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foreign
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Ardo da Vinci
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legendary artist his genius is universal
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it speaks to everybody he was also a
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scientist
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and inventor there was a reason for
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every decision in every line
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how did he create the most famous
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painting on Earth you can perceive the
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beating of the pulse underneath her skin
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the answers have been as elusive as her
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smile Leonardo embraced mystery
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now researchers are peeling away the
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layers thanks to a new kind of
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scientific investigation we are really
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able to get inside the painting can
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science unlock her secrets she seems
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like she's alive because she looks
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different depending on where you're
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looking
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and decipher the genius behind her
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creator
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decoding Da Vinci right now on Nova
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[Music]
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in the heart of Paris lies a former
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royal castle
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it is now the world's busiest Art Museum
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the Louvre
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filled with glorious galleries of
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Antiquities mummies and michelangelos
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but one Masterpiece is the biggest draw
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of all
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today's reigning Queen
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the Mona Lisa by Leonardo da Vinci
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the Mona Lisa has become some Grand
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thing in our imagination
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Mona Lisa you'd have a different feeling
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about what she has in mind
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every year Millions visit her drawn by
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her beauty
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or perhaps her Fame
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they've clocked the average amount the
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visitors spent looking at the Mona Lisa
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and that's roughly about 15 seconds
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you're more focused on getting a good
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picture for your Instagram feed than
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actually looking at the painting
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so is the Mona Lisa just famous for
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being famous
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more icon than art
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or does she deserve her place on the
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louvre's throne as the most celebrated
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painting in the world
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it's not just a portrait of a woman who
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is living 500 years ago it's a
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demonstration of how painting could show
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life
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now researchers are using new techniques
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to investigate the most famous painting
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on Earth like never before
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the smile is crucial
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it's teasing you saying I know something
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you don't know
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could the Mona Lisa with her enigmatic
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smile be the key to decoding the man who
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made her
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Leonardo da Vinci
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no doubt he was a brilliant artist
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but he was also a groundbreaking
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scientist
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he anticipated theories by both Galileo
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and Newton by at least a century
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and dreamed up remarkable inventions
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that seemed to predict a modern age
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armored tanks
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flying machines
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even something like a self-driving car
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but were his scientific Explorations a
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distraction from his painting
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or with science the secret to his
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artistic genius
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was the Mona Lisa in fact Leonardo's
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greatest invention
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if you want to understand Leonardo da
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Vinci you just have to look at the Mona
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Lisa because it's all there
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it's the combination of a lifetime spent
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loving science and art
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[Music]
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in the back streets of Florence Italy
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Walter Conte and his daughter Elena
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prepare for their tribute to Leonardo
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and the Mona Lisa
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[Music]
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human statues handing out Leonardo
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quotes
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their way of marking the 500th
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anniversary of Leonardo's death
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and just one of many celebrations that
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are in the works around the world
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from A Fine Art Museum in Beijing
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to a multimedia Extravaganza in Peru
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[Music]
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and a blockbuster Exhibition at the
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Louvre
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for the Louvre museum is a really
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important moment because the Louvre is
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like Leonardo da Vinci we have the third
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of all his paintings Vincent Delevan
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oversees the five Leonardo masterpieces
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that hang at the Louvre
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that's the largest collection in the
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world
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while Leonardo may be the most famous
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painter of all time he completed
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surprisingly few paintings Leonardo was
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with someone experimental he didn't want
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to paint a lot he wanted to paint a
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perfect painting
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so what did it take for Leonardo to make
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a perfect painting
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the answer may be lying right under
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deluvan's feet
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for the upcoming exhibition he is
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working with a team of scientists housed
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downstairs from the Louvre at the center
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for research and restoration of museums
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in France
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to a new kind of scientific
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investigation we are really able to get
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inside the painting and to understand
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how Leonardo was working to perfect the
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painting for a long long time during 5
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10 20 years it's really something really
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specific to Leonardo
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they're appearing deep inside Leonardo's
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masterpieces hoping to reveal the
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secrets of his technique that our eyes
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cannot see
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I see something that is pleased to be
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two-dimensional but which is really
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three-dimensional because there is a
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depth in a painting
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for art historian Bruno Matan the first
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step is to understand the chemistry of
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Leonardo's paint
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starting with the powdered minerals that
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were the source of his colors
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you have green which is made with the
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scratching of copper plates you have
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Vermilion which is made with Mercury you
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have lead white which is made with lead
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but these can't be applied directly on
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the painting has to be mixed with
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something else
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these colored pigments are mixed with a
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liquid like oil
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that gets painted on in layers
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[Music]
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in a cross section of a painting you
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have the base which today is frequently
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canvas but in Leonardo's time they used
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planks of wood
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on that is a coat of white that can
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reflect light
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as the artist Works semi-translucent
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paint is built up layer by layer
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and then sealed with a coat of varnish
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in the end our eyes see the interplay
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between the light reflected off
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different pigments suspended in the
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layers
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creating depth and Elusive subtleties
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oil is a transverse of medium which
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gives to them a mixture of deepness we
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can see through all the layers you don't
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only see a flat surface you have the
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feeling of what is beneath the painting
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Leonardo worked on the Mona Lisa for
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about 16 years
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can these investigative techniques help
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reveal ultimately what he was doing all
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that time
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[Music]
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the Mona Lisa began in Florence Italy in
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1503 as a commission from a wealthy
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cloth Merchant to paint his wife Lisa
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gerardini
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the word Mona was a polite form of
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address much like Madam hence Mona Lisa
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over time she became something much more
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the Mona Lisa started off as a portrait
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for a Merchant's wife and ended up as a
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sort of Manifesto if you want of his
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abilities as a painter
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of his conception of the world even
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so is this what the real Lisa looked
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like
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and how different does she appear today
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from what Leonardo painted 500 years ago
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to find out scientists captured the Mona
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Lisa with an array of high-tech cameras
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these detect light in the
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electromagnetic spectrum that is not
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visible to our eyes
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[Music]
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so just as some cameras can see wildlife
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in the dark
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these cameras can help us see the Mona
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Lisa in a new light
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literally
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[Music]
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each image provides clues about her past
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so if you have a lot of different images
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which can tell us about the structure of
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the painting and the way it has been
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made
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in the ultraviolet image blotches of
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dark blue appear
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these revealed areas of paint which are
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not by Leonardo's hand
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their modern Restorations to repair
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damage to the painting like this
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dangerous crack in the wood base
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it shows us that the painting is in fact
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covered by a greenish vanish which
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changes the colors of the through
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painting this thick varnish has yellowed
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and darkened over time
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making it difficult to make out some of
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the details
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which is probably like a prompt lady we
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should say because we do not know where
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the arm stops
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but this infrared image clearly shows
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this dark area was once translucent
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Lisa is wearing a veil that gracefully
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Falls over her surprisingly slender
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shoulders
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to penetrate the very deepest layers the
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team turned to a tool more familiar to
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us from a doctor's office
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x-rays
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these can reveal how the painting began
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most artists at the time began with a
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drawing and then filled it in with thick
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paint
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so the X-ray looks like this
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Raphael's la belge
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the figures started out clearly defined
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[Music]
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stayed that way
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but when Leonardo's paintings are
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x-rayed the figures often vanish
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[Music]
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Leonardo image of like Phantom
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we don't understand at First Sight what
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really is on the picture
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in the X-ray of the Mona Lisa there is
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no clear outline
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instead the image evolved as Leonardo
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made continual adjustments
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this also suggests Lisa may not have
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looked exactly like this
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he keeps it he doesn't deliver it to the
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merchant who commissioned it because for
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him it's no longer a portrait of Mona
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Lisa it is a universal painting
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in the upcoming exhibition Delia van
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plans to hang some of these scientific
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masterpieces along with Leonardo's
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original paintings
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the scans prove an essential point about
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Leonardo's artistry
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he painted like no one else
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Leonardo is one of the first artists to
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be really free
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he felt free to change his mind not only
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during the drawing preparation but also
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during the painting of his work
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this is incredibly not common he is the
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only one to give such a liberty free
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manner in his execution
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[Music]
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artists then were considered Craftsmen
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and needed to churn Out Paintings for
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patrons
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so how did Leonardo become such a free
289
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spirit
290
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from the beginning Leonardo was an
291
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outsider
292
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born in 1452 to an unwed farm girl in
293
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the small Italian town of Vinci he was
294
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named Leonardo from Vinci therefore
295
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Leonardo da Vinci
296
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Leonardo had the great Good Fortune to
297
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be born out of wedlock it meant he
298
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didn't have crammed into him
299
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the sort of old dusty Scholastic wisdom
300
00:14:52,740 --> 00:14:57,899
of the Middle Ages instead he got to be
301
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self-taught it also meant he doesn't
302
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have to be a notary like his father and
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so he has a fresh life where he can be
304
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anything he wants
305
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at about 14 Leonardo's father sent him
306
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to learn a trade in Florence the
307
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epicenter of Commerce learning and
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Beauty at the beginning of the
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Renaissance
310
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Flores was one of their most advanced
311
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social organizations of the planet very
312
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wealthy city a city that was attracting
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the brightest guys around
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Florence he's just extraordinary at this
315
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time
316
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to produce Donatello mazzachio brunleski
317
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Michelangelo Raphael
318
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foreign with no formal education
319
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Leonardo started as an apprentice in one
320
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of the leading artist Studios of the day
321
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the workshop of Andrea Del verrocchio
322
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was a stouter above all but also a
323
00:15:58,620 --> 00:16:02,760
painter an architect you could play
324
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music
325
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so the example of veracio was very
326
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important to Leonardo
327
00:16:08,720 --> 00:16:14,339
Leonardo's training with Baroque is a
328
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real model of how an artist
329
00:16:14,339 --> 00:16:18,899
should evolve
330
00:16:16,260 --> 00:16:20,699
technique is subordinate to the active
331
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scene it's about the eye and it's
332
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Leonardo who first described that
333
00:16:23,760 --> 00:16:27,540
It is believed
334
00:16:25,260 --> 00:16:29,699
model for this verrocchio statue of
335
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David is his Apprentice
336
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the young Leonardo
337
00:16:31,980 --> 00:16:36,420
so they think that Leonardo posed a
338
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forest master
339
00:16:36,420 --> 00:16:42,959
it's a very elegant boy face frame by
340
00:16:40,259 --> 00:16:44,880
these beautiful curls despite the
341
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circumstances of his illegitimate birth
342
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the workshop gave Leonardo a way to get
343
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ahead in life
344
00:16:49,980 --> 00:16:57,060
he's a misfit he's illegitimate he's gay
345
00:16:54,240 --> 00:17:00,240
he's left-handed he's a vegetarian he's
346
00:16:57,060 --> 00:17:02,519
distracted and yet he's embraced by the
347
00:17:00,240 --> 00:17:04,930
people of Florence because it was a very
348
00:17:02,519 --> 00:17:06,360
tolerant City
349
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[Music]
350
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one of the most challenging construction
351
00:17:08,400 --> 00:17:13,799
projects of the day was capping the Dome
352
00:17:11,280 --> 00:17:15,319
of the breathtaking Cathedral with a
353
00:17:13,799 --> 00:17:19,079
golden sphere
354
00:17:15,319 --> 00:17:22,079
the commission of the crowning of the
355
00:17:19,079 --> 00:17:23,880
cupola with a gilded sphere it was a
356
00:17:22,079 --> 00:17:28,079
very important one and that the
357
00:17:23,880 --> 00:17:28,079
commission de veracchio secured
358
00:17:29,059 --> 00:17:33,179
varuccio's team which
359
00:17:31,140 --> 00:17:36,480
with the young Leonardo had to figure
360
00:17:33,179 --> 00:17:39,480
out not only the design but also how to
361
00:17:36,480 --> 00:17:42,179
secure the one and a half ton ball on
362
00:17:39,480 --> 00:17:44,880
top of the nearly 370 foot high
363
00:17:42,179 --> 00:17:47,039
Cathedral
364
00:17:44,880 --> 00:17:50,160
figuring out how to get the ball on top
365
00:17:47,039 --> 00:17:52,080
of the cathedral helps Leonardo become a
366
00:17:50,160 --> 00:17:53,520
great engineer it helps them become an
367
00:17:52,080 --> 00:17:56,700
artist because he gets the perspective
368
00:17:53,520 --> 00:18:00,660
of the ball right that combination of
369
00:17:56,700 --> 00:18:03,120
science engineering and art becomes part
370
00:18:00,660 --> 00:18:06,480
of who Leonardo da Vinci is
371
00:18:03,120 --> 00:18:09,000
in fact in sheer quantity Leonardo's
372
00:18:06,480 --> 00:18:11,000
scientific investigations far outweigh
373
00:18:09,000 --> 00:18:14,039
his output of paintings
374
00:18:11,000 --> 00:18:17,640
the proof of that lies in a remarkable
375
00:18:14,039 --> 00:18:20,880
collection of replicas of his notebooks
376
00:18:17,640 --> 00:18:23,580
we have very few records in the whole
377
00:18:20,880 --> 00:18:26,220
history of science similar to Leonardo's
378
00:18:23,580 --> 00:18:28,740
manuscripts these are not books you
379
00:18:26,220 --> 00:18:31,440
cannot compare that to a work of by
380
00:18:28,740 --> 00:18:33,720
Galileo or by Newton because they have
381
00:18:31,440 --> 00:18:35,039
solved the problems before writing their
382
00:18:33,720 --> 00:18:37,559
books
383
00:18:35,039 --> 00:18:40,860
Paolo galusi is the director of the
384
00:18:37,559 --> 00:18:43,400
Galileo Museum in Florence
385
00:18:40,860 --> 00:18:47,120
what we have in Leonardo is the direct
386
00:18:43,400 --> 00:18:51,120
expression of his internal dialogue
387
00:18:47,120 --> 00:18:54,360
Leonardo's notebooks span his lifetime
388
00:18:51,120 --> 00:18:57,720
they even come pocket-sized
389
00:18:54,360 --> 00:19:00,740
we're sure that those 6 000 pages that
390
00:18:57,720 --> 00:19:04,679
we have are by him and this is just
391
00:19:00,740 --> 00:19:05,940
one-fourth of what he actually penned so
392
00:19:04,679 --> 00:19:09,500
we're talking about something I was
393
00:19:05,940 --> 00:19:09,500
obsessed by throughout his life
394
00:19:10,919 --> 00:19:17,419
the Brilliance and breadth of Leonardo's
395
00:19:13,620 --> 00:19:20,900
notebooks is astonishing
396
00:19:17,419 --> 00:19:23,760
his ideas seem to predict our Modern Age
397
00:19:20,900 --> 00:19:27,320
making Leonardo much more than a
398
00:19:23,760 --> 00:19:27,320
Renaissance scientist for many
399
00:19:30,539 --> 00:19:35,640
copter like
400
00:19:32,460 --> 00:19:38,039
and a parachute
401
00:19:35,640 --> 00:19:42,200
a fascination with water led to
402
00:19:38,039 --> 00:19:42,200
ambitious civil engineering proposals
403
00:19:42,400 --> 00:19:46,620
[Music]
404
00:19:44,820 --> 00:19:49,740
and he conceived an intriguing
405
00:19:46,620 --> 00:19:54,380
self-propelled machine that seems part
406
00:19:49,740 --> 00:19:54,380
automobile part early robot
407
00:19:54,840 --> 00:19:58,670
but could any of these inventive designs
408
00:19:57,059 --> 00:20:00,780
have actually worked
409
00:19:58,670 --> 00:20:05,100
[Music]
410
00:20:00,780 --> 00:20:07,140
Leonardo is of course a great artist but
411
00:20:05,100 --> 00:20:09,840
he's also a great scientist and I would
412
00:20:07,140 --> 00:20:12,660
argue a great engineer the geometry is
413
00:20:09,840 --> 00:20:15,299
stunning one small sketch in Leonardo's
414
00:20:12,660 --> 00:20:18,419
notebooks has so intrigued MIT engineer
415
00:20:15,299 --> 00:20:21,960
John oxendorf that he asked his graduate
416
00:20:18,419 --> 00:20:24,900
student Carly best to bring 21st century
417
00:20:21,960 --> 00:20:28,919
engineering rigor to see if Leonardo's
418
00:20:24,900 --> 00:20:30,960
16th century idea would in fact stand
419
00:20:28,919 --> 00:20:32,520
there is a historical reason for this
420
00:20:30,960 --> 00:20:35,520
because you see it in the drawing right
421
00:20:32,520 --> 00:20:38,220
yeah these two are in 1502 the year
422
00:20:35,520 --> 00:20:40,020
before starting the Mona Lisa Leonardo
423
00:20:38,220 --> 00:20:42,179
Leonard proposed to the Sultan of the
424
00:20:40,020 --> 00:20:45,720
Ottoman Empire a bridge in
425
00:20:42,179 --> 00:20:49,280
Constantinople five times longer than
426
00:20:45,720 --> 00:20:49,280
any other span at the time
427
00:20:50,419 --> 00:20:56,700
his plan for this ambitious project
428
00:20:53,720 --> 00:20:58,980
sketched upside down in a small notebook
429
00:20:56,700 --> 00:21:02,039
offers few details
430
00:20:58,980 --> 00:21:03,000
yet just enough for best to bring it to
431
00:21:02,039 --> 00:21:05,220
life
432
00:21:03,000 --> 00:21:06,539
Leonardo provided four measurements but
433
00:21:05,220 --> 00:21:09,539
he provided
434
00:21:06,539 --> 00:21:12,360
two sketches at first it seems like a
435
00:21:09,539 --> 00:21:14,160
rough sketch but as I dug into it I
436
00:21:12,360 --> 00:21:16,919
realized there was a reason for every
437
00:21:14,160 --> 00:21:18,840
decision in every line there was a lot
438
00:21:16,919 --> 00:21:20,280
of thought put into the force
439
00:21:18,840 --> 00:21:21,600
distribution and it wasn't just
440
00:21:20,280 --> 00:21:24,240
aesthetic
441
00:21:21,600 --> 00:21:26,880
it was engineering
442
00:21:24,240 --> 00:21:28,799
and to test that engineering fast and
443
00:21:26,880 --> 00:21:30,360
her colleagues have built a scale model
444
00:21:28,799 --> 00:21:33,720
of the bridge
445
00:21:30,360 --> 00:21:36,000
state-of-the-art 3D printer
446
00:21:33,720 --> 00:21:37,559
four 3D printing came along we'd have to
447
00:21:36,000 --> 00:21:39,659
try to build that bridge as close as we
448
00:21:37,559 --> 00:21:42,000
could to the full scale because you
449
00:21:39,659 --> 00:21:43,039
couldn't reliably get the geometry quite
450
00:21:42,000 --> 00:21:45,240
right
451
00:21:43,039 --> 00:21:48,600
Leonardo's Stone Bridge would have been
452
00:21:45,240 --> 00:21:51,720
500 times the size of this model
453
00:21:48,600 --> 00:21:53,159
but the physics are exactly the same we
454
00:21:51,720 --> 00:21:54,960
have the bridge and we have the mold
455
00:21:53,159 --> 00:21:57,240
that's holding it up the first piece
456
00:21:54,960 --> 00:22:01,440
should be easy to take off
457
00:21:57,240 --> 00:22:03,659
piece by piece she removes the styrofoam
458
00:22:01,440 --> 00:22:06,179
a modern day stand-in for the wooden
459
00:22:03,659 --> 00:22:08,400
scaffolding used in Leonardo's day
460
00:22:06,179 --> 00:22:11,159
this is more like heart surgery than
461
00:22:08,400 --> 00:22:14,720
Bridge construction finally the last
462
00:22:11,159 --> 00:22:14,720
support is removed
463
00:22:15,960 --> 00:22:22,320
and Leonardo's Stone Bridge stands
464
00:22:20,440 --> 00:22:24,179
[Music]
465
00:22:22,320 --> 00:22:25,919
the geometry is aesthetically beautiful
466
00:22:24,179 --> 00:22:27,720
and
467
00:22:25,919 --> 00:22:30,179
the fact that this is standing on its
468
00:22:27,720 --> 00:22:33,539
own tells us that it was feasible
469
00:22:30,179 --> 00:22:36,179
absolutely wow
470
00:22:33,539 --> 00:22:39,559
whose Bridge even stays up when they
471
00:22:36,179 --> 00:22:39,559
simulate an earthquake
472
00:22:39,980 --> 00:22:48,299
oh my God it is moved by 30 feet
473
00:22:44,880 --> 00:22:51,120
and the art still stands the bridge does
474
00:22:48,299 --> 00:22:53,159
eventually collapse
475
00:22:51,120 --> 00:22:55,919
but only after being moved the
476
00:22:53,159 --> 00:22:59,520
equivalent of 50 feet
477
00:22:55,919 --> 00:23:01,740
Leonardo has the artistic ability and he
478
00:22:59,520 --> 00:23:04,860
also has that scientific knowledge and
479
00:23:01,740 --> 00:23:07,140
that engineering capability where he can
480
00:23:04,860 --> 00:23:09,240
create things that are beautiful and
481
00:23:07,140 --> 00:23:11,760
structurally sound
482
00:23:09,240 --> 00:23:14,280
bass clearly had to fill in some details
483
00:23:11,760 --> 00:23:16,380
to get from this sketch
484
00:23:14,280 --> 00:23:18,240
to this model
485
00:23:16,380 --> 00:23:19,980
and we don't know if the bridge could
486
00:23:18,240 --> 00:23:21,240
have been built with the wooden scaffold
487
00:23:19,980 --> 00:23:23,340
of the day
488
00:23:21,240 --> 00:23:26,460
and he also shows but she has shown
489
00:23:23,340 --> 00:23:30,000
Leonardo got the basic physics right
490
00:23:26,460 --> 00:23:32,340
what's extraordinary is the ideas that
491
00:23:30,000 --> 00:23:34,980
he was coming up with
492
00:23:32,340 --> 00:23:39,440
more than 500 years ago
493
00:23:34,980 --> 00:23:39,440
we're still trying to understand them
494
00:23:39,610 --> 00:23:44,580
[Music]
495
00:23:42,299 --> 00:23:47,220
as with this ambitious proposal to the
496
00:23:44,580 --> 00:23:49,320
sultan Leonardo sought out wealthy
497
00:23:47,220 --> 00:23:51,900
patrons throughout his life to support
498
00:23:49,320 --> 00:23:52,960
not only his art but his scientific
499
00:23:51,900 --> 00:23:56,159
explorations
500
00:23:52,960 --> 00:23:57,419
[Music]
501
00:23:56,159 --> 00:24:01,100
30. he
502
00:23:57,419 --> 00:24:01,100
came to Milan to work for its Duke
503
00:24:01,440 --> 00:24:07,500
17 years later when the Duke was deposed
504
00:24:04,140 --> 00:24:11,460
Leonardo had to move once again
505
00:24:07,500 --> 00:24:14,100
back to Florence and later Rome
506
00:24:11,460 --> 00:24:17,460
his accomplishments in science and art
507
00:24:14,100 --> 00:24:19,740
meant he had much to offer Leonardo
508
00:24:17,460 --> 00:24:21,659
sells himself as an engineer as well as
509
00:24:19,740 --> 00:24:23,159
an artist because he knows he can make a
510
00:24:21,659 --> 00:24:26,580
Better Living
511
00:24:23,159 --> 00:24:29,280
I think Leonardo just loved the
512
00:24:26,580 --> 00:24:31,500
connection of the Arts and Sciences and
513
00:24:29,280 --> 00:24:34,340
he didn't want to have to be siled as
514
00:24:31,500 --> 00:24:34,340
just the painter
515
00:24:34,700 --> 00:24:39,480
Leonardo's Explorations in science can
516
00:24:37,260 --> 00:24:40,710
also be clearly seen in the details of
517
00:24:39,480 --> 00:24:44,760
his paintings
518
00:24:40,710 --> 00:24:46,620
[Music]
519
00:24:44,760 --> 00:24:49,980
botany
520
00:24:46,620 --> 00:24:52,430
to the physics of flowing water
521
00:24:49,980 --> 00:24:54,659
even the curls of human hair
522
00:24:52,430 --> 00:24:56,640
[Music]
523
00:24:54,659 --> 00:25:01,620
paint something absolutely perfect he
524
00:24:56,640 --> 00:25:04,620
had to understand how nature was done
525
00:25:01,620 --> 00:25:07,559
to paint a mountain to paint rocks he
526
00:25:04,620 --> 00:25:10,260
had to understand why the Rock's wire of
527
00:25:07,559 --> 00:25:12,539
that kind he was obsessed with that and
528
00:25:10,260 --> 00:25:14,640
that was what he called the science of
529
00:25:12,539 --> 00:25:17,039
painting
530
00:25:14,640 --> 00:25:19,140
the science of painting was all
531
00:25:17,039 --> 00:25:21,600
encompassing for Leonardo
532
00:25:19,140 --> 00:25:23,940
but how could he capture the beauty he
533
00:25:21,600 --> 00:25:28,209
observed in nature with paint
534
00:25:23,940 --> 00:25:28,209
[Music]
535
00:25:29,419 --> 00:25:35,100
back at the Louvre art restorers and
536
00:25:32,460 --> 00:25:37,440
researchers are uncovering new clues in
537
00:25:35,100 --> 00:25:39,430
an elegant intensive care unit for
538
00:25:37,440 --> 00:25:40,919
priceless works of art
539
00:25:39,430 --> 00:25:43,760
[Music]
540
00:25:40,919 --> 00:25:43,760
thank you
541
00:25:43,860 --> 00:25:48,600
to prepare for the upcoming exhibit
542
00:25:46,039 --> 00:25:51,059
gelivera and the team of scientists are
543
00:25:48,600 --> 00:25:53,720
restoring a painting long shrouded by
544
00:25:51,059 --> 00:25:53,720
controversy
545
00:25:54,659 --> 00:25:59,580
for centuries this portrait of Bacchus
546
00:25:57,299 --> 00:26:02,900
was considered one of the few paintings
547
00:25:59,580 --> 00:26:02,900
by Leonardo's hand
548
00:26:03,539 --> 00:26:08,179
but now experts aren't so sure
549
00:26:08,400 --> 00:26:13,020
for centuries that painting was
550
00:26:10,440 --> 00:26:15,600
attributed to Leonardo
551
00:26:13,020 --> 00:26:17,940
but during the 20th century some
552
00:26:15,600 --> 00:26:19,320
historians said well it looks like a
553
00:26:17,940 --> 00:26:21,059
difference compared to the other
554
00:26:19,320 --> 00:26:23,820
paintings
555
00:26:21,059 --> 00:26:26,840
Cynthia Pasquale has been brought in to
556
00:26:23,820 --> 00:26:26,840
restore the painting
557
00:26:26,880 --> 00:26:32,580
unique scientific techniques provide the
558
00:26:30,059 --> 00:26:33,779
clues she needs to finally solve the
559
00:26:32,580 --> 00:26:36,900
mystery
560
00:26:33,779 --> 00:26:39,200
did Leonardo in fact paint this
561
00:26:36,900 --> 00:26:39,200
is
562
00:26:47,580 --> 00:26:51,900
restoration work is not for the faint of
563
00:26:50,100 --> 00:26:54,779
heart
564
00:26:51,900 --> 00:26:57,480
this painting may be in bad shape
565
00:26:54,779 --> 00:27:01,700
but Pasquale is still taking her scalpel
566
00:26:57,480 --> 00:27:01,700
to an Irreplaceable masterpiece
567
00:27:01,919 --> 00:27:05,700
she scrapes away the yellow darkened
568
00:27:04,559 --> 00:27:09,059
varnish
569
00:27:05,700 --> 00:27:10,440
revealing a vibrant color beneath
570
00:27:09,059 --> 00:27:13,080
okay
571
00:27:10,440 --> 00:27:15,539
but other parts of the painting appear
572
00:27:13,080 --> 00:27:18,120
more damaged
573
00:27:15,539 --> 00:27:20,059
so Pasquale must rely on her training
574
00:27:18,120 --> 00:27:24,440
not only in art history
575
00:27:20,059 --> 00:27:24,440
but also chemistry
576
00:27:24,559 --> 00:27:31,460
the colors of pigment in paint can
577
00:27:27,720 --> 00:27:31,460
change or fade over time
578
00:27:31,500 --> 00:27:36,799
but the chemistry of the pigments
579
00:27:33,299 --> 00:27:39,900
themselves can still be detected
580
00:27:36,799 --> 00:27:44,820
Pasquale orders a special scan for the
581
00:27:39,900 --> 00:27:47,940
element copper often used in green paint
582
00:27:44,820 --> 00:27:51,179
the scan reveals this dark area of the
583
00:27:47,940 --> 00:27:54,440
painting was once a lush Garden
584
00:27:51,179 --> 00:27:57,779
until the copper in the paint darkened
585
00:27:54,440 --> 00:28:01,380
so we can see a lot of vegetables and
586
00:27:57,779 --> 00:28:04,620
leaves and plants and flour
587
00:28:01,380 --> 00:28:06,180
and when you look on the surface of the
588
00:28:04,620 --> 00:28:09,120
work they are not
589
00:28:06,180 --> 00:28:11,279
[Music]
590
00:28:09,120 --> 00:28:13,380
while the beauty of these plants may
591
00:28:11,279 --> 00:28:14,700
suggest Leonardo's meticulous attention
592
00:28:13,380 --> 00:28:16,860
to detail
593
00:28:14,700 --> 00:28:19,010
that's not enough to say for sure he
594
00:28:16,860 --> 00:28:20,240
painted it himself
595
00:28:19,010 --> 00:28:23,340
[Music]
596
00:28:20,240 --> 00:28:25,760
so the investigation turns to his
597
00:28:23,340 --> 00:28:25,760
brushwork
598
00:28:28,260 --> 00:28:32,700
one of the most characteristic
599
00:28:29,760 --> 00:28:34,820
Fingerprints of a Leonardo a remarkably
600
00:28:32,700 --> 00:28:37,860
thin layers of paint
601
00:28:34,820 --> 00:28:40,380
which can only be seen with a powerful
602
00:28:37,860 --> 00:28:43,380
microscope
603
00:28:40,380 --> 00:28:43,380
treatment
604
00:28:50,100 --> 00:28:55,559
some leonardos have been found to have
605
00:28:52,559 --> 00:28:59,539
as many as 30 layers of paint
606
00:28:55,559 --> 00:28:59,539
many more than most painters
607
00:29:00,480 --> 00:29:04,919
as she continues her restoration
608
00:29:02,460 --> 00:29:08,059
Pasquale is looking for evidence of this
609
00:29:04,919 --> 00:29:08,059
unusual technique
610
00:29:08,159 --> 00:29:14,720
but what was Leonardo trying to achieve
611
00:29:10,860 --> 00:29:14,720
with all those thin layers
612
00:29:15,419 --> 00:29:18,299
just ask
613
00:29:16,799 --> 00:29:21,120
ass painter
614
00:29:18,299 --> 00:29:24,179
DaVinci was always looking for beauty
615
00:29:21,120 --> 00:29:27,840
it's not just painting or drawing a tree
616
00:29:24,179 --> 00:29:30,380
he wants to paint the perfect expression
617
00:29:27,840 --> 00:29:34,559
of what a tree is
618
00:29:30,380 --> 00:29:37,700
this aspiration to beauty is to me very
619
00:29:34,559 --> 00:29:37,700
inspiring as an artist
620
00:29:37,919 --> 00:29:42,840
Floren Farge is a painter in Dijon
621
00:29:40,440 --> 00:29:44,580
France
622
00:29:42,840 --> 00:29:47,940
in the tradition of the Renaissance
623
00:29:44,580 --> 00:29:50,279
Farge runs an artist's Workshop
624
00:29:47,940 --> 00:29:52,020
but with a Twist
625
00:29:50,279 --> 00:29:55,559
hello everyone and welcome to a new
626
00:29:52,020 --> 00:29:57,840
video his is a virtual one this one is
627
00:29:55,559 --> 00:30:03,260
going to guide you through the entire
628
00:29:57,840 --> 00:30:03,260
process of classical figure painting
629
00:30:04,200 --> 00:30:09,299
Italian painters at the time mixed their
630
00:30:06,779 --> 00:30:10,810
pigments into an egg base
631
00:30:09,299 --> 00:30:13,740
using real egg
632
00:30:10,810 --> 00:30:16,020
[Music]
633
00:30:13,740 --> 00:30:19,200
but egg tempera doesn't allow as much
634
00:30:16,020 --> 00:30:21,910
light to pass through it
635
00:30:19,200 --> 00:30:24,620
so there is less depth in the painting
636
00:30:21,910 --> 00:30:28,020
[Music]
637
00:30:24,620 --> 00:30:31,460
instead Leonardo decided to use an oil
638
00:30:28,020 --> 00:30:34,260
like linseed or walnut
639
00:30:31,460 --> 00:30:37,020
Leonardo was using oil
640
00:30:34,260 --> 00:30:39,299
because oil helps to reproduce in the
641
00:30:37,020 --> 00:30:42,020
best way at the transition between light
642
00:30:39,299 --> 00:30:42,020
and Shadow
643
00:30:42,480 --> 00:30:47,960
gradually farge's portrait comes to life
644
00:30:56,419 --> 00:31:00,840
for the finishing touches Farge
645
00:30:58,980 --> 00:31:04,200
demonstrates how oil paint can be
646
00:31:00,840 --> 00:31:06,539
applied very thinly to create the subtle
647
00:31:04,200 --> 00:31:09,240
shading of light falling across the
648
00:31:06,539 --> 00:31:12,000
human body if I want I can come back
649
00:31:09,240 --> 00:31:15,860
later and put another layer on top of
650
00:31:12,000 --> 00:31:18,620
that to make this transition very soft
651
00:31:15,860 --> 00:31:20,880
[Music]
652
00:31:18,620 --> 00:31:25,039
Leonardo's techniques are still being
653
00:31:20,880 --> 00:31:25,039
taught today in his hometown of Florence
654
00:31:25,440 --> 00:31:30,899
to make their paintings come alive
655
00:31:27,500 --> 00:31:34,559
artists strive to capture human flesh
656
00:31:30,899 --> 00:31:36,480
and the way light reveals its shape
657
00:31:34,559 --> 00:31:40,159
Leonardo speaks about the Smoky
658
00:31:36,480 --> 00:31:40,159
transition of light to shade
659
00:31:40,260 --> 00:31:45,779
that's how we perceive in nature
660
00:31:43,799 --> 00:31:48,600
problem often with photographic images
661
00:31:45,779 --> 00:31:50,880
we see is that there's so much detail we
662
00:31:48,600 --> 00:31:53,700
don't get the broader effect
663
00:31:50,880 --> 00:31:56,100
we see life very much out of focus we
664
00:31:53,700 --> 00:31:58,799
glance
665
00:31:56,100 --> 00:32:01,380
other artists of the day like Sandra
666
00:31:58,799 --> 00:32:04,100
Botticelli painted figures with hard
667
00:32:01,380 --> 00:32:04,100
outlines
668
00:32:05,940 --> 00:32:11,940
but Leonardo used his fine layers to
669
00:32:08,700 --> 00:32:14,120
create soft transitions obscuring the
670
00:32:11,940 --> 00:32:14,120
lines
671
00:32:14,220 --> 00:32:18,720
this is
672
00:32:15,480 --> 00:32:23,360
to look called spumato
673
00:32:18,720 --> 00:32:23,360
from the Italian fumo or smoke
674
00:32:25,159 --> 00:32:31,080
unquestionably the most famous example
675
00:32:27,659 --> 00:32:35,059
of Leonardo's fumato is that enigmatic
676
00:32:31,080 --> 00:32:35,059
smile of the Mona Lisa
677
00:32:35,220 --> 00:32:40,700
just look at the mouth
678
00:32:37,170 --> 00:32:44,299
[Music]
679
00:32:40,700 --> 00:32:44,299
look at the eyes
680
00:32:44,659 --> 00:32:49,920
you can't see lines
681
00:32:47,820 --> 00:32:53,039
see the movement of the light
682
00:32:49,920 --> 00:32:55,200
[Music]
683
00:32:53,039 --> 00:32:56,810
credible and there is no comparison with
684
00:32:55,200 --> 00:32:58,740
other artists at that time
685
00:32:56,810 --> 00:33:01,559
[Music]
686
00:32:58,740 --> 00:33:03,240
there's no Edge there at all it's all
687
00:33:01,559 --> 00:33:05,220
very uncertain
688
00:33:03,240 --> 00:33:07,679
this plays a psychological role of
689
00:33:05,220 --> 00:33:10,020
course because he is present but somehow
690
00:33:07,679 --> 00:33:13,000
not tangible
691
00:33:10,020 --> 00:33:14,279
is idealized
692
00:33:13,000 --> 00:33:17,220
[Music]
693
00:33:14,279 --> 00:33:19,500
for Leonardo's fomato captured in two
694
00:33:17,220 --> 00:33:20,650
Dimensions what he observed in the
695
00:33:19,500 --> 00:33:23,179
three-dimensional world
696
00:33:20,650 --> 00:33:26,159
[Music]
697
00:33:23,179 --> 00:33:29,399
but in order to get the skin just right
698
00:33:26,159 --> 00:33:32,480
he had to go deeper to the muscles and
699
00:33:29,399 --> 00:33:32,480
tendons below
700
00:33:33,679 --> 00:33:39,360
Trudy Van Houten has taught Anatomy for
701
00:33:36,600 --> 00:33:43,620
30 years perfect
702
00:33:39,360 --> 00:33:45,000
Leonardo da Vinci constantly inspires me
703
00:33:43,620 --> 00:33:46,880
she says the sign
704
00:33:45,000 --> 00:33:50,580
Anatomy is
705
00:33:46,880 --> 00:33:54,179
yes please though the process often is
706
00:33:50,580 --> 00:33:56,760
not nice you beautifully preserved
707
00:33:54,179 --> 00:34:00,299
tiny little vessel
708
00:33:56,760 --> 00:34:02,460
Leonardo dissected 30 bodies
709
00:34:00,299 --> 00:34:05,220
and with no Refrigeration it would have
710
00:34:02,460 --> 00:34:06,659
been especially unpleasant
711
00:34:05,220 --> 00:34:08,639
the intestines would have been a
712
00:34:06,659 --> 00:34:11,460
particular problem because they contain
713
00:34:08,639 --> 00:34:13,800
a lot of bacteria and even after death
714
00:34:11,460 --> 00:34:16,200
the intestines become inflated and
715
00:34:13,800 --> 00:34:18,540
larger and larger that's where things
716
00:34:16,200 --> 00:34:21,080
were going to go bad quickest and smell
717
00:34:18,540 --> 00:34:21,080
the worst
718
00:34:22,800 --> 00:34:28,139
it's a very messy business
719
00:34:24,989 --> 00:34:30,540
[Music]
720
00:34:28,139 --> 00:34:33,480
many of the drawings from Leonardo's
721
00:34:30,540 --> 00:34:36,119
messy dissections today live on in the
722
00:34:33,480 --> 00:34:40,919
most refined of places
723
00:34:36,119 --> 00:34:43,020
Windsor Castle just outside of London
724
00:34:40,919 --> 00:34:44,760
steps away from where Prince Harry and
725
00:34:43,020 --> 00:34:46,080
Meghan Markle pose for their wedding
726
00:34:44,760 --> 00:34:49,020
photos
727
00:34:46,080 --> 00:34:52,280
more than 200 Leonardo drawings are
728
00:34:49,020 --> 00:34:52,280
secured in the print room
729
00:34:52,619 --> 00:34:57,470
Martin Clayton is the curator of those
730
00:34:55,020 --> 00:34:58,980
drawings
731
00:34:57,470 --> 00:35:02,339
[Music]
732
00:34:58,980 --> 00:35:04,200
help himself making a beautiful drawing
733
00:35:02,339 --> 00:35:07,880
but what most interested Leonardo was
734
00:35:04,200 --> 00:35:07,880
the structure the Machinery of the body
735
00:35:07,980 --> 00:35:11,579
Killer drawing is one of the finest
736
00:35:10,200 --> 00:35:14,040
examples of Leonardo trying to
737
00:35:11,579 --> 00:35:17,300
understand how the shoulder Works purely
738
00:35:14,040 --> 00:35:19,560
in mechanical terms
739
00:35:17,300 --> 00:35:21,480
there's no mystery of the body the body
740
00:35:19,560 --> 00:35:25,220
is a machine that can be looked at and
741
00:35:21,480 --> 00:35:25,220
analyzed in purely objective terms
742
00:35:26,940 --> 00:35:31,380
beauty of Leonardo's drawings is
743
00:35:29,040 --> 00:35:33,480
undeniable
744
00:35:31,380 --> 00:35:36,240
but in light of all that we've learned
745
00:35:33,480 --> 00:35:39,440
with the help of tools like the MRI
746
00:35:36,240 --> 00:35:42,839
did he get it right
747
00:35:39,440 --> 00:35:44,160
if I were asked to grade his anatomical
748
00:35:42,839 --> 00:35:47,540
drawings
749
00:35:44,160 --> 00:35:47,540
they would go from a to f
750
00:35:47,940 --> 00:35:52,079
his drawing of the muscles of things
751
00:35:49,859 --> 00:35:55,020
that he was directly observing and
752
00:35:52,079 --> 00:35:57,660
giving functional sense to those I would
753
00:35:55,020 --> 00:36:01,320
give an A-Plus
754
00:35:57,660 --> 00:36:03,859
in terms of some of the organs I could
755
00:36:01,320 --> 00:36:03,859
not do so
756
00:36:04,619 --> 00:36:09,420
one of Leonardo's most ambitious
757
00:36:06,660 --> 00:36:10,920
anatomical drawings is called the great
758
00:36:09,420 --> 00:36:14,400
lady
759
00:36:10,920 --> 00:36:18,119
it is considered a masterpiece but for
760
00:36:14,400 --> 00:36:21,359
Van Houten it's a bit of a mess
761
00:36:18,119 --> 00:36:24,240
I went to right away our strange
762
00:36:21,359 --> 00:36:26,099
structures flying out on the sides of
763
00:36:24,240 --> 00:36:30,420
the uterus
764
00:36:26,099 --> 00:36:32,400
they reminded me of carrots with tops
765
00:36:30,420 --> 00:36:35,400
these strange sort of horn-like
766
00:36:32,400 --> 00:36:39,300
structures are ligaments observed by
767
00:36:35,400 --> 00:36:42,920
Leonardo in a cow Leonardo assumed that
768
00:36:39,300 --> 00:36:42,920
all mammals have the same structures
769
00:36:43,320 --> 00:36:49,160
sort of feeling his way into a field
770
00:36:45,420 --> 00:36:49,160
that had never been Illustrated before
771
00:36:49,339 --> 00:36:55,579
Leonardo's groundbreaking dissections
772
00:36:51,780 --> 00:36:55,579
certainly informed his art
773
00:36:56,820 --> 00:37:02,099
he returned to this painting Saint
774
00:36:58,920 --> 00:37:04,800
Jerome after 20 years
775
00:37:02,099 --> 00:37:08,000
revising the neck to accurately portray
776
00:37:04,800 --> 00:37:08,000
the muscle beneath
777
00:37:13,079 --> 00:37:18,720
he did not revisit one of his earliest
778
00:37:15,119 --> 00:37:21,240
paintings Geneva da Vinci and it shows
779
00:37:18,720 --> 00:37:22,210
in what has been called the flatness of
780
00:37:21,240 --> 00:37:23,940
her face
781
00:37:22,210 --> 00:37:26,180
[Music]
782
00:37:23,940 --> 00:37:28,859
but by the time of the Mona Lisa
783
00:37:26,180 --> 00:37:32,060
Leonardo's knowledge of anatomy is
784
00:37:28,859 --> 00:37:32,060
beautifully convincing
785
00:37:33,240 --> 00:37:38,400
one intriguing page of Leonardo's
786
00:37:35,700 --> 00:37:40,920
notebooks shows several illustrations of
787
00:37:38,400 --> 00:37:44,900
human lips in exaggerated Expressions
788
00:37:40,920 --> 00:37:44,900
done from dissections
789
00:37:45,180 --> 00:37:49,740
and it shows how each muscle and each
790
00:37:47,579 --> 00:37:53,280
nerve affects the lip
791
00:37:49,740 --> 00:37:56,760
and at the very top is this tiny faint
792
00:37:53,280 --> 00:38:01,280
sketch and you see the first sketch of
793
00:37:56,760 --> 00:38:01,280
what will be the smile of the Mona Lisa
794
00:38:02,750 --> 00:38:08,339
[Music]
795
00:38:06,140 --> 00:38:11,400
anatomy and his painting technique
796
00:38:08,339 --> 00:38:14,820
explain in part how Leonardo infused the
797
00:38:11,400 --> 00:38:17,220
Mona Lisa with a life-like quality
798
00:38:14,820 --> 00:38:21,320
but to complete the illusion he needed
799
00:38:17,220 --> 00:38:21,320
to explore another area of science
800
00:38:21,540 --> 00:38:26,760
how humans see
801
00:38:24,300 --> 00:38:29,940
[Music]
802
00:38:26,760 --> 00:38:32,700
among the many aspects in which Leonardo
803
00:38:29,940 --> 00:38:37,079
was using his knowledge as a scientist
804
00:38:32,700 --> 00:38:40,380
to become a better painter is Optics and
805
00:38:37,079 --> 00:38:43,099
Optics is called by Leonardo perspectiva
806
00:38:40,380 --> 00:38:43,099
perspective
807
00:38:43,940 --> 00:38:49,500
it's basic geometry because when you
808
00:38:46,680 --> 00:38:53,700
have an object with parallel lines they
809
00:38:49,500 --> 00:38:57,359
will seem to vanish into a point which
810
00:38:53,700 --> 00:39:00,180
is called the vanishing point
811
00:38:57,359 --> 00:39:02,820
was fascinated by many aspects of how we
812
00:39:00,180 --> 00:39:05,520
perceive our world
813
00:39:02,820 --> 00:39:07,619
even studied the composition of air to
814
00:39:05,520 --> 00:39:09,960
determine how atmosphere affects the
815
00:39:07,619 --> 00:39:12,900
appearance of objects in the distance
816
00:39:09,960 --> 00:39:15,540
Leonardo is trying to capture the
817
00:39:12,900 --> 00:39:18,359
complexity of the world
818
00:39:15,540 --> 00:39:23,599
but how can you paint something that you
819
00:39:18,359 --> 00:39:23,599
cannot see like the transparency of air
820
00:39:23,660 --> 00:39:29,099
Leonardo not only looked at mathematical
821
00:39:26,400 --> 00:39:31,440
perspective but he looked at how colors
822
00:39:29,099 --> 00:39:33,660
change as you get further away how the
823
00:39:31,440 --> 00:39:36,079
sharpness of something changes as you
824
00:39:33,660 --> 00:39:39,480
get further away from it
825
00:39:36,079 --> 00:39:41,520
and did Leonardo also discover tricks of
826
00:39:39,480 --> 00:39:43,560
perception to pull off the greatest
827
00:39:41,520 --> 00:39:47,180
illusion of all
828
00:39:43,560 --> 00:39:47,180
that elusive smile
829
00:39:48,839 --> 00:39:55,800
she's looking out and her smile is a
830
00:39:52,560 --> 00:39:57,780
reaction triggered by the arrival of
831
00:39:55,800 --> 00:40:00,780
somebody this is the fiction that the
832
00:39:57,780 --> 00:40:03,420
painting tries to establish
833
00:40:00,780 --> 00:40:04,320
the great artists know how to draw you
834
00:40:03,420 --> 00:40:06,839
in
835
00:40:04,320 --> 00:40:10,040
but not to tell you what to think they
836
00:40:06,839 --> 00:40:10,040
offer the tease
837
00:40:10,079 --> 00:40:14,820
the ambiguity of Mona Lisa's smile is
838
00:40:13,260 --> 00:40:16,500
indeed part of her Allure
839
00:40:14,820 --> 00:40:21,500
[Music]
840
00:40:16,500 --> 00:40:21,500
how did Leonardo pull that effect off
841
00:40:22,380 --> 00:40:27,780
that is a question that intrigued
842
00:40:24,440 --> 00:40:31,140
neurophysiologist Margaret Livingstone
843
00:40:27,780 --> 00:40:33,780
she studies the human visual system how
844
00:40:31,140 --> 00:40:35,940
our eyes and brain operate together to
845
00:40:33,780 --> 00:40:38,220
make sense of the world as a
846
00:40:35,940 --> 00:40:40,560
neurophysiologist I actually learn a lot
847
00:40:38,220 --> 00:40:43,380
from artists because they study how we
848
00:40:40,560 --> 00:40:47,700
see I study how we see
849
00:40:43,380 --> 00:40:50,900
a lot of good art takes advantage of the
850
00:40:47,700 --> 00:40:53,400
computations your brain makes by
851
00:40:50,900 --> 00:40:56,160
exaggerating things that your visual
852
00:40:53,400 --> 00:40:58,680
system finds important
853
00:40:56,160 --> 00:41:01,040
human vision is among the best in the
854
00:40:58,680 --> 00:41:03,900
animal kingdom
855
00:41:01,040 --> 00:41:06,780
the center of our retina is packed with
856
00:41:03,900 --> 00:41:10,520
special photoreceptors that enable us to
857
00:41:06,780 --> 00:41:10,520
see details or sharpness
858
00:41:12,060 --> 00:41:16,740
but away from the center toward the
859
00:41:14,040 --> 00:41:19,400
periphery there are fewer of those types
860
00:41:16,740 --> 00:41:19,400
of receptors
861
00:41:22,680 --> 00:41:26,520
but not detail
862
00:41:24,660 --> 00:41:29,160
okay now I want you to close your eyes
863
00:41:26,520 --> 00:41:32,160
I'm going to put up two versions of the
864
00:41:29,160 --> 00:41:34,859
Mona Lisa one accurate and one distorted
865
00:41:32,160 --> 00:41:37,320
to illustrate livingstones enlists your
866
00:41:34,859 --> 00:41:39,900
colleague Peter to see if he can spot a
867
00:41:37,320 --> 00:41:42,420
fake Mona Lisa using Justice peripheral
868
00:41:39,900 --> 00:41:44,700
vision okay briefly open your eyes and
869
00:41:42,420 --> 00:41:45,839
look at the yellow spot and close them
870
00:41:44,700 --> 00:41:48,359
right away
871
00:41:45,839 --> 00:41:50,900
and point to which is the accurate
872
00:41:48,359 --> 00:41:50,900
reproduction
873
00:41:52,020 --> 00:41:57,079
open your eyes and see whether you chose
874
00:41:54,420 --> 00:41:57,079
the correct one
875
00:41:58,760 --> 00:42:15,699
[Music]
876
00:42:15,780 --> 00:42:19,220
point at the real version
877
00:42:21,790 --> 00:42:26,300
[Music]
878
00:42:23,339 --> 00:42:26,300
can I keep that
879
00:42:28,140 --> 00:42:32,040
Peter got only one of four Mona Lisas
880
00:42:31,020 --> 00:42:36,060
right
881
00:42:32,040 --> 00:42:38,640
and Livingstone says that's not unusual
882
00:42:36,060 --> 00:42:41,280
most people don't know how bad
883
00:42:38,640 --> 00:42:42,720
peripheral vision is because as soon as
884
00:42:41,280 --> 00:42:44,280
something happens in their peripheral
885
00:42:42,720 --> 00:42:45,900
vision they look at it and then they
886
00:42:44,280 --> 00:42:48,020
bring the high resolution part of their
887
00:42:45,900 --> 00:42:51,300
visual system onto it
888
00:42:48,020 --> 00:42:54,660
in fact our eyes are constantly moving
889
00:42:51,300 --> 00:42:56,880
three times a second filling in the
890
00:42:54,660 --> 00:43:00,119
details
891
00:42:56,880 --> 00:43:02,819
the effect got Livingstone thinking
892
00:43:00,119 --> 00:43:05,220
could this explain why the Mona Lisa
893
00:43:02,819 --> 00:43:08,000
sometimes seems to be smiling and
894
00:43:05,220 --> 00:43:08,000
sometimes not
895
00:43:08,400 --> 00:43:14,880
using a photo app she blurs the image
896
00:43:11,099 --> 00:43:16,800
like in our peripheral vision
897
00:43:14,880 --> 00:43:18,480
so I filtered the image in such a way
898
00:43:16,800 --> 00:43:20,099
that it would look like what you would
899
00:43:18,480 --> 00:43:23,640
see to your peripheral vision knowing
900
00:43:20,099 --> 00:43:27,319
what I know about processing the result
901
00:43:23,640 --> 00:43:27,319
she's grinning from ear to ear
902
00:43:27,660 --> 00:43:33,680
as you look at the Mona Lisa your eye
903
00:43:30,240 --> 00:43:33,680
moves around the painting
904
00:43:33,900 --> 00:43:38,280
when you look away from her mouth it
905
00:43:36,420 --> 00:43:42,440
enters your peripheral vision
906
00:43:38,280 --> 00:43:42,440
and Mona Lisa appears to smile
907
00:43:42,560 --> 00:43:49,460
but look directly at the mouth and the
908
00:43:46,500 --> 00:43:49,460
smile vanishes
909
00:43:50,770 --> 00:43:54,300
[Music]
910
00:43:52,440 --> 00:43:56,400
she seems like she's alive because she
911
00:43:54,300 --> 00:43:58,819
looks different depending on where
912
00:43:56,400 --> 00:43:58,819
you're looking
913
00:43:59,780 --> 00:44:03,720
Leonardo's paintings come alive because
914
00:44:01,680 --> 00:44:05,520
he understands human emotion
915
00:44:03,720 --> 00:44:08,540
and because he has a good feel for the
916
00:44:05,520 --> 00:44:08,540
underlying science
917
00:44:09,000 --> 00:44:14,280
that combination comes together year
918
00:44:12,060 --> 00:44:19,700
after year as he's doing the Mona Lisa
919
00:44:14,280 --> 00:44:19,700
to make it such an interactive painting
920
00:44:22,579 --> 00:44:28,380
back at the Louvre synzia Pasquale has
921
00:44:26,160 --> 00:44:29,700
removed the old yellowed varnish from
922
00:44:28,380 --> 00:44:34,339
Bacchus
923
00:44:29,700 --> 00:44:34,339
uncovering the brilliant original colors
924
00:44:34,440 --> 00:44:40,200
it reveals an atmospheric perspective
925
00:44:37,020 --> 00:44:43,079
that suggests Leonardo's touch
926
00:44:40,200 --> 00:44:45,119
thinking of these layers of darkened and
927
00:44:43,079 --> 00:44:47,640
yellow varnish we were able to
928
00:44:45,119 --> 00:44:49,980
ReDiscover the original forms the the
929
00:44:47,640 --> 00:44:52,920
quality of the blue It's a Wonderful
930
00:44:49,980 --> 00:44:56,099
blue and you see how the painter
931
00:44:52,920 --> 00:45:00,180
represents these cities with that effect
932
00:44:56,099 --> 00:45:02,880
of humidity of what Leonardo called the
933
00:45:00,180 --> 00:45:05,640
the atmospheric perspective
934
00:45:02,880 --> 00:45:08,339
but Pasquale's investigation has also
935
00:45:05,640 --> 00:45:10,440
uncovered details like the harsh shading
936
00:45:08,339 --> 00:45:12,720
in the face that don't show the
937
00:45:10,440 --> 00:45:14,339
characteristics fumato fingerprint of
938
00:45:12,720 --> 00:45:18,000
Leonardo
939
00:45:14,339 --> 00:45:21,599
I can't see the Leonardo touch
940
00:45:18,000 --> 00:45:24,660
this is a little bit mechanical this
941
00:45:21,599 --> 00:45:27,390
line for the shadow of this so hard you
942
00:45:24,660 --> 00:45:29,339
know Leonardo don't do this
943
00:45:27,390 --> 00:45:31,800
[Music]
944
00:45:29,339 --> 00:45:35,460
Pasquale and the team at the Louvre have
945
00:45:31,800 --> 00:45:38,280
solved a centuries-old mystery
946
00:45:35,460 --> 00:45:39,480
the Bacchus cannot be attributed to
947
00:45:38,280 --> 00:45:42,570
Leonardo
948
00:45:39,480 --> 00:45:42,570
[Music]
949
00:45:43,740 --> 00:45:49,020
but that doesn't mean he wasn't involved
950
00:45:47,040 --> 00:45:51,180
very often his apprentices are actually
951
00:45:49,020 --> 00:45:53,640
painting the picture so you would
952
00:45:51,180 --> 00:45:55,859
conceive the general design of the work
953
00:45:53,640 --> 00:45:59,080
and then the manual execution would be
954
00:45:55,859 --> 00:46:02,579
delegated to members of his Workshop
955
00:45:59,080 --> 00:46:04,740
[Music]
956
00:46:02,579 --> 00:46:06,420
the restoration has succeeded in
957
00:46:04,740 --> 00:46:07,800
bringing much of the original Beauty
958
00:46:06,420 --> 00:46:09,720
back to this painting
959
00:46:07,800 --> 00:46:12,119
[Music]
960
00:46:09,720 --> 00:46:13,880
but it also raises an intriguing
961
00:46:12,119 --> 00:46:16,560
question
962
00:46:13,880 --> 00:46:19,339
should the same thing be done to the
963
00:46:16,560 --> 00:46:19,339
Mona Lisa
964
00:46:19,740 --> 00:46:25,560
you have to imagine that under that
965
00:46:21,780 --> 00:46:28,079
vanish you could see a wonderful a blue
966
00:46:25,560 --> 00:46:34,319
sky probably also the face of the hand
967
00:46:28,079 --> 00:46:37,020
are more pink like natural skin
968
00:46:34,319 --> 00:46:39,240
if we could just take that varnish off
969
00:46:37,020 --> 00:46:40,140
we could see it the way Leonardo really
970
00:46:39,240 --> 00:46:42,300
did it
971
00:46:40,140 --> 00:46:45,359
but I think French governments have
972
00:46:42,300 --> 00:46:46,980
fallen for Less cause than trying to
973
00:46:45,359 --> 00:46:49,220
take the Mona Lisa out of circulation
974
00:46:46,980 --> 00:46:52,740
and clean it
975
00:46:49,220 --> 00:46:57,079
perhaps there is another way
976
00:46:52,740 --> 00:46:57,079
could she be given a Digital Makeover
977
00:46:57,119 --> 00:47:00,900
that is what Pascal caught is trying to
978
00:47:00,000 --> 00:47:03,720
do
979
00:47:00,900 --> 00:47:05,880
he has analyzed the Mona Lisa with a
980
00:47:03,720 --> 00:47:10,460
remarkably powerful camera and lights
981
00:47:05,880 --> 00:47:10,460
which he demonstrates using a replica
982
00:47:10,700 --> 00:47:16,760
we make the measurement in the basement
983
00:47:13,200 --> 00:47:19,859
of zulu inside the laboratory
984
00:47:16,760 --> 00:47:23,040
it's a very emotional to have the
985
00:47:19,859 --> 00:47:25,980
painting enhance without the frame you
986
00:47:23,040 --> 00:47:28,740
can look at this painting under this
987
00:47:25,980 --> 00:47:33,500
very intense light that reveal
988
00:47:28,740 --> 00:47:33,500
everything that you cannot see usually
989
00:47:36,500 --> 00:47:42,660
cots extremely detailed scan of the Mona
990
00:47:39,960 --> 00:47:45,480
Lisa and his analysis of the Optics and
991
00:47:42,660 --> 00:47:49,040
chemistry of paint reveal how the colors
992
00:47:45,480 --> 00:47:49,040
may have changed over time
993
00:47:51,420 --> 00:47:55,440
it's not just the varnish that yellows
994
00:47:54,119 --> 00:47:58,020
and darkens
995
00:47:55,440 --> 00:48:00,500
but the pigments and oil in the paint
996
00:47:58,020 --> 00:48:00,500
itself
997
00:48:00,960 --> 00:48:06,319
cots challenge is to reverse engineer
998
00:48:04,079 --> 00:48:09,300
the effects of that aging
999
00:48:06,319 --> 00:48:11,040
this is not just photoshopping it and
1000
00:48:09,300 --> 00:48:14,099
messing around with the colors which you
1001
00:48:11,040 --> 00:48:18,540
and I could do and get tolerable results
1002
00:48:14,099 --> 00:48:21,000
but this is based on pigment analysis
1003
00:48:18,540 --> 00:48:23,339
first Kant determines how much the
1004
00:48:21,000 --> 00:48:27,859
varnish has darkened
1005
00:48:23,339 --> 00:48:27,859
and with his computer peels it away
1006
00:48:30,140 --> 00:48:35,460
next he identifies with the color of
1007
00:48:33,060 --> 00:48:38,880
each pigment would have looked like 500
1008
00:48:35,460 --> 00:48:41,579
years ago and recreates them to see the
1009
00:48:38,880 --> 00:48:43,980
colors just as Leonardo did
1010
00:48:41,579 --> 00:48:48,240
for example we know that Leonardo make
1011
00:48:43,980 --> 00:48:52,020
the sky with white lead and LA pistachi
1012
00:48:48,240 --> 00:48:57,200
so we have a software that removes the
1013
00:48:52,020 --> 00:49:01,319
wrong colors to obtain the genuine curve
1014
00:48:57,200 --> 00:49:03,740
then pixel by pixel cart restores those
1015
00:49:01,319 --> 00:49:03,740
colors
1016
00:49:03,920 --> 00:49:10,200
suddenly a greenish Sky becomes
1017
00:49:07,619 --> 00:49:13,140
brilliantly blue
1018
00:49:10,200 --> 00:49:14,660
and a bit of flush comes back to Lisa's
1019
00:49:13,140 --> 00:49:18,140
cheeks
1020
00:49:14,660 --> 00:49:21,079
finally as the French say
1021
00:49:18,140 --> 00:49:23,400
voila
1022
00:49:21,079 --> 00:49:25,140
suddenly she doesn't look like the
1023
00:49:23,400 --> 00:49:26,819
submarine goddess
1024
00:49:25,140 --> 00:49:28,920
she looks as if she's in the fresh air
1025
00:49:26,819 --> 00:49:30,960
which is just terrific
1026
00:49:28,920 --> 00:49:33,900
[Music]
1027
00:49:30,960 --> 00:49:37,800
restoration has brought Lisa back to
1028
00:49:33,900 --> 00:49:41,119
life at least digitally closer to the
1029
00:49:37,800 --> 00:49:43,859
state that leonardos are
1030
00:49:41,119 --> 00:49:45,660
allowing us all to see the paintings
1031
00:49:43,859 --> 00:49:46,920
legendary Beauty
1032
00:49:45,660 --> 00:49:49,220
[Music]
1033
00:49:46,920 --> 00:49:53,359
science it took
1034
00:49:49,220 --> 00:49:56,540
the geometry and Optics of perspective
1035
00:49:53,359 --> 00:50:00,300
the anatomy behind her face
1036
00:49:56,540 --> 00:50:03,000
and the somatous soft lines
1037
00:50:00,300 --> 00:50:05,240
capturing the mystery and movement of
1038
00:50:03,000 --> 00:50:05,240
life
1039
00:50:05,359 --> 00:50:12,060
but even with all the modern insights
1040
00:50:08,760 --> 00:50:15,500
the Mona Lisa is vastly more than the
1041
00:50:12,060 --> 00:50:15,500
sum of her scientific parts
1042
00:50:15,740 --> 00:50:23,760
pinning down exactly why we are so drawn
1043
00:50:19,260 --> 00:50:26,420
to her ultimately remains as elusive as
1044
00:50:23,760 --> 00:50:26,420
her smile
1045
00:50:29,220 --> 00:50:34,260
three years before his death Leonardo
1046
00:50:31,920 --> 00:50:35,840
was invited to France to live and work
1047
00:50:34,260 --> 00:50:37,859
for the king
1048
00:50:35,840 --> 00:50:41,400
[Music]
1049
00:50:37,859 --> 00:50:45,200
cross the Alps by horse or mule
1050
00:50:41,400 --> 00:50:45,200
carrying three paintings
1051
00:50:45,900 --> 00:50:51,599
those paintings including the Mona Lisa
1052
00:50:49,380 --> 00:50:54,300
Lisa now hang at the Louvre
1053
00:50:51,599 --> 00:50:58,619
where the doors are about to open on the
1054
00:50:54,300 --> 00:51:01,260
500-year Blockbuster Leonardo exhibition
1055
00:50:58,619 --> 00:51:05,700
abrasion of a genius who fuse together
1056
00:51:01,260 --> 00:51:07,260
the worlds of Art and Science
1057
00:51:05,700 --> 00:51:10,740
Leonardo is an Italian Renaissance
1058
00:51:07,260 --> 00:51:13,020
painted but his genius is universal and
1059
00:51:10,740 --> 00:51:17,640
it speaks to everybody
1060
00:51:13,020 --> 00:51:20,460
[Music]
1061
00:51:17,640 --> 00:51:23,780
forget that you're looking at pigments
1062
00:51:20,460 --> 00:51:23,780
on a piece of wood
1063
00:51:24,300 --> 00:51:31,920
the idea is that you're looking at a
1064
00:51:27,599 --> 00:51:34,160
real living breathing being
1065
00:51:31,920 --> 00:51:34,160
foreign
1066
00:51:34,800 --> 00:51:41,220
the key to Leonardo da Vinci is that he
1067
00:51:39,119 --> 00:51:43,260
doesn't make a distinction between the
1068
00:51:41,220 --> 00:51:47,240
beauty of nature that he studies in His
1069
00:51:43,260 --> 00:51:47,240
science and the beauty of his art
1070
00:51:50,359 --> 00:51:57,359
he could have spent more time just being
1071
00:51:53,579 --> 00:51:59,579
a painter but had he done that he
1072
00:51:57,359 --> 00:52:01,470
wouldn't have been Leonardo da Vinci and
1073
00:51:59,579 --> 00:52:09,969
he wouldn't have painted the Mona Lisa
1074
00:52:01,470 --> 00:52:09,969
[Music]
1075
00:52:13,640 --> 00:52:53,760
thank you
1076
00:52:14,910 --> 00:52:53,760
[Music]
1077
00:52:55,040 --> 00:53:04,020
thank you
1078
00:52:57,720 --> 00:53:04,980
[Music]
1079
00:53:04,020 --> 00:53:10,849
[Applause]
1080
00:53:04,980 --> 00:53:10,849
[Music]
1081
00:53:13,130 --> 00:53:20,379
[Music]
1082
00:53:22,860 --> 00:53:30,230
[Music]
70707
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