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I've been here weeks,
I tell you, weeks,
2
00:00:04,480 --> 00:00:07,040
getting this place ready
for a whole new batch
3
00:00:07,040 --> 00:00:09,360
of interior-design enthusiasts.
4
00:00:09,360 --> 00:00:11,920
The things I've had to do
with a paint brush...
5
00:00:14,560 --> 00:00:18,160
Ten aspiring designers are putting
their lives on hold
6
00:00:18,160 --> 00:00:19,840
in search of a dream...
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Yes, I am talented
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and it's a great opportunity for me
to showcase my talent.
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..to break into the competitive
world
10
00:00:26,280 --> 00:00:28,640
of professional interior design.
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00:00:28,640 --> 00:00:32,800
You only live once, and what
I absolutely love is being creative.
12
00:00:32,800 --> 00:00:36,440
With interiors guru
Michelle Ogundehin at the helm...
13
00:00:36,440 --> 00:00:38,880
Everyone with a passion for design
thinks they can be
14
00:00:38,880 --> 00:00:40,240
an interior designer,
15
00:00:40,240 --> 00:00:43,600
but I'm looking for someone
00:01:02,440
because I do love this room.
22
00:01:02,440 --> 00:01:05,400
This is what we're looking for.
Fearless decorating.
23
00:01:05,400 --> 00:01:08,680
Each week, the designers
will be challenged to transform
24
00:01:08,680 --> 00:01:09,880
a commercial space...
25
00:01:09,880 --> 00:01:11,960
Open the door, I'm coming in!
26
00:01:11,960 --> 00:01:14,520
Ugh! Thought you were going
to squish my head there!
27
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..to test their creative flair...
28
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00:01:43,440
..as they compete to win
a major career-defining contract
39
00:01:43,440 --> 00:01:46,080
with a luxury hotel in the Lakes.
40
00:01:46,080 --> 00:01:48,920
That would definitely be
my absolute dream.
41
00:01:51,360 --> 00:01:53,960
Welcome to Interior Design Masters.
42
00:01:56,240 --> 00:01:57,440
ALAN SIGHS
43
00:02:06,520 --> 00:02:09,200
The designers assembling
at Michelle's studio
44
00:02:09,200 --> 00:02:10,640
come from all walks of life...
45
00:02:10,640 --> 00:02:14,480
00:02:32,160
I put so much of my personality
and myself in my designs for me,
52
00:02:32,160 --> 00:02:34,360
so I guess that's going
to be the biggest challenge,
53
00:02:34,360 --> 00:02:37,440
to actually create something
for somebody else.
54
00:02:37,440 --> 00:02:38,680
00:02:50,840
You've got yellow nails.
61
00:02:50,840 --> 00:02:52,320
Watch out, the colour is coming.
62
00:02:52,320 --> 00:02:54,880
There is definitely something
about having children
63
00:02:54,880 --> 00:02:57,000
and going on maternity leave
that has pushed me
64
00:02:57,000 --> 00:02:58,600
00:03:13,560
Interior design makes me feel alive.
71
00:03:13,560 --> 00:03:14,920
My heart beats.
72
00:03:14,920 --> 00:03:18,480
You know when you're stuck
in a lift and the whole thing drops?
73
00:03:18,480 --> 00:03:20,600
It's that feeling that I get inside.
74
00:03:23,520 --> 00:03:26,360
Surprise! 00:04:10,600
So, I want you to think
"sophistication and aspirational".
93
00:04:11,960 --> 00:04:14,840
Based in Oxford,
these high-end contemporary homes
94
00:04:14,840 --> 00:04:17,960
have the potential
to sell for £1 million.
95
00:04:20,640 --> 00:04:24,000
Working in pairs, each designer
will have either a living room
96
00:04:24,000 --> 00:04:27,400
or bedroom to transform
into a beautiful space
97
00:04:27,400 --> 00:04:31,720
that will appeal to a wide range
of potential purchasers.
98
00:04:31,720 --> 00:04:34,680
After you've done your designs,
the two weakest teams
99
00:04:34,680 --> 00:04:36,560
will have a face-off with Michelle,
100
00:04:36,560 --> 00:04:41,160
and then it's not good news for one
designer - you'll be going home.
101
00:04:41,160 --> 00:04:43,160
So, that's it, challenge number one.
102
00:04:43,160 --> 00:04:45,160
Good luck.Good luck.
103
00:04:46,760 --> 00:04:49,920
With their individual room schemes
already prepared,
104
00:04:49,920 --> 00:04:53,440
the teams share their plans
with their partners.
105
00:04:53,440 --> 00:04:55,600
I'm so excited to see your design.
106
00:04:55,600 --> 00:04:58,480
00:05:08,600
and the things that make me go,
"Woooo!"
112
00:05:08,600 --> 00:05:10,760
cos I think that's part
of the fun of design.
113
00:05:10,760 --> 00:05:13,160
So, go on, tell me what
you're doing. OK.
114
00:05:13,160 --> 00:05:16,840
Mum-of-three Amy is working
with upholsterer Micaela.
115
00:05:16,840 --> 00:05:20,600
00:05:34,480
I want to use a seagrass wallpaper.
I love the paper.
121
00:05:34,480 --> 00:05:37,480
That's my background, so that's
what I'M really into. Fantastic.
122
00:05:37,480 --> 00:05:40,400
Also paired up
are former doctor Peter
123
00:05:40,400 --> 00:05:42,400
and retail manager Paul.
124
00:05:42,400 --> 00:05:43,880
00:05:59,440
of that luxurious,
beautiful hotel that you go to,
131
00:05:59,440 --> 00:06:00,920
but then you want to kind of stay.
132
00:06:00,920 --> 00:06:04,640
I was a doctor for eight years
and then last year I decided
133
00:06:04,640 --> 00:06:06,200
that I really wanted
00:06:24,360
Because, for me, buying
a bag for life is aspirational.
141
00:06:24,360 --> 00:06:27,520
It's a tricky one, show homes,
because someone buying these houses
142
00:06:27,520 --> 00:06:30,080
is going to make a decision
in seconds.Yeah.
143
00:06:30,080 --> 00:06:34,040
And they've got to get that balance
between stunning them,
144
00:06:34,040 --> 00:06:35,320
but not shocking.
145
00:06:35,320 --> 00:06:37,960
00:07:15,040
If I have the control,
I'll make sure the design work
158
00:07:15,040 --> 00:07:17,400
is exactly how I want it to be.
159
00:07:17,400 --> 00:07:19,120
I think with it being a show home,
160
00:07:19,120 --> 00:07:22,120
I think they will expect curtains,
00:07:39,720
Are you quite good to separate
your personality from your work?
167
00:07:39,720 --> 00:07:42,040
No, I've never done it before
because I've always
168
00:07:42,040 --> 00:07:43,440
been decorating in my house,
169
00:07:43,440 --> 00:07:46,200
so you're decorating for me
and I love pink and I love,
170
00:07:46,200 --> 00:07:48,240
00:08:04,600
The idea was to divide the space,
but not block the view.
178
00:08:04,600 --> 00:08:08,280
Also teamed up are former
visual merchandiser Barbara
179
00:08:08,280 --> 00:08:10,680
and textile designer Charlotte.
180
00:08:10,680 --> 00:08:13,800
I am making a coffee table
and a desk as well.
181
00:08:13,800 --> 00:08:15,960
There's a lot!
You've crammed a lot in!
182
00:08:15,960 --> 00:08:18,520
00:08:31,520
and show homes aren't necessarily
the place
189
00:08:31,520 --> 00:08:35,520
to put every cool, creative lighting
idea or whatever that you have.
190
00:08:35,520 --> 00:08:37,920
Looked like you've done it really,
really well,
191
00:08:37,920 --> 00:08:40,400
but is that the right full package
00:08:58,360
On the outskirts
of the historic city,
199
00:08:58,360 --> 00:09:00,680
five identical luxury homes...
200
00:09:02,080 --> 00:09:03,480
It's huge, isn't it?
201
00:09:03,480 --> 00:09:05,160
The windows are massive.
202
00:09:05,160 --> 00:09:07,320
Each a blank canvas,
203
00:09:07,320 --> 00:09:10,160
ready to be transformed.
204
00:09:10,160 --> 00:09:12,040
Oh, my God.
How are we supposed to...?
205
00:09:12,040 --> 00:09:13,800
Taking on a room each,
206
00:09:13,800 --> 00:09:18,200
the designers can choose to use the
existing furniture or go bespoke.
207
00:09:18,200 --> 00:09:20,200
00:09:43,720
What is there to lose? Yeah.
218
00:09:44,800 --> 00:09:49,120
That window is a good size cos you
can never buy extra natural light.
219
00:09:49,120 --> 00:09:52,600
In the first house,
Peter's in charge of the bedroom...
220
00:09:52,600 --> 00:09:54,760
00:10:11,200
fabrics, bamboo, all to give depth
and give that luxe feel.
226
00:10:11,200 --> 00:10:14,120
..while team-mate Paul tackles
the lounge...
227
00:10:14,120 --> 00:10:16,920
Wow. My living room.
The view is incredible.
228
00:10:16,920 --> 00:10:18,720
Yeah, it's better
than I actually thought.
229
00:10:18,720 --> 00:10:21,800
These walls are just
00:10:37,200
And then 261 minus 75.
236
00:10:37,200 --> 00:10:41,480
Next door, Micaela is using her
upholstery skills to make an impact
237
00:10:41,480 --> 00:10:43,520
in the living room.
238
00:10:43,520 --> 00:10:45,560
The key feature of this room
is the window,
239
00:10:45,560 --> 00:10:50,520
so I really want my statement piece,
the chaise longue, to bring that
240
00:10:50,520 --> 00:10:53,720
00:11:09,080
I wanted a little bit of me in it,
247
00:11:09,080 --> 00:11:11,400
otherwise, what's the point?
248
00:11:11,400 --> 00:11:13,560
Oh...
249
00:11:13,560 --> 00:11:15,680
It's big. Isn't it?
250
00:11:15,680 --> 00:11:16,800
At the end house,
251
00:11:16,800 --> 00:11:20,760
architect Lynsey is paired
with retail executive Jon.
252
00:11:20,760 --> 00:11:24,160
The curtains come to here
00:11:38,440
the panelling starts to kind of
create that feeling of luxury
259
00:11:38,440 --> 00:11:39,760
and really large windows.
260
00:11:39,760 --> 00:11:41,440
I hadn't realised
there's panelling there.
261
00:11:41,440 --> 00:11:43,880
Yeah, just to frame the piece
00:11:58,160
with loads of different textures
and deep colours.
267
00:11:58,160 --> 00:12:02,760
In the bedroom, Jon's briefing
his decorator on his colour scheme.
268
00:12:02,760 --> 00:12:04,840
This wall here is pink
269
00:12:04,840 --> 00:12:07,920
with a green block
that goes up that wall.
270
00:12:07,920 --> 00:12:11,200
00:12:25,960
276
00:12:27,360 --> 00:12:30,760
My style, I think, is probably
quite theatrical, dramatic.
277
00:12:30,760 --> 00:12:32,400
It creates an opinion
278
00:12:32,400 --> 00:12:34,880
and I like that about interiors.
279
00:12:34,880 --> 00:12:38,680
The thing that influences me
00:12:53,920
I don't think it's too pink.
286
00:12:56,400 --> 00:12:58,200
Yeah, I don't think it's too pink.
287
00:12:58,200 --> 00:13:00,400
I'm owning the pink.
288
00:13:00,400 --> 00:13:03,480
I have got the room divider
coming from this point.
289
00:13:03,480 --> 00:13:06,320
I might need to have a think
about what happens here
290
00:13:06,320 --> 00:13:08,560
00:13:35,600
If I'm coming in the room,
299
00:13:35,600 --> 00:13:38,040
it blocks off me seeing the room.
300
00:13:38,040 --> 00:13:41,040
It's called a room divider,
but it really doesn't block
301
00:13:41,040 --> 00:13:42,640
any of the view into the room
302
00:13:42,640 --> 00:13:45,000
cos it's literally just the frame.
303
00:13:45,000 --> 00:13:46,320
00:14:07,960
In Charlotte's bedroom,
her piece de resistance
311
00:14:07,960 --> 00:14:11,040
will be a navy feature wall
with a 3D art display
312
00:14:11,040 --> 00:14:13,920
made from individual tiles.
313
00:14:13,920 --> 00:14:15,480
If they're all skewwhiff...
314
00:14:15,480 --> 00:14:17,880
I did lay these out at home,
as well, I promise,
315
00:14:17,880 --> 00:14:20,000
but now you're here... Pressure!
316
00:14:20,000 --> 00:14:22,120
00:14:39,120
"It's not for you all the time."
323
00:14:39,120 --> 00:14:40,600
That's the bottom, yeah? Yeah.
324
00:14:40,600 --> 00:14:42,960
Bottom middle. Hoo-hoo!
Exciting. How fun!
325
00:14:45,160 --> 00:14:46,680
Next door...
326
00:14:46,680 --> 00:14:48,440
This is going to be perfect.
327
00:14:48,440 --> 00:14:50,280
..are Mona and Siobhan.
328
00:14:50,280 --> 00:14:53,480
And what I'm thinking with this
00:15:32,680
Like that!
343
00:15:30,440 --> 00:15:32,680
SHE LAUGHS
344
00:15:32,680 --> 00:15:35,240
Looks like I have ordered
the right size.
345
00:15:35,240 --> 00:15:39,520
In the bedroom, Mona's planning to
panel the whole of the back wall.
346
00:15:39,520 --> 00:15:44,320
The wood is cut because I wanted
to make your and my days easier.
347
00:15:44,320 --> 00:15:46,720
00:16:06,640
I'm very confident
that it will work out very well.
355
00:16:07,960 --> 00:16:12,360
Mona works as a set designer
for an Iranian TV company.
356
00:16:12,360 --> 00:16:14,520
My roots are very important to me.
357
00:16:14,520 --> 00:16:16,440
The history and the pattern,
358
00:16:16,440 --> 00:16:19,560
everything is an influence
in my design.
359
00:16:19,560 --> 00:16:21,160
00:16:33,720
It's important...
00:16:56,240
Apparently, it will take longer.
371
00:16:56,240 --> 00:16:58,800
Yeah, let's hope at the end
it's actually what I want.
372
00:16:58,800 --> 00:17:00,920
I really hope
that the outcome is good.
373
00:17:06,720 --> 00:17:09,560
Right, keep your eye open
for this estate.
374
00:17:09,560 --> 00:17:12,080
It doesn't really look like Oxford,
does it?
375
00:17:12,080 --> 00:17:14,320
I mean, I thought Oxford
was like Hogwarts.
376
00:17:14,320 --> 00:17:16,280
Where's the wizards?
Where's the people flying?
377
00:17:16,280 --> 00:17:17,800
Where's the owls?
378
00:17:20,000 --> 00:17:22,840
Oh! I think this will be
the show homes.
379
00:17:22,840 --> 00:17:25,040
Yes, Michelle mentioned a lake.
380
00:17:27,240 --> 00:17:29,840
Time to see how the designers
are getting on.
381
00:17:31,880 --> 00:17:34,880
Oh, hello, Paul, love.
382
00:17:34,880 --> 00:17:38,200
Hello.You decided to do the whole
of the room in the wallpaper.
383
00:17:38,200 --> 00:17:39,840
Why would you do that?
384
00:17:39,840 --> 00:17:42,640
I just think it's time to change
from the feature wall
385
00:17:42,640 --> 00:17:45,120
00:18:02,480
Well, listen, I'll leave you
to your hanging.
394
00:18:02,480 --> 00:18:03,840
I'm glad you like it.Yeah, well,
395
00:18:03,840 --> 00:18:06,280
I don't like the mirrors,
but you can't like everything.
396
00:18:06,280 --> 00:18:07,680
I don't like that shirt, but...
397
00:18:07,680 --> 00:18:10,440
Could maybe make a cushion out of
it.Don't fall off the stepladder!
398
00:18:10,440 --> 00:18:11,840
See you later, Alan!Ugh!
399
00:18:14,520 --> 00:18:16,160
It's the middle of day one...
400
00:18:16,160 --> 00:18:18,160
Oh, gosh, it's getting
some air bubbles in.
401
00:18:20,040 --> 00:18:23,280
Paint and paper
are going up everywhere.
402
00:18:23,280 --> 00:18:25,000
Oh, I REALLY like it.
403
00:18:25,000 --> 00:18:29,120
The way, around the edges, it feels
like it's a framed piece of... Yeah.
404
00:18:30,560 --> 00:18:31,640
Oh!
405
00:18:31,640 --> 00:18:33,440
00:18:52,080
but I want to make sure that,
you know, this is the show stopper.
413
00:18:55,480 --> 00:18:56,960
Next door...
414
00:18:56,960 --> 00:18:59,520
Now, you see, why's that happened?
415
00:18:59,520 --> 00:19:02,360
So, that's a bit pink.
416
00:19:02,360 --> 00:19:05,360
..Amy has a problem with her
custom-mixed paint.
417
00:19:05,360 --> 00:19:06,920
It's too pink.
418
00:19:06,920 --> 00:19:08,120
00:19:24,720
The danger is I don't like it,
Michelle won't like it,
425
00:19:24,720 --> 00:19:27,640
and it won't be a winning room -
that's the danger.
426
00:19:27,640 --> 00:19:29,560
I think we need to kill it
by at least half.
427
00:19:29,560 --> 00:19:33,600
00:20:08,720
Mona?
440
00:20:08,720 --> 00:20:10,080
What's this?
441
00:20:10,080 --> 00:20:12,000
I am making some artwork.
442
00:20:12,000 --> 00:20:13,400
Is that Michelle?
443
00:20:13,400 --> 00:20:15,960
Oh, my God,
you're the first to guess it right!
444
00:20:15,960 --> 00:20:18,560
I thought I recognised
that smile, yes!
445
00:20:18,560 --> 00:20:22,280
And you know what,
I'm going to draw you, live, now.
446
00:20:22,280 --> 00:20:25,520
Oh, please! Be my model.
447
00:20:25,520 --> 00:20:28,040
Oh, naked, naked? 00:21:09,880
But, I'm going to be right up until
the last minute tomorrow, for sure.
463
00:21:09,880 --> 00:21:11,280
Oh, God.
464
00:21:11,280 --> 00:21:14,120
I'm worried that it won't come
together how Barbara wants,
465
00:21:14,120 --> 00:21:17,560
because not too much
has gone up yet,
466
00:21:17,560 --> 00:21:19,760
00:21:42,320
Yeah. Because we were always
going to be in a team.
475
00:21:42,320 --> 00:21:45,520
Yeah. You shouldn't plan too much
if there's not enough...
476
00:21:45,520 --> 00:21:47,160
Yeah, yeah.
477
00:21:48,200 --> 00:21:49,920
With Charlotte distracted,
478
00:21:49,920 --> 00:21:52,800
Jon's taking the opportunity
for a sneaky peek
479
00:21:52,800 --> 00:21:54,600
at the competition.
480
00:21:54,600 --> 00:21:57,240
00:22:14,040
You walk into my room
and, you know, it's...pink.
487
00:22:15,560 --> 00:22:18,480
I'm being true to myself,
and I'm now just questioning
488
00:22:18,480 --> 00:22:20,280
that I haven't done enough
arty stuff.
489
00:22:20,280 --> 00:22:22,360
If we were all the same,
it wouldn't work, would it?
490
00:22:22,360 --> 00:22:24,600
00:22:39,600
For me, it isn't.
It's an expression.
497
00:22:39,600 --> 00:22:42,480
It's just that thing in my head
that keeps saying,
498
00:22:42,480 --> 00:22:44,720
"You didn't do enough,"
499
00:22:44,720 --> 00:22:47,280
and, um, I need to get rid of it.
500
00:22:52,200 --> 00:22:54,120
As day one draws to a close,
501
00:22:54,120 --> 00:22:57,680
some teams are feeling happy
with their progress...
502
00:22:57,680 --> 00:22:59,200
The finish is amazing.
503
00:22:59,200 --> 00:23:01,040
You've got to be pleased
with that, right?
504
00:23:01,040 --> 00:23:03,680
Yeah, I really am.
Absolutely beautiful.
505
00:23:03,680 --> 00:23:06,400
Oh... If only I didn't have
so much left to do.
506
00:23:06,400 --> 00:23:08,320
Oh, my goodness!
507
00:23:08,320 --> 00:23:11,320
00:23:26,960
I am slightly concerned where
we're at at the end of the day,
513
00:23:26,960 --> 00:23:28,400
with the amount of painting.
514
00:23:28,400 --> 00:23:30,800
..while others are feeling
less confident...
515
00:23:32,360 --> 00:23:34,240
I'm not going to swear,
but a lot to do.
516
00:23:34,240 --> 00:23:37,760
It's the prep work that
00:24:01,440
I've got quite a lot of things,
you know, that kind of need doing.
525
00:24:01,440 --> 00:24:04,360
I'm feeling really confident. As you
can see, a few sheets left to do,
526
00:24:04,360 --> 00:24:06,160
and that will be
the whole room complete.
527
00:24:07,600 --> 00:24:09,400
00:24:33,520
Is it like a huge sigh of relief?
536
00:24:33,520 --> 00:24:35,480
Yes. Look at it.
537
00:24:35,480 --> 00:24:38,520
I'm happy that it's actually
finally up.
538
00:24:38,520 --> 00:24:40,880
However, we don't have much time
left.
539
00:24:40,880 --> 00:24:42,760
00:25:02,440
Hi Siobhan. Hiya!
546
00:25:02,440 --> 00:25:05,000
It's a bit hot for yellow leggings.
547
00:25:05,000 --> 00:25:07,320
I just wanted to bring
a bit of colour,
548
00:25:07,320 --> 00:25:09,320
and I've made an error, really,
haven't I?
549
00:25:09,320 --> 00:25:11,640
So, what is this?
This is a pelmet.
550
00:25:11,640 --> 00:25:15,240
OK. So, this is going to be going
00:25:29,120
The last thing you need is me
mincing along, chatting to you.
556
00:25:29,120 --> 00:25:31,040
Shall I leave you to it?
Yes, please.
557
00:25:31,040 --> 00:25:33,600
Good luck, Siobhan.
Thanks, Alan.
558
00:25:33,600 --> 00:25:36,840
Next door,
at Barbara and Charlotte's house,
559
00:25:36,840 --> 00:25:40,360
Barbara's still working on
her custom-built wooden frame.
560
00:25:40,360 --> 00:25:44,200
The purpose of the divider
is to define the seating area.
561
00:25:44,200 --> 00:25:47,560
00:26:05,120
you've got furniture
being made this morning, right?
568
00:26:05,120 --> 00:26:07,800
Yep. When you're painting it,
569
00:26:07,800 --> 00:26:11,360
can I take him to finish off
some of the jobs I've got to do?
570
00:26:11,360 --> 00:26:12,880
Absolutely.
571
00:26:12,880 --> 00:26:15,800
00:26:34,440
Does that mean she's got loads
to do? Still got loads to do,
578
00:26:34,440 --> 00:26:37,440
cos I did all of yours first,
and now I've got to finish on hers.
579
00:26:37,440 --> 00:26:39,840
00:26:54,960
when actually I should be doing
the big build next door.
586
00:26:59,000 --> 00:27:01,720
So, I'm using this fabric here,
but I'm also picking it up
587
00:27:01,720 --> 00:27:05,640
in the cushions as well, just
00:27:24,640
What I didn't want,
595
00:27:24,640 --> 00:27:27,040
when you came in this door,
for it to block the view.
596
00:27:27,040 --> 00:27:28,600
Ooh!
597
00:27:28,600 --> 00:27:30,960
This is a bit different
to how it was before.
598
00:27:32,320 --> 00:27:35,160
00:27:51,440
the cushions
and the bedside table,
605
00:27:51,440 --> 00:27:54,080
so it feels like it's a canopy
over that - so it kind of frames it.
606
00:27:54,080 --> 00:27:56,720
Cool. When I walked into the room,
00:28:02,680
I just want to make sure there's
enough walkway to get through.
609
00:28:02,680 --> 00:28:05,120
What I might do is remove
one of my bedside tables
610
00:28:05,120 --> 00:28:07,040
cos it might be a bit
00:28:20,480
Now it'll just be about
feathering it off
617
00:28:20,480 --> 00:28:23,480
and making sure
it seems more purposeful.
618
00:28:23,480 --> 00:28:27,400
At the boys' house, Peter's
preparing some hand-painted curtains
619
00:28:27,400 --> 00:28:28,760
for his bedroom.
620
00:28:28,760 --> 00:28:30,880
Peter!
621
00:28:30,880 --> 00:28:33,520
Hi.Look at YOU in your dungarees!
622
00:28:33,520 --> 00:28:35,320
What's going on? What is this?
623
00:28:35,320 --> 00:28:36,920
These are Peter's curtains,
624
00:28:36,920 --> 00:28:40,480
so basically, I wanted to embellish
them by putting a border on them.
625
00:28:40,480 --> 00:28:42,920
Normally, you would get another
fabric and sew it on,
626
00:28:42,920 --> 00:28:44,680
but because of budget
and time constraints,
627
00:28:44,680 --> 00:28:46,760
00:29:02,680
but, actually,
he's started painting curtains.
634
00:29:02,680 --> 00:29:06,360
I've never seen the like.
Why would you paint your curtains?
635
00:29:08,680 --> 00:29:10,680
We'll put this one up first.
636
00:29:10,680 --> 00:29:12,760
Next door, good news for Barbara.
637
00:29:12,760 --> 00:29:15,680
Her room divider
is ready to install.
638
00:29:15,680 --> 00:29:17,360
Nice. Looks good.
639
00:29:17,360 --> 00:29:18,960
Then we'll just spike and pin them.
640
00:29:20,960 --> 00:29:24,520
I would hate to have got to this
point and be finished,
641
00:29:24,520 --> 00:29:26,680
00:29:49,440
bringing them up the stairs.
649
00:29:49,440 --> 00:29:50,920
Then I think we're good.
650
00:29:53,280 --> 00:29:57,200
A bed is very, very important.
It's the heart of the bedroom.
651
00:29:57,200 --> 00:29:59,600
The heart of the bedroom.
652
00:29:59,600 --> 00:30:01,680
With Mona's bed finally complete,
653
00:30:01,680 --> 00:30:04,920
she can now focus
on the finishing touches.
654
00:30:04,920 --> 00:30:07,200
Mona, what are you doing?
655
00:30:07,200 --> 00:30:08,880
It's embarrassing!
656
00:30:08,880 --> 00:30:10,360
I'm sweating here.
657
00:30:10,360 --> 00:30:12,360
Your earring's stuck to your face.
658
00:30:12,360 --> 00:30:14,760
You have not seen another woman
sweating like me?
659
00:30:14,760 --> 00:30:17,880
I've never seen a woman sweat,
you're right.
660
00:30:17,880 --> 00:30:21,720
So, listen, have you had time
to do my caricature?
661
00:30:21,720 --> 00:30:22,960
Let's see.
662
00:30:29,120 --> 00:30:31,560
Oh, look! I mean,
it so looks like me,
663
00:30:31,560 --> 00:30:34,280
I might just use it
as my passport photo.
664
00:30:34,280 --> 00:30:36,960
Probably you should.
Put me next to Michelle's.
665
00:30:36,960 --> 00:30:38,640
That's lovely, that is.
666
00:30:38,640 --> 00:30:41,040
You don't like it?
No, I do love it.
667
00:30:41,040 --> 00:30:42,360
It was just a shock.
668
00:30:42,360 --> 00:30:44,880
I mean, I know my teeth are bad,
but they ain't that bad!
669
00:30:44,880 --> 00:30:46,320
THEY LAUGH
670
00:30:48,520 --> 00:30:50,080
It's coming to crunch time,
671
00:30:50,080 --> 00:30:53,320
so I'm just like, I'm all of a bit
of a tither, really.
672
00:30:54,600 --> 00:30:56,280
One hour to go...
673
00:30:57,960 --> 00:30:59,360
I'm getting there.
674
00:30:59,360 --> 00:31:01,920
..and it's a sprint
to the finish line.
675
00:31:01,920 --> 00:31:04,880
Is that bob-on? That's bob-on,
that's where I want it.
676
00:31:04,880 --> 00:31:06,760
Yeah, busy busy.
677
00:31:06,760 --> 00:31:08,280
I'm definitely feeling excited,
678
00:31:08,280 --> 00:31:11,160
because all the things I've been
00:31:19,320
CLATTER!
683
00:31:16,960 --> 00:31:19,320
Oh, my God!
684
00:31:19,320 --> 00:31:22,200
SHE WHISPERS: Oh! I just burnt
a bit of plastic on it.
685
00:31:22,200 --> 00:31:23,760
What do I do?
686
00:31:23,760 --> 00:31:25,320
00:31:54,040
Helping Michelle this week is
guest judge and interiors legend
698
00:31:54,040 --> 00:31:55,760
Laurence Llewelyn-Bowen.
699
00:31:57,360 --> 00:31:59,120
People might think that a show home,
700
00:31:59,120 --> 00:32:01,200
because it's all kind of
a blank canvas,
701
00:32:01,200 --> 00:32:04,120
is maybe an easier challenge,
but it's absolutely not, is it?
702
00:32:04,120 --> 00:32:05,840
00:32:16,880
in comparable spaces.
708
00:32:16,880 --> 00:32:19,200
Each of the spaces
is the same size and shape,
709
00:32:19,200 --> 00:32:23,200
so I'm hoping that we're going
to get a real feeling of surprise
710
00:32:23,200 --> 00:32:25,680
and transition and difference
between each one.
711
00:32:27,880 --> 00:32:30,280
First house to be judged,
Peter and Paul's.
712
00:32:32,320 --> 00:32:34,320
Do you think you'll be finished
in time? Of course.
713
00:32:34,320 --> 00:32:37,040
I'm just fluffing cushions.
We're going to be done. Woo!
714
00:32:37,040 --> 00:32:39,160
Yeah, I think overall
that looks really, really nice.
715
00:32:39,160 --> 00:32:41,120
I'm going to concentrate now
00:33:02,520
in papering all the four walls.
722
00:33:04,880 --> 00:33:09,000
Well, this is a transformation
from a white box, isn't it?
723
00:33:09,000 --> 00:33:11,080
I'm quite excited
by this colour palette.
724
00:33:11,080 --> 00:33:13,760
It's warming.
It's quite masculine, isn't it?
725
00:33:13,760 --> 00:33:15,520
00:33:30,320
but he's kind of mixed
his metaphors a little.
732
00:33:30,320 --> 00:33:32,840
I don't like the wallpaper choice
at all.
733
00:33:32,840 --> 00:33:36,000
I think that it is quite
overpowering for the space.
734
00:33:36,000 --> 00:33:38,360
00:33:54,160
I think that would have just
lightened it a bit.
740
00:33:54,160 --> 00:33:56,040
The winner, winner, chicken dinner
741
00:33:56,040 --> 00:33:57,760
in here has to be the photograph.
742
00:33:57,760 --> 00:33:59,240
Would you not do that?
743
00:33:59,240 --> 00:34:01,480
I mean, actually,
00:34:25,600
I'm very confident, therefore,
if I did end up in the bottom two,
750
00:34:25,600 --> 00:34:28,120
I would have more questions for them
than they would have for me,
751
00:34:28,120 --> 00:34:29,560
I think.
752
00:34:29,560 --> 00:34:33,040
One of my favourite things is
00:34:39,440
You start with the wall finishes,
the texture, the layering.
755
00:34:40,480 --> 00:34:41,680
And I love that.
756
00:34:41,680 --> 00:34:43,480
I think there's too much design
in here.
757
00:34:43,480 --> 00:34:46,360
00:34:56,280
cos I'm standing in front of it.
763
00:34:56,280 --> 00:34:59,880
We've got a whole corridor of smears
going down there!
764
00:34:59,880 --> 00:35:02,680
The window treatment
lets the room down.
765
00:35:02,680 --> 00:35:04,680
Nice idea with the curtains.
766
00:35:04,680 --> 00:35:07,120
There's no authority
00:35:24,000
So annoying. Need to find a way
of getting rid of these wires.
773
00:35:24,000 --> 00:35:26,720
Next to face the judges,
Micaela and Amy.
774
00:35:28,240 --> 00:35:30,000
I'm unbelievably nervous.
775
00:35:30,000 --> 00:35:32,800
It's tough to know
whether you've done enough.
776
00:35:32,800 --> 00:35:36,160
00:35:57,480
so I'm really proud
of what I've done,
783
00:35:57,480 --> 00:36:01,240
but it's difficult with a show home,
you've pared back your design a bit.
784
00:36:01,240 --> 00:36:02,960
I don't think I've played it safe.
785
00:36:04,360 --> 00:36:06,360
I love the way
that it's been decorated.
786
00:36:06,360 --> 00:36:10,600
00:36:20,800
What's let it down
791
00:36:20,800 --> 00:36:24,120
is her understanding
of how you design a room.
792
00:36:24,120 --> 00:36:26,000
Not enough analysis
793
00:36:26,000 --> 00:36:29,320
of how an ordinary family
would use this room.
794
00:36:29,320 --> 00:36:32,520
Fine, if actually all your family
00:36:49,160
the soft-scaping,
can pull her through.
801
00:36:52,360 --> 00:36:56,160
So much of my heart and soul
has gone into that room,
802
00:36:56,160 --> 00:37:00,840
and I totally understand that some
people will just not like my scheme.
803
00:37:00,840 --> 00:37:03,680
I'm just hoping Michelle and
00:37:34,520
so, black light fitting,
black table.
815
00:37:34,520 --> 00:37:37,000
This is good.
816
00:37:37,000 --> 00:37:38,840
Barbara!
817
00:37:38,840 --> 00:37:42,200
You're taking some pretty
intense angles right now.
818
00:37:42,200 --> 00:37:45,960
For Charlotte and Barbara,
it's a race against time.
819
00:37:45,960 --> 00:37:49,240
Barbara! Where's Wayne?
00:38:07,680
Absolutely exhausted.
826
00:38:07,680 --> 00:38:11,400
I mean, I cannot believe
how much I managed to get done,
827
00:38:11,400 --> 00:38:14,200
but it makes me think if I do get
through to the next stage,
828
00:38:14,200 --> 00:38:15,800
I'm going to have to rethink.
829
00:38:15,800 --> 00:38:17,880
I'm going to have to really learn
00:38:35,400
And it distracts away
from the cleverness
837
00:38:35,400 --> 00:38:37,280
of the colour blocking.
838
00:38:37,280 --> 00:38:41,280
I mean, that is such an ingenious
thing to do in the corner of a room
839
00:38:41,280 --> 00:38:44,720
because it feels as if your eye
is going up into a stairwell.
840
00:38:44,720 --> 00:38:47,960
00:39:08,680
Mine's different to everyone else's
847
00:39:08,680 --> 00:39:10,360
because I deliberately wanted it
848
00:39:10,360 --> 00:39:13,920
to be a really calm and serene place
that felt luxurious.
849
00:39:13,920 --> 00:39:16,360
I went for that more simplistic
look.
850
00:39:18,280 --> 00:39:21,320
Oh... I've found one of the things
00:39:39,680
we have come from this explosion
of design next door,
857
00:39:39,680 --> 00:39:42,800
and now we're in a space where
it just feels very, very redacted,
858
00:39:42,800 --> 00:39:44,280
it feels very pulled back.
859
00:39:44,280 --> 00:39:50,000
And there is a tailored restraint
and serenity to what she's done
860
00:39:50,000 --> 00:39:54,080
00:40:06,520
00:40:22,360
and the bed in front of it,
brilliant.
870
00:40:22,360 --> 00:40:23,720
Love it. Absolutely genius.
871
00:40:23,720 --> 00:40:27,200
And the casting of the shadows...
Unbelievable. Very Instagram.
872
00:40:27,200 --> 00:40:30,520
But she has just then forgotten,
00:40:46,760
Mona's made a last-minute decision -
880
00:40:46,760 --> 00:40:48,800
she's binning the curtains.
881
00:40:48,800 --> 00:40:52,160
It IS a risk because
everybody is expecting curtains
882
00:40:52,160 --> 00:40:55,080
and it's not a risk
because I am true to myself.
883
00:40:55,080 --> 00:40:57,640
I stay to my style,
00:41:10,080
This is how a creative brain works.
889
00:41:10,080 --> 00:41:12,160
OK, yeah, I make it work.
890
00:41:19,160 --> 00:41:21,640
I've never really been judged
before because I've always just
891
00:41:21,640 --> 00:41:24,800
kind of done my own house,
so I'm the judge of that.
892
00:41:24,800 --> 00:41:26,640
Yeah, I think I've nailed it,
00:41:46,120
really rather
pleasant.
900
00:41:46,120 --> 00:41:49,800
I like that I've got this lovely
grey mushroomy colour behind me.
901
00:41:49,800 --> 00:41:52,520
There's lots of elements
of extra style,
902
00:41:52,520 --> 00:41:56,240
but it's when I actually
then dive into that style,
903
00:41:56,240 --> 00:41:59,040
00:42:15,760
with what is an incredibly urban,
909
00:42:15,760 --> 00:42:18,600
very, very metropolitan
way of decorating?
910
00:42:18,600 --> 00:42:20,960
Does it work as a room
in a show home?
911
00:42:20,960 --> 00:42:22,480
Interesting point.
912
00:42:26,960 --> 00:42:29,280
I'm happy it's done - "good" done,
913
00:42:29,280 --> 00:42:32,120
00:42:51,280
Mona is the first person we've seen
so far to completely change the bed,
920
00:42:51,280 --> 00:42:53,040
but I can't help wondering why?
921
00:42:53,040 --> 00:42:55,840
Like, if you're going to do
this big chunky panelled wall,
922
00:42:55,840 --> 00:42:58,840
00:43:13,000
So I've just moved the bed
a millimetre.
928
00:43:13,000 --> 00:43:14,600
HE CHUCKLES
929
00:43:14,600 --> 00:43:17,320
Last pair to be judged,
930
00:43:17,320 --> 00:43:18,600
Jon and Lynsey.
931
00:43:19,640 --> 00:43:21,320
I've just made that worse,
haven't I?
932
00:43:21,320 --> 00:43:22,600
No.
933
00:43:22,600 --> 00:43:25,640
I think the past two days have felt
00:43:51,160
something that you can't do
yourself.
941
00:43:53,720 --> 00:43:56,440
Gosh. Oh, my.
There's an enormous amount
942
00:43:56,440 --> 00:43:58,600
of design bang for the buck in here,
isn't there?
943
00:43:58,600 --> 00:44:02,640
00:44:14,400
successful, because
it's focusing your attention,
948
00:44:14,400 --> 00:44:17,120
compelling you
to look out at the view.
949
00:44:17,120 --> 00:44:20,080
A tight palette,
a touch dark for me.
950
00:44:20,080 --> 00:44:24,000
00:44:37,080
and she's pulled it off well.
956
00:44:40,720 --> 00:44:43,360
JON: I'm really pleased
with my room and what I've done.
957
00:44:43,360 --> 00:44:45,560
I've learned a lot about myself,
I've learned a lot
958
00:44:45,560 --> 00:44:47,960
about what I'm capable of.
00:45:05,720
I think he's shown you
what you can do
967
00:45:05,720 --> 00:45:08,040
with some very, very simple moves,
968
00:45:08,040 --> 00:45:10,640
because we've seen kind
of really full-on treatments
969
00:45:10,640 --> 00:45:13,800
behind the bed and panelling
and lighting,
970
00:45:13,800 --> 00:45:18,960
00:45:31,720
You know, you look at Jon,
you would never know that
976
00:45:31,720 --> 00:45:35,080
underneath Jon beats this heart
of Joan Collins.
977
00:45:35,080 --> 00:45:38,360
He's restrained himself with this
albeit quite bonkers wallpaper,
978
00:45:38,360 --> 00:45:41,000
00:45:53,520
Before the teams return
to the design studio,
983
00:45:53,520 --> 00:45:57,360
there's time for a snoop around
each other's show homes.
984
00:45:57,360 --> 00:45:59,000
Oh, my God!
985
00:45:59,000 --> 00:46:00,800
I can see Siobhan in here.
986
00:46:00,800 --> 00:46:02,640
SHE GASPS
987
00:46:03,840 --> 00:46:05,480
Oh, wow.
988
00:46:05,480 --> 00:46:07,560
This is next level.
989
00:46:07,560 --> 00:46:09,160
Oh... Oh!
990
00:46:09,160 --> 00:46:10,800
This feels quite Moroccan to me.
991
00:46:10,800 --> 00:46:14,000
00:46:31,840
It has made me more nervous.
1001
00:46:31,840 --> 00:46:33,560
Oh, my God.
1002
00:46:33,560 --> 00:46:36,480
Oh, my goodness.
This is absolutely...
1003
00:46:36,480 --> 00:46:38,760
Oh, my...
1004
00:46:36,480 --> 00:46:38,760
SHE GASPS
1005
00:46:38,760 --> 00:46:41,200
Wow! I think looking at this,
1006
00:46:41,200 --> 00:46:43,680
mine just seems quite plain.
1007
00:46:43,680 --> 00:46:47,040
00:47:00,880
It's like a show home.
1013
00:47:00,880 --> 00:47:02,200
It's... It's perfect.
1014
00:47:06,040 --> 00:47:10,000
With a life-changing contract
at stake, the designers meet back
1015
00:47:10,000 --> 00:47:11,840
at Michelle's studio.
1016
00:47:12,840 --> 00:47:15,040
Time for Michelle to make her final
decision
1017
00:47:15,040 --> 00:47:19,480
on which designer will stay,
and who will be going home.
1018
00:47:19,480 --> 00:47:22,320
I'm feeling pretty nervous
today, actually.
1019
00:47:22,320 --> 00:47:25,080
00:47:44,240
didn't want to push too far.
1027
00:47:44,240 --> 00:47:47,480
And that might be a little bit
of a regret for me.
1028
00:47:48,880 --> 00:47:50,360
Hello, everyone!
1029
00:47:50,360 --> 00:47:52,560
Why are you looking so nervous?
1030
00:47:52,560 --> 00:47:54,000
DESIGNERS LAUGH
1031
00:47:54,000 --> 00:47:56,920
Just cut the atmosphere -
duh-duh-duh-duh-duh!
1032
00:47:56,920 --> 00:47:59,840
Michelle and
Laurence were really impressed
1033
00:47:59,840 --> 00:48:02,000
with some of the designs they saw.
1034
00:48:02,000 --> 00:48:05,800
They felt some rooms in particular
really met the brief.
1035
00:48:05,800 --> 00:48:09,320
These rooms were sophisticated
and they were really on point
1036
00:48:09,320 --> 00:48:11,600
with what the client wanted.
1037
00:48:11,600 --> 00:48:15,480
Now, Jon, Michelle loved your
simple but super-effective
1038
00:48:15,480 --> 00:48:18,720
use of colour and pattern.
So, well done, Jon. Thank you.
1039
00:48:19,880 --> 00:48:24,800
And Micaela, Michelle loved your mix
of materials, but she felt sometimes
1040
00:48:24,800 --> 00:48:28,760
you've got to just stand back and
look at the bigger picture. 00:49:28,160
I'm so sorry for you. This must be
soul-destroying for you,
1054
00:49:28,160 --> 00:49:30,640
because I know how much effort
you put into it.
1055
00:49:30,640 --> 00:49:33,400
Michelle's going to have a chat
with you and talk about
1056
00:49:33,400 --> 00:49:35,240
why it went wrong.
1057
00:49:35,240 --> 00:49:38,600
And then, sadly,
one of you will be going home.
1058
00:49:38,600 --> 00:49:40,480
Good luck. Thank you.
1059
00:49:43,960 --> 00:49:46,160
QUIETLY: Oh, God.
00:50:02,880
So all the people that sort of
fitted in the middle,
1066
00:50:02,880 --> 00:50:05,680
they're through. The people on
either end, it's like,
1067
00:50:05,680 --> 00:50:08,000
"You went too far.
You didn't give me enough."
1068
00:50:08,000 --> 00:50:10,840
I'm very surprised that you two...
1069
00:50:10,840 --> 00:50:12,320
00:50:30,000
And did you like the partition?
The partition was unnecessary.
1077
00:50:30,000 --> 00:50:32,760
I liked the partition! Cos then
she created that little space.
1078
00:50:32,760 --> 00:50:34,400
She'd done that anyway with colour.
1079
00:50:34,400 --> 00:50:37,520
It was much, much cleverer
than that kind of rather flimsy
1080
00:50:37,520 --> 00:50:40,480
00:50:51,040
Now, Charlotte's room, I'm not going
to lie,
1085
00:50:51,040 --> 00:50:53,520
every time I walked along
those row of houses,
1086
00:50:53,520 --> 00:50:55,600
she was sitting on the drive.
1087
00:50:55,600 --> 00:50:57,480
Well, I think
that's really interesting
1088
00:50:57,480 --> 00:50:59,920
because we loved her artwork.
Oh, yeah.
1089
00:50:59,920 --> 00:51:02,440
But I'd like to know
what Charlotte was doing.
1090
00:51:02,440 --> 00:51:03,920
You all right? I'm OK.
1091
00:51:03,920 --> 00:51:06,480
The competition was just so tough,
00:51:14,920
And then you kind of question
yourself
1095
00:51:14,920 --> 00:51:16,640
a little bit, don't you? So...
1096
00:51:16,640 --> 00:51:18,120
What about Siobhan?
1097
00:51:18,120 --> 00:51:20,600
00:51:37,920
Was it deliberate or did she forget,
1105
00:51:37,920 --> 00:51:40,280
or did she just not think
it was important?
1106
00:51:47,320 --> 00:51:50,640
Now, I know this is probably not
where you want to be, challenge one,
1107
00:51:50,640 --> 00:51:53,840
you're in here in my office,
00:52:13,000
Siobhan, I'd like to start with you.
1114
00:52:13,000 --> 00:52:15,960
You love Art Deco and the '20s.
1115
00:52:15,960 --> 00:52:20,000
How was that appropriate
for a very contemporary show home?
1116
00:52:20,000 --> 00:52:23,440
I kind of went down the route of
a bit, like, glamorous,
1117
00:52:23,440 --> 00:52:24,800
like, luxurious.
1118
00:52:24,800 --> 00:52:28,800
00:52:41,920
A room in a show home
has to be a commercial experience.
1124
00:52:41,920 --> 00:52:43,920
You have to know when to stop.
1125
00:52:43,920 --> 00:52:48,480
It's about you having the confidence
to step back sometimes
1126
00:52:48,480 --> 00:52:53,680
from your style, but just sneak
it in in a much more stealthy way.
1127
00:52:55,560 --> 00:52:59,160
00:53:15,120
Not just anyone could do. Mm.
But it's drama -
1133
00:53:15,120 --> 00:53:17,840
the right word.
Was drama in the brief?
1134
00:53:17,840 --> 00:53:20,320
Drama wasn't.
But, yeah, you're right.
1135
00:53:20,320 --> 00:53:26,200
00:53:40,360
I think, really, ultimately,
I should have pulled back on some
1141
00:53:40,360 --> 00:53:43,040
elements,
specifically for show homes.
1142
00:53:44,200 --> 00:53:47,720
Mona, you were the only person
that was brave enough
1143
00:53:47,720 --> 00:53:50,040
00:54:07,520
My gut was like, "I just make it
because it's expected."
1149
00:54:07,520 --> 00:54:09,720
You could have left
the curtains open.
1150
00:54:09,720 --> 00:54:13,080
I mean, the key word to me there
is the expectation for a show
1151
00:54:13,080 --> 00:54:14,480
home is that it has curtains.
1152
00:54:14,480 --> 00:54:17,560
00:54:32,120
Start on the patches,
start on the patches.
1158
00:54:32,120 --> 00:54:35,440
One of the things
that interior design has to prove
1159
00:54:35,440 --> 00:54:39,560
to itself is its practicality.
Do you think you delivered that?
1160
00:54:39,560 --> 00:54:42,920
Normally when I do a design,
which would be normally for
1161
00:54:42,920 --> 00:54:47,600
00:55:08,480
painted a wall, and then
just stopped.
1167
00:55:08,480 --> 00:55:11,280
My room being a more simple, calm
space
1168
00:55:11,280 --> 00:55:14,040
was a conscious, deliberate
choice.
1169
00:55:14,040 --> 00:55:17,320
00:55:30,240
So when I walked straight
into your room, I did not
1175
00:55:30,240 --> 00:55:32,840
see your spectacular feature wall.
1176
00:55:32,840 --> 00:55:37,040
I saw the side of a really boring
chest of drawers.
1177
00:55:37,040 --> 00:55:38,800
Mm-hm. Was that deliberate?
1178
00:55:38,800 --> 00:55:40,960
00:55:54,760
But I think I was just hot
and I just... That's not a reason.
1184
00:55:54,760 --> 00:55:56,200
Have you done show homes before?
1185
00:55:56,200 --> 00:55:58,360
No, I've never done a full room.
1186
00:55:58,360 --> 00:56:01,640
What? Well, I think that that is
quite telling.
1187
00:56:01,640 --> 00:56:05,720
00:56:25,120
to do something magnificent.
1193
00:56:27,960 --> 00:56:30,320
So, Siobhan and Barbara,
you can breathe easy.
1194
00:56:30,320 --> 00:56:31,480
You get to stay.
1195
00:56:33,560 --> 00:56:35,560
Charlotte and Mona...
1196
00:56:35,560 --> 00:56:38,120
Charlotte, you've given me a very
00:57:04,600
However, Charlotte, what you did do
showed me great quality.
1202
00:57:06,360 --> 00:57:09,760
So you get to stay and, sadly, Mona,
you're going to go home this week.
1203
00:57:09,760 --> 00:57:10,800
OK.
1204
00:57:12,920 --> 00:57:14,440
Mona, it's just the beginning.
1205
00:57:14,440 --> 00:57:17,560
You're brilliant, you've got
so much energy. Bye, guys.
1206
00:57:20,720 --> 00:57:23,080
00:57:40,960
Losing against all these other nine
designers is just an honour.
1213
00:57:40,960 --> 00:57:46,000
Like, at least I have lost against
them because they're all so amazing.
1214
00:57:46,000 --> 00:57:49,600
I knew that I made a bold decision
to not go with a curtain.
1215
00:57:49,600 --> 00:57:51,200
00:58:08,880
Oh, it looks amazing.
It looks so nice!
1221
00:58:08,880 --> 00:58:11,160
..it's back to work... Ooh!
1222
00:58:11,160 --> 00:58:14,200
..to transform office space...
1223
00:58:14,200 --> 00:58:16,440
..in the capital.
1224
00:58:16,440 --> 00:58:18,800
We're building Wembley Stadium
about here.
1225
00:58:18,800 --> 00:58:20,120
No!
1226
00:58:20,120 --> 00:58:22,840
I'm ready to see you now!
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