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These are the user uploaded subtitles that are being translated: 1 00:00:02,619 --> 00:00:05,353 ♪ WELL, I'M NOT THE KIND TO KISS AND TELL ♪ 2 00:00:05,422 --> 00:00:08,207 ♪ BUT I'VE BEEN SEEN WITH FARRAH ♪ 3 00:00:08,275 --> 00:00:10,843 ♪ I'VE NEVER BEEN WITH ANYTHING LESS ♪ 4 00:00:10,911 --> 00:00:13,629 ♪ THAN A NINE SO FINE ♪ 5 00:00:13,697 --> 00:00:16,515 ♪ I'VE BEEN ON FIRE WITH SALLY FIELD ♪ 6 00:00:16,584 --> 00:00:19,518 ♪ GONE FAST WITH A GIRL NAMED BO ♪ 7 00:00:19,586 --> 00:00:23,672 ♪ BUT SOMEHOW THEY JUST DON'T END UP AS MINE ♪ 8 00:00:23,741 --> 00:00:27,426 ♪ IT'S A DEATH-DEFYIN' LIFE I LEAD ♪ 9 00:00:27,494 --> 00:00:29,878 ♪ I TAKE MY CHANCES ♪ 10 00:00:29,946 --> 00:00:33,047 ♪ I DIE FOR A LIVIN' IN THE MOVIES AND TV ♪ 11 00:00:34,902 --> 00:00:37,502 ♪ BUT THE HARDEST THING I EVER DO ♪ 12 00:00:37,571 --> 00:00:40,906 ♪ IS WATCH MY LEADING LADIES ♪ 13 00:00:40,958 --> 00:00:45,427 ♪ KISS SOME OTHER GUY WHILE I'M BANDAGIN' MY KNEE ♪ 14 00:00:45,496 --> 00:00:48,213 ♪ I MIGHT FALL FROM A TALL BUILDIN' ♪ 15 00:00:48,281 --> 00:00:51,283 ♪ I MIGHT ROLL A BRAND-NEW CAR ♪ 16 00:00:51,352 --> 00:00:53,869 ♪ 'CAUSE I'M THE UNKNOWN STUNTMAN ♪ 17 00:00:53,938 --> 00:00:56,904 ♪ THAT MADE REDFORD SUCH A STAR ♪ 18 00:00:56,973 --> 00:00:59,975 ♪♪ 19 00:01:03,514 --> 00:01:06,448 ♪ I'VE NEVER SPENT MUCH TIME IN SCHOOL ♪ 20 00:01:06,516 --> 00:01:09,351 ♪ BUT I'VE TAUGHT LADIES PLENTY ♪ 21 00:01:09,419 --> 00:01:12,788 ♪ IT'S TRUE I HIRE MY BODY OUT FOR PAY ♪ 22 00:01:12,856 --> 00:01:14,556 ♪ HEY, HEY ♪ 23 00:01:14,625 --> 00:01:17,559 ♪ I'VE GOTTEN BURNED OVER CHERYL TIEGS ♪ 24 00:01:17,628 --> 00:01:20,195 ♪ BLOWN UP FOR RAQUEL WELCH ♪ 25 00:01:20,264 --> 00:01:24,132 ♪ BUT WHEN I WIND UP IN THE HAY, IT'S ONLY HAY ♪ 26 00:01:24,201 --> 00:01:25,567 ♪ HEY, HEY ♪ 27 00:01:25,636 --> 00:01:28,636 ♪ I MIGHT JUMP AN OPEN DRAWBRIDGE ♪ 28 00:01:28,705 --> 00:01:30,455 ♪ OR TARZAN FROM A VINE ♪ 29 00:01:30,523 --> 00:01:32,941 ♪ 'CAUSE I'M THE UNKNOWN STUNTMAN ♪ 30 00:01:33,010 --> 00:01:36,678 ♪ THAT MAKES EASTWOOD LOOK SO FINE ♪♪ 31 00:01:51,194 --> 00:01:54,462 THIS IS THE STORY OF ONE OF AMERICA'S GREAT UNSUNG HEROES. 32 00:01:54,531 --> 00:01:58,232 I MEAN, YOU'VE SEEN HIM, BUT YOU NEVER KNEW WHO HE WAS. 33 00:01:58,301 --> 00:02:00,585 YOU'VE CHEERED FOR HIM AND CRIED FOR HIM, 34 00:02:00,654 --> 00:02:03,822 WOMEN HAVE WANTED TO DIE FOR HIM. 35 00:02:03,890 --> 00:02:08,109 BUT DID HE EVER GET ANY CREDIT? OR THE GIRL? NO. 36 00:02:08,178 --> 00:02:10,195 HE WAS WHAT WE CALL A STUNTMAN. 37 00:02:10,264 --> 00:02:12,948 AND THE REASON I'M TALKIN' SO FONDLY ABOUT HIM IS... 38 00:02:13,017 --> 00:02:15,133 WELL, BECAUSE IT'S ME, COLT SEAVERS. 39 00:02:15,201 --> 00:02:18,687 ANYWAY, PICTURE WORK ISN'T WALL-TO-WALL EMPLOYMENT. 40 00:02:18,755 --> 00:02:22,424 SO MAYBE YOU WONDER HOW A GUY KEEPS HIS HEAD TOGETHER. 41 00:02:22,492 --> 00:02:25,010 WELL, ONE WAY IS TO WAIT BY THE PHONE... 42 00:02:25,079 --> 00:02:27,712 AND WAIT... AND WAIT. 43 00:02:27,781 --> 00:02:30,498 THE OTHER IS TO TAKE AN OCCASIONAL JOB FOR THE COURT SYSTEM... 44 00:02:30,567 --> 00:02:32,667 OF THE UNITED STATES OF AMERICA, 45 00:02:32,736 --> 00:02:35,670 WHERE A MAN IS CONSIDERED INNOCENT UNTIL PROVEN GUILTY. 46 00:02:35,739 --> 00:02:39,006 UNFORTUNATELY, SOMETIMES A LOT OF THESE PEOPLE... 47 00:02:39,075 --> 00:02:42,294 GET OUT OF JAIL ON WHAT WE CALL BAIL. 48 00:02:42,362 --> 00:02:44,996 AND THEY RUN LIKE HELL. 49 00:02:45,065 --> 00:02:49,384 THAT'S WHERE I COME IN. I SOMETIMES PICK UP RENT MONEY TRYIN' TO FIND THEM... 50 00:02:49,453 --> 00:02:51,302 AND BRING THEM BACK TO JUSTICE. 51 00:02:51,371 --> 00:02:53,371 BUT TODAY I'M DOIN' A STUNT THAT'S GONNA PUT ME... 52 00:02:53,440 --> 00:02:56,208 RIGHT OVER THE EDGE. 53 00:03:42,473 --> 00:03:45,006 AND... CUT! 54 00:03:57,854 --> 00:04:00,138 GOOD JOB, JODY, TED. 55 00:04:00,207 --> 00:04:02,206 OH. THANKS. 56 00:04:03,360 --> 00:04:05,488 HERE YOU GO. THAT WAS GREAT. 57 00:04:05,512 --> 00:04:07,552 THANKS. WASN'T BAD, HUH? 58 00:04:07,598 --> 00:04:10,148 I THINK IT WAS YOUR BEST EVER. 59 00:04:12,953 --> 00:04:15,193 WHAT'S GOIN' ON? WHERE'S EVERYBODY GOIN'? 60 00:04:15,221 --> 00:04:17,889 WELL, IT SEEMS THAT KAMIKAZE PRODUCTIONS... 61 00:04:17,958 --> 00:04:20,842 HAS RUN INTO A LITTLE FINANCIAL TROUBLE. 62 00:04:23,480 --> 00:04:25,525 WHAT DOES THAT MEAN? WHAT... WHAT? 63 00:04:25,549 --> 00:04:27,615 UH, THEY FORECLOSED TODAY, AND WE'RE SHUT DOWN. 64 00:04:27,684 --> 00:04:30,735 SHUT DOWN? IN THE MIDDLE OF MY STUNT? 65 00:04:30,804 --> 00:04:33,088 OH, WE GOT IT ON FILM. 66 00:04:33,156 --> 00:04:37,008 IT'S JUST THAT, UH, THE BANK HAS THE CAMERA. 67 00:04:38,061 --> 00:04:40,345 I CAN'T BELIEVE THIS. 68 00:04:40,414 --> 00:04:44,683 NEITHER CAN I. SUPPOSE THE KAMIKAZE BROTHERS AREN'T AVAILABLE FOR COMMENT. 69 00:04:44,752 --> 00:04:47,635 WELL, NOT RIGHT NOW... BUT THE POLICE ARE OUT LOOKING FOR THEM. 70 00:04:47,704 --> 00:04:52,507 - POLICE? - UH, SOMETHING ABOUT WRITING BAD CHECKS. 71 00:04:52,576 --> 00:04:55,343 INCLUDING THE ONE THEY PAID US WITH? 72 00:04:55,412 --> 00:04:57,612 YOU GOT IT. 73 00:05:00,250 --> 00:05:03,868 HOW DID I EVER LET YOU TALK ME INTO WORKING FOR AN OUTFIT LIKE THIS? 74 00:05:03,937 --> 00:05:08,273 WELL, FIRST OF ALL, THEY GAVE US A FINANCIAL OFFER THAT WE COULDN'T REFUSE. 75 00:05:08,341 --> 00:05:11,093 YEAH, SURE, WRITTEN ON A RUBBER CHECK. 76 00:05:11,161 --> 00:05:13,923 THEY ALSO AGREED TO GIVE COLT THE STAR BILLING HE WANTED. YOU REMEMBER? 77 00:05:13,947 --> 00:05:16,264 OH, YEAH. YEAH, YEAH. 78 00:05:16,333 --> 00:05:18,333 YEAH. 79 00:05:20,703 --> 00:05:23,055 HE JUST... TOOK MY CHAIR. 80 00:05:23,123 --> 00:05:26,774 COLT, WHAT ARE WE GONNA DO? YOU GOT A TRUCK PAYMENT COMING UP... 81 00:05:26,843 --> 00:05:28,860 NOT TO MENTION THE MORTGAGE IS DUE. 82 00:05:28,928 --> 00:05:31,846 YEAH, HOWIE, WHAT ARE YOU GOING TO DO? 83 00:05:31,915 --> 00:05:33,981 DON'T WORRY. I'LL THINK OF SOMETHING. 84 00:05:34,050 --> 00:05:36,551 I'LL GET US OUT OF THIS. I PROMISE. 85 00:05:41,458 --> 00:05:43,541 WORKING FOR BIG JACK... 86 00:05:43,610 --> 00:05:45,810 ISN'T EXACTLY WHAT I CALL INSPIRED THINKING. 87 00:05:45,879 --> 00:05:48,858 LOOK, WE COULDN'T GET ANOTHER STUNT JOB OVER THE WEEKEND ANYWAY. 88 00:05:48,882 --> 00:05:51,361 BESIDES, THIS CASE IS GONNA BE A PIECE OF CAKE. 89 00:05:51,385 --> 00:05:53,418 SIX COUNTS OF ILLEGAL BOOKMAKING, 90 00:05:53,486 --> 00:05:56,805 FOUR COUNTS OF CONSPIRACY TO FIX SPORTING EVENTS, AND CAR THEFT. 91 00:05:56,873 --> 00:05:59,140 WELL, CLYDE DORSETT'S BEEN A BUSY MAN. 92 00:05:59,209 --> 00:06:01,375 YEAH. THOSE ARE ONLY THE THINGS HE GOT CAUGHT FOR. 93 00:06:01,444 --> 00:06:03,477 HEY, LOOK. HIS TRIAL'S ON MONDAY. 94 00:06:03,546 --> 00:06:05,680 HOW COME BIG JACK WANTS US TO PICK HIM UP? 95 00:06:05,748 --> 00:06:08,560 SHE DOESN'T. WE'RE JUST GONNA KEEP OUR EYE ON HIM OVER THE WEEKEND... 96 00:06:08,584 --> 00:06:10,919 AND MAKE SURE HE SHOWS UP FOR HIS TRIAL IN L.A. 97 00:06:10,987 --> 00:06:13,399 THAT REALLY DOES SOUND LIKE A PIECE OF CAKE. YEAH. 98 00:06:13,423 --> 00:06:15,557 WE'LL SEE ABOUT THAT. AW, COME ON, COLT. 99 00:06:15,626 --> 00:06:18,437 JUST THINK OF IT AS AN ALL-EXPENSE-PAID WEEKEND IN SANTA LUISA, 100 00:06:18,461 --> 00:06:20,779 COURTESY OF BIG JACK. 101 00:06:38,098 --> 00:06:40,298 WE'RE GOING OVER TO LET CLYDE KNOW WE'RE HERE. 102 00:06:40,366 --> 00:06:42,445 WELL, DON'T YOU WANT TO GO TO THE BEACH? 103 00:06:42,469 --> 00:06:45,536 NO, NO. YOU GO AHEAD. WE'LL BE BACK BEFORE YOU GET STRAP MARKS. 104 00:06:45,606 --> 00:06:48,284 AND REMEMBER... THE RIGHT PLACE TO PUT A BLANKET ON THE BEACH... 105 00:06:48,308 --> 00:06:50,653 IS RIGHT NEXT TO ONE WITH PRETTY GIRLS ON IT. 106 00:06:50,677 --> 00:06:52,877 I'LL REMEMBER THAT. 107 00:07:22,909 --> 00:07:24,909 DADDY? 108 00:08:05,418 --> 00:08:07,986 SORRY. DIDN'T MEAN TO SCARE YOU. 109 00:08:08,055 --> 00:08:10,055 WHAT HAPPENED? 110 00:08:10,123 --> 00:08:13,791 I DON'T KNOW. I JUST GOT HOME. 111 00:08:13,861 --> 00:08:16,072 IT'S OBVIOUS SOMEBODY WAS LOOKIN' FOR SOMETHING, HUH? 112 00:08:16,096 --> 00:08:18,864 AND THEY DIDN'T CARE WHAT THEY HAD TO DO TO FIND IT. 113 00:08:18,932 --> 00:08:23,068 I DON'T UNDERSTAND. WHY WOULD ANYBODY DO THIS? 114 00:08:23,136 --> 00:08:26,671 WE DON'T HAVE ANY MONEY. EVERYTHING'S GONNA BE OKAY. 115 00:08:26,740 --> 00:08:29,140 ARE YOU CLYDE DORSETT'S DAUGHTER? 116 00:08:29,209 --> 00:08:32,176 UH-HUH. 117 00:08:32,245 --> 00:08:34,245 I'M LIBBY. 118 00:08:34,314 --> 00:08:36,498 WELL, I'M COLT. 119 00:08:36,566 --> 00:08:39,634 AND THIS IS HOWIE. 120 00:08:39,703 --> 00:08:42,737 - HI. - HI. 121 00:08:42,806 --> 00:08:45,840 NOW, WHERE, UH... WHERE IS YOUR FATHER? 122 00:08:45,909 --> 00:08:49,594 HE WAS SUPPOSED TO BE HOME. I'M REALLY SCARED. 123 00:08:49,662 --> 00:08:51,863 HEY, THERE'S NOTHING TO BE SCARED ABOUT. 124 00:08:51,932 --> 00:08:54,032 WHAT DO YOU SAY WE GO FIND YOUR FATHER? 125 00:08:54,101 --> 00:08:56,567 UH, NO, I BETTER WAIT HERE. 126 00:08:56,636 --> 00:08:58,669 HE MIGHT COME BACK. 127 00:08:58,738 --> 00:09:00,871 YEAH, WELL, I DON'T THINK THAT'S A GOOD IDEA, 128 00:09:00,940 --> 00:09:03,358 BECAUSE WHOEVER DID THIS MIGHT COME BACK TOO. 129 00:09:03,426 --> 00:09:08,079 BUT, UH, SEE, MY FATHER TOLD ME I SHOULD NEVER GO ANYWHERE WITH STRANGERS. 130 00:09:11,567 --> 00:09:13,585 WELL, THAT-THAT'S A VERY GOOD RULE, 131 00:09:13,653 --> 00:09:16,521 BUT UNDER THE CIRCUMSTANCES, YOU SEE, I THINK YOUR FATHER WOULD... 132 00:09:16,590 --> 00:09:19,624 WANT YOU TO COME ALONG WITH US, DON'T YOU? 133 00:09:22,779 --> 00:09:26,097 WELL, OKAY, BUT, UH, I HAVE TO CHANGE. 134 00:09:26,166 --> 00:09:29,784 SEE, THIS IS MY GOOD DRESS. OKAY. WE'LL WAIT FOR YOU. 135 00:09:29,853 --> 00:09:32,086 OKAY. 136 00:09:36,008 --> 00:09:39,310 CUTE KID, HUH? YEAH. GONNA BREAK A LOT OF HEARTS. 137 00:10:01,718 --> 00:10:03,963 SURE IS TAKING AN AWFUL LONG TIME. 138 00:10:03,987 --> 00:10:07,188 KEEPING A MAN WAITING IS A TRICK WOMEN LEARN WHEN THEY'RE LITTLE GIRLS. 139 00:10:15,398 --> 00:10:17,899 YEAH. SO'S PLAYING HARD TO GET. 140 00:10:19,535 --> 00:10:22,137 HEY. HEY, WHERE YOU GOIN'? 141 00:10:28,845 --> 00:10:31,429 LIBBY? 142 00:10:32,715 --> 00:10:34,982 GET IN THE CAR, LIBBY. BUZZ OFF, STEWART. 143 00:10:35,051 --> 00:10:37,135 COME ON. WE'RE GONNA TAKE YOU TO YOUR FATHER. 144 00:10:37,204 --> 00:10:39,482 YEAH, SURE. NICE JOB YOU GUYS DID ON THE HOUSE. 145 00:10:39,506 --> 00:10:43,391 - BE A GOOD BRAT AND GET IN THE CAR. - HEY, HEY. WHAT'S GOIN' ON? 146 00:10:45,095 --> 00:10:47,661 THEY TRIED TO RUN ME OVER, COLT. 147 00:10:47,730 --> 00:10:50,782 THE KID'S LYIN'. SHE RAN RIGHT OUT IN FRONT OF US. 148 00:10:50,850 --> 00:10:54,019 BESIDES, WE'RE GOOD FRIENDS, AREN'T WE, LIBBY? 149 00:10:54,087 --> 00:10:56,053 I'VE NEVER SEEN HIM BEFORE IN MY LIFE. 150 00:10:56,122 --> 00:10:59,807 - WE WERE GONNA TAKE HER TO SEE HER OLD MAN. - THAT'S A LIE. 151 00:10:59,876 --> 00:11:01,876 WHERE IS HER OLD MAN? 152 00:11:01,945 --> 00:11:05,012 - WHAT'S IT TO YOU, COWBOY? - WE'RE TRYING TO LOCATE HIM. 153 00:11:05,081 --> 00:11:07,631 WELL, UNLESS YOU AND YOUR FRIEND WANT YOUR FACES RELOCATED, 154 00:11:07,700 --> 00:11:10,502 I SUGGEST YOU HIT THE ROAD... NOW. 155 00:11:10,570 --> 00:11:12,686 COME ON, KID. 156 00:11:12,755 --> 00:11:16,741 HEY, MOVE THAT TANK, WILL YA? 157 00:11:16,810 --> 00:11:18,810 LET'S GO. 158 00:11:21,280 --> 00:11:24,732 YOU'LL BE SEEING US. 159 00:11:24,801 --> 00:11:27,101 YEAH, WE'RE LOOKIN' FORWARD TO IT. 160 00:11:34,561 --> 00:11:39,998 WELL, UM... HEY, THAT'S MINE! 161 00:11:40,066 --> 00:11:43,201 COLT, THERE MUST BE FIVE GRAND IN HERE. 162 00:11:43,270 --> 00:11:45,570 WELL, LET ME SEE. 163 00:11:48,608 --> 00:11:51,743 I'M A GIRL SCOUT. I SELL COOKIES. 164 00:11:51,811 --> 00:11:55,129 $5,000 IS AN AWFUL LOT OF COOKIES... 165 00:11:56,282 --> 00:11:58,550 NOT TO MENTION GAMBLING RECEIPTS. 166 00:11:58,618 --> 00:12:00,835 LOOKS LIKE YOU'VE GOT SOME EXPLAINING TO DO. 167 00:12:01,988 --> 00:12:04,271 I FOUND IT. 168 00:12:04,340 --> 00:12:06,157 I SWEAR. 169 00:12:08,028 --> 00:12:10,361 WELL, OKAY, THEN IF YOU FOUND IT... 170 00:12:10,429 --> 00:12:14,015 I GUESS IT'S ALL RIGHT THAT WE TURN IT OVER TO THE POLICE. 171 00:12:14,083 --> 00:12:17,334 POLICE? WHAT ARE YOU BUCKING FOR, CITIZEN OF THE YEAR? 172 00:12:18,705 --> 00:12:20,855 HEY, YOU DIDN'T FIND THAT MONEY. 173 00:12:22,825 --> 00:12:26,811 YOU KNEW THOSE MEN IN THAT CAR TOO, DIDN'T YOU? 174 00:12:26,880 --> 00:12:30,665 COME ON. EITHER YOU TELL US OR YOU TELL THE COPS. 175 00:12:33,219 --> 00:12:36,937 BOY. I WOULD HAVE BEEN BETTER OFF TO GO WITH THE GOONS. 176 00:12:41,110 --> 00:12:44,161 MR. GRAHAM DOESN'T LIKE PEOPLE THAT SCREW UP, 177 00:12:44,230 --> 00:12:46,947 AND, GEEZ, WE SCREWED UP TWICE TODAY. 178 00:12:47,016 --> 00:12:50,346 YOU THINK THOSE TWO GUYS WERE FROM THE D.A.'s OFFICE? 179 00:12:50,370 --> 00:12:53,604 THEY'RE WEARIN' BLUE JEANS AND THEY DROVE A PICKUP TRUCK. 180 00:12:53,673 --> 00:12:56,307 WHAT DO YOU THINK? MORON. 181 00:12:56,376 --> 00:12:59,426 I THINK I DON'T LIKE TO BE CALLED MORON. 182 00:12:59,495 --> 00:13:03,164 BESIDES, WHY ELSE WOULD THEY PROTECT THAT KID? 183 00:13:03,233 --> 00:13:06,601 I DON'T KNOW, BUT WE BETTER TELL MR. GRAHAM. 184 00:13:06,670 --> 00:13:11,573 ♪♪ 185 00:13:21,601 --> 00:13:24,669 ♪♪ SO, YOU TWO ARE A COUPLE OF STUNTMEN, HUH? 186 00:13:24,738 --> 00:13:27,788 - I COULD GET INTO THAT. - LET'S GET INTO WHAT YOU'RE DOIN' NOW. 187 00:13:27,857 --> 00:13:29,977 WHY DID YOUR FATHER HAVE YOU PICK UP THE BETS? 188 00:13:30,026 --> 00:13:33,044 SEE, 'CAUSE WHEN I DRESSED UP IN THAT CORNBALL DRESS... 189 00:13:33,113 --> 00:13:35,279 AND CAME ON WITH THE SWEET TALK, 190 00:13:35,348 --> 00:13:38,483 I COULD HAVE WALKED INTO TOWN HALL AND TAKEN A PAYOFF FROM THE MAYOR. 191 00:13:38,551 --> 00:13:41,652 I DON'T BELIEVE IT. AN 11-YEAR-OLD BAG LADY. 192 00:13:41,721 --> 00:13:45,306 - WHERE'S YOUR MOTHER? - SHE WALKED OUT ON US WHEN I WAS FIVE. 193 00:13:45,375 --> 00:13:47,892 I GUESS SHE COULDN'T GET INTO THE HOUSEWIFE TRIP. 194 00:13:47,961 --> 00:13:50,355 WILL YOU STOP TALKING WITH YOUR MOUTH FULL... 195 00:13:50,379 --> 00:13:52,441 AND KEEP YOUR ELBOWS OFF THE TABLE? 196 00:13:52,465 --> 00:13:54,882 WIPE YOUR MOUTH OFF. 197 00:13:54,951 --> 00:13:57,117 WHAT IS THIS? DINNER WITH NANCY REAGAN? 198 00:13:58,354 --> 00:14:00,205 JUST DO IT. 199 00:14:00,273 --> 00:14:03,224 LOOK. YOU GUYS WASTED A TRIP OUT HERE. 200 00:14:03,293 --> 00:14:05,526 MY FATHER'S GONNA SHOW UP FOR HIS TRIAL. 201 00:14:05,595 --> 00:14:08,713 - YOU'RE SURE OF THAT? - ABSOLUTELY. WE'RE GOIN' STRAIGHT. 202 00:14:08,781 --> 00:14:10,341 THAT WHY HE'S STILL MAKIN' BOOK? 203 00:14:10,383 --> 00:14:12,650 WE NEEDED A LITTLE EXTRA BREAD TO START CLEAN ON, 204 00:14:12,719 --> 00:14:15,086 BUT AFTER THAT, IT ALL STOPS. 205 00:14:15,155 --> 00:14:17,722 I MEAN, A LIFE OF CRIME IS NO LIFE FOR A KID. 206 00:14:17,791 --> 00:14:20,124 I'M SURPRISED I'M SO WELL-ADJUSTED. 207 00:14:22,445 --> 00:14:24,745 IT'S AMAZING, ISN'T IT? 208 00:14:24,814 --> 00:14:27,614 WHAT MAKES YOU SO SURE THAT YOUR FATHER ISN'T GOING TO JAIL? 209 00:14:28,768 --> 00:14:30,868 WELL, I GUESS I CAN TELL YOU. 210 00:14:30,937 --> 00:14:34,105 AFTER WHAT THE GOONS DID TO THE HOUSE, IT MUST NOT BE A SECRET ANYMORE. 211 00:14:34,173 --> 00:14:37,208 MY DAD'S GONNA TURN EVIDENCE OVER TO THE D.A. IN L.A. 212 00:14:37,276 --> 00:14:39,611 GET IT? HE MADE A DEAL? 213 00:14:39,679 --> 00:14:44,331 YEAH. SEE, MY DAD TURNS OVER HIS BOSS'S RECORDS, AND WE'RE OFF THE HOOK. 214 00:14:44,400 --> 00:14:46,478 DOES HE HAVE THOSE RECORDS WITH HIM? 215 00:14:46,502 --> 00:14:48,536 WHAT DO YOU THINK WE ARE, STUPID? 216 00:14:48,604 --> 00:14:51,172 THEY'RE HIDDEN IN A PLACE NOBODY'LL EVER THINK OF. 217 00:14:54,794 --> 00:14:56,961 OH! IT'S TIME TO MEET MY FATHER. 218 00:14:57,029 --> 00:14:59,180 YOU KNOW WHERE HE IS? 219 00:14:59,248 --> 00:15:01,632 SURE. SEE, WE HAVE THIS BACKUP PLAN... 220 00:15:01,701 --> 00:15:04,368 IN CASE ONE OF US GETS INTO TROUBLE AND CAN'T GET HOME. 221 00:15:04,437 --> 00:15:07,477 KID, YOUR OLD MAN'S GOT HIMSELF ONE HECK OF A PARTNER. 222 00:15:08,457 --> 00:15:11,608 ♪♪ 223 00:15:16,032 --> 00:15:18,343 HE'LL BE IN THE MERRY-GO-ROUND. 224 00:15:18,367 --> 00:15:21,096 YOU'RE SURE? DON'T WORRY. HE'LL BE THERE. 225 00:15:21,120 --> 00:15:23,720 ♪♪ 226 00:15:23,789 --> 00:15:26,690 THANKS FOR THE TIP, TOMMY. MR. GRAHAM WILL RETURN THE FAVOR. 227 00:15:31,864 --> 00:15:33,881 DADDY! 228 00:15:33,950 --> 00:15:37,268 NO, NO. HOLD HER. NO. 229 00:15:37,337 --> 00:15:39,904 ♪♪ 230 00:16:03,012 --> 00:16:05,457 COME ON! DON'T LET 'EM GET AWAY. GET 'EM! 231 00:16:05,481 --> 00:16:08,416 CALM DOWN, WILL YA? I'LL GET 'EM. 232 00:16:28,871 --> 00:16:32,189 COME ON, STEP ON IT! YOU DON'T WANNA LOSE 'EM. 233 00:16:32,258 --> 00:16:36,310 HEY, PUT A MUZZLE ON IT. HE'S DOIN' THE BEST HE CAN. THE BEST HE CAN? 234 00:16:36,379 --> 00:16:39,024 I THOUGHT YOU TWO WERE A COUPLE OF BIG HOLLYWOOD STUNTMEN. 235 00:16:39,048 --> 00:16:42,008 YOU DON'T EVEN LOOK LIKE YOU KNOW WHAT YOU'RE DOIN'. 236 00:17:16,719 --> 00:17:20,438 LOOK OUT! 237 00:17:49,468 --> 00:17:51,368 WHOA. 238 00:17:57,794 --> 00:18:00,244 WHAT ARE YOU, SUICIDAL? 239 00:18:00,312 --> 00:18:02,925 OR ARE YOU JUST CRAZY? YOU WANNA CATCH 'EM, DON'T YOU? 240 00:18:02,949 --> 00:18:05,069 YEAH, BUT I'D LIKE TO CATCH 'EM ALIVE. 241 00:18:14,160 --> 00:18:17,027 - WHOA. - - LOOK OUT FOR THE SCHOOL BUS. 242 00:18:27,973 --> 00:18:30,374 WAY TO GO, ACE. 243 00:18:51,431 --> 00:18:54,015 LISTEN, YOU GUYS CAN'T JUST LEAVE ME HERE. 244 00:18:54,083 --> 00:18:57,451 I WANNA COME TOO. FORGET IT, MUNCHKIN. THOSE GUYS HAVE GOT GUNS. 245 00:18:57,520 --> 00:18:59,987 I'M NOT GONNA BE RESPONSIBLE FOR A KID GETTIN' KILLED. 246 00:19:00,056 --> 00:19:04,959 WELL, WHO DO YOU THINK YOU ARE, CAPTAIN COURAGEOUS? 247 00:19:05,028 --> 00:19:06,511 WHERE HAVE YOU TWO BEEN? IT'S NOT TURNING 248 00:19:06,535 --> 00:19:08,190 OUT TO BE THE CAREFREE WEEKEND WE PLANNED ON. 249 00:19:08,214 --> 00:19:11,615 - CLYDE'S IN TROUBLE. - WHOSE KID? 250 00:19:11,684 --> 00:19:13,684 THAT'S CLYDE DORSETT'S DAUGHTER. 251 00:19:13,753 --> 00:19:16,320 I WANT YOU TO LOOK AFTER HER WHILE WE GO AFTER CLYDE. 252 00:19:16,389 --> 00:19:19,106 - HERE'S HER SUITCASE. - HI, SWEETIE. 253 00:19:19,174 --> 00:19:21,809 YOU GUYS ARE LEAVING ME WITH A BARBIE DOLL? 254 00:19:21,877 --> 00:19:24,695 DON'T YOU EVER SAY ANYTHING NICE ABOUT ANYBODY? 255 00:19:24,763 --> 00:19:28,015 YEAH. YOU HAVE A NICE BOD. WHAT? 256 00:19:28,084 --> 00:19:30,183 WELL, IF YOU DON'T WANT PEOPLE TO NOTICE, 257 00:19:30,252 --> 00:19:32,732 YOU SHOULDN'T WEAR YOUR JEANS SO TIGHT. 258 00:19:33,872 --> 00:19:36,390 THEY SHRUNK IN THE WASH. 259 00:19:36,459 --> 00:19:38,771 BE CAREFUL WITH THIS KID. SHE THINKS SHE'S LIZZIE BORDEN. 260 00:19:38,795 --> 00:19:41,962 - DON'T WORRY. I CAN HANDLE IT. - THAT'S WHAT WE THOUGHT. 261 00:19:43,115 --> 00:19:45,215 LOCK HER IN THE CLOSET. 262 00:20:12,611 --> 00:20:16,496 ♪♪ 263 00:20:33,248 --> 00:20:35,282 HELLO, CLYDE. 264 00:20:36,418 --> 00:20:38,952 HOW YOU DOIN', MR. GRAHAM? 265 00:20:39,021 --> 00:20:42,956 I'M, UH... I'M A BIT DISTRESSED, CLYDE. 266 00:20:44,459 --> 00:20:47,795 IN FACT, I'M RATHER HURT. 267 00:20:47,864 --> 00:20:50,275 LOOK, MR. GRAHAM, I DON'T KNOW WHAT YOU'VE HEARD... 268 00:20:50,299 --> 00:20:52,583 DON'T TRY TO WEASEL YOUR WAY OUT OF IT, CLYDE. 269 00:20:52,652 --> 00:20:55,102 MY SOURCES ARE VERY RELIABLE. 270 00:20:55,171 --> 00:21:00,291 - I SWEAR. - CLYDE, YOU'RE ONE OF MY FAMILY. 271 00:21:00,359 --> 00:21:03,427 I FEEL VERY CLOSE TO YOU. 272 00:21:03,495 --> 00:21:09,616 I'M NOT GOING TO LET ONE LITTLE MISGUIDED DIGRESSION END OUR RELATIONSHIP. 273 00:21:09,685 --> 00:21:13,821 - MR. GRAHAM IS A FAIR MAN. - YES, THAT'S VERY TRUE, STEWART. 274 00:21:14,957 --> 00:21:17,057 AND AS A MATTER OF FACT, 275 00:21:17,125 --> 00:21:19,326 I'M GOING TO GIVE CLYDE ANOTHER CHANCE... 276 00:21:19,395 --> 00:21:21,428 IF HE CONFESSES HIS SINS, 277 00:21:21,497 --> 00:21:25,099 AND IF HE GIVES ME THE EVIDENCE INSTEAD OF THE DISTRICT ATTORNEY. 278 00:21:25,168 --> 00:21:28,396 LOOK, MR. GRAHAM, I DON'T WANT TO BE DISRESPECTFUL, 279 00:21:28,420 --> 00:21:31,488 BUT I'VE SEEN A LOT OF OTHER GUYS CONFESS ALL... 280 00:21:31,557 --> 00:21:34,091 AND END UP ON THE BOTTOM OF THE OCEAN. 281 00:21:34,160 --> 00:21:36,627 IF I DO HAVE THE EVIDENCE YOU THINK I HAVE, 282 00:21:36,696 --> 00:21:39,530 IT COULD BE THE ONLY THING THAT MIGHT SAVE MY LIFE. 283 00:21:41,984 --> 00:21:44,685 YOU KNOW WHY THIS IS SUCH A BEAUTIFUL MACHINE, CLYDE? 284 00:21:44,753 --> 00:21:47,488 IT'S NOT JUST THE ARTISTRY OF THE LINES... 285 00:21:47,557 --> 00:21:49,790 OR THE AWESOME POWER THAT IT HAS UNDER THE HOOD, 286 00:21:49,858 --> 00:21:53,260 BUT IT'S THE TOTAL CONTROL I HAVE WHEN I SIT BEHIND THE WHEEL. 287 00:21:54,430 --> 00:21:57,614 SEE, IT DOES ANYTHING I ASK OF IT. 288 00:21:57,683 --> 00:22:00,451 AND IF IT BREAKS DOWN, I SIMPLY REPLACE A PART, 289 00:22:00,520 --> 00:22:03,037 AND IF ALL THE PARTS BREAK DOWN, I SIMPLY REPLACE THE CAR. 290 00:22:03,106 --> 00:22:05,940 SEE WHAT I'M GETTING AT, CLYDE? 291 00:22:06,008 --> 00:22:10,043 - I CAN BE REPLACED. - YOU ALREADY HAVE BEEN. 292 00:22:10,112 --> 00:22:12,963 OH, YOU MADE A WONDERFUL CROOK, CLYDE. 293 00:22:13,031 --> 00:22:15,733 TOO BAD YOU HAD TO TURN GOOD. 294 00:22:20,756 --> 00:22:23,490 ♪♪ 295 00:22:31,267 --> 00:22:35,018 ♪♪ JUST WHERE DO YOU THINK YOU'RE GOING? 296 00:22:35,087 --> 00:22:37,722 TO FIND MY FATHER. YOU'RE NOT GOIN' ANYWHERE. 297 00:22:37,790 --> 00:22:40,191 - COLT'S FINDING YOUR FATHER. - THAT STUPID REDNECK... 298 00:22:40,259 --> 00:22:43,176 COULDN'T FIND THE HOLES IN A BOWLING BALL. 299 00:22:43,245 --> 00:22:45,362 I'M GETTING TIRED OF THAT MOUTH OF YOURS. 300 00:22:45,431 --> 00:22:48,376 - YOU'VE BEEN CUTTING DOWN COLT AND HOWIE ALL NIGHT. - BELIEVE ME, IT'S EASY. 301 00:22:48,400 --> 00:22:52,169 LOOK, BRAT, YOU'VE GOT 10 SECONDS TO GET IN THAT BED AND SHUT YOUR MOUTH... 302 00:22:52,238 --> 00:22:55,339 - BEFORE I TAKE YOU OVER MY KNEE. - SO LONG, SUCKER. 303 00:22:58,227 --> 00:23:00,827 OH, JUST YOU TRY AND GET UP. 304 00:23:00,896 --> 00:23:02,896 WHAT ARE YOU, SOME KIND OF CHILD BEATER? 305 00:23:02,965 --> 00:23:05,978 NO, I AM AN ADULT WHO'S TIRED OF LISTENING TO A SPOILED LITTLE GIRL... 306 00:23:06,002 --> 00:23:08,080 WHO THINKS SHE CAN DO ANYTHING SHE WANTS. 307 00:23:08,104 --> 00:23:10,437 YOU DON'T SCARE ME. I DON'T WANNA SCARE YOU. 308 00:23:10,506 --> 00:23:13,707 I WAS TRYING TO BE YOUR FRIEND. WELL, I DON'T NEED FRIENDS. 309 00:23:13,775 --> 00:23:15,775 THAT'S WHAT YOU THINK. 310 00:23:15,844 --> 00:23:18,957 YOU'RE ALL ALONE EXCEPT FOR YOUR FATHER, AND HE'S IN SERIOUS TROUBLE. 311 00:23:18,981 --> 00:23:21,415 LIBBY, WE'RE ALL YOU'VE GOT. 312 00:23:22,518 --> 00:23:25,318 HEY, DON'T TRY AND CHEER ME UP. 313 00:23:27,707 --> 00:23:32,075 HONEY. LISTEN, YOU JUST GOTTA UNDERSTAND SOMETHING, 314 00:23:32,144 --> 00:23:34,211 AND THAT'S THAT WE CARE. 315 00:23:34,280 --> 00:23:38,215 IF ANYBODY CAN FIND YOUR DADDY IN THIS WHOLE WIDE WORLD, IT'S COLT. 316 00:23:38,284 --> 00:23:41,084 HE'S THE BEST THERE IS. 317 00:23:41,153 --> 00:23:45,038 THE ONLY REASON YOU GUYS ARE HELPING IS 'CAUSE YOU'RE GETTING PAID. 318 00:23:47,326 --> 00:23:49,627 HONEY, WE'RE BARELY GETTING PAID ENOUGH... 319 00:23:49,695 --> 00:23:52,173 TO PAY FOR THESE TWO CRUMMY MOTEL ROOMS. 320 00:23:52,197 --> 00:23:55,599 NOW, PEOPLE DON'T RISK THEIR LIVES FOR ONLY THAT. 321 00:23:55,668 --> 00:23:59,236 YEAH? YEAH. 322 00:23:59,304 --> 00:24:01,371 HEY, YOU STOP CRYING. 323 00:24:02,508 --> 00:24:04,574 I CAN'T. 324 00:24:04,644 --> 00:24:06,944 I'M WORRIED ABOUT MY DAD. 325 00:24:07,013 --> 00:24:10,147 I KNOW. I WISH HE WAS HERE. 326 00:24:11,250 --> 00:24:13,383 I KNOW. 327 00:24:31,153 --> 00:24:34,755 AW, IT'S 4:00. HAVE ANY LUCK? NO. 328 00:24:36,192 --> 00:24:38,325 HOW'S THE KID? 329 00:24:38,394 --> 00:24:40,460 SHE CRIED HERSELF TO SLEEP. 330 00:24:40,529 --> 00:24:43,297 LIBBY? SHE DOESN'T KNOW HOW TO CRY. 331 00:24:43,366 --> 00:24:46,144 YOU JUST DON'T UNDERSTAND HER. SHE'S REALLY A GOOD KID. 332 00:24:46,168 --> 00:24:48,302 I THINK YOU BETTER GO BACK IN THERE AND CHECK, 333 00:24:48,371 --> 00:24:50,437 AND MAKE SURE SOMEBODY DIDN'T MAKE A SWITCH. 334 00:24:50,506 --> 00:24:52,773 I THINK YOU GOT THE WRONG KID. 335 00:24:52,841 --> 00:24:54,841 GOOD NIGHT. 336 00:25:09,091 --> 00:25:11,236 YOU SURE LOOK AWFUL PRETTY TODAY, LIBBY. 337 00:25:11,260 --> 00:25:13,360 THANKS. JODY HELPED ME WITH MY HAIR. 338 00:25:13,429 --> 00:25:15,523 YOU'RE NOT TALKING WITH YOUR MOUTH FULL. 339 00:25:15,547 --> 00:25:18,716 LOOK, I'M REALLY SORRY ABOUT YESTERDAY. I WAS BEING A BRAT. 340 00:25:18,784 --> 00:25:21,168 AND I'M REALLY SORRY ABOUT ALL THOSE NAMES I CALLED YOU. 341 00:25:21,236 --> 00:25:24,188 I DIDN'T MEAN IT. HEY, FORGET IT. 342 00:25:24,256 --> 00:25:28,325 THANKS. AND I APPRECIATE EVERYTHING YOU'RE DOING FOR ME AND MY FATHER TOO. 343 00:25:28,393 --> 00:25:30,772 YOU BETTER COOL IT. WE DON'T WANNA OVERDO IT. 344 00:25:30,796 --> 00:25:33,864 WELL, I MEAN EVERYTHING I SAY. REALLY. 345 00:25:33,933 --> 00:25:37,268 I JUST HOPE WE CAN FIND HIM. BE A LOT EASIER IF WE COULD HAVE GOTTEN... 346 00:25:37,336 --> 00:25:40,070 THE LICENSE PLATE NUMBER OFF THAT SEDAN. 347 00:25:40,138 --> 00:25:44,174 IT'S, UH, 1-E-D-I-0-8-4. 348 00:25:46,461 --> 00:25:47,758 HOW DO YOU KNOW THAT? 349 00:25:47,782 --> 00:25:50,597 I REMEMBER THINGS... EVEN THINGS I DON'T WANNA. 350 00:25:50,666 --> 00:25:54,451 - YOU MEAN YOU'VE GOT A PHOTOGRAPHIC MEMORY? - I GUESS. 351 00:25:54,520 --> 00:25:58,071 WE'LL HAVE THE POLICE RUN A TRACE ON THAT TAG. 352 00:25:58,140 --> 00:26:01,175 UH, CAN I PLEASE BE EXCUSED TO GO TO THE HEAD? 353 00:26:02,411 --> 00:26:05,946 I MEAN LADIES' ROOM. 354 00:26:06,015 --> 00:26:08,615 - SURE. - OKAY. 355 00:26:09,951 --> 00:26:12,247 OH! OH, I'M SO SORRY. 356 00:26:12,271 --> 00:26:14,804 IT'S OKAY. GO AHEAD. WE'LL CLEAN UP. 357 00:26:14,873 --> 00:26:16,873 OKAY. I'LL BE RIGHT BACK. 358 00:26:19,345 --> 00:26:22,295 WHAT DID YOU DO TO HER? SHE'S ACTING GROWN-UP. 359 00:26:22,364 --> 00:26:24,565 YOU REALLY HAVE A WAY WITH KIDS. 360 00:26:24,633 --> 00:26:26,734 YOU COWBOYS DON'T KNOW ANYTHING ABOUT KIDS. 361 00:26:26,802 --> 00:26:28,986 SHE NEEDED A WOMAN'S TOUCH. 362 00:26:29,054 --> 00:26:32,489 SOME GENTLE UNDERSTANDING WILL TURN A KID AROUND FASTER THAN ANYTHING... 363 00:26:32,557 --> 00:26:34,925 EXCEPT FOR MAYBE A JUDO CHOP. 364 00:26:34,994 --> 00:26:37,039 WELL, I GOTTA HAND IT TO YOU. 365 00:26:37,063 --> 00:26:39,546 SHE SURE IS A DIFFERENT KID. 366 00:26:39,615 --> 00:26:42,065 MY TRUCK! 367 00:26:42,134 --> 00:26:44,401 LIBBY. LIBBY. 368 00:26:48,206 --> 00:26:50,240 MY TRUCK! 369 00:26:50,309 --> 00:26:52,643 LIBBY, STOP THAT TRUCK RIGHT THIS MINUTE. 370 00:26:52,711 --> 00:26:57,147 - NO! - YOU BETTER LISTEN TO ME, YOU LITTLE... YOUNG LADY. 371 00:26:57,216 --> 00:26:59,632 I CAN'T GET IT UNDER CONTROL. 372 00:26:59,701 --> 00:27:01,751 HOLD IT! 373 00:27:06,175 --> 00:27:08,659 WATCH IT, KID. 374 00:27:11,813 --> 00:27:13,813 OH, NO. 375 00:27:15,350 --> 00:27:18,751 - SORRY. - I WAS JUST RUN OVER BY MY OWN TRUCK. 376 00:27:18,820 --> 00:27:21,855 I'M GONNA PUT THAT KID OVER MY KNEE. I'LL HELP. 377 00:27:21,924 --> 00:27:24,574 ♪♪ 378 00:27:28,447 --> 00:27:30,614 WALTER, NOTHING EVER HAPPENS. 379 00:27:30,683 --> 00:27:34,018 WELL, I SPOTTED A WHALE OFF THE COAST LAST NIGHT. 380 00:27:34,086 --> 00:27:37,054 BIG DEAL. WELL, WHAT DO YOU WANT? 381 00:27:37,123 --> 00:27:40,718 THIS IS SANTA LUISA. PEOPLE COME HERE FOR PEACE AND QUIET. 382 00:27:40,742 --> 00:27:42,960 THAT'S EXACTLY WHY IT'S SO BORING. 383 00:28:03,415 --> 00:28:05,515 OH, NO. 384 00:28:05,584 --> 00:28:08,018 NOW, THAT'S WHAT I CALL CRASHING A PARTY. 385 00:28:08,086 --> 00:28:10,421 HOWARD, THIS AIN'T FUNNY. 386 00:28:31,343 --> 00:28:34,389 NOW, GET OUT OF THE TRUCK. WHAT ARE YOU GOING TO DO TO ME? 387 00:28:34,413 --> 00:28:36,513 COME ON, GET OUT. NO! 388 00:28:36,581 --> 00:28:39,616 NO. GET BACK. NO. OW! OW! 389 00:28:39,684 --> 00:28:41,934 HELP ME! PUT ME DOWN! 390 00:28:42,003 --> 00:28:44,949 SOMEBODY HELP, PLEASE! I'M BEING KIDNAPPED! HELP ME! 391 00:28:44,973 --> 00:28:48,941 YEAH, AND HOOK THE WINCH TO A TREE. PULL THE TRUCK OUT. 392 00:28:49,010 --> 00:28:52,612 SURE THING, COLT. YEAH. TELL THE PEOPLE THAT OWN THIS PLACE... 393 00:28:52,681 --> 00:28:54,759 WE'LL TAKE CARE OF THE DAMAGES. OKAY. 394 00:28:54,783 --> 00:28:56,783 WHAT ARE YOU GONNA DO TO HER? 395 00:28:56,851 --> 00:28:59,397 I'M GONNA GIVE HER AN OLD-FASHIONED SPANKIN'. PUT ME DOWN! 396 00:28:59,421 --> 00:29:01,421 SOMEBODY HELP! 397 00:29:11,867 --> 00:29:15,385 AND DON'T MOVE. MY LEGS ARE FALLIN' ASLEEP. 398 00:29:15,454 --> 00:29:17,955 - THAT'S TOO BAD. - LOOK, MACHO MAN, 399 00:29:18,023 --> 00:29:20,039 IF YOU'RE GONNA HIT ME, GET IT OVER WITH. 400 00:29:20,108 --> 00:29:23,994 I'M NOT BIG ON SUSPENSE. ARE YOU REALLY GONNA SPANK HER, COLT? 401 00:29:24,063 --> 00:29:26,079 - NO. - CAN I DO IT? 402 00:29:26,148 --> 00:29:28,915 NO. MY DADDY HIT ME PLENTY OF TIMES. IT DIDN'T DO ANY GOOD. 403 00:29:28,984 --> 00:29:31,001 YEAH, I GUESS YOU'RE RIGHT. 404 00:29:31,070 --> 00:29:33,181 ACCORDING TO A STUDY WE DID AT CORNELL, 405 00:29:33,205 --> 00:29:35,283 CHILDREN OFTEN SEEK PHYSICAL PUNISHMENT... 406 00:29:35,307 --> 00:29:37,452 AS A SUBSTITUTE FOR AFFECTION. 407 00:29:37,476 --> 00:29:39,459 IS THIS GUY FOR REAL? 408 00:29:39,528 --> 00:29:41,561 LOOK, KID, LET'S GET ONE THING STRAIGHT. 409 00:29:41,630 --> 00:29:43,875 JUST BECAUSE YOU DIDN'T GET SPANKED DOESN'T MEAN YOU'RE OFF THE HOOK. 410 00:29:43,899 --> 00:29:46,567 NOW, WE ARE THE ADULTS AND YOU ARE THE CHILD, 411 00:29:46,635 --> 00:29:49,987 - AND YOU WILL DO AS WE SAY... DO. - THAT'S WHAT YOU THINK. 412 00:29:50,055 --> 00:29:53,523 OH, I GIVE UP. GO AHEAD, KID, BEAT HER. 413 00:29:54,660 --> 00:29:57,027 YOU-YOU'RE INCORRIGIBLE. 414 00:29:57,096 --> 00:29:58,412 WHAT DOES THAT MEAN? 415 00:29:58,436 --> 00:30:01,481 IT MEANS YOU'RE UNCHANGEABLE... A HOPELESS CASE. 416 00:30:01,550 --> 00:30:03,983 WELL, WHAT ARE YOU GONNA DO ABOUT IT? 417 00:30:04,052 --> 00:30:07,654 - WE'RE GONNA TURN YOU OVER TO THE POLICE. - POLICE? 418 00:30:07,723 --> 00:30:10,707 YEAH. YOU'LL BE SAFE AND YOU'LL BE OUT OF OUR HAIR. 419 00:30:10,776 --> 00:30:14,360 - BUT THEY'LL PUT ME INTO AN INSTITUTION. - DO YOU HAVE TO, COLT? 420 00:30:14,429 --> 00:30:18,348 WE DON'T HAVE ANY CHOICE, JODY. 421 00:30:18,416 --> 00:30:20,450 YEAH, HELLO? 422 00:30:20,519 --> 00:30:23,720 - THANK GOD YOU'RE OKAY. - OH, YOU MUST HAVE HEARD ABOUT THE KID. 423 00:30:23,789 --> 00:30:24,456 WHAT KID? 424 00:30:24,480 --> 00:30:27,807 CLYDE DORSETT'S DAUGHTER. SHE'S A PAIN IN THE NECK. 425 00:30:27,876 --> 00:30:31,127 HE HAS A DAUGHTER? THAT'S AWFUL. 426 00:30:31,196 --> 00:30:33,664 - YOU CAN SAY THAT AGAIN. - COLT, YOU DON'T UNDERSTAND. 427 00:30:33,732 --> 00:30:38,468 I CALLED YOU BECAUSE THEY FOUND CLYDE THIS MORNING WITH THREE BULLETS IN HIM. 428 00:30:38,537 --> 00:30:40,970 - WHAT? - THEY LEFT HIM FOR DEAD. 429 00:30:41,039 --> 00:30:46,043 - YEAH, BUT HE ISN'T? - NO, HE'S IN INTENSIVE CARE AT SANTA LUISA HOSPITAL. 430 00:30:46,111 --> 00:30:48,144 HE'S ON THE CRITICAL LIST. 431 00:30:58,139 --> 00:31:00,090 TH-THAT'S TERRIBLE. 432 00:31:00,159 --> 00:31:02,909 I KNOW IT IS, BUT I'VE TALKED TO HIS DOCTOR, COLT, 433 00:31:02,978 --> 00:31:05,812 - AND THEY THINK HE'LL BE ALL RIGHT. - WE BETTER GET DOWN THERE. 434 00:31:05,881 --> 00:31:08,565 THEY WON'T LET ANYBODY IN WHILE HE'S STILL IN INTENSIVE CARE UNIT. 435 00:31:08,633 --> 00:31:11,651 OKAY, BIG JACK. THANKS FOR CALLING. 436 00:31:11,720 --> 00:31:13,720 COLT, I'M SORRY. 437 00:31:13,788 --> 00:31:16,156 YEAH. UH, BYE-BYE. 438 00:31:17,426 --> 00:31:19,306 WHAT DID BIG JACK SAY? WHAT'S WRONG? 439 00:31:20,829 --> 00:31:23,596 THE KID AND I ARE GONNA TAKE A LITTLE WALK ON THE BEACH. 440 00:31:23,665 --> 00:31:26,199 WHAT ARE YOU GONNA DO, DROWN ME? 441 00:31:26,268 --> 00:31:28,518 COME ON, SWEETHEART. 442 00:31:28,587 --> 00:31:30,687 WALK WITH ME. 443 00:31:30,756 --> 00:31:33,189 NOW I KNOW I'M IN TROUBLE. 444 00:31:33,258 --> 00:31:35,625 TALK TO YOU GUYS WHEN WE GET BACK. 445 00:31:41,299 --> 00:31:44,083 WHAT ARE WE DOING OUT HERE? I DON'T EVEN LIKE THE BEACH. 446 00:31:44,152 --> 00:31:46,919 SURE ARE A BRAVE KID, AREN'T YOU? 447 00:31:46,988 --> 00:31:49,422 THIS SOUNDS LIKE A SETUP. IT IS. 448 00:31:49,491 --> 00:31:51,909 IT'S GONNA BE HARD FOR ME TO TELL YOU THIS, BUT... 449 00:31:51,977 --> 00:31:54,244 IT'S ABOUT MY FATHER, ISN'T IT? 450 00:31:54,313 --> 00:31:57,014 THOSE GOONS HAVE DONE SOMETHING TO HIM. 451 00:31:58,717 --> 00:32:01,129 I'M NOT GONNA LIE TO YOU, LIBBY. YOUR FATHER'S BEEN SHOT. 452 00:32:01,153 --> 00:32:04,471 HE'S CRITICAL. SWELL. 453 00:32:04,540 --> 00:32:06,751 THE DOCTORS SAY HE'S GONNA MAKE IT. 454 00:32:06,775 --> 00:32:10,827 YEAH, SURE. JUST LIKE IN THE MOVIES. 455 00:32:10,896 --> 00:32:13,145 HE'S SO STUPID. 456 00:32:13,214 --> 00:32:15,314 I TOLD HIM TO BLOW TOWN UNTIL THE TRIAL, 457 00:32:15,384 --> 00:32:17,617 BUT NO, HE HAD TO STAY AND MAKE MORE BREAD. 458 00:32:17,686 --> 00:32:20,286 YOU GOT TO CUT THE TOUGH-GUY STUFF. 459 00:32:20,355 --> 00:32:23,156 AND DON'T BE AFRAID TO BE SCARED. 460 00:32:23,225 --> 00:32:25,291 GO AHEAD AND CRY. 461 00:32:25,360 --> 00:32:27,961 YOU GOT IT COMIN'. SHUT UP. 462 00:32:34,570 --> 00:32:36,770 THAT'S A GIRL. 463 00:32:36,838 --> 00:32:38,888 GET IT OUT. 464 00:32:40,025 --> 00:32:42,225 OH, COLT, I'M SCARED. 465 00:32:43,395 --> 00:32:45,695 WHAT AM I GONNA DO WITHOUT MY DAD? 466 00:32:45,764 --> 00:32:48,348 HEY, HE'S GONNA MAKE IT. DON'T WORRY. 467 00:32:48,416 --> 00:32:50,995 THERE'S NOTHING TO BE SCARED ABOUT. YOU GOT ME. 468 00:32:51,019 --> 00:32:53,314 AND I'M NOT GONNA LEAVE YOU. 469 00:32:53,338 --> 00:32:56,989 YOU'RE NOT CONNIN' ME, ARE YOU? 470 00:32:57,058 --> 00:32:59,759 NO, I'M NOT CONNIN' YOU. 471 00:32:59,827 --> 00:33:01,861 YOU'RE STUCK WITH ME. 472 00:33:05,534 --> 00:33:07,567 I WANNA GO TO THE HOSPITAL. 473 00:33:09,287 --> 00:33:12,349 WELL, I CAN'T PROMISE THAT THEY'LL LET YOU IN TO SEE HIM. 474 00:33:12,373 --> 00:33:14,791 OKAY. 475 00:33:18,596 --> 00:33:20,636 THERE YOU GO. 476 00:33:23,135 --> 00:33:25,168 HE LOOKED BAD. 477 00:33:25,237 --> 00:33:27,670 WELL, THEN HE MUST BE BETTER THAN HE LOOKS. 478 00:33:27,739 --> 00:33:30,173 IF THE DOCTOR SAID HE WAS IN STABLE CONDITION, 479 00:33:30,242 --> 00:33:32,920 HE'LL BE TAKEN OFF THE CRITICAL LIST IN TWO OR THREE DAYS. 480 00:33:32,944 --> 00:33:35,178 HE COULDN'T EVEN TALK TO ME. 481 00:33:35,247 --> 00:33:37,347 HE JUST BLINKED. 482 00:33:37,416 --> 00:33:41,668 LIBBY, I THINK IT'S TIME YOU TOLD ME WHERE THAT EVIDENCE IS. 483 00:33:41,737 --> 00:33:45,021 YEAH, I GUESS I SHOULD TELL YOU. IT'S ALL UP HERE. 484 00:33:45,090 --> 00:33:47,301 WHAT, IN THAT PHOTOGRAPHIC MEMORY? 485 00:33:47,325 --> 00:33:51,227 UH-HUH. I GOT IT ALL... NAMES, DATES, PLACES. ALL THAT JUNK. 486 00:33:51,296 --> 00:33:54,364 NO WONDER THEY COULDN'T FIND IT. 487 00:33:54,433 --> 00:33:57,701 COLT, WE'RE GONNA GET GRAHAM FOR WHAT HE DID TO MY FATHER, AREN'T WE? 488 00:33:57,770 --> 00:34:00,404 YEAH. AS SOON AS WE GET BACK TO L.A. 489 00:34:00,472 --> 00:34:03,239 L.A.? BUT HE'S RIGHT HERE IN TOWN. 490 00:34:03,308 --> 00:34:05,453 WE'RE GONNA LET THE LAW GET GRAHAM. 491 00:34:05,477 --> 00:34:08,322 WE'RE GONNA GO BACK AND SPILL THE BEANS TO THE D.A. IN L.A. 492 00:34:08,346 --> 00:34:11,681 GET IT? THE LAW. MR. GRAHAM'S ABOVE THE LAW. 493 00:34:11,750 --> 00:34:14,784 HE'D NEVER GO TO JAIL. HALF THE CITY COUNCIL'S ON THE PAYROLL. 494 00:34:14,853 --> 00:34:17,648 THEN WHY'D YOUR FATHER BOTHER WITH THE EVIDENCE IN THE FIRST PLACE THEN? 495 00:34:17,672 --> 00:34:20,940 TO SAVE HIS OWN SKIN, BUT HE KNEW IT WOULD NEVER REALLY HURT GRAHAM. 496 00:34:21,009 --> 00:34:23,154 COME ON. THE D.A. WOULDN'T HAVE MADE A DEAL... 497 00:34:23,178 --> 00:34:26,056 IF HE DIDN'T THINK HE HAD ENOUGH EVIDENCE TO PUT GRAHAM AWAY. 498 00:34:26,080 --> 00:34:29,349 BIG DEAL. JAIL ISN'T ENOUGH. COME ON, COLT, YOU PROMISED. 499 00:34:29,417 --> 00:34:32,185 WHAT DO YOU WANT ME TO DO, WALK IN AND KILL HIM? YES! 500 00:34:32,254 --> 00:34:36,055 COME ON. YOU DON'T MEAN THAT. BESIDES, I CAN'T DO THAT. I'D BE BREAKING THE LAW. 501 00:34:36,124 --> 00:34:38,958 I'D BE WORSE OFF THAN HE IS. SURE. 502 00:34:39,027 --> 00:34:42,162 COME ON. WE'RE GOING BACK TO THE MOTEL AND PACK. 503 00:34:49,638 --> 00:34:52,372 - THAT'S THE GOONS' CAR. - MUST BE UP WITH JODY AND HOWIE. 504 00:34:52,441 --> 00:34:54,440 YEAH. I GOTTA GET UP THERE. 505 00:35:01,233 --> 00:35:03,833 SO, COLT, WHAT ARE WE GONNA DO? 506 00:35:03,902 --> 00:35:05,963 WE AREN'T GONNA DO ANYTHING. 507 00:35:05,987 --> 00:35:08,839 WHAT'S THAT? IT'S A STUN GUN. 508 00:35:08,907 --> 00:35:11,007 WHAT DOES IT DO? 509 00:35:11,076 --> 00:35:15,061 IT SHOOTS A BEANBAG INTO A MAN'S GUT HARD ENOUGH TO DOUBLE HIM OVER. 510 00:35:15,130 --> 00:35:18,815 BEANBAGS? YOU'RE GOING AFTER CRIMINALS WITH A GUN THAT SHOOTS BEANBAGS? 511 00:35:18,883 --> 00:35:22,168 LOOK, I'M NOT A KILLER. I TAKE MY PRISONERS ALIVE. 512 00:35:22,237 --> 00:35:24,637 YEAH? WELL, THEY'RE GONNA TAKE YOU DEAD. 513 00:35:24,706 --> 00:35:26,740 COME ON, COLT. USE A REAL GUN. 514 00:35:26,808 --> 00:35:30,008 YOU JUST HIDE IN THE TRUCK AND KEEP YOUR MOUTH SHUT. YOU'RE GONNA BLOW IT. 515 00:35:30,045 --> 00:35:32,078 IN THE TRUCK, MUNCHKIN. COME ON. 516 00:35:32,147 --> 00:35:34,647 HURRY. COME ON. 517 00:36:02,377 --> 00:36:05,878 SIT AND WAIT HERE TILL YOUR FRIEND COMES BACK WITH THE KID. 518 00:36:05,947 --> 00:36:08,014 YOU MIGHT AS WELL TELL US WHERE THEY ARE. 519 00:36:08,083 --> 00:36:10,383 WE TOLD YOU. COLT TOOK THE KID BACK TO L.A. 520 00:36:10,452 --> 00:36:12,780 YEAH. HE TURNED HER OVER TO THE POLICE. 521 00:36:12,804 --> 00:36:14,821 I'M LOSING MY PATIENCE TOO. 522 00:36:14,890 --> 00:36:17,290 MAYBE WE OUGHT TO BEAT THE TRUTH OUT OF THEM. 523 00:37:10,445 --> 00:37:13,296 WHEN ARE YOU TWO GOONS GONNA GET IT THROUGH YOUR THICK SKULLS... 524 00:37:13,364 --> 00:37:16,850 THAT LIBBY ISN'T IN SANTA LUISA ANYMORE? 525 00:37:16,918 --> 00:37:19,703 WHO IS IT? IT'S ME, YOU IDIOTS. 526 00:37:19,771 --> 00:37:22,439 IT'S THE KID. 527 00:37:24,509 --> 00:37:27,710 OH. WELL, I'M HERE, YOU GUYS. TAKE ME TO YOUR LEADER. 528 00:37:27,779 --> 00:37:30,763 LIBBY, WHERE'S COLT? 529 00:37:39,190 --> 00:37:42,025 DON'T TRY TO COME AFTER US. 530 00:37:45,063 --> 00:37:47,430 WHAT WOULD COLT DO? 531 00:37:47,499 --> 00:37:51,150 HE'D GO AFTER 'EM ANYWAY. WELL, LET'S GO. 532 00:37:54,823 --> 00:37:56,606 COLT! 533 00:37:56,674 --> 00:37:59,826 - WHERE IS EVERYBODY? - THEY TOOK LIBBY. 534 00:38:00,962 --> 00:38:03,012 WHAT? 535 00:38:22,000 --> 00:38:24,000 OH, GOD. 536 00:38:24,068 --> 00:38:26,303 ARE YOU OKAY, COLT? I DON'T KNOW. 537 00:38:26,371 --> 00:38:29,038 ANYTHING BROKEN? NO, JUST MY SPIRIT. 538 00:38:35,163 --> 00:38:37,180 COLT? 539 00:38:37,248 --> 00:38:39,360 WHAT? LIBBY DIDN'T GO AFTER GRAHAM WITHOUT HELP. 540 00:38:39,384 --> 00:38:41,429 WHAT ARE YOU TALKING ABOUT? YOUR BLANK GUN'S MISSING. 541 00:38:41,453 --> 00:38:44,003 WHAT? SHE DIDN'T. SHE DID. 542 00:38:44,072 --> 00:38:46,750 YOU CAN'T LEAVE THAT KID ALONE FOR A MINUTE. 543 00:38:46,774 --> 00:38:49,853 AT LEAST SHE CAN'T HURT ANYBODY IF THE GUN'S ONLY FILLED WITH BLANKS. 544 00:38:49,877 --> 00:38:53,513 SHE DOESN'T KNOW THAT, AND THE BAD GUYS DON'T KNOW THAT. 545 00:39:06,627 --> 00:39:10,029 BIG JACK SAYS THIS GUY GRAHAM HAS A PLACE UP HERE ON SIXTH STREET. 546 00:39:10,098 --> 00:39:12,777 IF I HAD TO GUESS, I'D SAY THAT'S WHERE THEY'D TAKE HER. 547 00:39:12,801 --> 00:39:16,269 ♪♪ 548 00:39:26,881 --> 00:39:28,881 ♪♪ 549 00:39:28,950 --> 00:39:30,983 WELL, LOOK WHO'S HERE. 550 00:39:31,052 --> 00:39:33,092 YEAH. FINALLY FOUND HER FOR YOU, MR. GRAHAM. 551 00:39:33,121 --> 00:39:36,338 YOU DIDN'T FIND NOTHIN', WALNUT BRAIN. I TURNED MYSELF IN. 552 00:39:36,407 --> 00:39:38,508 WELL, SHE DID COME TO THE DOOR, 553 00:39:38,577 --> 00:39:41,043 BUT WE GRABBED HER BEFORE SHE COULD GET AWAY AGAIN. 554 00:39:41,112 --> 00:39:44,180 I HOPE IT DIDN'T CAUSE YOU TOO MUCH TROUBLE. 555 00:39:45,851 --> 00:39:48,796 I HEARD ABOUT YOUR FATHER, LIBBY, AND I'M TRULY SORRY. 556 00:39:48,820 --> 00:39:51,070 WHAT A MIRACLE HE DIDN'T GET KILLED. 557 00:39:51,139 --> 00:39:55,008 CUT THE ACT, GRAHAM. MY FATHER CROSSED YOU. YOU HAD TO TEACH HIM A LESSON. 558 00:39:55,076 --> 00:39:59,078 WELL, I'M HERE TO FIX THAT. HOW VERY INTELLIGENT OF YOU, LIBBY. 559 00:40:00,815 --> 00:40:03,049 BIG JACK SAID THE SIXTH STREET GARAGE. 560 00:40:03,118 --> 00:40:06,252 MUST BE ON SIXTH STREET, RIGHT? WE'RE RUNNIN' OUT OF STREET. 561 00:40:06,320 --> 00:40:08,354 COLT, STOP. THERE IT IS. 562 00:40:08,422 --> 00:40:11,207 AND THERE'S LOUIS. LIBBY MUST BE INSIDE, COLT. 563 00:40:11,276 --> 00:40:13,476 WE'RE GONNA HAVE TO FIND ANOTHER WAY IN. 564 00:40:13,545 --> 00:40:16,862 YEAH, AND FAST. 565 00:40:16,931 --> 00:40:20,967 - THEN I TAKE IT YOU BROUGHT IT WITH YOU. - UH-HUH. IT'S RIGHT IN HERE. 566 00:40:21,036 --> 00:40:24,537 - WELL, THEN, LET'S HAVE IT. - OKAY. 567 00:40:25,673 --> 00:40:27,707 WHAT... DIDN'T YOU FRISK HER? 568 00:40:27,776 --> 00:40:29,608 WHO FRISKS A KID? 569 00:40:31,796 --> 00:40:35,665 UH-UH. DON'T DO IT, STEWART. THIS IS A REAL GUN, AND I KNOW HOW TO USE IT. 570 00:40:35,733 --> 00:40:39,785 AH, COME ON, SWEETHEART. YOU DON'T WANT TO USE THAT THING. 571 00:40:39,854 --> 00:40:44,340 YOU ALMOST KILLED MY FATHER. NOW YOU'RE GONNA PAY. 572 00:40:49,514 --> 00:40:51,664 WE DIDN'T HURT YOUR FATHER. I SWEAR IT. 573 00:40:51,733 --> 00:40:53,933 COME OFF IT, GRAHAM. YOU DID IT. 574 00:40:54,001 --> 00:40:56,251 LISTEN. 575 00:40:56,320 --> 00:40:58,588 I OFFERED YOUR FATHER A WAY OUT, 576 00:40:58,656 --> 00:41:01,006 BUT HE WASN'T AS BRIGHT AS YOU ARE. 577 00:41:01,075 --> 00:41:04,444 NOW COME ON, LIBBY. BE SMART. 578 00:41:04,512 --> 00:41:06,796 GIVE ME THE GUN AND THE EVIDENCE, 579 00:41:06,865 --> 00:41:09,682 AND YOU AND YOUR FATHER CAN GO AND LIVE IN PEACE. 580 00:41:09,751 --> 00:41:11,995 COLT, HOW ARE WE GONNA GET DOWN THERE? 581 00:41:12,019 --> 00:41:14,537 I CAN ONLY THINK OF ONE WAY, KID. 582 00:41:14,606 --> 00:41:16,655 I DON'T BELIEVE YOU. 583 00:41:16,724 --> 00:41:19,025 HEY! GOOD WORK, LOUIS. 584 00:41:19,094 --> 00:41:21,127 I'LL TAKE THAT. 585 00:41:21,196 --> 00:41:23,295 A VERY FOOLISH THING YOU DID, LIBBY. 586 00:41:23,364 --> 00:41:25,364 NOW LET'S SEE WHAT ELSE YOU'VE GOT IN HERE. 587 00:41:40,965 --> 00:41:43,215 LIBBY... 588 00:41:49,124 --> 00:41:51,291 BLANKS! 589 00:41:51,359 --> 00:41:54,319 LIBBY, WILL YOU GET OUT OF HERE? NO! 590 00:41:54,796 --> 00:41:57,680 HELP! HELP! HELP! 591 00:41:57,749 --> 00:41:59,731 GET OUT OF HERE! 592 00:42:07,458 --> 00:42:10,343 COME BACK HERE. 593 00:42:10,412 --> 00:42:13,312 HELP, COLT! 594 00:42:13,381 --> 00:42:16,182 COLT, HELP! COLT, COME ON! 595 00:42:16,250 --> 00:42:18,684 HELP ME! COLT! 596 00:42:18,753 --> 00:42:21,415 COLT, COME ON! YOU GET IN THERE. GO ON. 597 00:42:21,439 --> 00:42:24,039 - COLT, HELP! - I'M COMIN', KID. 598 00:42:24,108 --> 00:42:26,425 COLT, HE'S TAKIN' ME AWAY. HURRY! HELP! 599 00:42:32,450 --> 00:42:34,450 COVER 'EM, KID. 600 00:42:36,087 --> 00:42:38,153 I'M GOIN' AFTER GRAHAM. 601 00:42:46,347 --> 00:42:49,165 GET IN THERE AND HELP HOWIE. 602 00:42:57,174 --> 00:43:00,009 SEEMS LIKE YOUR FRIEND IS COMING AFTER US. 603 00:43:02,046 --> 00:43:04,029 ALL RIGHT, COLT! 604 00:43:07,819 --> 00:43:10,136 YOU KNOW, I THINK I BETTER PUT ON MY SEAT BELT. 605 00:43:10,204 --> 00:43:12,388 I THINK YOU'RE GONNA MESS UP... BAD. 606 00:44:03,858 --> 00:44:07,426 AW, COLT, YOU DID IT. JODY'S RIGHT. YOU ARE THE BEST. 607 00:44:09,564 --> 00:44:11,297 OUT OF THE CAR. COME ON. 608 00:44:11,382 --> 00:44:14,199 IF YOU'RE LOOKING FOR THE RECORDS, THEY'RE NOT IN THE PURSE. 609 00:44:14,268 --> 00:44:17,804 - I HAVE 'EM ALL MEMORIZED. - YOU EXPECT ME TO BELIEVE THAT? 610 00:44:17,872 --> 00:44:20,656 I DON'T CARE, 'CAUSE THE D.A. WILL... 611 00:44:20,725 --> 00:44:22,885 ESPECIALLY WHEN WE ADD ATTEMPTED MURDER AND KIDNAPPING. 612 00:44:33,955 --> 00:44:36,489 YOU KNOW, COLT, YOU MIGHT BE RIGHT. 613 00:44:36,558 --> 00:44:38,602 MAYBE THE LAW CAN HANDLE THIS GUY. 614 00:44:38,626 --> 00:44:40,660 YEAH, WELL, I'M GONNA HANDLE YOU. 615 00:44:40,728 --> 00:44:43,206 YOU KNOW KIDS SHOULDN'T PLAY WITH GUNS. WELL, YEAH, BUT... 616 00:44:43,230 --> 00:44:45,465 NOT EVEN ONES THAT JUST FIRE BLANKS. 617 00:45:03,117 --> 00:45:05,684 WHAT'S TAKIN' SO LONG? SHE'S BEEN UP THERE FOR TWO HOURS. 618 00:45:05,753 --> 00:45:08,098 SHE PROBABLY HAD A LOT TO TELL THEM. 619 00:45:08,122 --> 00:45:10,890 I SHOULD HAVE GONE UP THERE WITH HER. SHE WAS SCARED TO DEATH. 620 00:45:10,958 --> 00:45:12,992 WELL, THE D.A. CONTACTED HER AUNT. 621 00:45:13,060 --> 00:45:15,438 I GUESS HE WANTED A BLOOD RELATIVE TO BE WITH HER. 622 00:45:15,462 --> 00:45:17,496 YEAH. 623 00:45:17,564 --> 00:45:20,032 HERE THEY COME. 624 00:45:20,101 --> 00:45:21,566 QUITE A JOB. THANKS. 625 00:45:25,306 --> 00:45:27,873 WELL, I DID IT, COLT. I SPILLED THE BEANS. 626 00:45:27,941 --> 00:45:30,342 SHE HAS QUITE AN AMAZING MEMORY, MR. SEAVERS. 627 00:45:30,411 --> 00:45:32,922 WE HAVE MORE THAN ENOUGH TO INDICT GRAHAM AND HIS MEN. 628 00:45:32,946 --> 00:45:36,266 AND DON'T WORRY. I'LL SEE TO IT THAT THEY'RE LOCKED UP WHERE THEY BELONG. 629 00:45:37,334 --> 00:45:39,469 I'M PROUD OF YOU, KID. 630 00:45:39,537 --> 00:45:43,088 IF HALF THE THINGS SHE TOLD ME ABOUT YOU ARE TRUE, 631 00:45:43,157 --> 00:45:45,474 YOU ARE AN AMAZING MAN. 632 00:45:45,543 --> 00:45:48,405 THANKS A LOT FOR YOUR HELP. I WANT TO THANK YOU TOO. 633 00:45:48,429 --> 00:45:51,564 I THINK LIBBY WANTS TO TALK TO YOU ALONE. 634 00:45:51,633 --> 00:45:53,733 YES, MA'AM. 635 00:45:53,801 --> 00:45:55,835 DO YOU, KID? 636 00:45:56,971 --> 00:45:58,971 COME ON. 637 00:46:02,627 --> 00:46:05,005 I CAN SEE I'M IN FOR A LOT OF EMBARRASSING MOMENTS... 638 00:46:05,029 --> 00:46:07,213 WHILE I'M STAYING AT MY AUNT'S. 639 00:46:07,281 --> 00:46:09,999 WHY? I THINK SHE SEEMS LIKE A VERY NICE LADY. 640 00:46:10,068 --> 00:46:12,885 YEAH. NICE AND DULL. 641 00:46:12,954 --> 00:46:15,087 THE WOMAN'S A VEGETARIAN. 642 00:46:15,156 --> 00:46:17,840 I THOUGHT YOU TOLD ME YOU WANTED TO GO STRAIGHT. 643 00:46:17,908 --> 00:46:22,178 WELL, YEAH, BUT STAYING WITH AUNT ALICE IS LIKE GOING COLD TURKEY. 644 00:46:22,247 --> 00:46:25,964 I TELL YOU, IF YOU GET THE URGE TO BE BAD, YOU CALL ME UP, 645 00:46:26,033 --> 00:46:28,166 AND WE'LL GO KNOCK OVER A BANK TOGETHER, OKAY? 646 00:46:28,235 --> 00:46:31,237 THAT'S FUNNY. 647 00:46:31,305 --> 00:46:34,072 UH, YOU KNOW, COLT, UH, 648 00:46:34,141 --> 00:46:39,245 THIS MIGHT SOUND CORNY, BUT I REALLY DON'T HAVE A LOT OF TIME TO BE SUBTLE. 649 00:46:39,313 --> 00:46:44,322 I, UH... I KIND OF HAVE A CRUSH ON YOU. 650 00:46:45,420 --> 00:46:47,420 UH, YEAH? 651 00:46:50,207 --> 00:46:54,293 WELL, I HAVE A BIG CRUSH ON YOU, AND I DON'T CARE IF IT IS CORNY. 652 00:46:54,361 --> 00:46:57,829 THERE'S KIND OF A BIG AGE DIFFERENCE BETWEEN US, HUH? 653 00:46:57,898 --> 00:46:59,965 A LITTLE BIT, 654 00:47:00,034 --> 00:47:03,302 BUT THAT'S NOT GONNA STOP US FROM BEING FRIENDS, RIGHT? 655 00:47:03,371 --> 00:47:06,722 RIGHT. BUT YOU GOTTA DO ME A FAVOR. 656 00:47:06,790 --> 00:47:09,141 TRY BEING A KID AGAIN. 657 00:47:09,209 --> 00:47:11,810 YOU KNOW, YOU GREW UP TOO FAST, AND YOU MISSED A LOT. 658 00:47:11,879 --> 00:47:14,146 I KNOW. 659 00:47:14,215 --> 00:47:16,281 AND MAKE FRIENDS WITH KIDS YOUR OWN AGE. 660 00:47:16,350 --> 00:47:18,701 YOU MIGHT HAVE A LOT OF FUN. 661 00:47:18,769 --> 00:47:21,737 KIDS MY OWN AGE ARE SO IMMATURE. 662 00:47:21,806 --> 00:47:25,708 HEY. BUT FOR YOU I'LL TRY. 663 00:47:25,776 --> 00:47:29,078 THAT'S MY GIRL. 664 00:47:30,197 --> 00:47:32,197 HERE. 665 00:47:32,266 --> 00:47:35,267 BET ON IT, COLT. THE RACE IS FIXED. 666 00:47:38,740 --> 00:47:41,707 "DADDY'S GIRL IN THE SEVENTH." 667 00:47:42,744 --> 00:47:45,144 THAT LITTLE MUNCHKIN. 53293

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