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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:02,960 Their songs were iconic. Do you remember 2 00:00:02,960 --> 00:00:05,280 them? 3 00:00:08,515 --> 00:00:10,000 >> [music] 4 00:00:10,000 --> 00:00:12,880 >> More than 70 million records were sold, 5 00:00:12,880 --> 00:00:15,360 topping the charts in over 20 countries. 6 00:00:15,360 --> 00:00:16,960 The Enigma project [music] brought the 7 00:00:16,960 --> 00:00:19,600 new age genre back to life, combining 8 00:00:19,600 --> 00:00:21,640 Gregorian chants with electronic [music] 9 00:00:21,640 --> 00:00:24,480 beats and sultry whispers. But despite 10 00:00:24,480 --> 00:00:27,040 creating a global phenomenon, the mind 11 00:00:27,040 --> 00:00:29,840 behind Enigma made a radical decision to 12 00:00:29,840 --> 00:00:33,160 completely reject celebrity status. This 13 00:00:33,160 --> 00:00:35,640 is Michael Cretu, a reclusive, 14 00:00:35,640 --> 00:00:38,200 incredibly shy perfectionist who built 15 00:00:38,200 --> 00:00:41,160 an empire in the shadows. In this video, 16 00:00:41,160 --> 00:00:43,120 you will find out how the search for the 17 00:00:43,120 --> 00:00:45,400 perfect sound ended up [music] in court. 18 00:00:45,400 --> 00:00:47,960 Can you believe Michael faced major 19 00:00:47,960 --> 00:00:49,920 lawsuits for using the voices of a 20 00:00:49,920 --> 00:00:52,520 renowned German choir and an indigenous 21 00:00:52,520 --> 00:00:54,680 couple without permission in his most 22 00:00:54,680 --> 00:00:57,200 successful songs? We'll also dive into 23 00:00:57,200 --> 00:00:59,480 his life beyond the studio, his marriage 24 00:00:59,480 --> 00:01:02,200 to the German Madonna. Yes, I am talking 25 00:01:02,200 --> 00:01:04,190 about Sandra, the singer behind the 26 00:01:04,190 --> 00:01:06,000 [music] hit I'll Never Be Maria 27 00:01:06,000 --> 00:01:08,280 Magdalena, the building of his family 28 00:01:08,280 --> 00:01:10,680 with twin sons, and the discreet reasons 29 00:01:10,680 --> 00:01:12,600 that [music] led to a divorce that ended 30 00:01:12,600 --> 00:01:14,680 a historic partnership. I'm going to 31 00:01:14,680 --> 00:01:16,400 walk you through [music] everything in 32 00:01:16,400 --> 00:01:18,960 detail. So, turn up the volume. Today, 33 00:01:18,960 --> 00:01:22,530 we're going to decipher Enigma. 34 00:01:22,530 --> 00:01:23,520 >> [music] 35 00:01:23,520 --> 00:01:26,200 >> Michael Cretu is Romanian and was born 36 00:01:26,200 --> 00:01:29,160 in Bucharest in 1957. Since he was a 37 00:01:29,160 --> 00:01:31,480 child, he already showed signs of being 38 00:01:31,480 --> 00:01:33,720 a musical prodigy. He was drawn to 39 00:01:33,720 --> 00:01:35,640 stories of medieval knights and 40 00:01:35,640 --> 00:01:38,240 fascinated by outer space. As he sat at 41 00:01:38,240 --> 00:01:40,320 the piano, he imagined the keys were 42 00:01:40,320 --> 00:01:42,240 controls of a spaceship. His [music] 43 00:01:42,240 --> 00:01:44,400 talent was so evident that teachers 44 00:01:44,400 --> 00:01:46,600 predicted he would become a great 45 00:01:46,600 --> 00:01:48,360 concert pianist. [music] In the early 46 00:01:48,360 --> 00:01:51,320 1970s, Michael moved to Germany, where 47 00:01:51,320 --> 00:01:53,316 he became a citizen and graduated 48 00:01:53,316 --> 00:01:55,400 [music] from the University of Frankfurt 49 00:01:55,400 --> 00:01:57,600 in composition and conducting. What 50 00:01:57,600 --> 00:01:59,680 seemed like the beginning of a classical 51 00:01:59,680 --> 00:02:01,600 career changed radically [music] when he 52 00:02:01,600 --> 00:02:04,160 discovered electronic music. Fascinated 53 00:02:04,160 --> 00:02:06,800 by synthesizers, he traded orchestral 54 00:02:06,800 --> 00:02:09,036 scores for studio work and became 55 00:02:09,036 --> 00:02:10,759 [music] obsessed with creating new 56 00:02:10,759 --> 00:02:12,880 sounds. His talent caught the attention 57 00:02:12,880 --> 00:02:14,840 of major names such [music] as Frank 58 00:02:14,840 --> 00:02:16,960 Farian, who hired him as a studio 59 00:02:16,960 --> 00:02:19,120 keyboardist for the pop phenomenon Boney 60 00:02:19,120 --> 00:02:21,720 M. But Michael did not stay behind the 61 00:02:21,720 --> 00:02:24,240 scenes. He released albums as a solo 62 00:02:24,240 --> 00:02:26,960 artist and saw his hit Samurai climb to 63 00:02:26,960 --> 00:02:31,160 the top of the charts across Europe. 64 00:02:31,306 --> 00:02:32,680 >> [music] 65 00:02:32,680 --> 00:02:34,640 >> But the big leap in his career happened 66 00:02:34,640 --> 00:02:38,400 in 1982 when he met singer Sandra Lauer, 67 00:02:38,400 --> 00:02:40,320 one of the standout beauties of the 68 00:02:40,320 --> 00:02:43,440 group [music] Arabesque. 69 00:02:44,800 --> 00:02:45,960 It is [music] worth mentioning that 70 00:02:45,960 --> 00:02:48,000 there's already a video about Sandra's 71 00:02:48,000 --> 00:02:49,880 story here on the channel, so check it 72 00:02:49,880 --> 00:02:52,080 out later. Completely in love and 73 00:02:52,080 --> 00:02:54,200 convinced of her talent despite some 74 00:02:54,200 --> 00:02:56,800 early setbacks, Michael took control of 75 00:02:56,800 --> 00:02:59,560 her career. He produced Maria Magdalena, 76 00:02:59,560 --> 00:03:01,200 took the song to number one [music] in 77 00:03:01,200 --> 00:03:04,760 21 countries, and married her in 1988. 78 00:03:04,760 --> 00:03:06,320 In the studio, they were [music] an 79 00:03:06,320 --> 00:03:08,880 unbeatable duo. But Michael's brilliance 80 00:03:08,880 --> 00:03:10,720 was not limited to his work with his 81 00:03:10,720 --> 00:03:13,640 wife. During the 1980s, his reputation 82 00:03:13,640 --> 00:03:15,600 as a studio wizard grew [music] to the 83 00:03:15,600 --> 00:03:17,600 point that he was sought after by some 84 00:03:17,600 --> 00:03:19,920 of the biggest names in music. However, 85 00:03:19,920 --> 00:03:22,560 by the end of the 1980s, success had 86 00:03:22,560 --> 00:03:24,840 taken its [music] toll and Michael felt 87 00:03:24,840 --> 00:03:26,720 exhausted. He was tired of the 88 00:03:26,720 --> 00:03:28,840 commercial and predictable formula of 89 00:03:28,840 --> 00:03:30,960 pop [music] music. He needed a new 90 00:03:30,960 --> 00:03:34,040 challenge. In 1988, the couple moved to 91 00:03:34,040 --> 00:03:36,000 Ibiza, Spain. [music] In the island's 92 00:03:36,000 --> 00:03:37,880 peaceful atmosphere, far from the 93 00:03:37,880 --> 00:03:40,082 pressure of the music industry, he found 94 00:03:40,082 --> 00:03:42,000 [music] the mental space to reconnect 95 00:03:42,000 --> 00:03:43,840 with two great passions from his 96 00:03:43,840 --> 00:03:45,880 childhood, the Middle Ages [music] and 97 00:03:45,880 --> 00:03:48,640 outer space. Michael decided to blend 98 00:03:48,640 --> 00:03:50,560 ancient Gregorian chants [music] with 99 00:03:50,560 --> 00:03:52,840 hypnotic electronic beats, adding a 100 00:03:52,840 --> 00:03:55,920 mysterious female voice. The idea was 101 00:03:55,920 --> 00:03:57,320 not to promote the image of [music] an 102 00:03:57,320 --> 00:03:59,560 artist, but rather to launch a faceless 103 00:03:59,560 --> 00:04:02,320 musical project focused purely on its 104 00:04:02,320 --> 00:04:05,200 sonic atmosphere. In a 2016 interview 105 00:04:05,200 --> 00:04:08,080 with Schalissimo magazine, Michael said, 106 00:04:08,080 --> 00:04:09,960 "At first, I wanted to find out whether 107 00:04:09,960 --> 00:04:12,040 music could succeed on its own without 108 00:04:12,040 --> 00:04:14,000 people knowing who created it, and it 109 00:04:14,000 --> 00:04:16,440 worked. My focus was not on the visuals. 110 00:04:16,440 --> 00:04:18,680 I always said that I am not important. 111 00:04:18,680 --> 00:04:20,000 Only the work should be in the 112 00:04:20,000 --> 00:04:21,920 spotlight. I don't like the cult of 113 00:04:21,920 --> 00:04:23,880 personality. That kind of thing just 114 00:04:23,880 --> 00:04:27,280 doesn't come naturally to me." 115 00:04:28,040 --> 00:04:31,240 Michael's project hit the stores in 1990 116 00:04:31,240 --> 00:04:34,320 with an enigmatic [music] title MCMXC 117 00:04:34,320 --> 00:04:37,560 AD, which in Roman numerals simply means 118 00:04:37,560 --> 00:04:39,320 its [music] year of release. The album 119 00:04:39,320 --> 00:04:41,880 booklet featured no photos. Sandra, the 120 00:04:41,880 --> 00:04:43,840 project's [music] female voice, was not 121 00:04:43,840 --> 00:04:46,160 even credited, and Michael used the 122 00:04:46,160 --> 00:04:49,120 pseudonym Curly MC. What seemed like a 123 00:04:49,120 --> 00:04:52,120 risky combination, Gregorian chants, pop 124 00:04:52,120 --> 00:04:54,720 beats, and sultry whispers, became a 125 00:04:54,720 --> 00:04:58,083 worldwide sensation. [music] 126 00:05:01,303 --> 00:05:03,323 >> [music] 127 00:05:03,760 --> 00:05:06,360 >> Driven by explosive success of the song 128 00:05:06,360 --> 00:05:09,000 Sadness Part 1, the album sold more than 129 00:05:09,000 --> 00:05:11,783 14 million copies and reached number one 130 00:05:11,783 --> 00:05:14,240 [music] in 24 countries. The enigmatic 131 00:05:14,240 --> 00:05:16,640 project further popularized the new age 132 00:05:16,640 --> 00:05:18,960 genre in the mainstream, but the mystery 133 00:05:18,960 --> 00:05:21,080 surrounding who was behind the project 134 00:05:21,080 --> 00:05:23,160 did not last long. The end of the 135 00:05:23,160 --> 00:05:25,040 anonymity came through the courts. 136 00:05:25,040 --> 00:05:27,000 Michael [music] made a classic mistake. 137 00:05:27,000 --> 00:05:29,080 He assumed that the centuries-old sheet 138 00:05:29,080 --> 00:05:30,778 music meant that the audio recordings 139 00:05:30,778 --> 00:05:32,560 [music] were free to use. Without 140 00:05:32,560 --> 00:05:35,920 permission, he sampled 1976 recordings 141 00:05:35,920 --> 00:05:38,040 by [music] the prestigious German choir 142 00:05:38,040 --> 00:05:40,680 Capella Antiqua München. The lawsuit was 143 00:05:40,680 --> 00:05:42,400 not just about [music] money, but also 144 00:05:42,400 --> 00:05:44,480 about the moral offense it caused. The 145 00:05:44,480 --> 00:05:46,480 religious group was outraged to hear 146 00:05:46,480 --> 00:05:48,520 their sacred [music] voices mixed with 147 00:05:48,520 --> 00:05:50,920 club beats and sultry whispers in 148 00:05:50,920 --> 00:05:54,000 Sadness and Mea Culpa. The choir won, 149 00:05:54,000 --> 00:05:56,160 received financial compensation, [music] 150 00:05:56,160 --> 00:05:59,000 and demanded a formal written apology. 151 00:05:59,000 --> 00:06:01,320 But even the scandal did not stop its 152 00:06:01,320 --> 00:06:03,920 success. Then came the second album in 153 00:06:03,920 --> 00:06:06,800 1993, [music] The Cross of Changes. 154 00:06:06,800 --> 00:06:09,280 Michael expanded his horizons and 155 00:06:09,280 --> 00:06:11,040 replaced [music] the monks with chants 156 00:06:11,040 --> 00:06:13,360 from an indigenous group in Taiwan. The 157 00:06:13,360 --> 00:06:16,120 result was another global mega-hit, the 158 00:06:16,120 --> 00:06:18,920 unforgettable and nostalgic Return to 159 00:06:18,920 --> 00:06:21,480 Innocence. 160 00:06:24,489 --> 00:06:26,509 >> [music] 161 00:06:29,729 --> 00:06:31,200 [music] 162 00:06:31,200 --> 00:06:33,400 >> The music video for that song, famous 163 00:06:33,400 --> 00:06:35,560 for showing a man's life in reverse, 164 00:06:35,560 --> 00:06:38,000 helped make the song iconic. But because 165 00:06:38,000 --> 00:06:40,680 of it, another lawsuit came knocking. 166 00:06:40,680 --> 00:06:42,840 The lead vocals in the song belonged to 167 00:06:42,840 --> 00:06:45,680 Difang and Igay, a couple of singers 168 00:06:45,680 --> 00:06:48,600 from Taiwan's indigenous Amis community. 169 00:06:48,600 --> 00:06:50,920 In the 1970s, they had recorded the 170 00:06:50,920 --> 00:06:53,560 traditional jubilant drinking song for a 171 00:06:53,560 --> 00:06:56,760 cultural archive. 172 00:06:58,440 --> 00:07:00,240 Michael took that recording from a 173 00:07:00,240 --> 00:07:02,560 French CD and used it in the song 174 00:07:02,560 --> 00:07:04,240 without the couple's permission or 175 00:07:04,240 --> 00:07:06,360 knowledge. Difang and Igay only 176 00:07:06,360 --> 00:07:08,000 discovered that their voices were a 177 00:07:08,000 --> 00:07:10,560 global success years later when Return 178 00:07:10,560 --> 00:07:12,720 to Innocence played in the campaigns for 179 00:07:12,720 --> 00:07:14,360 the 1996 180 00:07:14,360 --> 00:07:17,040 Atlanta Olympics. They sued the producer 181 00:07:17,040 --> 00:07:18,760 and the record label for copyright 182 00:07:18,760 --> 00:07:20,720 infringement. The case was settled in 183 00:07:20,720 --> 00:07:23,720 1999. The couple secured official 184 00:07:23,720 --> 00:07:25,720 credit, received the royalties they were 185 00:07:25,720 --> 00:07:27,320 owed, and were given [music] platinum 186 00:07:27,320 --> 00:07:28,440 records. 187 00:07:28,440 --> 00:07:30,520 The third chapter in Enigma's journey 188 00:07:30,520 --> 00:07:34,360 came in 1996 with Le Roi Est Mort, Vive 189 00:07:34,360 --> 00:07:37,040 Le Roi. On this record, Michael sought 190 00:07:37,040 --> 00:07:39,280 to balance the elements of the first two 191 00:07:39,280 --> 00:07:41,440 albums, bringing back Gregorian and 192 00:07:41,440 --> 00:07:43,640 ethnic chants while giving the project a 193 00:07:43,640 --> 00:07:46,920 distinct identity. 194 00:07:47,020 --> 00:07:49,040 >> [music] 195 00:07:51,605 --> 00:07:52,080 [music] 196 00:07:52,080 --> 00:07:54,160 >> Speaking about his almost magical 197 00:07:54,160 --> 00:07:56,320 creative process at the time, Michael 198 00:07:56,320 --> 00:07:58,560 said, "Making Enigma records is like 199 00:07:58,560 --> 00:08:00,760 practicing alchemy only in musical 200 00:08:00,760 --> 00:08:02,600 terms. The listeners do not rack their 201 00:08:02,600 --> 00:08:04,800 brain thinking [music] how, what, or 202 00:08:04,800 --> 00:08:06,520 where does it come from? If they simply 203 00:08:06,520 --> 00:08:08,840 say, 'What a beautiful song,' then my 204 00:08:08,840 --> 00:08:10,440 work was done well." [music] From the 205 00:08:10,440 --> 00:08:13,240 2000s onward, Enigma's sound began to 206 00:08:13,240 --> 00:08:15,185 change. On the 2000 album 207 00:08:15,185 --> 00:08:15,200 >> [music] 208 00:08:15,200 --> 00:08:17,480 >> The Screen Behind the Mirror, Michael 209 00:08:17,480 --> 00:08:20,240 used grand samples from composer Carl 210 00:08:20,240 --> 00:08:25,000 Orff, best known for Carmina Burana. 211 00:08:25,010 --> 00:08:27,030 >> [music] 212 00:08:30,250 --> 00:08:30,880 [music] 213 00:08:30,880 --> 00:08:35,120 >> On 2003's Voyageur and 2006's A 214 00:08:35,120 --> 00:08:36,080 Posteriori, [music] 215 00:08:36,080 --> 00:08:38,640 he almost completely abandoned ethnic 216 00:08:38,640 --> 00:08:41,240 influences, delivering albums much more 217 00:08:41,240 --> 00:08:43,880 focused on pure electronic and ambient 218 00:08:43,880 --> 00:08:45,971 music. 219 00:08:45,971 --> 00:08:47,991 >> [music] 220 00:08:51,211 --> 00:08:53,231 [music] 221 00:08:56,280 --> 00:08:58,680 >> Even with a more modern sound, Enigma 222 00:08:58,680 --> 00:09:00,880 remained relevant. The seventh studio 223 00:09:00,880 --> 00:09:03,360 album, Seven [music] Lives Many Faces 224 00:09:03,360 --> 00:09:06,040 from 2008, even reached the top of the 225 00:09:06,040 --> 00:09:07,840 new age charts [music] in the United 226 00:09:07,840 --> 00:09:10,360 States. 227 00:09:11,516 --> 00:09:11,560 >> [music] 228 00:09:11,560 --> 00:09:14,280 >> After a long eight-year hiatus, during 229 00:09:14,280 --> 00:09:16,160 which many fans thought the project had 230 00:09:16,160 --> 00:09:19,640 come to an end, Michael returned in 2016 231 00:09:19,640 --> 00:09:22,080 with The Fall of a Rebel Angel. On this 232 00:09:22,080 --> 00:09:24,600 album, nostalgia hit hard. Michael 233 00:09:24,600 --> 00:09:27,040 brought back the mystical atmosphere and 234 00:09:27,040 --> 00:09:29,960 released Sadness Part 2, coming full 235 00:09:29,960 --> 00:09:32,160 circle more [music] than 25 years after 236 00:09:32,160 --> 00:09:34,400 the hit that changed electronic music 237 00:09:34,400 --> 00:09:36,406 history. 238 00:09:36,406 --> 00:09:38,426 >> [music] 239 00:09:39,000 --> 00:09:41,040 >> But how does someone come full circle 240 00:09:41,040 --> 00:09:43,560 after so much success and still remain 241 00:09:43,560 --> 00:09:45,360 unknown to the general public? To 242 00:09:45,360 --> 00:09:47,960 understand the man who sold 70 million 243 00:09:47,960 --> 00:09:50,400 records while fleeing fame, we need to 244 00:09:50,400 --> 00:09:54,091 go back to his roots once again. 245 00:09:54,091 --> 00:09:55,560 >> [music] 246 00:09:55,560 --> 00:09:58,240 >> The truth is that Michael Cretu never 247 00:09:58,240 --> 00:10:00,120 wanted to be a celebrity. He was not 248 00:10:00,120 --> 00:10:02,280 born with a silver spoon in his mouth. 249 00:10:02,280 --> 00:10:04,120 He came from a communist country [music] 250 00:10:04,120 --> 00:10:06,040 and had to leave his homeland to pursue 251 00:10:06,040 --> 00:10:08,120 his dream. He describes his background 252 00:10:08,120 --> 00:10:10,080 with humility. I am a stateless 253 00:10:10,080 --> 00:10:11,960 immigrant who arrived in Germany with 254 00:10:11,960 --> 00:10:14,080 only one suitcase [music] half filled 255 00:10:14,080 --> 00:10:16,200 with sheet music. I feel like a deeply 256 00:10:16,200 --> 00:10:18,280 southern European at heart, but with a 257 00:10:18,280 --> 00:10:20,240 Prussian discipline. That Prussian 258 00:10:20,240 --> 00:10:20,960 discipline [music] 259 00:10:20,960 --> 00:10:23,200 translated into an almost unhealthy 260 00:10:23,200 --> 00:10:25,600 level of perfectionism in the studio. 261 00:10:25,600 --> 00:10:27,800 Michael would take on as many as seven 262 00:10:27,800 --> 00:10:29,520 different roles in the [music] making of 263 00:10:29,520 --> 00:10:32,160 an Enigma album. Producer, arranger, 264 00:10:32,160 --> 00:10:33,920 sound engineer, singer, [music] 265 00:10:33,920 --> 00:10:36,840 composer, lyricist, and keyboardist. He 266 00:10:36,840 --> 00:10:39,200 preferred isolation to ensure that his 267 00:10:39,200 --> 00:10:41,600 vision would not be diluted. But not 268 00:10:41,600 --> 00:10:43,217 everyone was happy with his success. 269 00:10:43,217 --> 00:10:45,040 [music] When Enigma broke through by 270 00:10:45,040 --> 00:10:47,520 mixing Gregorian chants with provocative 271 00:10:47,520 --> 00:10:49,600 beats, the Catholic Church in Germany 272 00:10:49,600 --> 00:10:52,040 protested fiercely. [music] Michael, on 273 00:10:52,040 --> 00:10:53,520 the other hand, never took that 274 00:10:53,520 --> 00:10:55,280 criticism well and expressed his 275 00:10:55,280 --> 00:10:57,360 frustration with both the institution 276 00:10:57,360 --> 00:10:59,680 and the German mentality of the time in 277 00:10:59,680 --> 00:11:02,920 a 2001 interview with Der Spiegel. I did 278 00:11:02,920 --> 00:11:04,640 the church a great [music] favor. In the 279 00:11:04,640 --> 00:11:06,680 United States, priests thanked me for 280 00:11:06,680 --> 00:11:08,107 tripling the number of young people 281 00:11:08,107 --> 00:11:09,880 [music] attending. But I cannot expect 282 00:11:09,880 --> 00:11:11,680 that kind of open-mindedness from 283 00:11:11,680 --> 00:11:14,120 calcified 85-year-olds. A friend [music] 284 00:11:14,120 --> 00:11:15,680 says that the Catholic Church is the 285 00:11:15,680 --> 00:11:17,839 oldest company in the world and he is 286 00:11:17,839 --> 00:11:20,480 not wrong. He felt that in Germany, 287 00:11:20,480 --> 00:11:22,400 success was often resented. [music] 288 00:11:22,400 --> 00:11:24,360 Tired of what he called a culture of 289 00:11:24,360 --> 00:11:26,447 envy, Michael decided that he would 290 00:11:26,447 --> 00:11:28,320 [music] not raise his children in that 291 00:11:28,320 --> 00:11:30,600 environment. That is why he retreated to 292 00:11:30,600 --> 00:11:32,720 his mansion [music] studio in Ibiza. 293 00:11:32,720 --> 00:11:35,160 Michael and Sandra built not only a 294 00:11:35,160 --> 00:11:37,640 remarkable run of hits, but also a 295 00:11:37,640 --> 00:11:40,400 family. They had twin sons together. 296 00:11:40,400 --> 00:11:42,440 However, the couple who dominated 297 00:11:42,440 --> 00:11:44,880 European pop for decades officially 298 00:11:44,880 --> 00:11:48,000 divorced in 2008. Unlike many traumatic 299 00:11:48,000 --> 00:11:50,160 divorces in the music world, the end of 300 00:11:50,160 --> 00:11:52,200 their relationship was mature and 301 00:11:52,200 --> 00:11:54,000 discreet. [music] They continued living 302 00:11:54,000 --> 00:11:55,880 on the same island sake of their 303 00:11:55,880 --> 00:11:57,280 children. When asked what his 304 00:11:57,280 --> 00:11:59,280 relationship with his ex-wife is like 305 00:11:59,280 --> 00:12:02,040 today, he was direct. We get along well. 306 00:12:02,040 --> 00:12:03,960 We speak on the phone from time to time 307 00:12:03,960 --> 00:12:05,560 and talk about the children. We have a 308 00:12:05,560 --> 00:12:07,280 good relationship and there's no [music] 309 00:12:07,280 --> 00:12:09,839 hostility between us. Today, Michael 310 00:12:09,839 --> 00:12:11,643 lives a reclusive life. He rejects 311 00:12:11,643 --> 00:12:13,800 [music] the label of stardom, avoids 312 00:12:13,800 --> 00:12:16,040 unnecessary luxuries, and hates 313 00:12:16,040 --> 00:12:18,760 ostentation. For him, money was only a 314 00:12:18,760 --> 00:12:21,280 tool to buy a peaceful life. In the eyes 315 00:12:21,280 --> 00:12:23,280 of the public, he may be a great 316 00:12:23,280 --> 00:12:24,743 mystery, but for him, 317 00:12:24,743 --> 00:12:24,760 >> [music] 318 00:12:24,760 --> 00:12:27,520 >> the mission was always very clear. As he 319 00:12:27,520 --> 00:12:30,000 put it perfectly in 2007 for the 320 00:12:30,000 --> 00:12:32,480 newspaper Süddeutsche Zeitung, "I could 321 00:12:32,480 --> 00:12:34,480 have stopped working [music] at 28. Why 322 00:12:34,480 --> 00:12:36,800 didn't I? Because I love music, not 323 00:12:36,800 --> 00:12:39,160 money. Music is my religion." And the 324 00:12:39,160 --> 00:12:42,000 impact of Michael's religion taught the 325 00:12:42,000 --> 00:12:44,560 industry how to create a new formula for 326 00:12:44,560 --> 00:12:46,960 success. Mixing the mysticism of the 327 00:12:46,960 --> 00:12:48,320 past with the [music] beats of the 328 00:12:48,320 --> 00:12:50,760 future made room for other producers to 329 00:12:50,760 --> 00:12:52,908 create their own mysteries in the 1990s. 330 00:12:52,908 --> 00:12:53,760 [music] 331 00:12:53,760 --> 00:12:55,480 And the biggest of those projects 332 00:12:55,480 --> 00:12:57,493 replaced Gregorian monks with an epic 333 00:12:57,493 --> 00:12:59,960 [music] medieval atmosphere, heavy rock 334 00:12:59,960 --> 00:13:02,360 guitars, and a choir singing in an 335 00:13:02,360 --> 00:13:04,400 imaginary language, taking over the 336 00:13:04,400 --> 00:13:06,280 world with the unforgettable hit [music] 337 00:13:06,280 --> 00:13:08,400 Amen. Yes, I am talking about the 338 00:13:08,400 --> 00:13:10,594 project Era. There's already a full 339 00:13:10,594 --> 00:13:11,800 [music] video about it here on the 340 00:13:11,800 --> 00:13:13,560 channel and I'll leave the link in the 341 00:13:13,560 --> 00:13:15,920 pinned comment. Now tell me, did you 342 00:13:15,920 --> 00:13:17,480 already know the story behind [music] 343 00:13:17,480 --> 00:13:19,160 the Enigma project? Let me know in the 344 00:13:19,160 --> 00:13:21,040 comments and don't forget to like, 345 00:13:21,040 --> 00:13:23,240 subscribe, and stick around because I'll 346 00:13:23,240 --> 00:13:25,680 be back very soon with another great 347 00:13:25,680 --> 00:13:29,760 story from the world of music.24396

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