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1
00:00:43,585 --> 00:00:46,797
{\an8}Institute for the Intellectual
Development of Children and Young Adults
2
00:00:46,964 --> 00:00:49,049
{\an8}Cinema and Theater Department
3
00:01:12,489 --> 00:01:17,869
ORDERLY OR DISORDERLY?
4
00:01:18,745 --> 00:01:20,122
Sound, camera.
5
00:01:20,289 --> 00:01:22,165
Orderly, shot 1, take 1.
6
00:01:23,208 --> 00:01:24,293
Go!
7
00:02:08,378 --> 00:02:09,212
Cut.
8
00:02:10,380 --> 00:02:11,340
Sound, camera.
9
00:02:11,798 --> 00:02:14,259
Disorderly, shot 1, take 1.
10
00:02:15,135 --> 00:02:16,511
Go on, kids!
11
00:02:29,775 --> 00:02:30,609
Cut.
12
00:02:31,276 --> 00:02:32,486
Sound, camera.
13
00:02:33,111 --> 00:02:35,447
Disorderly, shot 2, take 1.
14
00:03:20,117 --> 00:03:20,951
Cut.
15
00:03:21,785 --> 00:03:22,869
Sound, camera.
16
00:03:23,328 --> 00:03:25,288
Orderly, shot 2, take 1.
17
00:04:07,122 --> 00:04:08,331
Good, cut.
18
00:04:08,999 --> 00:04:10,000
Sound, camera.
19
00:04:10,375 --> 00:04:12,252
Orderly, shot 3, take 1.
20
00:05:46,471 --> 00:05:47,556
Good, cut.
21
00:05:48,807 --> 00:05:49,808
Sound, camera.
22
00:05:50,308 --> 00:05:52,561
Disorderly, shot 3, take 1.
23
00:07:17,020 --> 00:07:18,146
{\an8}How much is that?
24
00:07:19,064 --> 00:07:20,065
{\an8}One minute.
25
00:07:21,232 --> 00:07:22,609
{\an8}More even.
26
00:07:24,611 --> 00:07:26,321
{\an8}-It's long.
-Yes.
27
00:07:27,489 --> 00:07:28,782
{\an8}It's normal it's so long.
28
00:07:29,282 --> 00:07:31,242
{\an8}It's what we want to show.
29
00:07:32,702 --> 00:07:34,454
{\an8}Disorderly, it's long.
30
00:07:34,621 --> 00:07:37,165
{\an8}You wonder what they're doing, though.
31
00:07:37,749 --> 00:07:39,417
{\an8}Just getting on.
32
00:07:41,211 --> 00:07:45,465
{\an8}We'll do a shot inside to show it.
33
00:07:51,805 --> 00:07:53,598
{\an8}They're shoving.
34
00:08:18,540 --> 00:08:19,541
{\an8}How much is that?
35
00:08:19,708 --> 00:08:22,252
{\an8}We're over two minutes. It's very long.
36
00:08:23,086 --> 00:08:24,337
{\an8}You seem worried.
37
00:08:26,089 --> 00:08:27,841
{\an8}The longer, the better.
38
00:08:28,717 --> 00:08:31,261
{\an8}It's the whole point of the film.
39
00:08:31,428 --> 00:08:33,346
{\an8}It's an experiment. No cheating.
40
00:08:33,930 --> 00:08:36,558
{\an8}Forty kids getting on a bus.
41
00:08:36,725 --> 00:08:38,810
{\an8}Even more, at least 60.
42
00:08:38,977 --> 00:08:40,103
{\an8}Whatever.
43
00:08:42,981 --> 00:08:44,524
{\an8}Orderly was better.
44
00:08:45,191 --> 00:08:48,862
We'll see inside.
They'll all be shoving for sure.
45
00:08:51,156 --> 00:08:53,950
We'll shoot inside.
46
00:09:45,376 --> 00:09:46,211
Cut.
47
00:09:47,420 --> 00:09:49,672
We'll do a take of order.
48
00:09:50,256 --> 00:09:51,091
Camera.
49
00:10:19,410 --> 00:10:20,578
Good. Cut.
50
00:10:21,204 --> 00:10:22,413
Sound, camera.
51
00:10:22,997 --> 00:10:24,958
Orderly, shot 4, take 1.
52
00:11:01,411 --> 00:11:02,245
Cut.
53
00:11:02,996 --> 00:11:04,164
Sound, camera.
54
00:11:04,330 --> 00:11:06,583
Disorderly, shot 4, take 1.
55
00:11:52,337 --> 00:11:53,254
Good, cut.
56
00:11:53,838 --> 00:11:54,672
Sound, camera.
57
00:11:54,839 --> 00:11:57,342
Disorderly, shot 6, take 1.
58
00:13:03,783 --> 00:13:04,659
Sound, camera.
59
00:13:05,243 --> 00:13:07,161
Orderly, shot 6, take 1.
60
00:13:33,062 --> 00:13:34,022
Sound, camera.
61
00:13:35,023 --> 00:13:36,983
Orderly, shot 5, take 1.
62
00:13:48,036 --> 00:13:50,079
Damn, the bike ran the red light.
63
00:13:50,663 --> 00:13:51,706
Yes, it did.
64
00:13:54,917 --> 00:13:56,169
That's orderly...
65
00:14:02,967 --> 00:14:06,220
-They just go.
-They're screwing it up.
66
00:14:06,387 --> 00:14:08,348
Look at that one there!
67
00:14:09,098 --> 00:14:10,850
You see where he's crossing?
68
00:14:11,017 --> 00:14:11,809
Cut.
69
00:14:13,269 --> 00:14:14,520
Sound, camera.
70
00:14:15,396 --> 00:14:17,565
Orderly, shot 5, take 2.
71
00:14:19,650 --> 00:14:20,943
We'll see how this looks.
72
00:14:27,116 --> 00:14:28,868
They're starting, it's screwed.
73
00:14:35,375 --> 00:14:36,209
Go on, cut.
74
00:14:36,376 --> 00:14:40,546
We'll ask the cop to control it a bit.
75
00:14:42,632 --> 00:14:44,175
He has to stay.
76
00:14:52,683 --> 00:14:54,102
She's crossing!
77
00:14:55,603 --> 00:14:56,479
It's wasted.
78
00:14:57,814 --> 00:14:58,981
Cut.
79
00:14:59,774 --> 00:15:00,775
Camera.
80
00:15:01,901 --> 00:15:03,194
There you go...
81
00:15:03,736 --> 00:15:05,279
It's starting again. Cut.
82
00:15:05,905 --> 00:15:06,739
Camera.
83
00:15:12,328 --> 00:15:14,414
Where does he think he's going?
84
00:15:14,580 --> 00:15:16,541
And the cop says nothing.
85
00:15:16,958 --> 00:15:19,836
Ask him to control it for two minutes.
86
00:15:20,378 --> 00:15:22,797
We need a take with order.
87
00:15:22,964 --> 00:15:24,257
It's impossible.
88
00:15:24,424 --> 00:15:25,591
What?
89
00:15:27,135 --> 00:15:31,472
Tell him we only need a single take.
90
00:15:31,639 --> 00:15:34,809
They don't listen to him.
Poor guy's just doing his job.
91
00:15:34,976 --> 00:15:36,018
Nobody listens.
92
00:15:36,477 --> 00:15:38,980
We'll do a disorder, then.
93
00:15:39,355 --> 00:15:41,732
Disorderly, shot 5, take 1.
94
00:15:47,405 --> 00:15:48,823
For disorder, it's perfect.
95
00:15:52,493 --> 00:15:54,120
Where can we shoot order?
96
00:15:54,287 --> 00:15:57,457
No idea. We'll have to find out.
97
00:15:57,623 --> 00:15:59,125
It's the same everywhere.
98
00:16:58,267 --> 00:16:59,101
Good, cut.
99
00:17:00,645 --> 00:17:03,481
Collaborators, in alphabetical order
100
00:17:03,648 --> 00:17:07,652
J. Azad, A. Anvar, M. Eslami
101
00:17:07,818 --> 00:17:11,822
B. Alvandipour, A. Habibi, S. Saidi
102
00:17:11,989 --> 00:17:15,993
M. Samakar, I. Safavi, F. Safavi
103
00:17:16,160 --> 00:17:20,122
A. Kiarostami, A. Mirzai,
H. Moradi, M. Mehrali
104
00:17:25,836 --> 00:17:28,714
KANOON 1981
6407