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These are the user uploaded subtitles that are being translated: 1 00:00:04,868 --> 00:00:06,067 SUSAN! 2 00:00:06,133 --> 00:00:07,868 WHAT? 3 00:00:11,267 --> 00:00:12,334 WHERE ARE YOU GOING? 4 00:00:12,400 --> 00:00:14,567 IT'S UP TO YOU. 5 00:00:24,467 --> 00:00:26,467 ** 6 00:00:31,701 --> 00:00:35,067 * YOU WON'T ADMIT YOU LOVE ME * 7 00:00:35,133 --> 00:00:36,934 * AND SO * 8 00:00:37,000 --> 00:00:39,634 * HOW AM I EVER * 9 00:00:39,701 --> 00:00:41,367 * TO KNOW? * 10 00:00:41,434 --> 00:00:43,934 * YOU ALWAYS TELL ME * 11 00:00:44,000 --> 00:00:47,667 * PERHAPS, PERHAPS, PERHAPS * 12 00:00:48,767 --> 00:00:49,968 * PERHAPS * 13 00:00:50,968 --> 00:00:52,067 * PERHAPS * 14 00:00:53,167 --> 00:00:54,667 * PERHAPS * 15 00:00:57,234 --> 00:00:59,033 SUSAN! 16 00:01:03,267 --> 00:01:04,734 WHAT? 17 00:01:06,334 --> 00:01:07,567 WHAT? 18 00:01:09,000 --> 00:01:10,667 YOU KNOW. 19 00:01:10,734 --> 00:01:15,834 NO...I DON'T. 20 00:02:18,601 --> 00:02:20,734 I WAS JUST WRONG. 21 00:02:20,801 --> 00:02:23,634 WRONG ABOUT EVERYTHING. 22 00:02:23,701 --> 00:02:27,234 SINCE YOU LEFT ME, I'VE COME TO SEE THE POINT 23 00:02:27,300 --> 00:02:31,334 OF CUT FLOWERS AND VERY SMALL PICTURE FRAMES, 24 00:02:31,400 --> 00:02:33,901 AND RELATIVES. 25 00:02:33,968 --> 00:02:37,767 I'M THINKING OF OWNING MORE THAN ONE BAR OF SOAP AT A TIME 26 00:02:37,834 --> 00:02:39,868 AND BUYING ANOTHER TOWEL. 27 00:02:39,934 --> 00:02:43,267 AND THE STANDS TO PUT THE TOILET ROLL ON. 28 00:02:43,334 --> 00:02:47,300 AND TOILET ROLL, EVEN WHEN I'VE GOT A NEWSPAPER. 29 00:02:49,634 --> 00:02:51,601 I NOW REALIZE THAT MY PLAYSTATION 30 00:02:51,667 --> 00:02:55,000 IS A COMPLETE WASTE OF MY LIFE... 31 00:02:55,067 --> 00:02:57,701 AND THAT A LACK OF REALISTIC GORE 32 00:02:57,767 --> 00:03:01,367 IS NOT A SENSIBLE CRITICISM OF CHESS. 33 00:03:03,267 --> 00:03:06,467 I ABSOLUTELY PROMISE TO ABANDON 34 00:03:06,534 --> 00:03:09,801 ALL OF MY DISGUSTING SEXUAL DEVIANCES 35 00:03:09,868 --> 00:03:14,834 LIKE LESBIAN PORN, MARIELLA FROSTRUP... 36 00:03:14,901 --> 00:03:17,534 AND TALKING TO OTHER WOMEN. 37 00:03:20,634 --> 00:03:22,400 SUSAN... 38 00:03:22,467 --> 00:03:24,901 PLEASE... 39 00:03:27,267 --> 00:03:29,734 ( voice cracking ) JUST TAKE ME BACK. 40 00:03:36,868 --> 00:03:40,534 I FOUND SOMEONE NEW, SOMEONE BETTER. 41 00:03:40,601 --> 00:03:44,567 SOMEONE WHO'S GONNA SATISFY ME IN A WAY YOU NEVER COULD, 42 00:03:44,634 --> 00:03:47,534 YOU SAD, PATHETIC LITTLE MAN. 43 00:03:47,601 --> 00:03:50,234 AND I'M GONNA MAKE YOU WATCH. 44 00:03:52,334 --> 00:03:53,734 HELLO, MARIELLA. 45 00:03:53,801 --> 00:03:55,067 HELLO, SUSAN. 46 00:03:55,133 --> 00:03:57,300 ARE YOU WEARING REALLY SMALL PANTS? 47 00:03:57,367 --> 00:04:00,100 OH, I ALWAYS WEAR REALLY SMALL PANTS. 48 00:04:00,167 --> 00:04:01,100 ME, TOO. 49 00:04:01,167 --> 00:04:03,033 MINE ARE ABSOLUTELY TINY. 50 00:04:03,100 --> 00:04:05,334 YOU COULD SWALLOW MY ENTIRE PANTS COLLECTION 51 00:04:05,400 --> 00:04:07,400 WITH ONE SIP OF WATER. 52 00:04:07,467 --> 00:04:09,267 COULD I? THANKS. 53 00:04:10,501 --> 00:04:13,100 OH, LOOK, THERE'S GAIL PORTER. 54 00:04:16,567 --> 00:04:17,701 LET'S HAVE A FOAM PARTY. 55 00:04:17,767 --> 00:04:18,901 HI, GAIL. 56 00:04:18,968 --> 00:04:21,801 ARE YOU WEARING REALLY TINY PANTS? 57 00:04:21,868 --> 00:04:24,067 Jeff: EXCELLENT! 58 00:04:26,033 --> 00:04:28,234 WHY DO YOU ALWAYS TURN UP IN THESE DREAMS? 59 00:04:28,300 --> 00:04:31,434 IT'S A GIFT. 60 00:04:33,467 --> 00:04:35,834 WATCH OUT, MARIELLA'S LOSING POWER. 61 00:04:37,834 --> 00:04:39,467 * PERHAPS, PERHAPS * 62 00:04:39,534 --> 00:04:40,701 LEAVE NOW FOREVER! 63 00:04:40,767 --> 00:04:41,767 SUSAN, I-- 64 00:04:41,834 --> 00:04:43,267 AND TAKE YOUR PATHETIC COLLECTION 65 00:04:43,334 --> 00:04:45,667 OF DIRTY VIDEOS WITH YOU! 66 00:04:48,267 --> 00:04:50,000 EXCELLENT! 67 00:04:51,033 --> 00:04:52,701 WHAT ARE YOU DOING HERE? 68 00:04:52,767 --> 00:04:54,667 SPOOKY, ISN'T IT? 69 00:05:35,400 --> 00:05:38,067 AM I REALLY SUPPOSED TO BE READING THIS? 70 00:05:38,133 --> 00:05:40,300 NO, YOU'RE SUPPOSED TO SEND IT TO STEVE. 71 00:05:42,434 --> 00:05:43,701 WHY? 72 00:05:43,767 --> 00:05:46,567 YOU'VE ALWAYS GOT TO SEND A MAN A BOOK WHEN YOU SPLIT UP 73 00:05:46,634 --> 00:05:49,067 TO PROVE HOW YOU'RE A CARING, GIVING PERSON 74 00:05:49,133 --> 00:05:52,667 AND HOW THEY'RE GONNA DIE ALONE IN A PIT OF THEIR OWN FILTH. 75 00:05:54,701 --> 00:05:57,067 A BRIDGE ACROSS DESTINY. 76 00:05:57,133 --> 00:06:00,634 IT'S ABOUT SOUL MATES, FATE, AND WHY MEN ARE RUBBISH. 77 00:06:02,234 --> 00:06:03,367 ARE YOU OKAY? 78 00:06:03,434 --> 00:06:05,534 YEAH, I-I'M FINE. 79 00:06:06,567 --> 00:06:07,767 HOW TO HEAL A MAN. 80 00:06:07,834 --> 00:06:08,868 THAT ONE'S VERY USEFUL. 81 00:06:08,934 --> 00:06:10,601 IT CLARIFIES TO EVEN THE HAPPIEST MAN 82 00:06:10,667 --> 00:06:12,367 THAT, ACTUALLY, HE'S MISERABLE. 83 00:06:12,434 --> 00:06:13,801 KILL, KILL THE DOGS! 84 00:06:13,868 --> 00:06:14,901 KILL, KILL, KILL! 85 00:06:14,968 --> 00:06:16,868 ( gunshots, dog groaning ) 86 00:06:16,934 --> 00:06:19,334 WEREN'T YOU SUPPOSED TO BE GETTING SOME WINE? 87 00:06:19,400 --> 00:06:21,434 IT TELLS MEN THE RIGHT THINGS TO BE HAPPY ABOUT 88 00:06:21,501 --> 00:06:23,834 INSTEAD OF SPORT AND HAVING FUN. 89 00:06:23,901 --> 00:06:25,801 WINE! 90 00:06:25,868 --> 00:06:27,400 NOW MAKE HER DO THE CRAWL ACTION. 91 00:06:27,467 --> 00:06:28,901 SHE DOESN'T NEED TO CRAWL. 92 00:06:28,968 --> 00:06:30,167 TRUST ME. 93 00:06:31,934 --> 00:06:33,968 ( chuckles ) 94 00:06:34,033 --> 00:06:35,834 WOW! 95 00:06:39,701 --> 00:06:40,868 ( rings briefly ) 96 00:06:42,901 --> 00:06:44,634 Sally: SUSAN? 97 00:06:49,367 --> 00:06:51,934 Patrick: PHONING SUSAN? 98 00:06:52,000 --> 00:06:53,400 WASN'T QUITE READY. 99 00:06:53,467 --> 00:06:55,501 Jeff: YEAH, I HATE PHONING. 100 00:06:55,567 --> 00:06:58,033 YOU NEVER KNOW WHO'S GONNA ANSWER. 101 00:06:59,234 --> 00:07:00,334 WHAT WAS THAT? 102 00:07:00,400 --> 00:07:01,434 OH, NOTHING. 103 00:07:01,501 --> 00:07:02,834 BUT YOU DO REALIZE YOU'RE SUPPOSED 104 00:07:02,901 --> 00:07:05,534 TO PHONE SPECIFIC PEOPLE, RIGHT? 105 00:07:05,601 --> 00:07:09,467 YEAH. BUT STILL, YOU KNOW WHAT IT'S LIKE. 106 00:07:09,534 --> 00:07:11,734 Sally: I THOUGHT I HEARD THE PHONE. 107 00:07:11,801 --> 00:07:14,934 IT JUST SORT OF...CHIRPED. 108 00:07:15,000 --> 00:07:16,100 CHIRPED? 109 00:07:17,367 --> 00:07:18,801 YOU PHONE SOMEONE, 110 00:07:18,868 --> 00:07:20,901 SOMEONE YOU KNOW OR A WOMAN, 111 00:07:20,968 --> 00:07:25,434 AND YOU DON'T KNOW WHAT'S GOING ON. 112 00:07:26,634 --> 00:07:28,067 A CHIRP, EH? 113 00:07:28,133 --> 00:07:30,334 THERE'S NOTHING TO ANALYZE HERE, SALLY. 114 00:07:30,400 --> 00:07:31,968 Jeff: YOU'RE JUST SUDDENLY IN THE MIDDLE 115 00:07:32,033 --> 00:07:33,100 OF SOMEONE'S HOUSE, 116 00:07:33,167 --> 00:07:34,601 ANYTHING COULD BE HAPPENING. 117 00:07:34,667 --> 00:07:37,534 THERE COULD BE OLD PEOPLE NAKED. 118 00:07:37,601 --> 00:07:39,334 YOU WOULDN'T BE ABLE TO SEE THEM! 119 00:07:39,400 --> 00:07:41,734 YEAH, BUT THEY COULD BE OUT THERE, RUSTLING. 120 00:07:43,033 --> 00:07:44,133 BUT IT COULD HAVE BEEN-- 121 00:07:44,200 --> 00:07:45,667 WHO KNOWS? WHO CARES? 122 00:07:45,734 --> 00:07:47,067 IT WAS A CHIRP. 123 00:07:47,133 --> 00:07:49,567 THERE'S NOTHING YOU CAN TELL FROM A CHIRP. 124 00:07:49,634 --> 00:07:51,300 OF COURSE I KNOW THAT. GOOD. 125 00:07:51,367 --> 00:07:52,400 HOW LONG A CHIRP? 126 00:07:52,467 --> 00:07:54,367 SALLY! 127 00:07:54,434 --> 00:07:56,467 Jeff: JENNY TURBOT. 128 00:07:56,534 --> 00:07:57,701 I'M SORRY? 129 00:07:57,767 --> 00:08:00,267 WORST PHONE CALL I EVER MADE. 130 00:08:00,334 --> 00:08:01,834 RIGHT. 131 00:08:01,901 --> 00:08:04,767 IF THIS CHIRP WAS AN ANIMAL... 132 00:08:04,834 --> 00:08:06,367 I MEAN IT! 133 00:08:06,434 --> 00:08:08,501 Jeff: IT WAS MY FINAL YEAR AT SCHOOL, 134 00:08:08,567 --> 00:08:11,200 AND THERE SHE WAS, JENNY TURBOT. 135 00:08:11,267 --> 00:08:12,667 IT WAS LIKE SHE'D COME TO LIFE 136 00:08:12,734 --> 00:08:13,934 FROM ONE OF MY MAGAZINES, 137 00:08:14,000 --> 00:08:15,968 AS IF ALL THE CANDLES AND THE CHANTING 138 00:08:16,033 --> 00:08:17,567 HAD FINALLY WORKED. 139 00:08:19,634 --> 00:08:23,701 I'D NEVER SEEN A WOMAN THAT GORGEOUS FULLY DRESSED. 140 00:08:23,767 --> 00:08:25,467 CLOTHES LOOKED WRONG ON HER SOMEHOW 141 00:08:25,534 --> 00:08:28,267 AS IF SHE'D DEVELOPED A FAULT. 142 00:08:30,000 --> 00:08:32,300 YOU KNOW, YOU COULD-- DON'T SAY IT! 143 00:08:32,367 --> 00:08:34,334 Jeff: I FELL COMPLETELY IN LOVE WITH HER... 144 00:08:34,400 --> 00:08:35,367 TOTALLY. 145 00:08:35,434 --> 00:08:37,200 I KNEW SHE WAS THE ONE. 146 00:08:37,267 --> 00:08:38,934 EVERYONE ELSE CALLED HER "THE SCHOOL BIKE," 147 00:08:39,000 --> 00:08:41,734 SAID SHE'D PUT OUT FOR ABSOLUTELY ANYONE, 148 00:08:41,801 --> 00:08:44,267 AND IT WASN'T JUST THAT. 149 00:08:46,400 --> 00:08:48,033 AND I GOT HER PHONE NUMBER, RIGHT. 150 00:08:48,100 --> 00:08:50,000 IT TOOK ME AGES, BUT I GOT IT. 151 00:08:50,067 --> 00:08:51,634 IT WAS ON A LITTLE SCRAP OF PAPER, 152 00:08:51,701 --> 00:08:54,067 THE TURBOT'S ACTUAL PHONE NUMBER. 153 00:08:54,133 --> 00:08:55,567 THAT LITTLE SCRAP OF PAPER 154 00:08:55,634 --> 00:08:57,767 GAVE ME THE BEST TIME OF MY LIFE... 155 00:08:57,834 --> 00:09:01,467 A MONTH OF COMPLETE SEXUAL BLISS. 156 00:09:01,534 --> 00:09:05,100 IN THE END, I HAD TO PHONE HER BEFORE IT FELL APART. 157 00:09:05,167 --> 00:09:07,734 AND SHE KNEW WHO I WAS! 158 00:09:07,801 --> 00:09:10,734 SHE REMEMBERED ME. NOBODY EVER REMEMBERED ME. 159 00:09:10,801 --> 00:09:13,133 BUT THE TURBOT, SHE REMEMBERED. 160 00:09:13,200 --> 00:09:16,934 AND WE WERE JUST CHATTING AWAY, AND IT WAS EASY. 161 00:09:17,000 --> 00:09:19,801 AND I JUST ASKED HER OUT. I JUST DID IT. 162 00:09:19,868 --> 00:09:22,000 AN ACTUAL DATE. 163 00:09:23,200 --> 00:09:26,367 IT WOULDN'T HURT-- YES, IT WOULD! 164 00:09:26,434 --> 00:09:27,634 Patrick: SO WHAT WENT WRONG? 165 00:09:27,701 --> 00:09:30,467 WELL, HER EX SUDDENLY TURNS UP AGAIN, DOESN'T HE? 166 00:09:30,534 --> 00:09:33,968 BARRY. BARRY THE BASTARD. 167 00:09:34,033 --> 00:09:35,167 BEFORE YOU KNOW IT, 168 00:09:35,234 --> 00:09:37,334 THEY'RE SHAGGING AWAY LIKE MANIACS. 169 00:09:37,400 --> 00:09:40,033 I KEPT ASKING HER OUT, OBVIOUSLY, I PLEADED, 170 00:09:40,100 --> 00:09:41,367 BUT SHE WAS TOO BUSY 171 00:09:41,434 --> 00:09:43,901 WITH ALL THE ENDLESS SHAGGING. 172 00:09:43,968 --> 00:09:47,501 SO, IN THE END, I JUST HAD TO HANG UP. 173 00:09:55,801 --> 00:09:57,901 SHE WAS HAVING SEX WITH THIS GUY 174 00:09:57,968 --> 00:09:59,434 WHILE YOU WERE STILL ON THE PHONE? 175 00:09:59,501 --> 00:10:02,400 ACTUALLY, I THINK THE PHONE WAS INVOLVED. 176 00:10:05,934 --> 00:10:09,067 Steve: OH, DEAR GOD! 177 00:10:09,133 --> 00:10:12,300 THAT WAS AS CLOSE AS I GOT TO JENNY TURBOT. 178 00:10:12,367 --> 00:10:16,734 I WAS A SEX AID FOR HER AND BARRY THE BASTARD. 179 00:10:17,968 --> 00:10:20,567 I COUNTED IT AS HALF A POINT. 180 00:10:21,634 --> 00:10:23,501 Patrick: I GOT PHONED DURING SEX ONCE. 181 00:10:23,567 --> 00:10:25,701 CAN WE PLEASE NOT HEAR ABOUT IT. 182 00:10:25,767 --> 00:10:27,801 IT'S A BIT EMBARRASSING, ACTUALLY. 183 00:10:27,868 --> 00:10:30,434 THERE I WAS, IN THE MIDDLE OF SERIOUS, FULL-ON SEX, 184 00:10:30,501 --> 00:10:32,033 WHEN MY GIRLFRIEND PHONES. 185 00:10:33,367 --> 00:10:34,667 Jeff: BLOODY HELL! 186 00:10:34,734 --> 00:10:35,734 Steve: THAT'S VERY EMBARRASSING! 187 00:10:35,801 --> 00:10:37,033 SHE KEPT GOING ON AND ON 188 00:10:37,100 --> 00:10:39,133 ABOUT HOW I WAS IGNORING HER. 189 00:10:39,200 --> 00:10:40,367 YOU DON'T THINK IT WAS MAYBE 190 00:10:40,434 --> 00:10:42,400 BECAUSE YOU WERE HAVING SEX WITH SOMEBODY ELSE? 191 00:10:42,467 --> 00:10:44,501 NO, NO, I WAS HAVING SEX WITH HER. 192 00:10:49,200 --> 00:10:51,567 SHIT! WHAT? 193 00:10:51,634 --> 00:10:55,100 SALLY, NO! THAT WAY MADNESS LIES. 194 00:10:55,167 --> 00:10:57,100 I DIDN'T SAY ANYTHING THAT TIME. 195 00:10:57,167 --> 00:10:59,767 YOU JUST THOUGHT IT. 196 00:10:59,834 --> 00:11:00,868 Jeff: WHAT'S WRONG? 197 00:11:00,934 --> 00:11:02,601 I CONNECTED. 198 00:11:02,667 --> 00:11:05,868 WHEN I PHONED SUSAN-- FOR A MOMENT, I CONNECTED. 199 00:11:05,934 --> 00:11:07,634 Sally: SHALL WE SAY IT TOGETHER? 200 00:11:07,701 --> 00:11:10,267 SO? WHAT DO YOU MEAN, "SO?" 201 00:11:10,334 --> 00:11:12,567 All five: 1471! 202 00:11:12,634 --> 00:11:14,767 WHAT IF SHE CHECKS? SHE'LL KNOW IT WAS ME. 203 00:11:14,834 --> 00:11:15,968 Jeff: WELL? 204 00:11:16,033 --> 00:11:18,100 WHAT IF SHE'S THERE? WHAT IF SHE'S ABOUT TO-- 205 00:11:18,167 --> 00:11:20,133 PATRICK, HAVE YOU GOT YOUR MOBILE? 206 00:11:20,200 --> 00:11:21,133 NO. 207 00:11:21,200 --> 00:11:23,434 JEFF? WHY? 208 00:11:25,067 --> 00:11:27,300 Sally: SO YOU KNOW, ONE WAY OR THE OTHER. 209 00:11:27,367 --> 00:11:28,501 WILL YOU PHONE HER? 210 00:11:28,567 --> 00:11:29,801 I DON'T WANT TO PHONE HER. 211 00:11:29,868 --> 00:11:30,801 JEFF, PLEASE! FORGET IT! 212 00:11:30,868 --> 00:11:32,434 YOU DON'T HAVE TO TALK TO HER. 213 00:11:32,501 --> 00:11:33,501 I'M NOT TALKING TO HER. 214 00:11:33,567 --> 00:11:34,968 YOU'RE THE ONES WHO'VE SPLIT UP. 215 00:11:35,033 --> 00:11:36,267 JEFF! 216 00:11:36,334 --> 00:11:37,834 I DON'T TALK TO WOMEN WHEN THEY'RE EMOTIONAL. 217 00:11:37,901 --> 00:11:39,868 THEY'RE ALLOWED TO SLAP YOU. 218 00:11:39,934 --> 00:11:41,067 OVER THE PHONE? 219 00:11:41,133 --> 00:11:42,300 WELL, SHE'LL REMEMBER FOR NEXT TIME. 220 00:11:42,367 --> 00:11:43,634 WOMEN REMEMBER, STEVE. 221 00:11:43,701 --> 00:11:45,834 IT'S LIKE THEY'VE GOT MINDS OF THEIR OWN. 222 00:11:45,901 --> 00:11:47,400 YOU DON'T HAVE TO TALK TO HER. 223 00:11:47,467 --> 00:11:49,467 YOU'RE GONNA HANG UP THE MOMENT IT RINGS. 224 00:11:49,534 --> 00:11:51,701 IT'S JUST SO THAT I'M NOT THE LAST ONE WHO PHONED 225 00:11:51,767 --> 00:11:53,334 WHEN SHE 1471's. 226 00:11:53,400 --> 00:11:54,634 IT JUST SEEMS LIKE 227 00:11:54,701 --> 00:11:56,434 A REALLY NEEDY THING TO DO. 228 00:11:56,501 --> 00:11:57,767 I DON'T DO NEEDY. 229 00:11:57,834 --> 00:12:00,934 YOU'RE A WOMAN. NEEDY IS OUR GOLF. 230 00:12:03,434 --> 00:12:05,534 OH! YOU SEE? 231 00:12:05,601 --> 00:12:06,901 IT'LL BE ME THAT PHONED. 232 00:12:06,968 --> 00:12:08,334 EXACTLY. 233 00:12:08,400 --> 00:12:09,734 Susan: WHAT DOES THAT MEAN? 234 00:12:09,801 --> 00:12:11,868 I DON'T KNOW. I DIDN'T THINK IT THROUGH. 235 00:12:12,868 --> 00:12:14,267 OKAY, I'LL DO IT. 236 00:12:14,334 --> 00:12:16,467 GOOD MAN! 237 00:12:16,534 --> 00:12:17,701 OKAY, I'LL DO IT. 238 00:12:17,767 --> 00:12:18,734 THAT'S MY GIRL! 239 00:12:18,801 --> 00:12:19,868 DO YOU NEED THE NUMBER? 240 00:12:19,934 --> 00:12:22,067 NO, YOU STILL GOT IT ON REDIAL. 241 00:12:22,133 --> 00:12:23,868 ( dialing number ) 242 00:12:23,934 --> 00:12:24,934 ( rings ) 243 00:12:25,000 --> 00:12:26,267 OH! OH! 244 00:12:26,334 --> 00:12:28,234 SECOND CHIRP. YOU HAVE A SECOND CHIRP. 245 00:12:28,300 --> 00:12:30,567 SECOND CHIRP ON THE RADAR. 246 00:12:33,234 --> 00:12:36,000 WE DON'T KNOW IT WAS HIM. 247 00:12:36,067 --> 00:12:37,834 WHY ELSE WOULD YOUR PHONE KEEP CHIRPING? 248 00:12:37,901 --> 00:12:40,033 I DON'T KNOW, MAYBE IT'S HAVING A GOOD DAY. 249 00:12:40,100 --> 00:12:41,801 HE'S WANTING TO PHONE. HE'S CHANGING HIS MIND. 250 00:12:41,868 --> 00:12:44,200 NEXT TIME, TRY AND ANSWER DURING THE CHIRP. 251 00:12:44,267 --> 00:12:46,367 DO YOU KNOW WHY I'M NOT GONNA DO THIS, SALLY? 252 00:12:46,434 --> 00:12:48,601 BECAUSE I'M JUST NOT THAT DESPERATE. 253 00:12:51,300 --> 00:12:52,801 ( knock on door ) 254 00:12:52,868 --> 00:12:54,033 HELLO?! 255 00:13:06,234 --> 00:13:08,100 STEVE, YOU'VE MADE A MISTAKE. 256 00:13:10,133 --> 00:13:12,234 HAVE I REALLY? 257 00:13:13,934 --> 00:13:15,701 I'LL GET THAT, SHALL I? 258 00:13:15,767 --> 00:13:17,400 IT'LL BE YOUR NUMBER ON THE PHONE-- 259 00:13:17,467 --> 00:13:20,701 YOU WERE SUPPOSED TO USE YOUR MOBILE! 260 00:13:22,267 --> 00:13:23,934 BECAUSE, ACTUALLY, THAT WAS THE DOOR, 261 00:13:24,000 --> 00:13:25,100 NOT THE PHONE. 262 00:13:25,167 --> 00:13:27,667 YES, SALLY, I KNOW. 263 00:13:27,734 --> 00:13:29,133 SO I'LL GET IT, SHALL I? 264 00:13:29,200 --> 00:13:32,934 AH...RIGHT! 265 00:13:34,801 --> 00:13:37,601 I'LL JUST GO OVER... HERE AND GET IT. 266 00:13:37,667 --> 00:13:39,367 BECAUSE THIS IS WHERE THE DOOR IS 267 00:13:39,434 --> 00:13:41,601 AS OPPOSED TO THE TELEPHONE, DO YOU SEE? 268 00:13:41,667 --> 00:13:43,200 SALLY! 269 00:13:43,267 --> 00:13:45,601 I DON'T HAVE MY MOBILE WITH ME. 270 00:13:45,667 --> 00:13:48,968 USING MY PHONE WAS NOT THE SECOND BEST OPTION. 271 00:13:49,033 --> 00:13:51,467 Jane: HI, HI. WHAT'S HAPPENING? 272 00:13:51,534 --> 00:13:52,567 HAS STEVE PHONED YET? 273 00:13:52,634 --> 00:13:53,868 Sally: WELL... 274 00:13:53,934 --> 00:13:55,801 NO PHONE CALLS, JUST THE OCCASIONAL CHIRP. 275 00:13:55,868 --> 00:13:57,367 HOW LONG A CHIRP? 276 00:13:57,434 --> 00:13:59,767 WELL, FOR GOD'S SAKE! 277 00:13:59,834 --> 00:14:01,200 I BROUGHT YOU BOOKS. 278 00:14:01,267 --> 00:14:03,033 YOU MIGHT WANT TO SEND ONE TO STEVE. 279 00:14:03,100 --> 00:14:05,367 BRIDGE ACROSS DESTINY. 280 00:14:05,434 --> 00:14:06,834 ISN'T IT GREAT? 281 00:14:06,901 --> 00:14:08,267 IT'S LIKE A MANUAL FOR LIVING 282 00:14:08,334 --> 00:14:10,334 THAT PROVES MEN ARE WRONG. 283 00:14:10,400 --> 00:14:12,634 NO OFFENSE, BUT DO YOU KNOW THAT YOUR VOICE 284 00:14:12,701 --> 00:14:14,534 ACTUALLY MAKES ME GRIND MY TEETH? 285 00:14:14,601 --> 00:14:16,601 NONE TAKEN. 286 00:14:16,667 --> 00:14:18,934 50 WAYS TO MAKE HIM YOUR SOUL MATE. 287 00:14:19,000 --> 00:14:20,367 OH, THIS ONE'S FABULOUS. 288 00:14:20,434 --> 00:14:23,200 IT'S LIKE THE CITIZEN'S ARREST OF ROMANCE. 289 00:14:23,267 --> 00:14:25,767 CAN YOU HEAR THEM, JANE, GRINDING AWAY? 290 00:14:25,834 --> 00:14:28,234 DO YOU KNOW, I THINK I CAN. 291 00:14:29,467 --> 00:14:30,801 Patrick: WHY DON'T YOU PHONE HER BACK 292 00:14:30,868 --> 00:14:31,868 AND WITHHOLD YOUR NUMBER? 293 00:14:31,934 --> 00:14:33,367 YEAH, THAT'D WORK. 294 00:14:33,434 --> 00:14:36,000 Susan: COME ON, JANE, LET'S GET YOU A DRINK. 295 00:14:36,067 --> 00:14:38,300 I MEAN, IT'S NOT THAT I DON'T LIKE YOU OR ANYTHING, 296 00:14:38,367 --> 00:14:41,067 IT'S JUST THAT I'M DEVELOPING EXTRA MUSCLES IN MY JAW. 297 00:14:41,133 --> 00:14:43,701 WE'LL LEAVE SUSAN TO DO WHATEVER SHE FEELS SHE HAS TO. 298 00:14:43,767 --> 00:14:45,667 HOW WOULD I WITHHOLD MY NUMBER? 299 00:14:45,734 --> 00:14:47,701 YOU'VE NEVER WITHHELD YOUR NUMBER? 300 00:14:47,767 --> 00:14:48,968 WHY WOULD I? 301 00:14:49,033 --> 00:14:50,667 OH, YOU KNOW... 302 00:14:52,400 --> 00:14:54,033 PURPOSES. 303 00:14:56,200 --> 00:14:57,667 EXACTLY. 304 00:14:57,734 --> 00:15:00,934 OKAY. HOW DO I DO IT, THEN? 305 00:15:01,000 --> 00:15:03,200 141. BRILLIANT. 306 00:15:05,300 --> 00:15:06,801 WHEN DO I DO THE 141? 307 00:15:06,868 --> 00:15:07,934 Jeff: FIRST. 308 00:15:08,000 --> 00:15:09,334 ( telephone rings ) OH! 309 00:15:10,968 --> 00:15:12,400 INCOMING! 310 00:15:12,467 --> 00:15:14,267 Jane: I'M EXCITED, TOO! 311 00:15:14,334 --> 00:15:16,000 OKAY, I DON'T KNOW WHAT HE'S PLAYING AT, 312 00:15:16,067 --> 00:15:17,300 BUT I'M JUST NOT JOINING IN. 313 00:15:17,367 --> 00:15:20,534 FIRST? FIRST, YEAH. 314 00:15:20,601 --> 00:15:21,934 Sally: DON'T YOU WANT TO AT LEAST-- 315 00:15:22,000 --> 00:15:23,267 NO, I DON'T! 316 00:15:23,334 --> 00:15:27,767 LOOK, JUST TO SET YOUR MIND AT REST... 317 00:15:27,834 --> 00:15:30,367 1471. 318 00:15:30,434 --> 00:15:31,968 Susan: HOW DO I DELETE THE NUMBER? 319 00:15:32,033 --> 00:15:33,067 THREE. 320 00:15:33,133 --> 00:15:34,734 OH, NO, THAT'S THE MESSAGES. 321 00:15:34,801 --> 00:15:36,334 THREE CALLS THE NUMBER. 322 00:15:36,400 --> 00:15:38,200 ( telephone rings ) Men: AAH! 323 00:15:39,701 --> 00:15:41,133 BOLLOCKS! 324 00:15:41,200 --> 00:15:42,400 Jeff: THEY'RE ON TO US! 325 00:15:45,100 --> 00:15:46,801 BOLLOCKS, BOLLOCKS, BOLLOCKS! 326 00:15:46,868 --> 00:15:49,868 THEY KNOW EXACTLY WHERE WE ARE! 327 00:15:49,934 --> 00:15:51,667 HE'LL KNOW IT WAS ME! 328 00:15:51,734 --> 00:15:53,167 HE'LL 1471! 329 00:15:53,234 --> 00:15:54,734 JEFF, SHE'S MY GIRLFRIEND. 330 00:15:54,801 --> 00:15:56,534 SHE ALREADY KNOWS WHERE I LIVE. 331 00:15:56,601 --> 00:15:58,701 EX-GIRLFRIEND. 332 00:15:58,767 --> 00:16:00,567 AND WHICH PART OF YOUR BRAIN 333 00:16:00,634 --> 00:16:04,267 THOUGHT THAT THAT WOULD BE A GOOD THING TO SAY? 334 00:16:04,334 --> 00:16:07,300 Jane: OKAY, I'VE GOT A PLAN TO GET US OUT OF THIS. 335 00:16:07,367 --> 00:16:08,634 SALLY AND I JUST GO. 336 00:16:08,701 --> 00:16:10,033 HOW DOES THAT HELP ME? 337 00:16:10,100 --> 00:16:12,267 IT DOESN'T. I HAD TO LEAVE YOU OUT OF THE PLAN. 338 00:16:12,334 --> 00:16:15,000 OH, THANKS! OH, GREAT! 339 00:16:15,067 --> 00:16:16,667 COME ON. WAIT! 340 00:16:16,734 --> 00:16:17,667 Sally: WHAT? 341 00:16:17,734 --> 00:16:19,033 WHERE ARE WE GOING? 342 00:16:19,100 --> 00:16:20,467 Steve: I'M A MAN WHO'S BEEN DUMPED, 343 00:16:20,534 --> 00:16:21,901 YOU KNOW WHERE WE'RE GOING. 344 00:16:21,968 --> 00:16:23,501 Susan: I'M COMING WITH YOU. 345 00:16:23,567 --> 00:16:24,601 Sally: WHAT IF HE PHONES? 346 00:16:24,667 --> 00:16:25,901 I DON'T CARE IF HE PHONES. 347 00:16:25,968 --> 00:16:27,067 COME ON, LET'S GO. 348 00:16:27,133 --> 00:16:28,167 HANG ON. 349 00:16:28,234 --> 00:16:29,334 Susan: WHAT ARE YOU DOING? 350 00:16:29,400 --> 00:16:30,968 JUST CHECKING YOUR ANSWERPHONE'S ON. 351 00:16:31,033 --> 00:16:32,133 Jane: OH, YEAH. 352 00:16:32,200 --> 00:16:33,868 Susan: JANE? 353 00:16:33,934 --> 00:16:35,968 JUST CHECKING YOU HUNG UP PROPERLY. 354 00:16:36,033 --> 00:16:37,868 OH! OH! 355 00:16:40,968 --> 00:16:42,133 OH. 356 00:16:46,534 --> 00:16:48,400 LET'S JUST RISK IT. 357 00:16:48,467 --> 00:16:49,734 OKAY. 358 00:16:49,801 --> 00:16:51,033 IT'S LIKE CHECKING YOUR FRIDGE LIGHT 359 00:16:51,100 --> 00:16:52,901 REALLY GOES OFF, ISN'T IT? 360 00:16:54,467 --> 00:16:55,767 YEAH, I EXPECT SO. 361 00:16:55,834 --> 00:16:58,734 THERE'S A WHOLE NIGHT OF MY LIFE I WANT BACK. 362 00:17:04,567 --> 00:17:05,834 Patrick: SO WHERE ARE WE GOING? 363 00:17:05,901 --> 00:17:07,767 Steve: THE TEMPLE OF WOMAN. 364 00:17:07,834 --> 00:17:09,100 Sally: SO WHERE ARE WE GOING? 365 00:17:09,167 --> 00:17:11,901 Susan: THE TEMPLE OF WOMAN. 366 00:17:21,067 --> 00:17:23,067 ( dance music playing ) 367 00:17:40,334 --> 00:17:42,067 DO YOU THINK THIS IS THE SORT OF PLACE 368 00:17:42,133 --> 00:17:43,634 THAT DEGRADES WOMEN? 369 00:17:44,701 --> 00:17:47,267 WE COULD ASK. 370 00:17:47,334 --> 00:17:49,901 I'M SURE SOMEONE ELSE HAS BEEN USING MY NECK. 371 00:17:49,968 --> 00:17:52,501 YOUR NECK'S FINE. 372 00:17:52,567 --> 00:17:54,100 THIS IS TERRIFYING! 373 00:17:54,167 --> 00:17:55,667 TERRIFYING? 374 00:17:55,734 --> 00:17:58,167 I THINK IT'S STARTED TO MAKE NOISES WHEN I MOVE IT. 375 00:17:58,234 --> 00:18:00,567 DO YOU THINK I HAVE AN AUDIBLE NECK? 376 00:18:00,634 --> 00:18:03,300 LAP DANCING IS THE ULTIMATE NIGHTMARE OF MAN. 377 00:18:03,367 --> 00:18:08,200 I MEAN...IT'S PORN THAT CAN SEE YOU. 378 00:18:08,267 --> 00:18:09,834 EXCELLENT. 379 00:18:09,901 --> 00:18:11,734 WHEN I WAS A KID I USED TO IMAGINE 380 00:18:11,801 --> 00:18:14,767 THAT THE GIRLS IN MY MAGAZINES COULD SEE ME. 381 00:18:14,834 --> 00:18:17,701 THEY WERE SHOUTING, "PERVERT, PERVERT!" 382 00:18:17,767 --> 00:18:18,934 YEAH? 383 00:18:19,000 --> 00:18:21,868 YEAH. BUT YOU GET BORED OF THAT. 384 00:18:24,367 --> 00:18:26,901 SOME PEOPLE THINK THAT EXTERNAL BEAUTY 385 00:18:26,968 --> 00:18:28,901 COMES FROM INNER TRANQUILITY. 386 00:18:28,968 --> 00:18:30,901 OF COURSE, SOME PEOPLE THINK IT COMES 387 00:18:30,968 --> 00:18:32,601 FROM DRINKING THE BLOOD OF VIRGINS, 388 00:18:32,667 --> 00:18:35,801 SO THERE'S QUITE A RANGE THERE. 389 00:18:35,868 --> 00:18:37,534 YOU KNOW WHAT MY NECK NEEDS? 390 00:18:37,601 --> 00:18:39,334 TO BE LEFT ALONE. 391 00:18:39,400 --> 00:18:41,234 YOU'VE ALREADY GOT ENOUGH PRODUCTS ON YOU 392 00:18:41,300 --> 00:18:43,133 TO MAKE A SPARE WOMAN. 393 00:18:43,200 --> 00:18:45,300 IF ANTI-AGING CREAM ACTUALLY WORKED, 394 00:18:45,367 --> 00:18:47,567 YOU'D BE BACK IN PUBERTY. 395 00:18:49,234 --> 00:18:51,234 SO WHY ARE WE HERE, THEN? 396 00:18:51,300 --> 00:18:56,267 I'M SINGLE, I NEED TO LOOK AT NAKED WOMEN. 397 00:18:56,334 --> 00:18:57,567 IF THAT'S WHAT YOU THINK, 398 00:18:57,634 --> 00:18:58,868 THEN WHY ARE WE HERE? 399 00:18:58,934 --> 00:19:02,267 I'M SINGLE. I NEED TO LOOK GOOD NAKED. 400 00:19:05,534 --> 00:19:06,901 STEVE! 401 00:19:06,968 --> 00:19:08,300 WHAT, WHAT'S THE MATTER? 402 00:19:08,367 --> 00:19:10,434 IT'S HER! 403 00:19:10,501 --> 00:19:11,501 WHAT? 404 00:19:11,567 --> 00:19:14,901 THE TURBOT. JENNY TURBOT. 405 00:19:14,968 --> 00:19:16,300 HELLO, BOYS. 406 00:19:16,367 --> 00:19:18,234 HI. HELLO. 407 00:19:18,300 --> 00:19:19,400 HELLO. 408 00:19:19,467 --> 00:19:21,634 SO WOULD YOU LIKE A DANCE? 409 00:19:21,701 --> 00:19:24,067 OH, I'M NOT A VERY GOOD DANCER. 410 00:19:25,434 --> 00:19:27,434 I THINK THE IDEA IS I DO THE DANCING. 411 00:19:27,501 --> 00:19:30,467 OH, RIGHT. THAT'S PROBABLY BETTER. 412 00:19:30,534 --> 00:19:32,667 PROBABLY, YES. 413 00:19:32,734 --> 00:19:34,834 SO DO YOU GUYS WANT TO SIT DOWN? 414 00:19:34,901 --> 00:19:35,934 JENNY? 415 00:19:36,000 --> 00:19:37,200 YES. 416 00:19:37,267 --> 00:19:39,734 IT'S ME! 417 00:19:39,801 --> 00:19:41,200 I'M SORRY? 418 00:19:41,267 --> 00:19:44,167 JEFF. JEFF MURDOCK. 419 00:19:45,767 --> 00:19:47,701 WE WERE AT SCHOOL TOGETHER. 420 00:19:47,767 --> 00:19:51,334 OH, MY GOD! SCARY JEFF? 421 00:19:51,400 --> 00:19:54,167 YOU SEE? SHE REMEMBERS ME! 422 00:19:54,234 --> 00:19:55,834 THE TURBOT REMEMBERS ME! 423 00:19:55,901 --> 00:19:57,300 WELL DONE. SCARY. 424 00:19:57,367 --> 00:19:59,634 THIS IS STEVE AND THIS IS PATRICK. 425 00:19:59,701 --> 00:20:02,067 SO WHAT ARE YOU GUYS DOING HERE? 426 00:20:02,133 --> 00:20:05,901 OH, WE COME HERE STRICTLY FOR THE ARTICLES. 427 00:20:05,968 --> 00:20:08,000 THIS IS AMAZING! 428 00:20:08,067 --> 00:20:10,734 I CAN'T BELIEVE IT'S YOU! 429 00:20:10,801 --> 00:20:13,801 DO YOU REMEMBER THAT TIME YOU CALLED ME UP? 430 00:20:13,868 --> 00:20:15,601 THAT WAS WILD. 431 00:20:15,667 --> 00:20:19,200 YEAH, I WAS JUST TELLING THE BOYS ABOUT IT. 432 00:20:19,267 --> 00:20:21,067 THE ONLY TIME A GUY'S EVER PHONED ME. 433 00:20:21,133 --> 00:20:22,501 OH, I'M SURE THAT'S NOT TRUE. 434 00:20:22,567 --> 00:20:25,601 NO, JEFF, THE ONLY TIME A GUY'S EVER... 435 00:20:25,667 --> 00:20:28,234 PHONED ME. 436 00:20:31,901 --> 00:20:34,601 S-S-S-SO WHAT ARE YOU DOING THESE DAYS? 437 00:20:34,667 --> 00:20:36,868 I DANCE NAKED FOR MEN. 438 00:20:36,934 --> 00:20:37,934 RIGHT! 439 00:20:38,000 --> 00:20:39,901 GREAT! NICE! 440 00:20:39,968 --> 00:20:42,200 MY MOTHER SAYS IT'S ONE STEP FROM PROSTITUTION. 441 00:20:42,267 --> 00:20:44,334 WELL, YOU'RE PRACTICALLY THERE, THEN. 442 00:20:44,400 --> 00:20:45,701 WELL, NO, I MEAN, UM... 443 00:20:45,767 --> 00:20:47,534 DO YOU GUYS WANT TO COME AND SIT DOWN? 444 00:20:47,601 --> 00:20:49,200 GREAT, THANKS. 445 00:20:52,601 --> 00:20:55,367 SO DO YOU EVER SEE ANYONE FROM SCHOOL? 446 00:20:55,434 --> 00:20:57,868 WELL, THE TEACHERS, OBVIOUSLY. 447 00:20:59,234 --> 00:21:01,400 SO WHAT DO YOU WANT DONE, THEN? 448 00:21:01,467 --> 00:21:04,567 OH, HER EYES. 449 00:21:04,634 --> 00:21:06,067 I WAS TALKING TO SUSAN, ACTUALLY. 450 00:21:06,133 --> 00:21:07,467 WHAT'S WRONG WITH MY EYES? 451 00:21:07,534 --> 00:21:09,300 NOTHING. THEY'RE LOVELY EYES. 452 00:21:09,367 --> 00:21:10,667 IT'S JUST SOMETIMES YOU LOOK 453 00:21:10,734 --> 00:21:13,000 LIKE YOU'VE BEEN POSSESSED BY ALIENS. 454 00:21:14,634 --> 00:21:16,033 DO YOU HAVE ANYTHING FOR THAT? 455 00:21:16,100 --> 00:21:18,300 OKAY, THERE'S THAT VOICE AGAIN. 456 00:21:18,367 --> 00:21:19,300 SUSAN... 457 00:21:19,367 --> 00:21:20,868 CAN YOU HEAR THEM GRINDING, JANE? 458 00:21:20,934 --> 00:21:22,734 JUST TALK AND WATCH MY NECK INFLATE. 459 00:21:22,801 --> 00:21:24,334 OKAY. 460 00:21:24,400 --> 00:21:26,901 OH, FOR CHRIST'S SAKE. 461 00:21:26,968 --> 00:21:28,400 DO YOU WANT TO TALK ABOUT IT? 462 00:21:28,467 --> 00:21:30,534 NO, SALLY, I WANT TO SCREAM ABOUT IT. 463 00:21:30,601 --> 00:21:33,067 THERE'S A SUBTLE, YET IMPORTANT, DISTINCTION. 464 00:21:33,133 --> 00:21:34,100 SUSAN. 465 00:21:34,167 --> 00:21:35,734 JANE, ONE OF THESE DAYS, 466 00:21:35,801 --> 00:21:37,234 YOU'RE GONNA START A SENTENCE TO ME, 467 00:21:37,300 --> 00:21:39,300 AND MY TEETH WILL JUST EXPLODE. 468 00:21:39,367 --> 00:21:40,834 PEOPLE WILL DIE IN THE BLAST. 469 00:21:40,901 --> 00:21:43,901 WELL... 470 00:21:43,968 --> 00:21:46,734 THAT'S VERY PRESSURING, ACTUALLY. 471 00:21:56,167 --> 00:21:58,634 OKAY, YOU KNOW WHAT'S REALLY GETTING ME MAD? 472 00:21:58,701 --> 00:22:01,100 MY BOYFRIEND, MY FIANCE, 473 00:22:01,167 --> 00:22:03,000 THE MAN WHO, AGAINST ALL MY BETTER JUDGMENT, 474 00:22:03,067 --> 00:22:04,234 I ACTUALLY LOVE, 475 00:22:04,300 --> 00:22:06,534 CHATTED UP A WOMAN IN A BAR. 476 00:22:06,601 --> 00:22:09,701 AND, ON THE VERY SAME DAY, THE VERY SAME DAY, 477 00:22:09,767 --> 00:22:11,767 I CHATTED UP A MAN. 478 00:22:11,834 --> 00:22:13,634 DO YOU SEE? DO YOU GET IT? 479 00:22:13,701 --> 00:22:16,467 I'M EQUALLY AT FAULT. 480 00:22:16,534 --> 00:22:19,000 HOW CAN I EVER FORGIVE HIM FOR THAT? 481 00:22:19,067 --> 00:22:21,501 WELL, OF COURSE, I'M NOT GOING TO FORGIVE HIM BECAUSE, 482 00:22:21,567 --> 00:22:23,701 BECAUSE MEN--AND I DON'T MEAN TO GENERALIZE-- 483 00:22:23,767 --> 00:22:25,234 ARE CRAP! 484 00:22:26,501 --> 00:22:29,133 THEY'RE THE HUMAN RACE'S ONLY FAILED GENDER. 485 00:22:29,200 --> 00:22:31,167 WHO NEEDS THEM? 486 00:22:31,234 --> 00:22:34,033 AND WHY ARE THEY SO DIFFICULT TO KEEP HOLD OF? 487 00:22:35,334 --> 00:22:36,968 DO YOU THINK THEY REALIZE 488 00:22:37,033 --> 00:22:38,868 THAT WERE IT NOT FOR THE GENETIC IMPERATIVE 489 00:22:38,934 --> 00:22:40,367 TO POPULATE THE EARTH, 490 00:22:40,434 --> 00:22:42,100 THEY WOULDN'T GET A DATE? 491 00:22:42,167 --> 00:22:43,300 THAT'S ONE HELL OF AN INDUCEMENT-- 492 00:22:43,367 --> 00:22:44,968 NO PRESSURE, GIRLS, BUT SHAG ONE OF THESE 493 00:22:45,033 --> 00:22:46,868 OR IT'S CURTAINS FOR ALL HUMAN KIND. 494 00:22:46,934 --> 00:22:48,834 THAT'S HARASSMENT. 495 00:22:50,234 --> 00:22:51,601 BUT, YOU KNOW WHAT? 496 00:22:51,667 --> 00:22:55,200 DO YOU KNOW WHAT'S EVEN MORE CRAP THAN MEN? 497 00:22:55,267 --> 00:22:57,467 WE ARE MORE CRAP THAN MEN. 498 00:22:57,534 --> 00:23:00,234 ALL THOSE STUPID BOOKS YOU GUYS HAD 499 00:23:00,300 --> 00:23:02,767 AND, AND THESE MAGAZINES. 500 00:23:02,834 --> 00:23:06,100 A HUNDRED PAGES OF "MEN ARE USELESS BASTARDS" 501 00:23:06,167 --> 00:23:07,601 AND AN ARTICLE ABOUT WHY YOU SHOULD 502 00:23:07,667 --> 00:23:09,133 WAKE HIM UP WITH A BLOW JOB. 503 00:23:10,501 --> 00:23:13,400 AM I ALONE IN SPOTTING THE INCONSISTENCY HERE? 504 00:23:13,467 --> 00:23:15,434 AND THESE PLACES... 505 00:23:15,501 --> 00:23:17,334 BECAUSE, FOR GOD'S SAKE, DON'T LET THEM SEE 506 00:23:17,400 --> 00:23:18,634 WHAT WE REALLY LOOK LIKE. 507 00:23:18,701 --> 00:23:20,167 JUST LET THEM ENJOY THE RESULTS. 508 00:23:20,234 --> 00:23:22,434 DON'T LET THEM SEE HOW IT ALL HAPPENS. 509 00:23:22,501 --> 00:23:24,100 YOU KNOW, I WENT OUT WITH STEVE 510 00:23:24,167 --> 00:23:25,200 FOR SIX YEARS AND... 511 00:23:25,267 --> 00:23:26,400 NO, YOU DIDN'T. 512 00:23:26,467 --> 00:23:29,033 YOU WENT OUT WITH HIM FOR FOUR YEARS, I CHECKED. 513 00:23:29,100 --> 00:23:32,634 OH. WELL, IT SEEMED LONGER. 514 00:23:32,701 --> 00:23:35,534 YEAH, YEAH, OF COURSE IT SEEMED LONGER. 515 00:23:35,601 --> 00:23:37,300 I, MYSELF, HAVE BEEN GOING OUT WITH HIM 516 00:23:37,367 --> 00:23:40,734 SINCE THE 12th CENTURY OR POSSIBLY SINCE LAST WEEK, 517 00:23:40,801 --> 00:23:42,067 IT'S HARD TO KEEP TRACK. 518 00:23:42,133 --> 00:23:43,734 BECAUSE HOW ARE YOU SUPPOSED TO MEASURE TIME 519 00:23:43,801 --> 00:23:46,534 WITH THE MAN YOU WANT TO SPEND THE REST OF YOUR LIFE WITH? 520 00:23:46,601 --> 00:23:47,667 WHAT WOULD MAKE SENSE? 521 00:23:47,734 --> 00:23:50,467 CENTURIES? NANOSECONDS? 522 00:23:52,234 --> 00:23:54,167 EGGS. 523 00:23:56,400 --> 00:23:58,400 ( laughing and shouting ) 524 00:25:01,868 --> 00:25:03,534 ( glass shattering ) 525 00:25:23,000 --> 00:25:25,501 ( buzzing lips ) 526 00:25:26,501 --> 00:25:28,100 ( belches ) 527 00:25:29,400 --> 00:25:30,801 SHH! 528 00:25:38,434 --> 00:25:40,133 OOH! ALL RIGHT, MATE? 529 00:25:40,200 --> 00:25:41,467 NAKED WOMEN. 530 00:25:41,534 --> 00:25:43,167 YEAH, FINE. 531 00:25:43,234 --> 00:25:48,300 WE'D BETTER, UM, UH... 532 00:25:48,367 --> 00:25:50,133 GO. 533 00:25:50,200 --> 00:25:52,767 Jeff: NAKED WOMEN, NAKED, NAKED WOMEN, 534 00:25:52,834 --> 00:25:55,901 NAKED, NAKED WOMEN, NAKED WOMEN, NAKED. 535 00:25:55,968 --> 00:25:57,200 SEE YOU. 536 00:25:58,634 --> 00:25:59,834 NAKED. 537 00:26:14,834 --> 00:26:17,100 ANSWERPHONE: HI, IT'S SUSAN, LEAVE A MESSAGE. 538 00:26:17,167 --> 00:26:19,000 YOU HAVE ONE NEW MESSAGE. 539 00:26:19,067 --> 00:26:20,067 ( beep ) 540 00:26:20,133 --> 00:26:21,767 ( drunkenly ) I LOVE YOU. 541 00:26:21,834 --> 00:26:27,200 I'M REALLY SORRY, AND I REALLY...LOVE YOU. 542 00:26:27,267 --> 00:26:31,234 AND, ALSO, I'M SORRY. 543 00:26:31,300 --> 00:26:34,601 AND, ALSO, I-I-I LOVE YOU. 544 00:26:34,667 --> 00:26:37,734 OH, PLEASE COME BACK TO ME. 545 00:26:37,801 --> 00:26:38,801 ( sighs ) 546 00:26:38,868 --> 00:26:40,534 IF YOU DON'T COME BACK TO ME, 547 00:26:40,601 --> 00:26:43,534 PLEASE, NEVER PLAY ME THIS TAPE. 548 00:26:57,000 --> 00:26:58,367 ( groans ) 549 00:26:59,501 --> 00:27:01,267 OH, WELL... 550 00:27:02,367 --> 00:27:05,033 WHY NOT, I SUPPOSE. 551 00:27:16,133 --> 00:27:19,167 SORRY, MATE. GOT A BIT LOST. 552 00:27:19,234 --> 00:27:21,300 WE'VE BEEN IN THE KITCHEN. 553 00:27:21,367 --> 00:27:23,434 NAKED WOMEN. 554 00:27:23,501 --> 00:27:25,367 MIND IF WE CRASH HERE? 555 00:27:25,434 --> 00:27:27,234 WHATEVER. 556 00:27:28,467 --> 00:27:31,133 ( kissing noises ) 557 00:27:36,467 --> 00:27:39,367 ( moans ) 558 00:27:46,667 --> 00:27:49,434 ( moaning ) 559 00:27:56,968 --> 00:27:58,834 ( telephone rings ) 560 00:27:59,968 --> 00:28:02,100 ( rings ) 561 00:28:03,334 --> 00:28:04,968 ( rings ) 562 00:28:06,267 --> 00:28:07,801 ( rings ) 563 00:28:09,534 --> 00:28:11,367 HI, THIS IS STEVE, LEAVE A MESSAGE. 564 00:28:11,434 --> 00:28:14,501 HI, STEVE, IT'S JANE. 565 00:28:14,567 --> 00:28:17,200 AAH!!! 566 00:28:20,267 --> 00:28:22,200 I'M SORRY. 567 00:28:22,267 --> 00:28:24,801 I'LL BE FINE. 568 00:28:24,868 --> 00:28:27,300 IT'S JANE'S VOICE. 569 00:28:27,367 --> 00:28:29,501 DOESN'T IT SET YOUR TEETH ON EDGE? 570 00:28:31,534 --> 00:28:33,501 IT WILL NOW. 571 00:28:37,834 --> 00:28:40,667 * IF YOU CAN'T MAKE YOUR MIND UP * 572 00:28:40,734 --> 00:28:43,000 * WE'LL NEVER * 573 00:28:43,067 --> 00:28:45,968 * GET STARTED * 574 00:28:47,167 --> 00:28:49,634 * AND I DON'T WANT TO WIND UP * 575 00:28:49,701 --> 00:28:55,534 * BEING PARTED, BROKEN-HEARTED * 576 00:28:55,601 --> 00:28:58,834 * SO, IF YOU REALLY LOVE ME * 577 00:28:58,901 --> 00:29:00,767 * SAY YES * 578 00:29:00,834 --> 00:29:03,334 * AND PLEASE DON'T TELL ME * 579 00:29:03,400 --> 00:29:04,334 * PERHAPS, PERHAPS, PERHAPS * 580 00:29:07,334 --> 00:29:11,334 Preuzeto sa www.titlovi.com 38855

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