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These are the user uploaded subtitles that are being translated: 1 00:00:07,150 --> 00:00:09,080 >> Steve: FROM 30 ROCKEFELLER 2 00:00:07,150 --> 00:00:09,080 PLAZA HERE IN NEW YORK CITY, 3 00:00:09,080 --> 00:00:09,269 IT'S "THE TONIGHT SHOW STARRING 4 00:00:09,269 --> 00:00:16,019 JIMMY FALLON." 5 00:00:10,070 --> 00:00:16,019 AND NOW, HERE'S YOUR HOST, 6 00:00:11,189 --> 00:00:16,019 JIMMY FALLON 7 00:00:18,050 --> 00:00:21,230 ♪ 8 00:00:18,050 --> 00:00:21,230 ♪ 9 00:00:21,230 --> 00:00:31,120 [ CHEERS AND APPLAUSE 10 00:00:21,230 --> 00:00:31,120 >> Jimmy: OH, TOO MUCH 11 00:00:31,120 --> 00:00:33,170 NO, ABSOLUTELY NOT 12 00:00:31,120 --> 00:00:33,170 COME ON, COME ON 13 00:00:33,170 --> 00:00:36,000 OH 14 00:00:33,170 --> 00:00:36,000 OH 15 00:00:36,000 --> 00:00:38,020 THANK YOU VERY MUCH. 16 00:00:36,000 --> 00:00:38,020 PLEASE 17 00:00:38,020 --> 00:00:40,109 PLEASE, NO, NO, NO, NO, NO 18 00:00:38,020 --> 00:00:40,109 PLEASE, NO 19 00:00:40,109 --> 00:00:42,130 [ CHEERS AND APPLAUSE 20 00:00:40,109 --> 00:00:42,130 THANK YOU. 21 00:00:42,130 --> 00:00:44,090 HAVE A SEAT. 22 00:00:42,130 --> 00:00:44,090 WELCOME. 23 00:00:44,090 --> 00:00:46,140 ENJOY YOURSELF 24 00:00:44,090 --> 00:00:46,140 HOT CROWD. 25 00:00:46,140 --> 00:00:48,200 WELCOME TO "THE TONIGHT SHOW," 26 00:00:46,140 --> 00:00:48,200 EVERYBODY. 27 00:00:48,200 --> 00:00:50,070 >> Steve: OH 28 00:00:48,200 --> 00:00:50,070 >> Jimmy: THIS IS IT 29 00:00:50,070 --> 00:00:54,000 [ CHEERS AND APPLAUSE 30 00:00:50,070 --> 00:00:54,000 THIS IS WHAT YOU WANT, BABY. 31 00:00:54,000 --> 00:00:55,060 WELCOME, WELCOME, WELCOME, 32 00:00:54,000 --> 00:00:55,060 EVERYBODY. 33 00:00:55,060 --> 00:00:56,219 LOOKING GOOD 34 00:00:55,060 --> 00:00:56,219 YEAH 35 00:00:56,219 --> 00:00:59,039 SOUNDING GOOD. 36 00:00:56,219 --> 00:00:59,039 I LOVE IT. 37 00:00:59,039 --> 00:01:00,130 YOU GUYS TODAY, EARLIER TODAY, 38 00:00:59,039 --> 00:01:00,130 MILLIONS OF STUDENTS ACROSS THE 39 00:01:00,130 --> 00:01:06,269 COUNTRY WENT BACK TO SCHOOL. 40 00:01:00,130 --> 00:01:06,269 THAT WAS TODAY 41 00:01:06,269 --> 00:01:08,010 [ BOOING ] 42 00:01:06,269 --> 00:01:08,010 [ LIGHT LAUGHTER ] 43 00:01:08,010 --> 00:01:09,069 KIDS TOLD THEIR PARENTS, "I'LL 44 00:01:08,010 --> 00:01:09,069 MISS YOU SO MUCH." 45 00:01:09,069 --> 00:01:10,090 AND THEIR PARENTS WERE LIKE, 46 00:01:09,069 --> 00:01:10,090 "AND I'LL SEE YOU AFTER 47 00:01:10,090 --> 00:01:11,260 SCHOOL." 48 00:01:10,090 --> 00:01:11,260 [ LAUGHTER ] 49 00:01:11,260 --> 00:01:13,019 IT WAS A PRETTY TYPICAL DAY FOR 50 00:01:11,260 --> 00:01:13,019 MOST STUDENTS. 51 00:01:13,019 --> 00:01:14,079 TEACHERS STARTED OFF BY ASKING, 52 00:01:13,019 --> 00:01:14,079 "DOES EVERYBODY HAVE THEIR 53 00:01:14,079 --> 00:01:16,000 SUPPLIES?" 54 00:01:14,079 --> 00:01:16,000 AND THEN STUDENTS WERE LIKE, 55 00:01:16,000 --> 00:01:20,099 "YEP, HEADPHONES, VAPE PEN, AND 56 00:01:16,000 --> 00:01:20,099 CBD GUMMIES. 57 00:01:20,099 --> 00:01:23,109 [ CHEERS AND APPLAUSE 58 00:01:20,099 --> 00:01:23,109 BUT NEW YORK CITY'S PUBLIC 59 00:01:23,109 --> 00:01:25,260 SCHOOLS ARE TRYING TO BE 60 00:01:23,109 --> 00:01:25,260 HEALTHIER THIS YEAR, SO THEY'RE 61 00:01:25,260 --> 00:01:29,010 NO LONGER SERVING SALAMI OR 62 00:01:25,260 --> 00:01:29,010 BOLOGNA SANDWICHES 63 00:01:29,010 --> 00:01:30,090 [ LIGHT LAUGHTER ] 64 00:01:29,010 --> 00:01:30,090 YEAH, INSTEAD THEY'RE GOING 65 00:01:30,090 --> 00:01:32,000 WITH ORGANIC, FREE RANGE 66 00:01:30,090 --> 00:01:32,000 PIGEON 67 00:01:32,000 --> 00:01:34,079 >> Steve: OH 68 00:01:32,000 --> 00:01:34,079 [ LAUGHTER ] 69 00:01:34,079 --> 00:01:36,069 >> Jimmy: HEY, DID YOU GUYS 70 00:01:34,079 --> 00:01:36,069 ENJOY LABOR DAY WEEKEND? 71 00:01:36,069 --> 00:01:41,060 DID YOU HAVE FUN 72 00:01:36,069 --> 00:01:41,060 [ CHEERS AND APPLAUSE 73 00:01:41,060 --> 00:01:42,150 AND DON'T WORRY, WHILE EVERYONE 74 00:01:41,060 --> 00:01:42,150 WAS RELAXING, THE PRESIDENT WAS 75 00:01:42,150 --> 00:01:46,030 HARD AT WORK 76 00:01:42,150 --> 00:01:46,030 AND BY HARD AT WORK, I MEAN HE 77 00:01:46,030 --> 00:01:48,250 SENT OVER 120 TWEETS THIS 78 00:01:46,030 --> 00:01:48,250 WEEKEND. 79 00:01:48,250 --> 00:01:50,140 [ LAUGHTER ] 80 00:01:48,250 --> 00:01:50,140 SO TRUMP'S BEEN -- THAT'S REAL, 81 00:01:50,140 --> 00:01:51,270 BY THE WAY 82 00:01:50,140 --> 00:01:51,270 [ LAUGHTER ] 83 00:01:51,270 --> 00:01:53,159 TRUMP'S BEEN BUSY DEALING WITH 84 00:01:51,270 --> 00:01:53,159 HURRICANE DORIAN 85 00:01:53,159 --> 00:01:56,109 HE'S ACTUALLY BEEN MONITORING 86 00:01:53,159 --> 00:01:56,109 IT VERY CLOSELY. 87 00:01:56,109 --> 00:01:58,099 HE RETWEETED THIS UPDATE FROM 88 00:01:56,109 --> 00:01:58,099 FEMA 89 00:01:58,099 --> 00:02:01,049 YEAH, HERE HE RETWEETED THIS 90 00:01:58,099 --> 00:02:01,049 FROM NATIONAL HURRICANE CENTER 91 00:02:01,049 --> 00:02:02,150 AND THEN HE HERE IS GETTING 92 00:02:01,049 --> 00:02:02,150 INTO A TWITTER FEUD WITH 93 00:02:02,150 --> 00:02:04,269 "WILL & GRACE" ACTRESS 94 00:02:02,150 --> 00:02:04,269 DEBRA MESSING. 95 00:02:04,269 --> 00:02:05,290 [ LAUGHTER ] 96 00:02:04,269 --> 00:02:05,290 >> Steve: OH 97 00:02:05,290 --> 00:02:07,260 >> Jimmy: HE DID THE BEST HE 98 00:02:05,290 --> 00:02:07,260 COULD. 99 00:02:07,260 --> 00:02:09,120 [ LAUGHTER ] 100 00:02:07,260 --> 00:02:09,120 AND WITH THE HURRICANE POSSIBLY 101 00:02:09,120 --> 00:02:10,110 HITTING FLORIDA, TRUMP'S NOT 102 00:02:09,120 --> 00:02:10,110 TAKING ANY CHANCES 103 00:02:10,110 --> 00:02:13,030 HE EVEN SENT DON, JR. TO THE 104 00:02:10,110 --> 00:02:13,030 ROOF OF MAR-A-LAGO TO GIVE HIM 105 00:02:13,030 --> 00:02:16,060 LIVE UPDATES 106 00:02:13,030 --> 00:02:16,060 [ LAUGHTER ] 107 00:02:16,060 --> 00:02:21,099 "JUST, STAY UP THERE, DON. 108 00:02:16,060 --> 00:02:21,099 [ LAUGHTER ] 109 00:02:21,099 --> 00:02:23,180 AIM THE GOLF CLUB AT THE 110 00:02:21,099 --> 00:02:23,180 BIGGEST CLOUD. 111 00:02:23,180 --> 00:02:29,030 [ LAUGHTER ] 112 00:02:23,180 --> 00:02:29,030 TAKE THE GRIP OFF. 113 00:02:29,030 --> 00:02:31,280 I WANT METAL ON METAL. 114 00:02:29,030 --> 00:02:31,280 [ LAUGHTER ] 115 00:02:31,280 --> 00:02:34,039 I WANT YOU TO HOLD IT AND JUST 116 00:02:31,280 --> 00:02:34,039 AIM IT AND SHOW ME WHERE." 117 00:02:34,039 --> 00:02:36,099 [ LAUGHTER ] 118 00:02:34,039 --> 00:02:36,099 BUT GET THIS, DURING A PRESS 119 00:02:36,099 --> 00:02:38,110 CONFERENCE, TRUMP SAID THAT 120 00:02:36,099 --> 00:02:38,110 HE'S NEVER EVEN HEARD OF A 121 00:02:38,110 --> 00:02:42,129 A CATEGORY FIVE HURRICANE. 122 00:02:38,110 --> 00:02:42,129 [ LIGHT LAUGHTER ] 123 00:02:42,129 --> 00:02:43,120 SO THEY EXPLAINED IT TO HIM 124 00:02:42,129 --> 00:02:43,120 LIKE THIS. 125 00:02:43,120 --> 00:02:46,110 THEY SAID, "LOOK, IF THIS IS A 126 00:02:43,120 --> 00:02:46,110 A CATEGORY ONE - 127 00:02:46,110 --> 00:02:51,030 [ LAUGHTER ] 128 00:02:46,110 --> 00:02:51,030 THEN THIS IS A CATEGORY FIVE." 129 00:02:51,030 --> 00:02:54,139 [ LAUGHTER AND APPLAUSE 130 00:02:51,030 --> 00:02:54,139 HE'S LIKE, "ALL RIGHT, I'LL GO 131 00:02:54,139 --> 00:02:55,280 THANK YOU. 132 00:02:54,139 --> 00:02:55,280 IT ALL MAKES SENSE NOW 133 00:02:55,280 --> 00:03:00,110 DON, STAY UP THERE, DON. 134 00:02:55,280 --> 00:03:00,110 SOME MORE NEWS 135 00:03:00,110 --> 00:03:03,229 [ LAUGHTER ] 136 00:03:00,110 --> 00:03:03,229 TRUMP'S PERSONAL ASSISTANT JUST 137 00:03:03,229 --> 00:03:07,110 RESIGNED AFTER SHE SHARED 138 00:03:03,229 --> 00:03:07,110 DETAILS ABOUT TRUMP'S FAMILY 139 00:03:07,110 --> 00:03:10,060 WITH JOURNALISTS AT AN OFF THE 140 00:03:07,110 --> 00:03:10,060 RECORD DINNER. 141 00:03:10,060 --> 00:03:12,210 HONESTLY, THIS DOESN'T SEEM 142 00:03:10,060 --> 00:03:12,210 LIKE IT'S AN EASY JOB TO FILL. 143 00:03:12,210 --> 00:03:15,199 WHEN OFFERED THE POSITION, EVEN 144 00:03:12,210 --> 00:03:15,199 ALEXA WAS LIKE - 145 00:03:15,199 --> 00:03:17,189 >> NO WAY IN HELL. 146 00:03:15,199 --> 00:03:17,189 >> Jimmy: AND YOU GO, "OH, 147 00:03:17,189 --> 00:03:21,110 THAT'S NOT GOOD. 148 00:03:17,189 --> 00:03:21,110 [ LAUGHTER ] 149 00:03:21,110 --> 00:03:22,170 YOU DON'T WANT THAT. 150 00:03:21,110 --> 00:03:22,170 THAT'S - 151 00:03:22,170 --> 00:03:23,170 [ APPLAUSE ] 152 00:03:22,170 --> 00:03:23,170 CHECK THIS OUT, THIS WEEKEND, 153 00:03:23,170 --> 00:03:25,020 POLICE IN SCOTLAND WERE CALLED 154 00:03:23,170 --> 00:03:25,020 AFTER THOUSANDS OF PEOPLE 155 00:03:25,020 --> 00:03:26,099 SIGNED UP TO PLAY A MASSIVE 156 00:03:25,020 --> 00:03:26,099 GAME OF "HIDE AND SEEK" INSIDE 157 00:03:26,099 --> 00:03:31,189 AN IKEA. 158 00:03:26,099 --> 00:03:31,189 [ LAUGHTER ] 159 00:03:31,189 --> 00:03:35,090 YEAH 160 00:03:31,189 --> 00:03:35,090 IT ONLY SHOULD HAVE TAKEN THE 161 00:03:35,090 --> 00:03:37,009 POLICE 20 MINUTES TO ASSEMBLE 162 00:03:35,090 --> 00:03:37,009 A TEAM, BUT SINCE IT WAS IKEA, 163 00:03:37,009 --> 00:03:39,180 IT TOOK THEM SEVEN HOURS 164 00:03:37,009 --> 00:03:39,180 [ LAUGHTER ] 165 00:03:39,180 --> 00:03:44,060 ♪ 166 00:03:39,180 --> 00:03:44,060 [ APPLAUSE ] 167 00:03:44,060 --> 00:03:47,009 THE POLICE HAD VERY CLEAR 168 00:03:44,060 --> 00:03:47,009 DIRECTIONS, BUT THEN ALL THE 169 00:03:47,009 --> 00:03:48,079 DADS JUST THREW THOSE TO THE 170 00:03:47,009 --> 00:03:48,079 SIDE AND JUST KIND OF GUESSED 171 00:03:48,079 --> 00:03:51,090 THEIR WAY THROUGH IT 172 00:03:48,079 --> 00:03:51,090 ♪ 173 00:03:51,090 --> 00:03:52,079 [ LAUGHTER ] 174 00:03:51,090 --> 00:03:52,079 YEAH, POLICE FOUND THE SUSPECTS 175 00:03:52,079 --> 00:03:54,110 BY FOLLOWING A TRAIL OF SWEDISH 176 00:03:52,079 --> 00:03:54,110 MEATBALLS. 177 00:03:54,110 --> 00:03:56,139 ♪ 178 00:03:54,110 --> 00:03:56,139 [ LAUGHTER ] 179 00:03:56,139 --> 00:04:02,270 ♪ 180 00:03:56,139 --> 00:04:02,270 YEAH, PEOPLE WHO GOT CAUGHT 181 00:04:02,270 --> 00:04:05,189 JUST PLED INSANITY 182 00:04:02,270 --> 00:04:05,189 TURNS OUT THEY JUST HAD 183 00:04:05,189 --> 00:04:08,009 A COUPLE SCREWS LOOSE. 184 00:04:05,189 --> 00:04:08,009 ♪ 185 00:04:08,009 --> 00:04:14,139 [ LAUGHTER AND APPLAUSE 186 00:04:08,009 --> 00:04:14,139 ♪ 187 00:04:14,139 --> 00:04:18,189 IT WAS -- IT WAS EASY TO SPOT, 188 00:04:14,139 --> 00:04:18,189 BECAUSE THE HIDE-AND-SEEKERS -- 189 00:04:18,189 --> 00:04:20,209 BECAUSE THEIR FEET WERE 190 00:04:18,189 --> 00:04:20,209 STICKING OUT FROM UNDER 191 00:04:20,209 --> 00:04:23,000 A FLUGELDUGEL AND 192 00:04:20,209 --> 00:04:23,000 NERGENFLERGEN. 193 00:04:23,000 --> 00:04:25,019 [ LAUGHTER ] 194 00:04:23,000 --> 00:04:25,019 ♪ 195 00:04:25,019 --> 00:04:27,050 >> Tariq: COME ON, COME ON 196 00:04:25,019 --> 00:04:27,050 STOP, MAN. 197 00:04:27,050 --> 00:04:28,180 THAT'S ENOUGH. 198 00:04:27,050 --> 00:04:28,180 THAT'S ENOUGH IKEA JOKES, OKAY 199 00:04:28,180 --> 00:04:30,040 >> Jimmy: COME ON. 200 00:04:28,180 --> 00:04:30,040 >> Tariq: YOU GOT TO GET TO THE 201 00:04:30,040 --> 00:04:32,159 REST OF THE SHOW 202 00:04:30,040 --> 00:04:32,159 >> Jimmy: NO, NO, NO, I GOT TO 203 00:04:32,159 --> 00:04:33,180 GET -- 204 00:04:32,159 --> 00:04:33,180 >> Tariq: LESTER HOLT HAS BEEN 205 00:04:33,180 --> 00:04:35,139 WAITING FOR SEVEN HOURS. 206 00:04:33,180 --> 00:04:35,139 [ LAUGHTER ] 207 00:04:35,139 --> 00:04:38,060 >> Jimmy: YOU'RE PRETTY ANGRY 208 00:04:35,139 --> 00:04:38,060 RIGHT NOW. 209 00:04:38,060 --> 00:04:40,250 I HAVEN'T SEEN SOMEONE GET THIS 210 00:04:38,060 --> 00:04:40,250 ANGRY SINCE -- 211 00:04:40,250 --> 00:04:43,029 >> Tariq: AH-AH! 212 00:04:40,250 --> 00:04:43,029 DON'T -- DON'T DO IT, JIMMY. 213 00:04:43,029 --> 00:04:44,129 [ LIGHT LAUGHTER ] 214 00:04:43,029 --> 00:04:44,129 >> Jimmy: I HAVEN'T SEEN 215 00:04:44,129 --> 00:04:45,220 SOMEONE GET THIS - 216 00:04:44,129 --> 00:04:45,220 >> Tariq: AH-AH! 217 00:04:45,220 --> 00:04:49,230 [ LIGHT LAUGHTER ] 218 00:04:45,220 --> 00:04:49,230 DON'T DO IT. 219 00:04:49,230 --> 00:04:50,290 >> Jimmy: SINCE THEY TRIED TO 220 00:04:49,230 --> 00:04:50,290 PUT TOGETHER A BOOKSHELF FROM 221 00:04:50,290 --> 00:04:53,149 IKEA 222 00:04:50,290 --> 00:04:53,149 [ CHEERS AND APPLAUSE 223 00:04:53,149 --> 00:05:04,230 ♪ 224 00:04:53,149 --> 00:05:04,230 WELL, THIS IS VERY INTERESTING 225 00:05:04,230 --> 00:05:05,230 I SAW THAT A LOCK OF 226 00:05:04,230 --> 00:05:05,230 GEORGE WASHINGTON'S HAIR IS 227 00:05:05,230 --> 00:05:08,139 GOING UP FOR AUCTION 228 00:05:05,230 --> 00:05:08,139 AND IT'S EXPECTED TO SELL FOR 229 00:05:08,139 --> 00:05:12,220 AT LEAST $50,000 230 00:05:08,139 --> 00:05:12,220 AS SOON AS HE HEARD THAT, TRUMP 231 00:05:12,220 --> 00:05:15,009 WAS LIKE, "WOW, I HAVE A SHOWER 232 00:05:12,220 --> 00:05:15,009 DRAIN THAT'S WORTH 233 00:05:15,009 --> 00:05:19,060 $20 MILLION. 234 00:05:15,009 --> 00:05:19,060 [ LAUGHTER ] 235 00:05:19,060 --> 00:05:20,120 AND FINALLY, THIS IS A CRAZY 236 00:05:19,060 --> 00:05:20,120 STORY, IN AUSTRALIA, A STUDENT 237 00:05:20,120 --> 00:05:21,160 PILOT HAD TO LAND THE PLANE 238 00:05:20,120 --> 00:05:21,160 AFTER HIS FLYING INSTRUCTOR 239 00:05:21,160 --> 00:05:25,160 PASSED OUT DURING HIS VERY 240 00:05:21,160 --> 00:05:25,160 FIRST LESSON 241 00:05:25,160 --> 00:05:28,040 [ LAUGHTER ] 242 00:05:25,160 --> 00:05:28,040 THE STUDENT WAS CONGRATULATED 243 00:05:28,040 --> 00:05:29,040 BY OFFICIALS, WHILE THE 244 00:05:28,040 --> 00:05:29,040 INSTRUCTOR WAS HIRED BY 245 00:05:29,040 --> 00:05:31,089 SPIRIT AIRLINES. 246 00:05:29,040 --> 00:05:31,089 [ LAUGHTER AND APPLAUSE 247 00:05:31,089 --> 00:05:33,209 LET'S START THE SHOW 248 00:05:32,149 --> 00:05:33,209 GIVE IT UP FOR THE ROOTS 249 00:05:33,079 --> 00:05:33,209 COME ON. 250 00:05:35,110 --> 00:05:47,079 ♪ 251 00:05:35,110 --> 00:05:47,079 ♪ 252 00:05:47,079 --> 00:05:50,199 [ CHEERS AND APPLAUSE 253 00:05:47,079 --> 00:05:50,199 >> Jimmy: WE HAVE GOT A GREAT 254 00:05:50,199 --> 00:05:53,060 SHOW TONIGHT 255 00:05:50,199 --> 00:05:53,060 >> Steve: OH 256 00:05:53,060 --> 00:05:54,209 >> Jimmy: BILL HADER IS HERE IN 257 00:05:53,060 --> 00:05:54,209 THE BUILDING 258 00:05:54,209 --> 00:05:55,279 >> Steve: OH, COME ON. 259 00:05:54,209 --> 00:05:55,279 [ CHEERS AND APPLAUSE 260 00:05:55,279 --> 00:05:57,100 >> Jimmy: I KNOW, I LOVE HIM 261 00:05:55,279 --> 00:05:57,100 >> Steve: OH 262 00:05:57,100 --> 00:06:00,149 >> Jimmy: I LOVE BILL HADER. 263 00:05:57,100 --> 00:06:00,149 ALSO ONE OF OUR FAVORITES, 264 00:06:00,149 --> 00:06:02,040 CARA DELEVINGNE IS HERE. 265 00:06:00,149 --> 00:06:02,040 >> Steve: OH 266 00:06:02,040 --> 00:06:06,250 >> Jimmy: CARA 267 00:06:02,040 --> 00:06:06,250 CARA DELEVINGNE. 268 00:06:06,250 --> 00:06:08,250 LESTER HOLT IS HERE TONIGHT. 269 00:06:06,250 --> 00:06:08,250 >> Steve: OH 270 00:06:08,250 --> 00:06:13,160 [ CHEERS AND APPLAUSE 271 00:06:08,250 --> 00:06:13,160 >> Jimmy: WE GOT TO TALK TO 272 00:06:13,160 --> 00:06:15,050 LESTER, BECAUSE LESTER'S DOING 273 00:06:13,160 --> 00:06:15,050 A SPECIAL. 274 00:06:15,050 --> 00:06:16,269 HE STAYED IN A PRISON FOR, 275 00:06:15,050 --> 00:06:16,269 LIKE, THREE DAYS 276 00:06:16,269 --> 00:06:18,069 >> Steve: OOH. 277 00:06:16,269 --> 00:06:18,069 [ LIGHT LAUGHTER ] 278 00:06:18,069 --> 00:06:19,220 >> Jimmy: HE'S DOING A WHOLE 279 00:06:18,069 --> 00:06:19,220 SPECIAL ABOUT IT 280 00:06:19,220 --> 00:06:21,029 HE WAS ACTUALLY IN PRISON. 281 00:06:19,220 --> 00:06:21,029 >> Steve: IN PRISON FOR THREE 282 00:06:21,029 --> 00:06:23,139 DAYS 283 00:06:21,029 --> 00:06:23,139 >> Jimmy: YEAH, ABSOLUTELY 284 00:06:23,139 --> 00:06:24,199 YEAH, I GOT TO TALK TO HIM 285 00:06:23,139 --> 00:06:24,199 ABOUT IT 286 00:06:24,199 --> 00:06:25,290 FIND OUT WHAT'S WRONG WITH 287 00:06:24,199 --> 00:06:25,290 LESTER 288 00:06:25,290 --> 00:06:27,019 WHY WOULD HE DO THAT 289 00:06:25,290 --> 00:06:27,019 [ LAUGHTER ] 290 00:06:27,019 --> 00:06:28,240 BUT I WANT TO SEE THAT SPECIAL 291 00:06:27,019 --> 00:06:28,240 AND THEN WE GOT GREAT MUSIC. 292 00:06:28,240 --> 00:06:30,139 I LOVE THIS GUY'S VOICE. 293 00:06:28,240 --> 00:06:30,139 ALEC BENJAMIN IS HERE, YOU 294 00:06:30,139 --> 00:06:31,199 GUYS 295 00:06:30,139 --> 00:06:31,199 >> Steve: OH 296 00:06:31,199 --> 00:06:36,170 [ CHEERS AND APPLAUSE 297 00:06:31,199 --> 00:06:36,170 >> Jimmy: TALENTED GUY 298 00:06:36,170 --> 00:06:38,000 FUN SHOW, WE'RE SO HAPPY TO BE 299 00:06:36,170 --> 00:06:38,000 BACK 300 00:06:38,000 --> 00:06:40,250 I'M SO HAPPY TO SEE YOU GUYS 301 00:06:38,000 --> 00:06:40,250 THANK YOU FOR HAVING US BACK 302 00:06:40,250 --> 00:06:42,220 [ CHEERS AND APPLAUSE 303 00:06:40,250 --> 00:06:42,220 TWO WEEKS OFF, TOO LONG. 304 00:06:42,220 --> 00:06:44,110 DID YOU HAVE A GOOD ONE? 305 00:06:42,220 --> 00:06:44,110 DID YOU HAVE A GOOD BREAK? 306 00:06:44,110 --> 00:06:45,240 >> Steve: IT WAS GREAT 307 00:06:44,110 --> 00:06:45,240 GREAT BREAK. 308 00:06:45,240 --> 00:06:46,269 >> Jimmy: YEAH, YEAH, YEAH, 309 00:06:45,240 --> 00:06:46,269 GOOD 310 00:06:46,269 --> 00:06:48,290 TARIQ, YOU DO ANYTHING FUN FOR 311 00:06:46,269 --> 00:06:48,290 THE BREAK, THE TWO WEEKS OFF 312 00:06:48,290 --> 00:06:50,110 >> Tariq: NOPE 313 00:06:48,290 --> 00:06:50,110 >> Jimmy: THERE YOU GO 314 00:06:50,110 --> 00:06:52,040 [ LAUGHTER ] 315 00:06:50,110 --> 00:06:52,040 >> Steve: MR. SUNSHINE 316 00:06:52,040 --> 00:06:57,019 [ LIGHT LAUGHTER ] 317 00:06:52,040 --> 00:06:57,019 >> Jimmy: HEY, GUYS THE 318 00:06:57,019 --> 00:06:58,230 U.S. OPEN TENNIS TOURNAMENT -- 319 00:06:57,019 --> 00:06:58,230 [ LAUGHTER ] 320 00:06:58,230 --> 00:07:00,000 -- IS HAPPENING RIGHT NOW AND 321 00:06:58,230 --> 00:07:00,000 WE WANTED TO DO SOMETHING FUN 322 00:07:00,000 --> 00:07:01,029 WITH THE PLAYERS 323 00:07:00,000 --> 00:07:01,029 SO WE GAVE A BUNCH OF THEM 324 00:07:01,029 --> 00:07:04,009 WEIRD PHRASES AND ASKED THEM TO 325 00:07:01,029 --> 00:07:04,009 SNEAK THOSE PHRASES INTO THEIR 326 00:07:04,009 --> 00:07:05,269 INTERVIEWS AS CASUALLY AS 327 00:07:04,009 --> 00:07:05,269 POSSIBLE 328 00:07:05,269 --> 00:07:07,290 NO ONE KNEW THAT WE WERE DOING 329 00:07:05,269 --> 00:07:07,290 THIS 330 00:07:07,290 --> 00:07:10,069 THEY JUST WOULD SAY THESE 331 00:07:07,290 --> 00:07:10,069 PHRASES. 332 00:07:10,069 --> 00:07:11,040 IT'S BIZARRE, BUT IT'S SO GOOD 333 00:07:11,040 --> 00:07:16,139 HERE, CHECK IT OUT FOR THE - 334 00:07:12,000 --> 00:07:16,139 CHECK THIS OUT 335 00:07:15,060 --> 00:07:16,139 THIS IS "DROP IT IN. 336 00:07:17,110 --> 00:07:18,240 ♪ 337 00:07:17,110 --> 00:07:18,240 [ CHEERS AND APPLAUSE 338 00:07:18,240 --> 00:07:20,029 ♪ DROP IT I 339 00:07:18,240 --> 00:07:20,029 DROP IT IN 340 00:07:20,029 --> 00:07:24,240 D-D-DROP IT IN ♪ 341 00:07:20,029 --> 00:07:24,240 >> --JUST HOW THE PREPARATIONS 342 00:07:24,240 --> 00:07:28,069 ARE GOING TO GO, YOU EXPECT, 343 00:07:24,240 --> 00:07:28,069 BEFORE THE U.S. OPEN THIS YEAR 344 00:07:28,069 --> 00:07:29,139 >> WELL, YEAH, I MEAN, I -- I 345 00:07:28,069 --> 00:07:29,139 USUALLY GET INTO NEW YORK 346 00:07:29,139 --> 00:07:32,110 PRETTY EARLY 347 00:07:29,139 --> 00:07:32,110 AND, YOU KNOW, I SPEND, YOU 348 00:07:32,110 --> 00:07:36,250 KNOW, PROBABLY FIVE OR SIX DAYS 349 00:07:32,110 --> 00:07:36,250 TRAINING OVER AT 350 00:07:36,250 --> 00:07:39,090 FLUSHING MEADOWS 351 00:07:36,250 --> 00:07:39,090 AND YOU KNOW, I USED TO TAKE 352 00:07:39,090 --> 00:07:42,139 CAT NAPS 353 00:07:39,090 --> 00:07:42,139 NOW I'M TAKING KITTEN NAPS 354 00:07:42,139 --> 00:07:47,060 WHICH ARE HALF AS LONG BUT 355 00:07:42,139 --> 00:07:47,060 TWICE AS CUTE. 356 00:07:47,060 --> 00:07:48,060 [ DING ] 357 00:07:47,060 --> 00:07:48,060 [ LAUGHTER AND APPLAUSE 358 00:07:48,060 --> 00:07:50,009 >> IT WAS EASY FOR ME TO BE 359 00:07:48,060 --> 00:07:50,009 ABLE TO SWING OUT AT THE START, 360 00:07:50,009 --> 00:07:51,060 AND THEN IT WAS KIND OF THE -- 361 00:07:50,009 --> 00:07:51,060 THE TIGHTER THE STRINGS, THE 362 00:07:51,060 --> 00:07:53,159 SWEETER THE SWINGS A LITTLE 363 00:07:51,060 --> 00:07:53,159 BIT. 364 00:07:53,159 --> 00:07:54,159 [ DING ] 365 00:07:53,159 --> 00:07:54,159 >> I THINK SERENA IS SO GOOD AT 366 00:07:54,159 --> 00:08:02,250 JUST KNOWING HOW TO USE EVERY 367 00:07:54,159 --> 00:08:02,250 PART OF THE KAYAK. 368 00:08:02,250 --> 00:08:04,240 [ DING ] 369 00:08:02,250 --> 00:08:04,240 >> I WOULD BE THERE BECAUSE 370 00:08:04,240 --> 00:08:08,250 SOMEBODY'S PUSHING ME AROUND 371 00:08:04,240 --> 00:08:08,250 SO -- SO I JUST TRY TO DO, YOU 372 00:08:08,250 --> 00:08:10,079 KNOW, GAME, SET, MATCH 373 00:08:08,250 --> 00:08:10,079 DO THE CABBAGE PATCH - 374 00:08:10,079 --> 00:08:11,040 [ DING ] 375 00:08:10,079 --> 00:08:11,040 [ LAUGHTER ] 376 00:08:11,040 --> 00:08:12,290 YOU KNOW WHAT I MEAN 377 00:08:11,040 --> 00:08:12,290 >> YEAH. 378 00:08:12,290 --> 00:08:15,019 >> PATIENCE IS NOT ONE OF MY 379 00:08:12,290 --> 00:08:15,019 BEST QUALITIES 380 00:08:15,019 --> 00:08:17,269 LET ME TELL YOU SOMETHING. 381 00:08:15,019 --> 00:08:17,269 YOU'RE NEVER GOING TO FIND 382 00:08:17,269 --> 00:08:20,019 THREE TENNIS BALLS IN 383 00:08:17,269 --> 00:08:20,019 A PRINGLES CAN 384 00:08:20,019 --> 00:08:23,050 [ DING ] 385 00:08:20,019 --> 00:08:23,050 [ LAUGHTER ] 386 00:08:23,050 --> 00:08:24,079 >> I LOOK FORWARD TO TRAINING 387 00:08:23,050 --> 00:08:24,079 AND IMPROVING SOME OF MY 388 00:08:24,079 --> 00:08:25,269 THINGS 389 00:08:24,079 --> 00:08:25,269 YEAH, I MEAN, SLAP YOUR DAD AND 390 00:08:25,269 --> 00:08:31,110 CALL HIM BRAD. 391 00:08:25,269 --> 00:08:31,110 [ DING ] 392 00:08:31,110 --> 00:08:33,179 [ LAUGHTER ] 393 00:08:31,110 --> 00:08:33,179 >> THIS FINAL AGAINST ROGER, I 394 00:08:33,179 --> 00:08:36,110 MANAGED TO PLAY THE BEST TENNIS 395 00:08:33,179 --> 00:08:36,110 OF THAT WEEK 396 00:08:36,110 --> 00:08:40,210 AND OBVIOUSLY WHEN THE SCORE 397 00:08:36,110 --> 00:08:40,210 WAS DEUCE, AND JUICE GOT LOOSE 398 00:08:40,210 --> 00:08:42,169 [ DING ] 399 00:08:40,210 --> 00:08:42,169 [ LAUGHTER ] 400 00:08:42,169 --> 00:08:44,250 >> IT'S BASICALLY INSTINCT, 401 00:08:42,169 --> 00:08:44,250 UM - 402 00:08:44,250 --> 00:08:46,179 >> WHEN THE SCORE IS DEUCE, THE 403 00:08:44,250 --> 00:08:46,179 JUICE GETS LOOSE 404 00:08:46,179 --> 00:08:49,190 [ DING ] 405 00:08:46,179 --> 00:08:49,190 [ LAUGHTER ] 406 00:08:49,190 --> 00:08:51,179 >> --SWEATY HUGS, SWEATY 407 00:08:49,190 --> 00:08:51,179 HIGH-FIVES 408 00:08:51,179 --> 00:08:53,139 TEAM TOWEL 409 00:08:51,179 --> 00:08:53,139 LIKE, I DON'T EVEN KNOW WHO 410 00:08:53,139 --> 00:08:55,169 AGREED TO THAT 411 00:08:53,139 --> 00:08:55,169 THISH ISH TENNISH. 412 00:08:55,169 --> 00:08:58,000 [ DING ] 413 00:08:55,169 --> 00:08:58,000 I MEAN, I DON'T -- I DON'T KNOW 414 00:08:58,000 --> 00:08:59,100 WHAT WE'RE DOING 415 00:08:58,000 --> 00:08:59,100 [ LAUGHTER AND APPLAUSE 416 00:08:59,100 --> 00:09:01,120 >> Jimmy: THISH ISH TENNISH. 417 00:08:59,100 --> 00:09:01,120 [ CHEERS AND APPLAUSE 418 00:09:01,120 --> 00:09:02,240 THAT'S THE BEST. 419 00:09:01,120 --> 00:09:02,240 THAT IS THE BEST 420 00:09:02,240 --> 00:09:04,200 >> Steve: COME ON. 421 00:09:02,240 --> 00:09:04,200 >> Jimmy: DUDE, I WAS SO 422 00:09:04,200 --> 00:09:07,190 HAPPY -- 423 00:09:04,200 --> 00:09:07,190 THANK YOU FOR DOING THAT 424 00:09:07,190 --> 00:09:10,009 I -- "THISH ISH TENNISH" IS 425 00:09:07,190 --> 00:09:10,009 WHAT I WROTE 426 00:09:10,009 --> 00:09:11,159 [ LIGHT LAUGHTER ] 427 00:09:10,009 --> 00:09:11,159 I WAS LIKE, "NONE OF THEM WILL 428 00:09:11,159 --> 00:09:12,139 DO THAT ONE. 429 00:09:11,159 --> 00:09:12,139 [ LAUGHTER ] 430 00:09:12,139 --> 00:09:14,049 I WAS HOPING THAT MAYBE 431 00:09:12,139 --> 00:09:14,049 JOHN McENROE WOULD BE LIKE, 432 00:09:14,049 --> 00:09:15,179 "THISH ISH TENNISH." 433 00:09:14,049 --> 00:09:15,179 [ LAUGHTER ] 434 00:09:15,179 --> 00:09:17,000 YEAH, AND JUST SEE IF HE CAN 435 00:09:15,179 --> 00:09:17,000 HEAR - 436 00:09:17,000 --> 00:09:18,100 DUDE, SHE DID, LIKE, A 437 00:09:17,000 --> 00:09:18,100 A CHARACTER AND EVERYTHING 438 00:09:18,100 --> 00:09:19,190 IT WAS SO GOOD 439 00:09:18,100 --> 00:09:19,190 [ LAUGHTER ] 440 00:09:19,190 --> 00:09:21,049 THEY WERE ALL GREAT. 441 00:09:19,190 --> 00:09:21,049 THANK YOU SO MUCH TO ALL THE 442 00:09:21,049 --> 00:09:23,200 PLAYERS, THE USTA. 443 00:09:21,049 --> 00:09:23,200 [ CHEERS AND APPLAUSE 444 00:09:23,200 --> 00:09:27,120 THE ATP AND WTA TOURS AND THE 445 00:09:23,200 --> 00:09:27,120 CINCINNATI TOURNAMENT. 446 00:09:27,120 --> 00:09:28,120 STICK AROUND, WE'LL BE RIGHT 447 00:09:27,120 --> 00:09:28,120 BACK WITH MORE OF 448 00:09:28,120 --> 00:09:30,210 "THE TONIGHT SHOW," EVERYBODY. 449 00:09:28,120 --> 00:09:30,210 COME ON BACK 450 00:09:30,210 --> 00:10:00,139 [ CHEERS AND APPLAUSE 451 00:09:30,210 --> 00:10:00,139 ♪ 452 00:10:00,139 --> 00:10:03,009 >> Jimmy: IT SURE IS SPOOKY OUT 453 00:10:00,139 --> 00:10:03,009 HERE TONIGHT 454 00:10:03,009 --> 00:10:04,259 WHEN I'M SPOOKED, WHAT MAKES ME 455 00:10:03,009 --> 00:10:04,259 FEEL BETTER IS TELLING SCARY 456 00:10:04,259 --> 00:10:10,070 STORIES. 457 00:10:04,259 --> 00:10:10,070 >> I GOT A REALLY SCARY STORY. 458 00:10:10,070 --> 00:10:12,159 DO YOU KNOW THE ONE ABOUT THE 459 00:10:10,070 --> 00:10:12,159 MAN WITH THE HOOKED HANDS? 460 00:10:12,159 --> 00:10:14,080 >> Jimmy: NO, NO, NOT THOSE 461 00:10:12,159 --> 00:10:14,080 KIND OF STORIES, REAL SCARY 462 00:10:14,080 --> 00:10:19,049 STORIES. 463 00:10:14,080 --> 00:10:19,049 >> HOW REAL ARE WE TALKING 464 00:10:19,049 --> 00:10:22,039 LIKE, REAL REAL OR REAL REAL 465 00:10:19,049 --> 00:10:22,039 REAL 466 00:10:22,039 --> 00:10:26,210 >> Jimmy: REAL REAL REAL 467 00:10:22,039 --> 00:10:26,210 I'LL GO FIRST. 468 00:10:26,210 --> 00:10:29,070 THIS ONE WILL SEND SHIVERS DOWN 469 00:10:26,210 --> 00:10:29,070 THE CURVATURE OF YOUR SPINE. 470 00:10:29,070 --> 00:10:36,110 [ LAUGHTER ] 471 00:10:29,070 --> 00:10:36,110 YEARS BACK, THERE WAS AN OLD 472 00:10:36,110 --> 00:10:38,259 BARN UP ON THE HILL. 473 00:10:36,110 --> 00:10:38,259 AND THERE WAS A WEDDING IN THAT 474 00:10:38,259 --> 00:10:40,129 BARN 475 00:10:38,259 --> 00:10:40,129 AND I WAS INVITED AS A PLUS 476 00:10:40,129 --> 00:10:42,240 ONE. 477 00:10:40,129 --> 00:10:42,240 I DIDN'T KNOW A SINGLE SOUL 478 00:10:42,240 --> 00:10:45,090 THERE. 479 00:10:42,240 --> 00:10:45,090 [ GASPING 480 00:10:45,090 --> 00:10:49,200 THAT'S NOT EVEN THE WORST PART 481 00:10:45,090 --> 00:10:49,200 THE WORST PART WAS - 482 00:10:49,200 --> 00:10:52,159 THEY WEREN'T SERVING ALCOHOL 483 00:10:49,200 --> 00:10:52,159 [ SCREAMING 484 00:10:52,159 --> 00:10:57,000 I HAD TO TALK TO PEOPLE, YEAH. 485 00:10:52,159 --> 00:10:57,000 WHO DOES THAT? 486 00:10:57,000 --> 00:10:58,190 >> I PEED A LITTLE IN MY PANTS 487 00:10:57,000 --> 00:10:58,190 [ LAUGHTER ] 488 00:10:58,190 --> 00:11:02,200 >> Jimmy: OKAY, ALL RIGHT, 489 00:10:58,190 --> 00:11:02,200 YEAH, ALL RIGHT. 490 00:11:02,200 --> 00:11:04,259 >> BUT I HAVE AN EVEN SCARIER 491 00:11:02,200 --> 00:11:04,259 ONE. 492 00:11:04,259 --> 00:11:08,179 THIS ONE WILL CHILL YOU TO THE 493 00:11:04,259 --> 00:11:08,179 BONE 494 00:11:08,179 --> 00:11:12,259 IT WAS MY BIRTHDAY 495 00:11:08,179 --> 00:11:12,259 A GUY AT WORK SAID, "HEY, HAPPY 496 00:11:12,259 --> 00:11:18,059 BIRTHDAY." 497 00:11:12,259 --> 00:11:18,059 >> AND THEN? 498 00:11:18,059 --> 00:11:20,190 >> I SAID, "THANKS, YOU TOO. 499 00:11:18,059 --> 00:11:20,190 [ SCREAMING 500 00:11:20,190 --> 00:11:24,259 >> Jimmy: THAT'S A SO -- 501 00:11:20,190 --> 00:11:24,259 THAT'S A SOCIAL FAUX PAS 502 00:11:24,259 --> 00:11:27,159 >> TRUE. 503 00:11:24,259 --> 00:11:27,159 A SO-FAUX PAS. 504 00:11:27,159 --> 00:11:31,039 >> Jimmy: YEAH 505 00:11:27,159 --> 00:11:31,039 [ LIGHT LAUGHTER ] 506 00:11:31,039 --> 00:11:33,009 >> OKAY, YOU THINK THOSE ARE 507 00:11:31,039 --> 00:11:33,009 SCARY? 508 00:11:33,009 --> 00:11:36,220 OKAY 509 00:11:33,009 --> 00:11:36,220 I WAS ONCE ON A DATE WITH 510 00:11:36,220 --> 00:11:38,139 A GUY. 511 00:11:36,220 --> 00:11:38,139 I KNOW, WEIRD, RIGHT 512 00:11:38,139 --> 00:11:42,129 [ LAUGHTER ] 513 00:11:38,139 --> 00:11:42,129 HE SEEMED NORMAL, YOU KNOW 514 00:11:42,129 --> 00:11:45,110 BUT OUT OF NOWHERE, HE SAID 515 00:11:42,129 --> 00:11:45,110 SOMETHING THAT WILL HAUNT ME 516 00:11:45,110 --> 00:11:48,159 UNTIL THE DAY OF DIE 517 00:11:45,110 --> 00:11:48,159 >> Jimmy: NO 518 00:11:48,159 --> 00:11:51,210 >> YEAH, I CAN SOMETIMES HEAR 519 00:11:48,159 --> 00:11:51,210 IT AT NIGHT. 520 00:11:51,210 --> 00:11:55,129 HE SAID, "I HOPE YOU LIKE VAPE 521 00:11:51,210 --> 00:11:55,129 TRICKS." 522 00:11:55,129 --> 00:11:57,019 >> Jimmy: OH, MY GOSH. 523 00:11:55,129 --> 00:11:57,019 [ LAUGHTER ] 524 00:11:57,019 --> 00:11:58,279 >> I HAVE -- 525 00:11:57,019 --> 00:11:58,279 >> Jimmy: OH, MY GOSH. 526 00:11:58,279 --> 00:12:00,129 >> -- CHILLS 527 00:11:58,279 --> 00:12:00,129 >> Jimmy: OH, MY GOSH. 528 00:12:00,129 --> 00:12:03,049 [ LIGHT LAUGHTER ] 529 00:12:00,129 --> 00:12:03,049 >> AND THEN HE DID VAPE TRICKS 530 00:12:03,049 --> 00:12:04,179 >> Jimmy: NO, NO 531 00:12:03,049 --> 00:12:04,179 >> NO! 532 00:12:04,179 --> 00:12:06,039 >> Jimmy: OH, MY GOD 533 00:12:04,179 --> 00:12:06,039 WITH THE RINGS AND - 534 00:12:06,039 --> 00:12:07,129 >> LIKE -- 535 00:12:06,039 --> 00:12:07,129 >> Jimmy: YEAH, AND -- OH, NO. 536 00:12:07,129 --> 00:12:08,220 GOSH 537 00:12:07,129 --> 00:12:08,220 >> TERRIFYING. 538 00:12:08,220 --> 00:12:12,169 >> Jimmy: THAT IS SO SCARY 539 00:12:08,220 --> 00:12:12,169 >> SO BAD. 540 00:12:12,169 --> 00:12:15,029 >> I CAN DO YOU ONE WORSE. 541 00:12:12,169 --> 00:12:15,029 [ LAUGHTER ] 542 00:12:15,029 --> 00:12:20,039 LAST YEAR I HAD GINGIVITIS 543 00:12:15,029 --> 00:12:20,039 [ SCREAMING 544 00:12:20,039 --> 00:12:25,019 THAT'S NOT THE SCARY PART. 545 00:12:20,039 --> 00:12:25,019 [ LIGHT LAUGHTER ] 546 00:12:25,019 --> 00:12:28,159 ANYWAY, I WENT FOR A CHECKUP 547 00:12:25,019 --> 00:12:28,159 RECENTLY, AND THE DENTIST SAID, 548 00:12:28,159 --> 00:12:31,279 "LOOKING GOOD, I CAN TELL 549 00:12:28,159 --> 00:12:31,279 YOU'VE BEEN FLOSSING." 550 00:12:31,279 --> 00:12:34,240 AND I LOOKED RIGHT AT HER AND I 551 00:12:31,279 --> 00:12:34,240 SAID - 552 00:12:34,240 --> 00:12:36,259 >> NO, DON'T SAY IT! 553 00:12:34,240 --> 00:12:36,259 I CAN'T -- 554 00:12:36,259 --> 00:12:38,149 >> I SAID, "YOU, TOO." 555 00:12:36,259 --> 00:12:38,149 [ SCREAMING 556 00:12:38,149 --> 00:12:39,240 I SHOULDN'T HAVE DONE IT 557 00:12:38,149 --> 00:12:39,240 [ LAUGHTER ] 558 00:12:39,240 --> 00:12:41,070 >> Jimmy: OH, MY - 559 00:12:39,240 --> 00:12:41,070 >> I DID IT AGAIN. 560 00:12:41,070 --> 00:12:42,200 >> Jimmy: YEAH, YEAH, SIMILAR 561 00:12:41,070 --> 00:12:42,200 SCARY. 562 00:12:42,200 --> 00:12:44,120 >> SIMILAR SCARY 563 00:12:42,200 --> 00:12:44,120 >> Jimmy: SIMILAR SCARY STORY. 564 00:12:44,120 --> 00:12:46,210 >> DOUBLE SCARE. 565 00:12:44,120 --> 00:12:46,210 >> Jimmy: WOW. 566 00:12:46,210 --> 00:12:49,070 THIS ONE I HAVE FOR YOU IS SO 567 00:12:46,210 --> 00:12:49,070 SCARY THE ONLY PERSON I EVER 568 00:12:49,070 --> 00:12:53,080 TOLD IT TO WAS MY THERAPIST. 569 00:12:49,070 --> 00:12:53,080 >> OH, GOD 570 00:12:53,080 --> 00:12:55,169 >> Jimmy: AFTER THAT, SHE QUIT 571 00:12:53,080 --> 00:12:55,169 THE BIZ AND BECAME A JUDGE ON 572 00:12:55,169 --> 00:12:56,259 "DANCING WITH THE STARS. 573 00:12:55,169 --> 00:12:56,259 [ LAUGHTER ] 574 00:12:56,259 --> 00:13:04,159 ANYWAY, ONE DAY -- 575 00:12:56,259 --> 00:13:04,159 [ LIGHT LAUGHTER ] 576 00:13:04,159 --> 00:13:10,029 I WAS WALKING DOWN THE STREET. 577 00:13:04,159 --> 00:13:10,029 SO I SAW SOMEONE WAVING AT ME. 578 00:13:10,029 --> 00:13:13,179 SO I WAVED BACK. 579 00:13:10,029 --> 00:13:13,179 THEN I REALIZED HE WAS ACTUALLY 580 00:13:13,179 --> 00:13:15,200 WAVING TO SOMEONE BEHIND ME. 581 00:13:13,179 --> 00:13:15,200 SO I PRETENDED TO BE DIRECTING 582 00:13:15,200 --> 00:13:17,220 TRAFFIC. 583 00:13:15,200 --> 00:13:17,220 [ LAUGHTER ] 584 00:13:17,220 --> 00:13:20,269 I STAYED AND DIRECTED TRAFFIC 585 00:13:17,220 --> 00:13:20,269 FOR THREE HOURS. 586 00:13:20,269 --> 00:13:23,200 AND I'VE GONE BACK THERE TO 587 00:13:20,269 --> 00:13:23,200 DIRECT TRAFFIC EVERY DAY SINCE 588 00:13:23,200 --> 00:13:26,149 JUST TO KEEP UP THE CHARADE. 589 00:13:23,200 --> 00:13:26,149 [ LAUGHTER ] 590 00:13:26,149 --> 00:13:28,019 >> NO! 591 00:13:26,149 --> 00:13:28,019 >> Jimmy: I DID! 592 00:13:28,019 --> 00:13:33,059 >> NO! 593 00:13:28,019 --> 00:13:33,059 THAT'S NOTHING 594 00:13:33,059 --> 00:13:36,070 MY SKIN'S A-TINGLING JUST 595 00:13:33,059 --> 00:13:36,070 THINKING ABOUT THIS SPOOKY 596 00:13:36,070 --> 00:13:39,090 TALE 597 00:13:36,070 --> 00:13:39,090 [ LAUGHTER ] 598 00:13:39,090 --> 00:13:42,039 SETTLE IN. 599 00:13:39,090 --> 00:13:42,039 >> I'M SETTLED 600 00:13:42,039 --> 00:13:46,250 >> THE OTHER DAY, I COUGHED, 601 00:13:42,039 --> 00:13:46,250 BUT IT SOUNDED LIKE A SNEEZE 602 00:13:46,250 --> 00:13:50,200 SO SOMEONE TURNED TO ME AND 603 00:13:46,250 --> 00:13:50,200 SAID, "BLESS YOU." 604 00:13:50,200 --> 00:13:53,120 THEN I TURNED TO THEM AND I 605 00:13:50,200 --> 00:13:53,120 SAID - 606 00:13:53,120 --> 00:13:57,110 >> Jimmy: LET ME GUESS 607 00:13:53,120 --> 00:13:57,110 YOU SAID, "YOU TOO." 608 00:13:57,110 --> 00:14:00,289 >> NO. 609 00:13:57,110 --> 00:14:00,289 I SAID, "OIL ME UP, DADDY. 610 00:14:00,289 --> 00:14:02,009 IT'S DINNERTIME, AND I'M A 611 00:14:00,289 --> 00:14:02,009 A LITTLE SOUP BOY, CHOMPA, 612 00:14:02,009 --> 00:14:05,059 CHOMPA." 613 00:14:02,009 --> 00:14:05,059 [ LAUGHTER ] 614 00:14:05,059 --> 00:14:12,000 [ SCREAMING 615 00:14:05,059 --> 00:14:12,000 >> Jimmy: HEY, IS THERE 616 00:14:12,000 --> 00:14:14,250 SOMETHING WE CAN DO FOR YOU? 617 00:14:12,000 --> 00:14:14,250 >> YOU GUYS WANT TO SEE A BUNCH 618 00:14:14,250 --> 00:14:18,159 OF SUNSETS I TOOK ON MY PHONE? 619 00:14:14,250 --> 00:14:18,159 [ SCREAMING 620 00:14:18,159 --> 00:14:39,269 [ CHEERS AND APPLAUSE 621 00:14:18,159 --> 00:14:39,269 ♪ 622 00:14:39,269 --> 00:14:42,250 >> Jimmy: OUR FIRST GUEST IS AN 623 00:14:39,269 --> 00:14:42,250 EMMY-WINNING ACTOR WHO STARS IN 624 00:14:42,250 --> 00:14:46,100 THE NEW MOVIE, 625 00:14:42,250 --> 00:14:46,100 "IT CHAPTER TWO", WHICH IS IN 626 00:14:46,100 --> 00:14:50,149 THEATRES AND IMAX ON FRIDAY. 627 00:14:48,029 --> 00:14:50,149 LADIES AND GENTLEMEN, PLEASE 628 00:14:48,289 --> 00:14:50,149 WELCOME BILL HADER 629 00:14:51,080 --> 00:15:08,200 [ CHEERS AND APPLAUSE 630 00:14:51,080 --> 00:15:08,200 ♪ 631 00:15:08,200 --> 00:15:10,100 >> Jimmy: THEY LOVE YOU, BILL. 632 00:15:08,200 --> 00:15:10,100 >> HI, GUYS. 633 00:15:10,100 --> 00:15:11,250 >> Jimmy: THANK YOU SO MUCH FOR 634 00:15:10,100 --> 00:15:11,250 BEING HERE 635 00:15:11,250 --> 00:15:13,049 WELCOME BACK - 636 00:15:11,250 --> 00:15:13,049 >> THANKS, MAN 637 00:15:13,049 --> 00:15:14,169 >> Jimmy: TO THE SHOW. 638 00:15:13,049 --> 00:15:14,169 I KNOW YOU'RE A VERY, VERY BUSY 639 00:15:14,169 --> 00:15:16,059 MAN. 640 00:15:14,169 --> 00:15:16,059 YOU'RE OFF TO THE EMMYS VERY 641 00:15:16,059 --> 00:15:17,259 SOON 642 00:15:16,059 --> 00:15:17,259 >> YEAH. 643 00:15:17,259 --> 00:15:19,110 >> Jimmy: BECAUSE YOU WERE 644 00:15:17,259 --> 00:15:19,110 NOMINATED. 645 00:15:19,110 --> 00:15:21,070 YOU HAVE TWO SHOWS NOMINATED 646 00:15:19,110 --> 00:15:21,070 "BARRY" -- 647 00:15:21,070 --> 00:15:22,100 [ CHEERS ] 648 00:15:21,070 --> 00:15:22,100 AND, YEAH. 649 00:15:22,100 --> 00:15:23,100 >> THANK YOU 650 00:15:22,100 --> 00:15:23,100 [ CHEERS AND APPLAUSE 651 00:15:23,100 --> 00:15:24,190 >> Jimmy: ABSOLUTELY 652 00:15:23,100 --> 00:15:24,190 >> THANKS. 653 00:15:24,190 --> 00:15:25,210 >> Jimmy: AND "DOCUMENTARY 654 00:15:24,190 --> 00:15:25,210 NOW. 655 00:15:25,210 --> 00:15:28,039 >> YEAH. 656 00:15:25,210 --> 00:15:28,039 [ CHEERS AND APPLAUSE 657 00:15:28,039 --> 00:15:29,259 >> Jimmy: BETWEEN BOTH OF THOSE 658 00:15:28,039 --> 00:15:29,259 SHOWS, YOU HAVE 21 EMMY 659 00:15:29,259 --> 00:15:32,149 NOMINATIONS. 660 00:15:29,259 --> 00:15:32,149 >> YEAH, NO, IT'S CRAZY. 661 00:15:32,149 --> 00:15:36,100 [ CHEERS AND APPLAUSE 662 00:15:32,149 --> 00:15:36,100 ♪ 663 00:15:36,100 --> 00:15:37,289 IT'S KIND OF CRAZY, YEAH 664 00:15:36,100 --> 00:15:37,289 >> Jimmy: THAT'S AMAZING 665 00:15:37,289 --> 00:15:41,139 >> IT'S COOL 666 00:15:37,289 --> 00:15:41,139 I'M HAPPY THAT ON "BARRY", THAT 667 00:15:41,139 --> 00:15:45,250 SARAH GOLDBERG AND 668 00:15:41,139 --> 00:15:45,250 ANTHONY CARRIGAN, WHO PLAYS 669 00:15:45,250 --> 00:15:47,149 NOHO HANK, AND STEPHEN ROOT, 670 00:15:45,250 --> 00:15:47,149 THEY ALL GOT NOMINATED 671 00:15:47,149 --> 00:15:48,269 THEY'D NEVER BEEN NOMINATED 672 00:15:47,149 --> 00:15:48,269 BEFORE 673 00:15:48,269 --> 00:15:50,159 >> Jimmy: THAT'S SO FUN. 674 00:15:48,269 --> 00:15:50,159 >> SO THAT WAS -- YEAH, THAT 675 00:15:50,159 --> 00:15:51,220 WAS AWESOME. 676 00:15:50,159 --> 00:15:51,220 YEAH 677 00:15:51,220 --> 00:15:53,009 >> Jimmy: THAT'S FANTASTIC, 678 00:15:51,220 --> 00:15:53,009 DUDE 679 00:15:53,009 --> 00:15:54,110 >> YEAH. 680 00:15:53,009 --> 00:15:54,110 >> Jimmy: YOU'RE JUST CRUSHING 681 00:15:54,110 --> 00:15:55,139 IT 682 00:15:54,110 --> 00:15:55,139 >> THANKS. 683 00:15:55,139 --> 00:15:57,090 >> Jimmy: A LOT OF PEOPLE WERE 684 00:15:55,139 --> 00:15:57,090 TALKING ABOUT THE EPISODE THAT 685 00:15:57,090 --> 00:15:58,250 YOU DIRECTED 686 00:15:57,090 --> 00:15:58,250 I BELIEVE IT WAS "RONNY/LILY"? 687 00:15:58,250 --> 00:16:00,049 >> YEAH, "RONNY/LILY" WITH THE 688 00:15:58,250 --> 00:16:00,049 LITTLE GIRL, THE LITTLE KARATE 689 00:16:00,049 --> 00:16:01,200 GIRL 690 00:16:00,049 --> 00:16:01,200 YEAH 691 00:16:01,200 --> 00:16:03,100 >> Jimmy: I MEAN, THIS KARATE 692 00:16:01,200 --> 00:16:03,100 GIRL THAT WAS -- 693 00:16:03,100 --> 00:16:05,149 >> YEAH. 694 00:16:03,100 --> 00:16:05,149 [ LIGHT LAUGHTER ] 695 00:16:05,149 --> 00:16:08,009 >> Jimmy: JUST BEATING YOU UP. 696 00:16:05,149 --> 00:16:08,009 >> YEAH, THE WHOLE EPISODE IS 697 00:16:08,009 --> 00:16:11,159 THIS LITTLE GIRL 698 00:16:08,009 --> 00:16:11,159 HER NAME IS JESSIE, AND SHE -- 699 00:16:11,159 --> 00:16:13,090 WE WROTE THIS SCRIPT WHERE SHE 700 00:16:11,159 --> 00:16:13,090 HAD TO DO LIKE ALL TYPES OF 701 00:16:13,090 --> 00:16:16,070 CRAZY THINGS WHERE SHE HAD TO 702 00:16:13,090 --> 00:16:16,070 JUMP ON TOP OF ME, AND FLY ON 703 00:16:16,070 --> 00:16:20,149 WALLS, AND CRAWL UP HOUSES AND 704 00:16:16,070 --> 00:16:20,149 STUFF. 705 00:16:20,149 --> 00:16:22,039 AND I WAS LIKE, "I DON'T KNOW 706 00:16:20,149 --> 00:16:22,039 HOW WE'RE GOING TO DO THIS." 707 00:16:22,039 --> 00:16:23,129 AND I REMEMBER MY STUNT 708 00:16:22,039 --> 00:16:23,129 COORDINATOR, WADE ALLEN, SAID, 709 00:16:23,129 --> 00:16:28,070 YOU KNOW, I HAVE -- THERE'S 710 00:16:23,129 --> 00:16:28,070 THIS LITTLE GIRL, HER PARENTS 711 00:16:28,070 --> 00:16:31,029 ARE STUNT WOMEN AND MEN. 712 00:16:28,070 --> 00:16:31,029 AND IT'S -- IT'S A FAMILY. 713 00:16:31,029 --> 00:16:36,100 [ LAUGHTER ] 714 00:16:31,029 --> 00:16:36,100 IT'S A WHOLE OTHER STORY 715 00:16:36,100 --> 00:16:38,019 BUT THEY SAID THAT SHE'S 716 00:16:36,100 --> 00:16:38,019 AMAZING. 717 00:16:38,019 --> 00:16:41,120 AND HE SHOWED ME THIS VIDEO OF 718 00:16:38,019 --> 00:16:41,120 HER RUNNING ALONG THE TOP OF A 719 00:16:41,120 --> 00:16:45,129 A ROOF, AND JUMPING ON TO THE 720 00:16:41,120 --> 00:16:45,129 HOOD OF A MOVING CAR 721 00:16:45,129 --> 00:16:47,049 >> Jimmy: AND YOU'RE LIKE -- 722 00:16:45,129 --> 00:16:47,049 >> AND I GO, "WHY DO YOU HAVE 723 00:16:47,049 --> 00:16:49,049 THIS ON YOUR PHONE?" 724 00:16:47,049 --> 00:16:49,049 [ LAUGHTER ] 725 00:16:49,049 --> 00:16:50,169 >> Jimmy: WHY DIDN'T YOU CALL 726 00:16:49,049 --> 00:16:50,169 THE POLICE 727 00:16:50,169 --> 00:16:51,289 >> YEAH. 728 00:16:50,169 --> 00:16:51,289 YOU SHOULD CALL THE POLICE 729 00:16:51,289 --> 00:16:54,149 SHE CLEARLY DID SOMETHING 730 00:16:51,289 --> 00:16:54,149 WRONG. 731 00:16:54,149 --> 00:16:57,289 AND SO SHE CAME IN, AND SHE WAS 732 00:16:54,149 --> 00:16:57,289 LIKE AMAZING 733 00:16:57,289 --> 00:17:01,110 AND THEY GAVE HER DAD THE 734 00:16:57,289 --> 00:17:01,110 SCRIPT, AND HE READ IT, AND HE 735 00:17:01,110 --> 00:17:02,169 GOES, "OH, SHE'S DOING THIS 736 00:17:01,110 --> 00:17:02,169 KIND OF [ BLEEP ] WITH ME AND 737 00:17:02,169 --> 00:17:06,119 HER BROTHERS ALL THE TIME. 738 00:17:02,169 --> 00:17:06,119 [ LAUGHTER ] 739 00:17:06,119 --> 00:17:08,019 >> Jimmy: OH, MY GOD 740 00:17:06,119 --> 00:17:08,019 >> LIKE BEATING YOU UP, AND 741 00:17:08,019 --> 00:17:09,269 HITTING -- 742 00:17:08,019 --> 00:17:09,269 >> Jimmy: BUT THEN, TALK TO ME 743 00:17:09,269 --> 00:17:11,289 ABOUT "IT CHAPTER TWO. 744 00:17:09,269 --> 00:17:11,289 >> YEAH. 745 00:17:11,289 --> 00:17:13,150 >> Jimmy: THIS IS A BIG DEAL, 746 00:17:11,289 --> 00:17:13,150 BIG MOVIE. 747 00:17:13,150 --> 00:17:17,170 [ CHEERS AND APPLAUSE 748 00:17:13,150 --> 00:17:17,170 >> YEAH. 749 00:17:17,170 --> 00:17:20,089 >> Jimmy: FULL ON SCARY MOVIE, 750 00:17:17,170 --> 00:17:20,089 BUT ALSO A LOT OF ACTION IN 751 00:17:20,089 --> 00:17:21,250 THIS 752 00:17:20,089 --> 00:17:21,250 DO YOU DO YOUR OWN STUNTS IN 753 00:17:21,250 --> 00:17:23,069 THIS 754 00:17:21,250 --> 00:17:23,069 >> NO, WELL, OKAY. 755 00:17:23,069 --> 00:17:27,150 SO LIKE, JAMES McAVOY DOES HIS 756 00:17:23,069 --> 00:17:27,150 OWN STUNTS 757 00:17:27,150 --> 00:17:29,069 HE CAN LIKE RUN UP AND JUMP OFF 758 00:17:27,150 --> 00:17:29,069 OF THINGS, AND DO A BUNCH OF 759 00:17:29,069 --> 00:17:30,170 CRAZY THINGS 760 00:17:29,069 --> 00:17:30,170 >> Jimmy: YEAH 761 00:17:30,170 --> 00:17:34,250 >> AND EVERYBODY IS -- 762 00:17:30,170 --> 00:17:34,250 I -- THERE'S A PART WHERE WE 763 00:17:34,250 --> 00:17:38,140 HAD TO RUN FROM THE CLOWN. 764 00:17:34,250 --> 00:17:38,140 AND I RAN, AND I RAN FOUR FEET, 765 00:17:38,140 --> 00:17:40,289 AND PULLED MY GROIN MUSCLE 766 00:17:38,140 --> 00:17:40,289 [ LAUGHTER ] 767 00:17:40,289 --> 00:17:44,099 I WAS LIKE - 768 00:17:40,289 --> 00:17:44,099 [ SCREAMING 769 00:17:44,099 --> 00:17:46,160 >> Jimmy: DID YOU REALLY 770 00:17:44,099 --> 00:17:46,160 >> AND THEY HAD TO GET MY STUNT 771 00:17:46,160 --> 00:17:48,130 GUY JUST TO RUN. 772 00:17:46,160 --> 00:17:48,130 [ LAUGHTER ] 773 00:17:48,130 --> 00:17:50,180 LIKE, THE STUNT DUDES ARE SO 774 00:17:48,130 --> 00:17:50,180 STOKED TO LIKE - 775 00:17:50,180 --> 00:17:52,039 >> Jimmy: YEAH 776 00:17:50,180 --> 00:17:52,039 >> "WHAT AM I DOING, BRAH? 777 00:17:52,039 --> 00:17:53,230 >> Jimmy: YEAH, "AM I GOING 778 00:17:52,039 --> 00:17:53,230 THROUGH A WALL, BRAH?" 779 00:17:53,230 --> 00:17:55,029 >> "WANNA GO, BRAH?" 780 00:17:53,230 --> 00:17:55,029 GET ME HERE? 781 00:17:55,029 --> 00:17:56,150 THAT'S ALL YOU, DUDE 782 00:17:55,029 --> 00:17:56,150 THAT'S ALL YOU 783 00:17:56,150 --> 00:17:58,140 AND THEY WERE LIKE - 784 00:17:56,150 --> 00:17:58,140 I WAS LIKE, YEAH 785 00:17:58,140 --> 00:18:00,069 AND THE GUY WAS LIKE, "I JUST 786 00:17:58,140 --> 00:18:00,069 GOTTA RUN? 787 00:18:00,069 --> 00:18:02,119 ARE YOU SERIOUS? 788 00:18:00,069 --> 00:18:02,119 [ LAUGHTER ] 789 00:18:02,119 --> 00:18:04,079 >> Jimmy: "LIKE HOW FAR? 790 00:18:02,119 --> 00:18:04,079 >> "HADER'S THING -- 791 00:18:04,079 --> 00:18:06,130 BUT LIKE MILES, RIGHT? 792 00:18:04,079 --> 00:18:06,130 AND THEN I GET HIT BY A CAR? 793 00:18:06,130 --> 00:18:07,289 >> Jimmy: "FROM HERE TO THE 794 00:18:06,130 --> 00:18:07,289 CAMERA THERE?" 795 00:18:07,289 --> 00:18:10,079 >> "ARE YOU JOKING 796 00:18:07,289 --> 00:18:10,079 WHERE'D YOU FIND THIS DUDE?" 797 00:18:10,079 --> 00:18:13,029 [ LAUGHTER ] 798 00:18:10,079 --> 00:18:13,029 AND THEN I'M LIKE -- 799 00:18:13,029 --> 00:18:14,289 AND THEN I HAD TO GO AND GET 800 00:18:13,029 --> 00:18:14,289 LIKE AN ULTRASOUND WITH -- 801 00:18:14,289 --> 00:18:17,269 AND I HAD TO GET VERY FRIENDLY 802 00:18:14,289 --> 00:18:17,269 WITH A TORONTO DOCTOR. 803 00:18:17,269 --> 00:18:21,029 >> Jimmy: YEAH 804 00:18:17,269 --> 00:18:21,029 >> JUST LIKE, "OH MAN. 805 00:18:21,029 --> 00:18:22,190 OH, GOD MAN. 806 00:18:21,029 --> 00:18:22,190 HOW'D YOU GET THIS 807 00:18:22,190 --> 00:18:24,049 WERE YOU GETTING CHASED BY A 808 00:18:22,190 --> 00:18:24,049 A CLOWN THEN?" 809 00:18:24,049 --> 00:18:27,200 [ LAUGHTER ] 810 00:18:24,049 --> 00:18:27,200 >> Jimmy: I KNOW YOU HAD TO -- 811 00:18:27,200 --> 00:18:29,190 YOU GIVE CREDIT TO 812 00:18:27,200 --> 00:18:29,190 FINN WOLFHARD -- 813 00:18:29,190 --> 00:18:31,140 >> YEAH. 814 00:18:29,190 --> 00:18:31,140 >> Jimmy: FOR GETTING THIS 815 00:18:31,140 --> 00:18:32,269 ROLE, FROM "STRANGER THINGS", 816 00:18:31,140 --> 00:18:32,269 OBVIOUSLY. 817 00:18:32,269 --> 00:18:33,269 YEAH 818 00:18:32,269 --> 00:18:33,269 >> WOO 819 00:18:33,269 --> 00:18:38,109 [ CHEERS ] 820 00:18:33,269 --> 00:18:38,109 >> Jimmy: AND THE FIRST "IT. 821 00:18:38,109 --> 00:18:40,000 >> YEAH. 822 00:18:38,109 --> 00:18:40,000 >> Jimmy: I LIKE THAT GUY. 823 00:18:40,000 --> 00:18:41,029 WHY? 824 00:18:40,000 --> 00:18:41,029 WHY, HOW DO YOU -- 825 00:18:41,029 --> 00:18:43,000 >> OKAY, SO FINN - 826 00:18:41,029 --> 00:18:43,000 SO, WHEN THEY ASKED THEM, WHO 827 00:18:43,000 --> 00:18:44,099 DO YOU WANT TO PLAY YOU IN THE 828 00:18:43,000 --> 00:18:44,099 SEQUEL, 'CAUSE THEY ALL GROW 829 00:18:44,099 --> 00:18:45,170 UP 830 00:18:44,099 --> 00:18:45,170 HE SAID, HE WANTED ME TO 831 00:18:45,170 --> 00:18:48,059 AND THEN MY -- 832 00:18:45,170 --> 00:18:48,059 I THOUGHT, "OH, THAT'S SWEET." 833 00:18:48,059 --> 00:18:49,279 AND MY AGENT SENT ME A LITTLE 834 00:18:48,059 --> 00:18:49,279 CLIP OF HIM SAYING THAT. 835 00:18:49,279 --> 00:18:50,279 AND I WAS LIKE, "OH, THAT'S 836 00:18:49,279 --> 00:18:50,279 NICE." 837 00:18:50,279 --> 00:18:52,099 AND THEN LIKE THREE MONTHS 838 00:18:50,279 --> 00:18:52,099 LATER THEY WERE LIKE, "HEY, YOU 839 00:18:52,099 --> 00:18:53,160 GOT A MEETING TO MEET WITH THE 840 00:18:52,099 --> 00:18:53,160 DIRECTOR OF 'IT'." 841 00:18:53,160 --> 00:18:57,180 AND I WAS LIKE, "THIS FINN 842 00:18:53,160 --> 00:18:57,180 KID'S LIKE SUPER POWERFUL. 843 00:18:57,180 --> 00:18:58,279 [ LAUGHTER ] 844 00:18:57,180 --> 00:18:58,279 >> Jimmy: OH, MY GOSH. 845 00:18:58,279 --> 00:19:00,200 HE'S RUNNING HOLLYWOOD 846 00:18:58,279 --> 00:19:00,200 >> YEAH, HE'S LIKE JOFFREY 847 00:19:00,200 --> 00:19:04,150 [ LAUGHTER ] 848 00:19:00,200 --> 00:19:04,150 LIKE, "BRING HIM TO ME 849 00:19:04,150 --> 00:19:06,240 BRING ME THE MAN WHO PLAYED 850 00:19:04,150 --> 00:19:06,240 STEFON, I WANT HIM TO PLAY ME 851 00:19:06,240 --> 00:19:09,089 IN THE MOVIE 852 00:19:06,240 --> 00:19:09,089 [ LAUGHTER ] 853 00:19:09,089 --> 00:19:11,079 BRING HIM HERE!" 854 00:19:09,089 --> 00:19:11,079 [ APPLAUSE ] 855 00:19:11,079 --> 00:19:14,259 HIS LITTLE SCEPTER 856 00:19:11,079 --> 00:19:14,259 "GET HIM IN HERE NOW 857 00:19:14,259 --> 00:19:17,049 BARRY, WHATEVER HIS NAME IS. 858 00:19:14,259 --> 00:19:17,049 [ LIGHT LAUGHTER ] 859 00:19:17,049 --> 00:19:19,170 >> Jimmy: CAN YOU SET UP 860 00:19:17,049 --> 00:19:19,170 "IT CHAPTER TWO" 861 00:19:19,170 --> 00:19:20,200 'CAUSE THE FIRST ONE WAS 862 00:19:19,170 --> 00:19:20,200 TOTALLY FRIGHTENING, AND 863 00:19:20,200 --> 00:19:24,049 CONTINUES TO GIVE ME 864 00:19:20,200 --> 00:19:24,049 NIGHTMARES 865 00:19:24,049 --> 00:19:26,000 AND IT'S A -- WHICH IS I GUESS 866 00:19:24,049 --> 00:19:26,000 WHAT YOU WANT FROM THESE FILMS 867 00:19:26,000 --> 00:19:27,130 >> YEAH, I GUESS SO. 868 00:19:26,000 --> 00:19:27,130 I WOULD HOPE SO. 869 00:19:27,130 --> 00:19:29,000 >> Jimmy: IT'S FRIGHTENING 870 00:19:27,130 --> 00:19:29,000 >> IT'S TERRIFYING 871 00:19:29,000 --> 00:19:30,220 AND THEN, YEAH, I WENT TO 872 00:19:29,000 --> 00:19:30,220 THE -- 873 00:19:30,220 --> 00:19:32,250 SO IT'S LIKE - 874 00:19:30,220 --> 00:19:32,250 YEAH, IT'S 27 YEARS LATER. 875 00:19:32,250 --> 00:19:36,190 WE'RE ALL BACK 876 00:19:32,250 --> 00:19:36,190 AND THEY'RE, YOU KNOW, TRYING 877 00:19:36,190 --> 00:19:39,039 TO KILL THE -- 878 00:19:36,190 --> 00:19:39,039 >> Jimmy: CLOWN. 879 00:19:39,039 --> 00:19:40,160 >> FREAKING CLOWN. 880 00:19:39,039 --> 00:19:40,160 YEAH, AND THEN - 881 00:19:40,160 --> 00:19:42,190 [ LIGHT LAUGHTER ] 882 00:19:40,160 --> 00:19:42,190 >> Jimmy: EVERY 27 YEARS IT 883 00:19:42,190 --> 00:19:44,079 COMES BACK 884 00:19:42,190 --> 00:19:44,079 >> IT COMES BACK 885 00:19:44,079 --> 00:19:46,170 AND THEN, I WAS AT THE 886 00:19:44,079 --> 00:19:46,170 PREMIERE 887 00:19:46,170 --> 00:19:48,059 AND I NORMALLY DON'T SIT IN THE 888 00:19:46,170 --> 00:19:48,059 PREMIERE OF THINGS 889 00:19:48,059 --> 00:19:51,049 I KIND OF, LIKE, WALK THE RED 890 00:19:48,059 --> 00:19:51,049 CARPET, I GO "HI", AND THEN I 891 00:19:51,049 --> 00:19:52,119 GO HOME. 892 00:19:51,049 --> 00:19:52,119 BUT THAT ONE, I WAS LIKE, "I 893 00:19:52,119 --> 00:19:53,200 WANT TO SEE IT WITH AN 894 00:19:52,119 --> 00:19:53,200 AUDIENCE." 895 00:19:53,200 --> 00:19:55,289 AND I WENT, AND IT'S REALLY 896 00:19:53,200 --> 00:19:55,289 SCARY. 897 00:19:55,289 --> 00:19:57,210 LIKE, I KNEW WHAT WAS 898 00:19:55,289 --> 00:19:57,210 HAPPENING, AND I WAS LOOKING AT 899 00:19:57,210 --> 00:20:01,099 MY FEET A LOT OF THE TIME. 900 00:19:57,210 --> 00:20:01,099 [ LIGHT LAUGHTER ] 901 00:20:01,099 --> 00:20:03,000 AND THEN THERE WAS A GUY ACROSS 902 00:20:01,099 --> 00:20:03,000 THE AISLE FROM ME. 903 00:20:03,000 --> 00:20:04,190 MY CHARACTER AT ONE POINT IS 904 00:20:03,000 --> 00:20:04,190 PUT IN SOME REAL PERIL, WHERE 905 00:20:04,190 --> 00:20:06,009 YOU DON'T KNOW WHAT'S GOING TO 906 00:20:04,190 --> 00:20:06,009 HAPPEN 907 00:20:06,009 --> 00:20:10,190 AND THE GUY ACROSS THE AISLE 908 00:20:06,009 --> 00:20:10,190 WAS LIKE, "UH-OH, DUDE." 909 00:20:10,190 --> 00:20:13,109 [ LAUGHTER ] 910 00:20:10,190 --> 00:20:13,109 "LOOKS LIKE SOMEONE'S ABOUT TO 911 00:20:13,109 --> 00:20:16,130 DIE. 912 00:20:13,109 --> 00:20:16,130 [ LAUGHTER ] 913 00:20:16,130 --> 00:20:20,009 I WAS KIND OF LIKE, "YOU SEEM 914 00:20:16,130 --> 00:20:20,009 KIND OF STOKED ABOUT THIS. 915 00:20:20,009 --> 00:20:22,029 "YEAH, THAT'S WHY I FORKED OVER 916 00:20:20,009 --> 00:20:22,029 ALL THE CASH, TO SEE HADER DIE 917 00:20:22,029 --> 00:20:24,250 [ LIGHT LAUGHTER ] 918 00:20:22,029 --> 00:20:24,250 GOING TO BE PRETTY SWEET." 919 00:20:24,250 --> 00:20:26,140 >> Jimmy: "HERE WE GO. 920 00:20:24,250 --> 00:20:26,140 >> "HERE WE GO." 921 00:20:26,140 --> 00:20:28,160 IT'S DENNIS MILLER 922 00:20:26,140 --> 00:20:28,160 [ LIGHT LAUGHTER ] 923 00:20:28,160 --> 00:20:30,049 >> Jimmy: I DO WANT TO SHOW 924 00:20:28,160 --> 00:20:30,049 EVERYONE A CLIP. 925 00:20:30,049 --> 00:20:32,279 HERE'S BILL HADER IN 926 00:20:30,049 --> 00:20:32,279 "IT CHAPTER TWO. 927 00:20:32,279 --> 00:20:34,230 OH, BEFORE WE GO TO THE CLIP, I 928 00:20:32,279 --> 00:20:34,230 JUST WANT TO SAY, YOU'VE BEEN 929 00:20:34,230 --> 00:20:36,069 GETTING GREAT REVIEWS FOR THIS 930 00:20:34,230 --> 00:20:36,069 FILM 931 00:20:36,069 --> 00:20:37,099 >> OH, THANKS. 932 00:20:36,069 --> 00:20:37,099 YES. 933 00:20:37,099 --> 00:20:38,220 >> Jimmy: CONGRATS ON THAT 934 00:20:37,099 --> 00:20:38,220 DUDE 935 00:20:38,220 --> 00:20:40,240 >> THANK YOU SO MUCH 936 00:20:38,220 --> 00:20:40,240 >> Jimmy: I JUST LOVE WHEN GOOD 937 00:20:40,240 --> 00:20:42,069 THINGS HAPPEN TO GOOD PEOPLE 938 00:20:40,240 --> 00:20:42,069 HERE'S BILL HADER IN 939 00:20:42,069 --> 00:20:43,269 "IT CHAPTER TWO. 940 00:20:42,259 --> 00:20:43,269 TAKE A LOOK. 941 00:20:43,160 --> 00:20:43,269 [ CHEERS AND APPLAUSE 942 00:20:44,160 --> 00:20:48,140 >> HEY, RICHIE 943 00:20:44,160 --> 00:20:48,140 >> HOW'D YOU -- HOW'D YOU KNOW 944 00:20:48,140 --> 00:20:52,109 MY NAME? 945 00:20:48,140 --> 00:20:52,109 >> THE FUN'S JUST BEGINNING. 946 00:20:52,109 --> 00:21:02,000 RIGHT? 947 00:20:52,109 --> 00:21:02,000 >> WHAT YOU SAID - 948 00:21:02,000 --> 00:21:04,019 LISTEN, YOU THINK THIS IS 949 00:21:02,000 --> 00:21:04,019 FUNNY, RIGHT 950 00:21:04,019 --> 00:21:05,180 YOU THINK THIS IS SOME SORT OF 951 00:21:04,019 --> 00:21:05,180 GAME 952 00:21:05,180 --> 00:21:08,109 HUH? 953 00:21:05,180 --> 00:21:08,109 >> WHOA, RICH, BE CAREFUL. 954 00:21:08,109 --> 00:21:12,019 >> I'M NOT AFRAID OF YOU 955 00:21:08,109 --> 00:21:12,019 >> THE FUN'S JUST BEGINNING. 956 00:21:12,019 --> 00:21:13,180 IT'S A LINE FROM YOUR ACT, 957 00:21:12,019 --> 00:21:13,180 DUDE 958 00:21:13,180 --> 00:21:15,230 I'M A FAN. 959 00:21:13,180 --> 00:21:15,230 >> ARE THOSE YOUR PARENTS? 960 00:21:15,230 --> 00:21:19,279 >> YEAH. 961 00:21:15,230 --> 00:21:19,279 >> YOU WANT A PICTURE. 962 00:21:19,279 --> 00:21:22,029 >> YOU OKAY, DEAN? 963 00:21:19,279 --> 00:21:22,029 >> I THINK I'M GOOD. 964 00:21:22,029 --> 00:21:23,230 >> COME ON 965 00:21:22,029 --> 00:21:23,230 [ LAUGHTER ] 966 00:21:23,230 --> 00:21:25,160 >> OKAY, COOL. 967 00:21:23,230 --> 00:21:25,160 CUTE KID 968 00:21:25,160 --> 00:21:27,039 >> JESUS, RICH 969 00:21:25,160 --> 00:21:27,039 YOU DON'T REMEMBER A LINE FROM 970 00:21:27,039 --> 00:21:29,059 YOUR OWN SHOW? 971 00:21:27,039 --> 00:21:29,059 >> I DON'T WRITE MY OWN 972 00:21:29,059 --> 00:21:31,150 MATERIAL 973 00:21:29,059 --> 00:21:31,150 [ CHEERS AND APPLAUSE 974 00:21:31,150 --> 00:21:35,069 >> Jimmy: BILL HADER, 975 00:21:31,150 --> 00:21:35,069 EVERYBODY! 976 00:21:35,069 --> 00:21:37,220 "IT CHAPTER TWO" IS IN THEATERS 977 00:21:35,069 --> 00:21:37,220 AND IMAX ON FRIDAY 978 00:21:37,220 --> 00:21:40,079 CARA DELEVINGNE JOINS US AFTER 979 00:21:37,220 --> 00:21:40,079 THE BREAK. 980 00:21:40,079 --> 00:21:41,250 STICK AROUND 981 00:21:40,079 --> 00:21:41,250 COME ON BACK 982 00:21:41,250 --> 00:22:01,240 [ CHEERS AND APPLAUSE 983 00:21:41,250 --> 00:22:01,240 ♪ 984 00:22:01,240 --> 00:22:03,230 >> Jimmy: YOU CAN SEE OUR NEXT 985 00:22:01,240 --> 00:22:03,230 GUEST IN THE NEW SERIES, 986 00:22:03,230 --> 00:22:04,279 "CARNIVAL ROW", WHICH IS 987 00:22:03,230 --> 00:22:04,279 STREAMING NOW ON AMAZON PRIME 988 00:22:04,279 --> 00:22:09,220 VIDEO. 989 00:22:05,160 --> 00:22:09,220 EVERYONE, PLEASE WELCOME 990 00:22:06,250 --> 00:22:09,220 CARA DELEVINGNE. 991 00:22:11,089 --> 00:22:27,220 ♪ 992 00:22:11,089 --> 00:22:27,220 >> Jimmy: OH, MY GOODNESS. 993 00:22:27,220 --> 00:22:29,069 >> HI, GUYS. 994 00:22:27,220 --> 00:22:29,069 >> Jimmy: CARA DELEVINGNE, NICE 995 00:22:29,069 --> 00:22:30,200 TO SEE YOU 996 00:22:29,069 --> 00:22:30,200 >> NICE ENTRANCE SONG. 997 00:22:30,200 --> 00:22:32,059 I LIKE THAT. 998 00:22:30,200 --> 00:22:32,059 THANKS, GUYS 999 00:22:32,059 --> 00:22:33,220 >> Jimmy: THANKS YOU FOR COMING 1000 00:22:32,059 --> 00:22:33,220 BACK TO THE SHOW 1001 00:22:33,220 --> 00:22:35,049 THANK YOU FOR DOING THAT SCARY 1002 00:22:33,220 --> 00:22:35,049 STORIES -- 1003 00:22:35,049 --> 00:22:36,240 >> THANK YOU FOR HAVING ME 1004 00:22:35,049 --> 00:22:36,240 >> Jimmy: WITH BILL AND I. 1005 00:22:36,240 --> 00:22:38,059 DO YOU SCARE EASILY? 1006 00:22:36,240 --> 00:22:38,059 I HAVE A FEELING THAT YOU 1007 00:22:38,059 --> 00:22:39,190 DON'T. 1008 00:22:38,059 --> 00:22:39,190 >> BOO 1009 00:22:39,190 --> 00:22:42,039 >> Jimmy: NO, NOT SCARING ME, 1010 00:22:39,190 --> 00:22:42,039 BUT DO YOU GET SCARED? 1011 00:22:42,039 --> 00:22:45,089 >> I FEEL LIKE HAVING OLDER 1012 00:22:42,039 --> 00:22:45,089 SISTERS, YOU KIND OF - 1013 00:22:45,089 --> 00:22:48,160 I USED TO GET SCARED A LOT 1014 00:22:45,089 --> 00:22:48,160 AND ESPECIALLY AFTER - 1015 00:22:48,160 --> 00:22:50,170 YOU KNOW THAT "FRIENDS" EPISODE 1016 00:22:48,160 --> 00:22:50,170 WHEN HE TALKS ABOUT UNAGI? 1017 00:22:50,170 --> 00:22:51,230 [ LIGHT LAUGHTER ] 1018 00:22:50,170 --> 00:22:51,230 [ CHEERS ] 1019 00:22:51,230 --> 00:22:52,259 YOU KNOW WHAT I'M TALKING 1020 00:22:51,230 --> 00:22:52,259 ABOUT? 1021 00:22:52,259 --> 00:22:54,089 I FEEL LIKE I HAVE A PRETTY 1022 00:22:52,259 --> 00:22:54,089 GOOD UNAGI 1023 00:22:54,089 --> 00:22:55,210 >> Jimmy: YOU DO 1024 00:22:54,089 --> 00:22:55,210 >> YEAH, YEAH. 1025 00:22:55,210 --> 00:22:57,009 >> Jimmy: YOU DO STUFF LIKE, 1026 00:22:55,210 --> 00:22:57,009 DON'T YOU JUMP OUT OF PLANES OR 1027 00:22:57,009 --> 00:22:58,259 SOMETHING? 1028 00:22:57,009 --> 00:22:58,259 >> YEAH, I JUMP OUT -- 1029 00:22:58,259 --> 00:23:00,250 I DID BEAR GRYLLS RECENTLY, 1030 00:22:58,259 --> 00:23:00,250 WHICH WAS SO FUN 1031 00:23:00,250 --> 00:23:02,180 HAVE YOU SEEN -- 1032 00:23:00,250 --> 00:23:02,180 >> Jimmy: I LOVE BEAR GRYLLS 1033 00:23:02,180 --> 00:23:03,200 YEAH 1034 00:23:02,180 --> 00:23:03,200 >> YEAH, HE CAME TO MY SCHOOL 1035 00:23:03,200 --> 00:23:06,059 ACTUALLY, WHEN I WAS NINE YEARS 1036 00:23:03,200 --> 00:23:06,059 OLD. 1037 00:23:06,059 --> 00:23:08,079 AND HE WAS ONE OF THE FIRST 1038 00:23:06,059 --> 00:23:08,079 PEOPLE TO CLIMB EVEREST, 1039 00:23:08,079 --> 00:23:09,269 YOUNGEST PEOPLE TO CLIMB 1040 00:23:08,079 --> 00:23:09,269 EVEREST. 1041 00:23:09,269 --> 00:23:11,130 BUT I'VE BEEN OBSESSED WITH HIM 1042 00:23:09,269 --> 00:23:11,130 EVER SINCE 1043 00:23:11,130 --> 00:23:13,089 SO WHEN HE ASKED ME TO DO HIS 1044 00:23:11,130 --> 00:23:13,089 SHOW, I WAS -- 1045 00:23:13,089 --> 00:23:15,009 I JUST KNEW, WHATEVER BEAR 1046 00:23:13,089 --> 00:23:15,009 ASKED ME TO, I HAD TO DO IT. 1047 00:23:15,009 --> 00:23:16,200 >> Jimmy: NO, NO, NO, NO 1048 00:23:15,009 --> 00:23:16,200 >> NO MATTER WHAT IT WAS 1049 00:23:16,200 --> 00:23:18,029 >> Jimmy: NO, I MEAN, WELL 1050 00:23:16,200 --> 00:23:18,029 THAT'S - 1051 00:23:18,029 --> 00:23:19,250 YEAH, BUT NO, YOU DON'T 1052 00:23:18,029 --> 00:23:19,250 ACTUALLY HAVE TO DO EVERYTHING 1053 00:23:19,250 --> 00:23:21,079 >> NO, NO YOU DO 1054 00:23:19,250 --> 00:23:21,079 >> Jimmy: NO, NO, NO 1055 00:23:21,079 --> 00:23:22,279 >> YEAH. 1056 00:23:21,079 --> 00:23:22,279 BUT THE FUNNY PART WAS - 1057 00:23:22,279 --> 00:23:24,039 'CAUSE THEY USUALLY ASK LIKE, 1058 00:23:22,279 --> 00:23:24,039 OKAY, ARE YOU SCARED OF 1059 00:23:24,039 --> 00:23:25,269 HEIGHTS? 1060 00:23:24,039 --> 00:23:25,269 CAN YOU RIDE A MOTORCYCLE? 1061 00:23:25,269 --> 00:23:27,160 CAN YOU DO THIS? 1062 00:23:25,269 --> 00:23:27,160 AND EVERY TIME I GET ASKED THIS 1063 00:23:27,160 --> 00:23:29,150 ON A JOB, LIKE, CAN YOU TAP 1064 00:23:27,160 --> 00:23:29,150 DANCE? 1065 00:23:29,150 --> 00:23:31,069 CAN YOU DRIVE A CAR? 1066 00:23:29,150 --> 00:23:31,069 I'M ALWAYS LIKE, "YEAH, YEAH 1067 00:23:31,069 --> 00:23:32,230 I CAN DO EVERYTHING. 1068 00:23:31,069 --> 00:23:32,230 'CAUSE I ALWAYS THINK I CAN 1069 00:23:32,230 --> 00:23:34,089 LEARN HOW TO 1070 00:23:32,230 --> 00:23:34,089 SO LIKE, CAN YOU RIDE 1071 00:23:34,089 --> 00:23:37,009 A SCOOTER? 1072 00:23:34,089 --> 00:23:37,009 I WAS LIKE, "OF COURSE." 1073 00:23:37,009 --> 00:23:38,099 BUT I DIDN'T KNOW THAT I WAS 1074 00:23:37,009 --> 00:23:38,099 GOING TO HAVE LIKE START 1075 00:23:38,099 --> 00:23:40,289 MYSELF, THIS OLD ITALIAN 1076 00:23:38,099 --> 00:23:40,289 SCOOTER. 1077 00:23:40,289 --> 00:23:43,210 AND THAT WAS ACTUALLY THE 1078 00:23:40,289 --> 00:23:43,210 HARDEST PART OF THE WHOLE 1079 00:23:43,210 --> 00:23:45,099 THING. 1080 00:23:43,210 --> 00:23:45,099 IT TOOK ME AN HOUR TO LIKE GET 1081 00:23:45,099 --> 00:23:49,109 THE THING GOING. 1082 00:23:45,099 --> 00:23:49,109 >> Jimmy: THAT'S WHAT THE WHOLE 1083 00:23:49,109 --> 00:23:50,240 EPISODE IS, YOU TRYING TO START 1084 00:23:49,109 --> 00:23:50,240 AN OLD VESPA 1085 00:23:50,240 --> 00:23:52,069 >> TIPPING OVER, IT WAS SO 1086 00:23:50,240 --> 00:23:52,069 HUMILIATING. 1087 00:23:52,069 --> 00:23:54,079 GODDAMN VESPA WOULDN'T GO. 1088 00:23:52,069 --> 00:23:54,079 BUT THE FUNNIEST PART WAS, I 1089 00:23:54,079 --> 00:23:56,049 LIKE FINALLY GET IT HURTLING 1090 00:23:54,079 --> 00:23:56,049 DOWN, ON THIS VESPA YOU HAVE TO 1091 00:23:56,049 --> 00:23:58,039 CHANGE THE GEARS 1092 00:23:56,049 --> 00:23:58,039 AND SUDDENLY, THERE WAS THIS 1093 00:23:58,039 --> 00:23:59,200 RUMBLING BEHIND ME 1094 00:23:58,039 --> 00:23:59,200 I WAS LIKE, "OH MY GOD, I CAN 1095 00:23:59,200 --> 00:24:02,130 FEEL HIM." 1096 00:23:59,200 --> 00:24:02,130 THAT SOUNDS WEIRD. 1097 00:24:02,130 --> 00:24:03,279 BUT HE FLEW RIGHT OVER MY HEAD 1098 00:24:02,130 --> 00:24:03,279 ON A HELICOPTER. 1099 00:24:03,279 --> 00:24:05,140 I WAS LIKE, "AH, THERE HE IS!" 1100 00:24:03,279 --> 00:24:05,140 IT WAS AWESOME 1101 00:24:05,140 --> 00:24:06,200 >> Jimmy: REALLY 1102 00:24:05,140 --> 00:24:06,200 >> YEAH. 1103 00:24:06,200 --> 00:24:07,220 >> Jimmy: AND DID YOU HAVE TO 1104 00:24:06,200 --> 00:24:07,220 GO - 1105 00:24:07,220 --> 00:24:10,210 YOU HAD TO GO CAMPING. 1106 00:24:07,220 --> 00:24:10,210 YOU HAD TO EAT BUGS AND STUFF? 1107 00:24:10,210 --> 00:24:12,029 >> YEAH, YEAH. 1108 00:24:10,210 --> 00:24:12,029 >> Jimmy: YOU DID ALL OF IT. 1109 00:24:12,029 --> 00:24:14,220 >> I ATE A RAT 1110 00:24:12,029 --> 00:24:14,220 [ AUDIENCE GROANS 1111 00:24:14,220 --> 00:24:15,250 >> Jimmy: CARA, WHAT ARE YOU 1112 00:24:14,220 --> 00:24:15,250 DOING? 1113 00:24:15,250 --> 00:24:18,099 >> I TOLD YOU I WOULD DO 1114 00:24:15,250 --> 00:24:18,099 ANYTHING FOR BEAR. 1115 00:24:18,099 --> 00:24:20,160 >> Jimmy: WHAT ARE YOU DOING 1116 00:24:18,099 --> 00:24:20,160 >> I WOULD DO ANYTHING FOR 1117 00:24:20,160 --> 00:24:21,279 BEAR 1118 00:24:20,160 --> 00:24:21,279 >> Jimmy: YOU DID, YOU ATE A 1119 00:24:21,279 --> 00:24:23,039 A RAT? 1120 00:24:21,279 --> 00:24:23,039 >> YEAH, BUT THE WORST - 1121 00:24:23,039 --> 00:24:25,000 >> Jimmy: HOW COULD YOU THOUGH 1122 00:24:23,039 --> 00:24:25,000 >> THE WORST PART WAS, WE WERE 1123 00:24:25,000 --> 00:24:26,130 WALKING. 1124 00:24:25,000 --> 00:24:26,130 WE HAD JUST TRAVERSED DOWN A 1125 00:24:26,130 --> 00:24:27,250 A HILL, OR WHATEVER. 1126 00:24:26,130 --> 00:24:27,250 >> Jimmy: YEAH 1127 00:24:27,250 --> 00:24:29,119 >> I THINK THAT'S THE WORD - 1128 00:24:27,250 --> 00:24:29,119 >> Jimmy: SURE 1129 00:24:29,119 --> 00:24:30,279 >> THAT PEOPLE USE 1130 00:24:29,119 --> 00:24:30,279 I SAW THIS TAIL STICKING OUT, I 1131 00:24:30,279 --> 00:24:32,099 WAS LIKE, "WHAT'S THAT 1132 00:24:30,279 --> 00:24:32,099 IS THAT A RAT? 1133 00:24:32,099 --> 00:24:33,259 AND HE WAS LIKE, "PERFECT, 1134 00:24:32,099 --> 00:24:33,259 THAT'S OUR DINNER. 1135 00:24:33,259 --> 00:24:35,059 AND I WAS LIKE, "NO, THAT 1136 00:24:33,259 --> 00:24:35,059 WASN'T" -- 1137 00:24:35,059 --> 00:24:37,180 >> Jimmy: THAT WAS MY -- 1138 00:24:35,059 --> 00:24:37,180 >> 'CAUSE IT REALLY, THEY DON'T 1139 00:24:37,180 --> 00:24:38,269 SET IT UP. 1140 00:24:37,180 --> 00:24:38,269 >> Jimmy: THAT WAS A TISSUE 1141 00:24:38,269 --> 00:24:40,099 THAT FELL OUT OF MY BAG. 1142 00:24:38,269 --> 00:24:40,099 >> IT'S NOT SET UP 1143 00:24:40,099 --> 00:24:41,119 [ LIGHT LAUGHTER ] 1144 00:24:40,099 --> 00:24:41,119 IT'S NOT SET UP. 1145 00:24:41,119 --> 00:24:43,210 THE WHOLE THING -- 1146 00:24:41,119 --> 00:24:43,210 AND I WAS LIKE - 1147 00:24:43,210 --> 00:24:44,269 AND IT HAD BEEN DEAD FOR -- IT 1148 00:24:43,210 --> 00:24:44,269 DIDN'T SMELL THAT BAD, BUT IT 1149 00:24:44,269 --> 00:24:46,029 WASN'T FRESH OBVIOUSLY 1150 00:24:44,269 --> 00:24:46,029 [ AUDIENCE GROANS 1151 00:24:46,029 --> 00:24:49,119 BUT HE LIKE PICKED IT UP 1152 00:24:46,029 --> 00:24:49,119 HE WAS LIKE, "YOU CAN PUT IT IN 1153 00:24:49,119 --> 00:24:51,039 YOUR BAG 'CAUSE YOU DON'T HAVE 1154 00:24:49,119 --> 00:24:51,039 A LOT OF STUFF IN THERE. 1155 00:24:51,039 --> 00:24:53,289 LIKE - 1156 00:24:51,039 --> 00:24:53,289 [ LAUGHTER ] 1157 00:24:53,289 --> 00:24:55,250 >> Jimmy: OH, MY GOSH. 1158 00:24:53,289 --> 00:24:55,250 HAVE YOU EVER LIED BEFORE ON 1159 00:24:55,250 --> 00:24:56,279 OTHER -- 1160 00:24:55,250 --> 00:24:56,279 >> NO, YEAH. 1161 00:24:56,279 --> 00:24:58,099 NO, NOT -- 1162 00:24:56,279 --> 00:24:58,099 >> Jimmy: I'M SAYING LIKE TO 1163 00:24:58,099 --> 00:24:59,240 GET ROLES. 1164 00:24:58,099 --> 00:24:59,240 >> I DID VICTORIA'S SECRET, AND 1165 00:24:59,240 --> 00:25:01,049 THEY WERE LIKE, "CAN YOU ROLLER 1166 00:24:59,240 --> 00:25:01,049 SKATE? 1167 00:25:01,049 --> 00:25:02,190 I WAS LIKE, "YEAH, OF COURSE, 1168 00:25:01,049 --> 00:25:02,190 IT'S EASY. 1169 00:25:02,190 --> 00:25:04,019 AND THEN WE WERE DOING 1170 00:25:02,190 --> 00:25:04,019 REHEARSALS, AND I CAN'T ROLLER 1171 00:25:04,019 --> 00:25:05,000 SKATE. 1172 00:25:04,019 --> 00:25:05,000 [ LIGHT LAUGHTER ] 1173 00:25:05,000 --> 00:25:06,200 AND SO I WAS LIKE, GETTING DOWN 1174 00:25:05,000 --> 00:25:06,200 TO THE END, AND JUSTIN BIEBER 1175 00:25:06,200 --> 00:25:08,130 IS MEANT TO BE THERE, AND I WAS 1176 00:25:06,200 --> 00:25:08,130 LIKE, "CATCH ME! 1177 00:25:08,130 --> 00:25:09,150 'CAUSE I DON'T KNOW HOW TO 1178 00:25:08,130 --> 00:25:09,150 STOP 1179 00:25:09,150 --> 00:25:11,089 [ LIGHT LAUGHTER ] 1180 00:25:09,150 --> 00:25:11,089 >> Jimmy: JUSTIN BIEBER, CATCH 1181 00:25:11,089 --> 00:25:12,279 ME 1182 00:25:11,089 --> 00:25:12,279 >> YEAH, BUT -- YEAH, LUCKILY. 1183 00:25:12,279 --> 00:25:14,240 BUT THEN THEY WERE LIKE, THIS 1184 00:25:12,279 --> 00:25:14,240 IS A RISK, SO WE'RE JUST GOING 1185 00:25:14,240 --> 00:25:17,190 TO HAVE YOU WALK 1186 00:25:14,240 --> 00:25:17,190 >> Jimmy: YOU DO A GREAT IRISH 1187 00:25:17,190 --> 00:25:19,079 ACCENT IN "CARNIVAL ROW. 1188 00:25:17,190 --> 00:25:19,079 >> THANK YOU VERY MUCH 1189 00:25:19,079 --> 00:25:20,140 >> Jimmy: YEAH, THANK YOU VERY 1190 00:25:19,079 --> 00:25:20,140 MUCH 1191 00:25:20,140 --> 00:25:21,150 >> THAT WAS VERY BAD 1192 00:25:20,140 --> 00:25:21,150 [ IRISH BROGUE ] 1193 00:25:21,150 --> 00:25:23,099 >> Jimmy: HOW DO YOU DO THAT 1194 00:25:21,150 --> 00:25:23,099 HOW YOU JUST GET RIGHT INTO IT 1195 00:25:23,099 --> 00:25:24,250 >> ARE YOU IRISH 1196 00:25:23,099 --> 00:25:24,250 THAT'S ACTUALLY QUITE GOOD 1197 00:25:24,250 --> 00:25:26,109 >> Jimmy: I'M DRUNK RIGHT NOW, 1198 00:25:24,250 --> 00:25:26,109 BUT THANK YOU. 1199 00:25:26,109 --> 00:25:30,059 [ LAUGHTER ] 1200 00:25:26,109 --> 00:25:30,059 >> ME TOO, IT'S GREAT. 1201 00:25:30,059 --> 00:25:32,000 >> Jimmy: EXPLAIN THE -- 1202 00:25:30,059 --> 00:25:32,000 CAN YOU SET UP "CARNIVAL ROW" 1203 00:25:32,000 --> 00:25:34,009 FOR ANYONE WHO HASN'T HEARD OF 1204 00:25:32,000 --> 00:25:34,009 IT 1205 00:25:34,009 --> 00:25:35,140 >> NO. 1206 00:25:34,009 --> 00:25:35,140 >> Jimmy: OKAY 1207 00:25:35,140 --> 00:25:36,240 >> OKAY. 1208 00:25:35,140 --> 00:25:36,240 [ LIGHT LAUGHTER ] 1209 00:25:36,240 --> 00:25:38,220 >> Jimmy: BUT I MEAN 1210 00:25:36,240 --> 00:25:38,220 >> THAT'S NOT WHAT I MEANT 1211 00:25:38,220 --> 00:25:40,019 SO 1212 00:25:38,220 --> 00:25:40,019 >> Jimmy: IT'S A FANTASY 1213 00:25:40,019 --> 00:25:41,180 >> IT'S A FANTASY. 1214 00:25:40,019 --> 00:25:41,180 IT'S A NEO -- IT'S SET IN THIS, 1215 00:25:41,180 --> 00:25:43,069 LIKE, NEO-VICTORIAN FANTASY 1216 00:25:41,180 --> 00:25:43,069 WORLD. 1217 00:25:43,069 --> 00:25:47,009 IT'S LIKE THIS CRIME THRILLER 1218 00:25:43,069 --> 00:25:47,009 WITH A - 1219 00:25:47,009 --> 00:25:48,269 NOT LIKE CLICHE HOLLYWOOD LOVE 1220 00:25:47,009 --> 00:25:48,269 STORY. 1221 00:25:48,269 --> 00:25:51,059 IT'S QUITE THIS, LIKE, TWISTED, 1222 00:25:48,269 --> 00:25:51,059 HEARTBREAKING, LOVE STORY. 1223 00:25:51,059 --> 00:25:53,250 BUT ALSO THIS -- 1224 00:25:51,059 --> 00:25:53,250 THE BEST PART, IN MY OPINION, 1225 00:25:53,250 --> 00:25:56,099 IS THE TERRIFYING, BUT GREAT - 1226 00:25:53,250 --> 00:25:56,099 NOT GREAT, BUT TERRIFYING 1227 00:25:56,099 --> 00:25:58,130 SOCIAL COMMENTARY, WHICH IS 1228 00:25:56,099 --> 00:25:58,130 WHAT'S GOING ON IN THE WORLD 1229 00:25:58,130 --> 00:25:59,250 RIGHT NOW. 1230 00:25:58,130 --> 00:25:59,250 THERE'S SO MANY DIFFERENT 1231 00:25:59,250 --> 00:26:01,269 PIECES AND ELEMENTS TO IT. 1232 00:25:59,250 --> 00:26:01,269 BUT I THINK THE MOST IMPORTANT 1233 00:26:01,269 --> 00:26:04,250 THING IS TALKING ABOUT 1234 00:26:01,269 --> 00:26:04,250 REFUGEES, AND THE MIGRANT 1235 00:26:04,250 --> 00:26:07,170 CRISIS RIGHT NOW 1236 00:26:04,250 --> 00:26:07,170 IT'S REALLY INTERESTING HOW 1237 00:26:07,170 --> 00:26:10,039 IT'S REFLECTING. 1238 00:26:07,170 --> 00:26:10,039 'CAUSE TO USE FANTASY IN THAT 1239 00:26:10,039 --> 00:26:13,119 KIND OF WAY, I THINK IS THE 1240 00:26:10,039 --> 00:26:13,119 MOST BEAUTIFUL THING 1241 00:26:13,119 --> 00:26:15,079 'CAUSE IT JUST OPENS UP 1242 00:26:13,119 --> 00:26:15,079 A CONVERSATION 1243 00:26:15,079 --> 00:26:17,170 'CAUSE I THINK THE WORST THINGS 1244 00:26:15,079 --> 00:26:17,170 THAT ARE HAPPENING IN THE WORLD 1245 00:26:17,170 --> 00:26:19,059 JUST NEED TO BE SPOKEN ABOUT 1246 00:26:17,170 --> 00:26:19,059 SO, IF WE CAN USE ART TO OPEN 1247 00:26:19,059 --> 00:26:20,220 CONVERSATIONS, I THINK IT'S THE 1248 00:26:19,059 --> 00:26:20,220 BEST THING 1249 00:26:20,220 --> 00:26:22,039 >> Jimmy: GOOD FOR YOU 1250 00:26:20,220 --> 00:26:22,039 I AGREE. 1251 00:26:22,039 --> 00:26:23,240 >> GOOD FOR US 1252 00:26:22,039 --> 00:26:23,240 [ CHEERS AND APPLAUSE 1253 00:26:23,240 --> 00:26:27,150 >> Jimmy: I AGREE. 1254 00:26:23,240 --> 00:26:27,150 IT'S YOU AND ORLANDO BLOOM 1255 00:26:27,150 --> 00:26:29,200 >> BLOOMY. 1256 00:26:27,150 --> 00:26:29,200 >> Jimmy: YEAH 1257 00:26:29,200 --> 00:26:31,130 YOU AND ORLANDO BLOOM, OR AS 1258 00:26:29,200 --> 00:26:31,130 YOU CALL HIM, BLOOMY 1259 00:26:31,130 --> 00:26:32,220 >> I DON'T 1260 00:26:31,130 --> 00:26:32,220 I JUST DID NOW 1261 00:26:32,220 --> 00:26:34,210 >> Jimmy: OKAY, YEAH 1262 00:26:32,220 --> 00:26:34,210 I WANT TO SHOW - 1263 00:26:34,210 --> 00:26:36,069 >> HE'LL BE ANGRY NOW. 1264 00:26:34,210 --> 00:26:36,069 >> Jimmy: I WANT TO -- 1265 00:26:36,069 --> 00:26:37,130 HE WILL GET MAD. 1266 00:26:36,069 --> 00:26:37,130 HE'LL GO, "WHY WOULD YOU DO 1267 00:26:37,130 --> 00:26:38,250 THAT?" 1268 00:26:37,130 --> 00:26:38,250 I WANT TO SHOW A CLIP HERE 1269 00:26:38,250 --> 00:26:39,119 HERE'S CARA DELEVINGNE AND 1270 00:26:39,119 --> 00:26:41,079 ORLANDO BLOOM IN 1271 00:26:40,009 --> 00:26:41,079 "CARNIVAL ROW. 1272 00:26:40,240 --> 00:26:41,079 TAKE A LOOK. 1273 00:26:45,289 --> 00:26:53,089 >> YOU LYING - 1274 00:26:45,289 --> 00:26:53,089 YOU'RE ALIVE 1275 00:26:53,089 --> 00:26:56,279 MIMA ROOSAN CAME TO ME WITH 1276 00:26:53,089 --> 00:26:56,279 BLOOD ON HER HANDS 1277 00:26:56,279 --> 00:27:07,210 SHE SAID YOU DIED IN HER ARMS. 1278 00:26:56,279 --> 00:27:07,210 WHY DID SHE LIE TO ME? 1279 00:27:07,210 --> 00:27:13,289 >> BECAUSE I TOLD HER TO 1280 00:27:07,210 --> 00:27:13,289 >> WE TOLD EACH OTHER 1281 00:27:13,289 --> 00:27:19,160 EVERYTHING 1282 00:27:13,289 --> 00:27:19,160 COULDN'T YOU HAVE AT LEAST TOLD 1283 00:27:19,160 --> 00:27:26,289 ME GOODBYE 1284 00:27:19,160 --> 00:27:26,289 >> I WANTED -- 1285 00:27:26,289 --> 00:27:33,250 I NEVER MEANT TO HURT YOU. 1286 00:27:26,289 --> 00:27:33,250 >> HURT ME 1287 00:27:33,250 --> 00:27:36,069 YOU DESTROYED ME 1288 00:27:33,250 --> 00:27:36,069 [ CHEERS AND APPLAUSE 1289 00:27:36,069 --> 00:27:44,049 >> Jimmy: THAT'S HOW YOU DO IT, 1290 00:27:36,069 --> 00:27:44,049 RIGHT THERE. 1291 00:27:44,049 --> 00:27:47,059 ♪ THIS IS HOW 1292 00:27:44,049 --> 00:27:47,059 WE DO IT ♪ 1293 00:27:47,059 --> 00:27:49,259 >> Jimmy: LAST TIME YOU WERE 1294 00:27:47,059 --> 00:27:49,259 HERE, YOU SHOWED US HOW YOU CAN 1295 00:27:49,259 --> 00:27:52,029 BEATBOX. 1296 00:27:49,259 --> 00:27:52,029 WE ALWAYS TRY TO ASK YOU FOR A 1297 00:27:52,029 --> 00:27:54,069 A HIDDEN TALENT OR SOMETHING 1298 00:27:52,029 --> 00:27:54,069 LIKE THAT. 1299 00:27:54,069 --> 00:27:55,289 >> MM-HMM. 1300 00:27:54,069 --> 00:27:55,289 >> Jimmy: AND SO I FOUND OUT, 1301 00:27:55,289 --> 00:27:57,119 AND YOU WERE GREAT, AND WE 1302 00:27:55,289 --> 00:27:57,119 LOVED IT 1303 00:27:57,119 --> 00:27:59,079 AND I FOUND OUT THERE'S ANOTHER 1304 00:27:57,119 --> 00:27:59,079 HIDDEN TALENT THAT YOU HAVE, 1305 00:27:59,079 --> 00:28:01,230 WHICH IS THAT YOU CAN PLAY THE 1306 00:27:59,079 --> 00:28:01,230 GUITAR BEHIND YOUR BACK? 1307 00:28:01,230 --> 00:28:04,279 >> BEHIND MY HEAD. 1308 00:28:01,230 --> 00:28:04,279 >> Jimmy: YEAH 1309 00:28:04,279 --> 00:28:06,200 >> AND WITH MY TOES. 1310 00:28:04,279 --> 00:28:06,200 JOKING 1311 00:28:06,200 --> 00:28:08,000 I'M JUST JOKING. 1312 00:28:06,200 --> 00:28:08,000 [ LAUGHTER ] 1313 00:28:08,000 --> 00:28:09,230 >> Jimmy: NO, BUT HOW DID YOU 1314 00:28:08,000 --> 00:28:09,230 LEARN HOW TO DO THAT 1315 00:28:09,230 --> 00:28:11,049 >> I LIKE TO SHOW OFF, 1316 00:28:09,230 --> 00:28:11,049 APPARENTLY 1317 00:28:11,049 --> 00:28:13,230 >> Jimmy: NO, NO 1318 00:28:11,049 --> 00:28:13,230 >> NO, JIMI HENDRIX. 1319 00:28:13,230 --> 00:28:16,089 I DON'T KNOW 1320 00:28:13,230 --> 00:28:16,089 I ALWAYS THINK WITH MUSICAL 1321 00:28:16,089 --> 00:28:18,049 INSTRUMENTS, IT'S ALWAYS FUN TO 1322 00:28:16,089 --> 00:28:18,049 PLAY THEM HOW OTHER PEOPLE 1323 00:28:18,049 --> 00:28:19,069 DON'T. 1324 00:28:18,049 --> 00:28:19,069 'CAUSE IT'S LIKE, YOU GET 1325 00:28:19,069 --> 00:28:20,230 TAUGHT HOW TO DO THINGS, AND I 1326 00:28:19,069 --> 00:28:20,230 LIKE TO DO THEM 1327 00:28:20,230 --> 00:28:23,289 UNCONVENTIONALLY 1328 00:28:20,230 --> 00:28:23,289 >> Jimmy: YEAH 1329 00:28:23,289 --> 00:28:25,150 >> BUT THAT'S SOMETHING THAT 1330 00:28:23,289 --> 00:28:25,150 I'VE SEEN BEFORE 1331 00:28:25,150 --> 00:28:27,009 SO I WAS JUST LIKE, OH I WANT 1332 00:28:25,150 --> 00:28:27,009 TO TRY IT. 1333 00:28:27,009 --> 00:28:28,170 AND IT'S ACTUALLY NOT -- 1334 00:28:27,009 --> 00:28:28,170 IT IS HARD, BUT IT WASN'T AS 1335 00:28:28,170 --> 00:28:29,289 HARD 1336 00:28:28,170 --> 00:28:29,289 I LEARNED WHEN I WAS YOUNG 1337 00:28:29,289 --> 00:28:32,019 VERY YOUNG, SO - 1338 00:28:29,289 --> 00:28:32,019 >> Jimmy: WE HAPPEN TO HAVE 1339 00:28:32,019 --> 00:28:33,210 A GUITAR HERE. 1340 00:28:32,019 --> 00:28:33,210 >> OH, NO! 1341 00:28:33,210 --> 00:28:34,240 >> Jimmy: I WAS JUST 1342 00:28:33,210 --> 00:28:34,240 WONDERING -- 1343 00:28:34,240 --> 00:28:36,130 >> THIS IS ONE HE MADE EARLIER 1344 00:28:34,240 --> 00:28:36,130 [ APPLAUSE ] 1345 00:28:36,130 --> 00:28:37,279 >> Jimmy: COULD YOU -- 1346 00:28:36,130 --> 00:28:37,279 OH, GOD. 1347 00:28:37,279 --> 00:28:39,119 >> Jimmy: I'D JUST LIKE TO 1348 00:28:37,279 --> 00:28:39,119 GIVE - 1349 00:28:39,119 --> 00:28:44,180 CAN YOU GIVE US A LITTLE TASTE 1350 00:28:39,119 --> 00:28:44,180 ♪ 1351 00:28:44,180 --> 00:28:46,039 >> OW. 1352 00:28:44,180 --> 00:28:46,039 OH, JESUS. 1353 00:28:46,039 --> 00:28:48,000 >> Jimmy: ALRIGHT, NOW THIS IS 1354 00:28:46,039 --> 00:28:48,000 CARA DELEVINGNE PLAYING GUITAR 1355 00:28:48,000 --> 00:28:53,140 BEHIND HER HEAD. 1356 00:28:48,000 --> 00:28:53,140 ♪ 1357 00:28:53,140 --> 00:28:56,029 >> OOH 1358 00:28:53,140 --> 00:28:56,029 OKAY, SORRY. 1359 00:28:56,029 --> 00:28:58,089 ♪ 1360 00:28:56,029 --> 00:28:58,089 [ CHEERS AND APPLAUSE 1361 00:28:58,089 --> 00:29:00,079 ♪ 1362 00:28:58,089 --> 00:29:00,079 ♪ 1363 00:29:00,079 --> 00:29:06,109 ♪ 1364 00:29:00,079 --> 00:29:06,109 >> Jimmy: OH, MY GOD, THAT'S 1365 00:29:06,109 --> 00:29:09,130 HOW YOU DO IT RIGHT THERE! 1366 00:29:06,109 --> 00:29:09,130 [ CHEERS AND APPLAUSE 1367 00:29:09,130 --> 00:29:11,150 CARA DELEVINGNE, EVERYBODY 1368 00:29:09,130 --> 00:29:11,150 "CARNIVAL ROW" IS STREAMING NOW 1369 00:29:11,150 --> 00:29:14,250 ON AMAZON PRIME VIDEO. 1370 00:29:11,150 --> 00:29:14,250 WE'LL BE RIGHT BACK WITH 1371 00:29:14,250 --> 00:29:16,220 LESTER HOLT, EVERYBODY 1372 00:29:14,250 --> 00:29:16,220 [ CHEERS AND APPLAUSE 1373 00:29:16,220 --> 00:29:40,019 ♪ 1374 00:29:16,220 --> 00:29:40,019 >> Jimmy: YOU KNOW OUR NEXT 1375 00:29:40,019 --> 00:29:42,180 GUEST AS THE ANCHOR OF "NBC 1376 00:29:40,019 --> 00:29:42,180 NIGHTLY NEWS" AND 1377 00:29:42,180 --> 00:29:45,170 "DATELINE NBC. 1378 00:29:42,180 --> 00:29:45,170 HE HAS A NEW SPECIAL ON 1379 00:29:45,170 --> 00:29:46,140 CRIMINAL JUSTICE REFORM CALLED 1380 00:29:46,140 --> 00:29:51,160 "LIFE INSIDE", WHICH AIRS THIS 1381 00:29:47,190 --> 00:29:51,160 FRIDAY AT 10:00 P.M. ON NBC. 1382 00:29:49,089 --> 00:29:51,160 PLEASE WELCOME LESTER HOLT 1383 00:29:53,230 --> 00:30:12,099 ♪ 1384 00:29:53,230 --> 00:30:12,099 >> Jimmy: LESTER HOLT. 1385 00:30:12,099 --> 00:30:15,190 [ CHEERS ] 1386 00:30:12,099 --> 00:30:15,190 THANK YOU FOR COMING BACK TO 1387 00:30:15,190 --> 00:30:16,289 THE SHOW 1388 00:30:15,190 --> 00:30:16,289 AND -- 1389 00:30:16,289 --> 00:30:18,269 >> ALWAYS A PLEASURE 1390 00:30:16,289 --> 00:30:18,269 >> Jimmy: I WANTED TO SAY 1391 00:30:18,269 --> 00:30:20,259 QUICKLY, CONGRATULATIONS ON 1392 00:30:18,269 --> 00:30:20,259 BECOMING A GRANDFATHER FOR THE 1393 00:30:20,259 --> 00:30:22,279 SECOND THIS SUMMER 1394 00:30:20,259 --> 00:30:22,279 >> SECOND TIME, YEAH 1395 00:30:22,279 --> 00:30:24,140 >> Jimmy: THAT'S GREAT 1396 00:30:22,279 --> 00:30:24,140 ♪ 1397 00:30:24,140 --> 00:30:26,000 [ CHEERS AND APPLAUSE 1398 00:30:24,140 --> 00:30:26,000 >> LITTLE SAMUEL 1399 00:30:26,000 --> 00:30:29,250 HE'S THREE MONTHS OLD. 1400 00:30:26,000 --> 00:30:29,250 >> Jimmy: OH, MY GOODNESS. 1401 00:30:29,250 --> 00:30:31,200 >> AND I HAVE A 20 -- ACTUALLY, 1402 00:30:29,250 --> 00:30:31,200 HE'LL BE TWO YEARS OLD THIS 1403 00:30:31,200 --> 00:30:33,190 WEEK 1404 00:30:31,200 --> 00:30:33,190 >> Jimmy: IS THAT RIGHT? 1405 00:30:33,190 --> 00:30:34,259 >> YEAH. 1406 00:30:33,190 --> 00:30:34,259 >> Jimmy: OH, MY GOSH. 1407 00:30:34,259 --> 00:30:36,250 IT'S THE GREATEST. 1408 00:30:34,259 --> 00:30:36,250 I MEAN, I WOULDN'T KNOW TO BE 1409 00:30:36,250 --> 00:30:38,079 A GRANDPA. 1410 00:30:36,250 --> 00:30:38,079 I MEAN - 1411 00:30:38,079 --> 00:30:39,269 >> IT'S COOL, BECAUSE YOU DO - 1412 00:30:38,079 --> 00:30:39,269 IT'S EVERYTHING THEY SAY 1413 00:30:39,269 --> 00:30:41,259 YOU GET THAT TIME WITH THEM. 1414 00:30:39,269 --> 00:30:41,259 THAT THE SPECIAL TIME. 1415 00:30:41,259 --> 00:30:43,250 BUT WHEN IT'S TIME TO LEAVE -- 1416 00:30:41,259 --> 00:30:43,250 >> Jimmy: YOU'RE OUTTA THERE 1417 00:30:43,250 --> 00:30:44,240 >> YOU LEAVE 1418 00:30:43,250 --> 00:30:44,240 [ LAUGHTER ] 1419 00:30:44,240 --> 00:30:46,230 >> Jimmy: YOU GET OUTTA THERE. 1420 00:30:44,240 --> 00:30:46,230 >> USUALLY IT'S AROUND -- 1421 00:30:46,230 --> 00:30:48,089 USUALLY AROUND DIAPER TIME 1422 00:30:46,230 --> 00:30:48,089 >> Jimmy: YEAH, YEAH, YEAH 1423 00:30:48,089 --> 00:30:49,190 "I RAISED YOU. 1424 00:30:48,089 --> 00:30:49,190 I DID ENOUGH 1425 00:30:49,190 --> 00:30:50,250 YEAH, BYE. 1426 00:30:49,190 --> 00:30:50,250 THAT'S GREAT 1427 00:30:50,250 --> 00:30:52,170 YOU DO SUCH A GOOD JOB OVER AT 1428 00:30:50,250 --> 00:30:52,170 THE "NIGHTLY NEWS. 1429 00:30:52,170 --> 00:30:54,190 AND I TELL YOU THAT EVERY TIME, 1430 00:30:52,170 --> 00:30:54,190 BUT YOU REALLY DO. 1431 00:30:54,190 --> 00:30:56,119 AND I KNOW RIGHT NOW YOU'RE 1432 00:30:54,190 --> 00:30:56,119 COVERING A LOT OF HURRICANE 1433 00:30:56,119 --> 00:30:58,170 DORIAN 1434 00:30:56,119 --> 00:30:58,170 WHAT CAN YOU TELL US 1435 00:30:58,170 --> 00:31:00,190 >> YEAH, I MEAN, AS YOU KNOW, 1436 00:30:58,170 --> 00:31:00,190 IT CRUSHED A LOT OF THE BAHAMAS 1437 00:31:00,190 --> 00:31:02,150 AND THERE ARE SEVERAL DEATHS 1438 00:31:00,190 --> 00:31:02,150 THERE. 1439 00:31:02,150 --> 00:31:04,170 AND THEN WE'RE WATCHING IT NOW 1440 00:31:02,150 --> 00:31:04,170 YOU KNOW, IT SAT THERE FOR A 1441 00:31:04,170 --> 00:31:06,160 A COUPLE OF DAYS 1442 00:31:04,170 --> 00:31:06,160 >> Jimmy: IT REALLY DID. 1443 00:31:06,160 --> 00:31:09,220 >> AND NOW IT'S FINALLY 1444 00:31:06,160 --> 00:31:09,220 BEGINNING TO MOVE UP THE COAST 1445 00:31:09,220 --> 00:31:11,279 BUT IT'S GOING TO BE A REAL 1446 00:31:09,220 --> 00:31:11,279 CLOSE CALL FOR A LOT OF PLACES 1447 00:31:11,279 --> 00:31:13,269 UP AND DOWN, YOU KNOW, BETWEEN 1448 00:31:11,279 --> 00:31:13,269 FLORIDA AND NORTH CAROLINA 1449 00:31:13,269 --> 00:31:16,019 SO WE'RE -- WE'VE GOT OUR TEAMS 1450 00:31:13,269 --> 00:31:16,019 STRETCHED OUT ALONG THE COAST. 1451 00:31:16,019 --> 00:31:19,039 >> Jimmy: OH, GOOD 1452 00:31:16,019 --> 00:31:19,039 THANK YOU FOR DOING THAT 1453 00:31:19,039 --> 00:31:21,029 THE -- LET'S TALK ABOUT THIS 1454 00:31:19,039 --> 00:31:21,029 "DATELINE" SPECIAL 1455 00:31:21,029 --> 00:31:25,039 FIRST OF ALL, HOW DID YOU AGREE 1456 00:31:21,029 --> 00:31:25,039 TO DO SOMETHING LIKE THIS? 1457 00:31:25,039 --> 00:31:26,269 AND WHO PITCHED IT TO YOU? 1458 00:31:25,039 --> 00:31:26,269 AND ARE THEY STILL EMPLOYED BY 1459 00:31:26,269 --> 00:31:28,059 NBC? 1460 00:31:26,269 --> 00:31:28,059 >> YEAH, WELL, I MEAN -- 1461 00:31:28,059 --> 00:31:29,160 [ LIGHT LAUGHTER ] 1462 00:31:28,059 --> 00:31:29,160 TO GIVE YOU THE BACK STORY, 1463 00:31:29,160 --> 00:31:31,049 I'VE DONE A LOT OF CRIMINAL 1464 00:31:29,160 --> 00:31:31,049 JUSTICE REFORM STORIES, 1465 00:31:31,049 --> 00:31:32,240 WRONGFUL CONVICTION STORIES 1466 00:31:31,049 --> 00:31:32,240 OVER THE LAST SEVERAL YEARS. 1467 00:31:32,240 --> 00:31:34,130 >> Jimmy: YEAH 1468 00:31:32,240 --> 00:31:34,130 >> ONE OF THE PRODUCERS I WORK 1469 00:31:34,130 --> 00:31:37,180 WITH, DAN SLEPIAN, HAS BEEN 1470 00:31:34,130 --> 00:31:37,180 VERY PASSIONATE ON THIS 1471 00:31:37,180 --> 00:31:39,170 SUBJECT. 1472 00:31:37,180 --> 00:31:39,170 WE GOT TO TALKING ABOUT -- WE 1473 00:31:39,170 --> 00:31:41,029 NEED TO DO SOMETHING BIG 1474 00:31:39,170 --> 00:31:41,029 SOMETHING THAT HASN'T BEEN DONE 1475 00:31:41,029 --> 00:31:42,160 BEFORE 1476 00:31:41,029 --> 00:31:42,160 HE COMES BACK TO MY OFFICE A 1477 00:31:42,160 --> 00:31:45,279 A FEW DAYS OR WEEKS LATER. 1478 00:31:42,160 --> 00:31:45,279 AND HE SAYS, "WHAT IF WE PUT 1479 00:31:45,279 --> 00:31:50,190 YOU AS AN INMATE IN A MAXIMUM 1480 00:31:45,279 --> 00:31:50,190 SECURITY PRISON IN LOUISIANA?" 1481 00:31:50,190 --> 00:31:51,210 AND I'M WAITING FOR THE 1482 00:31:50,190 --> 00:31:51,210 PUNCHLINE. 1483 00:31:51,210 --> 00:31:53,170 AND THEN I REALIZE HE'S 1484 00:31:51,210 --> 00:31:53,170 SERIOUS. 1485 00:31:53,170 --> 00:31:55,259 [ LAUGHTER ] 1486 00:31:53,170 --> 00:31:55,259 >> Jimmy: I'M STILL LAUGHING 1487 00:31:55,259 --> 00:31:57,279 I'D BE LIKE, "WHAT?" 1488 00:31:55,259 --> 00:31:57,279 >> WELL, THAT WAS KIND OF WHERE 1489 00:31:57,279 --> 00:31:59,039 I WAS. 1490 00:31:57,279 --> 00:31:59,039 IT TOOK ME A WHILE TO COME 1491 00:31:59,039 --> 00:32:00,109 AROUND 1492 00:31:59,039 --> 00:32:00,109 BUT I STARTED THINKING ABOUT 1493 00:32:00,109 --> 00:32:01,230 IT 1494 00:32:00,109 --> 00:32:01,230 AND IT GAVE US AN OPPORTUNITY 1495 00:32:01,230 --> 00:32:04,019 TO TELL THE STORY FROM THE 1496 00:32:01,230 --> 00:32:04,019 INSIDE 1497 00:32:04,019 --> 00:32:06,099 SO, YOU KNOW, I WASN'T PLAYING 1498 00:32:04,019 --> 00:32:06,099 PRISONER 1499 00:32:06,099 --> 00:32:09,059 BUT I DID SPEND TWO NIGHTS, 1500 00:32:06,099 --> 00:32:09,059 THREE DAYS AT ANGOLA, WHICH IS 1501 00:32:09,059 --> 00:32:12,140 A NOTORIOUS PRISON IN 1502 00:32:09,059 --> 00:32:12,140 LOUISIANA. 1503 00:32:12,140 --> 00:32:13,200 IT'S THE LARGEST IN THE 1504 00:32:12,140 --> 00:32:13,200 COUNTRY. 1505 00:32:13,200 --> 00:32:17,019 AND, BASICALLY, MOVING AMONG 1506 00:32:13,200 --> 00:32:17,019 THE INMATES AND THE STAFF THERE 1507 00:32:17,019 --> 00:32:19,279 WITH OUR CAMERA CREW, GETTING 1508 00:32:17,019 --> 00:32:19,279 SOME OF THE PERSONAL STORIES 1509 00:32:19,279 --> 00:32:21,230 AND TRYING TO UNDERSTAND SOME 1510 00:32:19,279 --> 00:32:21,230 OF THE ISSUES WITH CRIMINAL 1511 00:32:21,230 --> 00:32:23,160 JUSTICE REFORM 1512 00:32:21,230 --> 00:32:23,160 >> Jimmy: WERE THEY OKAY HAVING 1513 00:32:23,160 --> 00:32:26,160 YOU THERE? 1514 00:32:23,160 --> 00:32:26,160 >> THEY WERE 1515 00:32:26,160 --> 00:32:28,049 THE PRISON -- LOUISIANA HAS 1516 00:32:26,160 --> 00:32:28,049 MADE A LOT OF CHANGES. 1517 00:32:28,049 --> 00:32:30,109 THEY CONFRONTED THE IDEA THAT, 1518 00:32:28,049 --> 00:32:30,109 YOU KNOW, WHAT WE'RE DOING, 1519 00:32:30,109 --> 00:32:32,130 LOCKING UP MORE PEOPLE THAN ANY 1520 00:32:30,109 --> 00:32:32,130 OTHER STATE WASN'T WORKING BY 1521 00:32:32,130 --> 00:32:34,240 ITSELF 1522 00:32:32,130 --> 00:32:34,240 SO THEY PASSED DIFFERENT LAWS 1523 00:32:34,240 --> 00:32:38,059 TO REDUCE INCARCERATION LEVELS 1524 00:32:34,240 --> 00:32:38,059 SO THEY REALLY WANTED TO SHOW 1525 00:32:38,059 --> 00:32:41,170 OFF WHAT THEY WERE DOING 1526 00:32:38,059 --> 00:32:41,170 THEY'VE GOT A LONG WAY TO GO 1527 00:32:41,170 --> 00:32:43,000 BUT I'LL TELL YOU, IT WAS AN 1528 00:32:41,170 --> 00:32:43,000 EYE-OPENER 1529 00:32:43,000 --> 00:32:45,119 THERE WERE MOMENTS THERE I 1530 00:32:43,000 --> 00:32:45,119 REALIZED THAT THERE ARE NO 1531 00:32:45,119 --> 00:32:48,039 GUARDS AROUND ME 1532 00:32:45,119 --> 00:32:48,039 AND I'M WALKING AMONG THE 1533 00:32:48,039 --> 00:32:50,099 INMATES. 1534 00:32:48,039 --> 00:32:50,099 AND THERE'S CERTAINLY NO FEAR. 1535 00:32:50,099 --> 00:32:52,160 BUT THERE'S THIS KIND OF 1536 00:32:50,099 --> 00:32:52,160 HEIGHTENED AWARENESS, YOU KNOW, 1537 00:32:52,160 --> 00:32:54,109 GIVEN WHERE I WAS. 1538 00:32:52,160 --> 00:32:54,109 >> Jimmy: SURE, OF COURSE. 1539 00:32:54,109 --> 00:32:56,049 DO YOU ALSO TOUCH ON THE ISSUE 1540 00:32:54,109 --> 00:32:56,049 OF WHAT HAPPENS IF THEY DO GET 1541 00:32:56,049 --> 00:33:00,079 OUT OF PRISON? 1542 00:32:56,049 --> 00:33:00,079 >> WELL, THAT'S ONE OF THE BIG 1543 00:33:00,079 --> 00:33:02,069 DEALS. 1544 00:33:00,079 --> 00:33:02,069 95% OF THE PEOPLE WE HAVE 1545 00:33:02,069 --> 00:33:05,259 LOCKED UP IN THIS COUNTRY ARE 1546 00:33:02,069 --> 00:33:05,259 GOING TO GET OUT SOME DAY. 1547 00:33:05,259 --> 00:33:08,049 SO WHEN WE TALK ABOUT CRIMINAL 1548 00:33:05,259 --> 00:33:08,049 JUSTICE REFORM, IT AFFECTS ALL 1549 00:33:08,049 --> 00:33:10,000 OF US. 1550 00:33:08,049 --> 00:33:10,000 'CAUSE THESE FOLKS ARE GOING TO 1551 00:33:10,000 --> 00:33:11,099 BE OUR NEIGHBORS 1552 00:33:10,000 --> 00:33:11,099 THEY'RE GOING TO BE SHARING, 1553 00:33:11,099 --> 00:33:13,200 YOU KNOW, THE SAME STREETS WE 1554 00:33:11,099 --> 00:33:13,200 WALK DOWN. 1555 00:33:13,200 --> 00:33:15,259 GOING TO THE STORES WE GO TO 1556 00:33:13,200 --> 00:33:15,259 SO WE'VE GOT -- WE HAVE AN 1557 00:33:15,259 --> 00:33:18,059 INVESTMENT 1558 00:33:15,259 --> 00:33:18,059 WE HAVE TO BE INVESTED IN THE 1559 00:33:18,059 --> 00:33:20,210 IDEA THAT THEY COME OUT BETTER 1560 00:33:18,059 --> 00:33:20,210 THAN WHEN THEY WENT IN 1561 00:33:20,210 --> 00:33:22,279 >> Jimmy: WOW. 1562 00:33:20,210 --> 00:33:22,279 AND THAT THEY'RE PREPARED AS 1563 00:33:22,279 --> 00:33:24,099 WELL 1564 00:33:22,279 --> 00:33:24,099 >> YEAH. 1565 00:33:24,099 --> 00:33:25,160 I MEAN, YOU KNOW, AND BEING IN 1566 00:33:24,099 --> 00:33:25,160 THERE, BEING ABLE TO TALK TO 1567 00:33:25,160 --> 00:33:28,279 PEOPLE - 1568 00:33:25,160 --> 00:33:28,279 YOU KNOW, WE SHOT IT IN SUCH A 1569 00:33:28,279 --> 00:33:30,200 A WAY WHERE THE CAMERA WAS NOT 1570 00:33:28,279 --> 00:33:30,200 RIGHT ON TOP OF PEOPLE 1571 00:33:30,200 --> 00:33:32,190 CAMERA WAS, YOU KNOW, ACROSS 1572 00:33:30,200 --> 00:33:32,190 THE ROOM 1573 00:33:32,190 --> 00:33:37,259 AND SO IT ALLOWED FOR SOME 1574 00:33:32,190 --> 00:33:37,259 REALLY INTIMATE CONVERSATIONS. 1575 00:33:37,259 --> 00:33:39,220 THE GUY IN THE CELL NEXT TO 1576 00:33:37,259 --> 00:33:39,220 MINE, YOU KNOW, HE WOULD WANT 1577 00:33:39,220 --> 00:33:41,109 TO TALK SOMETIMES. 1578 00:33:39,220 --> 00:33:41,109 AND HE WOULD TAKE A WHITE TOWEL 1579 00:33:41,109 --> 00:33:42,269 AND KIND OF THROW IT OUT SO I 1580 00:33:41,109 --> 00:33:42,269 COULD SEE IT 1581 00:33:42,269 --> 00:33:45,019 AND WE WOULD START JUST KIND OF 1582 00:33:42,269 --> 00:33:45,019 HANGING OUT AND TALKING, AND 1583 00:33:45,019 --> 00:33:47,240 HEARING HIS STORY. 1584 00:33:45,019 --> 00:33:47,240 MOST OF THE INMATES IN ANGOLA 1585 00:33:47,240 --> 00:33:50,000 STAY IN KIND OF A DORMITORY 1586 00:33:47,240 --> 00:33:50,000 SETTING. 1587 00:33:50,000 --> 00:33:55,000 I WAS LOCKED UP WITH 1588 00:33:50,000 --> 00:33:55,000 TROUBLEMAKERS, MOSTLY, WHO ARE 1589 00:33:55,000 --> 00:33:58,059 IN INDIVIDUAL CELLS IN THE 1590 00:33:55,000 --> 00:33:58,059 AREA, WHERE YOU SPEND 23 HOURS 1591 00:33:58,059 --> 00:34:01,150 A DAY IN THAT CELL 1592 00:33:58,059 --> 00:34:01,150 AND YOU GET ONE HOUR TO WALK, 1593 00:34:01,150 --> 00:34:03,140 YOU KNOW, MAYBE THE DISTANCE 1594 00:34:01,150 --> 00:34:03,140 BETWEEN THE HERE AND THEN 1595 00:34:03,140 --> 00:34:05,059 THE ROOTS HERE 1596 00:34:03,140 --> 00:34:05,059 AND THEN YOU'RE BACK IN YOUR 1597 00:34:05,059 --> 00:34:07,019 CELL 1598 00:34:05,059 --> 00:34:07,019 >> Jimmy: WOW. 1599 00:34:07,019 --> 00:34:09,010 >> SO IT WAS -- I THINK THAT'S 1600 00:34:07,019 --> 00:34:09,010 THE THING THAT STRUCK ME WAS, 1601 00:34:09,010 --> 00:34:12,000 "OKAY, I'M IN THIS CELL. 1602 00:34:09,010 --> 00:34:12,000 I KNOW I'M GOING TO GET OUT TO 1603 00:34:12,000 --> 00:34:13,159 SHOOT THINGS DURING THE DAY. 1604 00:34:12,000 --> 00:34:13,159 AND I'LL BE OUT IN A COUPLE OF 1605 00:34:13,159 --> 00:34:16,030 DAYS." 1606 00:34:13,159 --> 00:34:16,030 BUT THE THOUGHT THAT YOU COULD 1607 00:34:16,030 --> 00:34:17,139 BE IN A SPACE LIKE THAT. 1608 00:34:16,030 --> 00:34:17,139 AND MAYBE THAT'S REALLY GOING 1609 00:34:17,139 --> 00:34:20,090 TO BE YOUR LIFE, I MEAN, YOUR 1610 00:34:17,139 --> 00:34:20,090 LIFE 1611 00:34:20,090 --> 00:34:22,110 WHEN YOU TALK ABOUT LIFE IN 1612 00:34:20,090 --> 00:34:22,110 PRISON, I DON'T -- 1613 00:34:22,110 --> 00:34:23,269 THE ABILITY OF PEOPLE TO COPE 1614 00:34:22,110 --> 00:34:23,269 IN SITUATIONS LIKE THAT IS 1615 00:34:23,269 --> 00:34:26,090 REALLY -- IS REALLY 1616 00:34:23,269 --> 00:34:26,090 EXTRAORDINARY. 1617 00:34:26,090 --> 00:34:28,139 >> Jimmy: AND THEN THE TOWN 1618 00:34:26,090 --> 00:34:28,139 HALL 1619 00:34:28,139 --> 00:34:31,010 EXPLAIN, THAT IS ON MSNBC. 1620 00:34:28,139 --> 00:34:31,010 >> YEAH, SO THE TOWN HALL 1621 00:34:31,010 --> 00:34:34,219 MEETING THAT WE TAPE AT ANOTHER 1622 00:34:31,010 --> 00:34:34,219 PRISON, SING SING CORRECTIONAL 1623 00:34:34,219 --> 00:34:37,199 FACILITY HERE IN NEW YORK. 1624 00:34:34,219 --> 00:34:37,199 WHERE WE GATHERED, YOU KNOW, 1625 00:34:37,199 --> 00:34:39,190 JOHN LEGEND WHO'S BEEN VERY 1626 00:34:37,199 --> 00:34:39,190 INVOLVED IN CRIMINAL JUSTICE 1627 00:34:39,190 --> 00:34:41,289 REFORM 1628 00:34:39,190 --> 00:34:41,289 ALONG WITH A LOT OF EXPERTS IN 1629 00:34:41,289 --> 00:34:44,070 THE FIELD, TO REALLY KIND OF 1630 00:34:41,289 --> 00:34:44,070 TALK OUT SOME OF THE ISSUES. 1631 00:34:44,070 --> 00:34:45,260 AND WHERE CHANGE IS HAPPENING 1632 00:34:44,070 --> 00:34:45,260 AND WHERE IT SHOULD BE 1633 00:34:45,260 --> 00:34:49,079 HAPPENING. 1634 00:34:45,260 --> 00:34:49,079 >> Jimmy: THAT'S FASCINATING 1635 00:34:49,079 --> 00:34:50,039 I WANT TO SHOW A CLIP OF THE 1636 00:34:50,039 --> 00:34:51,289 "DATELINE" SPECIAL 1637 00:34:51,000 --> 00:34:51,289 "LIFE INSIDE." 1638 00:34:51,130 --> 00:34:51,289 TAKE A LOOK AT THIS. 1639 00:34:53,030 --> 00:34:56,050 >> ALL OF THIS, AS FAR AS THE 1640 00:34:53,030 --> 00:34:56,050 EYE CAN SEE, IS ANGOLA 1641 00:34:56,050 --> 00:34:58,130 IT'S A SERIES OF PRISONS 1642 00:34:56,050 --> 00:34:58,130 THEY CALL THEM CAMPS 1643 00:34:58,130 --> 00:34:59,250 THESE GUYS -- YOU GUYS FROM 1644 00:34:58,130 --> 00:34:59,250 CAMP D 1645 00:34:59,250 --> 00:35:03,010 >> YES, SIR. 1646 00:34:59,250 --> 00:35:03,010 >> THEY'RE FROM CAMP D 1647 00:35:03,010 --> 00:35:06,030 AND THEN DOING WORK LIKE THIS. 1648 00:35:03,010 --> 00:35:06,030 TODAY WE HAPPEN TO BE PICKING 1649 00:35:06,030 --> 00:35:11,039 CARROTS. 1650 00:35:06,030 --> 00:35:11,039 SO SHOULD I BE WORRIED ABOUT MY 1651 00:35:11,039 --> 00:35:14,119 SAFETY HERE? 1652 00:35:11,039 --> 00:35:14,119 >> WELL -- 1653 00:35:14,119 --> 00:35:17,070 >> IF YOU WAS AN INMATE, YEAH. 1654 00:35:14,119 --> 00:35:17,070 >> YEAH. 1655 00:35:17,070 --> 00:35:19,030 >> I CERTAINLY CAN'T ESCAPE THE 1656 00:35:17,070 --> 00:35:19,030 OPTICS 1657 00:35:19,030 --> 00:35:22,150 LOOK AROUND. 1658 00:35:19,030 --> 00:35:22,150 MOSTLY BLACK MEN WORKING ON 1659 00:35:22,150 --> 00:35:24,230 A FORMER SLAVE PLANTATION, 1660 00:35:22,150 --> 00:35:24,230 UNDER THE WATCH OF ARMED GUARDS 1661 00:35:24,230 --> 00:35:29,179 ON HORSEBACK 1662 00:35:24,230 --> 00:35:29,179 IT'S UNSETTLING TO MANY. 1663 00:35:29,179 --> 00:35:33,090 [ APPLAUSE ] 1664 00:35:29,179 --> 00:35:33,090 >> Jimmy: UNBELIEVABLE 1665 00:35:33,090 --> 00:35:34,280 >> YEAH, IT WAS -- 1666 00:35:33,090 --> 00:35:34,280 IT WAS REALLY STRANGE TO BE IN 1667 00:35:34,280 --> 00:35:38,010 THAT SETTING 1668 00:35:34,280 --> 00:35:38,010 BECAUSE WE'RE SITTING THERE 1669 00:35:38,010 --> 00:35:40,030 PICKING -- YOU KNOW, WE WENT 1670 00:35:38,010 --> 00:35:40,030 OUT ON WHAT THEY -- THIS 1671 00:35:40,030 --> 00:35:42,050 TRACTOR THEY CALL A HOOTENANNY 1672 00:35:40,030 --> 00:35:42,050 AND WE'RE IN THE FIELD 1673 00:35:42,050 --> 00:35:43,219 AND WE'RE DOING THIS 1674 00:35:42,050 --> 00:35:43,219 AND I LOOK AROUND. 1675 00:35:43,219 --> 00:35:46,099 AND I SAID TO ONE OF THE GUYS, 1676 00:35:43,219 --> 00:35:46,099 "EVERYBODY LOOKS LIKE US." 1677 00:35:46,099 --> 00:35:48,190 AND, YOU KNOW, I MEAN, PEOPLE 1678 00:35:46,099 --> 00:35:48,190 OF COLOR 1679 00:35:48,190 --> 00:35:51,039 AND KNOWING THE HISTORY -- AND 1680 00:35:48,190 --> 00:35:51,039 THE PRISON FOLKS POINT OUT -- 1681 00:35:51,039 --> 00:35:54,059 THEY SAID, LOOK, THIS IS FOOD 1682 00:35:51,039 --> 00:35:54,059 THAT'S GOING TO BE CONSUMED AT 1683 00:35:54,059 --> 00:35:57,099 THE PRISON ITSELF. 1684 00:35:54,059 --> 00:35:57,099 AND THAT, YOU KNOW, VIRTUALLY 1685 00:35:57,099 --> 00:35:59,099 ANY FARMLAND IN LOUISIANA WAS 1686 00:35:57,099 --> 00:35:59,099 A FORMER SLAVE PLANTATION. 1687 00:35:59,099 --> 00:36:02,150 BUT THE OPTICS WERE AMONG THE 1688 00:35:59,099 --> 00:36:02,150 MANY THINGS THAT CAPTURED ME 1689 00:36:02,150 --> 00:36:05,130 THERE. 1690 00:36:02,150 --> 00:36:05,130 THAT PARTICULAR GROUP OF GUYS, 1691 00:36:05,130 --> 00:36:08,059 THAT'S THE LOWEST JOB AT THE 1692 00:36:05,130 --> 00:36:08,059 PRISON 1693 00:36:08,059 --> 00:36:10,119 THAT'S WORKING IN THE FIELDS 1694 00:36:08,059 --> 00:36:10,119 YOU KNOW, THE WEATHER CAN BE 1695 00:36:10,119 --> 00:36:12,139 TOUGH. 1696 00:36:10,119 --> 00:36:12,139 AND OBVIOUSLY IT'S MANUAL 1697 00:36:12,139 --> 00:36:16,019 LABOR. 1698 00:36:12,139 --> 00:36:16,019 AND THAT'S PROBABLY THE ONLY 1699 00:36:16,019 --> 00:36:18,210 TIME THAT I WAS LITTLE, YOU 1700 00:36:16,019 --> 00:36:18,210 KNOW, MORE ON GUARD AROUND ME. 1701 00:36:18,210 --> 00:36:19,230 BUT YOU HAD THE -- LITERALLY 1702 00:36:18,210 --> 00:36:19,230 YOU HAD THE GUARDS ON 1703 00:36:19,230 --> 00:36:23,280 HORSEBACKS WITH THE GUNS 1704 00:36:19,230 --> 00:36:23,280 AND -- 1705 00:36:23,280 --> 00:36:28,000 >> Jimmy: IT'S UNBELIEVABLE. 1706 00:36:23,280 --> 00:36:28,000 >> IT WAS -- YEAH, IT WAS AN 1707 00:36:28,000 --> 00:36:29,119 EYE-OPENER 1708 00:36:28,000 --> 00:36:29,119 >> Jimmy: I HOPE THIS STARTS A 1709 00:36:29,119 --> 00:36:31,010 A LOT OF CONVERSATIONS 1710 00:36:29,119 --> 00:36:31,010 LESTER HOLT, EVERYBODY 1711 00:36:31,010 --> 00:36:32,070 [ CHEERS AND APPLAUSE 1712 00:36:31,010 --> 00:36:32,070 "LIFE INSIDE" AIRS THIS 1713 00:36:32,070 --> 00:36:33,230 FRIDAY -- THIS FRIDAY AT 1714 00:36:32,070 --> 00:36:33,230 10:00 P.M. ON NBC. 1715 00:36:33,230 --> 00:36:34,289 WE'LL BE RIGHT BACK WITH A 1716 00:36:33,230 --> 00:36:34,289 A PERFORMANCE FROM 1717 00:36:34,289 --> 00:36:37,010 ALEC BENJAMIN. 1718 00:36:34,289 --> 00:36:37,010 STICK AROUND, EVERYBODY. 1719 00:36:37,010 --> 00:37:00,000 [ CHEERS AND APPLAUSE 1720 00:36:37,010 --> 00:37:00,000 ♪ 1721 00:37:00,000 --> 00:37:01,050 >> Jimmy: YOU CAN CATCH HIM 1722 00:37:00,000 --> 00:37:01,050 HEADLINING AT TERMINAL 5 HERE 1723 00:37:01,050 --> 00:37:06,260 IN NEW YORK ON OCTOBER 25th. 1724 00:37:01,050 --> 00:37:06,260 PERFORMING HIS NEW SINGLE -- 1725 00:37:06,260 --> 00:37:07,190 THIS IS ONE OF MY JAMS OF THE 1726 00:37:07,190 --> 00:37:11,260 WEEK, MAN, I LOVE THIS SONG -- 1727 00:37:08,219 --> 00:37:11,260 "JESUS IN L.A.," PLEASE WELCOME 1728 00:37:10,050 --> 00:37:11,260 ALEC BENJAMIN. 1729 00:37:13,130 --> 00:37:15,250 ♪ 1730 00:37:13,130 --> 00:37:15,250 ♪ WELL I SHOOK HANDS WITH 1731 00:37:15,250 --> 00:37:17,219 THE DEVIL DOWN ON TH 1732 00:37:15,250 --> 00:37:17,219 SOUTH SIDE AND H 1733 00:37:17,219 --> 00:37:22,000 BOUGHT US BOTH A DRINK ♪ 1734 00:37:17,219 --> 00:37:22,000 ♪ WITH A PAD AND A PENCIL 1735 00:37:22,000 --> 00:37:23,179 SAT BY HIS SID 1736 00:37:22,000 --> 00:37:23,179 I SAID TELL ME 1737 00:37:23,179 --> 00:37:25,239 WHAT YOU THINK ♪ 1738 00:37:23,179 --> 00:37:25,239 ♪ I'VE BEEN 1739 00:37:25,239 --> 00:37:28,059 LOOKING FOR MY SAVIO 1740 00:37:25,239 --> 00:37:28,059 LOOKING FOR MY TRUTH 1741 00:37:28,059 --> 00:37:30,280 I EVEN ASKED MY SHRINK ♪ 1742 00:37:28,059 --> 00:37:30,280 ♪ HE BROUGHT ME DOW 1743 00:37:30,280 --> 00:37:32,110 TO HIS LEVEL 1744 00:37:30,280 --> 00:37:32,110 SAID SON 1745 00:37:32,110 --> 00:37:33,230 YOU'RE NOT SPECIAL ♪ 1746 00:37:32,110 --> 00:37:33,230 ♪ YOU WON'T FIND HI 1747 00:37:33,230 --> 00:37:35,219 WHERE YOU THINK ♪ 1748 00:37:33,230 --> 00:37:35,219 ♪ YOU WON'T FIND HI 1749 00:37:35,219 --> 00:37:39,269 DOWN ON SUNSET 1750 00:37:35,219 --> 00:37:39,269 OR AT A PARTY IN THE HILLS ♪ 1751 00:37:39,269 --> 00:37:41,159 ♪ AT THE BOTTOM 1752 00:37:39,269 --> 00:37:41,159 OF THE BOTTL 1753 00:37:41,159 --> 00:37:45,099 OR WHEN YOU'RE TRIPPIN 1754 00:37:41,159 --> 00:37:45,099 ON SOME PILLS ♪ 1755 00:37:45,099 --> 00:37:46,230 ♪ WHEN THEY SOLD YO 1756 00:37:45,099 --> 00:37:46,230 THE DREA 1757 00:37:46,230 --> 00:37:49,059 YOU WERE JUST 16 1758 00:37:46,230 --> 00:37:49,059 PACKED A BAG AND RAN AWAY ♪ 1759 00:37:49,059 --> 00:37:52,190 ♪ AND IT'S A CRYING SHAME 1760 00:37:49,059 --> 00:37:52,190 YOU CAME ALL THIS WA 1761 00:37:52,190 --> 00:37:55,059 'CAUSE YOU WON'T 1762 00:37:52,190 --> 00:37:55,059 FIND JESUS IN L.A. ♪ 1763 00:37:55,059 --> 00:37:57,250 ♪ AND IT'S A CRYING SHAME 1764 00:37:55,059 --> 00:37:57,250 YOU CAME ALL THIS WA 1765 00:37:57,250 --> 00:37:59,280 'CAUSE YOU WON'T 1766 00:37:57,250 --> 00:37:59,280 FIND JESUS IN L.A. ♪ 1767 00:37:59,280 --> 00:38:12,139 ♪ 1768 00:37:59,280 --> 00:38:12,139 ♪ TOOK A SIP OF HIS WHISKEY 1769 00:38:12,139 --> 00:38:14,159 SAID NOW THAT YOU'RE WITH ME 1770 00:38:12,139 --> 00:38:14,159 WELL I THINK THA 1771 00:38:14,159 --> 00:38:16,260 YOU SHOULD STAY ♪ 1772 00:38:14,159 --> 00:38:16,260 ♪ YEAH I KNOW 1773 00:38:16,260 --> 00:38:18,210 YOU'VE BEEN BUSY 1774 00:38:16,260 --> 00:38:18,210 SEARCHING THROUGH THE CITY 1775 00:38:18,210 --> 00:38:22,159 SO LET ME SHARE THE WAY ♪ 1776 00:38:18,210 --> 00:38:22,159 ♪ I KNOW I'M NOT YOUR SAVIO 1777 00:38:22,159 --> 00:38:24,150 KNOW I'M NOT YOUR TRUT 1778 00:38:22,159 --> 00:38:24,150 BUT I THINK WE 1779 00:38:24,150 --> 00:38:26,210 COULD BE FRIENDS ♪ 1780 00:38:24,150 --> 00:38:26,210 ♪ HE SAID COM 1781 00:38:26,210 --> 00:38:28,260 DOWN TO MY LEVEL 1782 00:38:26,210 --> 00:38:28,260 HANG OUT WITH THE DEVI 1783 00:38:28,260 --> 00:38:31,150 LET ME TELL YOU IN THE END ♪ 1784 00:38:28,260 --> 00:38:31,150 ♪ YOU WON'T FIND HI 1785 00:38:31,150 --> 00:38:35,260 DOWN ON SUNSET 1786 00:38:31,150 --> 00:38:35,260 OR AT A PARTY IN THE HILLS ♪ 1787 00:38:35,260 --> 00:38:38,150 ♪ AT THE BOTTOM 1788 00:38:35,260 --> 00:38:38,150 OF THE BOTTL 1789 00:38:38,150 --> 00:38:41,260 OR WHEN YOU'RE TRIPPIN 1790 00:38:38,150 --> 00:38:41,260 ON SOME PILLS ♪ 1791 00:38:41,260 --> 00:38:43,269 ♪ WHEN THEY SOLD YO 1792 00:38:41,260 --> 00:38:43,269 THE DREAM YOU WERE JUST 16 1793 00:38:43,269 --> 00:38:46,280 PACKED A BAG AND RAN AWAY ♪ 1794 00:38:43,269 --> 00:38:46,280 ♪ AND IT'S A CRYING SHAME 1795 00:38:46,280 --> 00:38:49,139 YOU CAME ALL THIS WA 1796 00:38:46,280 --> 00:38:49,139 'CAUSE YOU WON'T 1797 00:38:49,139 --> 00:38:52,150 FIND JESUS IN L.A. ♪ 1798 00:38:49,139 --> 00:38:52,150 ♪ AND IT'S A CRYING SHAME 1799 00:38:52,150 --> 00:38:54,110 YOU CAME ALL THIS WA 1800 00:38:52,150 --> 00:38:54,110 'CAUSE YOU WON'T 1801 00:38:54,110 --> 00:38:59,289 FIND JESUS IN L.A. ♪ 1802 00:38:54,110 --> 00:38:59,289 ♪ AND THAT IS WHEN I KNEW 1803 00:38:59,289 --> 00:39:04,070 THAT IT WAS TIME TO GO HOM 1804 00:38:59,289 --> 00:39:04,070 AND THAT IS WHEN I 1805 00:39:04,070 --> 00:39:10,059 REALIZED THAT I WAS ALONE ♪ 1806 00:39:04,070 --> 00:39:10,059 ♪ AND ALL THE VIBRANT COLOR 1807 00:39:10,059 --> 00:39:13,269 FROM THE LIGHTS FADE AWA 1808 00:39:10,059 --> 00:39:13,269 AND I DON'T CARE 1809 00:39:13,269 --> 00:39:17,070 WHAT THEY SAY ♪ 1810 00:39:13,269 --> 00:39:17,070 ♪ YOU WON'T FIN 1811 00:39:17,070 --> 00:39:22,110 HIM DOWN ON SUNSET 1812 00:39:17,070 --> 00:39:22,110 OR AT A PARTY IN THE HILLS ♪ 1813 00:39:22,110 --> 00:39:24,099 ♪ AT THE BOTTOM 1814 00:39:22,110 --> 00:39:24,099 OF THE BOTTL 1815 00:39:24,099 --> 00:39:27,239 OR WHEN YOU'RE TRIPPIN 1816 00:39:24,099 --> 00:39:27,239 ON SOME PILLS ♪ 1817 00:39:27,239 --> 00:39:29,280 ♪ WHEN THEY SOLD YO 1818 00:39:27,239 --> 00:39:29,280 THE DREAM YOU WERE JUST 16 1819 00:39:29,280 --> 00:39:33,030 PACKED A BAG AND RAN AWAY ♪ 1820 00:39:29,280 --> 00:39:33,030 ♪ AND IT'S A CRYING SHAME 1821 00:39:33,030 --> 00:39:35,119 YOU CAME ALL THIS WA 1822 00:39:33,030 --> 00:39:35,119 'CAUSE YOU WON'T 1823 00:39:35,119 --> 00:39:38,170 FIND JESUS IN L.A. ♪ 1824 00:39:35,119 --> 00:39:38,170 ♪ I WON'T FIND HI 1825 00:39:38,170 --> 00:39:41,190 DOWN ON SUNSET 1826 00:39:38,170 --> 00:39:41,190 OR AT A PARTY IN THE HILLS ♪ 1827 00:39:41,190 --> 00:39:43,010 ♪ AT THE BOTTOM 1828 00:39:41,190 --> 00:39:43,010 OF THE BOTTL 1829 00:39:43,010 --> 00:39:47,159 OR WHEN I'M TRIPPING 1830 00:39:43,010 --> 00:39:47,159 ON SOME PILLS ♪ 1831 00:39:47,159 --> 00:39:49,079 ♪ WHEN THEY SOLD ME 1832 00:39:47,159 --> 00:39:49,079 THE DREAM I WAS JUST 1 1833 00:39:49,079 --> 00:39:52,260 PACKED MY BAG AND RAN AWAY ♪ 1834 00:39:49,079 --> 00:39:52,260 ♪ AND IT'S A CRYING SHAME 1835 00:39:52,260 --> 00:39:55,179 I CAME ALL THIS WA 1836 00:39:52,260 --> 00:39:55,179 'CAUSE I WON'T 1837 00:39:55,179 --> 00:39:58,030 FIND JESUS IN L.A. ♪ 1838 00:39:55,179 --> 00:39:58,030 ♪ AND IT'S A CRYING SHAME 1839 00:39:58,030 --> 00:39:59,289 I CAME ALL THIS WA 1840 00:39:58,030 --> 00:39:59,289 'CAUSE I WON'T 1841 00:39:59,289 --> 00:40:03,050 FIND JESUS IN L.A. ♪ 1842 00:39:59,289 --> 00:40:03,050 ♪ 1843 00:40:03,050 --> 00:40:10,239 [ CHEERS AND APPLAUSE 1844 00:40:03,050 --> 00:40:10,239 >> VERY NERVOUS. 1845 00:40:10,239 --> 00:40:14,119 >> Jimmy: ALEC BENJAMIN. 1846 00:40:10,239 --> 00:40:14,119 [ CHEERS AND APPLAUSE 1847 00:40:14,119 --> 00:40:18,139 "JESUS IN L.A." IS OUT NOW 1848 00:40:14,119 --> 00:40:18,139 MY THANKS TO BILL HADER, 1849 00:40:18,139 --> 00:40:20,159 CARA DELEVINGNE, LESTER HOLT 1850 00:40:18,139 --> 00:40:20,159 ALEC BENJAMIN, ONCE AGAIN. 1851 00:40:20,159 --> 00:40:25,289 [ CHEERS AND APPLAUSE 1852 00:40:20,159 --> 00:40:25,289 AND THE ROOTS RIGHT THERE, FROM 1853 00:40:25,289 --> 00:40:27,050 PHILADELPHIA, PENNSYLVANIA 1854 00:40:25,289 --> 00:40:27,050 STAY TUNED FOR "LATE NIGHT WITH 1855 00:40:27,050 --> 00:40:31,000 SETH MEYERS. 1856 00:40:27,050 --> 00:40:31,000 THANK YOU FOR WATCHING 1857 00:40:31,000 --> 00:40:32,210 HAVE A GREAT NIGHT 1858 00:40:31,000 --> 00:40:32,210 I HOPE TO SEE YOU TOMORROW 1859 00:40:32,210 --> 00:40:33,280 BYE-BYE, EVERYBODY 1860 00:40:32,210 --> 00:40:33,280 [ CHEERS AND APPLAUSE 1861 00:40:33,280 --> 00:40:55,179 ♪ 105623