Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,000 --> 00:00:02,960
Their songs were iconic. Do you remember
2
00:00:02,960 --> 00:00:05,280
them?
3
00:00:08,515 --> 00:00:10,000
>> [music]
4
00:00:10,000 --> 00:00:12,880
>> More than 70 million records were sold,
5
00:00:12,880 --> 00:00:15,360
topping the charts in over 20 countries.
6
00:00:15,360 --> 00:00:16,960
The Enigma project [music] brought the
7
00:00:16,960 --> 00:00:19,600
new age genre back to life, combining
8
00:00:19,600 --> 00:00:21,640
Gregorian chants with electronic [music]
9
00:00:21,640 --> 00:00:24,480
beats and sultry whispers. But despite
10
00:00:24,480 --> 00:00:27,040
creating a global phenomenon, the mind
11
00:00:27,040 --> 00:00:29,840
behind Enigma made a radical decision to
12
00:00:29,840 --> 00:00:33,160
completely reject celebrity status. This
13
00:00:33,160 --> 00:00:35,640
is Michael Cretu, a reclusive,
14
00:00:35,640 --> 00:00:38,200
incredibly shy perfectionist who built
15
00:00:38,200 --> 00:00:41,160
an empire in the shadows. In this video,
16
00:00:41,160 --> 00:00:43,120
you will find out how the search for the
17
00:00:43,120 --> 00:00:45,400
perfect sound ended up [music] in court.
18
00:00:45,400 --> 00:00:47,960
Can you believe Michael faced major
19
00:00:47,960 --> 00:00:49,920
lawsuits for using the voices of a
20
00:00:49,920 --> 00:00:52,520
renowned German choir and an indigenous
21
00:00:52,520 --> 00:00:54,680
couple without permission in his most
22
00:00:54,680 --> 00:00:57,200
successful songs? We'll also dive into
23
00:00:57,200 --> 00:00:59,480
his life beyond the studio, his marriage
24
00:00:59,480 --> 00:01:02,200
to the German Madonna. Yes, I am talking
25
00:01:02,200 --> 00:01:04,190
about Sandra, the singer behind the
26
00:01:04,190 --> 00:01:06,000
[music] hit I'll Never Be Maria
27
00:01:06,000 --> 00:01:08,280
Magdalena, the building of his family
28
00:01:08,280 --> 00:01:10,680
with twin sons, and the discreet reasons
29
00:01:10,680 --> 00:01:12,600
that [music] led to a divorce that ended
30
00:01:12,600 --> 00:01:14,680
a historic partnership. I'm going to
31
00:01:14,680 --> 00:01:16,400
walk you through [music] everything in
32
00:01:16,400 --> 00:01:18,960
detail. So, turn up the volume. Today,
33
00:01:18,960 --> 00:01:22,530
we're going to decipher Enigma.
34
00:01:22,530 --> 00:01:23,520
>> [music]
35
00:01:23,520 --> 00:01:26,200
>> Michael Cretu is Romanian and was born
36
00:01:26,200 --> 00:01:29,160
in Bucharest in 1957. Since he was a
37
00:01:29,160 --> 00:01:31,480
child, he already showed signs of being
38
00:01:31,480 --> 00:01:33,720
a musical prodigy. He was drawn to
39
00:01:33,720 --> 00:01:35,640
stories of medieval knights and
40
00:01:35,640 --> 00:01:38,240
fascinated by outer space. As he sat at
41
00:01:38,240 --> 00:01:40,320
the piano, he imagined the keys were
42
00:01:40,320 --> 00:01:42,240
controls of a spaceship. His [music]
43
00:01:42,240 --> 00:01:44,400
talent was so evident that teachers
44
00:01:44,400 --> 00:01:46,600
predicted he would become a great
45
00:01:46,600 --> 00:01:48,360
concert pianist. [music] In the early
46
00:01:48,360 --> 00:01:51,320
1970s, Michael moved to Germany, where
47
00:01:51,320 --> 00:01:53,316
he became a citizen and graduated
48
00:01:53,316 --> 00:01:55,400
[music] from the University of Frankfurt
49
00:01:55,400 --> 00:01:57,600
in composition and conducting. What
50
00:01:57,600 --> 00:01:59,680
seemed like the beginning of a classical
51
00:01:59,680 --> 00:02:01,600
career changed radically [music] when he
52
00:02:01,600 --> 00:02:04,160
discovered electronic music. Fascinated
53
00:02:04,160 --> 00:02:06,800
by synthesizers, he traded orchestral
54
00:02:06,800 --> 00:02:09,036
scores for studio work and became
55
00:02:09,036 --> 00:02:10,759
[music] obsessed with creating new
56
00:02:10,759 --> 00:02:12,880
sounds. His talent caught the attention
57
00:02:12,880 --> 00:02:14,840
of major names such [music] as Frank
58
00:02:14,840 --> 00:02:16,960
Farian, who hired him as a studio
59
00:02:16,960 --> 00:02:19,120
keyboardist for the pop phenomenon Boney
60
00:02:19,120 --> 00:02:21,720
M. But Michael did not stay behind the
61
00:02:21,720 --> 00:02:24,240
scenes. He released albums as a solo
62
00:02:24,240 --> 00:02:26,960
artist and saw his hit Samurai climb to
63
00:02:26,960 --> 00:02:31,160
the top of the charts across Europe.
64
00:02:31,306 --> 00:02:32,680
>> [music]
65
00:02:32,680 --> 00:02:34,640
>> But the big leap in his career happened
66
00:02:34,640 --> 00:02:38,400
in 1982 when he met singer Sandra Lauer,
67
00:02:38,400 --> 00:02:40,320
one of the standout beauties of the
68
00:02:40,320 --> 00:02:43,440
group [music] Arabesque.
69
00:02:44,800 --> 00:02:45,960
It is [music] worth mentioning that
70
00:02:45,960 --> 00:02:48,000
there's already a video about Sandra's
71
00:02:48,000 --> 00:02:49,880
story here on the channel, so check it
72
00:02:49,880 --> 00:02:52,080
out later. Completely in love and
73
00:02:52,080 --> 00:02:54,200
convinced of her talent despite some
74
00:02:54,200 --> 00:02:56,800
early setbacks, Michael took control of
75
00:02:56,800 --> 00:02:59,560
her career. He produced Maria Magdalena,
76
00:02:59,560 --> 00:03:01,200
took the song to number one [music] in
77
00:03:01,200 --> 00:03:04,760
21 countries, and married her in 1988.
78
00:03:04,760 --> 00:03:06,320
In the studio, they were [music] an
79
00:03:06,320 --> 00:03:08,880
unbeatable duo. But Michael's brilliance
80
00:03:08,880 --> 00:03:10,720
was not limited to his work with his
81
00:03:10,720 --> 00:03:13,640
wife. During the 1980s, his reputation
82
00:03:13,640 --> 00:03:15,600
as a studio wizard grew [music] to the
83
00:03:15,600 --> 00:03:17,600
point that he was sought after by some
84
00:03:17,600 --> 00:03:19,920
of the biggest names in music. However,
85
00:03:19,920 --> 00:03:22,560
by the end of the 1980s, success had
86
00:03:22,560 --> 00:03:24,840
taken its [music] toll and Michael felt
87
00:03:24,840 --> 00:03:26,720
exhausted. He was tired of the
88
00:03:26,720 --> 00:03:28,840
commercial and predictable formula of
89
00:03:28,840 --> 00:03:30,960
pop [music] music. He needed a new
90
00:03:30,960 --> 00:03:34,040
challenge. In 1988, the couple moved to
91
00:03:34,040 --> 00:03:36,000
Ibiza, Spain. [music] In the island's
92
00:03:36,000 --> 00:03:37,880
peaceful atmosphere, far from the
93
00:03:37,880 --> 00:03:40,082
pressure of the music industry, he found
94
00:03:40,082 --> 00:03:42,000
[music] the mental space to reconnect
95
00:03:42,000 --> 00:03:43,840
with two great passions from his
96
00:03:43,840 --> 00:03:45,880
childhood, the Middle Ages [music] and
97
00:03:45,880 --> 00:03:48,640
outer space. Michael decided to blend
98
00:03:48,640 --> 00:03:50,560
ancient Gregorian chants [music] with
99
00:03:50,560 --> 00:03:52,840
hypnotic electronic beats, adding a
100
00:03:52,840 --> 00:03:55,920
mysterious female voice. The idea was
101
00:03:55,920 --> 00:03:57,320
not to promote the image of [music] an
102
00:03:57,320 --> 00:03:59,560
artist, but rather to launch a faceless
103
00:03:59,560 --> 00:04:02,320
musical project focused purely on its
104
00:04:02,320 --> 00:04:05,200
sonic atmosphere. In a 2016 interview
105
00:04:05,200 --> 00:04:08,080
with Schalissimo magazine, Michael said,
106
00:04:08,080 --> 00:04:09,960
"At first, I wanted to find out whether
107
00:04:09,960 --> 00:04:12,040
music could succeed on its own without
108
00:04:12,040 --> 00:04:14,000
people knowing who created it, and it
109
00:04:14,000 --> 00:04:16,440
worked. My focus was not on the visuals.
110
00:04:16,440 --> 00:04:18,680
I always said that I am not important.
111
00:04:18,680 --> 00:04:20,000
Only the work should be in the
112
00:04:20,000 --> 00:04:21,920
spotlight. I don't like the cult of
113
00:04:21,920 --> 00:04:23,880
personality. That kind of thing just
114
00:04:23,880 --> 00:04:27,280
doesn't come naturally to me."
115
00:04:28,040 --> 00:04:31,240
Michael's project hit the stores in 1990
116
00:04:31,240 --> 00:04:34,320
with an enigmatic [music] title MCMXC
117
00:04:34,320 --> 00:04:37,560
AD, which in Roman numerals simply means
118
00:04:37,560 --> 00:04:39,320
its [music] year of release. The album
119
00:04:39,320 --> 00:04:41,880
booklet featured no photos. Sandra, the
120
00:04:41,880 --> 00:04:43,840
project's [music] female voice, was not
121
00:04:43,840 --> 00:04:46,160
even credited, and Michael used the
122
00:04:46,160 --> 00:04:49,120
pseudonym Curly MC. What seemed like a
123
00:04:49,120 --> 00:04:52,120
risky combination, Gregorian chants, pop
124
00:04:52,120 --> 00:04:54,720
beats, and sultry whispers, became a
125
00:04:54,720 --> 00:04:58,083
worldwide sensation. [music]
126
00:05:01,303 --> 00:05:03,323
>> [music]
127
00:05:03,760 --> 00:05:06,360
>> Driven by explosive success of the song
128
00:05:06,360 --> 00:05:09,000
Sadness Part 1, the album sold more than
129
00:05:09,000 --> 00:05:11,783
14 million copies and reached number one
130
00:05:11,783 --> 00:05:14,240
[music] in 24 countries. The enigmatic
131
00:05:14,240 --> 00:05:16,640
project further popularized the new age
132
00:05:16,640 --> 00:05:18,960
genre in the mainstream, but the mystery
133
00:05:18,960 --> 00:05:21,080
surrounding who was behind the project
134
00:05:21,080 --> 00:05:23,160
did not last long. The end of the
135
00:05:23,160 --> 00:05:25,040
anonymity came through the courts.
136
00:05:25,040 --> 00:05:27,000
Michael [music] made a classic mistake.
137
00:05:27,000 --> 00:05:29,080
He assumed that the centuries-old sheet
138
00:05:29,080 --> 00:05:30,778
music meant that the audio recordings
139
00:05:30,778 --> 00:05:32,560
[music] were free to use. Without
140
00:05:32,560 --> 00:05:35,920
permission, he sampled 1976 recordings
141
00:05:35,920 --> 00:05:38,040
by [music] the prestigious German choir
142
00:05:38,040 --> 00:05:40,680
Capella Antiqua München. The lawsuit was
143
00:05:40,680 --> 00:05:42,400
not just about [music] money, but also
144
00:05:42,400 --> 00:05:44,480
about the moral offense it caused. The
145
00:05:44,480 --> 00:05:46,480
religious group was outraged to hear
146
00:05:46,480 --> 00:05:48,520
their sacred [music] voices mixed with
147
00:05:48,520 --> 00:05:50,920
club beats and sultry whispers in
148
00:05:50,920 --> 00:05:54,000
Sadness and Mea Culpa. The choir won,
149
00:05:54,000 --> 00:05:56,160
received financial compensation, [music]
150
00:05:56,160 --> 00:05:59,000
and demanded a formal written apology.
151
00:05:59,000 --> 00:06:01,320
But even the scandal did not stop its
152
00:06:01,320 --> 00:06:03,920
success. Then came the second album in
153
00:06:03,920 --> 00:06:06,800
1993, [music] The Cross of Changes.
154
00:06:06,800 --> 00:06:09,280
Michael expanded his horizons and
155
00:06:09,280 --> 00:06:11,040
replaced [music] the monks with chants
156
00:06:11,040 --> 00:06:13,360
from an indigenous group in Taiwan. The
157
00:06:13,360 --> 00:06:16,120
result was another global mega-hit, the
158
00:06:16,120 --> 00:06:18,920
unforgettable and nostalgic Return to
159
00:06:18,920 --> 00:06:21,480
Innocence.
160
00:06:24,489 --> 00:06:26,509
>> [music]
161
00:06:29,729 --> 00:06:31,200
[music]
162
00:06:31,200 --> 00:06:33,400
>> The music video for that song, famous
163
00:06:33,400 --> 00:06:35,560
for showing a man's life in reverse,
164
00:06:35,560 --> 00:06:38,000
helped make the song iconic. But because
165
00:06:38,000 --> 00:06:40,680
of it, another lawsuit came knocking.
166
00:06:40,680 --> 00:06:42,840
The lead vocals in the song belonged to
167
00:06:42,840 --> 00:06:45,680
Difang and Igay, a couple of singers
168
00:06:45,680 --> 00:06:48,600
from Taiwan's indigenous Amis community.
169
00:06:48,600 --> 00:06:50,920
In the 1970s, they had recorded the
170
00:06:50,920 --> 00:06:53,560
traditional jubilant drinking song for a
171
00:06:53,560 --> 00:06:56,760
cultural archive.
172
00:06:58,440 --> 00:07:00,240
Michael took that recording from a
173
00:07:00,240 --> 00:07:02,560
French CD and used it in the song
174
00:07:02,560 --> 00:07:04,240
without the couple's permission or
175
00:07:04,240 --> 00:07:06,360
knowledge. Difang and Igay only
176
00:07:06,360 --> 00:07:08,000
discovered that their voices were a
177
00:07:08,000 --> 00:07:10,560
global success years later when Return
178
00:07:10,560 --> 00:07:12,720
to Innocence played in the campaigns for
179
00:07:12,720 --> 00:07:14,360
the 1996
180
00:07:14,360 --> 00:07:17,040
Atlanta Olympics. They sued the producer
181
00:07:17,040 --> 00:07:18,760
and the record label for copyright
182
00:07:18,760 --> 00:07:20,720
infringement. The case was settled in
183
00:07:20,720 --> 00:07:23,720
1999. The couple secured official
184
00:07:23,720 --> 00:07:25,720
credit, received the royalties they were
185
00:07:25,720 --> 00:07:27,320
owed, and were given [music] platinum
186
00:07:27,320 --> 00:07:28,440
records.
187
00:07:28,440 --> 00:07:30,520
The third chapter in Enigma's journey
188
00:07:30,520 --> 00:07:34,360
came in 1996 with Le Roi Est Mort, Vive
189
00:07:34,360 --> 00:07:37,040
Le Roi. On this record, Michael sought
190
00:07:37,040 --> 00:07:39,280
to balance the elements of the first two
191
00:07:39,280 --> 00:07:41,440
albums, bringing back Gregorian and
192
00:07:41,440 --> 00:07:43,640
ethnic chants while giving the project a
193
00:07:43,640 --> 00:07:46,920
distinct identity.
194
00:07:47,020 --> 00:07:49,040
>> [music]
195
00:07:51,605 --> 00:07:52,080
[music]
196
00:07:52,080 --> 00:07:54,160
>> Speaking about his almost magical
197
00:07:54,160 --> 00:07:56,320
creative process at the time, Michael
198
00:07:56,320 --> 00:07:58,560
said, "Making Enigma records is like
199
00:07:58,560 --> 00:08:00,760
practicing alchemy only in musical
200
00:08:00,760 --> 00:08:02,600
terms. The listeners do not rack their
201
00:08:02,600 --> 00:08:04,800
brain thinking [music] how, what, or
202
00:08:04,800 --> 00:08:06,520
where does it come from? If they simply
203
00:08:06,520 --> 00:08:08,840
say, 'What a beautiful song,' then my
204
00:08:08,840 --> 00:08:10,440
work was done well." [music] From the
205
00:08:10,440 --> 00:08:13,240
2000s onward, Enigma's sound began to
206
00:08:13,240 --> 00:08:15,185
change. On the 2000 album
207
00:08:15,185 --> 00:08:15,200
>> [music]
208
00:08:15,200 --> 00:08:17,480
>> The Screen Behind the Mirror, Michael
209
00:08:17,480 --> 00:08:20,240
used grand samples from composer Carl
210
00:08:20,240 --> 00:08:25,000
Orff, best known for Carmina Burana.
211
00:08:25,010 --> 00:08:27,030
>> [music]
212
00:08:30,250 --> 00:08:30,880
[music]
213
00:08:30,880 --> 00:08:35,120
>> On 2003's Voyageur and 2006's A
214
00:08:35,120 --> 00:08:36,080
Posteriori, [music]
215
00:08:36,080 --> 00:08:38,640
he almost completely abandoned ethnic
216
00:08:38,640 --> 00:08:41,240
influences, delivering albums much more
217
00:08:41,240 --> 00:08:43,880
focused on pure electronic and ambient
218
00:08:43,880 --> 00:08:45,971
music.
219
00:08:45,971 --> 00:08:47,991
>> [music]
220
00:08:51,211 --> 00:08:53,231
[music]
221
00:08:56,280 --> 00:08:58,680
>> Even with a more modern sound, Enigma
222
00:08:58,680 --> 00:09:00,880
remained relevant. The seventh studio
223
00:09:00,880 --> 00:09:03,360
album, Seven [music] Lives Many Faces
224
00:09:03,360 --> 00:09:06,040
from 2008, even reached the top of the
225
00:09:06,040 --> 00:09:07,840
new age charts [music] in the United
226
00:09:07,840 --> 00:09:10,360
States.
227
00:09:11,516 --> 00:09:11,560
>> [music]
228
00:09:11,560 --> 00:09:14,280
>> After a long eight-year hiatus, during
229
00:09:14,280 --> 00:09:16,160
which many fans thought the project had
230
00:09:16,160 --> 00:09:19,640
come to an end, Michael returned in 2016
231
00:09:19,640 --> 00:09:22,080
with The Fall of a Rebel Angel. On this
232
00:09:22,080 --> 00:09:24,600
album, nostalgia hit hard. Michael
233
00:09:24,600 --> 00:09:27,040
brought back the mystical atmosphere and
234
00:09:27,040 --> 00:09:29,960
released Sadness Part 2, coming full
235
00:09:29,960 --> 00:09:32,160
circle more [music] than 25 years after
236
00:09:32,160 --> 00:09:34,400
the hit that changed electronic music
237
00:09:34,400 --> 00:09:36,406
history.
238
00:09:36,406 --> 00:09:38,426
>> [music]
239
00:09:39,000 --> 00:09:41,040
>> But how does someone come full circle
240
00:09:41,040 --> 00:09:43,560
after so much success and still remain
241
00:09:43,560 --> 00:09:45,360
unknown to the general public? To
242
00:09:45,360 --> 00:09:47,960
understand the man who sold 70 million
243
00:09:47,960 --> 00:09:50,400
records while fleeing fame, we need to
244
00:09:50,400 --> 00:09:54,091
go back to his roots once again.
245
00:09:54,091 --> 00:09:55,560
>> [music]
246
00:09:55,560 --> 00:09:58,240
>> The truth is that Michael Cretu never
247
00:09:58,240 --> 00:10:00,120
wanted to be a celebrity. He was not
248
00:10:00,120 --> 00:10:02,280
born with a silver spoon in his mouth.
249
00:10:02,280 --> 00:10:04,120
He came from a communist country [music]
250
00:10:04,120 --> 00:10:06,040
and had to leave his homeland to pursue
251
00:10:06,040 --> 00:10:08,120
his dream. He describes his background
252
00:10:08,120 --> 00:10:10,080
with humility. I am a stateless
253
00:10:10,080 --> 00:10:11,960
immigrant who arrived in Germany with
254
00:10:11,960 --> 00:10:14,080
only one suitcase [music] half filled
255
00:10:14,080 --> 00:10:16,200
with sheet music. I feel like a deeply
256
00:10:16,200 --> 00:10:18,280
southern European at heart, but with a
257
00:10:18,280 --> 00:10:20,240
Prussian discipline. That Prussian
258
00:10:20,240 --> 00:10:20,960
discipline [music]
259
00:10:20,960 --> 00:10:23,200
translated into an almost unhealthy
260
00:10:23,200 --> 00:10:25,600
level of perfectionism in the studio.
261
00:10:25,600 --> 00:10:27,800
Michael would take on as many as seven
262
00:10:27,800 --> 00:10:29,520
different roles in the [music] making of
263
00:10:29,520 --> 00:10:32,160
an Enigma album. Producer, arranger,
264
00:10:32,160 --> 00:10:33,920
sound engineer, singer, [music]
265
00:10:33,920 --> 00:10:36,840
composer, lyricist, and keyboardist. He
266
00:10:36,840 --> 00:10:39,200
preferred isolation to ensure that his
267
00:10:39,200 --> 00:10:41,600
vision would not be diluted. But not
268
00:10:41,600 --> 00:10:43,217
everyone was happy with his success.
269
00:10:43,217 --> 00:10:45,040
[music] When Enigma broke through by
270
00:10:45,040 --> 00:10:47,520
mixing Gregorian chants with provocative
271
00:10:47,520 --> 00:10:49,600
beats, the Catholic Church in Germany
272
00:10:49,600 --> 00:10:52,040
protested fiercely. [music] Michael, on
273
00:10:52,040 --> 00:10:53,520
the other hand, never took that
274
00:10:53,520 --> 00:10:55,280
criticism well and expressed his
275
00:10:55,280 --> 00:10:57,360
frustration with both the institution
276
00:10:57,360 --> 00:10:59,680
and the German mentality of the time in
277
00:10:59,680 --> 00:11:02,920
a 2001 interview with Der Spiegel. I did
278
00:11:02,920 --> 00:11:04,640
the church a great [music] favor. In the
279
00:11:04,640 --> 00:11:06,680
United States, priests thanked me for
280
00:11:06,680 --> 00:11:08,107
tripling the number of young people
281
00:11:08,107 --> 00:11:09,880
[music] attending. But I cannot expect
282
00:11:09,880 --> 00:11:11,680
that kind of open-mindedness from
283
00:11:11,680 --> 00:11:14,120
calcified 85-year-olds. A friend [music]
284
00:11:14,120 --> 00:11:15,680
says that the Catholic Church is the
285
00:11:15,680 --> 00:11:17,839
oldest company in the world and he is
286
00:11:17,839 --> 00:11:20,480
not wrong. He felt that in Germany,
287
00:11:20,480 --> 00:11:22,400
success was often resented. [music]
288
00:11:22,400 --> 00:11:24,360
Tired of what he called a culture of
289
00:11:24,360 --> 00:11:26,447
envy, Michael decided that he would
290
00:11:26,447 --> 00:11:28,320
[music] not raise his children in that
291
00:11:28,320 --> 00:11:30,600
environment. That is why he retreated to
292
00:11:30,600 --> 00:11:32,720
his mansion [music] studio in Ibiza.
293
00:11:32,720 --> 00:11:35,160
Michael and Sandra built not only a
294
00:11:35,160 --> 00:11:37,640
remarkable run of hits, but also a
295
00:11:37,640 --> 00:11:40,400
family. They had twin sons together.
296
00:11:40,400 --> 00:11:42,440
However, the couple who dominated
297
00:11:42,440 --> 00:11:44,880
European pop for decades officially
298
00:11:44,880 --> 00:11:48,000
divorced in 2008. Unlike many traumatic
299
00:11:48,000 --> 00:11:50,160
divorces in the music world, the end of
300
00:11:50,160 --> 00:11:52,200
their relationship was mature and
301
00:11:52,200 --> 00:11:54,000
discreet. [music] They continued living
302
00:11:54,000 --> 00:11:55,880
on the same island sake of their
303
00:11:55,880 --> 00:11:57,280
children. When asked what his
304
00:11:57,280 --> 00:11:59,280
relationship with his ex-wife is like
305
00:11:59,280 --> 00:12:02,040
today, he was direct. We get along well.
306
00:12:02,040 --> 00:12:03,960
We speak on the phone from time to time
307
00:12:03,960 --> 00:12:05,560
and talk about the children. We have a
308
00:12:05,560 --> 00:12:07,280
good relationship and there's no [music]
309
00:12:07,280 --> 00:12:09,839
hostility between us. Today, Michael
310
00:12:09,839 --> 00:12:11,643
lives a reclusive life. He rejects
311
00:12:11,643 --> 00:12:13,800
[music] the label of stardom, avoids
312
00:12:13,800 --> 00:12:16,040
unnecessary luxuries, and hates
313
00:12:16,040 --> 00:12:18,760
ostentation. For him, money was only a
314
00:12:18,760 --> 00:12:21,280
tool to buy a peaceful life. In the eyes
315
00:12:21,280 --> 00:12:23,280
of the public, he may be a great
316
00:12:23,280 --> 00:12:24,743
mystery, but for him,
317
00:12:24,743 --> 00:12:24,760
>> [music]
318
00:12:24,760 --> 00:12:27,520
>> the mission was always very clear. As he
319
00:12:27,520 --> 00:12:30,000
put it perfectly in 2007 for the
320
00:12:30,000 --> 00:12:32,480
newspaper Süddeutsche Zeitung, "I could
321
00:12:32,480 --> 00:12:34,480
have stopped working [music] at 28. Why
322
00:12:34,480 --> 00:12:36,800
didn't I? Because I love music, not
323
00:12:36,800 --> 00:12:39,160
money. Music is my religion." And the
324
00:12:39,160 --> 00:12:42,000
impact of Michael's religion taught the
325
00:12:42,000 --> 00:12:44,560
industry how to create a new formula for
326
00:12:44,560 --> 00:12:46,960
success. Mixing the mysticism of the
327
00:12:46,960 --> 00:12:48,320
past with the [music] beats of the
328
00:12:48,320 --> 00:12:50,760
future made room for other producers to
329
00:12:50,760 --> 00:12:52,908
create their own mysteries in the 1990s.
330
00:12:52,908 --> 00:12:53,760
[music]
331
00:12:53,760 --> 00:12:55,480
And the biggest of those projects
332
00:12:55,480 --> 00:12:57,493
replaced Gregorian monks with an epic
333
00:12:57,493 --> 00:12:59,960
[music] medieval atmosphere, heavy rock
334
00:12:59,960 --> 00:13:02,360
guitars, and a choir singing in an
335
00:13:02,360 --> 00:13:04,400
imaginary language, taking over the
336
00:13:04,400 --> 00:13:06,280
world with the unforgettable hit [music]
337
00:13:06,280 --> 00:13:08,400
Amen. Yes, I am talking about the
338
00:13:08,400 --> 00:13:10,594
project Era. There's already a full
339
00:13:10,594 --> 00:13:11,800
[music] video about it here on the
340
00:13:11,800 --> 00:13:13,560
channel and I'll leave the link in the
341
00:13:13,560 --> 00:13:15,920
pinned comment. Now tell me, did you
342
00:13:15,920 --> 00:13:17,480
already know the story behind [music]
343
00:13:17,480 --> 00:13:19,160
the Enigma project? Let me know in the
344
00:13:19,160 --> 00:13:21,040
comments and don't forget to like,
345
00:13:21,040 --> 00:13:23,240
subscribe, and stick around because I'll
346
00:13:23,240 --> 00:13:25,680
be back very soon with another great
347
00:13:25,680 --> 00:13:29,760
story from the world of music.24396
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.