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The following programme contains
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strong language and violent scenes.
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'Nina Dragus.'
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'She was caught with a firearm.'
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Pretty young girl, your daughter.
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Get Nina out.
And she will handle the rest.
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I need to get
this man back to London.
And to get back to my daughter.
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If something feels off,
anything at all, don't hesitate.
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I never had a son.
I needed you to trust me.
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Was mummy a serial killer?
This is fun.
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Tibor sent us.
We're here to see Sebastian.
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'Sorry, how do you know him?'
'We go way back.
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But I haven't seen him in years.'
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Come on!
Sebastian...
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You found him then.
Tibor and I killed him, together.
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Give me the address
of the safe house first.
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No! No! No! No! No! No! Tibor?
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Hello? Police.
Yes, my pharmacy.
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It's been broken into.
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G... L3... 8...
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What are you doing? That's my car!
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I'm sorry.
Open the door!
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- Open the door!
- I can't.
I can't. I'm sorry, I need it.
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No, wait! Hey! Hey!
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For fuck's sake!
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Hey, hey, you're not dying on me,
you piece of shit.
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♪ AURORA: The Blade ♪
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♪ Mm, mm, mm, mm
Mm, mm, mm, mm
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♪ Mm, mm, mm, mm-mm
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♪ Mm, mm, mm, mm
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♪ Mm, mm, mm, mm
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♪ Mm, mm-mm, mm
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♪ Mm, mm-mm, mm
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♪ Fall into my arms
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♪ Like you trust me
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♪ And keep my blood-stained hands
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♪ Off your body...
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♪ I feel ra-a-a-age
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♪ I feel ra-a-a-age
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♪ I feel ra-a-a-age
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♪ Feel the rage ♪
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Mia?!
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Mia!
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Where are you? Where are you?
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Oh, no, no!?
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♪ ..M'en allant promener
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♪ J'ai trouve l'eau si belle
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♪ Que je m'y suis baigne
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♪ Je me suis fait secher
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♪ Sur la plus haute branche
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♪ Un rossignol chantait...
What are you doing?
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♪ Jamais je ne t'oublierai ♪
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I was showing her my tomato plants.
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Why did you take her?
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Oh, she was hungry.
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You were fast asleep.
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I was trying to help.
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OK.
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Can I have her?
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You won't have
a vegetable patch in London.
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So little space for children there.
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Carla...
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...please.
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It's OK. It's OK. It's OK.
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Keys. Where are my keys?
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Where are my car keys?
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Where did you leave them?
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I left them right there.
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Are you sure?
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We'll walk.
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Excuse me.
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Come on!
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I can't let you leave
until Tibor gets here.
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We are going to leave.
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And you...
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...you are going to let us.
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It's not loaded, Olly.
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Pull the trigger
if you don't believe me.
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Take her upstairs. Hide.
What?
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Go. Go.
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Show me your fucking hands.
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I need help!
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It's OK. It's OK. It's OK. It's OK.
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Etienne!
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Please! Help me.
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Etienne!
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We need to get him inside.
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Amber!
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Olly...
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Oh, my God.
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You OK?Where's Mia?
She's upstairs.
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She's safe. She's safe.
OK.She's safe.
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It's OK.
- I am so sorry.
- It's OK.
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Do you have anything
to cut them with?
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There are bolt cutters
in the storeroom.
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Yeah. Go. It's OK. Go.
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When was his last insulin shot?
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Um... A couple of hours ago.
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But, uh... he... he wasn't
responding, so I gave him more.
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You gave him too much.
He's in hypoglycaemic shock.
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La, la, la.
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No.
- You alright?
- No.
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Don't cut them.
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Fucking do it.
No.
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Try again.
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Oh, my God, there you are.
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Hi. Hi.
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Hi.
Hi.
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Hi...
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Are you smiling?
Love...
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Love... we need to go.
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Love...
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...we need to leave.
We need to go.
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He's not
in a fit state to travel.
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No. No. No. I don't mean him.
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OK? I mean us.
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Look, Amber,
you need to listen to me.
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That old woman, she's not well.
She took Mia.
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And I... I don't know
if she's lonely,
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or... or what it is, but...
but she nearly didn't give her back.
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And "Sebastian." Do you remember
the code word "Sebastian"?
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If you wanna meet Sebastian,
you can't
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cos he's in a fucking urn
on the mantelpiece.
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Love, they killed him together.
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Tibor's her son.
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Say something, please.
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Come on,
we need to fucking leave!
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Say something!
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I...
Look, I'm sorry.
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I'm sorry.
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Let's get you cleaned up.
We can go in the morning.
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Ah-boo.
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Ah-woo-woo-woo.
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Hey.
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It's just me.
You nearly gave me a heart attack.
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Sorry.
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Are you OK?
Yeah.
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Baby OK?
Yeah, she's sleeping.
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We should leave.
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Listen to me.
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If the three of us leave
right now... without him...
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our lives will still be in danger.
No, no, no. They're in danger here.
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She has a fucking shotgun-
No, if she was going to kill you,
you'd be dead already.
144
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Why would you say
something like that?
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Sorry...
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00:16:08,080 --> 00:16:11,760
Amber,
when you left home three days ago...
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...there was nothing more important
to you than the three of us together.
Nothing has changed.
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So why're you putting this guy first?
I would never do that.
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No, you're doing...
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...you're doing it right now.
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Olly... everything in my body...
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is telling me
to just take you and Mia and run.
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But we can't.
Then, don't fight it. I don't...
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I don't understand.
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00:16:40,040 --> 00:16:42,640
I've been face-to-face
with these people.
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Hey, and I have seen them...
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...I've seen...
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They're never going to stop
unless I get him to court.
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OK? So he's coming with us.
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He's coming with us.
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I need some air.
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OK.
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Mm.
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'O'Neill.'
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Will? Uh... This is, uh...
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This is Olly. Amber's husband.
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Olly.
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Olly's phone is back up.
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'Sorry, what was that.'
It's nothing.
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00:19:50,080 --> 00:19:53,119
Thank God. I was worried.
Are you OK? How's Mia?
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She's fine, um... for now.
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00:19:55,680 --> 00:19:59,079
But... listen,
Amber and I are in danger.
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00:19:59,080 --> 00:20:01,919
We're getting a signal,
but there's interference.
Is Amber with you?
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00:20:01,920 --> 00:20:04,719
Where are you?
'We're with Tibor's mother.'
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00:20:04,720 --> 00:20:07,359
Is Tibor Stone there?
'Yes.'
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Locking GPS markers.
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00:20:11,040 --> 00:20:13,719
Olly, listen to me.
Pegasus could be tracking you.
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00:20:13,720 --> 00:20:16,920
'We need your address now.
Then, you need to pull
the SIM from the phone.'
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00:20:18,040 --> 00:20:21,159
Another 30 seconds,
- and we'll have him.
- Olly?!
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00:20:24,760 --> 00:20:26,920
Locating the cell site now.
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00:20:27,720 --> 00:20:29,720
'Olly!'
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It's GL3 8XY.
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00:20:34,920 --> 00:20:37,759
Yeah. Got it. Now, pull the SIM.
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Do it now. We're coming.
'Thank you. Thank you.'
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Do we have him?
The SIM's been deactivated.
186
00:20:49,040 --> 00:20:51,079
Fifteen-mile radius.
Half of Gloucestershire.
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00:20:51,080 --> 00:20:53,119
Impossible to search.
188
00:20:53,120 --> 00:20:57,199
But I need to update Campbell. Stay
on it in case he comes back online.
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00:21:21,920 --> 00:21:24,600
I've got an address for you.
'Fire away.'
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00:21:26,440 --> 00:21:29,239
Who is this? Where's Miles?
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00:21:29,240 --> 00:21:31,679
You will be dealing with me
from now on.
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00:21:31,680 --> 00:21:35,159
'Tell me you found Stone.'
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00:21:35,160 --> 00:21:38,920
Todd and her family, too.
We just had confirmation.
194
00:21:40,320 --> 00:21:42,319
Perfect.
Well, we'll take it from here.
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00:21:42,320 --> 00:21:44,239
What's the post code?
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00:21:48,120 --> 00:21:50,199
'Will?
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00:21:50,200 --> 00:21:52,200
Give it to me.'
198
00:22:16,400 --> 00:22:19,119
You seem anxious, Olly.
199
00:22:19,120 --> 00:22:21,479
We had a disagreement.
200
00:22:21,480 --> 00:22:24,280
He thinks I took his car keys.
But I didn't.
201
00:22:25,120 --> 00:22:28,079
Right. Sure.
202
00:22:28,080 --> 00:22:30,439
If she says
she didn't take your keys,
203
00:22:30,440 --> 00:22:33,319
she didn't take your keys.
Don't.
204
00:22:33,320 --> 00:22:35,279
What?
205
00:22:35,280 --> 00:22:37,200
Don't!
206
00:22:44,840 --> 00:22:46,920
So Etienne is your real name?
207
00:22:50,320 --> 00:22:54,079
Olly told me about your father.
The ashes in the urn.
208
00:22:54,080 --> 00:22:56,159
Sebastian.
Amber, what are you doing?
209
00:22:56,160 --> 00:22:59,199
She's been trying to crack me the
whole time we've been on the road.
210
00:22:59,200 --> 00:23:01,200
She's exhausting.
211
00:23:02,400 --> 00:23:05,280
But you'd know that.
You're married to her.
212
00:23:07,120 --> 00:23:09,120
Is it true?
213
00:23:10,080 --> 00:23:12,080
You two killed him together.
214
00:23:16,440 --> 00:23:18,479
How old were you?
215
00:23:18,480 --> 00:23:21,720
Six. She held him down.
I slit his throat.
216
00:23:23,760 --> 00:23:26,319
My husband used to beat us.
217
00:23:26,320 --> 00:23:29,959
I knew one day he'd kill us
if we didn't do it to him first.
218
00:23:29,960 --> 00:23:32,240
Etienne understood that.
219
00:23:33,080 --> 00:23:34,800
Even as a boy.
220
00:23:35,800 --> 00:23:38,919
No. He wasn't old enough to make
that kind of decision.
221
00:23:38,920 --> 00:23:41,919
"Give me the first six years
of a child's life,
222
00:23:41,920 --> 00:23:44,039
and you can keep the rest."
223
00:23:44,040 --> 00:23:46,439
What does that mean?
It's a Kipling quote.
224
00:23:46,440 --> 00:23:48,159
As in Rudyard.
Yes, I know -
225
00:23:48,160 --> 00:23:50,599
the Jungle Book guy -
but what does it mean?
226
00:23:50,600 --> 00:23:53,039
The early years
of a child's life are
227
00:23:53,040 --> 00:23:55,599
the most formative
in shaping their character.
228
00:23:55,600 --> 00:24:00,159
These foundational experiences have
a profound and lasting impact.
229
00:24:00,160 --> 00:24:02,039
Oh, so then,
you know what he's done?
230
00:24:02,040 --> 00:24:03,839
You know how many people
he's killed?
231
00:24:03,840 --> 00:24:06,440
I'm sure every single
one of them deserved it.
232
00:24:07,320 --> 00:24:09,320
Just like his father.
233
00:24:12,080 --> 00:24:14,119
Etienne bought me this house.
234
00:24:14,120 --> 00:24:15,999
So I'd be safe. Hidden.
235
00:24:16,000 --> 00:24:18,039
And he'd know where to find me.
236
00:24:18,040 --> 00:24:21,360
But he never comes.
237
00:24:22,320 --> 00:24:24,599
Fucking gratitude?
I made you a survivor.
238
00:24:24,600 --> 00:24:26,360
That's what it takes
to live in this world.
239
00:24:28,600 --> 00:24:31,479
By the time I was sixteen...
240
00:24:31,480 --> 00:24:33,480
I'd killed three men.
241
00:24:34,920 --> 00:24:37,360
THAT'S what you made me.
242
00:24:41,680 --> 00:24:44,080
You see... you were right about me.
243
00:24:46,320 --> 00:24:49,519
And what about you, Amber? Hm?
244
00:24:49,520 --> 00:24:52,759
My guess was that her father
had done some serious time.
245
00:24:52,760 --> 00:24:54,799
You must know.
246
00:24:54,800 --> 00:24:57,839
Her black-and-white view of the
world has to come from somewhere.
247
00:24:57,840 --> 00:25:01,040
I don't think it's anything
to do with her father.
248
00:25:01,880 --> 00:25:03,879
Your mother then?
249
00:25:07,000 --> 00:25:08,919
Do you see her?
250
00:25:08,920 --> 00:25:11,799
Treat her with respect?
251
00:25:11,800 --> 00:25:15,119
Are you close?
No, not really.
252
00:25:15,120 --> 00:25:17,240
Was that always the case?
253
00:25:19,920 --> 00:25:22,400
She let you down, didn't she?
That's enough.
254
00:25:23,600 --> 00:25:26,800
You internalise that
much more personally as a woman.
255
00:25:27,680 --> 00:25:30,760
You're probably terrified
of turning out just like her.
256
00:25:33,920 --> 00:25:35,920
We're leaving.
257
00:25:40,000 --> 00:25:42,920
What is it?
258
00:25:50,040 --> 00:25:52,280
It's alright. It's the NCU.
259
00:25:53,200 --> 00:25:56,520
- What?
- I called O'Neill. We're gonna
get the fuck out of here. We're safe.
260
00:25:59,240 --> 00:26:01,799
Olly. Go and get Mia now.
261
00:26:01,800 --> 00:26:03,639
Why? What-
Go and get Mia, now!
262
00:26:03,640 --> 00:26:05,880
Etienne...
Amber come!
263
00:26:16,920 --> 00:26:19,120
Lock the door.
Amber.
264
00:26:20,480 --> 00:26:23,639
The three of you need to hide
till it's over.
265
00:26:23,640 --> 00:26:26,480
Come on. Faster!
266
00:26:34,240 --> 00:26:36,240
Give her to me.
267
00:26:45,560 --> 00:26:47,639
It leads to the stable.
268
00:26:47,640 --> 00:26:49,960
Go. Wait for me there.
269
00:28:31,000 --> 00:28:33,119
What the fuck are we gonna do?!
We just wait.
270
00:28:33,120 --> 00:28:34,839
He'll come.
- Fucking wait?
- He'll come.
271
00:28:34,840 --> 00:28:36,840
Just breath. OK?
272
00:28:48,240 --> 00:28:50,720
They're reloading. Go.
273
00:30:10,840 --> 00:30:14,440
Etienne...
274
00:30:26,520 --> 00:30:28,520
Keep back.
275
00:33:11,400 --> 00:33:14,320
Eight dead.
276
00:33:15,120 --> 00:33:17,399
That leaves one more. And Nina.
277
00:33:17,400 --> 00:33:19,520
How do you know she hit them all?
278
00:33:20,680 --> 00:33:23,119
Mum doesn't miss.
279
00:33:23,120 --> 00:33:25,159
Shh, OK.
Please don't.
280
00:33:25,160 --> 00:33:27,119
Shh, shh-shh-shh.
281
00:33:27,120 --> 00:33:29,439
No. No.
282
00:33:29,440 --> 00:33:32,159
Shh. Please be quiet.
- Please be quiet.
- Make her stop.
283
00:33:32,160 --> 00:33:34,079
Shh.
Shh. I know. Shh.
284
00:33:34,080 --> 00:33:36,279
I've got you. Shh, shh, shh.
285
00:33:36,280 --> 00:33:38,119
Do something!
286
00:33:38,120 --> 00:33:40,159
Look at me. I'm fucking trying!
Hi...
287
00:33:40,160 --> 00:33:41,879
Hi. Look at me.
288
00:33:41,880 --> 00:33:44,040
Hey. Hey.
- Come on.
- Hey.
289
00:33:45,040 --> 00:33:48,199
We need to move.
If we run, they will hear her. Hi.
290
00:33:48,200 --> 00:33:51,519
Not them. You and me.
291
00:33:51,520 --> 00:33:54,319
Have you lost your fucking mind?
292
00:35:20,280 --> 00:35:22,319
You must be Carla.
293
00:35:27,760 --> 00:35:29,760
Where is he?
294
00:35:32,840 --> 00:35:34,600
Long gone.
295
00:35:36,360 --> 00:35:38,359
Now I see where he gets it.
296
00:35:40,160 --> 00:35:41,920
Go to hell.
297
00:35:46,360 --> 00:35:48,679
You, too. I'm sure.
298
00:35:57,360 --> 00:36:00,479
Hey, gorgeous.
Can you be quiet for us?
Hey. Hey.
299
00:36:00,480 --> 00:36:02,719
Aw.
We have a deal.
300
00:36:02,720 --> 00:36:04,799
I'm not leaving my family.
301
00:36:11,000 --> 00:36:13,680
Tibor, wait.
Amber...
302
00:36:14,720 --> 00:36:17,399
Tibor...
I can still get you to court,
303
00:36:17,400 --> 00:36:19,239
but they're coming, too.
304
00:36:19,240 --> 00:36:21,039
We can still make it.
All of us together.
305
00:36:44,840 --> 00:36:47,160
Just let him go.
306
00:36:48,560 --> 00:36:50,599
Fuck him.
307
00:36:54,960 --> 00:36:57,799
Jee!
308
00:37:07,240 --> 00:37:09,520
Amber.
309
00:37:28,440 --> 00:37:30,759
Amber, don't...
No. Stay.
310
00:37:30,760 --> 00:37:32,759
I can't let them find us.
Amber.
311
00:37:32,760 --> 00:37:35,079
No. No, don't...
No, stop it. You stay here, OK?
312
00:37:35,080 --> 00:37:36,999
I'll be right back.
Just get ready to run.
313
00:38:30,640 --> 00:38:37,439
It's OK. It's OK.
314
00:39:20,800 --> 00:39:22,800
Etienne.
315
00:39:35,200 --> 00:39:37,400
'Etienne!'
316
00:42:46,240 --> 00:42:48,240
Where's Nina?
317
00:42:52,240 --> 00:42:55,519
It's OK. It's OK, love.
318
00:44:20,400 --> 00:44:24,400
NO-O-O-O!
319
00:44:55,040 --> 00:44:59,040
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