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All language subtitles for MasterClass Danny Elfman Teaches Music For Film - 16.Real Time Listening_ The Unknown Known

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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:02,910 [CLICK OF A DIAL FOLLOWED BY STATIC] 2 00:00:07,280 --> 00:00:13,820 "The Unknown Known," the story of Rumsfeld, Donald Rumsfeld-- 3 00:00:13,820 --> 00:00:15,680 wow, what a subject matter. 4 00:00:15,680 --> 00:00:16,730 What a character. 5 00:00:16,730 --> 00:00:19,280 There's nothing I like about Donald Rumsfeld. 6 00:00:19,280 --> 00:00:21,650 Dick Cheney and Donald Rumsfeld are my two least 7 00:00:21,650 --> 00:00:23,270 favorite people in the world. 8 00:00:23,270 --> 00:00:25,670 But this is Donald Rumsfeld's story, 9 00:00:25,670 --> 00:00:27,020 and I'm going to score it. 10 00:00:27,020 --> 00:00:30,710 I tried to find a very simple leitmotif, a melody, 11 00:00:30,710 --> 00:00:33,620 and we established it like this. 12 00:00:33,624 --> 00:00:36,604 [MUSIC - "MAIN TITLES"] 13 00:00:37,110 --> 00:00:38,100 Real sweet. 14 00:00:38,100 --> 00:00:39,780 Very simple guitar. 15 00:00:47,860 --> 00:00:49,030 And here's my melody. 16 00:00:49,030 --> 00:00:52,450 And can we pause for a moment? 17 00:00:52,450 --> 00:00:55,780 What I like to point out here, and then we'll play it again, 18 00:00:55,780 --> 00:00:58,020 is that I'm intentionally not starting 19 00:00:58,018 --> 00:01:00,308 the melody, which is going to be a very simple melody-- 20 00:01:00,310 --> 00:01:05,380 (SINGING) da da da da, da da da da, da da da, da da da. 21 00:01:05,375 --> 00:01:07,005 (SPEAKING NORMALLY) Notice that I'm not 22 00:01:07,000 --> 00:01:09,980 starting on the downbeat because that's how 23 00:01:09,983 --> 00:01:11,153 we're used to hearing music. 24 00:01:11,150 --> 00:01:12,190 You hear an introduction. 25 00:01:12,192 --> 00:01:16,212 It goes, (SINGING) dun dun, dun dun, dun dun, dun dun, 26 00:01:16,210 --> 00:01:18,680 and then [INAUDIBLE] and 4 and da da, da-- 27 00:01:18,682 --> 00:01:20,142 (SPEAKING NORMALLY) so listen where 28 00:01:20,140 --> 00:01:22,330 I start this because this wasn't an accident. 29 00:01:22,330 --> 00:01:23,760 One more time please. 30 00:01:23,757 --> 00:01:26,737 [MUSIC - "MAIN TITLES"] 31 00:01:46,140 --> 00:01:48,540 So there, it started in a rather odd place, 32 00:01:48,540 --> 00:01:51,120 which is unsettling even if you don't know 33 00:01:51,120 --> 00:01:52,710 why it's kind of unsettling. 34 00:01:52,710 --> 00:01:55,900 It just didn't start where it felt like it should start. 35 00:01:55,900 --> 00:01:58,300 Now, I'm taking this very simple theme 36 00:01:58,300 --> 00:02:01,300 and letting it evolve into something that-- 37 00:02:01,300 --> 00:02:03,980 what is-- what is going on here? 38 00:02:03,980 --> 00:02:05,080 There's a mystery to it. 39 00:02:05,080 --> 00:02:07,870 The ostinato begins, and we've got 40 00:02:07,870 --> 00:02:13,000 just a simple minor key melody that I'm building. 41 00:02:13,000 --> 00:02:15,730 And this is going to get dark, and this 42 00:02:15,730 --> 00:02:23,320 is going to go places that are not happy places. 43 00:02:23,320 --> 00:02:26,190 B section because it's a full melody with an A 44 00:02:26,190 --> 00:02:28,200 and a B section in a very traditional way. 45 00:02:33,420 --> 00:02:36,840 And it ends in a classical (SINGING) da da da da 46 00:02:36,840 --> 00:02:38,480 da, da da. 47 00:02:38,480 --> 00:02:41,610 OK, let's hold it there, and I'm purposely 48 00:02:41,610 --> 00:02:43,470 ending it in a way that might be in an opera 49 00:02:43,470 --> 00:02:44,580 or a piece of Mozart. 50 00:02:44,580 --> 00:02:47,260 So this first statement is getting a melody. 51 00:02:47,258 --> 00:02:49,048 We don't know quite where it's coming from. 52 00:02:49,050 --> 00:02:50,780 We don't know what it's exactly saying, 53 00:02:50,780 --> 00:02:54,180 except this isn't necessarily going to be just a happy story. 54 00:02:54,180 --> 00:02:56,610 It's not so much, how do you write a theme 55 00:02:56,610 --> 00:02:57,960 for what is Donald Rumsfeld? 56 00:02:57,960 --> 00:02:59,500 That would just be a villain's theme. 57 00:02:59,502 --> 00:03:00,662 That would be Darth Vader. 58 00:03:00,660 --> 00:03:02,550 So we can't be on the nose. 59 00:03:02,550 --> 00:03:05,390 In other words, I can't go, Donald Rumsfeld, (SINGING - 60 00:03:05,390 --> 00:03:07,730 "THE IMPERIAL MARCH") dun, dun dun, dun-dun dun. 61 00:03:07,730 --> 00:03:09,480 (SPEAKING NORMALLY) That's the way I feel, 62 00:03:09,480 --> 00:03:10,800 but that's on the nose. 63 00:03:10,800 --> 00:03:13,290 So a better way to do it is to lay out 64 00:03:13,290 --> 00:03:14,700 something-- no, this is a film. 65 00:03:14,700 --> 00:03:15,840 It's a documentary. 66 00:03:15,840 --> 00:03:17,340 I'm not going to tell you who it is. 67 00:03:17,340 --> 00:03:19,680 It's about a man talking openly about his life. 68 00:03:19,680 --> 00:03:23,010 But I'm trying to say here that, yeah, it's all these things, 69 00:03:23,010 --> 00:03:26,160 but there's something going on here, 70 00:03:26,160 --> 00:03:28,500 and I'm just going to hint at it here in the beginning. 71 00:03:28,500 --> 00:03:30,500 I'm just going to give you a little hints of it. 72 00:03:30,500 --> 00:03:34,630 OK, this next queue, starting to mess it up a little bit more. 73 00:03:34,630 --> 00:03:35,190 Same motifs. 74 00:03:35,190 --> 00:03:37,940 [MUSIC - "MARIMBA FOGHORN"] 75 00:03:42,770 --> 00:03:48,090 There's an ostinato that's reminiscent of-- 76 00:03:48,090 --> 00:03:50,370 (SINGING) dun dun dun dun, dun-dun dun-dun dun. 77 00:03:50,372 --> 00:03:52,332 (SPEAKING NORMALLY) This is my second leitmotif 78 00:03:52,330 --> 00:03:55,390 that I use in the score. 79 00:03:55,390 --> 00:03:58,770 And bringing in marimbas because I 80 00:03:58,767 --> 00:04:00,347 used all of my marimbas in this score, 81 00:04:00,350 --> 00:04:01,890 which is another reason why I thought 82 00:04:01,892 --> 00:04:04,382 it'd be fun to play, which is, of course, 83 00:04:04,383 --> 00:04:05,803 is another way that you save money 84 00:04:05,800 --> 00:04:06,850 when you don't have a lot of budget, 85 00:04:06,850 --> 00:04:09,240 is use things that are lying around in your house. 86 00:04:13,440 --> 00:04:14,390 A little bit of drama. 87 00:04:20,860 --> 00:04:23,190 Now, I'm starting to create some rhythmic action that's 88 00:04:23,190 --> 00:04:25,890 unsettling, but still in a traditional way. 89 00:04:37,410 --> 00:04:40,480 There it is again, but I've just come out of a descending 90 00:04:40,480 --> 00:04:41,940 pattern that got-- 91 00:04:41,940 --> 00:04:43,690 purposely got all messed up at the bottom, 92 00:04:43,690 --> 00:04:46,090 like it was trying to do something chromatically nice, 93 00:04:46,090 --> 00:04:47,520 and they got lost. 94 00:04:47,518 --> 00:04:49,058 They started playing the wrong notes. 95 00:04:52,888 --> 00:04:54,428 Still keeping the same pattern going, 96 00:04:54,430 --> 00:04:56,390 but I keep mixing up the rhythms. (SINGING) Dun 97 00:04:56,388 --> 00:04:58,298 dun dun dun-dun, dun-dun. 98 00:04:58,300 --> 00:05:05,170 Dun dun dun 1 and 2 and 3, 1, 2, 3, bom, 1 and 2 and 3. 99 00:05:05,170 --> 00:05:09,210 (SPEAKING NORMALLY) Also a rhythm that's hard to count, 100 00:05:09,210 --> 00:05:12,450 and now, we work our way down to the cello. 7390