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These are the user uploaded subtitles that are being translated: 1 00:00:02,620 --> 00:00:05,353 ♪ WELL, I'M NOT THE KIND TO KISS AND TELL ♪ 2 00:00:05,422 --> 00:00:08,207 ♪ BUT I'VE BEEN SEEN WITH FARRAH ♪ 3 00:00:08,275 --> 00:00:10,843 ♪ I'VE NEVER BEEN WITH ANYTHING LESS ♪ 4 00:00:10,911 --> 00:00:13,629 ♪ THAN A NINE SO FINE ♪ 5 00:00:13,697 --> 00:00:16,515 ♪ I'VE BEEN ON FIRE WITH SALLY FIELD ♪ 6 00:00:16,583 --> 00:00:19,518 ♪ GONE FAST WITH A GIRL NAMED BO ♪ 7 00:00:19,586 --> 00:00:23,672 ♪ BUT SOMEHOW THEY JUST DON'T END UP AS MINE ♪ 8 00:00:23,741 --> 00:00:27,426 ♪ IT'S A DEATH-DEFYIN' LIFE I LEAD ♪ 9 00:00:27,494 --> 00:00:29,878 ♪ I TAKE MY CHANCES ♪ 10 00:00:29,946 --> 00:00:33,047 ♪ I DIE FOR A LIVIN' IN THE MOVIES AND TV ♪ 11 00:00:34,902 --> 00:00:37,502 ♪ BUT THE HARDEST THING I EVER DO ♪ 12 00:00:37,571 --> 00:00:40,905 ♪ IS WATCH MY LEADING LADIES ♪ 13 00:00:40,958 --> 00:00:45,427 ♪ KISS SOME OTHER GUY WHILE I'M BANDAGIN' MY KNEE ♪ 14 00:00:45,496 --> 00:00:48,213 ♪ I MIGHT FALL FROM A TALL BUILDIN' ♪ 15 00:00:48,282 --> 00:00:51,283 ♪ I MIGHT ROLL A BRAND-NEW CAR ♪ 16 00:00:51,352 --> 00:00:53,869 ♪ 'CAUSE I'M THE UNKNOWN STUNTMAN ♪ 17 00:00:53,938 --> 00:00:56,904 ♪ THAT MADE REDFORD SUCH A STAR ♪ 18 00:00:56,973 --> 00:00:59,991 ♪♪ 19 00:01:03,514 --> 00:01:06,448 ♪ I'VE NEVER SPENT MUCH TIME IN SCHOOL ♪ 20 00:01:06,516 --> 00:01:09,367 ♪ BUT I'VE TAUGHT LADIES PLENTY ♪ 21 00:01:09,436 --> 00:01:12,804 ♪ IT'S TRUE I HIRE MY BODY OUT FOR PAY ♪ 22 00:01:12,873 --> 00:01:14,556 ♪ HEY, HEY ♪ 23 00:01:14,624 --> 00:01:17,559 ♪ I'VE GOTTEN BURNED OVER CHERYL TIEGS ♪ 24 00:01:17,628 --> 00:01:20,195 ♪ BLOWN UP FOR RAQUEL WELCH ♪ 25 00:01:20,264 --> 00:01:24,132 ♪ BUT WHEN I WIND UP IN THE HAY, IT'S ONLY HAY ♪ 26 00:01:24,201 --> 00:01:25,567 ♪ HEY, HEY ♪ 27 00:01:25,635 --> 00:01:28,636 ♪ I MIGHT JUMP AN OPEN DRAWBRIDGE ♪ 28 00:01:28,705 --> 00:01:30,438 ♪ OR TARZAN FROM A VINE ♪ 29 00:01:30,507 --> 00:01:32,941 ♪ 'CAUSE I'M THE UNKNOWN STUNTMAN ♪ 30 00:01:33,010 --> 00:01:36,678 ♪ THAT MAKES EASTWOOD LOOK SO FINE ♪♪ 31 00:01:51,028 --> 00:01:54,296 THIS IS THE STORY OF ONE OF AMERICA'S GREAT UNSUNG HEROES. 32 00:01:54,365 --> 00:01:58,082 I MEAN, YOU'VE SEEN HIM, BUT YOU NEVER KNEW WHO HE WAS. 33 00:01:58,151 --> 00:02:00,418 YOU'VE CHEERED FOR HIM AND CRIED FOR HIM, 34 00:02:00,487 --> 00:02:03,655 WOMEN HAVE WANTED TO DIE FOR HIM. 35 00:02:03,723 --> 00:02:07,943 BUT DID HE EVER GET ANY CREDIT? OR THE GIRL? NO. 36 00:02:08,012 --> 00:02:10,028 HE WAS WHAT WE CALL A STUNTMAN. 37 00:02:10,097 --> 00:02:12,798 AND THE REASON I'M TALKIN' SO FONDLY ABOUT HIM IS... 38 00:02:12,867 --> 00:02:14,967 WELL, BECAUSE IT'S ME, COLT SEAVERS. 39 00:02:15,035 --> 00:02:18,520 ANYWAY, PICTURE WORK ISN'T WALL-TO-WALL EMPLOYMENT. 40 00:02:18,588 --> 00:02:22,274 SO MAYBE YOU WONDER HOW A GUY KEEPS HIS HEAD TOGETHER. 41 00:02:22,342 --> 00:02:24,843 WELL, ONE WAY IS TO WAIT BY THE PHONE... 42 00:02:24,912 --> 00:02:27,546 AND WAIT... AND WAIT. 43 00:02:27,615 --> 00:02:30,332 THE OTHER IS TO TAKE AN OCCASIONAL JOB FOR THE COURT SYSTEM... 44 00:02:30,401 --> 00:02:32,500 OF THE UNITED STATES OF AMERICA, 45 00:02:32,569 --> 00:02:35,503 WHERE A MAN IS CONSIDERED INNOCENT UNTIL PROVEN GUILTY. 46 00:02:35,572 --> 00:02:38,840 UNFORTUNATELY, SOMETIMES A LOT OF THESE PEOPLE... 47 00:02:38,909 --> 00:02:42,127 GET OUT OF JAIL ON WHAT WE CALL BAIL. 48 00:02:42,195 --> 00:02:44,830 AND THEY RUN LIKE HELL. 49 00:02:44,899 --> 00:02:49,217 THAT'S WHERE I COME IN. I SOMETIMES PICK UP RENT MONEY TRYIN' TO FIND THEM... 50 00:02:49,286 --> 00:02:51,135 AND BRING THEM BACK TO JUSTICE. 51 00:02:51,204 --> 00:02:54,723 OKAY, WE'RE ROLLING. COME ON, COLT. 52 00:02:54,792 --> 00:02:58,727 THIS PARTICULAR DAY, I WAS DOIN' A JUMP THAT I SAID COULDN'T BE DONE... 53 00:02:58,796 --> 00:03:00,728 AND I WAS RIGHT. 54 00:03:31,611 --> 00:03:35,113 COLT, YOU CHICKENED OUT. AFRAID TO TAKE THE CHANCE? 55 00:03:35,181 --> 00:03:38,850 GOT NOTHIN' TO DO WITH CHANCE. IT'S A SURE THING NO WAY THAT GAG CAN BE DONE. 56 00:03:38,918 --> 00:03:42,020 OH, YEAH? JASON HERE SAYS IT CAN. YEAH? 57 00:03:42,089 --> 00:03:44,172 YOU KNOW HE'S GOT A PIN IN HIS HIP. 58 00:03:44,241 --> 00:03:46,207 YEAH, FROM ANOTHER GAG HE WAS SURE OF. 59 00:03:46,276 --> 00:03:49,193 I'LL DO IT. NO, YOU WON'T. I WILL. 60 00:03:49,262 --> 00:03:51,342 WHAT ARE YOU, A BUNCH OF IDIOTS? I TOLD YOU BEFORE... 61 00:03:51,398 --> 00:03:54,516 THERE'S NO WAY TO MAKE THAT JUMP IN THAT CAR WITHOUT KILLING YOURSELF. 62 00:03:54,584 --> 00:03:56,663 I KNOW I CAN. I SHOULD HAVE FIRST CRACK AT IT. 63 00:03:56,687 --> 00:04:00,939 THIS IS YOUR DEPARTMENT. I DON'T CARE WHO DOES IT, AS LONG AS IT GETS DONE. 64 00:04:01,007 --> 00:04:03,308 ALL RIGHT. WE'VE LOST THE SUN FOR TODAY. 65 00:04:03,377 --> 00:04:05,855 WE'LL GO WITH IT FIRST THING IN THE MORNING. I'LL BE READY. 66 00:04:05,879 --> 00:04:07,979 YOU OWE IT TO ME, COLT. WHY? 67 00:04:08,048 --> 00:04:10,699 YOU NEVER DID ANYTHING THAT BAD TO ME. 68 00:04:27,334 --> 00:04:29,901 MAY I HELP YOU, MISS? OH, I HOPE SO. 69 00:04:29,970 --> 00:04:32,838 I NEED SOME VERY SPECIAL JEWELRY. 70 00:04:32,906 --> 00:04:36,557 SOMETHING TO GO WITH THE COAT? THAT WOULD BE ON THE SECOND FLOOR. 71 00:04:36,626 --> 00:04:39,478 OH, NO. TO GO WITH THIS. 72 00:04:39,546 --> 00:04:44,115 YOU SEE, THEY WANT ME FOR ANOTHER CENTERFOLD SHOWING EVERYTHING... 73 00:04:44,184 --> 00:04:46,268 WELL, ALMOST EVERYTHING. 74 00:04:46,336 --> 00:04:49,488 THE ALMOST NEEDS TO BE COVERED WITH THE EXPENSIVE JEWELS. 75 00:04:49,556 --> 00:04:53,075 YOU GET IT? ALL THAT GLITTERS... 76 00:05:06,774 --> 00:05:08,807 MISS HOLIDAY? YES? 77 00:05:08,875 --> 00:05:10,975 SAMANTHA JACK. HI. 78 00:05:11,044 --> 00:05:13,844 YOUR BAIL HAS BEEN PAID. NOW OFF YOU GO. FREE AS A BIRD. 79 00:05:13,880 --> 00:05:15,980 JUST AS LONG AS YOU DON'T TRY AND FLY AWAY. 80 00:05:16,049 --> 00:05:19,718 I TOLD YOU I WAS INNOCENT. LOOK, SWEETIE, DOESN'T MATTER ONE WAY OR THE OTHER. 81 00:05:19,787 --> 00:05:21,885 I'VE SEEN THE GUILTY STAY AND FIGHT IT OUT IN 82 00:05:21,909 --> 00:05:24,172 COURT, AND I'VE SEEN THE INNOCENT PANIC AND RUN. 83 00:05:24,241 --> 00:05:26,608 YOU NEVER KNOW. 84 00:05:26,676 --> 00:05:29,111 YEAH. WELL, THANKS. 85 00:05:29,179 --> 00:05:32,047 YOU'RE WELCOME. 86 00:05:32,115 --> 00:05:34,516 HI, KAY. 87 00:05:34,585 --> 00:05:36,684 SORRY ABOUT THAT. JUST DOING MY JOB. 88 00:05:36,753 --> 00:05:38,886 AS WELL YOU SHOULD, BIG JACK. 89 00:05:38,955 --> 00:05:41,906 I THOUGHT YOUR COMPANY INSURED THE JEWELS. 90 00:05:41,975 --> 00:05:46,561 OH, THEY DID. BUT MORE IMPORTANT THAN THE MONEY MY COMPANY MIGHT LOSE, 91 00:05:46,629 --> 00:05:48,749 THE DEMOCRATIC PROCESS MUST BE SERVED. 92 00:05:48,816 --> 00:05:50,877 THAT WOMAN IS INNOCENT UNTIL PROVEN GUILTY. 93 00:05:50,901 --> 00:05:52,945 SHE HAS THE RIGHT TO BE FREE ON BAIL. 94 00:05:52,969 --> 00:05:55,319 HELLO. ARE YOU THE KAY FAULKNER THAT I KNOW? 95 00:05:55,388 --> 00:05:57,028 AS I LIVE AND BREATHE. I THOUGHT YOUR COMPANY 96 00:05:57,052 --> 00:05:58,568 WOULD BE STUCK FOR THREE MILLION DOLLARS. 97 00:05:58,592 --> 00:06:00,592 THEY MIGHT BE. 98 00:06:00,661 --> 00:06:06,598 BUT I HAVE SEEN YOU FIGHT LIKE A BARRACUDA OVER A $1,000 RECOVERY. 99 00:06:06,667 --> 00:06:12,053 WHY ARE YOU SO CALM? OH, I'VE BEEN READING A LOT ABOUT BLOOD PRESSURE. 100 00:06:12,122 --> 00:06:14,489 IT'S DEVASTATING STUFF. 101 00:06:14,557 --> 00:06:18,559 OH. WATCH YOURSELF, BIG JACK. 102 00:06:23,333 --> 00:06:25,700 WE'RE READY AT THIS END, COLT. HOW ARE YOU? 103 00:06:25,768 --> 00:06:28,169 ALL SET DOWN HERE. 104 00:06:28,238 --> 00:06:31,358 ALL RIGHT THEN. LET'S DO IT. OKAY, GUYS, MAKE IT HAPPEN. 105 00:06:36,079 --> 00:06:38,446 ROLLING! VERY QUIET, PLEASE. TAKE! 106 00:06:39,816 --> 00:06:41,849 COLT'S NOT TRYING THAT GAG, IS HE? 107 00:06:41,918 --> 00:06:43,963 YEAH, HE'S SETTING UP FOR IT RIGHT NOW. 108 00:06:43,987 --> 00:06:46,099 BUT HE SAID IT WAS IMPOSSIBLE. DON'T WORRY ABOUT, COLT. 109 00:06:46,123 --> 00:06:48,423 HERE HE COMES, DOUG. 110 00:06:51,195 --> 00:06:54,929 THAT'S SUICIDE. YOU GOTTA STOP HIM! HE'LL MAKE IT. HE'LL MAKE IT. 111 00:07:20,673 --> 00:07:23,407 COLT! OH, MY GOD. 112 00:07:23,476 --> 00:07:26,127 JODY, I'M SORRY. I'M SO SORRY. 113 00:07:26,196 --> 00:07:30,431 YEAH, A WHOLE LOT OF GOOD IT'S GONNA DO HIM NOW! 114 00:07:30,500 --> 00:07:33,313 YEAH, IT WILL. A MAN ALWAYS LEARNS FROM EXPERIENCE. 115 00:07:33,337 --> 00:07:36,404 - IT CAN'T BE YOU. - JODY, HOW MANY TIMES HAVE I TOLD YOU, 116 00:07:36,472 --> 00:07:39,273 - THERE ARE NO GHOSTS? - WHO'S IN THE CAR? 117 00:07:39,342 --> 00:07:42,143 REMOTE CONTROL. WE RIGGED IT LAST NIGHT. 118 00:07:42,212 --> 00:07:45,613 COLT, YOU HAD NO RIGHT TO DO THAT TO US! 119 00:07:45,682 --> 00:07:47,744 WELL, CONSIDER MY ALTERNATIVE. 120 00:07:47,768 --> 00:07:50,251 EITHER ONE OF THESE KIDS OR ME DOWN THERE WITH THAT CAR. 121 00:07:50,320 --> 00:07:54,956 OH, GREAT. NOW EVEN IF I WANTED TO DO THE GAG YOUR WAY, THERE'S NO CAR TO DO IT WITH. 122 00:07:55,024 --> 00:07:57,117 ARE YOU SAYING THAT NOW YOU MIGHT CONSIDER 123 00:07:57,141 --> 00:07:59,511 DOING IT WHERE I WANTED TO DO IT TO BEGIN WITH? 124 00:07:59,579 --> 00:08:01,930 YEAH. WHAT DIFFERENCE DOES IT MAKE? 125 00:08:01,998 --> 00:08:05,166 - WELL, I GOT A BACKUP CAR RIGHT BEHIND THE HILL. - YOU DO? 126 00:08:05,235 --> 00:08:09,037 ALL RIGHT, EVERYBODY. WE'VE GOT A PICTURE TO MAKE. 127 00:08:09,106 --> 00:08:11,139 WE'RE ON THE MOVE. 128 00:08:11,208 --> 00:08:14,253 YOU KNOW, EVEN DOING IT YOUR WAY OVER THERE, IT'S STILL DANGEROUS. 129 00:08:14,277 --> 00:08:19,296 WELL, DANGER I CAN HANDLE. IT'S THE MYSTERY BEYOND I'M NOT READY FOR. 130 00:08:19,365 --> 00:08:22,249 PRETTY NEAT CRASH, HUH? YEAH. 131 00:08:28,441 --> 00:08:31,976 COLT! 132 00:08:32,045 --> 00:08:35,079 COLT! 133 00:08:37,867 --> 00:08:39,967 COLT! HOW WAS THAT? 134 00:08:40,036 --> 00:08:43,505 TE AMO. I LOVE YOU TOO, BABY. 135 00:08:43,573 --> 00:08:46,674 - AND WHAT ABOUT ME? - OH, ERES MARAVILLOSO. 136 00:08:46,743 --> 00:08:49,310 THANKS. SO ARE YOU. YOU LIKE US BOTH? 137 00:08:49,379 --> 00:08:51,912 SÍ, CON TODO MI CORAZÓN. 138 00:08:51,981 --> 00:08:54,382 BIG JACK. COME ON IN. OH! 139 00:08:54,451 --> 00:08:56,484 NO, THANKS. I UNDERSTAND SPANISH. 140 00:08:56,553 --> 00:08:59,086 AH, WE'RE JUST GETTING SET FOR OUR PICTURE IN SPAIN. 141 00:08:59,156 --> 00:09:02,390 OH! I'M REALLY GLAD TO HEAR THAT. 142 00:09:02,459 --> 00:09:06,093 COLT, I NEED YOU TO GO DOWN AND REVOKE A BOND FOR ME. 143 00:09:06,163 --> 00:09:10,198 YEAH, WHOSE? OH, THIS GIRL THAT WAS INVOLVED IN THE JEWEL ROBBERY. 144 00:09:10,267 --> 00:09:12,445 YEAH, I HEARD ABOUT THAT. 145 00:09:12,469 --> 00:09:14,935 WELL, WHEN I BAILED HER OUT, KAY FAULKNER WAS THERE. 146 00:09:15,004 --> 00:09:17,838 SO? HER COMPANY IS PROBABLY THE INSURERS. 147 00:09:17,907 --> 00:09:21,893 THAT'S RIGHT, BUT KAY WAS FOR ME BAILING THIS GIRL OUT. 148 00:09:21,961 --> 00:09:24,712 YOU FIGURE KAY WANTS HER TO RUN SO SHE'LL LEAD HER TO THE JEWELS? 149 00:09:24,781 --> 00:09:29,016 - YOU CAN BET ON IT. - HOW SURE ARE YOU THAT THIS GIRL WAS PART OF THE JOB? 150 00:09:29,085 --> 00:09:31,219 HAVE THEY MADE A POSITIVE IDENTIFICATION? 151 00:09:31,288 --> 00:09:36,524 ABSOLUTELY. AND ONE THAT I THINK THAT YOU'LL APPRECIATE. 152 00:09:36,593 --> 00:09:40,928 THIS IS A VIDEOCASSETTE THAT WAS TAKEN AT THE ACTUAL ROBBERY. 153 00:09:40,997 --> 00:09:43,097 HMM. 154 00:09:43,166 --> 00:09:45,533 AND AFTER YOU SEE IT, I DON'T THINK THERE'LL BE... 155 00:09:45,602 --> 00:09:49,054 ANY DOUBT IN YOUR MIND AS TO HER IDENTIFICATION. 156 00:09:49,122 --> 00:09:52,958 AN ESTIMATED THREE MILLION DOLLARS' WORTH OF PRECIOUS STONES AND JEWELS WERE TAKEN. 157 00:09:53,026 --> 00:09:55,756 THE ONLY POSITIVE IDENTIFICATION WAS A WOMAN 158 00:09:55,780 --> 00:09:58,597 WHO WAS TAPED BY THE STORE'S SECURITY CAMERA. 159 00:09:58,665 --> 00:10:01,266 WEARING ONLY A BIKINI UNDER HER MINK COAT, 160 00:10:01,334 --> 00:10:04,068 SHE DISTRACTED THE GUARD FROM NOTICING HER TWO ALLEGED COMPANIONS. 161 00:10:04,137 --> 00:10:07,121 - WOW. - WHERE DID SHE HIDE THE JEWELS? 162 00:10:07,190 --> 00:10:10,258 SHE DIDN'T. TWO FRIENDS HELPED HER. 163 00:10:10,326 --> 00:10:14,095 AND NOW, COLT, I NEED YOUR HELP. 164 00:10:14,164 --> 00:10:15,986 WHEN ASKED WHY THE ALLEGED FEMALE ACCOMPLICE 165 00:10:16,010 --> 00:10:17,898 PROVED TO BE SUCH AN EFFECTIVE DISTRACTION... 166 00:10:17,967 --> 00:10:21,335 HOWIE! HOWIE, YOU'RE DROOLING ON MY CARPET. 167 00:10:21,404 --> 00:10:23,772 IN A MINUTE, COLT. 168 00:10:23,840 --> 00:10:26,691 SO CHILDISH. 169 00:10:26,759 --> 00:10:31,112 YEAH. YOU SHOULD SEE HIM WATCHING SESAME STREET. 170 00:10:36,219 --> 00:10:39,854 I CAN'T WAIT TO SEE YOU. 171 00:10:39,923 --> 00:10:42,690 UH-HUH. I HAVE MY TICKET. 172 00:10:42,759 --> 00:10:45,826 I'M ALL SET. 173 00:10:45,896 --> 00:10:48,196 OKAY, I WILL. 174 00:10:48,265 --> 00:10:50,298 BYE, SWEETHEART. 175 00:10:50,367 --> 00:10:52,433 BYE. 176 00:10:58,592 --> 00:11:00,869 KID, LEAVE THE MOTOR RUNNING. THIS WON'T TAKE LONG. 177 00:11:00,893 --> 00:11:04,495 COLT SEAVERS. COLT! 178 00:11:04,564 --> 00:11:06,664 COLT! 179 00:11:06,733 --> 00:11:09,049 AH-AH-AH-AH! NO. 180 00:11:09,118 --> 00:11:12,220 HELLO, COLT. YOU SAID YOU'D NEVER TALK TO ME AGAIN. 181 00:11:12,288 --> 00:11:14,655 OH, WELL. THAT WAS A LONG TIME AGO. 182 00:11:14,724 --> 00:11:16,919 I GOT A HUNCH HISTORY IS ABOUT TO REPEAT ITSELF. 183 00:11:16,943 --> 00:11:19,021 WHAT ARE YOU DOING HERE? I'M GONNA REVOKE HER BOND. 184 00:11:19,045 --> 00:11:21,913 YOU CAN'T... DO THAT. WATCH ME. 185 00:11:21,982 --> 00:11:24,710 COLT, THAT MEANS SHE'S GONNA GO BACK TO JAIL. THAT'S THE IDEA. 186 00:11:24,734 --> 00:11:27,385 COLT, SHE IS THE ONLY ONE WHO CAN LEAD ME TO THOSE JEWELS. 187 00:11:27,453 --> 00:11:29,281 AND THAT COULD COST BIG JACK $50,000. 188 00:11:29,305 --> 00:11:31,673 AND THAT COULD COST MY COMPANY THREE MILLION DOLLARS. 189 00:11:31,741 --> 00:11:34,409 I THINK THAT'S JUST A LITTLE BIT MORE IMPORTANT. 190 00:11:34,477 --> 00:11:38,429 I GUESS IT DEPENDS ON WHOSE MONEY'S GETTIN' LOST. 191 00:11:38,497 --> 00:11:41,099 OKAY. 192 00:11:41,167 --> 00:11:43,267 OKAY. 193 00:11:48,742 --> 00:11:52,226 - IF HE WANTS TO PLAY... - KEEP AN EYE ON HER, WILL YA? 194 00:11:52,295 --> 00:11:55,163 SHE WON'T GIVE ME ANY TROUBLE. YEAH, WELL, SHE'S SMARTER THAN SHE LOOKS. 195 00:11:55,231 --> 00:11:57,398 YEAH, SO AM I. 196 00:12:06,676 --> 00:12:09,255 HELLO. JINX, THIS IS KAY FAULKNER FROM THE INSURANCE COMPANY. 197 00:12:09,279 --> 00:12:11,324 WE TALKED WHILE YOU WERE IN JAIL. 198 00:12:11,348 --> 00:12:13,914 WAIT. COULD YOU HOLD ON A SEC? SOMEONE'S AT THE FRONT DOOR. 199 00:12:13,983 --> 00:12:17,468 DON'T ANSWER THAT DOOR. HE'S THERE TO REVOKE YOUR BOND. 200 00:12:19,956 --> 00:12:23,224 YOU'RE GOING BACK TO JAIL UNLESS YOU DO EVERYTHING I TELL YOU TO DO. 201 00:12:23,293 --> 00:12:25,955 GO OUT THE BACK DOOR, RIGHT NOW. I'LL PICK YOU UP. 202 00:12:25,979 --> 00:12:28,045 NOW, MOVE! 203 00:12:30,550 --> 00:12:32,934 WHAT'S THE HURRY, KAY? HOWIE! 204 00:12:33,003 --> 00:12:35,770 HOWIE. HOWIE. 205 00:12:35,839 --> 00:12:39,023 HOWIE, GIVE ME THOSE KEYS. JUST AS SOON AS COLT COMES BACK. 206 00:12:45,131 --> 00:12:49,150 WHAT AM I GONNA DO WITH YOU? YOU GUYS CAUSE ME MORE TROUBLE... 207 00:12:49,219 --> 00:12:52,654 HEY! 208 00:13:05,652 --> 00:13:09,187 HEY, THAT'S MY TRUCK. THEY'RE TAKING MY TRUCK! 209 00:13:11,508 --> 00:13:14,141 KID, HOLD IT! 210 00:13:16,812 --> 00:13:18,896 SLIDE OVER, KID. 211 00:13:42,522 --> 00:13:46,373 WHAT'S SHE DOIN' WITH MY TRUCK? YOU WERE RIGHT. SHE'S SMARTER THAN SHE LOOKS. 212 00:13:48,010 --> 00:13:50,111 OH, NO. 213 00:13:50,180 --> 00:13:52,980 HE'S GOT MY CAR. 214 00:13:53,049 --> 00:13:55,049 YOU MEAN, THIS ISN'T YOUR TRUCK? 215 00:13:55,118 --> 00:13:57,513 DO I LOOK LIKE THE TYPE OF PERSON WHO DRIVES A TRUCK? 216 00:13:57,537 --> 00:13:59,587 YOU NEVER KNOW. 217 00:14:02,742 --> 00:14:04,876 WATCH OUT! 218 00:14:08,248 --> 00:14:11,182 MY TRUCK. 219 00:14:11,251 --> 00:14:14,902 WATCH WHERE YOU'RE GOIN'! 220 00:14:25,581 --> 00:14:27,815 I'LL KILL HER. 221 00:14:27,884 --> 00:14:31,969 SHE PUTS ONE DENT IN THE FENDER OF MY TRUCK, I'M GONNA DRIVE THIS THROUGH A WALL! 222 00:14:46,519 --> 00:14:49,270 GEEZ. THAT WAS CLOSE. 223 00:14:55,628 --> 00:14:58,591 DUMB LUCK. SHE COULDN'T DO THAT AGAIN IN A MILLION YEARS. 224 00:14:58,615 --> 00:15:02,633 I DON'T KNOW, COLT. I THINK SHE'S A PRETTY GOOD DRIVER. 225 00:15:16,716 --> 00:15:19,967 OH, NO, YOU DON'T. 226 00:15:20,036 --> 00:15:22,837 NOW, COLT! 227 00:15:24,140 --> 00:15:27,041 DO IT, COLT! SHE'S BLUFFING. SO AM I. 228 00:15:27,109 --> 00:15:30,211 YOU'RE GONNA HIT HIM! 229 00:15:38,855 --> 00:15:41,572 COLT! 230 00:15:44,376 --> 00:15:47,272 WHAT ARE YOU DOING, SEAVERS? DO YOU KNOW HOW MUCH THIS CAR IS WORTH? 231 00:15:47,296 --> 00:15:49,897 DO YOU KNOW HOW MUCH I STILL OWE ON THIS TRUCK? 232 00:15:49,965 --> 00:15:52,800 AND DO YOU KNOW THAT JINX IS RUNNING DOWN THE STREET AND GETTING AWAY? 233 00:15:54,521 --> 00:15:56,520 ♪♪ 234 00:15:56,589 --> 00:15:59,229 THERE'S A MAN OUT THERE CHASING ME! I THINK HE'S TRYING TO KILL ME! 235 00:15:59,258 --> 00:16:01,492 HE RIPPED OFF MY DRESS! LOOK! 236 00:16:01,560 --> 00:16:04,328 PLEASE, SIR, HELP ME. 237 00:16:04,397 --> 00:16:07,981 ♪♪ 238 00:16:17,410 --> 00:16:19,777 I SHOULD HAVE LET YOU ROT IN THERE. 239 00:16:19,846 --> 00:16:23,548 BOY, DO I OWE HER ONE. BOY, DO YOU OWE ME 50,000 BIG ONES. 240 00:16:23,616 --> 00:16:27,352 AM I FREE? YES. 241 00:16:27,420 --> 00:16:31,689 GOOD. I NEED THE REST. COLT, YOU BLEW IT AND NOW SHE'S RUN OFF. 242 00:16:31,758 --> 00:16:34,169 YOU WANT ME TO RUN AFTER HER? WELL, IT'S ONLY FAIR. 243 00:16:34,193 --> 00:16:36,694 SINCE WHEN DID "FAIR" ENTER OUR RELATIONSHIP? 244 00:16:50,293 --> 00:16:52,371 IT'S KAY. SHE BEAT US HERE. YEAH. 245 00:16:52,395 --> 00:16:55,129 YOU'RE GETTIN' FAST, KID. GEEZ! 246 00:17:01,587 --> 00:17:03,688 HI, COLT. 247 00:17:03,756 --> 00:17:06,356 WELL, I'M SO GLAD TO SEE THAT YOU'RE ALL RIGHT. 248 00:17:06,425 --> 00:17:09,427 OH, YOU'RE SUCH A GOOD PERSON. WHAT ARE YOU DOING HERE? 249 00:17:09,496 --> 00:17:12,424 SAME THING YOU ARE. TRYING TO FIGURE OUT WHERE SHE WENT. 250 00:17:12,448 --> 00:17:14,916 ANY LUCK? NO. 251 00:17:14,984 --> 00:17:18,001 - MAYBE I COULD HELP YOU. - OH, YEAH? HOW? 252 00:17:18,070 --> 00:17:21,122 BY SEEING WHAT YOU HID. 253 00:17:22,341 --> 00:17:24,942 I HAVE NOTHING TO HIDE. 254 00:17:25,011 --> 00:17:27,862 WELL... WHAT ARE YOU GONNA DO? 255 00:17:27,930 --> 00:17:30,890 YOU WOULDN'T DARE. I ALWAYS LIKED MIXING BUSINESS WITH PLEASURE. 256 00:17:30,933 --> 00:17:33,595 ALL RIGHT... ALL RIGHT! YOU WIN. I'LL TELL YOU WHERE SHE WENT. 257 00:17:33,619 --> 00:17:35,602 UH-UH-UH. SHOW ME. 258 00:17:35,671 --> 00:17:37,817 ALL RIGHT. FIRST I WANT TO MAKE A DEAL. 259 00:17:37,841 --> 00:17:40,903 THAT DEPENDS ON WHO'S SHUFFLING. WE CAN BE AT EACH OTHER'S THROATS... 260 00:17:40,927 --> 00:17:44,378 AND BOTH LOSE OUT, OR WE CAN WORK TOGETHER AND GET WHAT WE'RE AFTER. 261 00:17:44,447 --> 00:17:46,564 WE'RE AFTER TWO DIFFERENT THINGS... 262 00:17:46,633 --> 00:17:49,067 YOU WANT HER OUT OF JAIL. I WANT HER IN. 263 00:17:49,135 --> 00:17:52,014 I AM SURE THAT SHE'S ON HER WAY TO MEET HER PALS WITH THE JEWELS. 264 00:17:52,038 --> 00:17:54,538 IT'S REAL SIMPLE, COLT. 265 00:17:54,607 --> 00:17:57,269 I GET THE JEWELS, AND LIKE ALL GOOD HEROES, YOU GET THE GIRL. 266 00:17:57,293 --> 00:17:59,477 MAKES SENSE. 267 00:17:59,545 --> 00:18:01,913 - NO, IT DOESN'T. - WHY NOT? 268 00:18:01,981 --> 00:18:04,148 BECAUSE IT'S YOUR IDEA. 269 00:18:04,217 --> 00:18:06,383 KID. IT MAKES SENSE. 270 00:18:08,854 --> 00:18:10,966 A BUS SCHEDULE FROM TIJUANA. 271 00:18:10,990 --> 00:18:13,702 NOW, IT'S REAL OBVIOUS THAT JINX IS ON HER WAY DOWN THERE... 272 00:18:13,726 --> 00:18:17,006 AND SHE'S LEAVING FROM THERE FOR THAT PLACE THAT'S UNDERLINED, "COLIMA." 273 00:18:22,451 --> 00:18:24,718 AHA. I THINK I GOT IT. 274 00:18:24,787 --> 00:18:27,616 WE CAN ONLY GUESS WHERE SHE'S GOING AND HOW SHE'S GONNA GET THERE. 275 00:18:27,640 --> 00:18:31,325 SO WE GOTTA COVER ALL THE BASES. KAY AND I WILL FLY DOWN TO MEXICO. 276 00:18:31,394 --> 00:18:34,312 - KID, YOU DRIVE THE TRUCK DOWN. - I HAVE TO DRIVE ALL THAT WAY? 277 00:18:34,380 --> 00:18:37,142 FIRST, SEE IF YOU CAN GET ON HER TRAIL, IN CASE SHE DID TAKE THE BUS. 278 00:18:37,166 --> 00:18:41,903 - SECOND, WE'LL NEED THE TRUCK TO BRING HER BACK. - EXTRADITION COULD TAKE FOREVER. 279 00:18:41,971 --> 00:18:44,616 YEAH. WITH THOSE JEWELS, BRIBERY ISN'T OUT OF THE QUESTION. 280 00:18:44,640 --> 00:18:49,176 THAT'S RIGHT. SO, IT SOUNDS GOOD ENOUGH, AND I'LL MEET YOU AT THE AIRPORT. 281 00:18:49,245 --> 00:18:51,323 I'M SURE YOU WILL. HOW CAN YOU TRUST HER? 282 00:18:51,347 --> 00:18:53,414 WELL, I REALLY DON'T. 283 00:18:53,482 --> 00:18:56,042 WAIT A MINUTE. WHAT ARE YOU INTO, BONDAGE? NO. DISCIPLINE. 284 00:18:56,085 --> 00:18:59,587 OF ALL THE LOW-DOWN DIRTY TRICKS. I HAD A GOOD TEACHER, KAY. 285 00:18:59,655 --> 00:19:01,822 WE'LL BE IN COLIMA. CALL ME AT THE HOTEL, KID. 286 00:19:01,890 --> 00:19:05,192 WHICH HOTEL? THERE'S ONLY ONE. I DID A PICTURE THERE ONCE. 287 00:19:05,261 --> 00:19:07,428 WITHOUT ME? 288 00:19:07,496 --> 00:19:11,164 KID, THIS MAY COME AS A SHOCK TO YOU, BUT I DID HAVE A LIFE BEFORE YOU. 289 00:19:32,521 --> 00:19:34,888 GRACIAS. PAY THE MAN, SEAVERS. 290 00:19:36,892 --> 00:19:39,160 HA! I DON'T BELIEVE IT. 291 00:19:39,228 --> 00:19:42,363 ME, HAVING A GOOD TIME WITH COLT SEAVERS. 292 00:19:44,300 --> 00:19:46,700 HIGHWAY ROBBERY. COME ON. 293 00:19:49,939 --> 00:19:54,107 ♪♪ 294 00:19:57,413 --> 00:20:00,792 KAY, YOU REALLY MUST'VE BEEN SOMETHING BEFORE INSURANCE THINNED OUT YOUR BLOOD. 295 00:20:00,816 --> 00:20:04,669 OH, I THINK IT'S STARTING TO THICKEN UP TONIGHT. 296 00:20:04,737 --> 00:20:08,589 ♪♪ OH, COLT, DON'T LET 'EM STOP! 297 00:20:11,427 --> 00:20:14,278 HEY, AMIGOS! UH, SOME MORE NICE MUSIC, HUH? 298 00:20:14,346 --> 00:20:16,714 YOU... REALLY ARE ROMANTIC, AREN'T YOU? 299 00:20:16,783 --> 00:20:18,927 AH, JUST A TOUCH OF CLASS. 300 00:20:18,951 --> 00:20:22,018 ♪♪ 301 00:20:25,842 --> 00:20:28,442 OH, COLT, I LOVE YOUR ROMANTIC SONGS. 302 00:20:28,511 --> 00:20:32,179 I GUESS THEY KNOW ME. 303 00:20:32,247 --> 00:20:34,332 YEAH. 304 00:20:36,419 --> 00:20:39,136 UH, SÍ. UH, UN-UN MOMENTO. 305 00:20:39,205 --> 00:20:43,140 UH, SEÑOR. 306 00:20:43,208 --> 00:20:46,410 ♪♪ SEÑOR! 307 00:20:46,478 --> 00:20:50,080 - IS YOUR NAME COLT? - SÍ. 308 00:20:50,149 --> 00:20:52,950 TELEPHONE. AH, GRACIAS, AMIGO. 309 00:20:53,018 --> 00:20:55,097 WHO'D BE CALLING ME AT THIS HOUR? 310 00:20:55,121 --> 00:20:57,555 WELL. 311 00:21:00,627 --> 00:21:04,061 - YES? - COLT, IT'S ME. 312 00:21:04,129 --> 00:21:06,330 WHERE ARE YOU? UH, A COUPLE HOURS AWAY. 313 00:21:06,398 --> 00:21:08,799 HOW'S IT GOIN' BETWEEN YOU TWO? 314 00:21:08,867 --> 00:21:11,469 LIKE A ROMANCE BETWEEN A COBRA AND A MONGOOSE. 315 00:21:11,537 --> 00:21:13,832 WELL, YOU THINK SHE'S ON THE LEVEL ABOUT COOPERATING? 316 00:21:13,856 --> 00:21:17,825 - SHE WOULDN'T KNOW HOW. - HOW YOU GONNA GET HER OUT OF THE WAY SO YOU CAN GRAB JINX? 317 00:21:17,894 --> 00:21:20,060 I'LL FIGURE THAT OUT WHEN JINX SHOWS UP. 318 00:21:20,129 --> 00:21:22,830 - I'M BEGINNING TO THINK THIS IS A WILD GOOSE CHASE. - NO, NO, NO. 319 00:21:22,898 --> 00:21:25,044 I DOGGED THREE DIFFERENT BUSES, BUT I FINALLY FOUND HER. 320 00:21:25,068 --> 00:21:27,362 - HEY, GOOD WORK. - LOOK, I COULD GRAB HER RIGHT NOW... 321 00:21:27,386 --> 00:21:29,965 - AND TAKE HER BACK ACROSS THE BORDER. - NO, NO, NO, DON'T. 322 00:21:29,989 --> 00:21:31,989 TRYING TO GET HER ACROSS THE BORDER'S PRETTY RISKY. 323 00:21:32,057 --> 00:21:35,142 IF YOU GOT CAUGHT, THE MEXICAN POLICE WOULD THROW AWAY THE KEY. 324 00:21:35,210 --> 00:21:37,810 SHE'S GETTING BACK ON THE BUS. WHAT DO YOU WANT ME TO DO? 325 00:21:37,834 --> 00:21:38,834 WELL, STAY WITH HER. 326 00:21:38,881 --> 00:21:41,159 LOOK, I KNOW HOW ROUGH IT IS, KID. 327 00:21:41,183 --> 00:21:45,101 JUST REMEMBER, IT'S A DIRTY JOB, BUT SOMEBODY'S GOTTA DO IT. 328 00:21:51,009 --> 00:21:53,444 WELL, THAT WAS THE KID. 329 00:21:53,512 --> 00:21:57,514 HE'S STILL IN THE BOONDOCKS AND NO LUCK YET. OH, POOR HOWIE. 330 00:21:57,583 --> 00:22:01,385 YEAH, I'LL DRINK TO THAT. NOT FOR VERY LONG. 331 00:22:01,454 --> 00:22:04,722 AH! HEY, I CAN FIX THAT. NO PROBLEM. 332 00:22:12,631 --> 00:22:15,983 UH, I GOT A LITTLE PROBLEM. 333 00:22:16,052 --> 00:22:18,636 YOU GOT ANYTHING I CAN GIVE THE LADY TO, UH... 334 00:22:20,356 --> 00:22:24,241 OH. 335 00:22:24,310 --> 00:22:27,995 - THESE WILL DRIVE HER CRAZY AND, UH... - OH, NO, NO, NO. 336 00:22:28,063 --> 00:22:31,982 - NO. SHE'S MY WIFE. - OH. 337 00:22:32,051 --> 00:22:34,218 JUST SOMETHING TO MAKE HER SLEEP. 338 00:22:34,286 --> 00:22:36,754 SEE, I GOT PLANS WITH, UH, SOMETHING ELSE A LITTLE LATER. 339 00:22:43,295 --> 00:22:46,997 GRACIAS, AMIGO. MUCHAS GRACIAS. 340 00:22:52,004 --> 00:22:56,606 ♪♪ 341 00:23:17,012 --> 00:23:19,847 HEY! HEY! 342 00:23:22,485 --> 00:23:24,518 OLÉ! ♪♪ 343 00:23:31,660 --> 00:23:34,005 KAY, I'M BEGINNING TO LIKE YOUR STYLE. 344 00:23:34,029 --> 00:23:37,797 HONEY, YOU AIN'T SEEN NOTHIN' YET. 345 00:23:47,660 --> 00:23:50,305 MAYBE WE SHOULD MEET UNDER BETTER CONDITIONS. 346 00:23:50,329 --> 00:23:52,412 OH, I THINK THESE ARE PERFECT RIGHT NOW. 347 00:23:52,481 --> 00:23:54,631 UH-HUH. 348 00:23:54,700 --> 00:23:59,553 PERHAPS WE CAN IMPROVE THE CONDITIONS BY MOVING THE PARTY UPSTAIRS. 349 00:23:59,621 --> 00:24:02,405 I THINK THAT IS AN EXCELLENT IDEA. 350 00:24:16,823 --> 00:24:20,190 "STEP INTO MY PARLOR," SAID THE SPIDER. 351 00:24:20,259 --> 00:24:23,393 "WITH PLEASURE," SAID THE FLY. 352 00:25:28,744 --> 00:25:31,445 I DON'T BELIEVE IT. 353 00:25:34,500 --> 00:25:37,985 KID DRIVES ALL NIGHT LONG WHILE YOU TWO ARE LIVING IT UP. 354 00:25:41,406 --> 00:25:44,357 IS JINX HERE? YEAH, ROOM 5. 355 00:25:44,426 --> 00:25:49,013 OKAY. 356 00:25:49,081 --> 00:25:52,094 WE'RE TAKING HER BACK NOW. BUT YOU MADE A DEAL WITH KAY. 357 00:25:52,118 --> 00:25:54,684 OH, NO, NO. YOU KIDDING? ALL BETS ARE OFF. 358 00:25:54,753 --> 00:25:56,753 SHE DRUGGED ME. 359 00:25:56,822 --> 00:25:59,423 WELL, WHAT HAPPENED TO HER? 360 00:25:59,491 --> 00:26:02,192 OH, I... I DRUGGED HER. 361 00:26:14,173 --> 00:26:20,043 OH, NO. OH! 362 00:26:23,181 --> 00:26:25,282 WHO IS IT? 363 00:26:25,350 --> 00:26:28,902 SAY SOMETHING IN SPANISH. 364 00:26:28,971 --> 00:26:31,504 MESSAGE, SEÑORITA. 365 00:26:37,213 --> 00:26:39,957 WHAT DO YOU WANT? SORRY, MY DEAR, YOUR BOND'S BEEN REVOKED. 366 00:26:39,981 --> 00:26:42,594 WE'RE GOING FOR A LITTLE RIDE. YOU CAN'T DO ANYTHING TO ME. 367 00:26:42,618 --> 00:26:45,652 WE'RE IN MEXICO. THAT'S RIGHT. 368 00:26:45,721 --> 00:26:48,132 COME ON. YOU BROKE YOUR WORD TO THE COURTS IN L.A., 369 00:26:48,156 --> 00:26:50,224 SO IT'S THE ONLY THING I CAN DO. 370 00:26:58,234 --> 00:27:01,735 UH-OH. COLT, IT'S JUST LIKE THAT PICTURE. 371 00:27:01,803 --> 00:27:05,289 - THAT'S RIGHT, SUNDANCE. - LISTOS. 372 00:27:05,357 --> 00:27:08,475 WHAT DOES THAT MEAN? 373 00:27:08,543 --> 00:27:11,912 - "READY." - ¡APUNTEN! 374 00:27:11,980 --> 00:27:16,683 IS THAT "AIM"? YOU'RE GETTIN' REAL GOOD WITH LANGUAGES, KID. 375 00:27:16,752 --> 00:27:20,020 HOPE THEY DON'T REMEMBER HOW THE MOVIE ENDED. 376 00:27:25,560 --> 00:27:29,162 AH, WELL. WHAT HAVE WE HERE? 377 00:27:33,535 --> 00:27:37,870 NOW CAN WE TALK? AS LONG AS YOU WANT. 378 00:27:37,939 --> 00:27:41,174 I HOPE YOU UNDERSTAND THAT THIS WAS THE ONLY WAY I COULD STOP YOU. 379 00:27:41,243 --> 00:27:43,321 HOW DID YOU MANAGE THIS? GRAFT AND CORRUPTION? 380 00:27:43,345 --> 00:27:45,529 CHARM AND COURTESY. 381 00:27:45,597 --> 00:27:47,881 CHARM AND COURTESY. 382 00:27:47,950 --> 00:27:51,468 AND THE PROMISE OF A FEW NEW UNIFORMS AS PART OF THE REWARD. 383 00:27:51,537 --> 00:27:54,137 NOW DO YOU WANT TO KNOW WHAT I HAVE ON MY MIND? 384 00:27:58,059 --> 00:28:01,078 SHOOT. UH, NOT YOU, FELLAS! 385 00:28:01,147 --> 00:28:04,348 GO AHEAD. 386 00:28:04,416 --> 00:28:08,401 WE HAVE TO STOP FIGHTING IF EITHER OF US ARE GONNA GET ANYTHING ACCOMPLISHED. 387 00:28:08,470 --> 00:28:11,282 NOW, THERE IS NO WAY YOU'RE GONNA GET JINX OUT OF MEXICO... 388 00:28:11,306 --> 00:28:16,242 WITHOUT MY COOPERATION, AND THERE'S NO WAY I CAN GET THOSE JEWELS WITHOUT YOURS. 389 00:28:16,311 --> 00:28:20,764 NOW YOUR PROBLEM IS $50,000 IN BAIL. ALL RIGHT. I'LL COVER IT. 390 00:28:20,833 --> 00:28:23,856 AND TO SWEETEN THE POT, I'LL THROW IN ANOTHER 391 00:28:23,880 --> 00:28:26,520 $25,000 IN REWARD MONEY IF YOU HELP ME. 392 00:28:26,588 --> 00:28:30,040 IT'S A NO-LOSE SITUATION, COLT. WHAT DO YOU SAY? 393 00:28:30,109 --> 00:28:33,176 THAT SOUNDS GOOD, EXCEPT FOR ONE SMALL DETAIL... INTEGRITY. 394 00:28:33,245 --> 00:28:35,974 NOW I WAS HIRED FOR THIS JOB... UH, COLT. 395 00:28:35,998 --> 00:28:39,349 - WHAT? - COULD WE TALK FOR A SECOND BEFORE YOU MAKE UP YOUR MIND? 396 00:28:41,253 --> 00:28:45,189 WHAT? YOU'RE ABOUT TO MAKE A MISTAKE, AND IT MIGHT BE OUR LAST. 397 00:28:45,257 --> 00:28:48,192 WHAT'S WRONG WITH PRETENDING TO GO ALONG WITH KAY'S PROPOSITION? 398 00:28:48,260 --> 00:28:50,727 WHATEVER HAPPENS, BIG JACK GETS HER $50,000. 399 00:28:50,796 --> 00:28:55,232 IF WE ACTUALLY FIND THE JEWELS, WE'RE GONNA END UP WITH $25,000 IN REWARD MONEY. 400 00:28:55,301 --> 00:28:57,934 KID, THERE'S MORE TO LIFE THAN MONEY. 401 00:28:58,003 --> 00:29:00,237 IF WE FIND THE JEWELS BEFORE KAY, 402 00:29:00,306 --> 00:29:03,423 SHE'S GONNA END UP LOOKING LIKE A TOTAL FOOL. 403 00:29:07,379 --> 00:29:10,113 NOW YOU'RE GETTING TO ME. THERE'S ONE MORE THING TO CONSIDER. 404 00:29:10,182 --> 00:29:14,184 WHAT'S THAT? WHAT'S THE WORD FOR "FIRE"? 405 00:29:21,643 --> 00:29:23,710 OKAY. 406 00:29:23,779 --> 00:29:26,379 THANK YOU, CAPITÁN. 407 00:29:28,950 --> 00:29:31,201 VÁMONOS, MUCHACHOS. 408 00:29:35,991 --> 00:29:40,661 FINE! EVERYTHING'S WONDERFUL... ME! 409 00:29:40,729 --> 00:29:42,840 OH, FOR YOU IT'S REAL SIMPLE, JINX. 410 00:29:42,864 --> 00:29:45,248 WHAT I HAVE TO OFFER YOU IS JAIL OR FREEDOM, 411 00:29:45,317 --> 00:29:48,118 FOR YOU AND YOUR FRIENDS. 412 00:29:48,187 --> 00:29:50,187 NOT MUCH OF A CHOICE. 413 00:29:51,506 --> 00:29:53,556 SO WHEN DO THEY ARRIVE? 414 00:29:55,694 --> 00:29:58,345 THEY DON'T. THIS WAS A DECOY. 415 00:29:58,414 --> 00:30:02,499 - WHAT? - IT'S A SMALL TOWN. 416 00:30:02,567 --> 00:30:06,620 THEY FIGURED I WOULDN'T HAVE ANY TROUBLE TELLING IF I WAS BEING FOLLOWED. 417 00:30:06,688 --> 00:30:10,189 VERY SMART. 418 00:30:10,258 --> 00:30:13,159 SO, WHERE IS THE REAL RENDEZVOUS? 419 00:30:16,182 --> 00:30:18,314 HAVE YOU EVER HEARD OF A PLACE CALLED LAS HADAS? 420 00:30:18,383 --> 00:30:20,750 THE MOST EXPENSIVE RESORT IN MEXICO? 421 00:30:22,454 --> 00:30:24,654 ALL RIGHT. I'LL TELL YOU WHAT. 422 00:30:24,690 --> 00:30:27,490 IF IT'LL HELP CATCH THESE GUYS, 423 00:30:27,559 --> 00:30:30,060 MY COMPANY WILL FOOT THE BILL. 424 00:30:30,129 --> 00:30:32,646 OH, YEAH! YAHOO. 425 00:30:32,715 --> 00:30:36,316 ALL RIGHT. IF YOU'RE GONNA MAKE A DEAL WITH THE DEVIL, WE MAY AS WELL ENJOY IT. 426 00:30:36,384 --> 00:30:38,451 COME ON. 427 00:30:40,806 --> 00:30:45,058 ♪♪ 428 00:30:56,371 --> 00:30:59,256 ♪ SITTIN' ON THIS BARSTOOL ♪ 429 00:31:00,326 --> 00:31:04,361 ♪ THE SUN HIGH ABOVE ♪ 430 00:31:04,429 --> 00:31:07,664 ♪ MAKIN' FRIENDS WITH THE LOCALS ♪ 431 00:31:07,733 --> 00:31:10,834 ♪ HOW I MISS MY LOVE ♪ 432 00:31:10,903 --> 00:31:12,836 ♪ THE SMELL OF SWEET... ♪♪ 433 00:31:12,904 --> 00:31:15,505 IT COMES IN BLUE, YELLOW AND AQUA. 434 00:31:15,574 --> 00:31:17,618 I'LL TAKE IT IN BLUE AND YELLOW. 435 00:31:17,642 --> 00:31:19,175 OH, AQUA IS YOU. 436 00:31:20,912 --> 00:31:23,107 I'LL TAKE IT IN AQUA... AND BLUE AND YELLOW. 437 00:31:23,131 --> 00:31:26,232 JINX, THAT'S THE... FIFTH DRESS YOU BOUGHT TODAY. 438 00:31:26,301 --> 00:31:30,070 - YOU TOLD ME TO HAVE A GOOD TIME. - THAT'S RIGHT. WE'RE PARTNERS. 439 00:31:30,138 --> 00:31:32,572 SPEAKING OF DUDS, WHERE'D YOU GET THESE FANCY THINGS? 440 00:31:32,640 --> 00:31:35,108 I'VE NEVER SEEN YOU IN ANYTHING BUT COWBOY CLOTHES. 441 00:31:35,177 --> 00:31:37,255 OH, I CHARGED 'EM... TO YOU. OH. 442 00:31:37,279 --> 00:31:39,278 WHAT AM I, NEIMAN MARCUS? 443 00:31:39,347 --> 00:31:41,548 YOU WOULDN'T WANT US TO STAND OUT FROM THE CROWD. 444 00:31:41,616 --> 00:31:45,034 THAT'S RIGHT. WE GOTTA BLEND IN TO DO A GOOD JOB FOR YA. 445 00:31:45,103 --> 00:31:49,589 - THAT'S RIGHT. - THANKS, JINX. 446 00:31:51,310 --> 00:31:54,878 DON'T LOOK NOW, BUT THOSE TWO MEN HAVE BEEN WATCHING US. 447 00:31:56,681 --> 00:31:59,399 - JINX'S FRIENDS? - WHERE? 448 00:31:59,468 --> 00:32:02,518 YOU TWO WAIT HERE. COME ON, KID. 449 00:32:14,333 --> 00:32:17,450 ♪♪ 450 00:32:24,826 --> 00:32:26,971 EXCUSE ME. YOU'RE THE MANAGER, RIGHT? 451 00:32:26,995 --> 00:32:29,229 I AM THE ASSISTANT MANAGER AT YOUR SERVICE. 452 00:32:29,297 --> 00:32:32,498 THE TWO MEN BY THE FOUNTAIN LOOK LIKE OLD FRIENDS. DO YOU KNOW THEM? 453 00:32:32,567 --> 00:32:35,168 I DON'T KNOW THEM. THEY AREN'T REGISTERED. 454 00:32:36,504 --> 00:32:40,373 - COLT, IT'S THEM. - WE BETTER GET JINX. 455 00:32:50,919 --> 00:32:53,131 WHERE'S JINX? IN THE POWDER ROOM. 456 00:32:53,155 --> 00:32:56,756 AT A TIME LIKE THIS? WELL, THEY COULD BE MEETING SOMEPLACE. 457 00:32:56,824 --> 00:32:59,325 COME ON, KID. WE COULD'VE LOST ALL THREE OF THEM. 458 00:32:59,394 --> 00:33:01,472 WAIT. I SAW HER GO INTO THE LADIES' ROOM! 459 00:33:01,496 --> 00:33:05,498 BUENOS DÍAS. MUCHO GUSTO. WHAT DID THOSE TWO MEN WANT? 460 00:33:05,567 --> 00:33:07,967 WHO ARE THEY? I'M SORRY. 461 00:33:08,036 --> 00:33:13,339 - I'M NOT ALLOWED TO DISCUSS HOTEL GUESTS WITH ANYONE. - I THINK WE CAN CONVINCE YOU TO. 462 00:33:27,055 --> 00:33:29,155 I LOVE YOU. 463 00:33:29,224 --> 00:33:31,291 OKAY, BYE. 464 00:33:33,862 --> 00:33:37,597 SEE YA BACK AT THE TABLE. 465 00:33:39,567 --> 00:33:41,935 LIKE I SAID, THE LADIES' ROOM. 466 00:33:44,639 --> 00:33:46,756 AH, YOU SURE ARE A GOOD DANCER. 467 00:33:46,825 --> 00:33:52,645 THANKS. SOMEBODY ONCE TOLD ME I HAD THE BEST DANCING LEGS SINCE CYD CHARISSE. 468 00:33:52,714 --> 00:33:54,714 WELL, YOU SAW 'EM, DIDN'T YOU? 469 00:33:54,783 --> 00:33:58,985 UH, YEAH, UH... HOW'D YOU GET INTO THIS MESS ANYWAY? 470 00:34:00,322 --> 00:34:04,557 LOVE. NEVER WAS VERY LUCKY AT IT. 471 00:34:04,626 --> 00:34:06,726 THAT'S HOW I GOT MY NAME. 472 00:34:06,795 --> 00:34:10,330 WELL, IF YOU'RE THAT MUCH IN LOVE, WON'T IT BE HARD TO TURN HIM IN? 473 00:34:10,398 --> 00:34:14,100 WELL, WHY SHOULD IT BE? KAY PROMISED SHE'D GET US ALL OFF. 474 00:34:14,169 --> 00:34:16,402 OH, YOU BELIEVE HER? 475 00:34:16,471 --> 00:34:19,439 YEAH. SURE I BELIEVE HER. 476 00:34:19,507 --> 00:34:22,843 SHE SAYS INSURANCE COMPANIES ALWAYS MAKE DEALS. 477 00:34:27,950 --> 00:34:31,017 WHAT'S BOTHERING YOU, COLT? - BULL. 478 00:34:31,085 --> 00:34:35,072 WHOSE, KAY OR JINX? BETWEEN THEM, THEY THROW MORE SCREWBALLS THAN VALENZUELA. 479 00:34:35,140 --> 00:34:37,574 THAT BUS SCHEDULE STAYS IN MY MIND. 480 00:34:37,642 --> 00:34:39,642 JINX UNDERLINED ONE PLACE, COLIMA. 481 00:34:39,711 --> 00:34:41,831 YEAH, BUT SHE BROUGHT US HERE. 482 00:34:41,880 --> 00:34:45,098 COLT. YEAH, I KNOW. I SAW 'EM. KEEP WALKING. 483 00:35:21,319 --> 00:35:23,631 I THINK YOU TWO ARE PRETTY MUCH OUT OF BUSINESS NOW. 484 00:35:23,655 --> 00:35:26,568 NO, SEÑOR, I THINK YOU TWO ARE PRETTY MUCH OUT OF BUSINESS, 485 00:35:26,592 --> 00:35:30,744 - 'CAUSE YOU'RE UNDER ARREST. - COLT. 486 00:35:32,864 --> 00:35:35,465 OH, NO. 487 00:35:35,534 --> 00:35:37,601 FEDERAL POLICE? 488 00:35:53,718 --> 00:35:57,354 WHEW! $500 APIECE FOR ATTACKING FEDERAL OFFICERS... 489 00:35:57,422 --> 00:35:59,555 GUARDING THEIR PRESIDENT... WONDERFUL. 490 00:35:59,624 --> 00:36:03,360 IT WAS AN HONEST MISTAKE. WE LOOKED AS SUSPICIOUS TO THEM AS THEY LOOKED TO US. 491 00:36:03,428 --> 00:36:05,462 YOU GOTTA LOOK AT THE BIG PICTURE. 492 00:36:05,530 --> 00:36:07,842 HOWIE, KAY GOT US INTO THIS STUPID STAKEOUT. 493 00:36:07,866 --> 00:36:09,866 SO, WHAT'S OUR NEXT MOVE? 494 00:36:09,934 --> 00:36:12,735 REVENGE. THAT'S A PETTY MOTIVE, COLT. 495 00:36:12,804 --> 00:36:16,239 SO WHAT? WHEN YOU PUT IT THAT WAY, IT MAKES SENSE. 496 00:36:18,961 --> 00:36:22,062 YOU KNOW, IT JUST DOESN'T ADD UP. WHAT? 497 00:36:22,130 --> 00:36:25,665 WELL, THAT BUS SCHEDULE, THE UNDERLINED TOWN... THIS WHOLE CIRCUS. 498 00:36:28,320 --> 00:36:31,754 HOLA. UH, THIS IS COLT SEAVERS. REMEMBER ME? 499 00:36:31,823 --> 00:36:35,258 OF COURSE I REMEMBER YOU, SEÑOR COLT. 500 00:36:35,327 --> 00:36:37,877 HOW DID THE STUFF I GAVE YOU WORK? 501 00:36:37,946 --> 00:36:39,979 OH, BELIEVE ME, IT WAS A KNOCKOUT. 502 00:36:40,048 --> 00:36:42,381 LOOK, I'M EXPECTING A COUPLE OF FRIENDS TO SHOW UP THERE. 503 00:36:42,450 --> 00:36:44,717 UH, WHAT ARE THE NAMES? 504 00:36:44,786 --> 00:36:48,088 WELL, THEY'RE AMERICANS. HAVE YOU SEEN ANY STRANGERS AROUND? 505 00:36:48,156 --> 00:36:51,102 UH, THERE WERE TWO GRINGOS WHO ARRIVED IN TOWN THIS MORNING. 506 00:36:51,126 --> 00:36:54,727 - YEAH? - THEY ACTED LIKE THEY WERE WAITING FOR SOMEBODY. 507 00:36:54,796 --> 00:36:57,091 - YEAH. WELL, THANKS. - SHOULD I TELL THEM THAT YOU CALLED? 508 00:36:57,115 --> 00:37:01,667 - NO, NO. I WANNA SURPRISE 'EM. - OH, OKAY. ADIÓS. 509 00:37:03,187 --> 00:37:05,788 THEY'RE THERE. DO WE GRAB JINX AND RUN? 510 00:37:05,857 --> 00:37:08,124 NO, KAY COULD STOP US AGAIN. 511 00:37:08,192 --> 00:37:10,576 WE WANT TO STOP HER FOR GOOD. 512 00:37:10,645 --> 00:37:12,765 PLEASE HELP ME. HE'S KILLING ME. 513 00:37:12,814 --> 00:37:15,197 OH, NOT THERE! DON'T HIT ME THERE! 514 00:37:15,266 --> 00:37:17,567 I'M A BLEEDER! NO, DON'T! 515 00:37:17,636 --> 00:37:20,403 WHAT HAPPENED? 516 00:37:20,472 --> 00:37:23,239 OH, AMIGO. 517 00:37:27,862 --> 00:37:31,197 I CAME TO MEXICO TO GET AWAY FROM VIOLENCE. 518 00:37:31,266 --> 00:37:36,969 FIRST, SHE ENTICED ME INTO HER HOTEL ROOM AND THEN I WAS THROWN OFF THE BALCONY. 519 00:37:38,640 --> 00:37:42,708 MADRE DE DIOS. THAT'S TERRIBLE. 520 00:37:42,777 --> 00:37:44,961 WHO? WHO DID THIS TO YOU? 521 00:37:45,029 --> 00:37:47,213 HER BOYFRIEND. 522 00:37:47,281 --> 00:37:51,034 WILL YOU LOOK AT THAT? SHE'S PICKING ON SOME OTHER POOR GUY. 523 00:37:59,327 --> 00:38:01,744 THAT'S HER, OFFICER. THAT'S HER RIGHT THERE. 524 00:38:01,813 --> 00:38:04,964 WE MADE A DEAL. I GAVE HER 100 PESOS. 525 00:38:05,033 --> 00:38:08,417 WELL, THAT'S ALMOST THREE DOLLARS AMERICAN, AND THEN SHE STOLE MY WALLET. 526 00:38:08,486 --> 00:38:11,120 - YOU ARE CRAZY. - THANK GOODNESS YOU WERE HERE, OFFICER. 527 00:38:11,189 --> 00:38:14,640 A WOMAN LIKE YOU SHOULD STAY ON THE STREETS WHERE YOU BELONG, 528 00:38:14,709 --> 00:38:17,309 NOT IN A FINE HOTEL LIKE THIS ONE IS. 529 00:38:17,378 --> 00:38:20,113 WELL, I SURE HOPE SHE DIDN'T TAKE MY WALLET. IT'S GONE! 530 00:38:20,182 --> 00:38:23,115 - HOWIE! HOWIE! - YOURS TOO? 531 00:38:23,184 --> 00:38:25,418 HEY, THAT'S MINE. AND HERE'S MINE! 532 00:38:25,486 --> 00:38:28,187 OKAY. OKAY, LADY. 533 00:38:28,256 --> 00:38:31,607 COME WITH ME. YOU LET... YOU LET GO OF ME. 534 00:38:31,676 --> 00:38:34,794 YOU ARE NOT GOING TO GET AWAY WITH THIS! 535 00:38:34,862 --> 00:38:37,780 OW! 536 00:38:37,849 --> 00:38:41,351 IT WORKED. 537 00:38:41,420 --> 00:38:43,403 SORRY. 538 00:38:45,190 --> 00:38:48,524 HE IS NOT HURT! HE HAS TRICKED YOU! 539 00:38:48,593 --> 00:38:51,553 SEÑORITA, I HAVE BEEN WITH THE POLICE 15 YEARS. NO ONE FOOLS ME. 540 00:38:51,596 --> 00:38:53,963 WELL, YOU HAVE BEEN FOOLED. HE'S A STUNTMAN! 541 00:38:54,032 --> 00:38:57,200 SO WHAT? WHAT IS THAT? 542 00:38:59,721 --> 00:39:01,721 THAT MEANS HE KNOWS HOW TO FALL DOWN. 543 00:39:01,790 --> 00:39:05,057 THAT MEANS THAT HE FELL OFF THAT BALCONY ON PURPOSE! 544 00:39:07,929 --> 00:39:11,964 OH. OH! 545 00:39:16,655 --> 00:39:18,988 SO YOU WERE DOUBLE-CROSSING KAY AND ME. 546 00:39:19,057 --> 00:39:21,391 NO. JUST YOU. 547 00:39:23,128 --> 00:39:25,728 WHY DID YOU GO INTO ROBBERY IN THE FIRST PLACE? 548 00:39:27,098 --> 00:39:30,016 I DON'T KNOW. I WAS DUMB, OKAY? 549 00:39:30,085 --> 00:39:32,152 WHAT MADE YOU SMART? 550 00:39:32,220 --> 00:39:35,088 A GIRL CAN CHANGE HER MIND. 551 00:39:35,157 --> 00:39:37,590 OFTEN. 552 00:39:39,427 --> 00:39:42,428 COLT, ARE YOU SURE YOU JUST DON'T WANT TO HEAD FOR THE BORDER? 553 00:39:42,497 --> 00:39:44,697 KID, WE'RE GONNA GIVE TRUE LOVE ONE MORE CHANCE. 554 00:39:59,614 --> 00:40:02,915 YOU SURE HE'S IN THERE? MM-HMM. IT'S THAT ROOM AT THE TOP. 555 00:40:04,652 --> 00:40:06,952 ALL RIGHT. LET'S GO. WAIT A MINUTE, GUYS. 556 00:40:07,021 --> 00:40:11,040 I-I GOTTA DO IT ALONE. TH-THAT'S THE ONLY WAY HE'LL BELIEVE WHAT I TELL HIM. 557 00:40:11,109 --> 00:40:15,128 - THAT COULD BE PRETTY DANGEROUS. - BILLY WOULD NEVER HURT ME. 558 00:40:15,197 --> 00:40:17,864 ALL RIGHT. MAKE SURE HE KNOWS YOU GOT COMPANY. 559 00:40:17,932 --> 00:40:20,633 OKAY. 560 00:40:26,040 --> 00:40:29,375 YOU THINK SHE'S PLAYING ANOTHER TRICK? NO. 561 00:40:29,444 --> 00:40:31,544 THEN WHY DO YOU LOOK SO WORRIED? 562 00:40:31,612 --> 00:40:34,441 I JUST HOPE HE LIKES HER MORE THAN HE DOES THE JEWELS. 563 00:40:41,239 --> 00:40:43,807 YEAH, WHO IS IT? IT'S ME, JINX. 564 00:40:47,145 --> 00:40:49,412 SWEETIE. 565 00:40:49,481 --> 00:40:53,416 OH, I MISSED YOU SO MUCH. ME TOO. 566 00:40:53,484 --> 00:40:55,485 HEY, SWEETHEART. 567 00:40:55,554 --> 00:40:59,689 HEY. LISTEN, WHOSE TRUCK WAS THAT YOU CAME IN? 568 00:40:59,758 --> 00:41:03,092 OH, JUST SOME FRIENDS I MET. THEY STILL THERE? 569 00:41:03,160 --> 00:41:07,997 - YEP. - WHY ARE THOSE GUYS HANGING AROUND HERE? 570 00:41:08,065 --> 00:41:13,318 UH, BILLY, LOOK, I KNOW WHAT YOU WENT THROUGH TO GET THOSE JEWELS, 571 00:41:13,387 --> 00:41:16,139 BUT I-I'VE HAD SOME TIME TO THINK ABOUT IT... 572 00:41:16,208 --> 00:41:18,991 AND WE-WE SHOULDN'T HAVE DONE IT. WHAT ARE YOU, CRAZY? 573 00:41:19,060 --> 00:41:21,360 HEY, BABY, WE'RE FREE AND CLEAR. 574 00:41:21,429 --> 00:41:24,389 I MEAN, THAT'S THREE MILLION DOLLARS AND YOU WANT TO GO TO JAIL? 575 00:41:24,432 --> 00:41:26,966 LOOK, I-I TOLD YOU I MADE US A DEAL. 576 00:41:27,035 --> 00:41:30,269 WE GIVE BACK THE JEWELS AND-AND THEY LET US ALL GO FREE. 577 00:41:30,338 --> 00:41:34,640 BILLY, WE-WE DON'T HAVE A CHANCE OTHERWISE. 578 00:41:34,708 --> 00:41:37,143 JUST THINK OF EVERYTHING WE WANTED... 579 00:41:37,211 --> 00:41:40,379 THE HOUSE, SOME KIDS... ALL OF IT. 580 00:41:40,448 --> 00:41:44,683 PLEASE, BILLY. HEY, WAKE UP. 581 00:41:44,752 --> 00:41:47,871 ALL HE WANTS ARE THOSE JEWELS. 582 00:41:47,939 --> 00:41:50,306 WELL, WHY DID YOU WANT ME TO COME HERE THEN? 583 00:41:50,375 --> 00:41:54,577 WE HAD TO SEE YOU ONE LAST TIME. YOU'RE THE ONLY ONE THAT CAN IDENTIFY US. 584 00:41:54,645 --> 00:41:58,114 ENOUGH. 585 00:42:05,256 --> 00:42:07,551 OH, HEY, THERE MUST BE AT LEAST 20 COPS OUT THERE. 586 00:42:07,575 --> 00:42:09,859 YOU DOUBLE-CROSSED US. 587 00:42:09,928 --> 00:42:11,994 NO, I DIDN'T! 588 00:42:55,423 --> 00:42:58,140 - VERY NICE, CHIEF. - THANK YOU. 589 00:43:00,161 --> 00:43:03,006 ALL RIGHT, WISE GUY. YOU'VE HAD IT. I'M IN CHARGE NOW. 590 00:43:03,030 --> 00:43:05,509 - I SEE YOU BROUGHT YOUR OLD GANG ALONG. - NOTHIN' IS GONNA... 591 00:43:05,533 --> 00:43:07,633 STOP ME FROM RECOVERING THOSE JEWELS. 592 00:43:07,702 --> 00:43:11,637 - HOW MANY JEWELS DO YOU FIGURE A LIFE IS WORTH? - STOW THE SENTIMENT. 593 00:43:11,706 --> 00:43:14,156 OKAY, YOU'RE SURROUNDED AND THERE'S NO WAY OUT. 594 00:43:14,225 --> 00:43:16,492 NOW COME DOWN WITH YOUR HANDS UP. 595 00:43:44,038 --> 00:43:47,306 WE BETTER DO SOMETHING BEFORE SHE GETS THAT GIRL KILLED. 596 00:43:47,375 --> 00:43:49,742 YOU GET IN THE FRONT. 597 00:44:17,539 --> 00:44:20,017 THEY'RE GONNA KILL US! NO, THEY WON'T. 598 00:44:20,041 --> 00:44:23,626 SHE MADE A DEAL. THEY WON'T HURT HER. 599 00:44:23,694 --> 00:44:26,311 - WE'LL USE HER AS A HOSTAGE. - GIVE YOURSELVES UP NOW. 600 00:44:26,380 --> 00:44:30,349 I GUESS WE'LL HAVE TO. I'M SORRY, BABY. 601 00:44:37,475 --> 00:44:41,126 JUST GET ME UP TO THE WINDOW AS CLOSE AS YOU CAN. I'LL GO FOR IT. 602 00:44:41,195 --> 00:44:45,264 - WHAT IF MY TIMING'S OFF? - WELL, THERE WON'T BE A SECOND TAKE, KID. LET'S GO. 603 00:44:49,320 --> 00:44:51,904 HOLD YOUR FIRE! HOLD YOUR FIRE! 604 00:45:21,402 --> 00:45:25,171 - YOU MAKE A MOVE AND SHE GETS IT. - TRUE LOVE, HUH? 605 00:45:25,239 --> 00:45:29,759 - I DID IT AGAIN. - WELL, THERE'S NOT MUCH WE CAN DO. 606 00:45:40,371 --> 00:45:42,611 IF YOU WANT TO KICK HIM, I'LL UNDERSTAND. 607 00:45:48,112 --> 00:45:52,482 THANK GOD YOU'RE OKAY! COLT, DID YOU GET THE JEWELS? 608 00:45:52,550 --> 00:45:55,467 YEAH. HERE, CATCH. 609 00:46:04,312 --> 00:46:06,929 I ALWAYS END UP THIS WAY. 610 00:46:06,998 --> 00:46:09,509 YEAH, WELL, MAYBE IT'S BECAUSE YOU START IN THE WRONG PLACE. 611 00:46:09,533 --> 00:46:13,652 - WHAT ARE YOU GONNA DO WITH ME? - SEND YOU BACK TO MY FAVORITE BARRACUDA. 612 00:46:15,390 --> 00:46:17,656 ME TOO? 613 00:46:17,725 --> 00:46:19,803 NO, YOU'RE GOING TO GO WITH ME. 614 00:46:19,827 --> 00:46:23,662 JAIL? WELL, THEY'LL GO EASY ON YOU WHEN THEY... 615 00:46:23,731 --> 00:46:27,132 WHEN I TELL THEM HOW YOU HELPED RECOVER THE JEWELS. 616 00:46:27,201 --> 00:46:29,402 WHAT A JERK I AM! 617 00:46:29,470 --> 00:46:32,671 ACTUALLY, I THINK YOU'RE PRETTY TERRIFIC. 618 00:46:32,740 --> 00:46:35,240 AND IF YOU START BELIEVING IT YOURSELF, 619 00:46:35,309 --> 00:46:38,109 THEN THEY'LL START CALLING YOU "LUCKY." 620 00:46:43,717 --> 00:46:46,986 BIG JACK, YOU GOT NOTHING TO LOSE. I'M PUTTIN' UP THE COLLATERAL. 621 00:46:47,055 --> 00:46:49,488 JUST GET HER OUT ON BAIL RIGHT AWAY. 622 00:46:49,557 --> 00:46:51,957 NO, NO, NO! NOT THE MEN, JUST JINX! 623 00:46:52,026 --> 00:46:54,276 YEAH. 624 00:46:54,345 --> 00:46:57,079 YOU'RE ALL HEART. GOOD-BYE. 625 00:47:02,220 --> 00:47:04,720 YEAH. 626 00:47:04,788 --> 00:47:07,890 UH, YEAH. OH. UH, YEAH. HOLD ON. 627 00:47:09,894 --> 00:47:12,272 IT'S YOUR BOSS. SOUNDS HAPPY. 628 00:47:12,296 --> 00:47:14,963 SO HE SHOULD BE. WE GOT ALL THE JEWELS BACK... 629 00:47:15,033 --> 00:47:18,000 AND WE DIDN'T EVEN HAVE TO MAKE A DEAL. WELL, I DON'T LIKE DEALS. 630 00:47:18,069 --> 00:47:20,514 I THINK A PERSON DOES SOMETHING WRONG, THEY SHOULD GO TO JAIL. 631 00:47:20,538 --> 00:47:22,971 OH, DON'T BE SO SIMPLISTIC, COLT. 632 00:47:24,308 --> 00:47:26,409 YES, THIS IS KAY. 633 00:47:26,477 --> 00:47:29,845 OH, THANK YOU, SIR. OH, PLEASE. THERE'S NO NEED TO OVERDO THE PRAISE. 634 00:47:29,914 --> 00:47:34,083 YES, IT WAS A SUPERLATIVE JOB, IF I DO SAY SO MYSELF. 635 00:47:34,152 --> 00:47:37,053 OH, THANK YOU, SIR. THANK YOU VERY, VERY MUCH. I'LL TELL YOU WHAT. 636 00:47:37,121 --> 00:47:39,922 I WILL SEE YOU FIRST THING MONDAY MORNING WITH A REPORT IN HAND. 637 00:47:39,990 --> 00:47:42,069 I ORDERED ALL THE GEAR FOR TOMORROW'S GAG, COLT. 638 00:47:42,093 --> 00:47:44,493 AH, GOOD. GOOD. 639 00:47:44,562 --> 00:47:49,414 COLT, YOU'RE NOT GOING TO LIKE HEARING THIS, BUT YOU HAVE MADE ME A HERO. 640 00:47:49,483 --> 00:47:53,535 OH, THAT'S WONDERFUL. WAIT A MINUTE. 641 00:47:53,604 --> 00:47:55,838 I DON'T THINK THIS GLASS WAS QUITE THIS FULL BEFORE. 642 00:47:55,906 --> 00:47:58,152 UH, WELL, I POURED SOME MORE IN FOR YA. 643 00:47:58,176 --> 00:48:00,353 UM, HOWIE, WOULD YOU MIND GETTING 644 00:48:00,377 --> 00:48:02,227 US A COUPLE OF FRESH GLASSES, PLEASE? 645 00:48:02,296 --> 00:48:06,765 UH, HOWIE, UH... GET US ANOTHER BOTTLE OF CHAMPAGNE, HUH? 646 00:48:06,834 --> 00:48:10,119 - WELL, THIS ONE'S ALMOST FULL. - WELL, IT'S A TRADITION OF OURS. 647 00:48:10,188 --> 00:48:14,123 - YOU WOULDN'T UNDERSTAND. - HAD TO BE THERE. 52830

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