Original subtitles

[MAN] I remember an old Indian story my mom

used to tell me before I went to sleep,

about a shadow,

that blanketed the land in darkness.

I know it had a happy ending of some sort but...

all I can remember is the way it made me feel.

Seemed like it could just swallow you up, the way she told it,

like it was right around the corner.

[SOFT MUSIC]

[MAN] Never knew what it was she was talking about.

At least I didn't used to.

I always wondered if guys like Cassidy,

Crockett and Crazy Horse came rising up from the holes

we dug for them if they'd even recognize this place...

land they called home.

But the West...

it isn't dead yet.

It's just on fire and no one seems to care.

[SOFT MUSIC CONTINUES]

[HORSE NEIGHING]

[THUNDER RUMBLING]

[THUNDER RUMBLING]

- [COUNTRY MUSIC] - [WOMEN MOANING]

♪ But I stare at her and I'm looking for a sign ♪

♪ But she won't even look Me in the eye ♪

♪ My friends told me Put on your boots and run ♪

♪ Cause it's meaningless to think that you're the one ♪

[WOMAN MOANING]

[MEN AND WOMEN MOANING]

[MUSIC CONTINUES IN THE DISTANCE]

[MAN MOANING]

Relax.

[THUNDER RUMBLING]

[INDISTINCT VOICES IN THE DISTANCE]

- [MAN 1] Open it! - [MAN 2] Shut up!

Never been with a cowboy before.

- [MAN 2]...fucking whore! - [HIT]

[MAN 2 AND WOMAN CHATTERING]

-[MAN 2] I paid good money for you. -[WOMAN SCREAMS]

- Someone as gentle as you... - I'm sorry.

- [MAN 2 SCREAMING] - [GIRL] Not again.

- [MAN 2 SCREAMING] - [WOMAN CRYING]

[MAN 2]...don't know about goddamn fucking whore.

You got no right telling me no.

Look at me, what we getting in on here.

- We're getting hit off. - Hey.

We're occupied. Get the fuck out!

- Leave her be. -[MAN 1] Get the hell out, Delmar!

What was that?

How about I carve some manners in that pretty face of yours?

[DELMAR MOANS]

[COUNTRY MUSIC CONTINUES]

- [HEAVY RAIN] - [THUNDER RUMBLING]

Hey. Hey, you alright?

- You need a ride somewhere? - [GRUNTS]

Just trying to help.

Can you buy me a new car?

Fly me some place nice?

Didn't think so.

[THUNDER RUMBLING]

No, you can stay at our ranch.

You need a place to stay for the night.

[THUNDER RUMBLING]

Got a room?

Plenty of room.

[KNIFE SLIDES]

[DELMAR] Paris.

Where is Laura?

Was too busy getting hit on my head with fucking telephone

to notice which direction she went.

I should be asking you for a recompense, truth be told.

Look what she'd done.

Alright then.

Much obliged.

[HEAVY RAIN AND THUNDERS CONTINUE]

Look, I didn't touch her any more than normal.

Of course.

Ah! Fuck! Shit! Damn!

Fuck. Hold on, Paris. Uh, God... no, no, no!

[DELMAR MOANING]

[THUNDER RUMBLING]

I hope this is okay.

[THUNDER RUMBLING]

You should get some rest.

[THUD]

[SOFT MUSIC]

Too bright in here for you?

You got back late.

Called my brother.

He agreed to hold the ranch and trust,

help us out while we get back on our feet.

[MOANS]

[TV ON IN THE DISTANCE]

You know we're gonna have to sell that mare.

[DOOR SHUTTING]

[MAN] Laura!

[PANTING]

[SOFT MUSIC]

- [MOANING] - [MAN] Come on...

Come on! There you go.

Take it easy, take it easy.

[MEN CHATTERING IN THE DISTANCE]

- So, Kip, what's her name? - [MAN] Come on.

The reason you slept out hangover off on the couch.

Come on, Kip, spill the beans.

Oh, shit.

[MAN] You started, you better finish it.

You're gonna help or just sit there on your high horse?

Hugs bulls and bring them home.

[MAN] Come on, boy.

[SUSPENSEFUL MUSIC]

Where is Laura?

- She here? - [WEAPON CLICKS]

Go inside, Bae.

[WOMAN] Thought you didn't believe in this sort of thing.

Get off my porch.

- Laura around? - That's not her name.

[LAUGHS] You know it makes me sad

what you do, keeping them all cooped up like that.

They come here freely.

You think you're helping them, but you're not.

There is more in world than the one you forced them into.

They'll be back, one way or another.

If you do see Laura,

tell her we're looking for her.

- Sorry. - So you can tell a lot about a man by his bookshelf.

I was just looking.

- Where are you from? - Bethel.

Which part?

Above the Missouri.

Mandory?

[DOOR OPENS]

Used to fish in the river just south of there.

I just got down to check on the rus...

From Mandory.

Hm.

[KIP SINGING "ALL THE PRETTY HORSES"]

♪ Don't you cry ♪

♪ Go to sleep My little baby ♪

♪ When you wake You shall have ♪

♪ All the pretty Little hor... ♪

You sing to all your horses?

Morning.

She... was my mother's.

Car accident about a year ago.

Left a pretty scar.

Vet wanted to put her down but...

I wouldn't give up on her. Isn't that right?

I'll go saddle up another horse, show you around a little bit.

[SOFT MUSIC]

- Hadley. - Been a while, Beckett.

Sorry I couldn't make it to the funeral.

You remember Kip?

My God. Kip.

- Uncle Beckett. -[BECKETT]Looks just like grandpa.

[LAUGHS]

Almost forgot.

Best gin in all Dakota.

Must have known I'm in oil

because they did chose me accordingly.

Are you serious?

Come on in.

[COUNTRY MUSIC]

Never understood your taste for gin.

It's to make an engine quit drinking.

That survey was twenty years ago.

It's about as detail as I got.

This is all of our land I own.

So it'll be fine.

Right.

[SOFT MUSIC]

[KIP] Where did you learn to ride like that?

[LAURA] We're a horse nation.

Surprised you kept up.

Thanks for letting me stay.

I'll leave the clothes.

Listen, I was thinking I might go see a movie later.

Maybe you might wanna join?

I mean you don't have to leave.

Waniya.

My name is Waniya.

[SOFT MUSIC CONTINUES]

[SINGS IN A FOREIGN LANGUAGE]

[CRICKETS CHIRPING]

It's easy to get lost in, huh?

Not how I see it.

It can help you find your way if you know what you're looking at.

[KIP CHUCKLES] Maybe I should have stayed in school.

You gave it up?

Around here it's either ranching or oil.

You end up in a field one way or another.

Not too many you can see anymore.

The ranch suits you.

[MAN] No matter how old you get, there's that part

of growing up you'll never forget.

[MAN 2] I'm glad you said that, Owen.

Remember that when I'm gone.

- Now. - [GUNSHOT IN THE MOVIE]

- [WOMAN] Got room for one more? - Get on.

[SHOOTING IN THE MOVIE]

Cold?

Didn't know you meant the drive-in.

Here.

[WANIYA] Where did you get that?

It was my mother's.

[WANIYA SAYS A FOREIGN WORD] My grandfather used to call it.

She did, too.

[WANIYA] He used to laugh at these old westerns.

Tell me how the Indians were never saying

- what you think. - [KIP LAUGHS]

His name is Dakota.

Look happy.

I noticed your tattoo earlier... of the wolf.

No, I like it.

Why did you pick it?

I didn't.

[THE MOVIE CONTINUES]

[THUNDER RUMBLING]

[KIP] Hope you weren't too bored.

Sucker for those old westerns.

Just take me north of Watson.

There is a house there I could stay at.

You know you... we alright if you stayed with us another night.

[SLOW MUSIC]

Why were you there last night?

Just a mistake. That's all.

Right.

I guess...

I just wanted to feel...

I don't know...

[CRASH]

What the hell?

Shit.

Just a sec.

[THUNDER RUMBLING]

[SUSPENSEFUL MUSIC]

[TIRE DEFLATING]

[SUSPENSEFUL MUSIC CONTINUES]

[MAN] Car trouble?

Not my night, I guess.

I can't argue with that.

Sorry?

You have something of mine.

- [WANIYA] Kip! - [WHACKING]

[WANIYA] Kip!

- Come here. - [WANIYA SCREAMS]

Wait! Wait, Paris, please.

- I was coming back. I swear. - Shut up!

[CRYING] I swear.

I swear. Help. Help!

[UPBEAT MUSIC]

- [MAN HUMMING] - [INDISTINCT CHATTER OVER RADIO]

[MAN SINGS AND HUMS]

[MAN] Hmm.

Kip, son, are that you?

Ooh. Entire pub running over your face?

No, sheriff.

I don't know who lost the fight.

Who was the other guy?

I don't know.

Never seen him before.

Smoke?

Dad smokes.

Yeah, well, I ain't him.

- [COUGHS AND SPITS] - All got our vices.

Pretty girl.

[DRAMATIC MUSIC]

Well, not going anywhere with the wheel as flat as Fargo.

[PANTING]

[DOOR OPENS]

Poor Laura.

Poor little Laura.

You got a taste of the outside world, didn't you?

World blind as a shit.

That world... it wasn't made for us.

It's good to have you back.

[DOOR SHUTTING]

[SHERIFF SINGING] ♪ We'll make a trip back to the church ♪

♪ And I'll carry you away With me... ♪

That'll do it.

You sure it was a Volvo?

Yeah.

I'd put the word out. Let you know what I find.

Probably you didn't turn off.

[WOMAN] What are we gonna do with her?

Just what we were doing before.

She ain't gonna work anymore, not like that.

Hey, why don't we just sell her?

You know where we can take her.

I mean more than you'll make in a month.

I need you to get the word out for tomorrow.

Jamie.

What I do with her

is got nothing to do with you.

[TENSION MUSIC]

[DOOR OPENS]

[TENSION MUSIC CONTINUES]

You don't ever leave me again.

[KNOCKING ON DOOR]

I know you.

- [BABY CRYING] - Hey, get back in there.

Can I be of some assistance?

I'm looking for this girl.

She was here the other night.

Caused quite a stir.

- She inside? - No.

No, she is one of his.

One of whose?

Blue-eyed wolf.

If I wanted to find him?

He does most of his hunting up in "The Cloud".

You can't go after a wolf.

Not when you're a sheep.

[TENSION MUSIC CONTINUES]

[IMITATES A SHEEP BLEATING]

[LAUGHS]

[SHERIFF] So what is it?

Gout.

Hmm.

Disease of kings.

What they call it.

The disease of kings.

Ah! Lucky me.

How you drive?

Left foot, no clutch.

There you go.

How are your cattle?

Oh, they are dead,

most of them.

You mind?

[POURING]

[DOOR OPENS]

Pity.

Anything?

The photo of the red-light camera north of Harvey.

That him?

Dominic Chapel.

Goes by Paris.

Came here when the boom hit.

Traffics girls up and down the oil camps.

- What about Waniya? - What about her?

Best you leave this to me.

Used to be a saying, forty below keeps out the riffraff.

Just ain't true no more.

Money is missing from my desk.

You brought her back to this house.

It wasn't like that.

Who's telling you about these places?

Is it Bear?

- I asked you a question. - It wasn't Bear.

What would your mother say?

You don't have a damn clue.

[HORSE NEIGHING]

The mare is going to my brother's.

She's not yours to give.

I need you back, dear son.

Not fussing over some damn horse we can't afford

and some girl you don't even know.

That horse was mom's.

I need you back.

For what?

So we can scrape by?

Hold on a few more years?

And what?

There is nothing here for us anymore.

[SOFT MUSIC]

[HORSE NEIGHING]

[SOFT MUSIC CONTINUES]

[MAN SPEAKING ON THE TV]

[TENSION MUSIC]

Jamie is out tonight.

You stay with me.

Suspect is wanted for trafficking

and assault with a deadly weapon.

Suspect is known to go by the name as Paris...

[WOMAN] So this is him.

Just hoping you could show your girls.

What did you think, knew him?

I know.

Wouldn't be asking if I didn't have to.

Some of them, they are doing real well.

Wish you could see them.

We still matter to them.

The ones I never found...

I want you to think they matter to them.

Yeah.

Come on, girl.

Hey.

It's alright, girl.

This is a nice place.

They're gonna treat you real good.

Come on, now.

[DOOR OPENS]

[KIP] My uncle home?

He's up at the house.

[SOFT MUSIC]

Colt Single-Action Army .45 cal.,

the gun that won the West...

used by Custer until his demise

at Little Bighorn.

See, he was warned by one of his Crow scouts

about a massive Native encampment ahead.

And fearing that his enemy will scatter,

Custer... Custer charged on.

When he came over the crest of that ridge,

he and his regiment of six hundred came upon eleven thousand Indians

just waiting for him.

-Must have been quite the surprise. -[LAUGHS]

Yes, sir.

Every damn one of them wiped out by these savages.

Only American survivor...

a horse named Comanche.

Ironic. No?

I guess so.

Mmm...

Just got off the phone with your father.

Indian girl, surely, I can understand trouble.

Something I can help with?

It's just... the sheriff...

he said this man takes these girls to the camps.

- Yeah, I just thought... - She might be on one of my fields?

Sure, could be.

Her name's Waniya.

And you feel compelled to find her?

It's noble of you.

Most everything you see here... [CLEARS THROAT]

belong to your great-grandfather.

Well, he was obsessed with the West, man that shaped it.

Discovered a few miles from here.

Mine's abandoned now but I...

I still find reason to go there from time to time

reflect upon what our ancestors did to get me where I am.

You know, there's a world outside that ranch that your father has you want.

Wanted to be a cowboy since as long as I can remember.

Now...

Yeah...

you can't be bound by Hadley's choices.

And that way of life is dire.

Why'd you help?

Lands always serves me well.

I never had a son.

You can always come and work for me.

This country's got everything to offer someone like you.

I will put the word out

on all of my rigs.

I do hope that we can track her down.

[TENSION MUSIC]

[THUD]

[TIRES SCREECHING]

Deer.

[TENSION MUSIC CONTINUES]

Go on.

It was my sister's.

I'm gonna have to leave this place.

Thinking I'd...

take you with me.

[UPBEAT MUSIC]

[MAN] Saw the ads of your picture in the news.

They even used your Christian name.

[MAN LAUGHS]

Shit.

- Not bad, huh? - Jim Bowie?

Because you're naive, you know.

- Kind of the same... - I get it. I just don't like it.

I had to think of something. [LAUGHS]

Seems a little light.

I didn't just bring cash.

Ooh.

[BEAR] You sure about this, Kip?

Bear, the guy said he hunts in "The Cloud".

- Hey. - Watch where you're going.

[BEAR] No idea.

["CRY ME A RIVER" PLAYS]

♪ Now you say you're lonely ♪

♪ You cried The whole night through ♪

♪ Well, you can Cry me a river ♪

♪ Cry me a river ♪

♪ I cried a river over you ♪

♪ And now you say you love me ♪

♪ Well, just to prove you do ♪

♪ Come on and cry me a river ♪

♪ Cry me a river ♪

♪ I cried a river over you ♪

♪ You drove me, nearly drove me Out of my head ♪

♪ While you never shed a tear ♪

♪ Remember, I remember All that you said ♪

♪ Told me love Was too plebeian ♪

♪ Told me you Were through with me ♪

♪ And now you say You're sorry ♪

♪ For being so untrue ♪

♪ Well, you can Cry me a river ♪

♪ Cry me a river ♪

♪ Cry me a river Cry me a river... ♪

[KIP] That's a nice necklace you got.

Does it look like I'm working?

That's not what I'm asking for.

Here you go, honey.

Where did you get it, the necklace?

Fucking hell. Would you just... [LAUGHS]

Jesus, someone sure shit kicked you. [LAUGHS]

Why you drive that old Volvo, I'll never guess.

It's a safety thing.

[KIP] You know what it is?

Just like the way it looked.

Waniya did, too.

Where is she?

[MAN] Oh, baby.

We're gonna have a good time.

What's wrong? Never got what you paid for?

[MAN] Oh, don't worry, I'll be gentle.

I know how special you are to him.

[BARTENDER] Pretty.

Seems like you're always running after some new young thing.

I just can't seem to keep them tied down.

You're never gonna find her.

You tell me where she is.

You should have left when you had the chance.

Have fun with him.

Hard to imagine why they'd run from you.

Hey, don't you fucking get it?

He gave you to me.

I wouldn't.

You would.

No! Get off of me.

- Come back. - No! Stop it.

Listen, I'm sorry.

[UPBEAT MUSIC]

Fuck you.

Hey, come back here. Ah!

[SCREAMS]

- Hey! - Stop it!

[MAN] He gave you to me!

[INDISTINCT SHOUTS]

[MUSIC CONTINUES]

Let's go.

Come on, man. Hey.

[INDISTINCT SHOUTS]

Shit.

[INDISTINCT CURSING]

[POLICE SIREN WAILING]

[TENSION MUSIC]

[PHONE DIALING]

[MAN] 911, what's your emergency?

- I need help. - Is this Cavalier County?

I don't know. I don't know where I am.

I need to know which part of the county so we can

route it to the proper dispatch.

Miss, is this Cavalier County?

Stay in line...

[TENSION MUSIC CONTINUES]

[PARIS] They say some faces only a mother could love.

Is that true, White?

Said to be lost in boss's field somewhere.

Heard she was with you.

I see a lot of girls that look like her.

Keep it.

There was a fight.

- And the cops raided the club. - What... what happened?

Kip, the one Laura was with, he just showed up.

[JAMIE CRIES]

The girls?

They arrested almost everybody.

- I'm sorry. I'm sorry. - [GRUNTS]

Tomorrow we go to the shelter.

[TENSION MUSIC]

[HADLEY] We'll talk about this tomorrow.

Told me I should leave the ranch.

Go work for him.

Seemed to think we had something in common.

You don't.

You didn't help me take care after...

Well, I ain't you.

I know that.

You know I remember the day Bear showed up here.

He had a face of a young boy

but tall even then.

Told me he wanted to work.

Said he didn't have a place to stay.

But I knew he just run away from home.

I was gonna tell him no.

But then your mom showed up.

Boy, it was not my problem.

But your mother, she, uh...

She didn't see it that way at all.

You've got her heart, kid.

I see her in you every day

and it makes me both sad and happy

in ways I never thought possible.

I know I can't tell you what to do anymore, kid.

Maybe it's selfish,

'cause I can't lose you too.

Son...

I sure wish you let this one go.

[SLOW MUSIC]

[HORSE NEIGHING]

[SLOW MUSIC CONTINUES]

Kip.

Remember when we were little...

we used to play cowboys and Indians?

Yeah.

I remember.

You always wanted to be the cowboy.

How was that?

Cowboys always won.

Got tired of losing, huh?

I guess it doesn't matter now.

Both disappeared just the same.

You can't give up.

It's not how she raised you.

You can't hide from who you are.

Besides... who is to say cowboys and Indians all disappeared?

We're still here, my brother.

[BEAR] I asked around back home.

People from Mandory remember Waniya.

It's where the grandfather used to train wild horses.

No one seen him in a while.

[KNOCKING ON DOOR]

[BEAR] Hello. Anybody home?

[SOFT MUSIC]

[MUSIC BOX PLAYING]

[GIRL'S VOICE] January 8th, today I got to help grandpa with the wild horses.

What you have to do is pass the attention.

April 3rd, today Grampie took me

on a ride to see the old cutouts.

July 4th... April 14th...

I met a man today after school...

I loved his eyes... He offered to take me to the city...

He gave me his number... he's different.

[WOMAN] I'm sorry to have to ask you this, Bae,

but do you recognize him?

It's two years ago.

He came to my school with gifts, a car.

Gave me his number.

[SLOW MUSIC]

Thought I was special.

You are special.

You couldn't have known.

I was with him for about a year when I...

noticed a couple of girls had disappeared.

He'd take one away and... And they'd never come back.

I began to hear rumors.

- Rumors? - Hold on, they were going home.

[CAR DOOR CLOSES]

[SUSPENSEFUL MUSIC]

I'll be right back.

[GIRL] Easy, Jamie.

[JAMIE] Move, come on.

[GIRL] Where are we going?

Let's get the fuck move out.

No. No. No. Stop!

Look here, girls. Ms. Do-goody left her rifle.

Where is he?

I tried to warn you.

No way.

Hmm.

[SUSPENSEFUL MUSIC CONTINUES]

[CLOCK TICKING]

Ain't exactly Rembrandt.

[CUCKOO CLOCK RINGING]

We... goddamn it.

I know it's him.

[CLEARS THROAT] Okay.

[DIALING TONE]

Let's call this twisted fucker.

- Me? - [SHERIFF LAUGHS]

I got a radio voice, son. It might spook.

[CONNECTING TONE]

[TONE CONTINUES]

[PARIS] Yeah?

[CLOCK TICKING CONTINUES]

- I heard you have girls. - How did you get this number?

One of the guys on the rig.

Yeah.

The wolf's eyes, what color are they?

Blue.

The eyes are blue.

Thirty-two Reservation Way. [HANGS UP]

[SUSPENSEFUL MUSIC]

[SUSPENSEFUL MUSIC CONTINUES]

We don't leave until every rig pig's paid.

[HORSE GALLOPING]

- [LASHING] - [HORSE NEIGHING]

[HORSE NEIGHING]

- [ROCK MUSIC] - [MAN COUGHS]

♪ ...she's waiting ♪

♪ to breathe the scent she hides beneath the shade ♪

[GIRLS LAUGHING AND MOANING]

♪ The weight on my shoulder ♪

♪ Release so I can Live another day... ♪

What the fuck are you looking at?

[METAL MUSIC]

Hey, hey, hey. Easy.

Where is the sixty? Huh?

[TENSION MUSIC]

[MAN AND WOMAN MOANING]

[INDISTINCT CHATTER OVER RADIO]

Watch the exits.

Cops!

Everybody get yourselves on the fucking ground!

[INDISTINCT SCREAMS]

- Where is Jamie? - I don't know.

[MAN AND WOMAN MOANING]

[WOMAN CRIES OUT]

- Back up. - Drop the knife, Paris.

Drop it.

- You alright? - [CRYING]

[TENSION MUSIC CONTINUES]

Shit.

Freeze!

Fuck!

[PARIS MOANS]

Fuck.

[TENSION MUSIC CONTINUES]

[CHOKING]

- [SPRAYS] - [SHOUTS]

You're under arrest.

Move.

Fuck you.

I said move.

[STABBING]

[TENSION MUSIC CONTINUES]

[POLICE SIRENS WAILING]

Paris! Paris!

Stop right there!

- You're bleeding. - Be quiet.

Where are we going?

Home.

- Paris, where are you taking me? - Shut up!

I said shut up! You shut your fucking mouth!

[SIRENS WAILING IN THE DISTANCE]

[SOFT MUSIC]

[DOOR OPENS]

- Beckett. - Hadley.

She hasn't changed much.

You could've called.

Never understood this room.

Seems sadness to it.

I... didn't have a chance to ride the mare yet.

- I thought... - It wasn't mine to give.

Mm-hmm.

Drove to Williston.

Found a bank. Agreed to loan me some.

I told you, there is no need to get a bank...

I'll take the ranch back.

Huh, Hadley.

-I don't think you thought this through. -I really do appreciate

you trying to help us.

Really wanna scrape through another winter?

Take on that.

And by all means, have the horse.

But I'm gonna do you a favor by saying no.

I ain't asking.

What the hell is this?

You ain't putting a pipe plant to my home.

Well...

You made sure I can.

That is my fucking land!

Land, there is no loyalty.

Where did you go, Beckett? Huh?

That boy I grew up with...

I don't know where he went.

[SOFT MUSIC]

[SIRENS WAILING]

[INDISTINCT CHATTER]

- You just don't give up. - [KIP] Where did he take her?

Please.

He's taking her to the only place they have to go.

Where is she?

Here.

[INDISTINCT CHATTER OVER RADIO]

[JAMIE] Something to remember her by.

[TENSION MUSIC]

[KNOCKING]

[DOOR OPENS]

- [PARIS] Let's talk. - [BECKETT] Get inside.

[TENSION MUSIC CONTINUES]

[DOOR SHUTTING]

- What are you doing here? - Sh.

Hang on, it's alright. It's okay. They are chatting.

- Where is Kip? - He's alright.

I just missed him. Come on.

You don't understand. He'll kill you.

- Goddamn it, come on. - He'll kill you, I swear.

Come on. It's okay, it's okay. Here we go. Get you out of here.

- [CRYING] - Okay, come on.

[PANTING]

[TENSION MUSIC]

Hi.

Not yours.

It's not yours either.

[DOOR OPENS]

Tell me you got an explanation for this.

Alright... we're leaving.

Afraid... I can't let you do that.

Beckett.

[BECKETT] Don't worry.

I'll take care of Kip.

Don't you walk away. Beckett!

She's just a girl.

She's just a goddamn girl!

- Beckett! - [DOOR SHUTS]

[HADLEY] Oh...

There's no need for that.

[CRYING] Don't do this, please!

I'll just go. I'll come with you.

You stay there.

I can pay whatever you want.

[CRYING] Please.

I buy her.

You ain't got the pocket.

I can get it.

[DRAMATIC MUSIC]

- [CRYING] - [PARIS] Laura.

[THUD]

[DRAMATIC MUSIC CONTINUES]

Oh, God.

Yes, Pop, what happened to you?

They took her.

- What? - The mine.

- My brother... the mine. - Pop...

You stay with him.

[WOMAN] 911, what's your emergency?

I need ambulance to 27 Red Bridge.

My dad's been shot.

- Twenty seven Red Bridge? - Yeah.

EMS will take an hour to arrive.

- Hour? - I know. I'm very sorry...

[BECKETT'S VOICE] Most of what you see belong

to your great-grandfather.

Well, he was obsessed with the West.

[MEN SCREAMING IN BATTLE]

[BECKETT] Discovered a few miles from here.

Mine's abandoned now but I still find reason to go there

from time to time and reflect upon what our ancestors did

to get me where I am.

[TENSION MUSIC]

- Kip. - The ambulance is gonna take too long.

He won't make it. You need to take him to the hospital, Bear.

- Kip, what are you doing? - I know where she is.

Pop, Bear's gonna get you out of here, alright?

- Kip... - Okay?

The mine, how do I get there?

Follow the river east.

It's four miles.

- Okay. - Son...

Pop...

I love you, Pop.

- You gotta go. - Where are you going?

- Kip. Kip. Wait. - Get him out of here!

[DRAMATIC MUSIC]

[HORSE NEIGHING]

- [HORSE NEIGHING] - Easy. It's alright.

Sh.

Jesus, look what he did to you.

She is in trouble. Okay?

And I can't get there alone.

[TENSION MUSIC]

Stay with me... We're almost there.

[KIP] Yeah!

[BEAR SPEAKS IN A FOREIGN LANGUAGE]

[KIP] Yeah!

[TENSION MUSIC CONTINUES]

- [PARIS] Laura... Let's go! - [CRYING]

You want her or no?

[TENSION MUSIC]

Wait. Please. Don't leave me. Please, don't leave.

Don't do this.

[CRYING]

We were close, you and me.

We were so close.

Come on, let's go.

[CAR ENGINE STARTS]

[CAR DRIVES AWAY]

[OLD SONG SOUNDS IN THE DISTANCE]

Move.

[TENSION MUSIC]

[BATTLE SONG IN THE DISTANCE]

[GHOSTLY VOICES]

[GHOSTLY WOMEN VOICES SPEAK IN FOREIGN LANGUAGE]

[TRUMPET PLAYING]

- [WANIYA CRIES OUT] - [MUSIC AND VOICED FADE OUT]

[WANIYA MOANING]

[MOANS]

After my nephew gave me your picture,

I just couldn't get the image of you out of my mind.

This face.

So when I found out who it was you belonged to...

naturally, I just couldn't believe my own luck.

Look at me. Look at me. Look at me.

[CAMERA SHOT]

[BECKETT] So just like my grandfather left me.

First I couldn't... understand this place.

Secrets.

What I realized ran in my blood

and my grandfather's,

and Kip's...

little by little...

I've been able to add to his collection.

Here.

See?

Washington called you people beasts.

Lincoln, I believe, used the term half-breeds.

Myself,

I was always partial to...

the term Jackson used in his letters to Congress...

savages.

But I reckon anyone of them saw you,

they might be given pause for saying such things.

Even just a second.

- Help! Help! - Sh!

[CRIES OUT]

[BECKET CRIES OUT]

Help her! Someone help her!

[TENSION MUSIC]

You believe us to be a sickness,

disease, uninvited, forever

hopping on about all possession of stolen lands.

That all dominance equates to greed.

You have sat here now unchecked for over a thousand years.

Tell me what do you have to show for him.

[HORSE NEIGHING]

He won't. Still cowering among us.

And you say we're the disease.

This land no longer caters to your survival.

[MOANING]

[TENSION MUSIC]

- Here you can hide. - [MOANING]

[GUNSHOT]

[PANTING]

[CHOKING]

- [GRUNTS] - [MOANS]

[CRIES OUT]

- You son of a bitch. - [MOANING]

[MOANS]

[TENSION MUSIC]

[BOTH CRY OUT]

[MOANS]

- You fucking whore. - I'm not your whore!

I'm not your savage.

I'm not your anything.

I have a name.

We all have names.

[CRYING]

- [KIP] Jesus. - [CRYING]

- Waniya. - Get away from me!

Stay away!

It's alright... I'm not him.

I'm not here to hurt you. Okay?

I'm just trying to get you out of here.

Come home.

Come on, let's go, alright?

[CRIES]

Let's get out of this place.

[TENSION MUSIC]

Get down.

[PARIS] Laura?

Laura.

This way.

Go. Go.

- [GUNSHOT] - [WANIYA] Kip!

- Kip! - Waniya, run!

[GUNSHOTS]

Keys. Keys.

Ah!

- Shit. - Goddamn it, Laura.

I'm gonna kill you.

[TENSION MUSIC CONTINUES]

[PANTING]

[PARIS PANTING]

Come here.

[CRYING]

[WANIYA SCREAMS]

[WHACKING]

I came back for you, Laura.

That's not my name.

[KIP] Paris!

Shit.

- [GUN CLICKS] - Fuck.

- So long... - [GUNSHOT]

- [MOANING] - Kip.

Don't move.

You're gonna be okay.

Easy.

I'm right here.

- Stay with me, Kip. - I'm sorry.

It's okay. It's okay.

[SOFT MUSIC]

[HORSE NEIGHING]

[KIP] There was once a shadow, nameless,

that came down from the north

wreaking havoc on the tribes it preyed upon.

The devastation, the pain that was suffered

angered many.

They were hopeless against such evil.

It's a shame.

This outraged the Thunder Beings, Wakinyan.

They came down from the clouds and fought back against the darkness,

shooting a thunderbolt through its heart.

["ALL THE PRETTY HORSES" PLAYS]

♪ Hush-a-bye, don't you cry ♪

♪ Go to sleep my little baby ♪

♪ When you wake You shall have ♪

♪ All the pretty Little horses ♪

♪ Dapples and grays Pintos and bays ♪

♪ All the pretty Little horses ♪

♪ Way down yonder In the meadow ♪

♪ Poor little baby Cryin' "mama" ♪

♪ Birds and butterflies Flutter round his eyes ♪

♪ Poor little baby Cryin' "mama" ♪

♪ Dapples and grays Pintos and bays ♪

♪ All the pretty Little horses ♪

♪ Hush-a-bye, don't you cry ♪

♪ Go to sleep My little baby ♪

♪ When you wake You shall have ♪

♪ All the pretty Little horses ♪

♪ Dapples and grays Pintos and bays ♪

♪ All the pretty Little horses ♪

♪ Dapples and grays Pintos and bays ♪

♪ All the pretty Little horses ♪