Original subtitles

I may have put you in danger.

He's a terribly dangerous man. He's very

He's very powerful. Extremely vicious.

>> No, he has many men.

You're not the first that he's gone.

Each one of them is tortured. Every one

of them died screaming for mercy.

[snorts] You must escape. You don't

stand a chance against him and his men.

You must get off the island.

the jungle. That's your only chance.

Stay off of the road. Just keep running

or s

you don't let him catch you.

Better test the capture.

Oh, wait.

Won't you kiss goodbye?

[snorts]

He is

watching.

God, he was ugly

>> but powerful,

>> of course.

>> Is he afraid?

>> Would he be running if he wasn't?

How could you stand him?

>> When I close my eyes, all men are the

same.

Oh, shut up.

Come on.

Get up.

Ah,

>> tonight you meet Buddha and I have the

honor of sending you there. Sayanara.

Taste what it feels like to be immortal.

Elsado

Quinn, your prize of battle. The Yakuza

is ours.

He's dead.

Let's get him home.

Now you're perfect, darling.

You're so very beautiful.

[sighs]

Heat.

Heat.

Heat.

Heat.

Exactly what the hell were you guys

thinking of? Jillian Simon was too young

an officer to die. If I didn't know any

better, I'd say that JJ was gunshy. I

wish he'd forget this ninja and use his

gun. I don't like it when my officers

get killed and injured because of a

stakeout with insufficient backup.

Just wait. And I don't like it when an

outside law enforcement is operating in

my territory without my knowledge.

All right. from the top.

What I want to know is how an

investigation of a drug dealer can

suddenly turn into another murder by the

signature killer and the murder of one

of my best officers.

>> Jill had a lead from one of her sources

on the street

said Delaney was going to be at that

mansion at some kind of private party.

So, we set up a stakeholder.

>> You guys have no idea what's going on in

here.

This is the strangest party I've ever

seen.

>> Yeah. Well, any sign of it to Laney?

>> Not yet,

>> but the night is young.

>> Hey, do you mind?

>> Not at all.

>> That's beautiful.

>> Jill, something's wrong with this damn

thing.

>> Oh, I'm like a maid.

Not funny.

Jill.

>> Then we thought the equipment had just

simply failed.

>> How long did it take you to go in?

>> Hey, we didn't waste any time, Captain.

>> There's no sign of her anywhere.

Jill was right about one thing.

This was a strange party.

Well, well, well.

>> What the hell we got going on here?

>> Maybe.

>> Maybe.

>> What were you doing there?

>> Looking for a man named Osato. When last

scene, he attended one of these private

committee.

>> Wait, what?

>> Karate, kickboxing,

jujutsu. Private contest for rich people

>> and you man

>> supposedly he was one of the

contestants.

>> Did you find him?

>> Nope.

>> What about Delaney?

>> He was a little uncooperative.

You're right.

Jay,

>> JJ, I could have used a little help.

>> You devil. You think so?

>> Gentlemen,

are you guests or contestants?

>> Oh, contestants.

>> Excellent. So, this strange woman who

you thought was in charge of the party

and then got away, she volunteered you

into this uh kumi whatever.

>> I'm all for police community relations,

Captain.

>> Hey, hey, [cheering]

hey, hang on a second. Hang on a second.

Look, let me get something off my hand.

Hang on.

>> Now, how about you ladies? Anybody want

to dance? Do something civil?

Was

[screaming and groaning]

it supposed to be your turn?

KILL.

[screaming]

[screaming]

>> I got a handle.

Don't worry about me, [screaming] JJ.

[screaming]

>> That's when we put everybody under

arrest, but most of them decided to go

home. We uh tried to convince some of

them to stay

uh as politely as possible, of course.

[screaming and groaning]

The thing with JJ and the sword, well,

>> you use the flat side.

[screaming]

[screaming]

YEAH.

NO.

What were you doing

in biscuiting?

Get

[groaning and screaming]

out.

[screaming and groaning]

Listen, I didn't want it to go that far.

Truth is, JJ got shot trying to avoid

hitting innocent bystanders.

>> Hey, Captain, I had no choice.

[groaning]

>> And all this time, you had no clue that

Officer Simon was in trouble.

>> I told you we thought the equipment went

down.

>> I'm a police officer. I'm warning you.

YOUR SUCK UP ON THE WAY.

>> Any more like you, SWEETHEART?

[laughter]

[screaming]

>> Go ahead and scream. [screaming]

>> Oh yeah, that's beautiful.

>> Who is the signature killer?

>> He disappeared about a year ago. He

likes to carve up his victims with a

knife, always in the same pattern as if

it were his signature.

I don't care how long it takes, Captain.

I'm going to find the son of a [ __ ]

that did this.

>> What about the man I shot?

>> You mean the man you supposedly shot?

>> Not supposedly. I emptied my gun into

him.

>> Yeah, well, until there's a body, it's

supposedly

Stop. Why are you shoot?

[screaming]

>> [screaming]

[groaning]

>> Yes.

>> What a mess. What can I tell the chief?

He'll go ballistic.

All this and not one single clue on who

killed Jillian.

>> Except for these three things. This card

that got us into the party. Look at the

strange emblem on it. This lighter and

this brochure from some resort in the

Caribbean have the same emblem. Now,

none of these things would have been in

Jill's purse if they weren't important.

>> Well, that's not much of a clue.

>> Well, that's all we got. I want to check

on it.

>> John, there's nothing you can do.

>> I think I'm going to find what I'm

looking for

right here.

>> Hold it. That's way out of your

jurisdiction.

>> There is no jurisdiction when it comes

to a killer. Captain,

>> you're not going anywhere.

>> I'm sore.

Got time owed me.

I'm on vacation.

John,

>> no comment.

Between him and JJ, I'm going to go to

an early grave.

Dad, what do you think you're doing? The

doctor said you needed rest.

>> I'm [clears throat]

>> You don't look fine. You look like hell.

>> Andy, what your mouth?

>> You can't be doing anything in your

condition. I must get bitter.

>> Why is it always the same macho thing

with you? Death before dishonor, duty

before self, pain before disgrace.

>> I am who I am. Andy,

>> the best father a girl could have.

But you are so stubborn. Dad, go to bed.

[sighs]

>> I'm okay. Fine.

Thank you, Andy.

So,

huh.

Oh, hi.

>> Colors on it.

Hello, beautiful. Want a truck buck?

You know, I've been watching. I wish you

wouldn't.

>> Well, then you got to wear ugly makeup.

You're too good looking for this boat.

>> Hey, listen. I got the greatest set of

rooms waiting for me on the island. They

just love me. I get great room service,

and I can do you the same.

>> Please leave me alone.

>> Hey, come on. Don't be so unfriendly.

This is a strange island. Who knows? You

might need a friend to show you around.

Go away, you bug.

>> Bug? Hey, that's good. Bug. You ought to

see my stinger.

>> The name's Rudy. Don't touch me. Take it

easy. I'm not going to hurt you. Unless

you want me to. A little uh SNM, maybe.

>> Come on.

>> Give me a try.

>> No. What?

>> You got a bee in your hair.

>> What' you say? Oh,

>> no. No. No. Let me get it for you. I'M

TRYING TO HELP YOU.

>> My nose. Oh my god.

>> By the way, stay away from my wife. Save

me pulling off your stinger.

>> I didn't know, man. I'm sorry. Really? I

didn't know.

>> Sorry. Oh my gosh.

>> He had it coming. Nice move. You're

Nike, man.

>> You doing John Keller.

>> Nice to meet you.

>> Pleasure. You a tourist?

>> No. You? No man, a job maybe. I'm here

to give a demonstration.

>> What?

>> For fighting artists.

>> Really?

>> Yes, really. I could do it.

>> For who, man?

>> Hyperco.

>> Hyper. They important practically run

this whole

>> these demonstrations. Can anybody go?

>> Be my guest.

>> Thanks, Big B.

One more thing.

Where'd you get that hat from?

>> Leave it alone.

[laughter]

Oh man.

>> Get here. Here. Go. Wait a second. Wait

a second. Wait. Try this one.

Really cool.

>> Okay.

Good morning.

>> Good morning.

>> Reservations, I assume.

>> Yes. My name is Karen Keeler.

>> Welcome.

>> Thank you.

>> Let me see.

Here we are. This is you. Sign it

please.

>> Uh

>> here. Ah, thank you.

>> I hope to say that your stay with us is

very pleasant. The bellboy will show you

to your room.

>> Thank you. Thanks.

>> Reservations.

>> It's right upstairs.

Keller John Keller.

>> That is sounding familiar.

>> Oh, here it is. Sign it, please.

>> Okay.

You are interested in the Mopan [music]

culture.

>> What?

>> They were invincible warriors.

>> What's this?

Good luck.

What's this?

>> Gerard, sir. Well, there must be some

mistake here.

>> No. See here.

Kill her.

>> I don't think so.

>> Your wife.

>> I don't have one.

>> Oh, I'm sorry.

>> Would you still one the order, sir?

What are you doing in my room?

>> Get out now.

>> Don't. This is my room, man.

>> That's my food you're eating.

There's my key. It's my luggage. This is

my room.

>> Just because you played Sir Galahad on

the boat does not give you the right to

move in where the other guy left off.

>> Jee, first lady,

>> you totally overreacted. I had the

situation under control. And just who

the hell are you anyway?

Your name is [music] Keller.

>> Mine's Keeler. Those morons.

>> Yeah. You know what? [music] They

thought you were my wife.

[clears throat]

>> Oh, yeah. [laughter]

>> Well, you're not my husband, and this is

still my room. I'm sure that they can

find you another one. Detective Keller.

>> Yeah. Well,

thanks for lunch.

Maybe we can do it again sometime. Well,

>> in the future, I'd appreciate you

staying out of my business.

>> Hey, I get the message, Lee.

It's been swell.

Here

we are.

[music]

Hey,

hey, hey.

I know you got some jeeps. There's two

of them out there now.

>> I'm so sorry, sir, but they are taken.

>> By who? There ain't nobody here.

>> Well, one is hotel jeep and the other is

reserved for um Miss Keeler.

>> Keeler?

>> Yes, you can see it.

>> Hell, that's me.

>> You?

>> Yeah, John Keeler.

>> That's how you spell it?

>> Sure. It just depends on what part of

the country you come from.

>> And what about this miss?

>> It's probably some [ __ ] put it there.

>> What mean [ __ ]

>> It's just an honest mistake, mister.

>> Yes, of course. Then the last jeep must

be yours. Sorry.

>> No problem.

>> Hello.

>> Hi.

Okay, folks. It's all right. It's all

right. You can make it.

All three of you here. I talk to my

rabbi about this.

Go, man.

Okay. Let's push

him.

Yo, you're not close.

>> RIGHT THERE. HEY. HEY. HEY. HEY. HEY.

>> HEY. HEY.

>> You want to get your hands off?

I don't believe we know this man.

>> I invited him.

>> No, but I know you.

>> Would you mind having these fellas get

their hands off me now, please?

Hands off, please.

Thank you.

>> I don't believe that we have ever been

formally introduced.

No,

but I have a couple dozen questions I'd

just love to ask you.

>> Indeed,

>> if I'm ever back in your country, you

can ask me hundreds.

Mr.

>> Keller.

John Keller.

I'll see if I can't work that out for

you.

>> John Keller. Yeah.

Gentlemen, shall we begin? I'm so

looking forward to this exhibition

match. And Mr. Keller, please do make

yourself at home.

Thank you.

>> Hey, man. I'm sorry about all that jazz

stuff.

>> That's okay, brother. I've been in the

LA riots, man. Now you know what the

homeboys feel like. Yeah.

He looks tough.

>> Sto he's one of the best. S

>> you know him.

>> No, but I know one of his countrymen.

Hey, you go get him, brother.

>> You go get him. Ouch.

Went

back quick. Went back quick.

>> Look out, BROTHER. [screaming]

>> Get up, man. Get up. Come on. Get up.

[screaming]

[screaming and groaning]

Watch now, man.

>> I'm going to send him a knockout.

>> [screaming]

>> Yeah.

[screaming]

You get the numbheads, Frank.

>> You're a good fighter, Yanagi. But

obviously Osato is still the champion.

>> I want a rematch. I don't think that's a

good idea, brother.

>> I admire a man with confidence, son. It

>> doesn't look that bad. It

>> feels like [ __ ]

So dizzy.

>> Well, why don't you come with me and I'm

going to give you something for that

dizziness. All right.

>> Come on, bud.

>> I look so forward to seeing you again.

[snorts]

>> Ditto.

>> That's so quaint. Mr. Keller, you're

very welcome to leave by the front gate,

unless of course you'd feel more

comfortable going back over the fence.

Good night.

>> Good night.

Come on.

They are. [groaning and screaming] Yes.

[snorts]

Gracias.

Officer Keller.

>> Why Miss Keeling?

>> Did you enjoy the use of my Jeep

yesterday?

>> Oh, that thing was falling apart. I did

you a big favor.

>> But you are going to let me keep the

table though, aren't you?

>> Let me buy you a cup of coffee.

>> No thanks.

I'd rather buy you one. It's sort of a

bribe to keep you from taking anything

else of mine.

>> Join me.

>> Did you see much of the island

yesterday?

>> No, not actually. Went down to that

hybrid compound. What does they do down

there anyway?

>> I'm told scientific research. It

>> must be pretty dogone important. and all

that security they got.

>> You here on vacation?

>> So, what is it you do? You here alone,

single, married, staying long?

>> Officer, please.

I'm innocent.

I've also got lots to see and do today.

So, will I be getting my Jeep back?

>> No.

You see here a very old and ancient

civilization.

Now come with me.

Watch your step there. Be careful.

Very good.

Careful.

Good. Now watch. Look here. As you can

see, these hieroglyphics here indicate

that this is the area that concistador

Cortez looked for the fountain of

eternal youth. Your women may be

especially interested.

>> What the

>> I would have hated to have been his

mother.

This man is unbelievable.

>> Is there any place or anything that you

don't consider yours for the taking?

Well, uh, seems like I'm not the only

one that's trespassing here, doesn't it?

>> You know, you could have given me a

ride.

>> Yeah, but, uh, I didn't know you were

coming.

>> What are you doing here, miss?

>> That son of a [ __ ]

Why? I'm with the tour group.

>> This area is posted and you are

trespassing.

>> Oh. Oh, I'm terribly sorry. See, I just

wondered from the group. Well, because I

was looking for the ladies room.

>> You'll have to give me that camera.

>> I'm not going to give you my camera.

>> Why? There you are, my honey. Well, I've

been looking all over for you. land a

ghost and you sure can give a man a

scare like that. Well, I I want to thank

you gentlemen for taking care of my

sweet magnolia blossom. Now, Peach, we

better be getting back to the tour.

>> Yeah.

>> Hey, hey, you are not going anywhere

with that camera.

>> Oh, nah. Now, gentlemen, now we don't

want no trouble now. So, sweet pee, you

give him your camera. After all, they

only doing the job.

>> Excuse me.

my big over stuffed teddy bear.

>> Yeah.

>> Now, if you think for one minute that

I'm going to give these toy soldiers my

camera.

>> Yeah.

>> Now, I think I'm just going to mosey on

with my camera.

>> Now, you know, Bulgarity, don't become

you darn it. Now, YOU'LL HAVE TO EXCUSE

MY WIFE, BUT SHE'S had a small case of

the trots, and you know, that does make

her just A TINY BIT. I HAVE YOU FOR

>> THAT IS ENOUGH.

>> Hand over that camera or you'll give me

no choice.

>> Yes. You see my little Patrina now.

Sweet pee. Listen. We got to be

reasonable. So, let's give it to him.

>> [groaning]

>> 99.

Now,

exactly which part of my anatomy

were you going to hail for?

>> I need a full meal, not a snack.

will you be gone for long?

>> But you will be coming back.

>> It's in the hands of fate.

>> Oh my god.

I could not love you more than if you

are my own blood.

>> Dad, I know you don't have to tell me,

>> but

there's something we must talk about.

Andy,

do you know why I was shot last week?

>> You told me it was an accident.

I have not told you everything

about Kate or about your mother.

>> I was a sergeant in the Tokyo police

force. There was a robbery by two

dangerous men.

We had caught one and were pursuing

[music] the other.

The death of your mother is the real

reason. I do not use my gun.

>> It was you.

You were the shooter.

>> Yes, it was.

and affectionate.

>> So that's why guilded had nothing to do

with wanting a child or knowing my

father. It was just guilt because you

were the one that killed my mother.

>> Yes, of course it was a gift. But then I

loved you.

You became as my own daughter as my own

blood.

>> No,

not your blood. my mother's.

Why? After all this time now because

you're going away and you don't think

you'll be coming back. That's it, isn't

it?

Were you ever going to tell me?

>> No.

[gasps]

So like you that is suffer in silence

for the rest of your life. AND JUST WHAT

AM I SUPPOSED TO DO IF YOU GET KILLED?

>> ANDY, I love you. But I am who are you?

I must go now to the airport.

I won't be taking you.

Yum.

>> I'm going after John. Captain,

>> no. Forget it.

>> I feel joy is engraved. Danger.

>> You are not going.

>> There I reside.

>> You stubborn son of a [ __ ]

Daddy,

you're a brave and good man. Father,

I [music] love you.

This is your gun.

Use it if you have to.

Be safe and come back to me.

You're not really here on vacation, are

you?

>> No.

I work for National News Magazine.

>> Keer.

>> Karen. Keer. Of course. You're the one

who did that article on companies

selling arms in the Gulf War, aren't

you? I'll be dog caught. I'm impressed.

So, what are you doing here? A piece on

the Mayan ruins?

>> Sort of. A friend of mine wrote me. He's

an archaeologist. He was down here

working for Hyraov. Something about

biological warfare and how they had gone

on to something worse.

>> So, have you seen this friend of yours?

>> No.

I called Hyco, but they said that uh

that he was no longer with him.

>> So, maybe it's true.

He could be right,

but he never left the island. I checked.

>> Here

you dance

now.

Why not?

>> Okay.

[singing]

>> [music]

>> I want [music]

to

No, NO, [screaming] NO.

[screaming]

Come here.

You okay?

>> Just scared.

You have this habit of rescuing me.

You know,

Galahad, remember

[sighs and gasps]

John,

I'm really afraid to be alone tonight.

Would you stay here with me?

Okay.

Holy

[ __ ]

They stole the film. That's what they

were there for.

Why? Cuz you took pictures at the ruins.

Ah,

>> it's something else.

>> Well, you want to tell me about it?

>> Remember the other night at the base

when that black man fought the Asian?

>> You were there?

>> I know this is going to sound crazy,

but I took pictures before and after the

fight.

>> I guess you were there. You saw what

that black man did to that Asian.

He had cuts and bruises all over his

face and body. But by the time he got

back to the jeep, the wounds were

completely healed.

>> Karen, are you sure about this?

>> Yes, I'm sure. I know what I saw, and I

had the pictures to [music] prove it.

[sighs] There's something going on out

there.

>> I need your help.

>> For what? I've got to get inside that

compound.

>> Karen, this isn't the United States.

Those people last night, they weren't

playing. They could hurt you if they

want to. They could kill you.

>> I'm not afraid.

>> Well, you ought to be. Look, I have

reason to believe there's a brutal

killer on this island, and you may have

something to do with those hypoc people.

You

You don't know what you're up against,

>> John. This is my life. It's what I do.

Now, I'm going after these guys with or

without you.

Personally, I'd feel much safer having

you along.

Oh, come on. Our agendas are not that

different.

What do you say?

>> First, we see how the film turned out.

>> How do we do that?

>> Well, as far as I know, there's only one

way.

Get it developed.

>> Are those mine?

I don't understand.

What did you

>> I switched them.

>> Where? When?

>> At the ruins.

>> You stole my film.

>> Well, at the time it seemed like the

thing to do.

Well, if those are mine, what did they

>> That man is beginning to annoy me?

>> Yes, indeed.

He seems to have that quality.

>> I told you she had nothing.

>> Perhaps,

perhaps not.

We must be sure.

Then there's only one way.

Do it.

Woohoo.

Karen,

Karen,

Karen,

Karen.

Where is she? You son of a [ __ ]

Mr. Keller, I think you'd better come

with us peacefully. Where [music] is

she? Talk or I'm going to bust your ass

right here.

>> The finesse of the police department in

action. In case you've forgotten,

Keller, you are out of your

jurisdiction.

Ah, that's right. [ __ ] jurisdiction.

>> You got the point? Yes. And here's mine.

[screaming]

>> Take him out to the clearing and make

your exit discreet.

[groaning]

Let's

get this.

TOM,

>> are you okay?

>> Huh?

>> What happened? [panting]

How'd they get back to Los Angeles?

>> Joe, you were still on the island.

[sighs]

>> I am. Yeah.

>> Where'd that other son of a [ __ ] go

>> now? Stay away. He went out. [sighs]

>> Damn it. Let's get him.

>> All right.

SHE'S COMING.

>> COME ON.

>> You didn't do nothing stupid LIKE GET

YOURSELF FIRED, DID YOU?

>> OH, I'm a damn show. Come on.

Your arm is going to listen.

Hey partner, how you doing? Listen, I've

been having one hell of a time.

>> Oh,

having a nice day.

>> Thank you. Thank you very much.

Gracious.

Excuse

me.

Edward.

Edward, what happened to you? Is

>> that you?

>> Yes, it's me.

>> What you doing here?

>> Well, I thought I was trying to help,

but I think I may have blown it.

>> You're in terrible danger,

but you are the first friendly face I've

seen the longest.

Edward, what is happening in this place?

>> Terrible things.

Unfortunately, all based on my

discovery.

>> What discovery?

>> You know, my interest has always been

the Mayan race and especially the Mopen.

I discovered in the ruins of this island

an incredible story.

It seems that the Mayans living on this

island had developed a way to create an

army of invincible warriors.

However,

there was a catch. They had to die

first.

And not just any death.

They had to be hunted down like an

animal and then killed.

>> Why?

Well, according to the hieroglyphics,

the mopens developed a drug from a plant

root on this island that when mixed with

high levels of adrenaline and cortisol

mutate normal body cells into fo

chromosytes.

Now, if you can kill the subject and

induce the drug at the proper moment,

you in essence create a super warrior

that is just about invincible.

And there's no way to stop these

whatever they are.

>> I don't know. [snorts]

>> You see, my research is incomplete.

>> And Hyperco now controls all of this.

>> Dr. Quinn is already negotiating with

third world leaders to turn their

soldiers into expendable killing

machines.

>> That's horrible.

a violation of their civil rights at

least.

>> Who are you and why am I here?

>> Those are my questions

and please

no theatrics

Dr. Kier we need to keep alive

work in progress. You know,

you

however are dispensable.

Unless you can give me a reason why I

might need you.

>> I'm a reporter for National News

Magazine.

>> Dear, dear, dear. That nasty little news

magazine that attempted to connect us to

a rug.

>> A reason, Miss Keeler.

What is your interest in us now?

What are you doing here?

>> My interest is what's really going on on

this island. Dr. Collier's story, your

story, and Hibos in particular. What

you're really up to.

>> What do you know?

>> What do you know, dear?

enough.

I believe you took

some pictures.

Someone stole them.

Miss Gilly, you just insulted my

intelligence. [sighs and gasps]

Don't try my patience.

Mr. Mueller,

let's show the young woman a copy of our

pictures.

Oh yes.

Horrible.

Oh, horrible. Horrible. Most horrible.

These photographs, mosquito.

What you see here

is the work of the most notorious serial

killer of our time.

He was never captured.

You know why?

Because we purchased and processed him.

We made him ours.

With the cooperation of several

obligatory police officials,

he was known as the signature killer

because [music] he just

loves

to put his signature

on women.

Oh yes,

his implement

of choice.

is the knife.

I expect her from my possession.

The film you took of Mr. Osado at the

base the other night. Oh, and those of

the Mopen ruins.

If you don't, you're mere parchment for

our Mr. Mueller's artistic genius.

You are telling me this is another woman

>> who needs help. She's been kidnapped by

these guys and I think I'm on to

something. So don't you give me that

John you screwed up again. Look.

Besides, what the hell are you doing

here anyway?

Huh? No, no, no, no, no. Under the

circumstances. I thought you might be

happy to see me. Hey, I got everything

under control.

>> Oh, yeah. I can't see that.

Heat.

[music]

Heat.

>> [music]

>> I don't know how you got away from my

man, but I don't know who your friend

is. But the important thing is you're

here and it's the end of the line.

Officer

Huggy.

Manda. Ah,

[screaming]

[groaning]

no.

Go get it.

Oh, come on.

Man, you're supposed to be a fighter.

Come here.

GO KILL HIM NOW. [screaming]

Come on.

Kill.

>> Yes.

I know.

>> [screaming]

>> God.

[screaming]

>> [music]

>> All right, that's enough.

>> I said stop.

>> Let's do this, right?

We have a chance here

to test our formula on a couple of

dogooders.

>> Yeah. So, let's see what happens when we

kill them.

Gentlemen, you have one chance. You run,

we chase,

we catch, you lose. You lose. We killed

you right on the spot. A little sport

for my men and an opportunity for you to

escape.

Okay,

you know the drill. Keep them moving and

make it good.

Ravenous,

you know what to do.

Comfy punk.

>> Dr. Collier, we're not going to hurt

you. No, dear. This is for your

protection. Just in case gallantry

should surge through your veins and you

decide to interfere.

>> Sit down, punk.

>> Those chemical weapons, you sold them to

the Iraqis, didn't you?

>> Oh, what a dedicated young woman you

are. And tenacious, a veritable fountain

of halftruth. My dear, I not only sold

it to them, I also effectively showed

them how to use it against the Kurds.

Mr. Mu,

>> bring it.

>> Stay back.

STAY BACK or I'll hurt her.

>> You do it. He lives for pain.

[groaning]

[panting]

>> Scream.

[sighs] I like it when I hear women

scream.

>> No.

>> WHAT THE HELL ARE YOU DOING HERE?

YOU KNOW, you didn't respond to my

command to kill.

>> He just started crying and WALKED INTO

THE JUNGLE.

>> AND YOU DID WHAT?

>> I let him go and I sent Os and the

others after them.

>> Them?

What? Them?

>> Heler and his partner.

>> YOU MEAN YOU DIDN'T KILL THEM?

>> NO. I

>> YOU'RE SO INCOMPETENT.

>> [music]

>> I hate heights. I'LL TELL YOU THIS WILL

BE MY DAY. JJ

>> John, WHAT? WE MUST CROSS IT.

Trust me. IT'S THE ONLY WAY TO THE OTHER

SIDE.

>> You know, JJ, one of these damn days I'm

going to WAKE UP AND REALIZE HOW STUPID

I AM.

[music]

Give me your rifle.

>> I'm sorry.

>> Really? Really? Sorry.

>> The shortest way is across here. What if

we fall?

Then with F.

Can't swim. Huh? Can't swim.

>> What? Can't swim?

>> What?

>> I SAID I CAN'T SWIM. YOU GOT A PROBLEM

WITH THAT?

Can't see it.

>> No. Okay. OKAY. ALL RIGHT. THAT'S IT.

THAT'S IT. LET'S GO. LET'S GO. You go

first. Okay. YOU GO FIRST. OKAY. ALL

RIGHT. COME ON. WAIT. WAIT. WAIT. WAIT.

WAIT FOR ME. THE GUN, YOU MAN. WAIT FOR

ME. All right. JEEZ. ALL RIGHT. SLOW

NOW. SLOW. SLOW. SLOW.

>> ALL RIGHT. OKAY. I'm okay. I'm okay.

SLOW.

>> GREAT. I CAN'T SWIM. I'm afraid of

heights. What else, JJ? Huh?

>> Okay. Okay. All right.

SLOW. SLOW.

>> OKAY. DAMN IT. I SHOULD HAVE TAKEN a

bust.

>> Okay. Go ahead. Go ahead.

>> OH, COME ON, JJ.

DJ, stop funny.

[screaming]

relax.

And

you disobey orders.

Will

not kill.

I know my

>> He's absolute

>> [screaming]

[groaning]

[groaning]

>> will not Eat

[groaning]

[groaning]

[screaming]

the house.

Thank you.

>> [screaming]

>> No,

>> you can see him.

Hold on right there. Glad I ran into

you. Awesome, man. Listen, I got to go

to the bathroom. I'm going to interview

you where the men's room is around here.

It's been a hard one.

>> Are you all right?

You okay?

Yeah, I'm fine.

>> I've been worried sick about you.

>> You have?

>> Well, yeah.

>> We better move out.

>> That would lead to more men.

>> You brought more help.

>> Help brought itself. I want you to meet

Jurro Gintani, the most stubborn, pain

in the neck Japanese cop this side of

the Pacific.

>> Nice to meet you.

>> Nice to meet you.

>> You are welcome.

>> I want those three killed on site. No

more incompetence.

No hesitation. Just terminate.

>> Roger. Hand out.

Hey. Okay, let's move out.

Where is she? a friend.

I think

>> Sherah, they find us here, you're going

to be in big trouble.

>> They have already searched this area.

Drink this.

It's bitter, but it will give you

strength.

It is a drink of my ancestors made from

the root of a plant which grows only on

this island.

>> Shayla, is that what your ancestors used

to turn the warriors into

>> incredible fighters?

>> Yeah.

>> Yes. But it must be processed into that

drink.

M like a Japanese tea.

Well, it don't make me feel like

ordering sushi, but I could use a shot

of whiskey.

>> Some of my ancestors perverted the

process. They combined it with other

things till they discovered a way of

bringing back newly killed warriors from

the dead. Stronger

and almost indestructible.

>> Shira,

you said almost indestructible.

Does that mean there is a way to kill

them?

>> There are two. If uh you want to tell us

about it,

>> one is by fire

>> and the complete burning of the body.

I I don't think they're going to sit

still for that one. Could you give me

another option there, Shayla?

>> Terrific.

They were defeated once before by the

high priest.

Hanaku and Schwanke.

It was prophesized

that if this secret was ever again

revealed,

they would return to save my people and

all others threatened by these evil

creatures. Tell you, you get us a boat.

You get us off the island. We'll come

back and take care of these fellas. If

we have to, we'll come back with the

Marines.

>> There's no need to leave the island.

You two can [music] destroy them.

>> Give me a break. Us. How?

>> You are Hanabaku and Schlanki returned.

This is terrific.

Look at this.

And now look at your own faces.

You see the resemblance.

You are the great Vanaku and Blanc come

back from a far place.

>> There's definitely a resemblance.

>> You didn't even drink any of this stuff.

That's an hell of a trip. Listen, if

it's all the same to you, Shayla, you

know, we're going to get off the island.

When we come back, we'll bring the US

calvary. I understand they still use

sabers. Huh?

>> You must stay here.

They will find you if you leave now.

>> You can sleep in the hut and I will

stand watch.

>> No, you and Karen sleep in the hut. We

will stand watch.

Come on.

>> JJ,

I'm glad you're here.

But I got to tell you, I'd feel a hell

of a lot better if you started using one

of these.

>> Since when did you start carrying that?

I to

what

I told the truth.

So what happens next time a civilian

gets too near your mark?

You close your eyes,

you blast away without hesitation.

>> Anything about the moves

go down.

Robert,

shut up.

[groaning]

Oh no.

Honey, I'm home.

Woman's place is in the kitchen, huh,

baby?

[screaming]

>> [screaming]

>> bring it on. Bring it on.

Come on.

Get up. [screaming] Get up.

>> [screaming]

[music]

>> Right.

[groaning]

Time for a little dip, boy. [groaning]

Not yet.

>> Back off. Break her neck like a twig.

[screaming]

>> [music]

>> Welcome back, my friend.

Get out of here.

I'm impressed.

All things considered, you have put up a

good fight.

But as the saying goes, all good things

[music] must come to an end.

I'm told that you possess

very specialized skills.

Shall we see just how gifted you truly

are?

>> Joe,

get Kellian out of here. I can handle

this.

Like hell, I'm going to leave you now.

I'm back. SHOWTIME.

>> GENTLEMEN, allow me to introduce

the signature killer.

I believe that he's wanted in

approximately 12 states.

>> Mr. Keller,

>> why don't you arrest him?

>> Arrest me.

>> Arrest him.

>> I'M GOING TO KILL HIM OR SON OF A [ __ ]

[screaming]

OH, you want to taste blood, huh?

Yeah.

[screaming]

Got

[music]

it.

You're right.

No.

Get out.

Stop.

Please.

Hello.

Hey. Hey.

>> [screaming]

>> Come on, man. I'm dying for your

[screaming and groaning]

>> [screaming]

>> Drink some gasoline.

die.

[groaning]

[screaming]

Now you die.

Help

me Dr. Qu

[music]

[groaning]

no.

Heat.

[music]

[music]

Heat.

He loved to hear them scream.

>> [music]

>> You're alive.

>> Of course I am. What' you expect?

Ow. Oh, sorry. Didn't hurt.

Ow.

Thank God.

>> Where the hell is she, man?

>> Waiting for your girlfriend. Ah, just

Maybe not.

[music]

>> Close your mouth, John.

>> [music]

>> Yeah.

[music]

To kill, no place to hide,

no place to rest, show, no [music] place

to die.

Where immortality, greed and love

collide.

for you. I fight

this war [music] until

[singing]

[music]

you

brought me down.

You [music] turn my world inside out. I

used to think

I'd kill [music] for you.

See the place you brought me to.

>> [music]

>> The last resort.

No place to hide,

no place to rest. [music]

No place to die.

Where immortality, greed and local

[music and singing]

fights.

[music]

No place to hide.

No place to rest.

No [music] place to die.

When immortality, greed and love

[music] for you are fighting.

Yeah.

Start to count.

In a world that's so [singing]

uncertain. [music]

I wonder through this

[singing and music] dream alone since

you came in my life. I thank the stars

up above. [music and singing]

It's like a sun shining bright now that

I've found someone [music and singing]

to love.

I've wondered through this dream all

[music and singing] alone. But since you

came in my life, I paint the stars

[singing] up above. It's like a future

so bright. Now that I found someone

[singing]

to love [music]

found

to

love. [singing]