Original subtitles

- [Announcer] Previously on The Bay.

- I think criminal behavior runs in the family.

- It does now.

- You've been ignoring my calls and being distant.

- That's the point of moving on.

I want you to just stop calling me.

- You're just gonna be a bitch like that, Tamara?

- You want to watch that mouth?

Ever since I was a kid, I wanted a son.

Somewhere along the line, I got three daughters.

- I wish I could say it was a pleasure to see you

but it wasn't.

- Sweetheart.

- Maybe one day you'll learn

to be a good father to Daniel.

- I know who killed Red Garrett.

- I saw John Blackwell provide his son, Evan,

with proof that Steve Jensen is actually the one

who killed Senator Garrett.

- I got some information for you that,

for your best interest, you may want to keep under wraps.

- What are you talking about?

- Well, it's something to do with evidence uncovered

that may prove who really killed

the great senator Red Garrett.

- (speaking foreign language).

- Yeah, (speaking foreign language).

Very rich man.

Powerful.

He takes his coffee every morning at Gaston's.

- Shh.

Don't scream, don't shout.

You're coming with me.

(eerie music)

Okay, pull over.

- [Sara] Why?

- Just do it.

Come on.

- Wait, you know what,

we can talk right here.

We don't have to leave the car.

We'll just stay here, talk like normal people.

- You said you weren't going to put up a fight, Mother.

- Well, where are we going?

- Somewhere special, just you and me, mother and son.

Now we're going to get out of your car,

we're going to get into my car,

and I'm just going to blindfold--

- No, no.

I am not putting on a blindfold.

I will go with you

but I'm not putting that on.

Do you understand me?

- Let's go.

♪ There's a feeling in the air now baby ♪

♪ Can you feel it too ♪

♪ There ain't nothing you can do now baby ♪

♪ It's just too late for you ♪

♪ But if you fall into my arms ♪

♪ I will carry you away ♪

♪ Oh oh oh ♪

♪ You've fallen for the devil now ♪

♪ He'll take you for his bride ♪

♪ Shake you with a fever ♪

♪ And a feeling deep inside, my love ♪

♪ Oh oh oh ♪

♪ Yes, you've fallen for the devil now ♪

♪ He'll take you for his bride ♪

♪ If we ever make it ♪

♪ Meet me on the other side, my love ♪

♪ Oh oh oh ♪

♪ You've fallen for the devil now ♪

♪ He'll take you for his bride ♪

♪ Shake you with a fever ♪

♪ And a feeling deep inside, my love ♪

♪ Oh oh oh ♪

♪ Yes, you've fallen for the devil now ♪

♪ He'll take you for his bride ♪

♪ If we ever make it ♪

♪ Meet me on the other side, my love ♪

(upbeat guitar riff)

(Gentle music)

♪ Won't let you down ♪

♪ You can count on me ♪

♪ You're the only one that I see ♪

♪ Won't let you down ♪

♪ You can count on me ♪

♪ You're the only one that I see ♪

♪ When I'm down ♪

♪ And I'm all alone ♪

♪ You're the only one I can call ♪

♪ I know it's not easy sometimes ♪

♪ No, I don't get it right every time ♪

♪ God knows that it's always on your mind ♪

- Dinner with my dad and Tamara last night

was an epic fail.

- What do you mean?

What happened?

- My dad was just being an A-hole about Daniel.

- You can pay up front.

- (chuckles) Okay, okay.

So anyway, yeah.

My dad, total jerk.

- I'm sorry to hear that.

What, he took it really bad about Daniel coming out?

- Yeah.

I just feel bad for my brother, you know.

I mean, I'm happy that he was able to come out

and that he can live his personal life

the way he wants to but I just hate to think

that he had to hide it that whole time.

- Damn, yeah.

That sucks.

But hey, look at the bright side.

He has nothing left to hide anymore.

He can fully be Daniel in all his entirety.

- (chuckles) Oh boy.

- (chuckles) Ty, he's gonna get over it.

- Thankfully he is back in Reno.

He left last night.

I've had enough of him for a while.

- Excuse me, Mr. Pete Garrett?

- Yeah.

- Here's a little something for you.

A restraining order.

You've been served.

- A restraining order?

Who is it?

- It's Nathan Perkins.

- The reporter?

Why would he have a restraining order against you?

- Well, he was threatening to write another article,

this time about Janice's death,

so what do you expect me to do?

Just let that happen.

- No, Pete!

You didn't.

I mean, not that I blame you, but,

we probably shouldn't talk about it.

- Avery? what are you doing here?

- What are you doing here?

- We just came for some lunch.

I did not expect to see you here.

- Yeah, we just decided to grab a quick bite.

- You mind if we join you?

- Evan, it's probably not the best idea.

- I don't understand why.

I mean, we're all grownups here, I mean, aren't we?

I'd like to think that we are anyway.

Unless I'm missing something?

- Yeah, you're missing something.

Especially ethically.

- (chuckles) Okay listen, Pete.

I understand that you're mad at me

because I tried to prosecute your mother,

but newsflash, I'm the district attorney

so therefore I have to prosecute criminals.

- My mom's not a criminal, you piece of shit.

- Whoa.

- Pete.

Hey.

- Do you want to get another restraining order against you?

Yeah, I heard about what you did to that poor journalist.

He was just trying to do his job.

- Oh please.

Look, that poor journalist is part of the reason

that Janice Ramos is dead right now.

- Oh, you want to play the blame game now.

Okay, last time I checked Janice Ramos offed herself.

- Hey! (shouting at once)

- You can hit me all you want.

I don't mind putting another Garrett away.

- Enough! - Let's go.

He's not worth it.

Knock it off. - Avery, Avery.

I'll see you later, Damian.

- Sorry.

Hey, listen!

I'm not gonna touch your precious

little lawyer ass brother, okay?

Don't worry about it.

I don't want anymore trouble, okay.

You're lucky I can keep my cool

because you are a piece of shit

but don't take it for granted.

It doesn't last forever.

- What the fuck is wrong with you?

Huh? - What?

- Are you serious, Evan?

You know, I don't want to have lunch with you.

- All right.

Well, then don't.

So fucking dramatic everybody.

(upbeat music)

- There it is, right there.

Nice.

That's hot.

Good, good, good.

Find your light, Tamara.

There it is, right there. - The eyes.

Yeah, I don't mind a little hair in the face.

You looking up at her. - Nice, nice, nice.

- [Riley] She's a goddess.

She's everything.

- [Morgan] Can I get a little more spray?

- Yeah, more spray.

Thank you.

- [Jean-Carlos] Spray 'em, please.

- I love it!

- [Jean-Carlos] Nice job and hot now.

Let's go, you guys.

Beautiful.

- [Riley] Sexy, sexy, sexy.

Good, yeah, good.

I love it, perfect.

- Wait, wait, yeah, right here.

- Yes, straight to--

- Whoa, whoa, whoa.

Hey, hey, hey.

I can't shoot with those guys lingering

in the background like that.

They're gonna ruin the shot.

- Yeah, I know.

Well, technically we can't ask them to move.

- What are you saying?

We don't have a permit?

- Yeah, we have a permit

but we can't shut down the entire beach.

Technically, they could stay there as long as they want.

What if we just wait a little bit?

- It's not gonna work.

The sun's gonna change.

We need 'em outta there now.

- Okay, okay, all right, all right, I'll see what I can do.

Just take a minute.

Excuse me.

Cute kids.

Hey, how's it gong?

Are you guys gonna be here for a while?

- Yeah, what's it to you?

- Oh, all right.

Well, we're doing a photo shoot.

- Okay, and?

- And you're kind of ruining the shots.

Can you just maybe go play somewhere else?

- We're not moving.

- Excuse me.

- This is a public beach.

You can't tell us where to go.

- I know that.

I was just asking nicely if you

could go play somewhere else.

- Didn't you hear my friend?

We're not leaving.

- Well, what if I call the cops and they make you leave?

- Go ahead.

There's a patrol officer right over there.

- [Hanna] Come on, Beads, think fast.

- What's going on here?

- Well, these kids are in the shot and they won't move.

- Yeah, I know you.

Your brother put you up to this?

- Hey Xander.

Don't worry about them.

You gonna play this game or what?

- Yeah, come on.

- Cute, Colton.

Real cute.

But I don't know what you're talking about.

- You had your little troublemaking brother

and his friends hang out behind my photo shoot

to ruin it, didn't you?

- (chuckles) Like I said, babe.

I don't know what you're talking about.

- Don't play stupid, okay.

You know what you're doing.

We're trying to get a shot

and they're in it and they're ruining it.

- The kids are just trying to have a good time.

Look at 'em.

Look at those beautiful smiles.

I can't kick them off the beach.

Hey, you know what, if Romantica wanted a closed set,

they probably should have closed down the whole beach.

Yeah.

- You're just really gonna be a dick right now

and not help us out, aren't you?

- Just really gonna keep ignoring my calls, huh?

(telephone vibrates)

(pleasurable moaning)

(mysterious music)

God.

- Hey there, Hazel.

Yeah, that's a gun sticking in the back of your neck

so don't turn around.

Let's talk.

How you doing?

- How did you get in my car?

- (chuckles) I've gotten into a lot

of trickier places than this before.

You know that.

- So it was you that sent me this video.

- Hey, you're the pro.

You figured it out.

- This was a long time ago.

You know this, Steve.

- Yep.

Needed a favor back then.

I took care of you.

Made sure nobody ever saw it.

- So why are you sending it to me now?

- All right, if you look up in the rear view right now

you see a man on the brink,

a man on the edge.

He could lose anything at any moment

so you have to make sure that--

- Wait, Tamara?

- Get rid of her.

I'd put a bullet in her, put a bullet in you.

I got nothing to lose.

(knocking)

- Hi!

What's up?

How's the shoot?

- It was good, it was good. - Really?

I mean, one of the lifeguards told me

it got, like, shut down or something.

- Yeah, no, everything's fine.

It's all good.

- Do you know where Riley is?

- No, I don't know.

I just really have to get going.

- Is she still on the beach

or did they pack up?

- Yeah, no, no, I just, it's,

I don't know where she is,

but I gotta make a phone call really badly

so if you wouldn't mind,

I'll see you later.

- All right.

- I'll catch you later.

- All right, catch you later.

- Bye. - Talk to you later.

- Bye, bye. - Bye.

- Bye.

- Good.

You're good.

You're an actress.

Hey, I saw your shoot earlier.

It's good.

You're coming up in the world.

I mean, classy.

You know what I mean?

It would be a real shame,

a real shame if any of those people

ever saw your previous work.

You know what I mean.

- All right, so what do you want from me, Steve?

- What do I want?

I want you to go to Evan Blackwell

and get me the evidence

that he thinks he's got on me

and show it to me.

You get it from him, you get it to me.

- The DA that prosecuted my aunt?

I don't even know him.

- That's okay.

You do your best work with strangers.

Get in, get out.

Quick and dirty, right?

You get it to me,

let me look at it,

and we're all good.

And then no one will ever see your little movie.

It'll stay in my XXX special secret Steve Jensen vault.

You got that?

As a pro to a pro?

- (speaking foreign language)

- Good morning, lovebirds.

May I join you?

- Can't you see we're busy?

- Then I'll try not to take too much of your time.

Blackwell.

John Blackwell, former district attorney,

Bay City, California.

- Yeah, I know who you are, Mr. Blackwell.

The question is, what are you doing here?

- No disrespect to your lady.

May we speak in private?

- (speaking foreign language)

- [Woman] (speaking foreign language)

- (speaking foreign language)

- [Woman] (speaking foreign language)

- You're very brave approaching me unsolicited.

- Oh, I've done far braver things in my life.

- Really?

Well, not in Ghent.

What you want, Mr. Blackwell?

My time is valuable.

- What's your business with Steve Jensen?

- You really think I would volunteer

my private business transactions

with you, Mr. Blackwell?

- I could go the rougher route

but I'm really trying to keep it civil.

- (chuckles) Your balls are very big.

- So I've been told.

Would you like to see how big they actually are?

- I have men watching me at every corner of this place.

One signal and you'll look like

a giant glob of Swiss cheese.

- That sounds absolutely delicious.

- It's just a warning.

- Let me give you a warning, Mr. Lambert.

You have 24 hours to turn over

the details of all your business dealings

with Steve Jensen, otherwise this will be

the last comfortable cup of coffee you ever have.

You be here first thing in the morning.

(somber music)

(contemporary music)

- [Bianca] Can I get you something?

- Um, yeah.

Just a ginger ale for now, please.

- Yep. - Thank you.

♪ You are someone I rely on ♪

- [Steve Voiceover] I figured out a way to tap

into Evan's schedule.

He's got an 8:00 p.m. meeting tonight

at The Garrett Tavern.

Evan's got a weakness for beautiful women.

All you have to do is play damsel in distress.

I guarantee you his big ego will want to help you.

- [Tamara Voiceover] Look, the man's a lawyer, Steve.

He's not gonna fall for this.

- [Steve Voiceover] And you are an actress.

And I believe in you, Hazel.

♪ Take away ♪

♪ I close my eyes and smile ♪ - Oh my gosh.

Oh my god, I'm so sorry.

- You okay?

- I'm really, really sorry.

I was just, you know, no,

I don't know if I'm,

I just, I'm really sorry,

I just, and it's just too much, like--

- Okay, listen to me.

Calm down, calm down.

Is there anything I can do?

- Um, buy me another drink?

(telephone vibrating)

- Restraining order?

Is there something wrong with you?

- Lex, maybe you don't have to travel

all the way to my house and scold me in person.

Just call me next time, please.

- Kicking the stuffing out of Nathan Perkins

is a bad idea.

- I think what happened

was your hot temper just rubbed off on me.

- Peter, this family doesn't need

anymore negative attention right now.

- Lex, I didn't plan to get a restraining order.

I was defending the people I love.

I'd like to see you in a room

with Nathan Perkins for three minutes

and see what you would do.

- Maybe you're right.

Can't deny I haven't dreamt

of kicking the meat sauce out of Perkins.

(telephone vibrates)

- Okay.

Is there anything else I can--

- I'm glad you asked.

Restraining orders.

Now, we know that the court has one against Jensen

to stay away from your mother.

100 feet.

But unless I can get an ankle bracelet on him

I can't be sure that he's--

- Sorry Lex, it's Sofia.

She just keeps, it's an emergency.

I'm sure. - Take it.

- Okay.

Sofia, what's going on?

- [Sofia] I'm so glad you picked up.

You need to meet me at the Garrett Estate now.

Your mother's in trouble.

(upbeat foreign music)

- You might like what I have under here.

- Let's see it.

- My name is Elena Devos.

I'm a reporter for the Belgian Dagblad

and I know who you are.

- Okay, I'll bite.

- Hugo Lambert's father, Jerome Lambert,

was a very well respected businessman here in Ghent.

When he died, he left his entire fortune to his son

but Hugo is nothing like his father.

- What does that mean?

- He is a deal maker driven to prove himself to his daddy

but he's just not as sharp.

He hurt a lot of people here in Ghent

and we want him out of here

and I think you can make that happen.

- And what makes you think that?

- Your reputation precedes you

but you know that or you wouldn't be here.

Am I right?

- So what exactly can I do for you, Miss Devos?

What do you want?

- I want to play ball with you.

I want to be your person in Belgium.

- Okay.

And why is that?

- I love to travel

and you are the best.

And he fucked me, professionally speaking, of course.

- Well, I like a woman who's honest.

- Good.

I never lie unless I had to.

But you understand that.

- What else do you want, Miss Devos?

- I want Hugo out of Ghent.

Can you help with that?

- Let's see what you've got.

Where's the missing component?

- Read the file.

Do we have a deal?

- I'll let you know in the morning.

- You won't be disappointed, Mr. Blackwell, ever.

You might even be surprised.

- Well, I like surprises.

- So RJ, you're telling me

that you haven't seen Sara all day?

- No.

- Vitaly?

- Commissioner, I serve Miss Sara breakfast

in the garden every day but she never showed up today.

- Okay, Vitaly do you mind giving us a moment, please?

- Yes, sir.

- I told you.

She's in trouble.

- Whoa, okay, Mama.

Maybe we shouldn't just dump to any conclusions.

- I'm not jumping to conclusions.

I felt it.

She needed help.

- What kind of trouble is she in?

What is it?

- I don't know exactly what it is

but I know it involves Steve Jensen.

Or John Blackwell.

- Which one?

- I'm sorry.

I don't know.

- Okay Mama, why don't you just try harder.

- I am trying.

- Okay, while you're trying to figure that out

I'm going out there to find Jensen or Blackwell.

I'll see you around.

- Thanks, Lex.

Yeah, I'm just gonna keep trying my mom.

Hey, thank you for alerting us about this.

I'll see you guys.

- Hey, you okay?

- Should I be?

- Okay, wait a second.

What was it like to be around him?

I mean, were there any signs whatsoever

that the guy was a rapist?

- I mean, I'm sure there were signs.

I'm just too blind to see it

or I just, god, anyway, enough about Chase.

I really don't want to talk about him anymore.

But Evan, thank you so much for listening to me

because it's helped me feel a lot better.

I think, hey, can we get another drink?

- No, no, no, no, no, no, no, no, no thank you,

no, no, no, I think we're good.

We're good, thank you though.

No, I'm good.

I'm good.

Let me just get,

I'm gonna get the check.

Bianca, can I get the check, please?

That's it.

You want me to call you a car?

- Do you want to take a car together?

- I don't think I can say no to that.

Let's go. - Okay (giggles).

Let's go.

(dramatic music)

- Son of a bitch.

Yeah.

Seems I've uncovered some more information

about Hugo Lambert.

Looks like he's trying to take over the Garrett's fortune.

Unbeknownst to the Garretts.

- We're finally here.

- Where's here?

- Quite the distance from Bay City.

And thank you for keeping your word

and not putting up a fight.

- Why would I fight you, Adam?

- Cozy little cabin, huh?

Probably not the life of luxury you're used to living

but you'll adjust.

Oh yeah.

(knocking)

Bulletproof glass.

- Why are we here, Adam?

- I told you.

We're going to reenact the lives we would have had

hadn't you abandoned me.

This is good.

(dramatic music)

- [Announcer] Next on The Bay.

- Welcome to my humble abode.

- [Tamara] I like your place.

- [Evan] Tell me some things about you

that I don't know.

(giggles)

- Commissioner asked me to give you a call.

He's putting out a missing person on Sara Garrett.

- There are people who'll be looking for me.

- I think we actually have that figured out.

- We?

(telephone ringing)

Why a billion calls?

- Get your ass back here now

or we are both in deep shit.

- Fuck!

- I'm thinking a lot about your father, Arthur Tobin.

Put in a good word with him.

I'm gonna try to convince him

to represent my granddaughter.

- Pete, it's so great to see you.

- The only time the therapist could see you.

- You know, well maybe I need a new therapist.

- I'm sure you don't mean that.

- Did you accidentally shoot

the only man who ever loved you?

So how are you gonna help me?

- I don't have to live your life to know pain.

♪ There's a feeling in the air now baby ♪

♪ Can you feel it too? ♪

♪ There ain't nothing you can do now baby ♪

♪ It's just too late for you ♪

♪ But if you fall into my arms ♪

♪ I will carry you away ♪

♪ Oh oh oh ♪

♪ You've fallen for the devil now ♪

♪ He'll take you for his bride ♪

♪ Shake you with a fever ♪

♪ And a feeling deep inside, my love ♪

♪ Oh oh oh ♪

♪ Yes, you've fallen for the devil now ♪

♪ He'll take you for his bride ♪

♪ If we ever make it ♪

♪ Meet me on the other side, my love ♪

♪ Oh oh oh ♪

♪ You've fallen for the devil now ♪

♪ He'll take you for his bride ♪

♪ Shake you with a fever ♪

♪ And a feeling deep inside, my love ♪

♪ Oh oh oh ♪

♪ Yes, you've fallen for the devil now ♪

♪ He'll take you for his bride ♪

♪ If we ever make it ♪

♪ Meet me on the other side, my love ♪

(upbeat guitar riff)