All language subtitles for Fall Guy S01E19

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These are the user uploaded subtitles that are being translated: 1 00:00:02,619 --> 00:00:05,353 ♪ WELL, I'M NOT THE KIND TO KISS AND TELL ♪ 2 00:00:05,422 --> 00:00:08,207 ♪ BUT I'VE BEEN SEEN WITH FARRAH ♪ 3 00:00:08,275 --> 00:00:10,843 ♪ I'VE NEVER BEEN WITH ANYTHING LESS ♪ 4 00:00:10,911 --> 00:00:13,629 ♪ THAN A NINE SO FINE ♪ 5 00:00:13,697 --> 00:00:16,515 ♪ I'VE BEEN ON FIRE WITH SALLY FIELD ♪ 6 00:00:16,584 --> 00:00:19,518 ♪ GONE FAST WITH A GIRL NAMED BO ♪ 7 00:00:19,586 --> 00:00:23,672 ♪ BUT SOMEHOW THEY JUST DON'T END UP AS MINE ♪ 8 00:00:23,741 --> 00:00:27,426 ♪ IT'S A DEATH-DEFYIN' LIFE I LEAD ♪ 9 00:00:27,494 --> 00:00:29,878 ♪ I TAKE MY CHANCES ♪ 10 00:00:29,946 --> 00:00:33,047 ♪ I DIE FOR A LIVIN' IN THE MOVIES AND TV ♪ 11 00:00:34,902 --> 00:00:37,502 ♪ BUT THE HARDEST THING I EVER DO ♪ 12 00:00:37,571 --> 00:00:40,906 ♪ IS WATCH MY LEADING LADIES ♪ 13 00:00:40,958 --> 00:00:45,427 ♪ KISS SOME OTHER GUY WHILE I'M BANDAGIN' MY KNEE ♪ 14 00:00:45,496 --> 00:00:48,213 ♪ I MIGHT FALL FROM A TALL BUILDIN' ♪ 15 00:00:48,281 --> 00:00:51,283 ♪ I MIGHT ROLL A BRAND-NEW CAR ♪ 16 00:00:51,352 --> 00:00:53,869 ♪ 'CAUSE I'M THE UNKNOWN STUNTMAN ♪ 17 00:00:53,938 --> 00:00:56,904 ♪ THAT MADE REDFORD SUCH A STAR ♪ 18 00:00:56,973 --> 00:00:59,975 ♪♪ 19 00:01:03,514 --> 00:01:06,448 ♪ I'VE NEVER SPENT MUCH TIME IN SCHOOL ♪ 20 00:01:06,516 --> 00:01:09,351 ♪ BUT I'VE TAUGHT LADIES PLENTY ♪ 21 00:01:09,419 --> 00:01:12,788 ♪ IT'S TRUE I HIRE MY BODY OUT FOR PAY ♪ 22 00:01:12,856 --> 00:01:14,556 ♪ HEY, HEY ♪ 23 00:01:14,625 --> 00:01:17,559 ♪ I'VE GOTTEN BURNED OVER CHERYL TIEGS ♪ 24 00:01:17,628 --> 00:01:20,195 ♪ BLOWN UP FOR RAQUEL WELCH ♪ 25 00:01:20,264 --> 00:01:24,132 ♪ BUT WHEN I WIND UP IN THE HAY, IT'S ONLY HAY ♪ 26 00:01:24,201 --> 00:01:25,567 ♪ HEY, HEY ♪ 27 00:01:25,636 --> 00:01:28,636 ♪ I MIGHT JUMP AN OPEN DRAWBRIDGE ♪ 28 00:01:28,705 --> 00:01:30,455 ♪ OR TARZAN FROM A VINE ♪ 29 00:01:30,523 --> 00:01:32,941 ♪ 'CAUSE I'M THE UNKNOWN STUNTMAN ♪ 30 00:01:33,010 --> 00:01:36,678 ♪ THAT MAKES EASTWOOD LOOK SO FINE ♪♪ 31 00:01:50,861 --> 00:01:54,128 THIS IS THE STORY OF ONE OF AMERICA'S GREAT UNSUNG HEROES. 32 00:01:54,197 --> 00:01:57,899 I MEAN, YOU'VE SEEN HIM, BUT YOU NEVER KNEW WHO HE WAS. 33 00:01:57,968 --> 00:02:00,251 YOU'VE CHEERED FOR HIM AND CRIED FOR HIM, 34 00:02:00,320 --> 00:02:03,489 WOMEN HAVE WANTED TO DIE FOR HIM. 35 00:02:03,557 --> 00:02:07,776 BUT DID HE EVER GET ANY CREDIT? OR THE GIRL? NO. 36 00:02:07,845 --> 00:02:09,861 HE WAS WHAT WE CALL A STUNTMAN. 37 00:02:09,930 --> 00:02:12,614 AND THE REASON I'M TALKIN' SO FONDLY ABOUT HIM IS... 38 00:02:12,683 --> 00:02:14,800 WELL, BECAUSE IT'S ME, COLT SEAVERS. 39 00:02:14,868 --> 00:02:18,353 ANYWAY, PICTURE WORK ISN'T WALL-TO-WALL EMPLOYMENT. 40 00:02:18,422 --> 00:02:22,090 SO MAYBE YOU WONDER HOW A GUY KEEPS HIS HEAD TOGETHER. 41 00:02:22,158 --> 00:02:24,676 WELL, ONE WAY IS TO WAIT BY THE PHONE... 42 00:02:24,745 --> 00:02:27,379 AND WAIT... AND WAIT. 43 00:02:27,448 --> 00:02:30,165 THE OTHER IS TO TAKE AN OCCASIONAL JOB FOR THE COURT SYSTEM... 44 00:02:30,234 --> 00:02:32,333 OF THE UNITED STATES OF AMERICA, 45 00:02:32,402 --> 00:02:35,336 WHERE A MAN IS CONSIDERED INNOCENT UNTIL PROVEN GUILTY. 46 00:02:35,405 --> 00:02:38,673 UNFORTUNATELY, SOMETIMES A LOT OF THESE PEOPLE... 47 00:02:38,742 --> 00:02:41,960 GET OUT OF JAIL ON WHAT WE CALL BAIL. 48 00:02:42,028 --> 00:02:44,663 AND THEY RUN LIKE HELL. 49 00:02:44,732 --> 00:02:49,050 THAT'S WHERE I COME IN. I SOMETIMES PICK UP RENT MONEY TRYIN' TO FIND THEM... 50 00:02:49,119 --> 00:02:50,969 AND BRING THEM BACK TO JUSTICE. 51 00:02:51,038 --> 00:02:55,073 ONCE IN A WHILE, I GET A CHANCE TO DO NOTHIN' WITH ALL MY BUDDIES. 52 00:03:14,244 --> 00:03:19,247 HEY, TOM! HEY, WELCOME. HOW YOU DOIN', ALL RIGHT? 53 00:03:19,316 --> 00:03:21,483 OKAY? EVERYTHING ALL RIGHT? 54 00:03:23,170 --> 00:03:25,403 HYAH! HYAH! 55 00:03:30,511 --> 00:03:33,111 HYAH! 56 00:03:33,180 --> 00:03:37,866 LOOK AT ALL THOSE PEOPLE, COLT. GEE, THIS IS EXCITING. YEAH, I KNOW, KID. 57 00:03:37,934 --> 00:03:41,402 REMEMBER, THE KEY IS TO PACE YOURSELF. YOU DON'T WANNA PEAK TOO SOON. 58 00:03:41,471 --> 00:03:44,906 WE GOT TWO DAYS OF NONSTOP PARTYIN'. YEAH. 59 00:03:44,975 --> 00:03:46,491 YEAH. HYAH! HYAH! 60 00:04:07,681 --> 00:04:11,299 WELL, IF IT ISN'T THE OLD WELLS FARGO MAN HIMSELF. 61 00:04:12,452 --> 00:04:15,520 TAKE IT IN. HI, STAN. 62 00:04:17,357 --> 00:04:19,457 HERE WE ARE. 63 00:04:20,694 --> 00:04:22,761 WOW. WELL, JODY, HOW WAS THE RIDE? 64 00:04:22,830 --> 00:04:26,832 I'LL LET YOU KNOW AS SOON AS I GET SOME FEELIN' BACK. COME ON OUT, BIG JACK. 65 00:04:26,900 --> 00:04:29,317 THANKS, HOWIE. 66 00:04:29,386 --> 00:04:31,452 OH, BOY. I'LL NEVER SIT AGAIN. 67 00:04:31,521 --> 00:04:33,621 COLT, THE NEXT TIME YOU SAY WE'RE TRAVELING BY COACH, 68 00:04:33,691 --> 00:04:35,740 I'D LIKE TO SEE THE TICKET FIRST. 69 00:04:37,744 --> 00:04:40,323 I'LL SAY ONE THING, YOU STILL KNOW HOW TO MAKE AN ENTRANCE. 70 00:04:40,347 --> 00:04:43,315 HELLO, GUS. HOW ARE YOU? FINE. GOOD TO SEE YOU, COLT. 71 00:04:43,383 --> 00:04:45,617 YOU KNOW JODY AND HOWIE. SURE. 72 00:04:45,686 --> 00:04:47,786 THIS IS SAMANTHA JACK, FRIEND OF OURS, 73 00:04:47,855 --> 00:04:50,956 WANTED TO COME ALONG FOR A FEW DAYS OF SUN AND FUN. 74 00:04:51,024 --> 00:04:54,776 COME TO THE RIGHT PLACE. YOU HAVE NO WORRIES AT ALL. THIS IS A FUN-LOVIN' GROUP. 75 00:04:54,845 --> 00:04:57,412 SURE LOOKS LIKE YOU GOT A GOOD TURNOUT. 76 00:04:57,481 --> 00:05:00,060 YEAH, WE GOT ALL THE BIG NAMES, ALL EXCEPT FOR CHARLIE HEFFERTON. 77 00:05:00,084 --> 00:05:04,018 OH, NO, CHARLIE... CHARLIE SAID SHE'D BE HERE. YOU CAN BET SHE'LL SHOW UP. 78 00:05:04,087 --> 00:05:07,655 - CHARLIE'S A SHE? - BEST STUNTWOMAN IN THE BUSINESS. 79 00:05:07,724 --> 00:05:11,093 YEAH, I REMEMBER WHEN YOU AND CHARLIE USED TO WORK TOGETHER. 80 00:05:11,161 --> 00:05:13,311 YOU WERE A REAL PAIR TO DRAW TO. 81 00:05:13,380 --> 00:05:17,882 - WELL, SHE HAD THAT SPECIAL FLAIR, ALL RIGHT. - COLT, LOOK AT THAT. 82 00:05:21,905 --> 00:05:24,238 THANKS FOR THE RIDE. 83 00:05:39,072 --> 00:05:43,642 COLT, I THINK YOU'VE BEEN JUST UPSTAGED. WATCH IT. 84 00:05:47,147 --> 00:05:49,848 COLT, DO YOU KNOW WHO THAT IS? 85 00:05:49,916 --> 00:05:52,467 THAT'S CHARLIE. 86 00:06:24,684 --> 00:06:26,734 SHOULDN'T WE GIVE HER SOME ROOM? 87 00:06:26,803 --> 00:06:28,836 NO NEED TO. SHE KNOWS WHAT SHE'S DOIN'. 88 00:06:38,247 --> 00:06:40,932 YEAH. ALL RIGHT. 89 00:06:41,000 --> 00:06:43,101 WHOO! 90 00:06:50,260 --> 00:06:52,944 WHOO! 91 00:06:53,012 --> 00:06:55,357 COLT! NICE TO SEE YOU AGAIN, CHARLIE. 92 00:06:55,381 --> 00:06:57,449 HOW ARE YOU? OH. 93 00:06:57,517 --> 00:06:59,651 SORRY TO STEAL YOUR THUNDER, BUT YOU KNOW ME. 94 00:06:59,719 --> 00:07:03,471 WHERE THERE'S A STAGE, I'LL DO A SHOW. I KNOW, I KNOW. 95 00:07:03,540 --> 00:07:06,141 OH! THAT WAS WONDERFUL. 96 00:07:06,209 --> 00:07:09,610 GREAT JUMP, CHARLIE. GOOD TO SEE YOU. GOOD JOB. 97 00:07:09,679 --> 00:07:11,746 HEY, COME ON. LET'S GET YOU GUYS SETTLED. 98 00:07:11,814 --> 00:07:13,848 SEE YOU LATER. 99 00:07:15,952 --> 00:07:17,985 WELL, WHAT DO YOU DO FOR AN ENCORE? 100 00:07:18,054 --> 00:07:22,390 STICK AROUND, BIG FELLA, AND YOU'LL FIND OUT. HI, GARY! 101 00:07:22,459 --> 00:07:25,911 HEY, CHARLIE. COME OVER AND SAY HELLO. YEAH, JUST A SECOND. 102 00:07:25,979 --> 00:07:28,558 COLT, I'VE GOT ABOUT A MILLION PEOPLE I'VE GOTTA SAY HELLO TO. 103 00:07:28,582 --> 00:07:30,932 I'M SUPPOSED TO MEET MY BROTHER. WHERE YOU GONNA BE LATER? 104 00:07:31,001 --> 00:07:34,602 - THAT DEPENDS ON LADY LUCK. - WELL, FINE. I'LL SEE YOU IN THE CASINO. 105 00:07:34,671 --> 00:07:38,323 NOPE, I'LL BE HAVIN' A COLD BEER BY THE POOL AND SEE WHO LADY LUCK BRINGS ME. 106 00:07:38,391 --> 00:07:42,343 OH. WELL, IF YOU'RE REAL LUCKY, SHE'LL BRING YOU ME. 107 00:07:42,412 --> 00:07:44,478 AH. 108 00:07:46,549 --> 00:07:50,418 NOT BAD, COLT. NOT BAD AT ALL. 109 00:07:50,486 --> 00:07:53,232 YEAH, IT'S A GREAT TEAM OF HORSES. TAKE CARE OF 'EM, WILL YA? 110 00:07:53,256 --> 00:07:55,790 I WAS TALKIN' ABOUT THE GIRL. I WANNA HANG OUT WITH YOU. 111 00:07:55,859 --> 00:07:57,970 WAIT A MINUTE, KID. YOU TRUST ME, DON'T YA? 112 00:07:57,994 --> 00:08:02,213 WELL, YEAH, SURE, BUT... LET ME GIVE YOU ADVICE THAT DAVE ROBINSON GAVE TO ME. 113 00:08:02,282 --> 00:08:03,974 HE SAID, "'TIS A WISE MAN THAT WOULDN'T 114 00:08:03,998 --> 00:08:05,933 TRADE A WORLD FILLED WITH BEAUTIFUL WOMEN... 115 00:08:06,002 --> 00:08:08,285 FOR A TEAM OF DEPENDABLE HORSES." 116 00:08:08,354 --> 00:08:11,122 I'M NOT OLD ENOUGH TO BE WISE. 117 00:08:11,191 --> 00:08:13,792 UH, DIDN'T THINK YOU'D BUY THAT. 118 00:08:13,860 --> 00:08:15,960 OH, GREAT. 119 00:08:20,801 --> 00:08:23,885 SHE LIKES ME. 120 00:08:29,559 --> 00:08:32,176 ♪♪ 121 00:08:32,245 --> 00:08:35,479 GOT EIGHT, SKATE AND DONATE. LET'S GO. ROLL 'EM UP. 122 00:08:36,650 --> 00:08:39,350 ALL RIGHT. COME ON. 123 00:08:39,419 --> 00:08:41,764 HEY, BOSS. CAN WE TALK TO YOU FOR A MINUTE? 124 00:08:41,788 --> 00:08:46,123 I'M STUCK HERE. YOU BETTER HAVE GOOD NEWS. WALK OVER HERE. 125 00:08:48,662 --> 00:08:52,864 IT'S GOOD NEWS, ALL RIGHT. WE LOCATED HEFFERTON. WELL, IT'S ABOUT TIME. 126 00:08:52,933 --> 00:08:55,850 HEY, BOSS, HE'S PRETTY SLIPPERY. I KNOW ALL ABOUT IT. WHERE IS HE? 127 00:08:55,919 --> 00:09:00,672 WELL, THE RENT-A-CAR PLACE AT THE AIRPORT GAVE HIS ADDRESS FOR A HOTEL RIGHT HERE. 128 00:09:00,740 --> 00:09:03,619 DID HE HAVE THE MONEY WITH HIM? WE CHECKED THE ROOM. IT'S NOT REGISTERED TO HIM. 129 00:09:03,643 --> 00:09:05,905 IT'S REGISTERED TO SOME STUNTWOMAN WHO'S ON SOME KIND OF VACATION. 130 00:09:05,929 --> 00:09:08,289 IT FIGURES THAT LITTLE LEECH WOULD BE LIVIN' OFF SOME BROAD. 131 00:09:08,348 --> 00:09:10,415 YOU JUST GO SIT ON HER. HE'LL POP UP. 132 00:09:10,483 --> 00:09:14,319 HOW HARD DO YOU WANT US TO COME DOWN ON HIM? HOW HARD IS DEAD? 133 00:09:16,857 --> 00:09:20,508 HELLO, LOVELY LADIES. WHAT'LL YOU HAVE? 134 00:09:20,577 --> 00:09:22,677 DO YOU MAKE A GOOD PIÑA COLADA? 135 00:09:22,746 --> 00:09:25,046 DO I MAKE A GOOD PIÑA COLADA? 136 00:09:25,114 --> 00:09:27,493 HONEY, YOU'RE LOOKIN' AT THE BEST PIÑA COLADA 137 00:09:27,517 --> 00:09:29,867 MAKER TO COME OUT OF BREWSTER, PENNSYLVANIA. 138 00:09:29,936 --> 00:09:32,887 COURSE, I'M THE ONLY PIÑA COLADA MAKER TO COME OUT OF BREWSTER. 139 00:09:32,956 --> 00:09:36,391 - WE'LL HAVE TWO. - YOU DON'T HAPPEN TO MAKE, UH, 140 00:09:36,459 --> 00:09:39,027 DIET PIÑA COLADAS, DO YOU? 141 00:09:39,095 --> 00:09:41,262 JACK, WE'RE ON VACATION, REMEMBER? 142 00:09:41,331 --> 00:09:43,898 YOU'RE RIGHT. MAKE THOSE DOUBLES. 143 00:09:43,966 --> 00:09:47,652 GO FOR IT. DOUBLES COMIN' UP. 144 00:09:47,720 --> 00:09:50,705 NOW THIS IS WHY I BECAME A STUNTMAN. 145 00:09:50,774 --> 00:09:53,892 JUST LOOK AT ALL THOSE BEAUTIFUL BODIES. 146 00:09:53,961 --> 00:09:57,111 I FEEL LIKE A KID IN A CANDY STORE. EASY, KID. 147 00:09:57,180 --> 00:10:01,115 REMEMBER WHAT I TOLD YOU ABOUT PEAKIN' TOO SOON. HOW ARE THE HORSES? 148 00:10:01,184 --> 00:10:04,785 THE HORSES ARE FINE. THE QUESTION IS HOW ARE THE WOMEN? 149 00:10:04,854 --> 00:10:07,955 GREAT. YOU RUB 'EM DOWN? 150 00:10:08,024 --> 00:10:10,791 - THE WOMEN? - THE HORSES. 151 00:10:10,860 --> 00:10:13,794 I BOUGHT 'EM ALL STEAKS AND TOOK 'EM TO A SHOW, OKAY? 152 00:10:13,863 --> 00:10:15,847 YOU DIDN'T HAVE TO GO THAT FAR. 153 00:10:21,354 --> 00:10:24,489 COLT, IS IT MY IMAGINATION OR IS THAT GUY ABOUT TO COMMIT SUICIDE? 154 00:10:34,667 --> 00:10:37,451 OH! I ALMOST HAD A HEART ATTACK. 155 00:10:37,520 --> 00:10:41,539 - HAPPENS EVERY YEAR. - HE DID KNOW THAT AIR BAG WAS THERE, DIDN'T HE? 156 00:10:41,608 --> 00:10:44,759 COURSE HE DID. IT'S ONE OF THE NEW ONES THEY'RE DEMONSTRATIN'. 157 00:10:44,827 --> 00:10:47,161 THAT WAS JUST A DEMONSTRATION? 158 00:10:47,230 --> 00:10:49,163 MM-HMM. AND A LITTLE SHOWING OFF. 159 00:10:49,232 --> 00:10:51,999 YEAH, WELL, THAT'S A LITTLE TOO MACHO FOR ME. 160 00:10:52,068 --> 00:10:54,635 THINK I'M GONNA TAKE A SWIM IN THE DIRECTION OF THAT REDHEAD. 161 00:10:54,704 --> 00:10:57,004 SEE IF SHE LIKES THE STRONG BUT SENSIBLE TYPE. 162 00:10:57,073 --> 00:10:58,923 MMM. GOOD LUCK. 163 00:11:11,971 --> 00:11:14,138 COLT? 164 00:11:15,775 --> 00:11:18,576 HEY, WHAT KEPT YOU? PULL UP A CHAIR. I WISH I COULD, 165 00:11:18,644 --> 00:11:22,196 BUT I SPENT SO MUCH TIME LOOKING FOR MY BROTHER, I HAVEN'T BEEN TO MY ROOM YET. 166 00:11:22,265 --> 00:11:24,298 HURRY BACK AND I'LL BUY YOU A BEER. 167 00:11:24,367 --> 00:11:27,135 WHY DON'T YOU COME TO THE ROOM AND I'LL BUY YOU A BEER? 168 00:11:27,203 --> 00:11:30,838 - I COULD USE A LITTLE COMPANY. RIGHT NOW. - SOMETHING WRONG? 169 00:11:30,907 --> 00:11:33,858 I HOPE NOT. I MEAN, I DON'T REALLY THINK SO, NO. IT'S... 170 00:11:33,927 --> 00:11:37,062 WE'VE GOT A LOT OF CATCHIN' UP TO DO. WE MIGHT AS WELL START NOW. 171 00:11:37,130 --> 00:11:40,248 THAT SOUNDS GOOD TO ME. I GOTTA GET MY TRUNKS ANYWAY. 172 00:11:40,317 --> 00:11:42,399 OKAY. 173 00:11:42,468 --> 00:11:45,770 DON'T TELL ME YOU'RE LEAVING PARADISE. OH, TEMPORARILY. 174 00:11:45,839 --> 00:11:48,706 HEY, DON'T FORGET. YOU PROMISED TO TAKE YOUR NEW STUNT GIRL TO LUNCH. 175 00:11:48,774 --> 00:11:50,758 WHO'S THAT? ME. 176 00:11:50,827 --> 00:11:55,262 DON'T WORRY. I'LL HAVE HIM BACK BY THEN. SHORTLY. 177 00:11:56,766 --> 00:11:59,801 YOU KNOW, GUS WAS RIGHT. THEY DO MAKE A GOOD TEAM. 178 00:12:02,071 --> 00:12:04,238 OH, JODY! 179 00:12:04,307 --> 00:12:07,041 I CAN'T TELL YOU HOW GOOD IT IS TO SEE YOU AGAIN. 180 00:12:07,110 --> 00:12:09,177 IT'S BEEN A LONG TIME, HASN'T IT? 181 00:12:09,245 --> 00:12:11,390 IT MAKES FOR A BETTER REUNION. TRUE. 182 00:12:11,414 --> 00:12:13,447 WHAT'S THE MATTER? 183 00:12:13,516 --> 00:12:16,717 FORGOT TO STOP BY THE DESK TO SEE IF MY BROTHER LEFT ME A MESSAGE. 184 00:12:16,786 --> 00:12:19,965 I THOUGHT HE WAS GONNA MEET YOU HERE. SO DID I, BUT HE NEVER SHOWED. 185 00:12:19,989 --> 00:12:21,989 MESSAGES FOR 516, PLEASE. 186 00:12:25,762 --> 00:12:27,946 YOU WORRIED ABOUT HIM? 187 00:12:28,014 --> 00:12:30,264 OH, A LITTLE. 188 00:12:30,333 --> 00:12:35,269 YOU KNOW HOW IT IS. HE'S MY KID BROTHER AND, UH, HE LIVES IN PHOENIX. 189 00:12:35,338 --> 00:12:38,772 I'M NOT SO SURE THAT ALL HIS BUSINESS DEALINGS ARE ENTIRELY ABOVEBOARD. 190 00:12:38,841 --> 00:12:42,142 WELL, THAT HAPPENS IN THIS TOWN. IS HE A GAMBLER? 191 00:12:42,211 --> 00:12:44,297 I DON'T KNOW EXACTLY WHAT HE IS. I WAS HOPING 192 00:12:44,321 --> 00:12:46,197 WE WERE GOING TO HAVE A TALK ABOUT THAT. 193 00:12:49,985 --> 00:12:52,036 CHARLIE! 194 00:13:05,402 --> 00:13:10,405 MEL, I THOUGHT YOU WERE SUPPOSED TO MEET ME AN HOUR AGO. SOMETHING CAME UP. 195 00:13:10,473 --> 00:13:12,807 COLT? 196 00:13:12,876 --> 00:13:14,956 COLT SEAVERS, THIS IS MY BROTHER MEL. 197 00:13:15,011 --> 00:13:17,077 HEY. HOW YOU DOIN', MEL? FINE. 198 00:13:17,146 --> 00:13:20,506 I'LL GRAB A BEER. BE RIGHT WITH YOU. SURE. 199 00:13:21,518 --> 00:13:25,670 WHAT IS GOING ON? ARE YOU ALL RIGHT? NOT EXACTLY. 200 00:13:26,889 --> 00:13:28,889 DO YOU HAVE ANY CASH? IT'S IMPORTANT. 201 00:13:30,743 --> 00:13:33,794 - WHY? - I... CHARLIE, I... 202 00:13:33,863 --> 00:13:36,097 YOU KNOW I WOULDN'T ASK YOU IF I WASN'T DESPERATE. 203 00:13:36,165 --> 00:13:39,165 MEL, DO YOU WANT TO TALK TO ME ABOUT IT OR SOMETHING? 204 00:13:39,202 --> 00:13:41,719 I CAN'T EXPLAIN RIGHT NOW. WILL YOU JUST GIVE ME THE MONEY? 205 00:13:41,788 --> 00:13:43,899 SCUSE ME. HOPE I'M NOT INTERRUPTING ANYTHING. 206 00:13:43,923 --> 00:13:47,358 NO, HONEY. IT'S OKAY. HOW MUCH MONEY DO YOU NEED? 207 00:13:47,426 --> 00:13:49,877 GUESS A WHOLE LOT MORE THAN YOU'RE CARRYIN', CHARLIE. 208 00:13:49,946 --> 00:13:52,780 UH, HI, FELLAS. CAN WE HELP YOU? 209 00:13:52,848 --> 00:13:54,944 BUTT OUT. THAT'S ONE. 210 00:13:54,968 --> 00:13:58,303 MEL, LANCE ROSS WOULD LIKE TO SEE YOU. 211 00:13:58,371 --> 00:14:00,404 ME? I DON'T KNOW WHAT YOU'RE TALKIN' ABOUT. 212 00:14:00,473 --> 00:14:03,391 I DON'T KNOW ANYBODY NAMED LANCE ROSS. WE'LL INTRODUCE YOU. 213 00:14:03,460 --> 00:14:06,193 HEY, FELLAS. WAIT A MINUTE. IF THIS LANCE WANTS TO TALK TO MEL, 214 00:14:06,262 --> 00:14:08,329 WHY DOESN'T HE COME OVER AND HAVE A DRINK? 215 00:14:08,398 --> 00:14:10,898 I'LL GIVE YOU 200,000 REASONS. 216 00:14:10,967 --> 00:14:14,752 I GUESS WE'D BETTER ORDER SOME DRINKS, BECAUSE THAT'S GONNA TAKE SOME TIME. 217 00:14:14,821 --> 00:14:16,515 A REAL COMEDIAN, HUH? THAT'S TWO. 218 00:14:16,539 --> 00:14:18,872 - LET'S GO, JUNIOR. - HANDS OFF MY BROTHER. 219 00:14:18,941 --> 00:14:22,341 YOU JUST BOUGHT IT, PAL. HEY! 220 00:14:43,733 --> 00:14:45,966 DAMN GOOD. 221 00:14:54,660 --> 00:14:57,578 ♪♪ 222 00:14:57,647 --> 00:15:00,414 I FEEL GUILTY ALL OVER. I'M SORRY. 223 00:15:00,483 --> 00:15:05,052 GUILTY? WHY? THAT THIS HAD TO HAPPEN, THAT YOU HAD TO GET INVOLVED IN IT. 224 00:15:05,121 --> 00:15:10,241 INVOLVED IN WHAT? IN MY BROTHER'S LIFE. SOMETIMES I WONDER WHY I AM. 225 00:15:10,310 --> 00:15:12,288 I DON'T EVEN KNOW IF IT'S POSSIBLE TO STRAIGHTEN HIM OUT ANYMORE. 226 00:15:12,312 --> 00:15:14,245 I JUST PROMISED MY PARENTS I'D TRY. 227 00:15:14,314 --> 00:15:16,864 WAIT. WHERE YOU GOIN'? AFTER MEL. HE MAY BE A FOOL, 228 00:15:16,933 --> 00:15:18,932 BUT HE'S THE ONLY BROTHER I'VE GOT. 229 00:15:19,001 --> 00:15:22,370 YOU EVER STOP TO THINK YOU MAY BE GETTIN' IN OVER YOUR HEAD ON THIS ONE? 230 00:15:22,438 --> 00:15:26,391 I CAN TAKE CARE OF MYSELF. MAYBE. AND MAYBE NOT. 231 00:15:26,459 --> 00:15:28,286 YOU'RE GONNA STAY IN YOUR ROOM UNTIL I FIND 232 00:15:28,310 --> 00:15:30,161 OUT WHO THOSE GUYS ARE AND WHAT'S GOIN' ON. 233 00:15:30,230 --> 00:15:33,564 I'M GOIN' WITH YOU. NO, YOU'RE NOT. AND IF YOU GIVE ME ANY MOUTH, 234 00:15:33,633 --> 00:15:37,068 I'M GONNA PUT A FRIEND OF MINE OUTSIDE YOUR DOOR TO MAKE SURE YOU STAY PUT. 235 00:15:37,137 --> 00:15:39,336 OKAY? OKAY. 236 00:15:44,978 --> 00:15:47,723 I DON'T UNDERSTAND HOW YOU GUYS LET HIM SLIP THROUGH YOUR FINGERS. 237 00:15:47,747 --> 00:15:49,814 HE GOT HELP. WHAT DO YOU MEAN? FROM WHO? 238 00:15:49,882 --> 00:15:52,044 FROM HIS SISTER AND THIS OTHER GUY. 239 00:15:52,068 --> 00:15:55,836 I'M UP TO HERE WITH ALIBIS FROM YOU TWO, ALL RIGHT? I WANNA GET BACK TO THE HOTEL. 240 00:15:55,905 --> 00:15:58,973 THERE'S A GUY OVER THERE, OWES ME $200,000. DO YOU UNDERSTAND ME? 241 00:15:59,042 --> 00:16:01,842 I DON'T CARE WHAT IT TAKES. I WANT IT BACK FROM HIM. 242 00:16:01,911 --> 00:16:04,578 NOW LET'S GO. 243 00:16:21,780 --> 00:16:24,093 THAT WAS GREAT. YOU GOTTA TRY IT. 244 00:16:24,117 --> 00:16:27,985 UH-UH. I GET DIZZY IN HIGH HEELS. 245 00:16:28,054 --> 00:16:32,072 THE ONLY WAY YOU'RE GONNA GET ME OFF THE GROUND IS WITH ONE OF THESE. 246 00:16:45,622 --> 00:16:49,790 GOSH. BOY, YOU FELLAS HAVE GOTTA BE BUBBLE UP TO PLUMB TO DO THAT. 247 00:16:49,859 --> 00:16:52,071 HEY. DON'T KNOCK IT UNLESS YOU'VE TRIED IT, BIG JACK. 248 00:16:52,095 --> 00:16:54,695 OH, HI, COLT. WHAT HAPPENED TO LUNCH? 249 00:16:54,764 --> 00:16:56,831 OH, SOMETHING CAME UP. 250 00:16:56,899 --> 00:16:59,083 THAT'S THE GUY WHO WAS IN THE BAR. 251 00:17:01,220 --> 00:17:04,705 RIGHT NOW, I'M LOOKIN' FOR AN OLD FRIEND NAMED ROSCOE, WORKS HERE SOMEPLACE. 252 00:17:04,774 --> 00:17:07,642 HMM. BARTENDER'S NAME IS ROSCOE. 253 00:17:07,710 --> 00:17:09,910 YOU'RE KIDDING. 254 00:17:13,650 --> 00:17:16,216 WHAT'S YOUR POISON? I'M BUYIN'. 255 00:17:16,285 --> 00:17:18,352 WELL, RIGHT NOW I'M LOOKIN' FOR INFORMATION, 256 00:17:18,421 --> 00:17:20,488 BUT IT JUST MIGHT BE UNHEALTHY AT THAT. 257 00:17:20,556 --> 00:17:23,274 COLT, WHAT'S GOIN' ON? I'M NOT EXACTLY SURE. 258 00:17:23,343 --> 00:17:27,027 BUT YOU STAY HERE. LESS YOU KNOW, THE BETTER. EXCUSE ME. 259 00:17:27,096 --> 00:17:29,380 WHAT IS GOING ON? 260 00:17:29,449 --> 00:17:34,351 I THOUGHT THIS WAS GOING TO BE A FUN CONVENTION WITH A LOT OF SEXY STUNTMEN. 261 00:17:36,089 --> 00:17:38,222 YOU SURE HE'S NOT WORKIN' ON A CASE FOR YOU? 262 00:17:38,291 --> 00:17:40,324 MM-HMM. I'M SURE. 263 00:17:43,162 --> 00:17:45,830 HOW MANY OF THESE PIÑA COLADAS HAVE I HAD? 264 00:17:47,033 --> 00:17:49,233 HOWDY, ROSCOE. COLT SEAVERS! 265 00:17:49,302 --> 00:17:52,003 HEY, MAN, I'M CLEAN! YOU GOT... YOU GOTTA CATCH ME! 266 00:17:53,973 --> 00:17:58,475 MAN, I HAVEN'T DONE A... A THING. 267 00:17:58,544 --> 00:18:01,528 I DIDN'T SAY YOU DID. I JUST WANTED TO ASK YOU A FEW QUESTIONS. 268 00:18:01,597 --> 00:18:05,450 WELL, WHY DIDN'T YOU SAY SO? I HATE GETTIN' WET. 269 00:18:05,518 --> 00:18:10,170 - WHAT DO YOU KNOW ABOUT A GUY NAMED LANCE ROSS? - I NEVER HEARD OF HIM. 270 00:18:11,958 --> 00:18:14,809 WELL, COME ON, ROSCOE. 271 00:18:14,878 --> 00:18:17,945 - WHERE WE GOIN'? - UP ON THE ROOF. 272 00:18:22,719 --> 00:18:25,803 YOU'RE GONNA LOVE BEIN' A STUNTMAN. 273 00:18:25,872 --> 00:18:29,073 NO, I'M NOT GONNA LOVE BEIN' A STUNTMAN. WHAT DO YOU WANNA KNOW ABOUT LANCE? 274 00:18:29,142 --> 00:18:31,175 WHATEVER YOU CAN TELL ME. 275 00:18:31,244 --> 00:18:34,294 WELL, BASICALLY HE'S A... HE'S A LIGHTWEIGHT, 276 00:18:34,363 --> 00:18:37,131 BUT WORD HAS IT THAT HE GOT TOOK FOR A COUPLE 277 00:18:37,155 --> 00:18:40,134 OF HUNDRED THOUSAND IN A PHONY REAL ESTATE DEAL. 278 00:18:40,203 --> 00:18:43,303 200,000 DOESN'T EXACTLY SOUND LIKE A LIGHTWEIGHT. 279 00:18:43,372 --> 00:18:46,406 NO, I'M TALKIN' ABOUT HIM, NOT THE MONEY. 280 00:18:46,475 --> 00:18:49,076 WHAT'S THE WORD ON WHO TOOK HIM? 281 00:18:49,145 --> 00:18:54,916 WELL, IT'S A YOUNG, UH, CON MAN... ANOTHER LIGHTWEIGHT. 282 00:18:54,984 --> 00:18:58,435 - IS HE LOCAL? - NO, HE'S FROM PHOENIX. 283 00:18:58,505 --> 00:19:01,238 PHOENIX. NAME WOULDN'T BE MEL, WOULD IT? 284 00:19:03,009 --> 00:19:05,643 YEAH, THAT'S IT. THANKS, ROSCOE. 285 00:19:05,711 --> 00:19:07,944 I'D CHANGE UNIFORMS BEFORE THAT ONE SHRINKS. 286 00:19:13,118 --> 00:19:15,186 NICE TALKIN' TO YOU, COLT. 287 00:19:16,922 --> 00:19:20,508 ALL THAT AND NO DRINK? 288 00:19:20,576 --> 00:19:23,778 THERE'S ONLY ONE WAY TO FIND OUT WHAT HE'S UP TO. 289 00:19:23,846 --> 00:19:25,896 YEAH. 290 00:19:32,104 --> 00:19:35,539 HEY. HEY! HEY. WHAT'D THE COWBOY WANT? 291 00:19:35,607 --> 00:19:37,858 WANTED AN ESTIMATE ON A DAIQUIRI. 292 00:19:39,145 --> 00:19:42,346 ALL RIGHT. I'LL TELL YOU. I'LL TELL YOU. 293 00:19:42,415 --> 00:19:44,224 OKAY. EVERYBODY UP. WE'RE GONNA DO SOME 294 00:19:44,248 --> 00:19:46,317 CELEBRATIN'. I'LL CALL UPSTAIRS FOR CHARLIE. 295 00:19:46,385 --> 00:19:50,153 FORGET IT. HANGIN' OUT WITH EX-PARTNERS IS LIKE HANGIN' OUT WITH EX-WIVES. 296 00:19:50,222 --> 00:19:52,823 JODY, I SWEAR. I WAS HELPIN' CHARLIE OUT OF A SERIOUS PROBLEM. 297 00:19:52,892 --> 00:19:54,925 TURNED OUT IT WASN'T SO SERIOUS. 298 00:19:54,994 --> 00:19:59,546 I KNEW THERE WAS SOMETHING WRONG BEFORE, BUT YOU SURE LOOK BETTER NOW. 299 00:19:59,615 --> 00:20:02,499 OH, COME ON, JODY. COME ON. LET'S GO. 300 00:20:02,568 --> 00:20:05,519 JODY, I SWEAR I'M NOT TAKIN' CHARLIE BACK AS MY PARTNER. 301 00:20:05,588 --> 00:20:09,373 I JUST HAD TO SATISFY MYSELF THAT THIS LANCE ROSS WASN'T GONNA HARM HER BROTHER. 302 00:20:09,442 --> 00:20:13,193 - LANCE ROSS? - HE'S JUST A SMALL-TIME OPERATOR FROM PHOENIX. 303 00:20:13,262 --> 00:20:15,329 LITTLE HANDLING, NO PROBLEM. 304 00:20:15,397 --> 00:20:17,998 - COLT, I THINK YOU BETTER SIT DOWN. - WHAT? 305 00:20:18,067 --> 00:20:21,702 LANCE ROSS IS A SMALL-TIME OPERATOR, BUT HIS FATHER ISN'T. 306 00:20:21,770 --> 00:20:25,623 HIS FATHER. HOW HEAVY IS HIS FATHER? 307 00:20:25,691 --> 00:20:28,409 HIS FATHER'S NAME IS TONY THE GROCER. 308 00:20:33,749 --> 00:20:35,866 T... TONY THE GROCER? 309 00:20:35,935 --> 00:20:38,869 TONY THE GROCER. HE STARTED OUT DELIVERING PRODUCE, 310 00:20:38,938 --> 00:20:41,015 BUT THEN HE DISCOVERED THERE WAS A LOT MORE 311 00:20:41,039 --> 00:20:43,140 LETTUCE IN BOOZE THAN THERE WAS IN LETTUCE. 312 00:20:43,209 --> 00:20:46,711 HIS KID'S REAL NAME IS BILLY. THEY CALL HIM BILLY THE BOX BOY. 313 00:20:46,779 --> 00:20:50,898 BOX BOY? I THOUGHT HIS NAME WAS LANCE. 314 00:20:50,966 --> 00:20:53,967 WELL, HE THOUGHT LANCE, YOU KNOW, WAS THE KIND OF NAME PEOPLE WOULD RESPECT. 315 00:20:54,036 --> 00:20:58,438 YOU KNOW, IF YOU WEAR AN EXPENSIVE SUIT OF CLOTHING, IT MAKES YOU FEEL IMPORTANT. 316 00:20:58,507 --> 00:21:02,559 SOUNDS LIKE A REAL WINNER. BUT A VERY DANGEROUS LOSER. 317 00:21:02,628 --> 00:21:04,995 HE KEEPS TRYING TO MAKE THAT BIG SCORE, 318 00:21:05,064 --> 00:21:07,475 AND HE KEEPS TRYING TO GAIN THE RESPECT OF HIS FATHER. 319 00:21:07,499 --> 00:21:11,301 THIS, UH, BILLY THE BOX BOY... 320 00:21:11,370 --> 00:21:13,504 HE WOULDN'T BE THE KIND OF GUY THAT WOULD, UH, 321 00:21:13,573 --> 00:21:16,406 HAVE $200,000 TO INVEST IN A PHONY SCHEME, WOULD HE? 322 00:21:16,475 --> 00:21:18,943 $200,000? ARE YOU KIDDING ME? 323 00:21:19,012 --> 00:21:22,980 HE'D HAVE TO HAVE DIPPED INTO ONE OF HIS DAD'S ILLEGAL... 324 00:21:23,048 --> 00:21:25,115 WHAT'S WRONG, COLT? 325 00:21:25,184 --> 00:21:27,846 YOU DON'T LOOK TOO GOOD. YOU DON'T DRINK PIÑA COLADAS EITHER. 326 00:21:27,870 --> 00:21:30,170 I DO NOW. 327 00:21:31,707 --> 00:21:35,793 MY BROTHER SWINDLED THE MOB? I DON'T BELIEVE IT. 328 00:21:35,862 --> 00:21:40,197 YOU CAN BELIEVE IT. I DON'T THINK HE QUITE REALIZED IT WAS THE MOB. 329 00:21:40,265 --> 00:21:43,333 I'D CHALK THAT UP TO REAL BAD LUCK. 330 00:21:43,402 --> 00:21:45,870 THEN THEY WANNA KILL MELVIN. 331 00:21:45,938 --> 00:21:48,984 THEY PROBABLY WANNA GET THEIR MONEY BACK FIRST, THEN KILL HIM. OH, COLT. 332 00:21:49,008 --> 00:21:51,342 UH, TRY AND KILL HIM. WE'RE NOT GONNA LET THAT HAPPEN. 333 00:21:52,428 --> 00:21:55,596 WHAT AM I GONNA DO? 334 00:21:58,034 --> 00:22:02,870 FIRST OF ALL, WE GOTTA FIND MEL, SEE HOW MUCH OF THAT MONEY HE STILL HAS LEFT. 335 00:22:02,939 --> 00:22:06,456 - AND CHANCES ARE, WE CAN MAKE A DEAL. - NOT "WE." ME. 336 00:22:06,525 --> 00:22:09,609 LOOK. I'M A STUNTWOMAN, REMEMBER? I CAN HANDLE MYSELF OUT THERE. 337 00:22:09,678 --> 00:22:13,680 - BESIDES, I'VE GOTTEN YOU IN ENOUGH TROUBLE AS IT IS. - I DON'T CALL THIS TROUBLE. 338 00:22:13,749 --> 00:22:17,684 COLT, I APPRECIATE WHAT YOU'RE TRYING TO DO, REALLY. BUT IT'S POINTLESS. 339 00:22:17,754 --> 00:22:21,822 MEL IS MY BROTHER, HE'S MY PROBLEM, AND YOU DON'T HAVE ANY STAKE IN THIS. 340 00:22:21,891 --> 00:22:23,924 I THINK I DO. 341 00:22:25,878 --> 00:22:29,029 GEE, I LOVE IT WHEN A MAN WON'T TAKE "NO" FOR AN ANSWER. 342 00:22:31,968 --> 00:22:34,368 COME ON. LET'S GO FIND YOUR BROTHER. 343 00:22:46,448 --> 00:22:49,088 WHAT IS IT? IT'S THE TWO THUGS FROM THE BAR. 344 00:22:49,952 --> 00:22:52,002 COME ON. 345 00:23:17,947 --> 00:23:20,263 HEY, WHAT'S GOIN' ON? EXCUSE US. 346 00:23:20,332 --> 00:23:22,059 I THOUGHT YOU SAID THIS WAS A PRIVATE 347 00:23:22,083 --> 00:23:23,678 ROOM, JEROME. ARE THESE FRIENDS OF YOURS? 348 00:23:23,702 --> 00:23:25,752 HAVE A NICE DAY. 349 00:23:27,156 --> 00:23:29,205 COME ON. 350 00:23:48,677 --> 00:23:52,479 THIS MAY SOUND SILLY, BUT WHY ARE WE RUNNING UP? 351 00:23:52,548 --> 00:23:55,132 DON'T TALK WHILE YOU'RE RUNNING. IT SLOWS YOU DOWN. 352 00:23:58,120 --> 00:24:00,381 ALL'S I CAN SAY IS, I HOPE YOU KNOW SOMETHING 353 00:24:00,405 --> 00:24:02,639 I DON'T KNOW, LIKE HOW WE'RE GONNA GET DOWN. 354 00:24:02,708 --> 00:24:04,941 TRUST ME. I DID TRUST YOU, 355 00:24:05,010 --> 00:24:08,612 STUCK ON A ROOF WITH TWO HOODS BREATHING DOWN OUR NECK. 356 00:24:08,680 --> 00:24:10,664 WE AIN'T STUCK. COME ON. 357 00:24:15,838 --> 00:24:18,138 JUMP! 358 00:24:22,678 --> 00:24:25,507 WHAT DO YOU MEAN, WE'RE NOT STUCK? WHAT ARE WE GONNA DO? 359 00:24:25,531 --> 00:24:28,532 WE'RE GONNA JUMP. ARE YOU CRAZY? 360 00:24:28,600 --> 00:24:30,817 CLOSE YOUR EYES. 361 00:24:38,094 --> 00:24:42,028 YOU KNEW ABOUT THIS BAG ALL THE TIME, DIDN'T YOU? 362 00:24:42,098 --> 00:24:45,132 BUT WOULD YOU TELL ME? NO. YOU HAD TO SCARE ME TO DEATH. 363 00:24:45,201 --> 00:24:47,667 I TOLD YOU TO TRUST ME. 364 00:24:49,605 --> 00:24:54,808 TRUST YOU. YOU SEE IF I TRUST YOU EVER AGAIN IN MY LIFE. 365 00:25:00,899 --> 00:25:03,212 WELL? WHERE IS HE? WE HAD 'EM. WE HAD 'EM BOTH. 366 00:25:03,236 --> 00:25:05,285 TILL HE JUMPED OFF THE ROOF. HE WHAT? 367 00:25:05,371 --> 00:25:07,432 HE JUMPED INTO SOME KIND OF AN AIR BAG. 368 00:25:07,456 --> 00:25:10,416 HE MUST BE A STUNTMAN WITH THE CONVENTION HERE. THAT'S TERRIFIC. 369 00:25:11,210 --> 00:25:13,359 HI. ANY MESSAGES FOR 207? 370 00:25:13,428 --> 00:25:16,189 SEE THAT GIRL? THAT'S THE ONE WHO WAS AT THE POOL WITH HIM. 371 00:25:18,133 --> 00:25:21,235 I THINK IT'S ABOUT TIME WE TOOK THE UPPER HAND IN THIS AFFAIR. 372 00:25:21,304 --> 00:25:23,820 AND THIS TIME, LET'S NOT BLOW IT, ALL RIGHT? RIGHT. 373 00:25:23,889 --> 00:25:26,106 YOU GOT IT. 374 00:25:30,763 --> 00:25:33,074 WALK BETWEEN US AND SAY NOTHING. WHO ARE YOU? 375 00:25:33,098 --> 00:25:36,934 JUST WALK. THIS IS SOME KIND OF A JOKE, RIGHT? 376 00:25:37,003 --> 00:25:39,453 YEAH, IT'S A JOKE. WE'LL ALL LAUGH ABOUT IT LATER. 377 00:25:45,427 --> 00:25:47,528 HEY! OW! TAKE IT EASY, YOU GUYS. 378 00:25:47,596 --> 00:25:51,248 UH... OH, NO, NO. OW! 379 00:25:51,316 --> 00:25:52,632 THAT'S JODY. 380 00:25:55,804 --> 00:25:56,853 COLT! LOOK OUT! 381 00:26:03,929 --> 00:26:06,412 OW. 382 00:26:22,648 --> 00:26:25,949 WHAT DID YOU FIND OUT? NOTHING. SECURITY PEOPLE DIDN'T SEE A THING. 383 00:26:26,017 --> 00:26:27,596 YEAH, OR THEY'RE NOT TALKING. 384 00:26:27,620 --> 00:26:30,120 WHAT DIFFERENCE DOES IT MAKE? WE KNOW IT WAS LANCE ROSS. 385 00:26:30,188 --> 00:26:32,406 YEAH. DO WE KNOW HE'S PLAYIN' FOR KEEPS? 386 00:26:32,475 --> 00:26:35,725 COLT, I WISH YOU WOULD HAVE TOLD ME YOU WERE IN TROUBLE. 387 00:26:35,794 --> 00:26:38,456 AT THE TIME, I REALLY DIDN'T THINK I WAS. YOU WEREN'T. 388 00:26:38,480 --> 00:26:41,131 YOU HAVE TO POINT FINGERS, POINT 'EM AT ME. IT WAS MY FAULT. 389 00:26:41,199 --> 00:26:43,950 OH, COME ON, CHARLIE. DON'T BLAME YOURSELF. 390 00:26:44,019 --> 00:26:46,086 YEAH, BLAME YOUR BROTHER. 391 00:26:46,155 --> 00:26:48,621 SO WHAT ARE WE GONNA DO NOW, COLT? 392 00:26:48,690 --> 00:26:52,809 I'M NOT HANGIN' HERE. I'M GONNA LOOK FOR THAT PUNK, LANCE ROSS. 393 00:26:52,878 --> 00:26:54,911 OKAY. 394 00:26:57,049 --> 00:27:00,750 PERHAPS YOU'D LIKE TO TELL ME WHAT COLT SEAVERS HAS TO DO WITH MEL HEFFERTON. 395 00:27:00,819 --> 00:27:03,954 NOTHIN'. NOTHIN', EH? 396 00:27:04,023 --> 00:27:06,090 WELL, HE'S AN OLD FRIEND OF CHARLIE HEFFERTON. 397 00:27:06,158 --> 00:27:08,192 MEL'S SISTER? RIGHT. 398 00:27:08,260 --> 00:27:11,390 MUST BE PRETTY CLOSE FRIENDS IF HE'S WILLING TO RISK HIS LIFE FOR HER. 399 00:27:11,414 --> 00:27:15,616 YEAH, WELL, COLT'S LIKE THAT. HE'S A REAL MAN OF ADVENTURE, HUH? 400 00:27:15,684 --> 00:27:18,601 HE'S A STUNTMAN. 401 00:27:18,671 --> 00:27:21,438 THAT'S ALL? ISN'T THAT ENOUGH? 402 00:27:21,507 --> 00:27:24,007 THERE'S NO NEED TO GET DEFENSIVE, HONEY. 403 00:27:24,076 --> 00:27:27,428 SEE, WE KNOW COLT SEAVERS IS A BOUNTY HUNTER. 404 00:27:27,496 --> 00:27:30,147 I HAVE A FEW FRIENDS, I MAKE A FEW PHONE CALLS. 405 00:27:30,216 --> 00:27:34,551 IT'S A GOOD THING FOR YOU THAT HE IS A PROFESSIONAL. 406 00:27:34,619 --> 00:27:37,170 IT'S A GOOD THING FOR BOTH OF US. 407 00:27:48,967 --> 00:27:51,735 WANT ME TO GET THAT, COLT? 408 00:27:51,804 --> 00:27:54,938 NO. I BETTER GET IT. 409 00:27:59,244 --> 00:28:01,294 - COLT SEAVERS. - HELLO, MR. SEAVERS. 410 00:28:01,363 --> 00:28:03,530 YOU ENJOYING YOUR TRIP TO RENO? 411 00:28:03,598 --> 00:28:07,367 ALL RIGHT, LET'S CUT THE SMALL TALK, PAL. I WANT JODY BACK, AND I WANT HER NOW. 412 00:28:07,436 --> 00:28:10,537 WE'LL DISCUSS IT WHEN YOU DELIVER MEL HEFFERTON. 413 00:28:10,605 --> 00:28:13,140 I DON'T HAVE MEL HEFFERTON. THAT'S TOO BAD. 414 00:28:13,208 --> 00:28:15,709 JODY WAS EASY TO FIND, BUT MEL ISN'T. 415 00:28:15,778 --> 00:28:18,022 FROM WHAT PEOPLE TELL ME, THAT SHOULDN'T BE TOO DIFFICULT... 416 00:28:18,046 --> 00:28:20,079 FOR A MAN OF YOUR EXTRAORDINARY TALENTS. 417 00:28:20,148 --> 00:28:22,749 WHAT ARE YOU PROPOSING? 418 00:28:22,818 --> 00:28:25,752 SIMPLE EXCHANGE. YOU FIND MEL HEFFERTON, 419 00:28:25,821 --> 00:28:27,988 YOU BRING HIM TO ME, AND YOUR FRIEND GOES FREE. 420 00:28:28,056 --> 00:28:30,007 I MAY JUST FIND YOU FIRST. 421 00:28:30,075 --> 00:28:32,509 WELL, I DON'T THINK YOU COULD FIND ME IN TWO HOURS, 422 00:28:32,578 --> 00:28:35,746 AND THAT'S EXACTLY HOW MUCH TIME YOU HAVE BEFORE I KILL YOUR FRIEND. 423 00:28:35,814 --> 00:28:39,700 KILLING HER WON'T GET YOU MEL, BUT IT'LL GET YOU DEAD. 424 00:28:39,768 --> 00:28:42,619 WELL, MAYBE YOU'RE RIGHT, BUSTER. I WON'T KILL HER. 425 00:28:42,687 --> 00:28:46,023 BUT AFTER I GET THROUGH WITH HER, BELIEVE ME, SHE'LL WISH SHE WAS DEAD. 426 00:28:46,091 --> 00:28:48,458 NOW, DO WE HAVE AN UNDERSTANDING? 427 00:28:48,527 --> 00:28:51,678 YEAH, WE HAVE AN UNDERSTANDING. BUT YOU UNDERSTAND THIS. 428 00:28:51,747 --> 00:28:54,759 YOU LAY ONE HAND ON JODY, AND I'LL SPEND THE REST OF MY LIFE TRACKIN' YOU DOWN. 429 00:28:54,783 --> 00:28:59,319 WELL, LET'S HOPE THAT WON'T BE NECESSARY. GOOD-BYE, MR. SEAVERS. 430 00:29:01,089 --> 00:29:02,372 WHAT'D HE SAY? 431 00:29:04,977 --> 00:29:08,478 HE SAID IF WE DON'T FIND HER BROTHER, HE'S GONNA KILL JODY OR WORSE. 432 00:29:08,547 --> 00:29:12,198 - OR WORSE? - TALK ABOUT A NO-WIN SITUATION. 433 00:29:12,267 --> 00:29:15,469 WHAT ARE YOU GOING TO DO, COLT? 434 00:29:15,537 --> 00:29:18,455 CHARLIE, MEL'S GOTTA HAVE SOMEBODY HERE IN RENO HE'D TURN TO, 435 00:29:18,523 --> 00:29:20,723 SOMEBODY THAT'S HELPING TO HIDE HIM OUT. 436 00:29:20,792 --> 00:29:25,329 COLT, I ONLY KNOW ONE PERSON OTHER THAN HIMSELF THAT MEL EVER HAD ANY INTEREST IN. 437 00:29:25,397 --> 00:29:29,716 - I DON'T KNOW IF HE WOULD TURN TO HER IN THIS KIND OF TROUBLE. - WE'LL NEVER KNOW UNLESS WE ASK. 438 00:29:29,785 --> 00:29:32,285 LET'S GO. WE DON'T HAVE MUCH TIME. 439 00:29:32,354 --> 00:29:35,222 WHERE IS IT THAT WE'RE GOIN'? 440 00:29:35,290 --> 00:29:37,757 WELL, ALL MY BROTHER USED TO TALK ABOUT... 441 00:29:37,826 --> 00:29:41,061 WAS THIS DANCER HE WAS DATING WHO WORKED IN A CLUB SOMEWHERE OFF THE STREET. 442 00:29:41,129 --> 00:29:44,531 HOW FAR OFF? WAY OFF. 443 00:29:47,636 --> 00:29:52,539 ♪♪ 444 00:30:11,944 --> 00:30:17,281 MY BROTHER NEVER REALLY HAD WHAT YOU MIGHT CALL GREAT TASTE IN WOMEN. 445 00:30:17,349 --> 00:30:20,367 HIS TASTE DOESN'T SEEM TOO BAD TO ME. 446 00:30:22,170 --> 00:30:25,505 WHAT'LL IT BE, FOLKS? PERSONALLY, I RECOMMEND THE CHI-CHIS. 447 00:30:25,574 --> 00:30:28,174 WE JUST WANNA TALK TO ONE OF YOUR DANCERS. 448 00:30:28,243 --> 00:30:31,044 - WHAT ABOUT? - IT'S PERSONAL. 449 00:30:31,113 --> 00:30:35,248 PERSONAL, HUH? THAT KIND OF TALKIN' CAN GET PRETTY EXPENSIVE. 450 00:30:37,769 --> 00:30:39,803 UH... 451 00:30:42,541 --> 00:30:46,776 HMM. OH, VERY GENEROUS. 452 00:30:47,796 --> 00:30:51,197 NOT SO FAST. 453 00:30:51,266 --> 00:30:55,235 YOU CALL IT, YOU WIN. IT'S YOURS. I WIN, YOU TELL US WHAT WE WANNA KNOW. 454 00:30:55,304 --> 00:30:59,306 HMM. THAT'S THE ONLY PROBLEM WITH THIS CITY. EVERYBODY'S A GAMBLER. 455 00:30:59,374 --> 00:31:01,408 OKAY, FLIP IT. 456 00:31:01,477 --> 00:31:04,210 GOOD GIRL. 457 00:31:04,279 --> 00:31:06,546 RED SIDE UP. 458 00:31:08,317 --> 00:31:10,050 SORRY. 459 00:31:10,119 --> 00:31:14,154 OKAY, COWBOY. WHICH DANCER DO YOU HAVE ON YOUR MIND? 460 00:31:14,222 --> 00:31:17,107 - MONIQUE MALROW. - YOUR LUCK JUST RAN OUT. 461 00:31:17,176 --> 00:31:19,693 MONIQUE HASN'T WORKED HERE SINCE LAST MONTH. 462 00:31:19,761 --> 00:31:22,178 - WHAT HAPPENED TO HER? - SHE HIT THE BIG TIME. 463 00:31:22,247 --> 00:31:25,282 - LANDED A JOB IN THE MAIN HUB. - WHICH HOTEL? 464 00:31:25,351 --> 00:31:28,511 UH, THE ONE WHERE ALL THE GIRLS WEAR THE BIG HEADDRESSES. 465 00:31:28,570 --> 00:31:32,022 YEAH, YEAH. SURE. I KNOW THE ONE. THANK YOU. 466 00:31:32,090 --> 00:31:34,190 HEY, HOLD YOUR HORSES THERE, COWBOY. 467 00:31:34,259 --> 00:31:36,693 WE HAVE A TWO DRINK MINIMUM. 468 00:31:36,762 --> 00:31:40,614 TIMES THREE, THAT'LL BE 90 BUCKS. 90 BUCKS? 469 00:31:40,683 --> 00:31:44,384 YEAH, $15 A DRINK, WHETHER YOU DRINK 'EM OR NOT. 470 00:31:44,453 --> 00:31:47,053 WELL, THAT'S RIDICULOUS. IT CERTAINLY IS. 471 00:31:47,122 --> 00:31:49,883 IF YOU THINK WE'RE GONNA PAY 90 BUCKS FOR NOTHIN', YOU'RE CRAZY, LADY. 472 00:31:49,941 --> 00:31:52,892 FIFTEEN BUCKS A DRINK. THAT'S OUTRAGEOUS. I HAPPEN TO KNOW... 473 00:31:52,961 --> 00:31:55,187 THAT THERE ARE LAWS IN THIS STATE AGAINST CLIP 474 00:31:55,211 --> 00:31:57,363 JOINTS TRYIN' TO DO WHAT YOU'RE DOIN' TO US. 475 00:31:57,432 --> 00:31:59,466 - UH, HOWIE. - COLT, IF EVER THERE WAS... 476 00:31:59,534 --> 00:32:02,135 A TIME FOR RIGHTEOUS INDIGNATION, THIS IS IT. 477 00:32:02,204 --> 00:32:04,765 HOWIE, WHY DON'T WE JUST PAY THE LADY? 478 00:32:04,789 --> 00:32:06,204 SOMEBODY HAS TO TEACH THESE PEOPLE THAT 479 00:32:06,228 --> 00:32:07,852 THEY CAN'T GET AWAY WITH THIS KIND OF THING. 480 00:32:07,876 --> 00:32:09,987 HOWIE. HOWIE. LISTEN TO COLT. 481 00:32:10,011 --> 00:32:13,079 IF THERE'S ONE THING I LOVE AS MUCH AS BEING A STUNTMAN, IT'S LAW, 482 00:32:13,148 --> 00:32:15,715 ESPECIALLY WHEN IT'S CLEARLY ON MY SIDE. 483 00:32:15,784 --> 00:32:18,602 UH, THE LAW IN HERE IS ON MY SIDE. 484 00:32:18,670 --> 00:32:22,005 OR SHOULD I SAY BEHIND YOU? 485 00:32:22,073 --> 00:32:26,826 IT'S NOT WORTH IT, KID. WE'RE STILL PAYIN' FOR THE LAST BAR WE BROKE UP. 486 00:32:31,984 --> 00:32:34,478 ON SECOND THOUGHT, MAYBE WE OUGHTA JUST... PAY THE BILL. 487 00:32:34,502 --> 00:32:37,821 A GOOD IDEA. A BROKEN JAW IS NOT WORTH 90 BUCKS. 488 00:32:37,889 --> 00:32:43,777 TWENTY, 40, 60, 80, 100. 489 00:32:43,846 --> 00:32:45,879 KEEP THE CHANGE. 490 00:32:47,483 --> 00:32:49,516 ALL OF IT. 491 00:32:50,586 --> 00:32:54,571 Y'ALL COME BACK NOW, ANY TIME. 492 00:32:58,010 --> 00:33:00,043 SMOOTH, KID. REAL SMOOTH. 493 00:33:04,767 --> 00:33:06,515 COLT, I'VE GOT A GOOD FEELING ABOUT THIS. I 494 00:33:06,539 --> 00:33:08,435 THINK MONIQUE'S GONNA LEAD US STRAIGHT TO MEL. 495 00:33:08,503 --> 00:33:10,765 YEAH, I HOPE SO. HOW MUCH TIME HAVE WE GOT? 496 00:33:10,789 --> 00:33:11,805 LESS THAN AN HOUR. 497 00:33:11,873 --> 00:33:15,491 HADN'T YOU BETTER GET THIS THING IN GEAR? LET'S SEE SOME DRIVIN', BOY. 498 00:33:22,968 --> 00:33:26,452 YOU MEAN LIKE THAT? YOU HAVEN'T LOST YOUR TOUCH BEHIND THE WHEEL. 499 00:33:26,521 --> 00:33:29,167 ♪♪ OKAY, GIRLS. LET'S PUT A LITTLE LIFE IN IT. 500 00:33:29,191 --> 00:33:31,340 ♪♪ 501 00:33:31,409 --> 00:33:34,644 OKAY, KELLY. SMILE NOW. COME ON. SMILE. 502 00:33:34,713 --> 00:33:39,215 COME ON. LET'S KICK HIGH. THAT'S A GIRL. THAT'S IT. 503 00:33:44,056 --> 00:33:46,089 EXCUSE ME. WHERE DO WE FIND MONIQUE MALROW? 504 00:33:46,158 --> 00:33:48,225 SHE'S STILL IN HER DRESSING ROOM, 505 00:33:48,293 --> 00:33:50,693 AND WILL YOU TELL HER TO PLEASE GET OUT HERE? 506 00:33:53,732 --> 00:33:56,616 OKAY, GIRLS. A LITTLE LIVELY NOW. 507 00:34:00,271 --> 00:34:02,505 EXCUSE ME. MONIQUE? YES? 508 00:34:02,574 --> 00:34:05,734 WE'RE LOOKIN' FOR MEL HEFFERTON. THOUGHT MAYBE YOU MIGHT COULD HELP US FIND HIM. 509 00:34:05,777 --> 00:34:09,663 - YOU'RE GONNA BE SORELY DISAPPOINTED. - PLEASE. MEL'S MY BROTHER. 510 00:34:09,731 --> 00:34:11,765 HE'S IN TROUBLE, AND WE'RE TRYIN' TO FIND HIM. 511 00:34:11,833 --> 00:34:13,878 SORRY. I HAVEN'T SEEN HIM IN WEEKS. 512 00:34:13,902 --> 00:34:16,219 HEY, MONIQUE. THAT MEANS YOU, BABE. 513 00:34:16,287 --> 00:34:19,222 - I'VE GOTTA GO. - I DON'T THINK YOU UNDERSTAND. 514 00:34:19,291 --> 00:34:22,692 LOOK, I TOLD YOU I DON'T KNOW WHERE HE IS. WHAT DO YOU WANT FROM ME? 515 00:34:22,761 --> 00:34:25,369 HEY, MONIQUE. IF YOU'RE NOT OUT HERE IN TWO 516 00:34:25,393 --> 00:34:27,964 SECONDS, YOU'RE GOING BACK ON THE STREETS. 517 00:34:28,033 --> 00:34:30,717 LET ME GO. SURE. BREAK A LEG. 518 00:34:30,785 --> 00:34:34,337 ♪♪ 519 00:34:35,941 --> 00:34:38,091 COLT, THERE HE GOES! 520 00:34:38,160 --> 00:34:40,794 MEL! 521 00:34:45,650 --> 00:34:47,717 MEL, COME BACK HERE! 522 00:34:47,785 --> 00:34:49,402 MEL, YOU IDIOT! 523 00:34:49,470 --> 00:34:51,537 MEL, WE'RE YOUR FRIENDS. 524 00:34:51,606 --> 00:34:54,307 WHAT IS THIS? THIS IS SUPPOSED TO BE A REHEARSAL. 525 00:35:03,285 --> 00:35:05,368 GO THAT WAY, KID. 526 00:35:10,976 --> 00:35:13,009 SORRY. 527 00:35:20,903 --> 00:35:23,719 WHOA! 528 00:36:04,912 --> 00:36:07,680 ANY LEAKS? THE POLICE WILL NEVER KNOW YOU'RE IN THIS STATE. 529 00:36:07,749 --> 00:36:10,917 GOOD, GOOD. HAVE THE PILOT COME BACK IN FOUR HOURS SO HE DOESN'T GET SPOTTED. 530 00:36:12,604 --> 00:36:14,804 YOUR FRIEND IS RUNNING OUT OF TIME, HONEY. 531 00:36:14,873 --> 00:36:19,042 COLT ALWAYS GETS HIS MAN, EVEN IF HE IS BEING BLACKMAILED. 532 00:36:23,198 --> 00:36:25,231 DAD. 533 00:36:27,602 --> 00:36:31,304 YOU GUYS TAKE HER IN THE OTHER ROOM. YEAH. 534 00:36:36,227 --> 00:36:39,596 DAD, WHAT ARE YOU DOIN' HERE? YOU KNOW THEY GOT A WARRANT FOR YOU IN NEVADA. 535 00:36:40,949 --> 00:36:42,882 HOW'S MOM? 536 00:36:42,951 --> 00:36:47,720 MY SON, THE BIG SHOT! I GOT HALF A MIND TO TAKE YOU OVER MY KNEE. 537 00:36:47,789 --> 00:36:51,941 - COME ON, DAD. - YOU'RE SUCH A... AH, I CAN'T EVEN SAY IT. 538 00:36:52,009 --> 00:36:54,611 YOUR MOTHER AND ME, WE ASKED GOD TO GIVE US A SON, 539 00:36:54,679 --> 00:36:56,762 AND WHAT DOES HE DO? HE GIVES US YOU. 540 00:36:56,831 --> 00:36:57,344 DAD, I... 541 00:36:57,368 --> 00:37:00,199 YOU'RE NEARLY 30, AND I'M STILL CLEANIN' UP YOUR MESSES. 542 00:37:00,268 --> 00:37:03,369 DAD... DON'T INTERRUPT ME WHEN I'M TALKIN' TO YOU. 543 00:37:03,437 --> 00:37:05,504 NOW WHAT'S GOIN' ON HERE? 544 00:37:05,573 --> 00:37:08,341 HOW COME YOU LET SOME TWO-BIT HUSTLER GET THE BEST OF YOU? 545 00:37:08,409 --> 00:37:11,628 DAD, DON'T WORRY. I GOT A PROFESSIONAL GUY AND HE'S OUT TRACKIN' HIM DOWN. 546 00:37:11,697 --> 00:37:15,465 WHAT? YOU GOT SOMEBODY ELSE INVOLVED? WHAT AM I GONNA DO WITH YOU? 547 00:37:15,534 --> 00:37:17,293 DAD, DON'T WORRY. I'LL GET THE MONEY BACK. 548 00:37:17,317 --> 00:37:18,574 I DON'T CARE ABOUT THE MONEY. 549 00:37:18,603 --> 00:37:23,273 IT'S $200,000. $200,000 I CAN MAKE IN A GOOD WEEK. 550 00:37:23,341 --> 00:37:27,143 I'M HERE BECAUSE I LOVE YOU, BECAUSE I DON'T WANT YOU TO LOOK LIKE A FOOL. 551 00:37:27,211 --> 00:37:31,263 - I GUESS I SHOULD HAVE KNOWN BETTER. - WELL, NOW YOU KNOW, DON'T YOU? 552 00:37:31,332 --> 00:37:35,318 I JUST THOUGHT THIS TIME I COULD DO IT BY MYSELF. I GUESS I WAS WRONG. 553 00:37:35,387 --> 00:37:37,737 SO WHAT ARE WE GONNA DO, DAD? 554 00:37:37,805 --> 00:37:42,375 WE'RE GONNA FIND HEFFERTON AND WHOEVER ELSE YOU GOT INVOLVED IN THIS, 555 00:37:42,444 --> 00:37:45,261 AND WE'RE GONNA TAKE 'EM FOR A RIDE IN THE DESERT. 556 00:37:45,329 --> 00:37:48,548 AND WE'RE GONNA MAKE SURE THAT THEY NEVER COME BACK. 557 00:37:53,405 --> 00:37:58,958 TELL ME SOMETHING, MEL. HOW COULD YOU BE SO STUPID AS TO TRY TO RIP OFF A RACKETEER? 558 00:37:59,027 --> 00:38:03,263 I DIDN'T KNOW HE WAS CONNECTED TO THE MOB. IT LOOKED LIKE A SURE THING. 559 00:38:03,331 --> 00:38:05,572 LANCE ROSS IS ABOUT AS BRIGHT AS THE BOTTOM 560 00:38:05,596 --> 00:38:08,018 OF A COAL MINE. I NEVER THOUGHT HE'D CATCH ON. 561 00:38:08,086 --> 00:38:12,805 MEL, I SWEAR. SOMETIMES I WONDER IF YOU'RE MY BROTHER. 562 00:38:12,874 --> 00:38:17,077 HEY, IT'S NOT LIKE I ROBBED A HELPLESS VICTIM. THE GUY'S A CROOK HIMSELF. 563 00:38:17,145 --> 00:38:19,145 YEAH, A CROOK THAT'S HOLDIN' JODY HOSTAGE... 564 00:38:19,214 --> 00:38:21,597 UNTIL YOU COME UP WITH THE $200,000 YOU STOLE FROM HIM. 565 00:38:21,666 --> 00:38:27,102 - YEAH, I KNOW. THAT'S GONNA BE A PROBLEM. - WHAT DO YOU MEAN, A PROBLEM? 566 00:38:27,171 --> 00:38:31,580 I DON'T HAVE THE MONEY. I BLEW IT AT THE CRAP TABLES. 567 00:38:31,604 --> 00:38:32,491 YOU WHAT? 568 00:38:32,560 --> 00:38:37,096 WHY DO YOU THINK I WAS HITTING YOU UP FOR CASH? I'M BUSTED. 569 00:38:37,165 --> 00:38:39,832 I WAS TRYIN' TO RAISE A STAKE TO GET OUT OF TOWN. 570 00:38:39,901 --> 00:38:45,605 COLT, IT'S NOT GONNA BE EASY TRYIN' TO RAISE $200,000 IN THE NEXT 17 SECONDS. 571 00:38:45,673 --> 00:38:49,892 LOOKS LIKE ALL WE HAVE TO OFFER LANCE IS MEL IN EXCHANGE FOR JODY. 572 00:38:49,961 --> 00:38:53,146 WAIT A MINUTE. YOU CAN'T JUST FEED ME TO THE WOLVES. 573 00:38:53,214 --> 00:38:56,332 OH, WE'RE NOT GONNA LET THEM EAT YOU. JUST LICK YOUR FACE A LITTLE. 574 00:38:59,721 --> 00:39:03,322 - SEAVERS. - HELLO, MR. SEAVERS. I HOPE YOU HAVE SOMETHING FOR ME. 575 00:39:03,391 --> 00:39:05,641 - YES, I DO. - IS IT GREEN? 576 00:39:05,710 --> 00:39:09,228 - NO, YELLOW. - I'M NOT SURE I FOLLOW YOU. 577 00:39:09,297 --> 00:39:13,166 I'VE GOT YOUR MAN. YOU'LL HAVE TO GET YOUR MONEY OUT OF HIM ANY WAY YOU CAN. 578 00:39:13,234 --> 00:39:15,885 WHAT ARE YOU DOING, PLANNING A WEDDING? GIVE ME THAT PHONE. 579 00:39:16,922 --> 00:39:18,988 - SEAVERS? - WHO'S THIS? 580 00:39:19,057 --> 00:39:24,427 THIS IS THE BOY'S FATHER. HAVE YOU GOT MEL HEFFERTON? YES, I DO. 581 00:39:24,496 --> 00:39:26,545 OKAY. LET'S GET THIS OVER WITH. 582 00:39:26,614 --> 00:39:29,983 WHERE WOULD YOU LIKE TO MAKE THE EXCHANGE? IN PUBLIC. 583 00:39:30,051 --> 00:39:33,552 HUH. I SEE YOU'RE A MAN WHO TAKES PRECAUTIONS. VERY WELL. 584 00:39:33,621 --> 00:39:35,989 WHY DON'T WE MAKE IT THE BAR IN OUR HOTEL? 585 00:39:36,057 --> 00:39:39,742 RIGHT. MY SON WILL BE THERE WITH YOUR FRIEND IN 30 MINUTES. 586 00:39:39,810 --> 00:39:43,112 IT'S ALL SET. 587 00:39:43,181 --> 00:39:45,541 WELL, DON'T WORRY, DAD. HE WON'T GET AWAY THIS TIME. 588 00:39:47,585 --> 00:39:49,713 - WHO WAS IT? - LANCE'S FATHER. 589 00:39:49,737 --> 00:39:51,538 TONY THE GROCER HIMSELF? 590 00:39:51,606 --> 00:39:54,073 THIS HAS GOTTEN PRETTY SERIOUS IF HE'S IN TOWN. 591 00:39:54,142 --> 00:39:56,626 THERE'S A WARRANT OUT FOR HIS ARREST, 592 00:39:56,695 --> 00:39:59,056 WHICH MEANS THE RENO POLICE WILL PICK HIM UP ON SIGHT. 593 00:39:59,080 --> 00:40:01,626 NO WONDER HE'S IN SUCH A HURRY. ANOTHER THING YOU BETTER KNOW. 594 00:40:01,650 --> 00:40:06,085 - WHEREVER HE GOES, A LOT OF MUSCLE GOES WITH HIM. - NOW WAIT A MINUTE. 595 00:40:06,154 --> 00:40:09,522 YOU CAN'T TURN ME OVER TO A GUY LIKE THAT. HE'LL KILL ME. 596 00:40:09,590 --> 00:40:11,950 COLT, HE IS MY BROTHER. CAN'T WE WORK SOMETHING OUT? 597 00:40:12,009 --> 00:40:15,127 IT'S WHAT I'M TRYIN' TO FIGURE OUT. 598 00:40:15,196 --> 00:40:19,065 COME ON, KID. LET'S GO TO THE BAR. WE GOT SOME RECRUITING TO DO. 599 00:40:19,133 --> 00:40:22,802 WHO ARE WE GONNA RECRUIT? EVERY AVAILABLE STUNTMAN. 600 00:40:22,871 --> 00:40:25,604 - WHAT FOR? - MORAL SUPPORT. 601 00:40:29,010 --> 00:40:31,944 TONY THE GROCER WOULDN'T USE THE INTERNATIONAL AIRPORT. 602 00:40:32,013 --> 00:40:35,114 HE'D PROBABLY SNEAK ONTO ONE OF THOSE RANCH STRIPS NORTH OF THE CITY. 603 00:40:35,182 --> 00:40:38,117 THIS GUY COULD BE UP TO ANYTHING, SO LET'S NOT TAKE ANY CHANCES. 604 00:40:38,185 --> 00:40:41,738 I'M ALL FOR THAT. WHEN ARE YOU GONNA LET US IN ON YOUR PLAN? 605 00:40:41,807 --> 00:40:45,809 I DON'T GOT ONE. JUST FOLLOW MY LEAD, HUH? 606 00:40:51,032 --> 00:40:54,400 IT'S BEEN QUITE A WHILE, MELVIN. 607 00:40:54,468 --> 00:40:56,881 WHAT HAPPENED TO OUR BARGAIN? YOU SAID YOU WERE BRINGIN' JODY. 608 00:40:56,905 --> 00:40:58,971 THERE'S BEEN A LITTLE CHANGE IN THE PLANS. 609 00:41:00,875 --> 00:41:03,076 WHAT DO YOU MEAN, A LITTLE CHANGE IN THE PLANS? 610 00:41:03,144 --> 00:41:05,678 WELL, WE'LL ALL WALK OUTSIDE AND I'LL TELL YOU ALL ABOUT IT. 611 00:41:05,747 --> 00:41:08,397 - YOU SLIMY... - SIT DOWN, BUSTER. WE DON'T NEED A SCENE. 612 00:41:11,269 --> 00:41:14,403 BESIDES, I DON'T THINK YOU REALLY HAVE AN ALTERNATIVE. 613 00:41:16,491 --> 00:41:21,093 WELL, THAT'S NOT ENTIRELY TRUE. THERE... THERE IS ONE ALTERNATIVE. 614 00:41:29,720 --> 00:41:33,172 ALL RIGHT, BREAK IT UP, YOU KIDS! COME ON. STOP IT! 615 00:42:08,810 --> 00:42:11,293 KID! 616 00:42:23,825 --> 00:42:26,825 COLT, THERE'S JODY. 617 00:42:26,894 --> 00:42:32,048 COME ON, KID. STAGECOACH. A 25-MILE-AN-HOUR STAGECOACH CAN'T KEEP UP WITH A CAR. 618 00:42:32,116 --> 00:42:34,417 IT CAN IF HE'S HEADIN' FOR AN AIRSTRIP ON A RANCH. 619 00:42:37,071 --> 00:42:39,122 HYAH! 620 00:43:01,112 --> 00:43:03,996 THEY HUNG A RIGHT. THAT ELIMINATES THE INTERNATIONAL AIRPORT. 621 00:43:12,540 --> 00:43:15,257 GIDDAP! GET! HYAH! 622 00:43:15,326 --> 00:43:17,226 HYAH! HYAH! 623 00:43:25,653 --> 00:43:30,673 GIDDAP! HYAH! HYAH! HYAH! 624 00:43:45,022 --> 00:43:47,190 HEY! GET OUT OF THERE! 625 00:43:47,258 --> 00:43:50,092 MOVE! COME ON! 626 00:44:25,847 --> 00:44:29,131 I KNEW DOING WESTERNS ALL THOSE YEARS WOULD PAY OFF SOONER OR LATER. 627 00:44:38,893 --> 00:44:41,526 TAKE THE LINES, KID. 628 00:44:53,574 --> 00:44:55,658 HO! 629 00:45:00,431 --> 00:45:04,049 ALL RIGHT, LANCE. OUT OF THERE, NICE AND SLOW, HUH? 630 00:45:05,486 --> 00:45:08,154 BOY, AM I GLAD TO SEE YOU. 631 00:45:08,222 --> 00:45:11,523 - YOU OKAY? - I THINK SO. I DON'T KNOW ABOUT HIM. 632 00:45:11,592 --> 00:45:14,427 - MEET TONY THE GROCER. - WELL, TONY. 633 00:45:14,495 --> 00:45:18,063 I GUESS IT'S ONE TIME YOU WISH YOU'D STAYED HOME AND MINDED THE STORE. 634 00:45:18,132 --> 00:45:20,682 HUH. 635 00:45:25,990 --> 00:45:28,273 HO! HO! 636 00:45:35,699 --> 00:45:38,700 I THINK THIS IS YOUR STOP, BOYS. 637 00:45:38,769 --> 00:45:42,071 COME ON, SEAVERS. THERE'S NO REASON TO DO THIS. LET'S MAKE A DEAL. 638 00:45:42,139 --> 00:45:45,624 SURE. YOU GET WHAT'S BEHIND DOOR NUMBER ONE: JAIL. 639 00:45:45,693 --> 00:45:50,095 - VERY FUNNY. - THEY SAY A SENSE OF HUMOR'S A GOOD THING TO HAVE, 640 00:45:50,164 --> 00:45:52,698 ESPECIALLY WHERE YOU'RE GOIN'. 641 00:45:52,767 --> 00:45:55,851 TAKE 'EM AWAY, BOYS. 642 00:45:58,055 --> 00:46:01,256 DON'T WORRY, DAD. THEY'LL NEVER DO THIS TO YOU. I'LL GET YOU OUT OF THIS. 643 00:46:01,325 --> 00:46:05,143 WILL YOU SHUT UP! IF YOU WEREN'T MY OWN SON, I'D HAVE YOU BUMPED OFF. 644 00:46:09,350 --> 00:46:11,550 GIDDAP. GIDDAP! 645 00:46:21,495 --> 00:46:25,181 THIS IS THE LIFE, ISN'T IT? 646 00:46:25,249 --> 00:46:29,118 MMM. DOESN'T IT FEEL GREAT JUST TO RELAX AGAIN? 647 00:46:29,187 --> 00:46:33,122 YEAH. MAYBE TOMORROW, I'LL GET A BIT OF A SUNTAN. I'M SO PALE. 648 00:46:33,191 --> 00:46:35,324 COLT, DON'T YOU WANT A DRINK? NOPE. 649 00:46:35,393 --> 00:46:38,861 - I DON'T WANNA SPOIL MY APPETITE. - WHOO! LOOK AT YOU. 650 00:46:38,929 --> 00:46:41,297 - NICE TIE. - IT'S YOURS. 651 00:46:41,365 --> 00:46:44,917 HOW COME YOU NEVER WEAR A TIE WHEN YOU GO OUT TO DINNER WITH US? 652 00:46:44,985 --> 00:46:47,936 'CAUSE YOU NEVER OFFER TO PAY. 653 00:46:48,005 --> 00:46:50,772 OH, IS CHARLIE TAKING YOU OUT? 654 00:46:50,841 --> 00:46:53,509 YEP. THAT'S THE MODERN WOMAN FOR YA. 655 00:46:53,577 --> 00:46:55,861 SHE'S EVEN GONNA PICK HIM UP. 656 00:46:55,930 --> 00:46:58,497 SHE'LL PROBABLY EVEN BRING HIM FLOWERS. 657 00:46:58,566 --> 00:47:03,052 ♪♪ 658 00:47:03,121 --> 00:47:05,771 WHOOP. 659 00:47:05,840 --> 00:47:08,207 I'M AFRAID I'M GONNA HAVE TO BREAK OUR DATE. 660 00:47:09,877 --> 00:47:13,378 DON'T LIKE MY TIE? I LOVE YOUR TIE. 661 00:47:13,447 --> 00:47:15,702 JUST THAT MY FOLKS ASKED ME TO MAKE SURE HE 662 00:47:15,726 --> 00:47:18,217 GETS HOME SAFE, AND SO I'M FLYING BACK TONIGHT. 663 00:47:20,521 --> 00:47:23,155 OH. MAYBE NEXT YEAR. 664 00:47:23,223 --> 00:47:27,677 WELL, IF YOU THINK I'M GONNA WAIT A WHOLE NOTHER YEAR TO SEE YOU, YOU'RE CRAZY. 665 00:47:27,745 --> 00:47:29,795 YOU STILL LIVE IN THE HILLS? 666 00:47:29,864 --> 00:47:33,049 YEAH, THE SAME PLACE. 667 00:47:33,117 --> 00:47:36,802 WELL, DON'T BE SURPRISED IF I DROP IN. 668 00:47:38,389 --> 00:47:41,090 YEAH, I'LL BE... LOOKIN' FOR YOUR PARACHUTE. 669 00:47:44,962 --> 00:47:49,732 I'M NEVER GONNA BE ABLE TO THANK YOU FOR WHAT YOU DID FOR ME AND FOR MY BROTHER. 670 00:47:49,800 --> 00:47:52,167 AND I WANT YOU TO KNOW I APPRECIATE IT. 671 00:47:54,939 --> 00:47:57,606 SEE YOU SOON. 672 00:47:57,675 --> 00:47:59,786 T-TELL YOUR BROTHER GOOD-BYE FOR ME. 673 00:47:59,810 --> 00:48:01,927 TELL HIM YOURSELF. HE'S STANDIN' RIGHT OUT... 674 00:48:03,914 --> 00:48:05,931 MEL? 675 00:48:11,572 --> 00:48:13,622 HE'S GONE AGAIN. 676 00:48:14,942 --> 00:48:16,992 THAT MEAN YOU'RE FREE FOR DINNER? 57322

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