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These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�g*8M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS���dM��S��T�gS��(��O�I�f@�*ױ�B@M��libebml v1.4.5 + libmatroska v1.7.1WA�mkvmerge v97.0 ('You Don't Have A Clue') 64-bitD��AIcjDa� �v� �{��Oz.S01E08.REPACK.720p.AMZN.WEBRip.x264-GalaxyTVs��2oB ܏��xޤ��A��T�k���ׁsŁ������S_TEXT/UTF8"���enSn�GalaxyTV - small excellence!�DC�u��4m�����[bright tone]�� H����� �[tense, jazzy music]�� uC�u��M������♪ ♪��yC�u��������- Remember when your high school history teacher said�� T����� �that the course of human events changes�� C�u��������'cause of the deeds of great men?�� 3����� vWell, the bitch was lying.�� ?C�u@��������Fuck Caesar, fuck Lincoln,���������fuck Mahatma Gandhi.��ܠ���� �The world keeps moving 'cause of you and me,���C�u@���ڠ����the anonymous.��b������Revolutions get going 'cause there ain't enough bread.�� �����Wars happen over a game of checkers.�� �C�u�� Ǡ����- Hey...��n������Good night, turd.��򠔡�� �[laughing]�� �C�u��#ޠ����[continues laughing]�� ����� `[night stick clanking on bars]���C�u��\@�����- Hey!���������[dark chords]��]C�u��r������[thud, squish]��蠑���+♪ ♪���C�u���ݠ����Go! Move it!��V������♪ ♪��zC�u���󠣡��- Prisoner number 92S110,�� ����� GVernon Schillinger,��6������convicted October 21, '92,�� �C�u��ۗ�����aggravated assault in the first degree.�������VSentence: eight years,��������up for parole in five.�� JC�u���⠥���I had a visit from my sons.��S������They're almost... out of their teens now,�� �C�u��\�����almost men.��l�����They live with their grandfather,���C�u��,1�����the man who taught me everything I know about hate.�� iC�u��DG�����Yesterday my boys��w������sat there across from me�� �C�u��[�����ranting and raging.�� �������They were both fucked up on drugs.�� 2C�u��|�����They know I hate drugs,�� ڠ���� that I'm in here because I hate drugs and...�� 3C�u���������because I love them.�� �����%I yelled at 'em and, uh...�� HC�u���D�����they just...�� ������ �laughed.���C�u��ǩ�����They laughed at me.���������It's funny, you know...�� ?C�u���렮���With one eye, I can see, finally...�� ^C�u���������That...they are becoming the men I made them.���C�u��������I got about three months till I'm up for parole.�� �C�u��&1�����All I want is to get outta here.�� T�����Be there for them.�� _C�u��?R�����Try to help my kids.�������]That's all.���C�u@��_Z�����- If I let you back into Em City, you'll kill Beecher.�� ������- If I wanted him dead, he'd already be dead.�� �C�u���㠣���- You say you've changed.��򠣡��4Why should I believe you?�������� &- Trust me, McManus,��RC�u���������you lose an eye,���������you get kicked in the balls,�������� �you get a face full of shit...�� �C�u���/�����you become a different man.�� ������ �[gate buzzes]��蠔���- King me.���C�u��׉�����[chuckles]���������- [singsong] He's back!��UC�u��󩠐���- Hey.��m������-Where's Beecher?�������� �- He's still in the Hole.�� �C�u��,n�����- Put these on.��6�����xGet up.���C�u��V\�����- Do you wanna touch my dick?��l������- Get dressed.���C�u��o[�����- I shit all over a man. - I know.�� �����b- That's not normal. - No. Get dressed.�� kC�u���/�����- [exhales]�������� �- Schillinger's back in Emerald City,�� �C�u���䠩���but he says he won't harm you.���������Tell me you won't harm him.��4C�u@��������- He burnt a swastika into my flesh.�� 𠳡�� 3He made me rip up pictures of my family.��Р����FHe made me eat the pages of a law book.���C�u���F�����He made me wear women's makeup���������and he fucked me up the ass.��@����� u- I know. - [laughs]�� C�u��������So now I just forgive him?���������- Yes.���������- Could you ?���C�u�������- Yes.��+C�u��%������- All right.��U������I forgive him.���C�u��S9�����- Hey, roomie.��l����� So..[ahem] how crazy are you?�� �C�u��w)�����- "Crazy"?��K������- Well, you broke the glass.��󠢡�� �You blinded Schillinger,��KC�u���y�����you took a shit on his face.��v������- Hey. What the fuck are you looking at?!���C�u@���������- [chuckles]���������You see, this is what I'm talking about.���������The old Beecher would've hid just now.���C�u���S�����- Yeah, well, I left the old Beecher in the Hole.�� �������- I hear ya. - Hey...���C�u���u�����don't get so close to me, okay?���������- Okay.���C�u���������Look, uh...��v������any day the Muslims are gonna riot.�� ?�����:I may need you, crazy or not.�� C�u��������- Need me to do what?���������- Be my brother.���C�u��>�����- Hey, hey!�� ������ �It's your move, asswipe!��4C�u@��Ro�����- Beecher, watch it!��Р����You're gonna have the fastest turnaround time��@������in the history of the Hole!���C�u@��m �����- "Asswipe". - I'm tellin' ya, man.��4�����wYou're gonna have to take Beecher out,��۠ġ���otherwise you're not gonna have any jizz left in Em City.�� IC�u���A�����Everybody's gonna think you're a pansy-ass.��砙���*- I don't care.�� à����0Let 'em.���C�u@���������- When you're playing poker,�� 堲��� (you can't let anybody at the table know��W������which cards you have...���C�u���B�����what you're feeling, what you're thinking.�� ������ �You gotta develop a game face.���C�u���������In Oz...we wear our game face all day��s������and into the night.���C�u@���@�����You wear your game face so much��U������that when you look in the mirror,��۠�����you're not sure which face you're shaving.�� �C�u�� Ġ����[dramatic chords]��L������- I bring 'em in, you sell 'em.��)����� �- A carton a day. That's it.���C�u��d������- What's going on?���C�u��z������- There's a rumor that you're bringing contraband�� _����� �into Emerald City.��A�����%- What?���C�u@���������- It's bullshit, right?��a������- Who did you hear this from?��)�����- Tell me it's not true. - It's not true.��wC�u@���~�����- You're lying to me.��x������- No, I'm not lying.�������� �- I have an eyewitness, Diane,��K�����that saw you pass cigarettes to Scott Ross.���C�u���������An eye-fucking-witness!��4�����w- Who?�������� i- Me.��������:- Oh.�� �C�u���ɠ����So I'm fired.���������- No, you're not fired.������� 2Look, I know that you're worried about money.�� aC�u@��󞠼���I know you're worried about your mother and Didi,��w������but this shit has got to stop!���������- Yeah, okay.��*C�u�� ������Okay, I'll put an end to it.��ܠ����- Today. - Okay.�� �����sI appreciate the second chance, Tim.���C�u@�� /A�����- I've been digging through your files.�������a- Yeah? - I know that Ross and your ex��Р����twere in the same biker gang. - Yeah.�� �C�u�� I������- You should've told me.���������- Yeah.�� C�u@�� ]{�����- Have you slept with Ross?��U������- What? - I'm just trying to figure out��������if you fucked us both.���C�u�� sZ�����- Wha...what is this?�� u����� �You're trying to hurt me for breaking up with you?�� 3C�u@�� �������You're trying to prove to me you've got a dick?!��򠴡��5You know what? I don't need this--I quit!��������1- Oh, fuck! I'm sorry, I'm sorry.�� �C�u�� �M�����- You're sorry? - Yes.�� ����� `I...I don't know what's going on with me.�� C�u�� ������Forgive me, please.�������� �- Forgive you.���C�u@�� ם�����Okay, okay, I forgive you.���������I forgive you. You forgave me.�������We're even. - Say you'll stay.���C�u�� �Y�����- I got nowhere else to go.�� ?C�u�� ;������- Hey.��n����� �- I'm done.��������I'm out of the cigarette business.���C�u@�� T������- [stammers] Wh--wh-- what happened?���������- I can't take the stress.��)�����hI don't wanna get caught.��bC�u@�� kˠ����I'm done. - It's not that easy.�� 2����� u- What does that mean?���������- That means I have customers that rely on me.��C�u�� �ݠ����- Yeah, so what?��������@- [sighs]��ܠ���� _So...��������So I'm not gonna let you fuck this up�� �C�u�� �Š����with your guilt and paranoia.��x������- I say it's done, it's done.�� 栏����- No.���C�u@�� ‚�����You quit, I go to the Warden, I tell him everything.�� ������ �He puts me in the Hole for a little while, big deal.�� jC�u�� �������You--you lose your job,�� _����� �you probably do some time...�� (C�u�� �u�����Leaving little Didi a motherless child,���������scarred for life.���C�u�� $�����- No, you wouldn't do that.��������%- Why wouldn't I?���C�u�� 2\�����Diane, you and me...��t������We're joined at the hip.���C�u�� J�����There ain't nothing you can do about that.�� TC�u�� a�����Turn on me again, your life ain't worth shit.�� C�u�� |������She's a damn fine woman, our Diane.�� ������ �Damn fine woman.���C�u�� �E�����[gaze buzzes]�� 3����� u[metallic clanging]���C�u�� �������[edgy music]��1�����s- Hey, who's that?���C�u�� �s�����- Oh, new guy, some Polack.��v�����}[buzzer]��]C�u�� ������- If the Muslims riot, we're ready.�� ������ �Angels, Aryans--��C�u@�� G�����What about the homeboys?��l������- Adebisi says they're on our side,���������but, I don't think we should fight the Muslims���C�u@�� )������if we can avoid it.��6�����y- What, are you going soft on me, O'Reily?��񠯡�� �- No, I'm just trying to stay alive.���C�u�� IC�����What?��蠖���+[edgy notes]�� à����1- Hey, what are you doing?�� _C�u�� g�����- Nothing. - Yeah?�� ����� IWhy don't you do it somewhere else?��C�u�� �U�����- Stupid hacks.���������- You're the lookout.��砷����- I know I'm the lookout. - Go on, look out!�� �C�u�� ������- Damn!�� C�u�� �������Hey, I'm Anthony Nowakowski.�� à���� - You're late.��Ҡ����- I had never been to Oswald before.��6C�u@�� ͎�����- I got lost coming off Route 7A.��Р����- I'm Diane Wittlesey.��������This is Joe Mineo. Don't be late again.�� _C�u@�� �@�����- Another fucking newbie.���������- Joe's been around for about two centuries.�� Π�����There's been a lot of suspensions lately.��C�u@� w�����- So I hear.�� �����LOfficers beating up inmates on a regular basis.�� ������- Killed one of our guys.�� C�u@�� ������- Some of the COs decided to take it out��栫���)on any prisoner they could find.����á�� &Things got a little tense, but I'm hoping we're past it.�� �C�u�� 4l�����- Yeah.���������Also hear you got��l������a couple of celebrities in this cellblock?���C�u�� S&�����- That's Kareem Said.���������He's the big muckety-muck Muslim.�� I�����R- It's time.��)C�u�� k䠺���I want you to start an argument with the guard,�� ?����� �get him to swing on you.�� C�u�� �������But he must hit you first, you understand?���������- Yes. And after he hits me?�� �C�u�� �^�����- Jihad-e-Akbar.�� ����� `- Jihad-e-Akbar.��������R- That's Eugene Dobbins,��C�u�� ������some classical kind of musician.�� ������ �Used to play the cello till somebody smashed it.�� 'C�u�� �I�����- You wanna go to the library?��+�����m- No. - Come on, man.��Р���� �Gym?��)C�u�� �5�����- Leave me alone.�������� �- Now he sits in front of the boob tube all day.�� �C�u��=�����That's Jackson Vahue.�� Ġ���� - Vahue?�������QOh, yeah, man, you see that game against the Bulls?���C�u��i�����58 fucking points! That guy's amazing.�� `�����- Rebadow.��AC�u@��8�����Your factory supervisor���������says you haven't been to work for a couple of days.�������� �- God lied to me.��m�����}- God lied to you? - Yes.�� 'C�u��W��á��- Well, why should God be so different than anyone else?�� ������ =Oh, shit. I'm late for a meeting.�� C�u��m������- I used to have meetings.�� ������ �They never do any good, you know.�� C�u���������[singers vocalizing, harmonizing]��Q������- ♪ Baby, do you understand me now ♪��^C�u@���ޠ����♪ Sometimes I get a little mad ♪�� T����� �[vocalizing]��ܠ�����[dialogue inaudible] ♪ 'Cause I'm just a soul ♪��KC�u���!�����♪ Whose intentions are good ♪�� I����� �♪ Oh, lord, please don't let me be misunderstood ♪�� �C�u���z�����[vocalizing and harmonizing continues]��]������♪ ♪���C�u��������♪ Oh, no, no ♪���������♪ Oh ♪�� �C�u��N�����- Prisoner number 65R814, Robert Rebadow,�����0convicted September 9, '65,�� kC�u��",�����murder in the first degree.��۠����Sentence: death, commuted to life.�� �C�u��<��á��- I'm beginning to think I never really talked to God...��נ����that everything I thought I heard��bC�u@��U������was actually my own powers of reason.�� �ȡ HMcManus, you're a man of reason, too, but you've gotten lost.���C�u��u�����- Yeah? Well, right now I'm late.��ڠ���� Go to work, Rebadow.�� C�u���b�����- Hey, Tim,��n������I want you to meet-- - Uh, later.��Š�����Hey, Ray. - Tim.���C�u���㠭���- [quietly] We get the hostages...��3�����- Hey, Miguel. Could you guys��lC�u@��ܡ�����excuse us for a second?���������- Hey, whatever you got to say to me�������� �you can say in front of them.��������- Take a hike.��4C�u��������- What the fuck is that?���������- Jose Torres got paroled.�� ?�����- Lucky prick.���C�u��3�����- So I hear that you're running the gang now.�� I����� �- Ain't listening to gossip a sin?�� 3C�u@��I�����- Miguel-- - Hey, Father,��l������the only reason why I didn't�������� �beat the shit out of you just now���C�u��^נ����is because you've been there for me.�� ������ �Don't push your luck.��a������Okay?��4C�u���������- Okay, where was I?��Р����- Losin'.��C�u���������- You, uh, you move this piece?�������U- No.���C�u��� �����- Yes, you did! - No, I didn't.�� i����� �- You fucking moved the pieces!�� �C�u���������You been doing it all along!�������UEvery time I have to take a shit,�� (������you move the pieces!��xC�u@���n�����That's why I'm fucking losing!�� ?����� �- You keep losing 'cause you suck.��󠢡���- You motherfucker, man!���C�u���D�����[intense music]���������- Hey, hey, break it up!�� �����;[overlapping shouting]��VC�u�������Hey, break it up!��4�����v♪ ♪���C�u��0������- Get off of him!��*C�u��f栥���[intense, percussive music]�� ������ �♪ ♪��yC�u���������[phone rings]��Ơ���� - Yeah.���������- Hunt, send Armstrong out here now!�� C�u��� �����- Armstrong, get out there. hurry up.�� ?C�u��ɻ�����- Whoa! All right!�� >����� �- Hey, bitch!��@C�u���5�����Take that! Sucks, motherfucker!��v������[intense music continues]�� >C�u���n�����♪ ♪�� T����� �[alarm blaring]��XC�u��.������[overlapping shouting continues]�� C�u��YY�����- Shit.���C�u��y@�����- Miguel. Miguel!��V������Miguel! Miguel!�� �C�u@���C�����- You all know what you're supposed to do?��V������- Yes! - Let's go!�������� ^[alarm blaring] [inmates yelling]��FC�u��UM�����- [toot, toot]�� TC�u��lY�����[tooting party horn]�������^[inmates yelling]�� _C�u���Y�����[intense, percussive music]��������0- Shut down all the cellblocks immediately.��aC�u���-�����Cut off the pay phones!��󠵡��6- What's happening? - Our worst nightmare.��������t- Aaaaahhh!���C�u������[alarm blaring] [inmates yelling]��]C�u��ޠ����[intense music continues]�� ������ >♪ ♪��C�u��`\�����[gunshot]���������[men stop yelling] [alarm blaring]��&C�u���W�����- Now, let's get organized!�� >����� �[all whooping, cheering]���C�u���.�����- This is Warden Glynn!��Р����[inmates yelling, booing]���C�u�����ǡ��- Surrender immediately, and there will be no repercussions!�� IC�u���������- Fuck you!��Ҡ����- Is there anyone in charge?�������� �[overlapping shouting continues]�� �C�u��d�����Is there anyone in there we can talk to?!��g������Said!��WC�u��>������[men chanting] Said, Said, Said, Said,���������Said, Said, Said, Said,��hC�u��^"�����Said, Said, Said, Said,��̠����Said, Said, Said, Said!���C�u��~*�����Said, Said, Said, Said!��ؠ����en stop chanting]��aC�u���頴���- Gentlemen... - What's this about, Said?�� 𠦡�� 3- If you have to ask, Glynn,���C�u��������we got a long day ahead of us.�������V[inmates cheering, yelling]��۠����t[dark, tense music]�� �C�u��Ľ�����♪ ♪��7C�u@��0��ǡ��- Glynn is giving us time to come up with a list of demands.��%�����hBut I think the most important element���C�u��F �����is that we remain united.���������- I don't have a problem with that.�������1- Me neither,���C�u��[!�����as long as we get a few ground rules laid down.���������- Such as?��������~- Man, you're not the boss.���C�u��u������- Hmm. I am willing to share the power.��F������That is why I asked you here.�� ?C�u���������You see, we can become a kind of council.�������^We will, together, make all the decisions.�� �C�u@���������- We can talk parliamentary procedure later.��m������How many guns do you have? - Just the one.���������- I don't believe you.��xC�u@���������- Well, you're gonna have to learn to trust me,��۠����just like I'm gonna have to learn to trust you.�������� - Yeah, but you got the gun,�� C�u@��� �����and that gives you one up on the rest of us.�������U- That's right.��������I hear you talking about sharing power,�� C�u@���o�����but I can't turn my back on you.��*�����m- Okay,�������� �how would you like me to demonstrate my sincerity?��~C�u�� ݠ����- Give me the gun. - Oh! [scoffs]���������- Okay, okay.���C�u�� 렷���How about we divide up the responsibilities?�� 䠸��� '- [chuckling] - Look, O'Reily, Ross, Adebisi,�� �C�u��8�����you already have control of the front entrance.�� ������ �I propose O'Reily be our spokesman���C�u@��L%�����when dealing with Glynn.�������VRoss, you be in control of the distribution of food,�� ������Adebisi, all other comings and goings.�� 'C�u��e������- My men should have the hostages.��Р����- Okay.��������RYou're gonna have to give up Hunt.��5C�u@��|s�����- No way.��蠮���+- We all have to give up something.�������� �It is much more efficient��ܠ����to have all the hostages in one place.���C�u���t�����- He's got a point.��a������Besides, as long as we got control of the gate,�� �C�u��������hacks aren't going anywhere.�� ������ �- So we all agreed then?��U�����}- Yeah. - Yeah.���C�u���l�����- All right.���������So all that remains is the list of demands.���C�u��������Who wants to start? - I wanna see my girl.��5�����w- This ban on smoking is getting to be bullshit.�� C�u@��������- We gotta get the wounded to a separate place, Arif.�� _����� �- The shower room?���������- Yeah, good idea, go.���C�u��E�����- Dobbins. Yo, Do--�� T����� �Yo, can I get a hand here?!��w�����QCan somebody help me, please?!��wC�u��1P�����Jes-- Dobbins--��Š����- Let's take him to the shower room.�� �C�u��M������- C'mon.��+C�u��hȠ����[playing robust classical piece]���������- You always been my hero, man.��kC�u@���Y�����- That's me, fuckin' role model.�������V- It's priceless to me,��������1and that's why it's locked in the chaplain's office.��C�u@���ՠ����- You're gonna do what I tell you to do���������or I'm just gonna fuck you up.��V����� �- Hey, Jackson, you leave Dobbins alone, man.���C�u@��h�����- You butt out of this, all right?�������W[cello music continues in background]������� �[music stops]�� �C�u@��������Hey, this is all I could find.�� v����� �They burned everything else, man.��L�����GOh, shit. That don't look good, man.���C�u@���m�����I had a friend in a fight get stabbed like that.�� 堼��� (He died right in the middle of Pulaski Boulevard.��Ơ����0- If Dobbins don't get to a hospital soon,���C�u@��������he gonna be trading that cello in for a harp.���������- Fucking guy and his goddamn cello.��J�����]- Hey, you broke it, didn't you?���C�u@��������Didn't you? - No, no, no.�� ������ �You gotta take him to ER, all right?����ơ���- Yo, whoa, whoa--I go out there, they kick my fucking ass.�� C�u@��26�����- They're gonna be kicking our asses anyway, brother.�������W- Hey...I mean, no. Hey, this ain't my fault, Hill.�� 場���Yo, he is definitely not my problem, man.���C�u@��H������I did not start all this shit, Hill.��砰���)- What difference does it make, huh?!��Š����1Look, you think 'cause of who you are���C�u@��]������you can pick and choose when to take responsibility.��k������You can't! Sometimes you got to step up.�� ������sAll right? Look at him!���C�u@�vP�����Look at him!��������?Dobbins, that cello--�������� &that's all he had, man. It's like me and that chair.���C�u���������It's who he was, it's like you and basketball!��1C�u���&�����C'mon, man.��x������[murmuring to Dobbins]��۠�����Just hold on. - All right, all right.���C�u@���������All right, look, fuck it, fuck it.��w������Yo, yo, fuck it. I've been hit before.��Р���� �C'mon, c'mon. - Just grab him, man.��6�����E- Come on, Dobbins. Open the gate!�� �C�u@���F�����C'mon! - Come on! Yo!��񠯡��4- I gotta get Dobbs to the hospital!��������- Fuck Dobbins. - Yo, let us out!�� C�u@��﫠����- Yo, let him out, man! - Hey, hey, hey, hey.�� 2����� uWhat's up, brother? - Dobbins is dying, man.��������f- Let's dump him before he starts getting moldy.���C�u@� 젛���- [sniffs] Okay.��V������- What about Said and Alvarez?��J����� &- If you vote yes, that's a majority.���C�u@�� �����We don't need them at all. Listen to what I'm saying.��l������The three of us hang together, Said's our bitch.��SC�u��7&�����- Okay.���������Let's go! [claps twice]��KC�u��P���- We're letting out one wounded prisoner.���������Tell Glynn.��lC�u��o������- [speaking softly]�� I�����~- Open the gate!�� C�u���������- All right, man, I'll see you.�� ����� �- Yeah.��C�u���������[dark music]�� ������ �[gate buzzes]���C�u���Ѡ����- Hold on, man, he's gonna drop!�������KDamn! Somebody help him!�� `������You fucking--���C�u���򠓡��Ah, shit!���������Fuck! [groans] Ah!�� vC�u�� ������- We got one of these bastards.���C�u��&W�����- Aaah!���C�u��셠����- [clears throat]�� ������ �[one cello note]��C�u��������♪��)�����l[bang] Hello!�� ������QHope you don't mind, I gotta take a shit.��KC�u��������- Beecher, listen.��Ơ���� - Hey! [clang]��C�u@��1ˠ����You know, I'm standing here thinking about��񠴡��4all the good times we've had, you and me.�� '������- I don't wanna fight.���C�u��L9�����- Oh, no, of course not.�� ������ �You get into a fight, you fuck up your parole,�� _C�u@��e������and I hear for the next three months��Ѡ����you're gonna be a good little boy�� `������so you can get out of Oz, save your two sons.�� �C�u��� �����You know, I think that's great.�� T������But, you know what I'm wondering?���C�u���������What if Vern doesn't get out?�� ����� IWhat if, as he comes up for parole,�� �C�u���Ϡ����he gets into a brawl,���������a knock-down, drag-out with his old roomie?�� Ġ����Ha.���C�u��՘�����What if...��)�����levery time he comes up for parole,���C�u���>�����Vern gets into some ugly incident�� ���2and has to serve his entire sentence?��C�u��������And his two sons, they become monsters.��C�u��%&�����[chuckling]�������UThat's what I'm wondering about.���C�u��<٠����Prag.���C�u��Q)�����♪ I got it bad, and that ain't good ♪��<�����$[intense musical sting]��C�u��uᠮ���- We love to root for the underdog.�� >����� �You know, at halftime,�� C�u@���������when one team is getting their asses handed to them��Р����and they're headed to the locker room,��)�����we say a silent prayer.��C�u@���t�����We pray that when they come back,�������athey'll turn it around, they'll score,�������� �they'll beat those cocky sons-of-bitches, yeah!�� HC�u���O�����We love it when someone comes up from behind.�� 3C�u@��������- We have to figure out a way to escape.�� ������ �- How? - I don't know,��Ѡ�����but I can't just sit here waiting to get raped.�� 'C�u@���Z�����- Or killed.�������W- You really think they're gonna kill us?���������- No, they'll invite us for tea.�� �C�u��࠱���- Armstrong. Is he gonna be all right?��1�����- You sit down over there with them.���C�u@��)������- What's the matter with Armstrong?��a������- Shut up, Hunt. Sit the fuck down!��w�����]I'm in charge of you motherfuckers now!�� �C�u@��BӠ����I don't know how long this shit's gonna last,���������but if you don't give me any trouble,��砬���you walk out of here alive, okay?�� aC�u��\{�á��- We've all been beaten badly. Armstrong needs a doctor.�� C�u��v������- Armstrong. - Hey, hey!���C�u���������- Hey.�� ����� �I'll see what I can do.���������- I gotta piss.���C�u���#�����- Father, you're friendly with Alvarez, aren't you?��ڠ���� - I thought I was.�� vC�u@���������He let them take me without lifting a finger.��4�����w- You didn't really think that they'd��Р�����lift a finger to help you, do you?��)C�u���������He'd get whacked if he tried to help you.�� �C�u@��������- You know what it's like in the Hole, right?�� u����� �You get a bucket to piss and shit in.���������Stays with you the whole time.�� 'C�u��0������[bucket clatters] Go ahead.��KC�u��XҠ����- Uncuff me.��W������- [softly] No.��������tYou remember that joke you made when my baby died?�� �C�u��wϠ����Fucking cocksucker!�� 栞��� )Fuck you! Fuck you!��������g- For God's sakes, stop it!��bC�u���۠����Miguel!��ڠ���� What the fuck is going on?!��۠����:- Look, look...right now,��C�u@���v�����I can't change shit if I wanted to!��b������- Well, maybe you can't change shit,��۠���� �but you don't have to give in to the brutality.���C�u���b�����- You're so fucking naive! - "Naive".�� k����� �I'm not naive.�� �C�u���C�����I'm afraid.�� �����K- Yeah. Well, so am I, hermano.�� j������So am I.��nC�u@���䠨���- We have unconfirmed reports�������athat a riot has erupted at Oswald State Penitentiary.�� ������QCorrection officials and the governor's office���C�u@�� i�����will neither confirm nor deny��x������that a riot broke out at the prison,������� which has been plagued with violence in recent months.���C�u@�� 'v�����It is still under the tight scrutiny��Ơ����of the Devlin Administration... - Move.��K������- Let him up. - The ongoing investigations��)C�u@�� =x�����into the rash of murders here.��ܠ����And though the Warden, Leo Glynn, has assured us��4������that nothing out of the ordinary is happening,��@C�u@�� R������if recent events are any indication,�������Wa riot would be almost inevitable.�������� 'So, Alvarez, how are the hostages?�� �C�u@�� m������- They need a doctor.��)�����l- I say we get 'em one�������� Hbecause we don't wanna seem like savages now, do we?�� �C�u�� ��ȡ'Course, you're gonna have to clear that with all the others.��t������- Okay.��*C�u�� �v�����- Adebisi,��+�����nyou gotta slow down on that shit.�������� >- Why?���C�u@�� �蠭���- 'cause we need our fucking heads���������to be together right now.��@�����RBesides, if this situation gets worse,�� C�u@�� 탠����we're gonna run out of that stuff,��񠮡��3and I don't want you detoxing on me��������$when I need you the most.���C�u��! �����- You worry too much, pretty boy.�� ?����� �Have some.���������- No.��C�u��!$������I been clean since my time in the Hole.�� ������ �- [laughs]���������Clean for what, huh?���C�u��!=������[laughing]�� à���� - [indistinct shouting] - Hey, hey, hey!�� �C�u��!T_�����Break it up! Break it up!�������K- Fuck this, man! - Hey, hey, hey!�� �C�u��!hm�š��This is exactly what those dicks out there are hoping for!�� ������ �Said, too!��y������Hey!���C�u@��!~Ҡ����What do you think he gave you guys the archway for?!�� ������ �He's waiting for one side���������to kill the other, and then-- - Well, let's do it!��C�u@��!�頹���- He's gonna kill who's ever left, all right?!�� 2����� uWe gotta stick together, Wangler!��K�����- [clapping]�� �C�u��!�������Hey, Kenny,�������� >hold that. - Yo,����¡��:there's a couple of hacks that are in pretty bad shape.�� 3C�u��!�_�����So Said and I wanna get 'em a doctor.���������How do you vote?���C�u��!�������- No.�������4- Fuck that.���C�u��" 㠘���- Yo, O'Reily,�� ������ �it's two to two.��蠠����You can break the tie.���C�u��"* �����- Yeah, break the tie.�� Ϡ���� - What's it worth to you, Alvarez?���������- What's it worth to me?�� �C�u��"F������- Yeah.��5�����xWhat'll you give me for my vote?�� `�����- Nothing.��nC�u��"]������- Let the fuckers die.�� C�u@��"�젦���- Fuckin' break some knees.��4����� �- I had an uncle who was a drunk.��栬����Tried to get him some new hobbies���C�u@��"�f�����to keep him from drinking.��砩���*Got him into sculpting school.��a����� �Didn't help.��x������Kept coming home plastered.���C�u��"�ՠ����- Oh, Jesus Christ.�������K- Had another uncle who was a rare coin dealer.�� =C�u��"Ѡ�����One day a couple of tough guys come in the place��a������and, uh...beat him senseless.��U�����<- Stop!��VC�u��"�u�����- Got another uncle, owned a grocery store.�� T����� �One night, somebody comes in and caves his head in���C�u@��"������with a case of Cornflakes.���������Cops think it might've been the work of a��a����� �"cereal" killer. - Cereal killer.��������]- D'Agnasti, shut the fuck up.�� jC�u��#(�����- Just trying to break the tension.��������- All right, no doctor.���C�u@��#9$�����- Miguel, you gotta do something.���������- Yeah, I know.��v�š��~I been working as an orderly in the prison hospital, so...�� uC�u��#TZ�����- So what, now you're an MD all of a sudden?�� 𠳡�� 3All you're good for is cleaning up shit.���C�u@��#h������- Shut up, Eddie.��L������I used to work as a nurse's aide.��Š���� �I can give you a hand. - No fucking way.���C�u@��#�a�����- Look, we gave them a couple hours�� ������ �to come up with their list of demands.��Ơ�����Before we take any action, we might as well���C�u@��#������wait and see what they want! - I say no negotiations.�� &����� iI say we cut off Em City's water and electricity,���C�u@��#�y�����then tonight when they're sitting in the dark,���������we fire tear gas in there. - What about the hostages?���������- Hopefully the S.O.R.T. Team will reach 'em--���C�u@��#���ġ��- Hopefully? Governor, we don't even know where they are!��l������- Or if they're alive!��n����� _Said says he's got seven hostages!��󠢡���How do we know for sure?��C�u@��#�꠶���- We ask to see them! - The longer we wait,��Р����the more chance we're giving them to dig in!�� �����;Even though we sealed off that section of the complex���C�u@��$-�����and locked down all the cellblocks,���������the other inmates know what's going on!��K����� iWe're sitting on a time bomb.�� �C�u��$������I'm going public.�� ������ ^I'm sending in the National Guard��������Pto surround Oswald.��C�u��$7-�����[phone rings]��Ѡ����- Yes.��������EOkay.���C�u@��$Q������That was Hofmiester.���������The rioters want food.�������G- [scoffs] There's no reason to give them anything.�� �C�u@��$l󠬡��- Oh, yeah, let's starve 'em out.�� ����� a- Governor, I see no harm�� à����gin sending in some sandwiches.���C�u@��$� �����- I'll take 'em inside.��򠩡��5- What? - Yeah, as a condition������� �for giving 'em food, we tell 'em they have to let me���C�u��$�������check on the hostages.��������@- You're going in there voluntarily?�� �C�u��$������- Yeah.���������- You're even stupider than I thought.�� �C�u��$� �����- Hello!��mC�u��$�������- Leave it there.���������No, uh-uh.��6����� =The deal was I get to see the hostages.�� �C�u��%������- You. Alone.�� ڠ�����- Dinner is served! - Help yourself, boys!���C�u@��%&à����- Ah, ah, ah, Who says your boys go first?�������J- Hey, I fucking say my boys go first.�������� &- Oh, yeah? Fuck you. - Hey, fuck you.��Ѡ����:- For chrissake! We'll serve the sandwiches��6C�u@��%>u�����the same way we do in the cafeteria.�� ����� `Jesus Christ!��������- Where are the hostages? - I'll show you.���C�u��%d�����- Okay, gents, line the fuck up.�������� >One.��L�����$One.���C�u��%�ܠ����I said one, Wangler.��W������[tense music]�� Ġ�����♪ ♪���C�u@��%�ڠ����- Are these two okay?��*�����l- They'd be better off in a hospital.�� ������- How 'bout the rest of you?���C�u@��%肠����- We're fine,���������no thanks to these cocksuckers.������� - Diane?��W������- No one touched her, if that's what you mean.���C�u@��&v�����- Was I talking to you?��6�����x- Ooh, watch your mouth, McManus.�� ������You ain't king shit around here no more.��C�u��&������- Are there any other hostages?���������- No, not that we know of.��4C�u��&0c�¡��- What would it take to get these two and her set free?�� ��� 2- Gotta put it to a vote.���C�u��&H������- I want you to stand.���C�u��&cL�����- So, um...�������JYou let them go, I stay.��C�u��&{砚���- Three for one?�� J����� �Not a good trade.�� �C�u@��&�z�����- If Mineo and Armstrong die,�������Vyou will be held responsible.��U������We're talking death sentence here.�� 2C�u��&�ݠ����- So, okay, the two of them go,�� >����� �but Wittlesey stays.��n�����0- Mmm...then no deal. - McManus,�� �C�u@��&���ġ��I don't think you fully grasp your current position here.�� ������ �We don't have to let any of 'em go, or you.�� C�u@��&�L�����- You taking me prisoner?��@������You gonna go back on your word?��6����� �- We have every intention��m������of fulfilling our part of the bargain.���C�u��&�,�����- Why should we?�������J- Because if we lie to them,��������we become just like 'em,���C�u��'B�����and we won't get our list of demands.�������� ?- I say we let Armstrong and Mineo go.�� �C�u��'%������- Me, too.��m������Who else?�� ������Adebisi?��x������[slaps leg] - Sure, fuck it.�� vC�u��'?������- Ross?���������- Oh, well, Wittlesey's gotta say.�� �C�u��'_树���- Said?��������Okay.��aC�u��'������[gate buzzer]���������This is a letter for Glynn from McManus�� �C�u��'�������explaining the exchange.�� >����� �Here's our demands.���C�u��'�`�����Let's go! - Let's go!��񠞡��4[inmates chattering]�� �C�u@��'㊠����"We want to speak directly to the media uncensored..."�� 񠮡�� 3- [snickers] Sure, we'll put 'em on��������0right after "Seinfeld".���C�u@��'�������- "There are to be no reprisals or repercussions��4�����wto any inmate involved in the riot."��������<- Oh, Jesus Christ, why don't they���C�u@��(l�����just ask to go free?!�� (����� j- You know, most of these demands are harmless.��*������Bring back conjugal visits, smoking.�� �C�u��(-^�����- Yeah, well, I reject all their demands.���������I won't negotiate with animals.���C�u@�(F ����- Then how can you expect me to end the situation?�������� ?- The old-fashioned way...�� >������by force.��)C�u@��(s�����- This is all your fucking fault, McManus.�� 𠛡�� 3- Shut up, Eddie.��۠����Q- No, God damn it. If I'm gonna die,�� �C�u@��(�=�š��at least I want the bastard who got me whacked to know it.�� Ϡ���� - How can you blame Tim?�������\- How?��WC�u��(�3�����'Cause of all this Emerald City bullshit.�� ������ �'cause Tim thought he could help these cocksuckers.���C�u��(�ꠤ���I seen you in action, pal.���������I seen you fumble the fucking ball every single play.��QC�u��(�D�����I just hope if we do die, I get to watch you go first.���C�u��)/ �����- Oh, fuck.���������Oh, Christ.��C�u��)e������I gotta see Said.��K������I wanna talk to Said.��Ѡ���� �- I don't know. - Please, Miguel.�� �C�u��)}N�����- I like that.���������I like it when you beg, McManus.�� �C�u��)�蠓���- Said...�� ����� �I grew up in a small town in Upstate New York.�� �C�u@��)�������There was only one major industry there,�� Ġ���� the prison.��6�����Everybody's parents either worked at the prison���C�u��)�n�����or made a living from, you know, motels, gas stations��F������or, like my dad,�� ?C�u��)�x�����at a diner right across the street.�� ������ �It was the Fall.��砩���$We'd just gone back to school.�� �C�u@��*٠����I was about to turn 10,��l������so I was very, very excited.�� 2�����$A few days before my birthday, though,��C�u��*)O�����there was this riot...��b����� 4And it lasted four days.�� �C�u��*@}�����But then the governor authorized 2,500 troops,��ؠ����state troopers,�� �C�u��*Y������to go back in,���������take it back.�� 𠕡���They did...�� C�u��*s�����firing at anything that moved.�� ������<So when the tear gas cleared...���C�u��*������31 inmates���������and nine hostages were dead.���C�u��*�������- Attica.��L����� �- Three of my friends' fathers were shot.�� TC�u��*�n�����Instead of going to a birthday party,���������I went with my family to a, uh, memorial service.��0C�u��*߼�����- So that's what this is all about?�� I������Emerald City is your birthday party?�� �C�u��*�������[laughs]��W������- Look...�� j�����GI built Em City��lC�u��+������because I wanna make a better world���������for you...���C�u��+'z�����For all of you.�������� ?Right now we're on the edge of oblivion.�� uC�u��+�����;It's about society taking responsibility.�� �C�u��+�y�����It's about the whole horrid judicial system!�� 䠪���;And we don't need more prisons,���C�u��, ������bigger prisons, better prisons.�� ������ �We need better justice.�� C�u��,%������Now what can you do about that?�� �C�u��,Dà����- If we don't resolve this, you and me,�� à���� and soon...people will die.��:C�u��,gE�����You could die.���������- I am willing to lay down my life...�� à�����for change.�� C�u��,�������Now, those deaths at Attica,�� k����� �they brought real changes with real reforms.���C�u@��,�7�ɡÁBut everybody's forgotten the lessons of your little hometown.��1������Time to wake this country up again.�� �C�u��,�校���- Said, we gotta talk.�� (����� k- You wanna save this place, right?�� =C�u��,�Ѡ����And I wanna destroy it,�� 栧��� (brick by hypocritical brick.���C�u��,�Ѡ����- Wait, wait!��)C�u@��-������- Let me outta here!��b������- This isn't working. - What?��J�����2- The entrance way. Every ten minutes,��?C�u@��-Z�¡��I'm putting a fire out between the gangsters and Nazis.�� ����� J- Put the Aryans in another part of the cellblock.�� �C�u@��--s�����- They're gonna want something in exchange��?������for giving up the security office.�� ������h- Switch them with the Latinos.��4C�u@��-CR�����They can take care of the hostages.��Š����- Okay. There's something else.�� �����hWe're out of heroin.���C�u@��-W������- Good. - Says you.��砶���*Adebisi and his pals are starting to fiend.��ڠ����GThis is gonna get real ugly, real fast.�� �C�u��-q���- When and if that happens, I will be ready.�� >����� �- What are you gonna do?��C�u��-�������Don't you fucking walk away from me, Said!�� ?����� �- Enough! - Back off, Beecher!��4������Back off!���C�u��-�������- Arif!��K������[edgy music]�� (������♪ ♪���C�u��-�/�����Everybody go back.���C�u��-①����Allah akbar.��Ơ����men: Allah akbar.��aC�u@��.4۠����- Hey, hey-- - I gotta find some--��۠���� I'm dying for some tits, man!�� Ġ����$- Be cool, little brother.�� �C�u��.Q堰���- There's some somewhere around here.��a������- Da-da-da-da-da.���C�u��.g������Follow me, come, come!���������[tense, percussive music]��C�u��.}������Come!��a������♪ ♪�� �C�u@�.�p�����Go into every pod,��5�����wsteal whatever drug you can find, go!�������� =Go! Go, go, go there. Go, go!��C�u��.�󠍡��Go!�� ����� '[inmates yelling]��C�u��/ \�����- Where the fucking tits? [overlapping shouting]�� ������ �Where the fucking tits?! Where the tits?�� 2C�u@��/!������- Tits?��Ѡ����[Adebisi continues yelling]������� u- Where the fucking tits?��x�����/- [groaning] - Aah! Aah!�� vC�u��/>{�����Where are the tits?���������- Adebisi!!���C�u��/UE�����[inmates quiet down]���������- [choking] Ack-- - [panting]�� �������- It's finished!���C�u��/r �����It's over!�� ������ �- [gasping, wheezing]�� �C�u��/� ����- [laughing]��Š����Whoo-ha!��6������Wah-ha-ha-ha!�� JC�u��/�������- Police, police!���C�u��/�r�����- It's execution day, baby.��Р����g[metallic clang]���C�u��/�̠����Prisoner number 93A234, Simon Adebisi.�������GConvicted May 2, '93,�� �C�u��0�����murder in the first degree.��w�ơ���Sentence: life in prison without the possibility of parole.���C�u��0+4�����Go ahead...�������� >Kill me. [panting]���C�u��0Jؠ����- I don't wanna kill you.���������- I know. You wanna save my ass.�� �����$- Yes, I wanna save you.���C�u��0e�����- Please...���������Give me some tits.�� �����GGive me some tits!���C�u��0�������Give me some fucking tits!�� 2����� - They say it don't matter if you win or lose,���C�u��0�������it's how you play the game.���������I call bullshit on that.�� 𠫡��It's all about winning, brother.��6C�u��0�A�����That's the object of the game.��U����� - What is that?��Ѡ����0- Beginning and the end, my brother,���C�u��0�W�����the beginning and the end.��n������Okay, everybody!�������� vThey're about to make their move!�� IC�u@��0�Y�����Bring out the hostages!���������- Please, untie me.��4�����<- You shouldn't have stolen my fucking watch!���C�u��1p�����- Untie me. Don't be like that.��v������Untie me! - Stand in a straight line.�� �C�u��1E�����When they come in, you get hit first.�� �C�u��15{�����Any last words? - Suck my dick.���������- If only there were time.���C�u��1l������- [muffled] Get down!��������@- Said....�� C�u��1�ݠ����- Fuck! Open the fucking door, man!��4������- [coughing]���C�u��1�������- Fuck!�������W- Aaaaaahhhhh!��Ѡ���� jOh, yeah, motherfuckers!�� �C�u��1�Z�����[men coughing]��bC�u��1�������[gunfire]���������[men coughing]�������R[gunfire]��wC�u��1�������[glass shatters]��������?[gunshot]��b�����h[glass shatters]���C�u��1�᠗���[tense music]�� T����� �[crashing, clattering]�� iC�u��2!I�����[indistinct background chatter]��)�����l[gunshot]�� C�u��2:������- Yeah, who cares who lives or dies in prison?��Q������We read the names in the morning paper,��C�u@��2Sj�����and they mean nothing to us.��������AThey're faceless.��4������The truth is we don't wanna put a face on them.�� C�u��2k������We don't wanna know who they really are,�� 样��� (because then it might hit too close to home,�� =C�u@��2�)�����and home is what it's all about, right?�� ����� TMaking a home no matter where you are,��K������no matter who you are.��JC�u@�2�������At the end of the day,��5�����weverybody wants somewhere to rest,�� ?������somewhere to lay their bones,���C�u��2�x�����even if it's in a land called Oz.���������Yeah, like Dorothy says�� �C�u��2ͮ�����when she wakes up in her own bed back at Aunt Em's,�� ������ �"There's no place like home."�� �C�u��2�@�����There's no fucking place like home.�� à���� [laughs]���S�k ]�����4m�����)���� H����A������)���� u����M������k����y��������������� T��������������G�� �������������� 3����Ä�������3�� ?����������e����������շ����e��,��ܻ����������e��L��������ڷ���������b�����~���������� �����ݷ�������b�� ����� Ƿ���������n����w����������򻕳����������6�� ﻕ��#޷��������� ����->��������%�������\@�����/���������c�����/����]����r������d����軕��vз����d����ʻ����ݷ���������V�����u����������z�������������� �����:��������*��6����ѳ��������I�� �����ۗ�����D���������������D��9�������겷����D��[�� J�����ⷎ��������S���� w��������,�� �����\�����-����l����%k�����-���������,1�����|���� i����DG����������w����M��������"�� λ���[��������� �����l��������$�� 2����|�����i���� ڻ���������i��(�� 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