I did. Everything.

- Then what else is there?

Please, try to stay, Steve, I want you to.

I want you to, very much.

(gentle bright music)

- Where's the girl?

I told you not to let
her get away from ya.

Where's she now?

- Quit worrying.

Let me tell you something,

we'd really be in a jam without her.

If it hadn't been for Dorothy,
we'd be in a big mess, Duke.

We've got this place to
hide out, haven't we?

All right, so far we're safe,

she's not gonna squeal on us,
that I know, we can trust her.

Well, what more do ya want?

We've really gotten a
break, if you ask me.

- [Duke] Yeah.

- Remember that charm bracelet
you said I could borrow?

We've got a special date tonight

and I wanna look my very best.

Can I still borrow it?

- Of course.
- I'll get it.

- No, no, no, I'll get it.

Don't be ridic-

- I don't wanna bother you.

- Please, I said I'd get it.

_ Qkay-

- Are you crazy?

Leaving her out there alone,
she may be phonin' the cops.

(boat horn honking)

I can see him, I can hear his signal.

Get that girl.

Use your gun if you have to,

we can't leave without her.

- Why can't we go without her?

She'll only be in the way.

Let's just leave her here.

Why look for more trouble,
aren't we in deep enough?

- Be smart! Are you crazy?

- Why, you maniac, what
do you think you're doin',

Pulling a gun on me?

- I'll kill ya, ya punk!

So there you are!

If you use the phone to call anybody,

you're in real trouble!

The minute I hear the
sirens, I'll let you have it!

- I thought I told you to stay outta here!

- So you told her?

- That's right!

- So it's finally come out,

my own brother's stabbing me in the back!

I knew it all the time.

I'll kill ya.

You think that... Come here, you!

(Steve and Duke arguing)
(concerned music)

- [Pedro Voiceover] Looks like trouble.

I'm not getting messed up for those two.

- Hey!

That rat on the boat
is leaving without us.

(concerned music)

- Why, that miserable bum!

- Come on.

(anxious music)

Get down.

Come on.

- There are keys in this car.

- Good. Let's go.

(somber music)

(Dorothy sobbing)

(gentle bright music)

(PEOPIe playing)

(Dorothy sobbing)
(somber music)

(anxious music)

You fell for that setup, didn't ya?

- I suppose I did.

It was a though the fresh air and sunshine

was healing all the
rottenness that's been a part

of me ever since I can remember.

I felt healthy, mind and body,

for the first time in my life.

Friendliness of those people make me think

how good it would be if someday I could

come back and join them.

(gentle music)

(water sploshing)

(gentle bright music)

I guess you really don't
understand what I mean, do you?

- Oh, quit your babblin', didn't you see

that slow down sign?

There's a cop behind us.

- Keep cool, will ya?

I've been watching him in the mirror.

But maybe he hasn't spotted us.

- That's what you think.

Now listen, turn off this road

and pull in the first place ya can.

Then, if he follows us,
we know it's trouble.

Okay, Duke.

(suspenseful music)

Duke, as far as I'm
concerned, we're through.

(Steve moans)
(tense music)

(suspenseful music)

- Hurry, police, there's a man running

around the serpentarium, waving a gun.

He looks dangerous.

Please, get here as fast as you can.

(suspenseful music)

(tense music)

(suspenseful music)

- [Dispatcher] Proceed
immediately to the serpentarium.

(police siren wailing)

- Approaching serpentarium.

(suspenseful music)
(police sirens wailing)

(Steve groans)

- Ooh.

(tense music)

(suspenseful music)

(tense music)

(suspenseful music)

(tense music)

(suspenseful music)

(snake hissing)

(police sirens wailing)

(suspenseful music continues)

(lizard grunting)

(suspenseful music continues)

(tense music)

(suspenseful music)

(lizard grunting)

(upbeat suspenseful music)

(curious music)

- Yeah.

Ow, my ankle! (moans)

(suspenseful music)

Oh.

(curious music)

I've gotta get that gun.

(tense music)

(suspenseful music)

Aah!

Uh.

(tense music)

(suspenseful music)

(Steve moaning)

(concerned music)

(suspenseful music)

(Steve moaning)

- [Reporter] News bulletin just handed me

on today's sensational
$100,000 bank robbery.

One of the criminals was
found dead from snake bite

at the serpentarium
just a few minutes ago,

his identity has not been established.

All of the money was found intact

in an attache case lying near the body.

Police are still searching
for the accomplice

in the case, who drove the getaway car.

Further details on the next news cast.

(suspenseful music)

(Steve moaning)

(suspenseful music)

(Steve moaning)

(tense music)

(suspenseful music)

(phone rings)

(Steve moaning)

- Please, this is Steve Martin,
driver of the holdup car.

You can get me at the Hibiscus Club.

(bright music)

(people chattering)

- Hello.
- Hello, Dorothy.

How's everything been going with you?

- [Dorothy] Oh, all right.

- I see you're going to the post office.

- Yes, I am, I have to mail these letters.

- Mind if I go too? I'm
picking up a package.

- Fine. Come along.

- [Betty] You look unhappy
for a newlywed, where's Steve?

- I don't-
- Oh, that's all right.

There he is now.

- Would you excuse us a minute, please?

- [Betty] Of course

- I've gotta talk fast, the
police will be here any minute.

Come on, Dorothy, let's sit down.

(gentle bright music)

Duke is dead.

The police have the money.

I've given myself up.

That's why the police are coming here.

- I'm glad you gave yourself up,

I knew you weren't really a criminal.

(police sirens wailing)

- Dorothy, I, I have to go now.

I'm afraid I really have to go.

Dorothy, listen to me.

I've known you only a few hours,

but it seems like a lifetime.

- I feel that way too, Steve.

- I'll be back.

Promise that you'll wait for me.

- I'll wait for you forever.

(gentle bright music continues)

Forever.

Forever.

M I met you in a hideout in the sun I

I Far from everyplace and everyone J'

m I saw you standing
there beneath the tree r

m I saw gold hair waiving in the breeze I

r I found you in a secluded paradise I

r Where our love alone would suffice I'

r But then they came and tore
me from your fond embrace J'

r No more to ever see this sunny place 1*