All language subtitles for IDM_208_en

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French Download
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:03,800 When you're in Cornwall and it's freezing, 2 00:00:03,800 --> 00:00:05,560 do what the locals do - 3 00:00:05,560 --> 00:00:07,440 wear pasties as gloves! 4 00:00:07,440 --> 00:00:09,920 It's finals week! 5 00:00:09,920 --> 00:00:11,040 Mm! 6 00:00:12,280 --> 00:00:15,400 Ten aspiring designers put their lives on hold 7 00:00:15,400 --> 00:00:17,720 in search of a dream - 8 00:00:17,720 --> 00:00:22,800 to break into the competitive world of professional interior design. 9 00:00:22,800 --> 00:00:25,600 Over the last seven weeks, they've transformed 10 00:00:25,600 --> 00:00:26,760 offices... 11 00:00:26,760 --> 00:00:28,200 Woohoo! I'm swinging! 12 00:00:28,200 --> 00:00:29,360 ..hotels... 13 00:00:29,360 --> 00:00:32,840 Explain yourself! I've gone maximalist. 14 00:00:32,840 --> 00:00:34,840 I can see that, love. 15 00:00:34,840 --> 00:00:36,000 ..salons... 16 00:00:36,000 --> 00:00:38,320 This is where I go and the red smoke comes down 17 00:00:38,320 --> 00:00:40,480 and I see nothing but the vision. 18 00:00:40,480 --> 00:00:42,000 ..even beach huts... 19 00:00:42,000 --> 00:00:45,560 Hula-hula! Where's those sailors? 20 00:00:45,560 --> 00:00:48,360 Wowza! Wowza! 21 00:00:48,360 --> 00:00:52,200 ..and impressed some of the biggest names in the industry. 22 00:00:52,200 --> 00:00:54,920 What a success. What a triumph. 23 00:00:54,920 --> 00:00:57,880 So much fun! 24 00:00:57,880 --> 00:01:00,440 But now only two designers remain... 25 00:01:00,440 --> 00:01:01,800 It's frantic! 26 00:01:01,800 --> 00:01:05,680 Once again, Lynsey's pushed herself as far as she can go. 27 00:01:05,680 --> 00:01:08,440 A little bit of bling and a little bit of sparkle. 28 00:01:08,440 --> 00:01:11,960 ..as they face the biggest opportunity of their lives... 29 00:01:11,960 --> 00:01:14,960 This is what I love doing, creating spaces that people want to be in. 30 00:01:14,960 --> 00:01:17,080 Honestly can't believe that I'm still here, 31 00:01:17,080 --> 00:01:18,560 but I'm so glad that I am. 32 00:01:18,560 --> 00:01:22,120 ..and compete to win a major career-defining contract 33 00:01:22,120 --> 00:01:24,640 at a luxury hotel in the Lakes. 34 00:01:24,640 --> 00:01:27,960 We've got to know that the person that wins this 35 00:01:27,960 --> 00:01:29,880 can absolutely deliver. 36 00:01:29,880 --> 00:01:33,600 Welcome to the final of Interior Design Masters. 37 00:01:43,160 --> 00:01:44,640 It's the final week. 38 00:01:44,640 --> 00:01:47,880 This is crazy. It's so empty. 39 00:01:47,880 --> 00:01:52,080 And at Michelle's design studio, the two remaining designers 40 00:01:52,080 --> 00:01:54,680 are about to embark on their ultimate challenge. 41 00:01:54,680 --> 00:01:59,240 Oh, my gosh, just me and thee, lass! I know, where are all the others? 42 00:01:59,240 --> 00:02:03,400 Hiya, ladies! Oh, hi! Hello! Hello! How are you? You OK? 43 00:02:03,400 --> 00:02:06,320 Great. How you feeling? 44 00:02:06,320 --> 00:02:08,360 Ooh, excited, nervous. Good. 45 00:02:08,360 --> 00:02:10,480 All these things. Overwhelmed. 46 00:02:11,720 --> 00:02:12,840 Well, whatever you feel, 47 00:02:12,840 --> 00:02:14,840 it's a fantastic day for Yorkshire, isn't it? 48 00:02:14,840 --> 00:02:16,040 Yes. Oh, my God, we're really 49 00:02:16,040 --> 00:02:17,640 bringing it, aren't we, for the north? 50 00:02:17,640 --> 00:02:20,200 Yes. So now you're all laughing and getting on, 51 00:02:20,200 --> 00:02:23,600 but you know you're going to have to bring your competitive edge. 52 00:02:23,600 --> 00:02:25,280 Yes. Ooh, game face on. Yeah. 53 00:02:25,280 --> 00:02:27,640 You've got to get your game face on because, you know, 54 00:02:27,640 --> 00:02:30,200 there's a lot at stake here. Hello! 55 00:02:30,200 --> 00:02:32,760 Oh, hello! Hi. Hi. Well, my goodness. 56 00:02:32,760 --> 00:02:35,360 The competition has been fierce this year, 57 00:02:35,360 --> 00:02:38,360 but you two really deserve your place in the final, 58 00:02:38,360 --> 00:02:40,480 so well done. Thank you. Thank you. 59 00:02:40,480 --> 00:02:42,480 And at the end of this last challenge, 60 00:02:42,480 --> 00:02:45,720 one of you is going to walk away with a life-changing 61 00:02:45,720 --> 00:02:47,800 professional design contract. 62 00:02:47,800 --> 00:02:49,520 But before we get there, 63 00:02:49,520 --> 00:02:52,600 I need to take you into the world of the luxury holiday market, 64 00:02:52,600 --> 00:02:54,880 because I've got two five-star villas 65 00:02:54,880 --> 00:02:57,840 that I would like to see completely transformed. 66 00:02:57,840 --> 00:03:01,400 I want to see ambition, ideas and a level of finish 67 00:03:01,400 --> 00:03:04,240 that really respects the luxury end of the market. 68 00:03:04,240 --> 00:03:06,880 So you're going to have to take everything that you've learned 69 00:03:06,880 --> 00:03:10,560 so far and put even more design fairy dust on top of that, 70 00:03:10,560 --> 00:03:12,920 because I need to know who has got what it takes 71 00:03:12,920 --> 00:03:15,320 to make it in the professional league. 72 00:03:15,320 --> 00:03:18,800 Good luck, and may the best designer win. 73 00:03:18,800 --> 00:03:21,480 Thank you. Thank you. Good luck. 74 00:03:21,480 --> 00:03:24,760 Oh, my gosh. This is going to be really, really tough. 75 00:03:24,760 --> 00:03:27,920 And to get a good finish on everything... 76 00:03:27,920 --> 00:03:29,800 Luxury, five-star. 77 00:03:34,160 --> 00:03:37,320 Near the historic Cornish harbour of Charlestown, 78 00:03:37,320 --> 00:03:41,720 this upmarket resort rents out holiday villas year-round. 79 00:03:41,720 --> 00:03:43,280 With a cottage each, 80 00:03:43,280 --> 00:03:46,400 the finalists must design an open-plan kitchen, 81 00:03:46,400 --> 00:03:49,640 dining and living space, downstairs hallway, 82 00:03:49,640 --> 00:03:52,520 two bedrooms and a mezzanine landing. 83 00:03:55,080 --> 00:03:57,360 We've got our two finalists. 84 00:03:57,360 --> 00:04:00,000 What more do you want from them, Michelle? 85 00:04:00,000 --> 00:04:02,400 I need to see them put together everything 86 00:04:02,400 --> 00:04:03,920 that they've learned so far. 87 00:04:03,920 --> 00:04:07,680 But now it's about that kind of just slight extra level of detail - 88 00:04:07,680 --> 00:04:10,360 what I would call really considered design thought. 89 00:04:10,360 --> 00:04:12,000 They're opposite, aren't they? 90 00:04:12,000 --> 00:04:14,400 Siobhan's flamboyant, she's out there. 91 00:04:14,400 --> 00:04:16,960 Lynsey is quite measured and architectural. You know what? 92 00:04:16,960 --> 00:04:18,840 I would agree with you about that 93 00:04:18,840 --> 00:04:21,440 at the very beginning of this whole process. 94 00:04:21,440 --> 00:04:23,280 But what we've seen with each challenge, 95 00:04:23,280 --> 00:04:25,440 they're getting closer and closer together 96 00:04:25,440 --> 00:04:28,120 because good design needs to have both of these things. Yeah. 97 00:04:28,120 --> 00:04:30,240 They've really got to take everything 98 00:04:30,240 --> 00:04:32,240 and, in a way, learn from each other. 99 00:04:32,240 --> 00:04:35,200 And then that is going to give us something amazing. 100 00:04:35,200 --> 00:04:37,240 And they've each got a luxury villa, 101 00:04:37,240 --> 00:04:39,840 but they've each got their own brief, haven't they? 102 00:04:39,840 --> 00:04:42,520 Yes, we've got one that's all about girls' getaway 103 00:04:42,520 --> 00:04:46,160 and then we've got one that's about a sort of family holiday villa. 104 00:04:46,160 --> 00:04:48,320 But both of them have got to be luxurious. 105 00:04:48,320 --> 00:04:49,920 It's a five-star place. 106 00:04:49,920 --> 00:04:53,080 So what do you look for in a luxury villa? 107 00:04:53,080 --> 00:04:55,440 Cos you must live in luxury villas all the time, 108 00:04:55,440 --> 00:04:57,680 all over the world. What do you like? 109 00:04:57,680 --> 00:05:00,360 I want a home from home, but without all the stuff of home 110 00:05:00,360 --> 00:05:02,760 that can sometimes be kind of annoying. Yes, yeah. 111 00:05:02,760 --> 00:05:05,640 It needs to feel special and exclusive and just for me. 112 00:05:12,440 --> 00:05:14,600 After ten days to prep their plans, 113 00:05:14,600 --> 00:05:16,760 the finalists arrive in Cornwall. 114 00:05:16,760 --> 00:05:18,360 Are you all ready, then? 115 00:05:18,360 --> 00:05:19,840 Ready as I'm going to be! 116 00:05:19,840 --> 00:05:22,240 Awaiting Siobhan, a family retreat. 117 00:05:22,240 --> 00:05:24,440 I can't wait to see what you produce. 118 00:05:24,440 --> 00:05:26,880 And for Lynsey, a girls' getaway. 119 00:05:26,880 --> 00:05:30,040 Being in the final, for me, still feels like a dream. 120 00:05:30,040 --> 00:05:33,120 Every week, definitely, me confidence has grown. 121 00:05:33,120 --> 00:05:35,800 I mean, if I'd have got this brief in, like, week one, 122 00:05:35,800 --> 00:05:38,840 I'd have been like, "Oh, no. I can't do that." 123 00:05:38,840 --> 00:05:40,680 I couldn't, you know... 124 00:05:40,680 --> 00:05:44,320 But, like, now it's like, "OK, yeah. Just bring it on." 125 00:05:44,320 --> 00:05:46,880 With an entire villa to redesign, 126 00:05:46,880 --> 00:05:50,760 the finalists have three days and £6,000 - 127 00:05:50,760 --> 00:05:52,600 double their usual budget. 128 00:05:52,600 --> 00:05:54,000 It's a holiday villa. 129 00:05:54,000 --> 00:05:57,200 When people come, it wants to be something different from their home. 130 00:05:57,200 --> 00:06:00,760 It's something exciting, somewhere where they can take pictures 131 00:06:00,760 --> 00:06:02,560 and create memories. 132 00:06:02,560 --> 00:06:05,360 They've each chosen a team-mate to assist. 133 00:06:05,360 --> 00:06:07,880 Siobhan! Paul's helping out Siobhan. 134 00:06:07,880 --> 00:06:10,400 I'm back! You've come at the right time, Paul, 135 00:06:10,400 --> 00:06:12,680 cos I'm making a lot of lists. As usual. 136 00:06:12,680 --> 00:06:14,960 Hello! Hello, boss. 137 00:06:14,960 --> 00:06:18,320 And Amy's making a welcome return for Lynsey. 138 00:06:18,320 --> 00:06:21,560 So the brief is villa for girls' getaways. 139 00:06:21,560 --> 00:06:24,000 So refined, luxury... So, me and you? 140 00:06:24,000 --> 00:06:26,320 Basically what me and you would do, yeah. Amazing. 141 00:06:26,320 --> 00:06:28,680 From week one I was wowed by her scheme. 142 00:06:28,680 --> 00:06:30,960 From week two, she was amazing to work with 143 00:06:30,960 --> 00:06:32,800 and, yeah, I picked her for the final. 144 00:06:32,800 --> 00:06:35,480 It's the type of place we'd want to come and stay, so... 100%. 145 00:06:35,480 --> 00:06:38,240 We can get into the zone. Yeah, I'm there! 146 00:06:38,240 --> 00:06:39,920 I'll be at the bar. No problem. 147 00:06:39,920 --> 00:06:41,440 I will help you out all the way. 148 00:06:41,440 --> 00:06:44,400 And we can create together this magical place. Yeah. 149 00:06:44,400 --> 00:06:47,080 Reunited at last and working together! 150 00:06:47,080 --> 00:06:49,360 Me and Siobhan and have been super close 151 00:06:49,360 --> 00:06:51,720 through this whole competition 152 00:06:51,720 --> 00:06:54,400 and I'll be throwing wallpaper up, I'll be painting, 153 00:06:54,400 --> 00:06:56,560 I'll be upholstering. Anything I can do to help her. 154 00:06:56,560 --> 00:06:58,920 So, it's a family villa. 155 00:06:58,920 --> 00:07:01,320 This is the colour scheme for the lounge. Oh, I love that. 156 00:07:01,320 --> 00:07:05,240 Teal on the walls to bring, like, each of the spaces together 157 00:07:05,240 --> 00:07:06,760 and then loads of pops of colour. 158 00:07:06,760 --> 00:07:09,080 I'm doing a black-and-white stripe. 159 00:07:09,080 --> 00:07:11,800 Got the memo. Got the memo! 160 00:07:11,800 --> 00:07:13,800 I'm so glad you've brought me back to help you. 161 00:07:13,800 --> 00:07:15,840 I will do whatever I can. 162 00:07:15,840 --> 00:07:17,360 I mean, first things first, Paul. 163 00:07:17,360 --> 00:07:20,720 Let's just eliminate some of this beige. Yeah, get it out. 164 00:07:20,720 --> 00:07:23,840 I can't stand it any longer. Go! 165 00:07:23,840 --> 00:07:28,280 In Siobhan's family retreat, the open-plan downstairs will include 166 00:07:28,280 --> 00:07:30,480 teal on the walls and ceiling, 167 00:07:30,480 --> 00:07:32,520 giant framed tropical murals 168 00:07:32,520 --> 00:07:36,880 and a rainbow lighting feature on a hound's-tooth dropped ceiling. 169 00:07:38,360 --> 00:07:41,920 A black partition will divide the living and dining space, 170 00:07:41,920 --> 00:07:43,360 while in the kitchen 171 00:07:43,360 --> 00:07:47,040 the tropical theme continues with bespoke splashbacks, 172 00:07:47,040 --> 00:07:50,320 newly painted cupboards, and a bright mustard blind. 173 00:07:52,200 --> 00:07:55,320 Siobhan's bold scheme is echoed in the hallway 174 00:07:55,320 --> 00:07:59,400 with rose-pink walls, a monochrome striped wallpaper, 175 00:07:59,400 --> 00:08:02,240 and finally, her entranceway show-stopper - 176 00:08:02,240 --> 00:08:04,640 a floor-to-ceiling gold-leaf mural. 177 00:08:09,320 --> 00:08:11,520 With a team of the usual trades to assist... 178 00:08:11,520 --> 00:08:14,080 That's four feet. That's pretty good that way. 179 00:08:14,080 --> 00:08:16,840 ..it's all systems go for Lynsey and Siobhan. 180 00:08:16,840 --> 00:08:19,120 Because the final is so important to me, 181 00:08:19,120 --> 00:08:21,240 I thought, "Right, OK, I've got to step it up a gear 182 00:08:21,240 --> 00:08:22,960 "in terms of the project management." 183 00:08:22,960 --> 00:08:25,040 So I've got list upon list upon list. 184 00:08:25,040 --> 00:08:27,080 Literally, just one of these for every room, 185 00:08:27,080 --> 00:08:29,200 just like with the colours and everything, as well. 186 00:08:29,200 --> 00:08:32,040 Decorator, me, Paul, joiner. 187 00:08:32,040 --> 00:08:34,840 You know, it's always a challenge because there's so much to do. 188 00:08:41,080 --> 00:08:43,280 We're trying to make this a more sociable area. 189 00:08:43,280 --> 00:08:45,600 So it'd be, like, here. 190 00:08:45,600 --> 00:08:49,800 First up for Lynsey is reconfiguring the open-plan living space. 191 00:08:49,800 --> 00:08:52,320 Keeping this here, the benches go in there, 192 00:08:52,320 --> 00:08:54,240 the partition's going up along there, 193 00:08:54,240 --> 00:08:55,640 and then we'll put that there 194 00:08:55,640 --> 00:08:58,120 and then make a decision once everything's in place. 195 00:08:58,120 --> 00:08:59,240 Sounds good to me. 196 00:08:59,240 --> 00:09:02,520 Every space I create is really about the people that use it, 197 00:09:02,520 --> 00:09:05,200 how they use it, how they feel when they're in it. 198 00:09:05,200 --> 00:09:07,440 Yeah. What's it look like? Really nice. 199 00:09:07,440 --> 00:09:09,920 Thinking about all the different senses - 200 00:09:09,920 --> 00:09:13,680 the touch, the vision, warmth of the colours that you use - 201 00:09:13,680 --> 00:09:17,680 so when they walk in there they feel something. 202 00:09:17,680 --> 00:09:19,640 In true Lynsey style, 203 00:09:19,640 --> 00:09:22,760 she plans to break up the open-plan ground floor 204 00:09:22,760 --> 00:09:26,800 by creating a multipurpose slatted wall with fitted benches on one side 205 00:09:26,800 --> 00:09:29,320 and a TV on the other. 206 00:09:30,520 --> 00:09:33,160 This contemporary living room will include 207 00:09:33,160 --> 00:09:37,080 a dark-green feature wall, a floor-to-ceiling mural 208 00:09:37,080 --> 00:09:40,040 and pops of colour with orange sofas. 209 00:09:40,040 --> 00:09:43,080 She's upgrading the kitchen with newly painted units 210 00:09:43,080 --> 00:09:48,160 and enhancing the sociability by building a curved island. 211 00:09:48,160 --> 00:09:50,480 Finally, in the double-height hallway, 212 00:09:50,480 --> 00:09:53,040 Lynsey is going for statement dark walls, 213 00:09:53,040 --> 00:09:55,640 a five-foot bespoke art installation, 214 00:09:55,640 --> 00:09:57,520 and she'll complete the look 215 00:09:57,520 --> 00:10:00,760 with a cluster of smoky glass pendant lights. 216 00:10:00,760 --> 00:10:03,240 So we just need some decisions, Lynsey, on paint. 217 00:10:03,240 --> 00:10:04,960 We've got a couple of quirky bits 218 00:10:04,960 --> 00:10:08,600 that we weren't quite sure whether we're going dark or light on. 219 00:10:08,600 --> 00:10:13,640 So if we do the plain black on the back wall, we paint that white, 220 00:10:13,640 --> 00:10:16,840 I think the black'll work because there's so much of the ceiling 221 00:10:16,840 --> 00:10:19,000 and the white, as well. Yeah, definitely. 222 00:10:19,000 --> 00:10:21,040 I find it really hard to make all the paint choices 223 00:10:21,040 --> 00:10:22,840 before I see the space because of the light. 224 00:10:22,840 --> 00:10:25,560 So I bought a lot of different tones with me 225 00:10:25,560 --> 00:10:28,560 so that we can decide once we got here which would work well 226 00:10:28,560 --> 00:10:33,560 with the space to make sure that places don't feel too dark or dingy. 227 00:10:33,560 --> 00:10:34,840 That's it! 228 00:10:34,840 --> 00:10:36,640 OK, and if we spray the handles in gold, 229 00:10:36,640 --> 00:10:39,320 varnish them, and we can paint the rest of unit in the green. 230 00:10:39,320 --> 00:10:42,880 Lynsey's scheme will also include a few key pieces 231 00:10:42,880 --> 00:10:44,640 of upcycling furniture. 232 00:10:44,640 --> 00:10:46,960 A light sand, good lick of paint, 233 00:10:46,960 --> 00:10:49,680 and just transform it into a beautiful bar unit. 234 00:10:49,680 --> 00:10:53,080 Don't paint me! If you stand still long enough! 235 00:10:53,080 --> 00:10:55,840 Lynsey's really good at spotting a bargain - 236 00:10:55,840 --> 00:10:59,920 the kind of thing that most people would walk past in a junkyard, 237 00:10:59,920 --> 00:11:01,600 she sees its potential. 238 00:11:06,880 --> 00:11:09,560 I'm so excited about this, can I have a look at the sketch? 239 00:11:09,560 --> 00:11:12,480 Yeah, we've got it here. Oh, wow. 240 00:11:12,480 --> 00:11:14,320 Oh, my gosh, this is going to be amazing. 241 00:11:14,320 --> 00:11:15,800 Across at number three, 242 00:11:15,800 --> 00:11:19,360 Siobhan plans to make a statement in the double-height hallway. 243 00:11:19,360 --> 00:11:21,720 The circle will take up most of this area here 244 00:11:21,720 --> 00:11:23,640 and the top crane will sort of come up 245 00:11:23,640 --> 00:11:25,560 and just about touch this area here. Wow. 246 00:11:25,560 --> 00:11:27,840 And the circle's going to be the gold leaf, isn't it? 247 00:11:27,840 --> 00:11:30,600 Yeah. So that's going to be, like, wowsers when you first walk in, 248 00:11:30,600 --> 00:11:33,200 isn't it? Yeah, I'll grab you once I've got something to see. 249 00:11:33,200 --> 00:11:35,360 Yeah, fabulous! Thank you. 250 00:11:35,360 --> 00:11:36,720 I really wanted that wow factor. 251 00:11:36,720 --> 00:11:39,480 So I've got an artist doing a big bespoke mural. 252 00:11:39,480 --> 00:11:41,840 When you see that word, like, "family", you kind of think, 253 00:11:41,840 --> 00:11:43,560 "Oh, God, you've got to tone things down." 254 00:11:43,560 --> 00:11:47,480 But why would you want to go away to somewhere that's the same 255 00:11:47,480 --> 00:11:50,080 as, like, sitting in your front lounge? 256 00:11:50,080 --> 00:11:53,600 I'm just mapping out where Siobhan wants the wall murals. 257 00:11:53,600 --> 00:11:56,120 Oh, my gosh. It's going to be a real statement, isn't it? 258 00:11:56,120 --> 00:11:57,480 Yeah, lovely. 259 00:11:57,480 --> 00:12:00,040 Why do people go to, like, Disney World and places like that 260 00:12:00,040 --> 00:12:02,480 with their kids? They don't go there because it's boring 261 00:12:02,480 --> 00:12:05,400 and bland, do they? They go because it's fun. 262 00:12:06,640 --> 00:12:10,040 Right, I would ask what I can get you, but there's only one option, 263 00:12:10,040 --> 00:12:12,160 and that's a pink cocktail. We'll have one of those. 264 00:12:12,160 --> 00:12:15,760 My style, I would definitely say maximalist. I love colour. 265 00:12:15,760 --> 00:12:18,960 Certain colours in particular - pink, obviously - and fun. 266 00:12:18,960 --> 00:12:22,360 We once had a large zebra sticking out of the wall in our kitchen. 267 00:12:22,360 --> 00:12:24,160 She's always been interested in interiors 268 00:12:24,160 --> 00:12:26,160 and just making things look really unusual. 269 00:12:26,160 --> 00:12:29,240 Just beware - you're not driving anywhere, are you, tonight? 270 00:12:29,240 --> 00:12:30,440 Not planning on it, no. 271 00:12:30,440 --> 00:12:33,320 She's the kind of person that, when she walks into a room, 272 00:12:33,320 --> 00:12:36,080 people really gravitate towards her. 273 00:12:36,080 --> 00:12:38,880 This has just been such an amazing opportunity 274 00:12:38,880 --> 00:12:41,520 and I've just grabbed it with both hands. 275 00:12:41,520 --> 00:12:43,560 I'm really proud of Siobhan for doing this. 276 00:12:43,560 --> 00:12:45,400 It can open up so many doors for her. 277 00:12:45,400 --> 00:12:48,360 I've given so much to that corporate world. 278 00:12:48,360 --> 00:12:50,800 Now I just want to put all my energies 279 00:12:50,800 --> 00:12:54,800 into a much more creative path because that's what makes me happy. 280 00:12:54,800 --> 00:12:56,240 Cheers, me dear. Cheers. 281 00:12:56,240 --> 00:12:58,240 Here's to the final. 282 00:12:58,240 --> 00:13:01,240 I want her to win. She really deserves it if she does. 283 00:13:02,360 --> 00:13:05,280 SHE LAUGHS You're bound to. You're bound to. 284 00:13:12,240 --> 00:13:13,800 Got to get the right balance between 285 00:13:13,800 --> 00:13:15,960 enough on that side for the sofas to fit 286 00:13:15,960 --> 00:13:19,480 and enough on this side for the dining table and the island to fit. 287 00:13:19,480 --> 00:13:22,920 Back at number five in the open-plan living space, 288 00:13:22,920 --> 00:13:26,280 an ambitious build is in the pipeline for Lynsey. 289 00:13:26,280 --> 00:13:29,720 The partition here in this room's quite a big part of 290 00:13:29,720 --> 00:13:33,560 making sure this space functions afterwards. Yeah. 291 00:13:33,560 --> 00:13:36,480 I'm a little bit scared about whether it's going to be too much 292 00:13:36,480 --> 00:13:38,960 for the space or not, but I think we've just got to go for it. 293 00:13:38,960 --> 00:13:42,000 The TV was really hogging the space before 294 00:13:42,000 --> 00:13:44,160 and really kind of dominant, 295 00:13:44,160 --> 00:13:47,640 so moving the TV onto the partition creates a space 296 00:13:47,640 --> 00:13:50,280 where the two sofas can sit opposite each other, 297 00:13:50,280 --> 00:13:52,400 it's much more sociable. 298 00:13:52,400 --> 00:13:54,960 But some people love open-plan, 299 00:13:54,960 --> 00:13:57,440 so we're putting a wall in an open-plan space, 300 00:13:57,440 --> 00:14:00,080 so...be interesting to see how it pans out. 301 00:14:03,920 --> 00:14:08,040 As the trades make headway with the partition, 302 00:14:08,040 --> 00:14:11,800 Lynsey's going bespoke with some statement artwork. 303 00:14:11,800 --> 00:14:13,440 What's your wall-art plan? 304 00:14:13,440 --> 00:14:17,280 I've cut up loads of pieces of wood, all different depths and heights. 305 00:14:17,280 --> 00:14:20,000 And I'm going to paint them all different colours 306 00:14:20,000 --> 00:14:23,360 that reflect the tones that are in the main wall of the hallway 307 00:14:23,360 --> 00:14:26,680 and it's going to go up the stairs. It's really exciting. 308 00:14:26,680 --> 00:14:28,360 I can't wait to see it come together. 309 00:14:28,360 --> 00:14:32,640 I've never done it before, so... I'm just seeing what happens. 310 00:14:41,080 --> 00:14:43,720 So what I'm thinking now is a divider going up 311 00:14:43,720 --> 00:14:46,240 would actually be nice in the middle. OK, yeah. 312 00:14:46,240 --> 00:14:49,600 Downstairs at number three, Siobhan's got her own plans 313 00:14:49,600 --> 00:14:52,000 to break up the downstairs living space. 314 00:14:52,000 --> 00:14:54,400 I've got 20 of the - is it 2x2? 2x2, yeah. 315 00:14:54,400 --> 00:14:56,840 I've got 20 of those in the middle here. 316 00:14:56,840 --> 00:14:59,600 I've definitely learnt a lot from seeing everybody else's rooms 317 00:14:59,600 --> 00:15:00,800 throughout the competition 318 00:15:00,800 --> 00:15:02,680 and then seeing, like, Lynsey with the slats - 319 00:15:02,680 --> 00:15:04,080 I thought, actually that would be 320 00:15:04,080 --> 00:15:06,320 really good in this one in the lounge. 321 00:15:06,320 --> 00:15:08,640 Sorry that that's not the most technical drawing ever. 322 00:15:08,640 --> 00:15:10,760 Would you like it? Yeah, go on, then. 323 00:15:10,760 --> 00:15:12,880 That's terrible. I'll keep that for later. 324 00:15:14,080 --> 00:15:15,600 Also in the living room... 325 00:15:15,600 --> 00:15:17,440 Is that a little bit on the wonk? 326 00:15:17,440 --> 00:15:19,440 ..assistant Paul's getting stuck in 327 00:15:19,440 --> 00:15:22,280 hanging the giant tropical wall murals. 328 00:15:22,280 --> 00:15:25,080 I thought you said these murals nearly went up themselves. 329 00:15:25,080 --> 00:15:27,280 I'm not getting paid to be here, you know. 330 00:15:27,280 --> 00:15:29,600 SHE LAUGHS 331 00:15:27,280 --> 00:15:29,600 I'm here out of love. 332 00:15:30,920 --> 00:15:32,880 Down, down, down. Yes. 333 00:15:38,360 --> 00:15:41,000 It's mid-afternoon on the first day 334 00:15:41,000 --> 00:15:44,800 and one final journey for me to navigate. 335 00:15:44,800 --> 00:15:47,120 Oh, nice one, Michelle. 336 00:15:48,640 --> 00:15:49,920 Ooh! 337 00:15:52,400 --> 00:15:55,880 I've been out there so long, I think I've got scurvy! 338 00:15:57,880 --> 00:15:59,440 Morning! 339 00:16:03,040 --> 00:16:04,760 Back on dry land, 340 00:16:04,760 --> 00:16:07,160 time to check up on the finalists. 341 00:16:07,160 --> 00:16:09,720 Siobhan? Hiya, Alan! 342 00:16:09,720 --> 00:16:12,320 Look at this! 343 00:16:12,320 --> 00:16:15,640 Why are you holding back? You know it's the final! 344 00:16:15,640 --> 00:16:18,520 I know, do you think it's a little bit too subtle? 345 00:16:18,520 --> 00:16:20,720 It's a bit plain. This is you, isn't it? 346 00:16:20,720 --> 00:16:22,560 You've just got to bring out all t'stops. 347 00:16:22,560 --> 00:16:23,880 It's the final now, isn't it? 348 00:16:23,880 --> 00:16:25,960 I've got to show, like, Michelle what I can do 349 00:16:25,960 --> 00:16:29,240 and who I am as a designer, don't I? Yeah! 350 00:16:29,240 --> 00:16:30,840 That is teal, isn't it? Yeah! 351 00:16:30,840 --> 00:16:32,240 Oh, good! 352 00:16:32,240 --> 00:16:35,680 I'm on a journey, a journey of colour! I love it. 353 00:16:35,680 --> 00:16:37,600 And I'm really impressed cos it's day one 354 00:16:37,600 --> 00:16:39,160 and you have done a lot of painting. 355 00:16:39,160 --> 00:16:41,560 So you know what you want, no faffing. Yes. 356 00:16:41,560 --> 00:16:43,680 "This is the final, I want to win this." Absolutely. 357 00:16:43,680 --> 00:16:45,920 Yeah, absolutely. I'll see you later, love. 358 00:16:45,920 --> 00:16:46,960 Aw, see you, Alan. 359 00:16:46,960 --> 00:16:49,720 Siobhan's in the final, so naturally she wants to show off 360 00:16:49,720 --> 00:16:51,320 her bold and eclectic taste. 361 00:16:51,320 --> 00:16:55,240 But the brief says for a family, and we're in Cornwall. 362 00:16:55,240 --> 00:16:57,360 Is her design a bit too much? 363 00:17:01,640 --> 00:17:05,120 Hi, Lynsey! Hello! It's the final. 364 00:17:05,120 --> 00:17:07,240 # Doo-doo-doooooo! # 365 00:17:07,240 --> 00:17:09,680 Most people come to Cornwall for the Cornish pasties 366 00:17:09,680 --> 00:17:12,880 and the cream teas. You come down here to see what's in the skips. 367 00:17:12,880 --> 00:17:14,360 What's going to happen to it? 368 00:17:14,360 --> 00:17:17,720 It's going to be tiled at the bottom and it's going under here. 369 00:17:17,720 --> 00:17:20,200 So you come in after you've been for a lovely walk, 370 00:17:20,200 --> 00:17:23,040 sit down, take your boots off and put them neatly away 371 00:17:23,040 --> 00:17:25,960 so they're not all everywhere. Oh, that's good. 372 00:17:25,960 --> 00:17:27,400 So it's the final. 373 00:17:27,400 --> 00:17:29,200 You've got to throw everything at it. 374 00:17:29,200 --> 00:17:31,280 What's your piece de la resistance? 375 00:17:31,280 --> 00:17:34,120 There's a big piece of wood art going up there, 376 00:17:34,120 --> 00:17:36,360 which I'm sure you'll have an opinion on. 377 00:17:36,360 --> 00:17:40,560 I'm feeling over the weeks that I've gone down in your estimation. 378 00:17:40,560 --> 00:17:43,920 No, no! Everyone smiles when I come through the door, 379 00:17:43,920 --> 00:17:46,560 apart from you, Lynsey. "Oh, here he is." I do...! 380 00:17:46,560 --> 00:17:50,720 "The Maleficent of interior design. Ooh..." "What's he going to say?" 381 00:17:50,720 --> 00:17:55,480 Well, now, the joy of you is I see the stuff and I go... "Mm." 382 00:17:55,480 --> 00:17:58,480 And when you've done your magic on it, 383 00:17:58,480 --> 00:18:00,960 it looks stunning and amazing. It's my problem - 384 00:18:00,960 --> 00:18:03,600 I can't envisage it - but that's why you're in the final 385 00:18:03,600 --> 00:18:07,040 and I'm not. It's lovely. Right. Well, listen, I'll leave you to it. 386 00:18:07,040 --> 00:18:08,960 Thank you. Welcome to Cornwall! 387 00:18:08,960 --> 00:18:11,040 Thank you! As if I own it. 388 00:18:17,000 --> 00:18:18,320 At number three... 389 00:18:18,320 --> 00:18:19,600 This is exciting. 390 00:18:19,600 --> 00:18:22,000 Are you going to start painting the birds out, then? 391 00:18:22,000 --> 00:18:24,400 Yeah. I think I'll probably start painting it tomorrow, 392 00:18:24,400 --> 00:18:26,800 do some more... Do the gold. Yeah. Yeah. Get all that done. 393 00:18:26,800 --> 00:18:29,440 ..Siobhan's focusing her attention upstairs 394 00:18:29,440 --> 00:18:33,120 with a plan for a supersized feature in the master bedroom. 395 00:18:33,120 --> 00:18:35,960 I'm just cutting the foam to size for the headboard. 396 00:18:35,960 --> 00:18:40,320 There's not a load that you can do because they're not huge spaces. 397 00:18:40,320 --> 00:18:43,600 I mean, I would have loved to put dressing tables in and all sorts, 398 00:18:43,600 --> 00:18:45,440 but I'm concentrating on this area, 399 00:18:45,440 --> 00:18:48,280 and there's going to be a mural going up here, 400 00:18:48,280 --> 00:18:50,600 headboard here and then another bit here. 401 00:18:50,600 --> 00:18:52,480 So it's a bit more of a statement, really. 402 00:18:52,480 --> 00:18:55,040 What do you think? Do you think 80's high enough? 403 00:18:55,040 --> 00:18:56,760 Would you go higher? Bring it right up 404 00:18:56,760 --> 00:18:58,520 as far as you can afford to bring it up. 405 00:18:58,520 --> 00:19:00,840 Yeah. Just gives you more wow. 406 00:19:00,840 --> 00:19:04,120 If you have enough fabric and you have enough foam, why not? Yeah. 407 00:19:04,120 --> 00:19:08,440 She's also getting creative with an idea for the first-floor landing. 408 00:19:08,440 --> 00:19:11,200 So I want to kind of create the illusion of a little den, 409 00:19:11,200 --> 00:19:13,840 but just with, like, some partitions here. 410 00:19:13,840 --> 00:19:15,520 How far out do you want to come? 411 00:19:15,520 --> 00:19:17,640 I'm just trying to think where I'm going to be sat. 412 00:19:17,640 --> 00:19:18,760 So I'm going to be sat... 413 00:19:18,760 --> 00:19:20,960 That's three foot. Maybe a little bit more in. 414 00:19:20,960 --> 00:19:23,480 This is the landing and it was kind of wasted space. 415 00:19:23,480 --> 00:19:26,120 And I kind of thought, well, make it like a little mini lounge, 416 00:19:26,120 --> 00:19:27,920 like a funky hang-out for teenagers. 417 00:19:27,920 --> 00:19:31,280 When I think back to all those many moons ago when I was a teenager, 418 00:19:31,280 --> 00:19:33,520 I probably wouldn't have wanted to sit, you know, 419 00:19:33,520 --> 00:19:36,200 sometimes, with the old wrinklies. 420 00:19:36,200 --> 00:19:38,720 It's nearing the end of the first day. 421 00:19:43,160 --> 00:19:46,080 There we go. All done. Marvellous. What do you reckon? 422 00:19:46,080 --> 00:19:48,920 It looks amazing. Thank you so much. 423 00:19:48,920 --> 00:19:50,640 That's done what I wanted it to do. 424 00:19:50,640 --> 00:19:53,080 All the light comes through and you can still feel 425 00:19:53,080 --> 00:19:55,640 engaged in what's happening in that side of the room. Totally. 426 00:19:55,640 --> 00:19:57,760 But it just provides that extra space. 427 00:19:57,760 --> 00:20:00,320 I just think it's really, really effective. 428 00:20:00,320 --> 00:20:02,960 SIOBHAN: Let's just do it. I can't get it off fast enough. 429 00:20:02,960 --> 00:20:05,240 Quick. Come on. 430 00:20:05,240 --> 00:20:07,800 Siobhan. 431 00:20:07,800 --> 00:20:09,520 Oh, yes. 432 00:20:07,800 --> 00:20:09,520 SHE GASPS 433 00:20:09,520 --> 00:20:11,680 That's going to look so beautiful. 434 00:20:11,680 --> 00:20:14,360 The teal, that mustard and the black. 435 00:20:15,320 --> 00:20:18,360 I think it's like one of me new favourite colour combos. Me, too. 436 00:20:18,360 --> 00:20:20,440 You don't think I've gone, like, too bold, do you? 437 00:20:20,440 --> 00:20:23,080 It is bold, but you've limited your colour palette. 438 00:20:23,080 --> 00:20:25,440 It's not like there's eight colours going in there. Yeah. 439 00:20:25,440 --> 00:20:27,160 There's maybe only three, four. Yeah. 440 00:20:27,160 --> 00:20:29,280 I'm really excited about this space now. Me, too. 441 00:20:29,280 --> 00:20:31,720 Are you? It's really coming together, isn't it? 442 00:20:33,280 --> 00:20:35,040 Let's go. Let's do it. 443 00:20:35,040 --> 00:20:36,680 It's always "more is more" with me. 444 00:20:36,680 --> 00:20:39,000 I'd hate to come away not being the winner and just think, 445 00:20:39,000 --> 00:20:42,320 "Oh, I could've done more," or, "I could have done something else." 446 00:20:42,320 --> 00:20:44,200 LYNSEY: I'm really glad we've managed to get 447 00:20:44,200 --> 00:20:46,360 the partition complete, but in reality 448 00:20:46,360 --> 00:20:48,200 there's still a huge amount to do. 449 00:20:48,200 --> 00:20:50,520 We have got to add luxury to that place. 450 00:20:50,520 --> 00:20:52,400 We've done, like, a base coat, if you like, 451 00:20:52,400 --> 00:20:55,400 and there's so many more layers to add. 452 00:21:06,000 --> 00:21:08,360 It's early morning in Cornwall. 453 00:21:08,360 --> 00:21:11,240 In two days, these luxury holiday homes 454 00:21:11,240 --> 00:21:13,960 must be fit for scrutiny by the judges. 455 00:21:13,960 --> 00:21:18,680 And at the girls' retreat, Lynsey's got a big to-do list. 456 00:21:18,680 --> 00:21:22,080 If I get this finished, all the furniture painted... 457 00:21:22,080 --> 00:21:24,320 Yeah. ..get the wall in here painted, 458 00:21:24,320 --> 00:21:27,600 the panelling done and all the bed heads covered, 459 00:21:27,600 --> 00:21:30,240 all 12 of them... Wow! ..that would be really good. 460 00:21:30,240 --> 00:21:31,720 That would be huge. Yeah. 461 00:21:31,720 --> 00:21:33,280 Sights set high, 462 00:21:33,280 --> 00:21:37,200 Lynsey's got 12 separate headboard panels to upholster. 463 00:21:37,200 --> 00:21:38,680 The space is quite small 464 00:21:38,680 --> 00:21:41,640 so I think the challenge with both bedrooms, really, 465 00:21:41,640 --> 00:21:43,560 is making it feel bigger than it is 466 00:21:43,560 --> 00:21:45,880 and more luxurious with the finishes you use. 467 00:21:45,880 --> 00:21:47,840 The idea that I was going for is just 468 00:21:47,840 --> 00:21:49,960 trying with the greens and the blues - 469 00:21:49,960 --> 00:21:53,240 it's kind of bringing the nature and the outside of Cornwall in. 470 00:21:53,240 --> 00:21:55,960 There's loads of elements that I'm doing myself. 471 00:21:55,960 --> 00:22:00,160 And that's more because I have in my head how I want it finished. 472 00:22:00,160 --> 00:22:01,960 Coming away for a girls' weekend, 473 00:22:01,960 --> 00:22:05,320 you want luxury, cosiness, things you don't have at home. 474 00:22:05,320 --> 00:22:07,600 I really love these printed velvets. 475 00:22:07,600 --> 00:22:09,400 They're so vibrant and I think 476 00:22:09,400 --> 00:22:11,360 they add impact really quickly. 477 00:22:13,480 --> 00:22:15,640 This is all really surreal. 478 00:22:15,640 --> 00:22:19,720 Not that long ago, I was working at a construction company, 479 00:22:19,720 --> 00:22:22,520 building houses, working for clients. 480 00:22:22,520 --> 00:22:24,360 Lyns has always been creative. 481 00:22:24,360 --> 00:22:27,200 She sees the opportunity in things 482 00:22:27,200 --> 00:22:28,800 that I wouldn't even think of. 483 00:22:28,800 --> 00:22:32,400 I don't see myself as a glamorous designer or anything. 484 00:22:32,400 --> 00:22:35,000 I do love problem-solving solutions. 485 00:22:35,000 --> 00:22:38,360 Suppose it's the architect in me to maximise the use of the space. 486 00:22:38,360 --> 00:22:40,920 I think the competition has brought out more confidence 487 00:22:40,920 --> 00:22:43,280 to try different colours, different techniques. 488 00:22:43,280 --> 00:22:46,840 I thought maybe the creativity was gone and that sort of energy, 489 00:22:46,840 --> 00:22:50,360 and the last few months has reignited that fire inside me. 490 00:22:50,360 --> 00:22:55,200 I think it's made her almost more...extravagant. 491 00:22:55,200 --> 00:22:57,440 That was in her before, but she's being more free 492 00:22:57,440 --> 00:22:59,800 with her designs. She definitely deserves to win. 493 00:22:59,800 --> 00:23:03,040 We could name the baby Michelle, if that's what it takes. 494 00:23:03,040 --> 00:23:04,840 I couldn't ask for more support. 495 00:23:04,840 --> 00:23:06,680 It's definitely the reason I'm here. 496 00:23:13,840 --> 00:23:16,720 Siobhan, you can put the next sheet up. 497 00:23:16,720 --> 00:23:20,920 At the family retreat, Paul's doing what he does best - 498 00:23:20,920 --> 00:23:24,000 hanging more of Siobhan's statement wallpaper. 499 00:23:24,000 --> 00:23:27,480 By the end of the day, I want all the paint on the walls, 500 00:23:27,480 --> 00:23:30,080 I want a second coat on the kitchen, 501 00:23:30,080 --> 00:23:32,240 all the wallpaper murals up, 502 00:23:32,240 --> 00:23:35,960 so that then, tomorrow, I can concentrate on the styling 503 00:23:35,960 --> 00:23:38,920 and extra, like, finishing touches. 504 00:23:38,920 --> 00:23:40,600 Ohh! 505 00:23:40,600 --> 00:23:44,000 This is looking so good. It's all right, isn't it? 506 00:23:44,000 --> 00:23:46,240 It looks pretty rock and roll, doesn't it? Yeah. 507 00:23:46,240 --> 00:23:48,920 Like, they actually look like pictures now, don't they? Yeah. 508 00:23:48,920 --> 00:23:52,040 Definitely. That's me favourite bit now of the whole thing so far. 509 00:23:52,040 --> 00:23:54,040 Babe, smashed it. 510 00:23:57,040 --> 00:23:59,280 With Siobhan's design on schedule, 511 00:23:59,280 --> 00:24:02,440 assistant Paul can't resist checking out the competition. 512 00:24:04,800 --> 00:24:06,800 There's a lot happening, isn't there? 513 00:24:06,800 --> 00:24:09,440 Yeah, this is Jenga. Giant Jenga. 514 00:24:09,440 --> 00:24:12,440 Can't help but notice the partition. What about it? 515 00:24:12,440 --> 00:24:15,560 We have the same - in the same place. No way! 516 00:24:15,560 --> 00:24:18,720 Way. It's nice as well at night-time cos we've lit lamps near it. 517 00:24:18,720 --> 00:24:22,120 So it's giving, like, a shadow... Hang on, you've lit lamps near it? 518 00:24:22,120 --> 00:24:24,040 Yeah. Or you plan to light lamps near it? 519 00:24:24,040 --> 00:24:26,600 No, we're starting to, like, light lamps and things like that. 520 00:24:26,600 --> 00:24:29,080 Nice. Great. So it's creating shadows across the ceiling, 521 00:24:29,080 --> 00:24:31,520 which is really, really nice. The TV's going onto here - 522 00:24:31,520 --> 00:24:33,200 that's the point of the partition. Yeah. 523 00:24:33,200 --> 00:24:36,320 Have you done that, too? No. OK. 524 00:24:36,320 --> 00:24:38,520 Do you feel like you're way ahead of us? Yeah. 525 00:24:38,520 --> 00:24:41,320 It looks like you've got quite a bit left to do. 526 00:24:41,320 --> 00:24:44,480 Yeah, we have, really. Very good. See you later! It's been nice. 527 00:24:44,480 --> 00:24:45,880 HE LAUGHS 528 00:24:46,920 --> 00:24:48,320 I was expecting a lot more. 529 00:24:48,320 --> 00:24:50,160 I thought they would have had a lot more done. 530 00:24:50,160 --> 00:24:52,920 I don't know why it's taken them so long to get colour on the walls. 531 00:24:52,920 --> 00:24:55,160 Have I got a lot to worry about? The living room's bare. 532 00:24:55,160 --> 00:24:58,080 Yeah. They've only, like, this much painted of dark grey 533 00:24:58,080 --> 00:25:00,600 on their living room wall. The rest is still white. 534 00:25:00,600 --> 00:25:03,720 The partition is the same as Lynsey's. Is it t'same size? 535 00:25:03,720 --> 00:25:07,120 Similar. But on one side of theirs, 536 00:25:07,120 --> 00:25:09,680 Amy's going to do a board with some gold leaf 537 00:25:09,680 --> 00:25:11,400 and they're going to put the TV on it. 538 00:25:11,400 --> 00:25:13,280 SHE LAUGHS Don't let that get in your head 539 00:25:13,280 --> 00:25:15,680 about the TV cos we're not going to be sitting around a TV. 540 00:25:19,640 --> 00:25:21,520 Lunchtime on day two... 541 00:25:24,360 --> 00:25:29,080 ..and at the halfway point, both villas are working flat out. 542 00:25:34,400 --> 00:25:36,240 Oh, look at this! 543 00:25:37,440 --> 00:25:39,200 This is, like, a massive space, isn't it? 544 00:25:39,200 --> 00:25:41,000 So I just thought it needs an impact. 545 00:25:41,000 --> 00:25:43,680 Look at that! I'm getting a cricked neck like the Sistine Chapel. 546 00:25:43,680 --> 00:25:45,640 I'm like, ah! 547 00:25:43,680 --> 00:25:45,640 SIOBHAN LAUGHS 548 00:25:45,640 --> 00:25:47,680 So that's amazing. Gold leaf? 549 00:25:47,680 --> 00:25:50,280 Have you won the lottery in the last...? I wanted people just to 550 00:25:50,280 --> 00:25:53,520 walk in and have, like, a really beautiful statement piece. 551 00:25:53,520 --> 00:25:55,920 Yeah. And another bold colour. 552 00:25:55,920 --> 00:25:58,320 Did you take your hair in and say, "Can I have it like this?"? 553 00:25:58,320 --> 00:26:01,200 Because it is like you've fallen asleep and your head's dipped in it. 554 00:26:01,200 --> 00:26:03,040 I always like to decorate how I dress. 555 00:26:03,040 --> 00:26:04,600 It's just, like, me thing. 556 00:26:06,320 --> 00:26:09,720 I just thought this has got to be the wow factor 557 00:26:09,720 --> 00:26:12,800 with it being, like, double-height and all the different angles. 558 00:26:12,800 --> 00:26:16,720 Yeah, I mean, look. Every different perspective, you see something else. 559 00:26:16,720 --> 00:26:18,520 Yeah. It's great, isn't it? Yeah. 560 00:26:24,640 --> 00:26:26,000 Oh, wow. 561 00:26:26,000 --> 00:26:29,280 At the girls' retreat, Lynsey's out to impress 562 00:26:29,280 --> 00:26:31,960 with an innovative design in the bedroom. 563 00:26:31,960 --> 00:26:33,240 Spot the join? 564 00:26:33,240 --> 00:26:36,240 No, you can't even, can you? I managed to overlap it. 565 00:26:36,240 --> 00:26:38,040 Oh, that's so good. 566 00:26:38,040 --> 00:26:41,600 The cupboard doors in both the bedrooms were really intrusive. 567 00:26:41,600 --> 00:26:45,600 They were bright orange wood, just really stark and in your face. 568 00:26:45,600 --> 00:26:49,040 The panelling goes both on the doors and on the wall behind it, 569 00:26:49,040 --> 00:26:50,440 so when the cupboards are closed 570 00:26:50,440 --> 00:26:52,080 you won't actually be able to see them 571 00:26:52,080 --> 00:26:55,320 and it'll just look like one continuous wall. 572 00:26:56,520 --> 00:26:58,480 Progress in the bedrooms, 573 00:26:58,480 --> 00:27:02,680 but in the living space, there's still plenty to do. 574 00:27:02,680 --> 00:27:04,920 So this is the only wallpaper going up. 575 00:27:04,920 --> 00:27:07,200 It's 2m high, and 1.2 wide, 576 00:27:07,200 --> 00:27:10,080 so I really hope it's quite striking in the room. 577 00:27:10,080 --> 00:27:13,240 Just a bit of fun, really, but it'll be ace to see it go up. 578 00:27:19,160 --> 00:27:22,320 OK, so we're going to go put this one in here, yeah? Yeah. 579 00:27:22,320 --> 00:27:24,200 At the family retreat, 580 00:27:24,200 --> 00:27:27,240 Siobhan's kids' hideaway is taking shape. 581 00:27:27,240 --> 00:27:28,720 That feels really nice, actually. 582 00:27:28,720 --> 00:27:31,240 You do feel, like, a little bit enclosed. 583 00:27:31,240 --> 00:27:34,040 And I wanted it to feel like a den, like, kind of feel cosy, 584 00:27:34,040 --> 00:27:36,400 that you can kind of, you know, come away from the parents. 585 00:27:36,400 --> 00:27:39,320 But actually, when're you sat here, you'll have a really nice view 586 00:27:39,320 --> 00:27:42,840 of the gold leaf and the chandelier. 587 00:27:42,840 --> 00:27:45,680 I think this will actually be a really cool space. 588 00:27:51,120 --> 00:27:53,000 And with time moving on, 589 00:27:53,000 --> 00:27:56,080 one more design decision for Lynsey to wrestle with. 590 00:27:57,520 --> 00:28:00,400 It is centred that way, 591 00:28:00,400 --> 00:28:02,520 so we just need to decide... That way. 592 00:28:02,520 --> 00:28:04,240 We can obviously go any other way, but... 593 00:28:04,240 --> 00:28:08,160 The kitchen, when we first came in, it was all outward facing. 594 00:28:08,160 --> 00:28:11,040 And this is supposed to be a social place, 595 00:28:11,040 --> 00:28:12,440 girls' getaway, 596 00:28:12,440 --> 00:28:16,040 so the idea for the island was so that you can prep food here, 597 00:28:16,040 --> 00:28:17,800 you can put drinks on here. 598 00:28:17,800 --> 00:28:20,920 I didn't want to put this island in until the partition was up, 599 00:28:20,920 --> 00:28:23,360 we knew the space and how it was all going to work 600 00:28:23,360 --> 00:28:26,160 because it might have been too much. 601 00:28:26,160 --> 00:28:29,360 And kind of all along this challenge, I've really tried to push 602 00:28:29,360 --> 00:28:32,160 for the right thing and not just what was in my head 603 00:28:32,160 --> 00:28:34,440 before I came, but making sure it fitted here. 604 00:28:34,440 --> 00:28:36,800 And if the dishwasher's opening like that... 605 00:28:36,800 --> 00:28:40,840 Yeah. ..then that's plenty of space. Yeah? 606 00:28:40,840 --> 00:28:43,520 There's just lots of bits that need to come together now, 607 00:28:43,520 --> 00:28:46,520 and it's just making sure we make those decisions quickly. 608 00:28:52,480 --> 00:28:56,280 At number three, with the living room plans progressing well, 609 00:28:56,280 --> 00:28:59,000 Siobhan's turned their efforts towards the bedrooms. 610 00:28:59,000 --> 00:29:01,160 Going on nicely, that. It is. 611 00:29:01,160 --> 00:29:03,040 We're painting it all this Tuscan Red. 612 00:29:03,040 --> 00:29:05,840 So, actually, when you're walking up, you're going to see the stripe 613 00:29:05,840 --> 00:29:08,000 on the landing and then the stripe then is replicated 614 00:29:08,000 --> 00:29:09,920 in this room as well. 615 00:29:09,920 --> 00:29:12,000 I spent quite a lot of time looking at colours 616 00:29:12,000 --> 00:29:13,640 that would complement each other. 617 00:29:13,640 --> 00:29:16,720 So, you walk out of one room and you see something different 618 00:29:16,720 --> 00:29:18,960 but it's kind of on the same line. 619 00:29:20,440 --> 00:29:23,080 How gorgeous does that look against the grey? 620 00:29:23,080 --> 00:29:25,480 It's like a Chartreuse, like, acid yellow, isn't it? 621 00:29:25,480 --> 00:29:27,760 That's one of your tones that you've been using anyway, 622 00:29:27,760 --> 00:29:30,640 through like your upholstery and your curtains. It looks really good. 623 00:29:30,640 --> 00:29:32,480 I've never used this colour palette before, 624 00:29:32,480 --> 00:29:34,360 so I'm hoping Michelle can see that, you know, 625 00:29:34,360 --> 00:29:36,120 this is something a bit different for me. 626 00:29:36,120 --> 00:29:37,360 Wow! 627 00:29:38,560 --> 00:29:41,400 Two doors away, with time ticking, there's a puzzle 628 00:29:41,400 --> 00:29:43,480 still to solve for Lynsey. 629 00:29:43,480 --> 00:29:45,840 I know what I want it to look like. 630 00:29:45,840 --> 00:29:47,960 I'm just not sure how I'm getting there yet. 631 00:29:47,960 --> 00:29:50,640 So, I am taking my time on this because I think 632 00:29:50,640 --> 00:29:53,800 if it's too higgledy-piggledy, it'll look odd. 633 00:29:55,800 --> 00:29:58,040 Hi, Lyns! Hello! How are you? 634 00:29:58,040 --> 00:30:00,080 Explain. 635 00:30:00,080 --> 00:30:02,920 I knew it! No, listen, I love it! 636 00:30:02,920 --> 00:30:06,160 I love the different colours and it's modern art, but why? 637 00:30:06,160 --> 00:30:08,240 I'm going to ask why. 638 00:30:08,240 --> 00:30:10,480 It's for the entrance hall. OK. 639 00:30:10,480 --> 00:30:13,240 So it'll be going up vertically, as you go up the stairs. 640 00:30:13,240 --> 00:30:15,800 Yeah. Hopefully, when we pick it up... 641 00:30:15,800 --> 00:30:17,960 Yeah. ..everything doesn't pop off! 642 00:30:17,960 --> 00:30:19,920 It's... it's... It's heavy. It's heavy. 643 00:30:19,920 --> 00:30:21,800 You sure it's going to stay on the wall? 644 00:30:21,800 --> 00:30:24,160 I'm not sure about anything to do with this. 645 00:30:24,160 --> 00:30:26,760 Do you know what? If you'd used Post-it notes, 646 00:30:26,760 --> 00:30:30,080 it would have been quicker and a lot lighter. 647 00:30:30,080 --> 00:30:32,800 I would have even lifted it for you. 648 00:30:32,800 --> 00:30:35,760 Now, listen, I'm not being a Debbie Downer, 649 00:30:35,760 --> 00:30:40,000 but say this pulls the wall down because it's so heavy, 650 00:30:40,000 --> 00:30:42,200 have you got, like, a plan B? 651 00:30:42,200 --> 00:30:44,600 There's no plan B, so... 652 00:30:44,600 --> 00:30:47,440 Erm... OK, that's fine. This has got to work. 653 00:30:47,440 --> 00:30:50,320 Well, listen, I can't wait to see this on the wall. 654 00:30:50,320 --> 00:30:53,880 Me neither. And if you need a big, strapping, hunky man to lift it up, 655 00:30:53,880 --> 00:30:56,240 I'll try and find you someone! 656 00:30:59,920 --> 00:31:04,040 As the sun goes down, with one more day to go, 657 00:31:04,040 --> 00:31:06,440 they're racing forwards to the finish. 658 00:31:10,600 --> 00:31:13,400 I think I'm finished, so are you all right to start glueing them? 659 00:31:13,400 --> 00:31:15,440 I can hardly wait... 660 00:31:19,440 --> 00:31:22,760 I need to make sure that it isn't going to fall, 661 00:31:22,760 --> 00:31:25,160 given that it's hanging on a wall. 662 00:31:28,280 --> 00:31:31,480 I've glued it to within an inch of its life and I'm just hoping 663 00:31:31,480 --> 00:31:34,320 that tonight it sets and tomorrow when we lift it up, 664 00:31:34,320 --> 00:31:36,760 it stays in place. 665 00:31:36,760 --> 00:31:38,680 I've got to use the team tomorrow. 666 00:31:38,680 --> 00:31:41,800 I can't do as much myself, otherwise I'm never going to get finished. 667 00:31:41,800 --> 00:31:45,320 So, tomorrow's a lot about project management and making sure that 668 00:31:45,320 --> 00:31:48,160 we all pull together to get this done. 669 00:32:02,040 --> 00:32:04,320 After eight tough challenges, 670 00:32:04,320 --> 00:32:06,920 for the two finalists - one more push.... 671 00:32:06,920 --> 00:32:08,160 Two on that one, though. 672 00:32:08,160 --> 00:32:10,360 OK, hang on. The middle. Yeah, OK. 673 00:32:10,360 --> 00:32:15,840 ..to get these villas fit and ready for the critical eye of the judges. 674 00:32:15,840 --> 00:32:17,760 I'm feeling really nervous. 675 00:32:17,760 --> 00:32:19,400 My tummy's turning. 676 00:32:19,400 --> 00:32:21,640 It feels like about 15 people are asking me questions 677 00:32:21,640 --> 00:32:23,040 at the same time. 678 00:32:23,040 --> 00:32:25,400 The TV height? Yep. Something like that? 679 00:32:25,400 --> 00:32:27,680 I've got to be five steps ahead of everybody 680 00:32:27,680 --> 00:32:30,240 to make sure that they know what they're doing, 681 00:32:30,240 --> 00:32:32,880 they've got the products that they need and we can get this done. 682 00:32:32,880 --> 00:32:35,920 I'll caveat that with if the whole wall art doesn't fall off! 683 00:32:37,920 --> 00:32:40,480 So, just keep going? Yeah, yeah, yeah, yeah, yeah. 684 00:32:42,880 --> 00:32:45,200 And Lynsey's not the only one under pressure. 685 00:32:45,200 --> 00:32:47,840 I'd like these on as soon as you can because we've got some 686 00:32:47,840 --> 00:32:49,840 Perspex actually going over the top. 687 00:32:49,840 --> 00:32:51,760 Daniel's finishing the mural. 688 00:32:51,760 --> 00:32:53,600 They've done the first coat of that. 689 00:32:53,600 --> 00:32:55,960 Unfortunately, I got the measurements for the Perspex 690 00:32:55,960 --> 00:32:57,360 and they're a bit out. OK. 691 00:32:57,360 --> 00:32:59,960 So, he's having to do a bit of cutting, which is going to take 692 00:32:59,960 --> 00:33:02,320 a bit more time, but it's going to look incredible in here. 693 00:33:02,320 --> 00:33:04,360 I'm really, really excited. Yeah, me too. 694 00:33:06,920 --> 00:33:09,280 Right, guys, shall we do this? 695 00:33:09,280 --> 00:33:12,960 It's the moment of truth for Lynsey and her oversized 696 00:33:12,960 --> 00:33:15,240 custom-built artwork. 697 00:33:15,240 --> 00:33:17,960 I can't watch! That's coming...that's off, isn't it? 698 00:33:20,080 --> 00:33:22,400 Uh! Oh, they're all going. 699 00:33:22,400 --> 00:33:25,200 Eek! Oh! Oh, oh, oh, oh! 700 00:33:25,200 --> 00:33:27,280 One more step. 701 00:33:27,280 --> 00:33:29,640 All right? Hold it there, hold it there. Needs to get out. 702 00:33:29,640 --> 00:33:32,040 Here. Right, ready? One, two... 703 00:33:32,040 --> 00:33:34,920 Push, push, push! That's it. It's on. Hang on. 704 00:33:34,920 --> 00:33:37,840 THEY CHEER 705 00:33:37,840 --> 00:33:40,040 Thank you so much. Absolutely love it! 706 00:33:40,040 --> 00:33:43,400 I'm so relieved. I've stopped feeling as sick 707 00:33:43,400 --> 00:33:47,400 because I think that was a "no plan B" situation. 708 00:33:47,400 --> 00:33:49,440 Massive sigh of relief. 709 00:33:49,440 --> 00:33:51,640 Ah! You got it up! 710 00:33:51,640 --> 00:33:55,040 What do you think? I love it. I really do love it. 711 00:33:55,040 --> 00:33:57,200 I'm scared. 712 00:33:55,040 --> 00:33:57,200 THEY LAUGH 713 00:33:57,200 --> 00:34:00,880 Don't be scared! I know it's attached, I know it's attached. 714 00:34:00,880 --> 00:34:03,240 How much of you is in the brief this week? 715 00:34:03,240 --> 00:34:04,840 There's loads of me in this one. 716 00:34:04,840 --> 00:34:06,760 It's like you put yourself out there. 717 00:34:06,760 --> 00:34:09,400 That's a scary thing, being so kind of honest and you 718 00:34:09,400 --> 00:34:11,480 for everybody to critique. 719 00:34:11,480 --> 00:34:14,440 But if you win... Yeah... ..this is going to change your life. 720 00:34:14,440 --> 00:34:18,080 It really will. I ended up quitting my job a couple of weeks ago 721 00:34:18,080 --> 00:34:20,480 because this is what I want to do. 722 00:34:20,480 --> 00:34:23,600 Oh, that's cool. Yeah, it's just lit that spark back in me 723 00:34:23,600 --> 00:34:26,840 and makes me so excited and I just want to give it the best chance 724 00:34:26,840 --> 00:34:28,960 I can of being successful. 725 00:34:28,960 --> 00:34:30,560 So, do you think you can win this? 726 00:34:30,560 --> 00:34:33,360 Every week, I try to show Michelle I'm a designer. 727 00:34:33,360 --> 00:34:36,920 I can design things that are innovative and a bit different. 728 00:34:36,920 --> 00:34:39,200 I do always really push myself. 729 00:34:39,200 --> 00:34:41,760 It's a once-in-a-lifetime opportunity, isn't it? 730 00:34:47,120 --> 00:34:49,840 At Siobhan's house, things are moving up a gear. 731 00:34:49,840 --> 00:34:52,440 I just started putting these on because time is of the essence. 732 00:34:52,440 --> 00:34:54,520 Absolutely. And I didn't want them getting dirty. 733 00:34:54,520 --> 00:34:56,640 Do you want to start looking at positions for them? 734 00:34:56,640 --> 00:34:59,160 Now, I think they need to be a bit more random, don't they? 735 00:34:59,160 --> 00:35:01,960 Maybe not think about them too much then, just whatever way you like. 736 00:35:01,960 --> 00:35:03,400 Yeah. 737 00:35:03,400 --> 00:35:06,080 I'm going to put my blue there, is that OK? Yeah, cool. 738 00:35:06,080 --> 00:35:10,000 That like literally just fills my heart with joy! 739 00:35:10,000 --> 00:35:12,160 Siobhan! Hello! 740 00:35:12,160 --> 00:35:14,360 This hall keeps on giving! Do you know what? 741 00:35:14,360 --> 00:35:17,000 I think this is like quite a cosy little nook now. 742 00:35:17,000 --> 00:35:19,160 Yes. So, what... What's on your board? 743 00:35:19,160 --> 00:35:20,880 Ooh, The Den. The Den. 744 00:35:20,880 --> 00:35:23,000 I'm kind of marketing it as a teenage den, 745 00:35:23,000 --> 00:35:24,880 but it can be used for anyone, really. 746 00:35:24,880 --> 00:35:26,120 And, do you know what? 747 00:35:26,120 --> 00:35:28,640 I know the lights here are reflecting off that gold, 748 00:35:28,640 --> 00:35:31,200 just giving such a glow. I mean, I look 12. 749 00:35:31,200 --> 00:35:32,440 SHE LAUGHS 750 00:35:32,440 --> 00:35:34,640 I would be up here all the time! 751 00:35:34,640 --> 00:35:37,200 I think I might come and have my promotional photos done here. 752 00:35:37,200 --> 00:35:38,960 You should do! I'll love you and leave you. 753 00:35:38,960 --> 00:35:40,720 All right, see you soon. See you soon. Bye! 754 00:35:40,720 --> 00:35:42,760 Bye-bye, love. Enjoy your den! 755 00:35:50,480 --> 00:35:52,880 With the deadline approaching, 756 00:35:52,880 --> 00:35:56,360 one final flourish to get these villas fit for judging... 757 00:35:56,360 --> 00:35:59,120 Lynsey, one hour! OK! 758 00:35:59,120 --> 00:36:00,800 Actually, not OK! 759 00:36:02,560 --> 00:36:06,640 ..and make them worthy of winning the ultimate prize. 760 00:36:12,040 --> 00:36:14,040 Happy enough with this? I don't like this. 761 00:36:14,040 --> 00:36:16,480 It's OK, I'll take it out. I'm not that keen on that either. 762 00:36:16,480 --> 00:36:18,920 I put some of the tiger fabric inside that. 763 00:36:18,920 --> 00:36:21,320 Totally winging that wall currently. 764 00:36:23,000 --> 00:36:25,360 Oh, God, yes. That looks better. Yes, yes, yes! 765 00:36:27,000 --> 00:36:28,720 Let's get a drink! 766 00:36:30,600 --> 00:36:32,680 I think full length... That looks better. Yeah. 767 00:36:32,680 --> 00:36:34,200 We need something for that corner. 768 00:36:34,200 --> 00:36:36,520 My new island's fab! Do we have any of that green paint? 769 00:36:36,520 --> 00:36:38,320 Yes. 770 00:36:38,320 --> 00:36:40,560 Can imagine girls arriving and running around going 771 00:36:40,560 --> 00:36:42,440 "Bagsie this one!" "I want this one!" 772 00:36:44,400 --> 00:36:46,720 Paul, from this angle... 773 00:36:46,720 --> 00:36:48,120 It's just unreal, isn't it? 774 00:36:48,120 --> 00:36:50,080 Do you think we're there? I think we're there. 775 00:36:50,080 --> 00:36:53,320 Ah! What do you think, guys? Are we there? We're there! Yes! Woo! 776 00:36:53,320 --> 00:36:55,560 I am exhausted! 777 00:36:55,560 --> 00:36:57,600 But so, so, so happy. 778 00:36:57,600 --> 00:36:59,360 I really hope it's enough. 779 00:36:59,360 --> 00:37:02,400 Winning now would just be amazing. 780 00:37:02,400 --> 00:37:05,880 I mean, I suppose it would be a... 781 00:37:05,880 --> 00:37:08,320 ..recognition for how hard I've tried 782 00:37:08,320 --> 00:37:09,880 and that I am a designer. 783 00:37:11,480 --> 00:37:13,200 I am a designer! 784 00:37:13,200 --> 00:37:14,240 So... 785 00:37:15,560 --> 00:37:16,960 Yeah, it would mean a lot. 786 00:37:18,560 --> 00:37:21,000 There's nothing better than this. We've worked hard, boys. 787 00:37:21,000 --> 00:37:23,800 Absolutely ace, innit? I'm super proud of you. 788 00:37:23,800 --> 00:37:25,520 I feel very overwhelmed. 789 00:37:27,000 --> 00:37:30,040 I think I've just put literally everything that I've got into this 790 00:37:30,040 --> 00:37:32,920 and I'm just looking around and I just think... 791 00:37:32,920 --> 00:37:35,320 SHE EXHALES HEAVILY 792 00:37:35,320 --> 00:37:37,720 If I don't win, then I couldn't have done any more. 793 00:37:37,720 --> 00:37:41,440 I just really, really hope the judges come in and think, 794 00:37:41,440 --> 00:37:43,680 "Yeah, this is a wow space." 795 00:37:54,320 --> 00:37:56,000 Judgment day. 796 00:37:56,000 --> 00:37:59,080 Offering their expertise alongside Michelle, 797 00:37:59,080 --> 00:38:03,720 fashion designer turned interiors expert Matthew Williamson 798 00:38:03,720 --> 00:38:06,760 and making her return is podcast host 799 00:38:06,760 --> 00:38:09,200 and queen of colour, Sophie Robinson. 800 00:38:11,000 --> 00:38:12,920 So this is it, this is the final. 801 00:38:12,920 --> 00:38:15,280 I have made these guys jump through so many hoops. 802 00:38:15,280 --> 00:38:17,600 I mean, my expectations are going off the scale 803 00:38:17,600 --> 00:38:19,960 because they've learnt so much, both of them. 804 00:38:19,960 --> 00:38:21,920 But what are you hoping to see? 805 00:38:21,920 --> 00:38:25,200 I guess I'm looking for the properties to look fantastic, 806 00:38:25,200 --> 00:38:28,840 to feel great and to function really well. 807 00:38:28,840 --> 00:38:31,160 But one of the brilliant things about a holiday let 808 00:38:31,160 --> 00:38:33,960 is you can really elevate the design because this is also 809 00:38:33,960 --> 00:38:36,240 an element of escapism. 810 00:38:36,240 --> 00:38:39,360 And for me, when I go on holiday, I want somewhere that feels 811 00:38:39,360 --> 00:38:42,320 even better and more fabulous than my own home. 812 00:38:42,320 --> 00:38:44,960 I think it's going to be really hard to actually 813 00:38:44,960 --> 00:38:46,680 kind of draw a line between them. 814 00:38:48,120 --> 00:38:52,800 Finally, a chance to see which designer has impressed the most. 815 00:38:52,800 --> 00:38:55,880 First under scrutiny, Lynsey's Girls' Getaway. 816 00:38:59,560 --> 00:39:03,920 The last few days have been a total emotional roller-coaster. 817 00:39:06,960 --> 00:39:09,840 Standing here now with every part of my body aching, 818 00:39:09,840 --> 00:39:14,000 including my brain, I couldn't have given it any more. 819 00:39:14,000 --> 00:39:18,680 Wow! I am being hit by this delicious chocolate colour 820 00:39:18,680 --> 00:39:22,800 and we've got quite an extraordinary floral armchair, 821 00:39:22,800 --> 00:39:24,880 an oversized chandelier. 822 00:39:24,880 --> 00:39:27,400 So there's already a lot to delight the eyes and the senses 823 00:39:27,400 --> 00:39:30,640 as soon as you walk in, which is wonderful first impression. 824 00:39:30,640 --> 00:39:33,600 This beautiful collage of locally sourced photography 825 00:39:33,600 --> 00:39:35,240 is a lovely touch. 826 00:39:35,240 --> 00:39:36,840 And how fabulous is this?! 827 00:39:36,840 --> 00:39:39,320 It's kind of like a sculpture, but more importantly, 828 00:39:39,320 --> 00:39:42,000 it's also introducing the textures and the colour palette. 829 00:39:42,000 --> 00:39:44,880 I love all the indents and the little bits of gold 830 00:39:44,880 --> 00:39:47,640 and it feels very subtle, although the whole scheme already feels 831 00:39:47,640 --> 00:39:49,640 quite dark to me. 832 00:39:53,000 --> 00:39:56,200 So we've taken this really dark palette into the kitchen as well. 833 00:39:56,200 --> 00:39:59,120 I think it's really lovely to see that palette in that artwork 834 00:39:59,120 --> 00:40:01,960 and then now we're seeing it on the sofas, on the upholstery, 835 00:40:01,960 --> 00:40:05,840 in the metallic finishes and it's a lovely, warm colour story. 836 00:40:05,840 --> 00:40:07,440 Really good handling of space. 837 00:40:07,440 --> 00:40:10,440 I mean, I love this little bar - that allows you to sit there 838 00:40:10,440 --> 00:40:12,400 and face your room, face your guest. 839 00:40:12,400 --> 00:40:14,120 You know, looking at this at first glance, 840 00:40:14,120 --> 00:40:16,720 I can imagine you could spend the whole budget on a bespoke piece 841 00:40:16,720 --> 00:40:19,440 of furniture like this. It looks really, really cool. 842 00:40:19,440 --> 00:40:22,000 The genius bit is the curve. 843 00:40:22,000 --> 00:40:24,920 It would've been so easy to think, oh, square kitchen, 844 00:40:24,920 --> 00:40:28,040 square island, but to reference this screen 845 00:40:28,040 --> 00:40:30,280 and the outside of it, brilliant! 846 00:40:30,280 --> 00:40:32,960 And I love that divide - I think that's genius. 847 00:40:32,960 --> 00:40:35,440 You know, I can sort of sense an architect in this designer. 848 00:40:35,440 --> 00:40:38,600 And yet you've got a visual link, you're not completely blocked off. 849 00:40:38,600 --> 00:40:41,320 This type of thing is a bit of a signature for Lynsey, 850 00:40:41,320 --> 00:40:43,760 but it works, it's clever. 851 00:40:52,280 --> 00:40:54,480 Ooh, that's nice and comfy. 852 00:40:54,480 --> 00:40:57,520 It does invite you to want to sit down, though, doesn't it? 853 00:40:57,520 --> 00:40:59,720 It really does. It's super social. 854 00:40:59,720 --> 00:41:03,520 It's so clever, that sort of reverse TV... Yeah. ..moment. 855 00:41:03,520 --> 00:41:06,720 I had no idea in the kitchen there was anything on that 856 00:41:06,720 --> 00:41:08,360 and it's fantastic. 857 00:41:08,360 --> 00:41:11,840 I think the furniture layout, having two large sofas facing one another, 858 00:41:11,840 --> 00:41:15,240 it's really convivial, although I probably would've put 859 00:41:15,240 --> 00:41:18,600 like a footstool here to just make it feel a bit more flowy. 860 00:41:18,600 --> 00:41:20,240 It feels quite formal. 861 00:41:20,240 --> 00:41:26,040 I think it's quite a tight spot to have a complete sort of 360 seating. 862 00:41:26,040 --> 00:41:28,920 It's minor points... Yeah. ..because certainly the feel 863 00:41:28,920 --> 00:41:31,440 is I'm perfectly happy here. I feel glamourous, don't you?! 864 00:41:31,440 --> 00:41:33,160 Oh, looking divine! 865 00:41:33,160 --> 00:41:34,720 There's some lovely colours. 866 00:41:34,720 --> 00:41:40,240 Love this kind of muddy lilac because that echoes the hallway. 867 00:41:40,240 --> 00:41:42,160 Now, when you look back across the kitchen, 868 00:41:42,160 --> 00:41:44,200 you get the similar kind of colours, 869 00:41:44,200 --> 00:41:47,480 pairing that with the rusts, it's like, "Ooh, I'm in my happy place!" 870 00:41:56,000 --> 00:41:57,560 This is unexpected. 871 00:41:57,560 --> 00:41:59,360 Hallway plus! 872 00:41:59,360 --> 00:42:01,720 Isn't it? I mean, this piece of furniture, 873 00:42:01,720 --> 00:42:04,600 I'm imagining her incredible, resourceful, vintage 874 00:42:04,600 --> 00:42:06,600 magpie eyes found that. 875 00:42:06,600 --> 00:42:09,200 Isn't this kind of lovely cos you know that you're getting ready 876 00:42:09,200 --> 00:42:11,680 in there, I'm in here, we're having a little chitchat. 877 00:42:11,680 --> 00:42:14,000 Yeah, it's smart, isn't it? On many levels. 878 00:42:14,000 --> 00:42:16,040 She's turned it into a little salon, hasn't she? 879 00:42:16,040 --> 00:42:17,400 A little boudoir. 880 00:42:18,720 --> 00:42:21,560 Ooh, and exhale! 881 00:42:21,560 --> 00:42:24,480 This just suddenly feels fresher and lighter. 882 00:42:24,480 --> 00:42:27,640 But we're still pulling in the dark. 883 00:42:27,640 --> 00:42:29,280 Well, maybe that's how it works. 884 00:42:29,280 --> 00:42:32,200 So we have continued the palette, but the mood 885 00:42:32,200 --> 00:42:36,480 feels just a bit more open, countryside-y Cornwall-y vibe. 886 00:42:36,480 --> 00:42:39,920 I like this, taking the slatted wood from downstairs to upstairs, 887 00:42:39,920 --> 00:42:43,400 just to conceal what would otherwise be quite boring wardrobe. 888 00:42:43,400 --> 00:42:44,960 That's brave, it's bold. 889 00:42:44,960 --> 00:42:48,200 She's defined a whole section of the room with one material, 890 00:42:48,200 --> 00:42:50,640 gone for it, committed to it. 891 00:42:50,640 --> 00:42:53,000 It's very tight, very coherent, soft, gentle, 892 00:42:53,000 --> 00:42:56,960 but it feels very luxe but appropriate, 893 00:42:56,960 --> 00:42:58,880 dare I say it? 894 00:43:02,000 --> 00:43:03,440 OK, I like this. 895 00:43:03,440 --> 00:43:05,800 It's essentially the same room, we've gone darker tones, 896 00:43:05,800 --> 00:43:07,600 no squabbles, then, with your girlfriends 897 00:43:07,600 --> 00:43:09,040 over who gets which room. 898 00:43:09,040 --> 00:43:11,200 Of all the fabrics in the world you could choose from, 899 00:43:11,200 --> 00:43:14,040 do you just have to have the same design? Perhaps a bit lazy. 900 00:43:14,040 --> 00:43:15,680 I think it's a bit lazy... 901 00:43:15,680 --> 00:43:18,160 Design wise, it's the same room copied, 902 00:43:18,160 --> 00:43:20,000 but I still like the room. 903 00:43:23,560 --> 00:43:25,960 Next up, Siobhan's Family Retreat. 904 00:43:35,080 --> 00:43:40,960 I feel exhausted, but, oh, my God, I'm so proud of that space. 905 00:43:40,960 --> 00:43:43,880 I'm so happy, it's so joyful. 906 00:43:44,920 --> 00:43:48,960 Do you know what? Little old me has kind of pulled it out the bag. 907 00:43:48,960 --> 00:43:52,640 Ooh! Another fabulous hallway. 908 00:43:52,640 --> 00:43:55,720 Wow. And with colour. Gosh, I'm seeing stripes! 909 00:43:55,720 --> 00:43:57,800 And I'm seeing...cranes. 910 00:43:59,120 --> 00:44:01,880 The brief here was family retreat. 911 00:44:01,880 --> 00:44:04,920 People are coming down here to have some wholesome, good fun 912 00:44:04,920 --> 00:44:07,880 and then...ta-dah! Ta-dah! 913 00:44:07,880 --> 00:44:11,360 It's the sort of ripping up of the rule book and thinking, you know, 914 00:44:11,360 --> 00:44:14,040 super high-impact, drama, glamour. 915 00:44:14,040 --> 00:44:16,280 But fun was also on the brief. 916 00:44:16,280 --> 00:44:18,160 And I'm definitely getting that. 917 00:44:18,160 --> 00:44:20,160 Yeah, it's definitely uplifting, isn't it? 918 00:44:20,160 --> 00:44:23,320 I'm just kind of feeling that this is like Siobhan unleashed. 919 00:44:23,320 --> 00:44:25,280 I rather like it. 920 00:44:25,280 --> 00:44:29,000 It is full-on Siobhan and there is something so magical about her. 921 00:44:29,000 --> 00:44:32,160 It makes you want to be your best, most colourful self. 922 00:44:36,320 --> 00:44:39,400 And so it continues. Turquoise, and a painted ceiling, Sophie! Yes... 923 00:44:39,400 --> 00:44:41,560 Come on, you've got to be happy about that. 924 00:44:41,560 --> 00:44:44,080 What this shows me is that Siobhan really understands 925 00:44:44,080 --> 00:44:47,480 that if you're doing this deep, dark, saturated look, 926 00:44:47,480 --> 00:44:49,240 you've got to go full attack. 927 00:44:49,240 --> 00:44:51,960 This is a very strong palette, for sure. 928 00:44:51,960 --> 00:44:55,000 And I applaud that, there's something so confident about it. 929 00:44:55,000 --> 00:44:59,000 Exactly. I don't feel like the three areas are evenly balanced. 930 00:44:59,000 --> 00:45:01,360 I feel like that's where all the energy's gone. 931 00:45:01,360 --> 00:45:04,760 I mean, it shows how clever Lynsey was to have introduced that island 932 00:45:04,760 --> 00:45:07,320 because suddenly you come next door to the identical house 933 00:45:07,320 --> 00:45:09,720 and it's missing. That's what's missing. 934 00:45:15,320 --> 00:45:17,600 Wow, party! Wow! 935 00:45:17,600 --> 00:45:20,840 The party room. This is giving me a big smile on my face. 936 00:45:20,840 --> 00:45:23,080 There's something so joyful about it 937 00:45:23,080 --> 00:45:25,400 and I think it's just because it's so unapologetic. 938 00:45:25,400 --> 00:45:27,120 Wow! Where's the sunglasses?! 939 00:45:27,120 --> 00:45:29,240 She's definitely not held back. 940 00:45:29,240 --> 00:45:31,080 She's packed a lot in this space. 941 00:45:31,080 --> 00:45:34,400 You know, maybe too much - it's supposed to be a family getaway. 942 00:45:34,400 --> 00:45:36,680 Definitely feels like you could sort of kick back. 943 00:45:36,680 --> 00:45:38,400 But is it relaxing, I wonder? 944 00:45:38,400 --> 00:45:40,080 I want to forgive. I just... 945 00:45:40,080 --> 00:45:42,920 I'm just enjoying this fabulous exploration 946 00:45:42,920 --> 00:45:44,640 of colour and decor. 947 00:45:44,640 --> 00:45:48,280 I just feel that she just enjoys doing this so much. 948 00:45:48,280 --> 00:45:50,960 Mm. I agree with you, Michelle. I think it's beautifully curated. 949 00:45:50,960 --> 00:45:53,720 But then in my mind, I'm thinking, OK, family with toddlers 950 00:45:53,720 --> 00:45:56,440 well, all of this... Has to go. ..is just a nightmare. 951 00:45:56,440 --> 00:45:58,520 You know, has she answered the brief? 952 00:45:58,520 --> 00:46:01,280 It's intense, but does it really answer 953 00:46:01,280 --> 00:46:03,720 that sort of broader demographic? 954 00:46:03,720 --> 00:46:06,200 I agree. She's taken quite a risk. 955 00:46:13,040 --> 00:46:16,520 You know, what is gorgeous is looking back here 956 00:46:16,520 --> 00:46:19,600 and seeing that gold leaf ceiling, that is someone that has sat here 957 00:46:19,600 --> 00:46:22,040 and thought, "What am I going to be looking at?" 958 00:46:22,040 --> 00:46:23,720 That's a lovely touch, isn't it? 959 00:46:23,720 --> 00:46:27,920 And it means that she's considered the architecture... 960 00:46:27,920 --> 00:46:31,120 But then not been so cowed by doing that in gold that she didn't want 961 00:46:31,120 --> 00:46:36,080 to then stripe behind me and bring our kind of dividers up as well. 962 00:46:39,480 --> 00:46:42,200 You know, typical Siobhan - full-out opulent glamour. 963 00:46:42,200 --> 00:46:44,680 It's always like there's plenty to either delight 964 00:46:44,680 --> 00:46:46,760 or assault the senses. 965 00:46:46,760 --> 00:46:48,400 It's kind of all like, why not? 966 00:46:48,400 --> 00:46:50,280 I'm on holiday, I'm escaping. 967 00:46:50,280 --> 00:46:51,960 I'd love to have this room. 968 00:46:51,960 --> 00:46:54,720 And what do you think of this? I've never seen a headboard like that, 969 00:46:54,720 --> 00:46:56,560 which is not to say it doesn't work. 970 00:46:56,560 --> 00:46:59,960 However, it is kind of feeling like quite grown-up in here. 971 00:46:59,960 --> 00:47:02,840 And as a family retreat, I wonder if the other bedroom 972 00:47:02,840 --> 00:47:04,960 is more suitable for kids. 973 00:47:10,560 --> 00:47:13,920 It's the same as next door, but it's got that difference again, 974 00:47:13,920 --> 00:47:17,400 I think as well, it's just the audaciousness of it. 975 00:47:17,400 --> 00:47:21,160 Oversized mural and, again, pulling in that black and white. 976 00:47:21,160 --> 00:47:23,520 It's a really bold, dramatic landscape. 977 00:47:23,520 --> 00:47:25,960 It's design, it's interior decor, 978 00:47:25,960 --> 00:47:28,800 it's masterful, it's Siobhan. 979 00:47:28,800 --> 00:47:31,920 I'm sorry, but is it family retreat? 980 00:47:31,920 --> 00:47:33,440 All of those kind of things. 981 00:47:33,440 --> 00:47:37,840 There is so much great here, so much great in Lynsey's as well. 982 00:47:37,840 --> 00:47:40,040 I can see they've both learnt from each other. 983 00:47:40,040 --> 00:47:43,200 They've each evolved over the course of this whole competition, 984 00:47:43,200 --> 00:47:45,520 but there can only be one winner. 985 00:47:45,520 --> 00:47:47,760 It's going to be a really tough decision. 986 00:47:55,840 --> 00:47:59,040 After eight weeks and eight commercial design challenges, 987 00:47:59,040 --> 00:48:00,800 a defining moment. 988 00:48:00,800 --> 00:48:02,840 I just absolutely loved what I created. 989 00:48:02,840 --> 00:48:05,680 I'm massively proud. I'm thinking like a designer now. 990 00:48:05,680 --> 00:48:07,560 I'm just hoping that I've done enough. 991 00:48:07,560 --> 00:48:10,000 How are you doing? Mm, nervous! 992 00:48:10,000 --> 00:48:11,840 I know. Petrified! Yeah. 993 00:48:10,000 --> 00:48:11,840 THEY LAUGH 994 00:48:11,840 --> 00:48:14,080 All of them. I couldn't have done any more. 995 00:48:14,080 --> 00:48:16,600 That was me - that was everything I've got. 996 00:48:16,600 --> 00:48:18,320 I've lived and breathed it. 997 00:48:18,320 --> 00:48:21,920 I gave my all and that's all I can be, so, yeah. 998 00:48:23,160 --> 00:48:26,160 Siobhan and Lynsey, they did that in three days. 999 00:48:26,160 --> 00:48:27,800 You must have been impressed. 1000 00:48:27,800 --> 00:48:31,080 Oh, my goodness! They just pulled it out of the hat, these two. 1001 00:48:31,080 --> 00:48:32,840 An utter transformation. 1002 00:48:32,840 --> 00:48:35,840 You know, we've all got to remember that whoever you choose 1003 00:48:35,840 --> 00:48:39,840 has absolutely got to fulfil this commercial contract. 1004 00:48:39,840 --> 00:48:42,600 We're looking for innovation brilliance. 1005 00:48:42,600 --> 00:48:45,800 Equally, though, I have hammered it into these people 1006 00:48:45,800 --> 00:48:49,520 that everything must be considered, inhabit the space, use the space. 1007 00:48:49,520 --> 00:48:53,680 I suppose at this point, it's also about the next part of that journey. 1008 00:48:53,680 --> 00:48:57,320 Which one is going to flourish as an interior designer? 1009 00:48:57,320 --> 00:49:01,160 The tricky thing is they both have a huge amount of style. 1010 00:49:01,160 --> 00:49:04,720 I mean, there is this kind of genius use of space from Lynsey, 1011 00:49:04,720 --> 00:49:07,920 but then there's this genius kind of just joy. 1012 00:49:07,920 --> 00:49:10,480 It's very happy... With design on the other side. 1013 00:49:10,480 --> 00:49:12,240 I think this is our biggest conundrum. 1014 00:49:12,240 --> 00:49:16,280 If we could merge them both... Oh, my goodness, what would we get? 1015 00:49:16,280 --> 00:49:19,080 You can't merge them, Michelle, you have to choose. 1016 00:49:19,080 --> 00:49:21,240 I guess it's a prize at the end of the day 1017 00:49:21,240 --> 00:49:23,480 to become an interior designer, 1018 00:49:23,480 --> 00:49:27,000 so it's interesting to look at who wants to do that job more. 1019 00:49:27,000 --> 00:49:28,680 It could go either way. 1020 00:49:31,920 --> 00:49:34,400 Hello, ladies. BOTH: Hi! 1021 00:49:34,400 --> 00:49:38,520 The time has come. And, you know, whatever happens in that room, 1022 00:49:38,520 --> 00:49:41,280 you should both be so proud of yourself. 1023 00:49:41,280 --> 00:49:42,440 Thank you. 1024 00:49:42,440 --> 00:49:45,440 Now, the judges and Michelle would like to speak to you both 1025 00:49:45,440 --> 00:49:47,400 individually. Lynsey, you're up first. 1026 00:49:47,400 --> 00:49:48,520 OK. Good luck. 1027 00:49:48,520 --> 00:49:50,360 Thank you. Good luck. 1028 00:49:50,360 --> 00:49:51,680 See you in a bit. 1029 00:49:54,600 --> 00:49:57,360 So you made it. This is it. The final. I know! 1030 00:49:57,360 --> 00:49:59,480 How is it feeling? 1031 00:49:59,480 --> 00:50:02,160 Amazing. Scary. Exciting. 1032 00:50:02,160 --> 00:50:06,040 I mean, you had a whole house to design in three days. 1033 00:50:06,040 --> 00:50:08,520 How did you tackle that from the very beginning? 1034 00:50:08,520 --> 00:50:10,800 I really thought about the brief, cos proportions to me 1035 00:50:10,800 --> 00:50:13,080 are really important, and how you feel in a space. 1036 00:50:13,080 --> 00:50:15,120 But then I wanted it to be functional as well. 1037 00:50:15,120 --> 00:50:18,040 I love your sense of flow from one to the next. 1038 00:50:18,040 --> 00:50:19,560 It was fantastic. 1039 00:50:19,560 --> 00:50:22,200 Yeah, I tried really hard on that. Like, for the island, 1040 00:50:22,200 --> 00:50:25,600 you could be in the kitchen, but still be really sociable. 1041 00:50:25,600 --> 00:50:28,240 And the partition so that you could still see what was going on 1042 00:50:28,240 --> 00:50:29,280 in the living room. 1043 00:50:29,280 --> 00:50:33,040 That felt like a really smart, clever way to denote one space 1044 00:50:33,040 --> 00:50:34,120 from the next. 1045 00:50:34,120 --> 00:50:36,280 And we've seen glimpses of that slatted wood before, 1046 00:50:36,280 --> 00:50:39,000 it really worked really powerfully, particularly the divider, 1047 00:50:39,000 --> 00:50:42,880 because it wasn't just a divider, it was also the bench seat 1048 00:50:42,880 --> 00:50:46,280 and the TV stand. When I was there doing it, 1049 00:50:46,280 --> 00:50:49,640 I questioned all of my decisions once I was in the space. 1050 00:50:49,640 --> 00:50:52,320 Just sort of learning to be more flexible at the 11th hour. 1051 00:50:52,320 --> 00:50:54,600 That's definitely something that I brought in, 1052 00:50:54,600 --> 00:50:56,640 learning that just because you've had this idea, 1053 00:50:56,640 --> 00:50:57,960 and actually taken the time, 1054 00:50:57,960 --> 00:51:00,960 once you're in the space, you go, "Will that work?" 1055 00:51:00,960 --> 00:51:04,160 I mean, and that comes from really putting yourself in the mind 1056 00:51:04,160 --> 00:51:08,000 of the user, which is what we've been constantly learning, isn't it? 1057 00:51:08,000 --> 00:51:10,400 That's just so wonderful. It shows you really care, 1058 00:51:10,400 --> 00:51:13,080 and you really care about the people you're designing for. 1059 00:51:13,080 --> 00:51:14,160 With the two bedrooms, 1060 00:51:14,160 --> 00:51:16,680 every room is another opportunity to have more fun, 1061 00:51:16,680 --> 00:51:17,920 more colour, more pattern. 1062 00:51:17,920 --> 00:51:20,160 And I was quite surprised that they were almost like 1063 00:51:20,160 --> 00:51:22,560 mirror images of one another. I wanted them to be different 1064 00:51:22,560 --> 00:51:24,440 in terms of feel, and I think I achieved that. 1065 00:51:24,440 --> 00:51:26,920 I wish I could have done two totally different rooms. 1066 00:51:26,920 --> 00:51:30,000 What is fantastic is that, in all of this conversation, 1067 00:51:30,000 --> 00:51:32,880 I am hearing someone really talking like a designer. 1068 00:51:32,880 --> 00:51:36,200 What will this mean to you if you win? 1069 00:51:36,200 --> 00:51:40,600 It will mean so much. I've already quit my job, 1070 00:51:40,600 --> 00:51:42,840 because I've loved this so much, 1071 00:51:42,840 --> 00:51:45,600 like, I just... It lights this fire inside me. 1072 00:51:45,600 --> 00:51:49,400 I absolutely have enjoyed every minute of just trying to 1073 00:51:49,400 --> 00:51:52,520 absorb all of that information and pulling it together. 1074 00:51:52,520 --> 00:51:55,320 And then what I can do next excites me so much. 1075 00:51:55,320 --> 00:51:57,440 You were quite rule-based to start off with. Yes. 1076 00:51:57,440 --> 00:51:59,720 What was the right thing to do? What could be done? 1077 00:51:59,720 --> 00:52:00,920 Yeah. And this was the brief. 1078 00:52:00,920 --> 00:52:03,040 And you're very aware of what you've got to learn. 1079 00:52:03,040 --> 00:52:05,080 The question is, can you? Can you learn it? 1080 00:52:05,080 --> 00:52:08,680 I am a creative person, and I now believe I can do it, 1081 00:52:08,680 --> 00:52:10,320 and I've got a lot more to give. 1082 00:52:10,320 --> 00:52:12,840 You've talked about light, you've talked about flow, 1083 00:52:12,840 --> 00:52:16,920 all of the things that we have been masterclass training you for, 1084 00:52:16,920 --> 00:52:19,320 so well done for that. Thank you. 1085 00:52:21,120 --> 00:52:23,960 The idea of that prize is life-changing, isn't it? 1086 00:52:23,960 --> 00:52:27,280 It's your first commercial contract as an interior designer. 1087 00:52:27,280 --> 00:52:29,480 That's like step-up game-change, 1088 00:52:29,480 --> 00:52:33,240 so winning would just be absolutely amazing. 1089 00:52:33,240 --> 00:52:35,040 Hi. Hello. 1090 00:52:36,920 --> 00:52:40,280 Oh, I feel emotional before we've even started. 1091 00:52:40,280 --> 00:52:44,080 I mean, you attacked this villa, you came out all guns blazing. 1092 00:52:44,080 --> 00:52:48,480 And what I've loved about you is you have no background in design. 1093 00:52:48,480 --> 00:52:50,440 Tell us how you approached it. 1094 00:52:50,440 --> 00:52:53,720 When I first got the brief, and it said, like, a family villa, 1095 00:52:53,720 --> 00:52:56,800 I was trying to, like, pare things back, and then kind of just thought, 1096 00:52:56,800 --> 00:52:59,920 "Look, let's just throw the rule book a little bit out the window," 1097 00:52:59,920 --> 00:53:02,280 like, the creative juices just started flowing, 1098 00:53:02,280 --> 00:53:04,600 and maybe that might be to me downfall, I don't know. 1099 00:53:04,600 --> 00:53:06,120 So do you think you did hit the brief? 1100 00:53:06,120 --> 00:53:08,560 I'll have to admit, I don't think I was really thinking 1101 00:53:08,560 --> 00:53:10,160 about, like, Cornwall as a place. 1102 00:53:10,160 --> 00:53:12,080 Obviously, I have thrown everything at it, 1103 00:53:12,080 --> 00:53:15,440 but I've tried to do it in a kind of refined way. 1104 00:53:15,440 --> 00:53:18,320 It's really important to have that sense of confidence, 1105 00:53:18,320 --> 00:53:19,800 isn't it, in your design? 1106 00:53:19,800 --> 00:53:24,120 And it feels to me that you're really sure-footed and clear 1107 00:53:24,120 --> 00:53:26,160 about what your design DNA is. 1108 00:53:26,160 --> 00:53:27,560 It's quite bold, isn't it? 1109 00:53:27,560 --> 00:53:29,680 But it was very sophisticated as well. 1110 00:53:29,680 --> 00:53:34,360 Walking into that entrance hall with that beautiful gold-leafed mural. 1111 00:53:34,360 --> 00:53:36,440 I applaud the bravado in there. 1112 00:53:36,440 --> 00:53:39,240 But what I'd really like to understand is 1113 00:53:39,240 --> 00:53:40,800 where does it come from? 1114 00:53:40,800 --> 00:53:44,560 It could start with, like, a colour or a pattern. 1115 00:53:44,560 --> 00:53:46,800 Is it a gut instinct? 1116 00:53:46,800 --> 00:53:48,640 Is it...? Absolutely. 1117 00:53:48,640 --> 00:53:51,920 With me not being, like, a designer as such, 1118 00:53:51,920 --> 00:53:55,320 it's kind of difficult sometimes to articulate that, isn't it? 1119 00:53:56,600 --> 00:53:58,600 You're doing very well. 1120 00:53:58,600 --> 00:54:02,320 Because I think it's a real gift, you know, 1121 00:54:02,320 --> 00:54:05,200 to have a strong connection to colour and design. 1122 00:54:05,200 --> 00:54:07,120 Yeah. It's an emotional response. 1123 00:54:07,120 --> 00:54:08,480 You can't learn that. Mm. 1124 00:54:08,480 --> 00:54:11,000 And I think that's something you need to really own. 1125 00:54:11,000 --> 00:54:13,560 Yeah, I think that's what I struggle with because, you know, 1126 00:54:13,560 --> 00:54:17,160 I don't have all the fancy terms and all that, it's just seeing 1127 00:54:17,160 --> 00:54:20,640 something transformed, you know, from a blank canvas to something, 1128 00:54:20,640 --> 00:54:22,320 you know, something really beautiful. 1129 00:54:22,320 --> 00:54:25,200 When you leave the competition, what would be, like, your dream job? 1130 00:54:25,200 --> 00:54:28,000 Obviously, I would love to do some interior design. 1131 00:54:28,000 --> 00:54:31,640 Right. I'd love to maybe design some products, some wallpapers, fabrics, 1132 00:54:31,640 --> 00:54:32,840 things like that. 1133 00:54:32,840 --> 00:54:37,400 I have seen you pour your heart and soul into this, 1134 00:54:37,400 --> 00:54:40,080 but what will it mean for you if you win? 1135 00:54:40,080 --> 00:54:44,280 It would mean everything, really, because it would mean that I am... 1136 00:54:44,280 --> 00:54:48,080 I can actually do this, you know, and that you have faith in me 1137 00:54:48,080 --> 00:54:52,320 that I can have a different career, you know. 1138 00:54:55,400 --> 00:54:56,960 So, yeah, I think it would be, 1139 00:54:56,960 --> 00:54:59,840 yeah, totally, totally life-changing, really. 1140 00:54:59,840 --> 00:55:02,480 Well, thank you, Siobhan, so much. 1141 00:55:02,480 --> 00:55:06,760 Both you and Lynsey are not making my job easy. 1142 00:55:06,760 --> 00:55:08,720 It really is a tough call. 1143 00:55:13,520 --> 00:55:15,840 While Michelle comes to a decision, 1144 00:55:15,840 --> 00:55:19,680 some familiar faces are welcomed back to the design studio. 1145 00:55:19,680 --> 00:55:22,320 They're really different in how they've approached it, I think. 1146 00:55:22,320 --> 00:55:23,680 Definitely. Oh, wow. 1147 00:55:23,680 --> 00:55:26,360 I think they both deserve to be in the final. 1148 00:55:26,360 --> 00:55:28,680 My favourite would have to be Lynsey. 1149 00:55:28,680 --> 00:55:31,680 Here is more theatre, like, drama. 1150 00:55:31,680 --> 00:55:33,160 Wow, that's amazing. 1151 00:55:33,160 --> 00:55:35,480 I like the idea of using the pitch for the headboard, 1152 00:55:35,480 --> 00:55:37,320 and it creates that kind of cocoon. 1153 00:55:37,320 --> 00:55:40,040 And this area here, I mean, I would use that. 1154 00:55:40,040 --> 00:55:42,400 The detail that is in these spaces is incredible. 1155 00:55:42,400 --> 00:55:45,560 I really like it. You can definitely tell it's Siobhan's, this one. 1156 00:55:45,560 --> 00:55:46,880 Yeah, you definitely can. 1157 00:55:46,880 --> 00:55:48,200 Looking at the body of work, 1158 00:55:48,200 --> 00:55:50,640 I think Siobhan's is probably a little bit more memorable. 1159 00:55:50,640 --> 00:55:53,160 Do you have a sense of where to shop, where to go, where to be? 1160 00:55:53,160 --> 00:55:56,160 I genuinely think it's too close to call. 1161 00:56:04,200 --> 00:56:07,040 Well, this is a blast from the past. 1162 00:56:07,040 --> 00:56:09,760 Can I just say thank you for the last eight weeks? 1163 00:56:09,760 --> 00:56:12,280 There was so much creativity. 1164 00:56:12,280 --> 00:56:13,640 Michelle. 1165 00:56:13,640 --> 00:56:16,840 I mean, my God, what a ride this has been. 1166 00:56:16,840 --> 00:56:20,560 You've thrown yourself with such conviction and enthusiasm 1167 00:56:20,560 --> 00:56:22,840 into each and every challenge. 1168 00:56:22,840 --> 00:56:25,680 And I think what we all learned was that interior design 1169 00:56:25,680 --> 00:56:28,400 is about so much more than just rooms. 1170 00:56:28,400 --> 00:56:31,400 It is heart and soul and passion, 1171 00:56:31,400 --> 00:56:34,640 because when we open ourselves to creativity, 1172 00:56:34,640 --> 00:56:36,840 we open the door to magic. 1173 00:56:36,840 --> 00:56:40,760 And that's what's so incredible and you both have shown me that. 1174 00:56:40,760 --> 00:56:42,960 At the end of the day, 1175 00:56:42,960 --> 00:56:48,280 interior design is this superfine balance between innate raw talent 1176 00:56:48,280 --> 00:56:51,960 and designing plans, dealing with clients, 1177 00:56:51,960 --> 00:56:54,120 understanding briefs. 1178 00:56:54,120 --> 00:56:56,400 You cannot have one without the other. 1179 00:57:00,800 --> 00:57:03,880 So this year's Interior Design Master... 1180 00:57:11,560 --> 00:57:12,960 ..is Lynsey. 1181 00:57:14,680 --> 00:57:16,280 Well done. 1182 00:57:18,480 --> 00:57:20,760 Well done. Well done. Oh, my God! 1183 00:57:20,760 --> 00:57:22,880 CHEERING AND APPLAUSE 1184 00:57:22,880 --> 00:57:25,120 Thank you so, so much. 1185 00:57:25,120 --> 00:57:27,600 I've learnt so much. Thank you. 1186 00:57:28,560 --> 00:57:30,440 Well done. 1187 00:57:28,560 --> 00:57:30,440 HE WHOOPS 1188 00:57:31,920 --> 00:57:33,640 What has just happened?! 1189 00:57:33,640 --> 00:57:35,840 It's just like... 1190 00:57:35,840 --> 00:57:38,600 I think I'm in shock - is that what it's called? 1191 00:57:38,600 --> 00:57:42,080 Come on, then, who wants a drink? Get that down you. 1192 00:57:42,080 --> 00:57:43,880 Totally and utterly blown away. 1193 00:57:43,880 --> 00:57:45,520 Good to see you all. Cheers! 1194 00:57:45,520 --> 00:57:47,880 Cheers. 1195 00:57:47,880 --> 00:57:50,400 There's always a little bit of disappointment, you know, 1196 00:57:50,400 --> 00:57:53,080 because it's kind of like, oh, you know, could have just got there. 1197 00:57:53,080 --> 00:57:55,360 But I'm really, really chuffed for Lynsey. 1198 00:57:55,360 --> 00:57:58,680 She's done amazing throughout the whole competition, 1199 00:57:58,680 --> 00:58:01,840 and she just pipped me to the post at the end, didn't she? 1200 00:58:04,120 --> 00:58:05,520 The person that I just think, 1201 00:58:05,520 --> 00:58:08,960 "Oh, my God, this is going to transform their life." 1202 00:58:08,960 --> 00:58:12,640 And then also, who's going to deliver that professional project, 1203 00:58:12,640 --> 00:58:17,600 who has just got that tiny sliver of a more holistic understanding 1204 00:58:17,600 --> 00:58:21,160 about the whole package that is interior design? 1205 00:58:21,160 --> 00:58:24,440 And just by a whisker, Lynsey just took it home. 100706

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.