All language subtitles for S09E13 - Hannah

[instrumental music]

[chuckles]
Hey, I got you.

- You're in check.
- Hmm.

Well, that was
a fatal error, milady.

Your castle is tottling.

Your bishop is in jeopardy.

And your queen is
doomed to extinction.

But you're still in check.
[chuckles]

Hmm... you wouldn't settle
for a draw, would you?

Well, why should I ?

I thought you'd say that.

[chuckles]

- Hello.
- Hi.

- Hi.
- Hi.

- Do you play chess?
- No, ma'am.

Poker's my game.

Well, let's see now.

Aren't you gonna move?

Well, I'd like to, but I don't
see any possibilities.

[groaning]

Daddy!

What's wrong?
Here, let me help you.

[Paul groaning]

Water, somebody get some water.

Conductor.

Breathe deep, daddy.
Just breathe deep.

[groaning continues]

Well... Here.

I-- it's alright. He's had
these spells before.

I know what to do.

- What's wrong here?
- Ah.

Why don't you get these folks
back in their seats?

The little lady seems to have
everything in hand.

Alright folks, let's get
back to our seats, now.

[gasps]

It's alright, daddy,
just breathe deep.

[gasps]

Just rest.
It's alright.

- That was a good one.
- Then don't talk.

What's the matter with him?

Uh, she says that

this has happened to him before.

- I-- I'll keep an eye on him.
- Or we can stop the train.

If you think it'll do any good.

W-- would it help to
stop the train?

Oh, let's just get there.

Oh, alright.

But if you need me,
you call on me.

Yeah.

Well, uh, could I have
a blanket, please?

Sure. Here.

Thanks, I can handle it now.

Are you sure?

How far are you going?

Carlsville.

That's tomorrow morning?

It could be a long night.

Don't you worry, honey.

He'll make it.

[instrumental music]

[music continues]

Hey.

How about me
taking over for a while?

Oh, I'm not tired.
Thanks anyways, mister.

Trampas, my name's Trampas.

Oh, I'm Hannah.
Hannah Carson.

Hannah. Hmm.

I knew a girl named Hannah once.

Did you like her?

Hmm. She was married.

- To a preacher.
- Oh.

But I would've liked her.

Um, you know, there's, uh,

about, uh, ooh, six hours,
before we get to Carlsville.

I-- I can make it.

You sure?

Okay.

[instrumental music]

[indistinct chatter]

Carole: I'll never come back.
I'll never come back.

I'll never come back.
I'll never come back.

I'll never come back.

I'll never
come back.

Is that perfectly clear?

I am going with Roy,
I'll never come back.

What you don't realize is
what kind of man he is.

Oh, he is more of a man
than you ever were.

And he wants something
out of life.

Not for me.
I don't ask it for me.

I am tired, tired of it all.

Of the pretense, of the lies.
What you can't know.

- What you have never known.
- For Hannah's sake.

You're not the kind of woman

who can leave her own child.

But it's you she loves.

A proper gentleman
of a father, not me.

She'll hear you.
Now, Carole, listen to me.

- Carole: Let go of me.
- Paul: Please.

Carole: I am going. Do you hear?

And nothing you can say
can stop me.

I am going with Roy tonight.

And I-- I promise
you this, Paul.

I'll never come back.

I'll never come back.
I'll never come back.

I'll never come back.

I'll never
come back.

I'll never come back.

I'll never
come back.

I'll never come back.

I'll never
come back.

I'll never come back.

I'll never
come back.

I'll never come back.
I'll never come back.

I'll never come back.

I'll never
come back.

[sobbing]

[train chugging]

[instrumental music]

Really Trampas, I can make it.

Yeah, sure you can.

As soon as the doctor says so.

I've ordered a rig
out from town.

Thank you, conductor.

Good luck, honey.

Board!
[whistles]

Well, Trampas, it's starting.

Huh? oh, yeah.
So it has.

But you told me you were
going to Great Falls.

Yeah, well, I changed my mind.

I'd forgotten Carlsville's one
town I always wanted to see.

No, you're lying. You're just
staying to help us.

Well, that could be
another reason.

Till I can find a doctor
for your father

and a place for you to stay.

You don't have to,
I can handle things now.

Yeah, I bet you can.
I'll hurry up on that rig.

Daddy, you asked him,
didn't you?

Yes, Hannah.

Does he know about... Carole?

Some. Enough.

His wife says that

Doc Harris will be here
within the hour.

Well, he's out making
his weekly rounds, but...

their son's gone to fetch him.

Thank you.

Is your pa feeling better now?

I think so.

Never better.

You'll find that Doc Harris
is a good man.

I mean he sure
knows his business.

You know that when my sister

was taken sick with
the typhoid...

Excuse me, ma'am.

Do you think maybe you could
stay with my father

until the doctor gets here?

Why sure, honey.
But where would you--

Do you know anyone in town
named Carole Carson?

No, no, I never heard of her.

Why?

I'd better go start looking.

Uh, Hannah?

Uh, you could maybe
use a little help?

- Trampas.
- Hmm?

Daddy told you why we're looking
for my mother, didn't he?

Yeah, he told me.

Did he say
it was because of me?

Mm-hmm.

That's what I want him to think.

It's how I got him to come.

But do you wanna know the truth?

He's the one who needs her.

Do you know what's really
wrong with his heart?

It's broken. And I know that,
even if he doesn't.

And I've got to find her
for him, before...

W-- well, before anything
can happen.

I've got to. I can't let
anything stop me.

[chuckles]

I got a hunch that, uh,
nothing's going to.

Look, uh, why don't you stay
in there with you dad?

And I'll take a look around.

- Is that a deal?
- Okay.

Oh, uh, Hannah, if, uh,

your mother was working in town

what would she be doing?

I don't know.

Well, how did you know
that she was here?

One letter came.
Just a note, sort of.

Then later, a package.
A present for my birthday.

In December.

Oh.

Well, you-- you go on
and see your dad, alright?

[instrumental music]

[instrumental music]

- Sheriff?
- Mm-hmm?

Uh, I'm looking for a woman.

No, no, no.
[chuckles]

No, her name is Mrs. Carson.

It says she was here
around December.

Carson, December...
No, I'm afraid I can't help you.

Is she, uh, wanted?

- No.
- Well, have you got a picture?

I'll see if I can't dig one up.

You do that.

Thanks.

- A picture?
- Travis: Mm-hmm.

Well, this is
the only one I have.

Hmm.

Well... she sure is pretty.

Can I borrow it?

Okay.

Oh, sure.
Sure, but not by that name.

Oh, I-- Yeah,
I've seen her, alright.

- Where?
- The North Star.

- Saloon?
- Yeah.

- Oh, thanks.
- Good luck.

Thanks.

[instrumental music]

[indistinct chattering]

Uh.
[chuckles]

Excuse me, uh,

I'm looking for somebody
who I think works here.

Oh, who is it?

Well, uh, here, I...

I got a picture of her
right here.

[music continues]

- Why?
- Does she work here?

No, I asked you why?

Uh, a friend of mine is
trying to find her.

A friend?
[chuckles]

How much did she take him for?

Or maybe it was you, huh?

No, it's nothing like that,
I'm just trying to

help him find her.

Huh? Well, she's gone.

She was working here, she called
herself Alice Barnes.

She left a week, maybe,
uh, ten days ago.

Ah, by request.

Why?

A fella named Roy Harkness

used to come in here
regular for poker.

Used to win regular, too.

Too regular.

Bartender: See, Alice was
working with him.

And when I found that out,
I gave 'em both 24 hours

to get out of town
before I told the Sheriff.

But do you know
where she's--

- Hannah: Where did they go?
- Hannah.

Well, tell me. Do you know?

- Get that kid out of here.
- Yeah, alright.

- Hey.
- Please, please tell me.

Where is she?

- Hannah: Do you know?
- No.

Now, get her out of here.

- Do you?
- Uh...

No, I don't know.

- Out
- Alright, alright.

Come on. Hannah,
I told you to stay...

[instrumental music]

Come on, honey.

Hannah, now you listen to me.

You never do that again,
you here me?

[sighs]
I had to.

I thought she was in there.

Trampas, please don't
tell daddy...

that she's still with Roy.
Please?

Now, now, don't worry,
I-- I won't tell him. No.

You go on back to the hotel and
I'll keep checking, alright?

Okay.

Trampas.

That redhead, she was lying.

She knows where they are.

- How do you know?
- I just know.

Hmm. Here.

Now you'll go to the hotel?

Go on.

[piano music]

[music stops]

Okay, what is this?

Where are they?

Hannah says you are lying.

What's the matter with that kid?

Nothing. She's just
trying to find her mother.

- You mean Alice?
- Mm-hmm.

Maybe it'd be better
if she didn't find her.

That could be.
But she doesn't think so.

I don't know. I liked Alice.

She asked me not to tell
in case O'Shea

tried to cause her some trouble.

Now, look.
Hannah's father is sick.

He may be dying.

And she's sure if she finds
her mother, it'll save him.

Well?

They're heading
for a town up North.

A place called Loma.

Loma?

What did you find out?

Well, [clears throat]
your hunch was right.

Redhead knew
about your mother.

Well, where is she?

She's heading
for a place called Loma.

- Loma?
- Yeah, that's a town up North.

About 50 or 60 miles
the crow flies.

But it'll take you about...

Oh, four or five days
by coach or train.

Gotta go clear West
to Great Falls

and then double back.

Five days to go 50 miles?

- Mm-hmm.
- That's ridiculous.

A person could ride it in two.

A person, huh?

Well, just what person did
you have in mind?

Well, I'll tell daddy.
You get us horses.

Now, just wait a minute.

"Get us horses?"

You mean you won't go with me?

Hannah, that's a long, hard ride
over a rough country.

I mean... it's hard enough
for a man

let alone little sprout
of a girl like you. Now--

- But I--
- Come on, let's go on inside.

Come on.

[dramatic music]

Hannah!

Hannah--

Hannah, get off that horse.

Hannah! Hannah!

Hey!

[whistles]

I've been riding since I was two

and I can take my horse
anywhere you can!

And I'm going!

You're going
when your father says

and where he says.

Now you get off that horse

before they get you
as a horse thief.

Do you know what they do to...
to kids who steal horses?

Shh. They hang 'em.

Yeah. You do ride well, though.

Get in there.

Five days you say, hm?

Uh, yeah, well,
a lot will depend on

the stagecoach connections
back from Great Falls.

Daddy, it's only
a two-day ride over land.

And if Trampas and I started--

Trampas has been
more than kind already...

for which, again, my thanks.

Oh, that's alright.

We'll carry it on from here.

Uh, excuse me.

But daddy,
we might lose her again

if we wait too long.

I take it
you're not kin to them.

Uh, no.

Anybody who we can contact?

Well, as you heard,
the girl's mother

maybe up at Loma, but, uh...

Seems there's no one else.

Is he that bad?

Well, it's not just his heart.

Pneumonia complication with it.

He could live ten hours,
maybe ten days.

Beyond that, uh...

Oh.

Well, doc, if, uh,
the girl's left alone

what'll happen to her?

Well, she's a ward of the court.

Find some family to take her.

Otherwise, there's...
the orphanage over at Lowlar.

No worse than most.

No better.

Thanks.

Oh, uh, Mr. Carson,
I just remembered.

Trampas: I got some business
I can do up at Loma

so, uh, I can make
that ride for you.

Oh, when do we leave?

"We?" Oh, no, no. You're staying
here with your father.

Well, but if I don't go,
Carole might not come back.

- Hannah.
- I have got to talk to her.

Paul: Hannah.

I'd like to
speak to Trampas alone, please.

- But, Daddy--
- Paul: Hannah.

- Well...
- What did he say?

- What?
- The doctor.

He told me nothing.

But I was watching his eyes.

What's the verdict?

- Well, uh--
- Don't lie to me, Trampas.

He wasn't too hopeful.

How long?

Oh...

That's what I thought.

Take her with you, Trampas.
Please.

Whether or not
you find Carole...

it's better
if Hannah isn't here.

Oh, now... Those doctors,
you know, I, uh...

I-- I still don't believe him.

Don't make any bets on it.

I've put you through an awful
lot of trouble.

I'd like to pay you
for your time.

[chuckles]

Well, uh, I don't know
the going rate

for helping a child
find her mother.

So you just forget that.

Thank you.

Trampas...

there aren't many men I'd trust

to take my daughter
on such a trip.

[chuckles]
Well, thanks.

Uh, you know
there aren't many men

who would try
and take her on that trip.

Trampas: Uh... b-- by the way,
uh...

Do you mind, uh,
suggesting to Hannah

that every once in a while
she'll do what I suggest?

I'll try.

And thank you.

[chuckles]
That's alright.

Well, you just,
uh... take it easy.

I'm sure everything's
gonna be alright.

Hannah, be ready at 6:00
in the morning.

- I'm going with you?
- That you are.

I'll get some horses
and some supplies

and I'll pick you up at 6:00.

Well, let's leave right now.

No, because you need your rest

before we start out
in the morning.

Now, I'll see you
at six o'clock.

Boy, you sure are one
for putting things off.

Hannah...

go on!

[instrumental music]

Oh, be there.

You've got to be there.

No! I'll have no part of it!

You heard her.

She calls it.
That's the way it is, eh?

Well, looks like you could've
saved yourself a trip.

Lafe: Oh, come on, Roy.
Don't listen to her.

You said yourself,
it was a perfect set-up.

Lafe, [scoffs] I'm tired.
Please go.

I'll go when he starts
making some sense.

- Now, look, all we have--
- Lafe, Lafe.

Roy: Use the back stairs.

And still stay out of sight.

It won't work, Roy.

Look. You and your brother
do what you want.

I can't stop you.

But I am out of it.

Out of it? Why, honey,
that place is a matchbox.

It's almost too easy.

And we do it at night,
tomorrow night.

Now, that can mean almost
an eight hour head start

for the border before they even
know what's happened.

No, Roy.

Now, we case the place tomorrow,
just to be sure.

For that, I need you.

But for the job itself,
you'll be out of it, completely.

It's too simple.
No trouble or no killing.

How can you be sure?

I tell you, I am sure.

No... don't, Roy.

Shilling is one thing.

But don't ask me
to do this, please.

Do you think I'm not as tired

of this small-time action
as you are?

Well, this one job can
end all that.

There'll be a mine pay-roll
in that safe tomorrow, honey.

Over 10,000. You know
what that can mean to us?

Two days, we are in Canada.

Then East, on to Europe.

Everything I ever
promised you.

Everything you deserve.

It's always the same,
isn't it, Roy?

Your final argument.
It never changes.

Roy?

Don't go.

[instrumental music]

Morning. I thought you were
gonna sleep all day.

It's 5:30.

I told you six o'clock.

I know.
But I got the horses for you.

And what's the idea of ordering
me a gentle mare?

I got this chestnut instead.

Oh, you did, huh?

I hope he bucks you off.

What are we waiting for?

What about breakfast?

I had Ms. Crandall
make some sandwiches.

Hannah: We can eat 'em
on the way.

Whoa. Hannah!

[instrumental music]

Whoa.

Let's walk 'em
for a ways now, huh?

- I'm not tired.
- Yeah.

Hey. Hannah! Hey!

Hannah, pull her up.
Pull her up.

You hear me? Hannah.

Hannah, when I say "pull up",
you pull up. Is that straight?

Trampas: I don't care
you're tired or not.

- The horses need the rest.
- Wha--

And don't give me any nonsense
about getting there alone.

Trampas: You wouldn't make it.

No more arguments or I'm taking
you back to Carlsville.

- Is that clear?
- Okay.

It's just too bad
I couldn't have got

a ruggeder man to take me.

Walk 'em.

Boy, look at those falls.

Yeah.

Trampas: Sure looks nice,
doesn't it?

- Yes, sirree.
- It's too bad.

We got about six or five hours

before nightfall.

If we could... stop

and cool off for a while...

Nah, I guess a rugged gal
like you would figure

that'd be a waste of time.

Could we, Trampas?

[chuckles]
Sure. Go ahead and take a swim.

I'll wait for you
behind this tree.

[Trampas whistling]

Oh, that was great.

- Yeah?
- Is it cold?

Oh. Cold?

I bet it's not that cold.

[clears throat]
Looky here.

Oh, boy!

Yup.

And...

- Madam?
- Uh-huh.

Now it's my turn.

And, uh, you stay here,
you hear?

I hear.

And Hannah, save me a sandwich.

[Trampas screams]

Whoo! It is cold.

Trampas: Whoo!

- Trampas?
- Yeah?

What time will we
get there tomorrow?

Uh... that depends.

Uh... maybe late afternoon.

Do you think
she'll still be there?

Trampas: Huh?

Do you think
she'll still be there?

She'll be there. Stop worrying.

Who's worrying?

Where will we camp tonight?

Trampas: Oh, uh, probably
at the pass.

That's Indian country.

Blackfeet. Very unfriendly.

Don't worry, I'll protect you.

[chuckles]

[gun cocks]

[gunshot]

Well...

Trampas: Hey!

[gunshot]

What in the devil?

Ow, what?

What's goin' on?

What are you doin' with my gun?

I was only practicing.

I never shot a gun before.

Well, don't do it again.

Well, I just want to know how.

I-- I mean,
sometime I might have to.

Would you like
to give me lessons?

I was aiming at that tree.

Second time, I hit it.

Now, you listen to me.

Don't touch my gun again.

Is that clear?
Don't touch it again.

I'm sorry. Gee.

Alright, I'm goin'.

Alone? Or you goin' like that?

No, I...

You look like a skinned rat.

There'll be no problem,
Mrs. Davis.

We'll arrange the transfer
for you.

All I need is a letter
to your bank in Kansas City.

Yeah, uh,
I'll see that you get it.

- Will tomorrow be alright?
- Certainly.

Oh, one thing more.

Uh... these are my own
separate funds.

By inheritance.

They'll be quite apart
from the account

my husband would be opening.

I understand.

Now, as for helping you

find a good piece
of property in this area.

Jenkins: I happen to know of
several fine ranch properties.

I'd be glad to be
of assistance to you.

You're very kind mister, uh...

Jenkins, Harold Jenkins.

Mr. Jenkins.

- Thank you so much.
- It's a pleasure.

Dear.

[intense music]

Here.
[grunts]

- How's that?
- It's better than at home.

Hey, you gonna sleep
with your boots on?

Yeah, too hard
to get on the mornin'.

Besides, I don't wanna
lose my spurs.

Good friend gave 'em to me.
[Hannah chuckles]

See, I thought
you were mad at me.

I was.

Then you cooked me
that fine dinner.

Where'd you learn
to broil a rabbit like that?

I cook a lot for daddy.

That's in the kitchen,
of course.

It's much more fun
over an open fire.

Yeah, huh?

[chuckles]

Now, I know a gal like you

couldn't possibly
be afraid, but, uh,

in case anything happens,
I'll be right here.

So, why don't you try
and get some rest?

- I am tired, a little.
- Yeah?

- Trampas?
- Hm?

Do you really think
she'll be there?

I can give odds.

[wolf howling]

What was that?

A wolf.

You think he'll come here?

Most likely not.

Oh, he may come down
to take a look at us.

But, uh, wolves are more afraid
of people than they are of them.

Except, maybe in the winter.

- Oh?
- Yeah, it's true.

The stars are so beautiful.

Mm-hmm.

Do you know about stars?

Some.

When I have to travel by 'em.

You see that star
at the end of the Big Dipper?

Yeah.

That points right
to the North star.

- Polaris.
- Mm-hmm.

And, uh...
that one over there's Vega.

Na-uh, Vega's over there.

It's part of
the constellation Perseus.

Now, Perseus was
the prince who cut off

the head of the monster Medusa

to save the princess Andromeda.

- Where'd you learn all that?
- My daddy told me.

He knows all the constellations.

He went to sea once when he was
even younger than you are.

Oh.

Hm.

He's a wonderful man.

Except he dreams, sort of.

But he is wonderful.

Ever been married, Trampas?

No.

Ever been in love?

Yeah.

Never worked out though.

I may if I met a gal

who could cook a dinner
like you did tonight

and was about, oh...
ten years older.

I might've considered it.

I'm never gonna get married.

No?

Well, people who get married

just only try
to change each other.

Hmm.

How 'bout children?

If I want children,
I'll adopt some.

Plenty of kids who need
a mother to love 'em.

Hey, look at that shooting star.

Why don't you make a...

[instrumental music]

[intense music]

Hey, wait a minute, honey.

You do me a favor and bring me
another bottle of [indistinct].

Why, don't you think
you've had enough?

Well, no, I ain't had enough.

I was celebrating. Man's got
a right to celebrate, ain't he?

Huh?

[indistinct chattering]

[instrumental music]

Now, wait a minute, honey,
I think you forgot somethin'.

What about my bottle, huh?

- Why don't you just go on home?
- Well, I don't wanna go home.

- Can't celebrate at home.
- Why?

Will you celebrate
with me? Huh?

[laughs]

[instrumental music]

Get out. Go on. Git.

I want service here.
Do you understand me?

Not tonight, friend,
and not here.

No, wait, wait,
I got a girlfriend.

I got girlfriend. She left me
and now, I'm a free man.

It's a wonderful night
and I wanna to celebrate.

Celebrate some place else,
come on.

What? Oh-- Wait a minute, wait.

I'll tell you what.

I'll buy you a drink.
How's that?

Some other time, friend.
Now get out.

It's a wonderful night,
and I wanna to celebrate

and I don't care what you say.

[gunshots]

Yee-haw!

You crazy fool, cut that out.

[explosion]

Alright, that's enough.

- Give me that back.
- Run home and sleep it off.

Bartender: You can pick it up
in the morning.

Man: Help, help,
down the street.

There's been an explosion.
I-- it's the bank.

The bank?

[intense music]

[screams]

Hey, you!
Hey, stop that man, stop him!

After him, get after him.

[gun clicking]

Argh!

[instrumental music]

Where will we look first?

The saloon?

Well, that's where
she was working in Carnesville.

Yeah. Now, look.

This time, I don't want you
followin' to that saloon.

You hear me?

I want-- I want--
I-- is that a promise?

I guess so.

No, I want your word on it.

Alright, oh, and give me
that picture that you...

Why don't you go sit up there
on that porch up there and rest?

Alright.

- Sheriff?
- No.

- Well, where is he?
- I don't know.

Oh, ma'am, uh...
I'm looking for the sheriff.

Oh, he's out with the posse.

We had a robbery here
last night.

- Yeah, I heard.
- Well, I'm his wife.

Um, if I can be
of any help to you...

Well, I, uh...

Uh, yes, ma'am. I'm, uh...

I'm looking for a woman. Uh...

Here's her picture, right here.

Do you know this woman?

- Uh, no, I...
- Who are you?

Well, I'm just, uh,
looking for her.

Well, this-- this woman,
and-- and the man she was with

those are the people
my husband's gone after.

I mean, they robbed
the bank last night.

But they didn't.
They couldn't have.

- Hannah, I told you--
- You only said the saloon.

Hannah: Well, tell her
she's wrong, Trampas.

It couldn't have been my mother.

- That's her mother?
- Yes, ma'am.

Hannah.

Maybe it's a mistake, honey.

I mean, it's just that,
well, she-- she was seen

in the bank
with this man yesterday.

Woman: And now,
they're both gone.

But we-- we aren't sure.

That-- that fella,
uh, in the cell,

he could probably tell us
something about it.

- Oh?
- Oh, he was caught last night.

My husband's sure
he has something to do with it.

But tryin' to talk to him,
that's a waste of time.

- Hannah.
- Mister.

Nobody named Carole Carson

had anything to with it,
did she?

I don't know anyone
by name of Carole Carson.

I don't know nothin' about
any bank robbery

and it's a fine thing
a man can't even get drunk and--

- Hey!
- What?

We've gotta go looking.
Don't you see?

They think she's guilty, just
because no one's seen her.

- But, if we can find her--
- Sure, sure.

But I'll do the looking.
You're gonna stay at the hotel.

Oh, no, uh, l-- let her
stay with me.

I mean, a hotel's
no place for kid.

Woman: I'll look after her.

Trampas, please
let me come with you.

Hannah, I'll, uh,
I'll keep looking for her

and if she's in town,
I'll come for ya.

If she's not, then we'll
have to wait for the posse

and that'll probably be
in the morning.

And we will know more then.

You do believe
my mother's guilty.

No, Hannah.

I-- I don't know.

I mean, I hope not.
But I-- I don't know.

Trampas: Now why don't you just
try and get some sleep?

And I'll get you
in the mornin', hmm?

Alright?

I thank you, ma'am. Goodnight.

[indistinct chatter]

[instrumental music]

[intense music]

[whispering]
- Mister. Shh.
- Little hot.

You do know, don't you?

Is that woman there
after my mother?

Look, I told you before,
I don't know nothin' about it.

Hannah: Shh.

Only you're lying.

Look, will you get out of here?
Go back to bed.

All I want to know is
where she is now.

If you know, tell me, please.

- Look, I told you...
- Shh.

Um.

Just how bad you want
to get to her?

What do you mean?

I mean, uh, supposin'
I did know your mother

and supposin' I knew
she ran away with somebody.

With Roy Harkness.

Uh, and, uh,
she never knew that he'd

just held up a bank and that
the posse was after her.

She'd be in a heap
of trouble now, wouldn't she?

I mean, uh...

someone should warn her, right?

- Well, I can, I will.
- No, no.

Where did they go?

You'd never find her.
You wouldn't.

No.

But you could take me.

Keys are on the peg,
hangin' right on the wall there.

You won't just run off?

You will take me to her?

- You swear it?
- Sure.

Key's on the peg.

No, first I'll get our horses.
They're out back.

You say you know my mother.

- What's her name?
- Carole.

You heard me say that.

What name did she use
in Carlsville?

Alice.

I'll be right back.

[indistinct whispering]

[intense music]

There he is.

- She's-- she's gone.
- What?

S-- she's gone. And-- and the
feller in the cell, with her.

He's gone too, Mr. Hendrickson.

Yeah, out-- out, out East.

See, I was headin' home,
they come by me ridin' hard.

But I seen the fellow was that
man they caught last night.

- You gotta find 'em.
- Yes, alright.

Can you-- can you show me where

you last saw 'em,
where they're headed?

Yeah, I'll-- I'll take you
out there.

Alright, thank you.

Thank you.

Alright, kid.

- Ride's over.
- Well, what do you mean?

Go on, head on back now. Git.

You promised.

You swore you'd take me.

That's right, I did. Now, git.

[laughing]

Alright, hold it up.

- I won't let you leave me.
- Oh, you won't, eh?

Don't you dare.

You know what I'll tell them
when they find me tied up?

- What?
- That you kidnapped me.

Hannah: And you know what they
do to men who kidnap girls?

- They hang them.
- Yeah.

But if you do take me,

even if they catch us,

I'll tell them it was my fault.

I made you do it.

Hannah: I'll tell
the judge that.

I promise.
And I keep my promises.

Anyway, I will this one.

I swear it.

Please?

I've got to get to her.

Alright, let's go. Come on.

Ho, ho, ho, ho.

- Ho!
- Whoo, uh.

It ain't no use, friend.

We ain't gonna get 'em.
Not tonight, anyhow.

They had too much of a start.

Well, we'll keep trying anyway.

No, no, not me. Uh...

I'm sorry, I just can't make it.

Look now, the best idea
would be for you

to go on back to town
and wait for the sheriff.

- No.
- Yeah.

Well, uh...

Look now, the odds are

they-- they followed
that trail

on... to Crown Creek.

That's about three
or four miles.

They'll cross that
then they'll turn North

and head for the border.

Okay.

Well, thanks.

- Good luck.
- Whoo.

[instrumental music]

[music continues]

All clear, honey.

[intense music]

[music continues]

Well, how do you like it?

The mansion
I always promised you, huh?

Can we just go on?

No, I told Lafe
we'd meet him here.

Anyway, you've got to
get some rest.

Hey, lie down in here.

- Could we build a fire?
- Uh-uh.

Hey, it's not that cold.

Carole, it's over, done.

Smooth and easy,
just like I said.

Come on, now.

Get some rest.

Wonder who lived here.

Oh, some old joker, probably

tryin' to make a strike.

Hm, over four years ago.

Shame.

Nobody ever told him
there was an easier way.

[instrumental music]

Hey, look.

Cheyenne hunting party.

Better go this way.

Come on.

[horses galloping]

Better water these horses.

Better get yourself a drink too.

It's gonna be a long trip.

Hey! Come back here!

You liar! You crook!

Stop it! That's my horse!

There's a road back down
about three or four miles.

Wait there.
Somebody'll pick you up.

You're a low down,
no good crook.

You're a...

You know what you are!

[dramatic music]

[music continues]

[horses galloping]

Hello.

Hi.

How.

Do either of you speak English?

I speak.

Oh, thank goodness.

Can you help me?

Hannah: M-- my brother,
he's lost somewhere.

We got separated
when my horse threw me.

Could you take me to him?
Please?

[speaking in foreign language]

[dramatic music]

[music continues]

Hey, I thought you were
gonna get some rest.

Oh, don't worry, he'll make it.

You know, it could be he just

had to, uh, lay low in town

until it was safe to leave.

Also could be
that they caught him.

They never saw us together.
What can they do?

Over 12,000.

You agree now it was worth it?

Here.

Buy yourself a sable coat.

You'll be the most beautiful
woman in Paris.

Roy, I'm-- I'm still afraid.

I-- I don't know why.

It-- it, it's a feeling.

Please, shouldn't we go on?

We'll wait another hour.

[instrumental music]

Hi, brother dear.

Sorry you couldn't find me.

Thanks very much.

I hope I can do
something for you someday.

Take better care of child.

Man: You are fool to lose her.

Oh, it was all my fault.

Still, he is fool.

[speaking in foreign language]

What are we waiting for,
brother dear?

[dramatic music]

Is that where we're goin'?

That's right.

Come on. Git.

Hyah, hyah!

Carole?

Uh, I'm goin' up away
and check for Lafe.

What is this?

That's Carole's kid.

That's right, Mr. Harkness.

- You brought her here?
- I brought her?

You should have been there.
This kid keeps showin' up.

Hannah: Where is my mother?
Is she up there?

No.

No, I haven't seen your mother
in, um, months.

You're lying.

She rode off from Loma with you
after the robbery.

He told me.

Hannah: So you're a liar.

And you're also a card sharp.

And a wife stealer.

And now, you're a bank robber.

And I'll tell everybody
unless you let me see Carole.

Your mother went back. Alone.

You're still lying.

Roy: Now Hannah,
I have no desire

to see a young girl hurt.

Hannah: You'd better not.
They'd hang you for it.

But you're going back now.

You're not following
Lafe and me.

Is that clear?

Hang you by the neck

till you're dead.

Lafe, take her back
and tie her up.

Leave her horse with her.

Tie her loose enough
so she can get free.

- Hey, hey.
- Carole.

Mother? Carole.

[dramatic music]

Carole!

Mother!

Hannah.

Oh, Hannah.

I-- I came to take you back.

Hannah: It's daddy.
He needs you.

He's sick.

Tell them, tell them you'll go.

We're pulling out.

Sure to be a posse
following them.

Hannah: No, she's coming back.
Tell them.

Do you want Hannah
in the middle of a shoot out?

Now, mount up.

He's right this one time.

Get on your horse.

[intense music]

[music continues]

Come on. I know we can do it.

- Come on.
- No, Hannah, wait.

But we got to.

You can't let him
take us any farther.

We've gotta get back.

Daddy's sick.

- Keep moving.
- A moment, Roy.

I've got to talk to her.

The border's three hours away.

You can talk then.

Oh, don't listen to him.

Daddy'll be worried.

I've been gone so long now.

Hannah, there are certain things

you're still too young
to understand.

I'm not too young.

I know you and daddy
got married.

And when he needs you

no one can be more important.

Hannah, do you want
your mother in danger?

It's your fault, if she is.

I told you, Roy, leave us alone.

Trampas: Hannah!

It's Tramp--

Hannah, you keep quiet.

Come on.

[dramatic music]

Hannah!

Hannah?

[music continues]

Hannah? Whoo.

- Hold it.
- Hannah.

Right there.

Turn around.

Now take off your gun belt.

What's going on?

Lafe: I'll take it.

Hey!

You can't hurt him.

He's Trampas, he's a friend.

Be quiet.

Well, I see
you found her, Hannah.

Now, Mrs. Carson.

Trampas: I made a promise
to your husband

to help Hannah try and find you

and bring her back,
with you, if you'll come.

That's all I care about.

The rest is none of my business

and I'm willing
to leave it there.

- Who is following you?
- Trampas: Nobody.

Posse's headed West,
away from Loma.

You're not gonna
believe that, are you?

Hannah: He's telling the truth.

And Lafe knows it too.

Let him go.

Tell them to let Trampas go.

Roy, if the man is alone...

Tie him up and gag him.
We'll leave him here.

Roy, no.

It might be days
before somebody found him.

He could die.

Go ahead, Lafe.

[dramatic music]

Give me the gun, Carole.

Carole, the gun!

Don't come any closer, Roy.

Hold it right there, Trampas.

Just which way are you gonna
keep pointing that thing?

How 'bout it, Carole?

You heard him, Roy.

He came to take Hannah back

and he's going to do it.

Well, what about us?

Gonna let this cowhand
wreck everything?

Roy: He will,
if he takes us back.

Trampas: You know
I can't do that.

Not alone.

I could never get you there.

Not without putting
Hannah in danger

and I'm not about to do that.

Trampas: Like I said before,

your business has nothing
to do with me.

You can just...

head up that trail
and go to the border

for all I care.

Trampas: Just so that girl's
not hurt.

I think you better do
as he says, Roy.

And what about you?

Roy: You know what'll happen
if you go back, Carole.

Go on, Roy.

You can't go back.

Go on!

Lafe?

You are coming back.

[instrumental music]

Hannah...

if I do come back

do you know
what'll happen to me?

Well, you weren't in
on the robbery.

Only I was.

And...

baby...

even if I weren't...

You were wrong
about Paul needing me.

It's you he needs,
and terribly.

Not me, not anymore.

You may be right

that I broke his heart.

But if I came back,

I'd only break it over again.

Hannah, I'm not
the girl he married.

And I haven't been
for a long time.

When you get married, it says,

"Till death do us part."

Yes, I know it does.

But when you're older,
you will realize

that... other things
can part us too.

Things you sometimes
can't control.

But maybe you'll understand...

even if you can't forgive me.

Hannah...

Uh, I can't come back

because of what I am.

And so, you'll just
have to leave me.

Go on.

I don't want you.

Who cares?

[sobbing]

[sobbing]

Hannah?

Don't tell daddy I cried.

Please, don't tell him.

Now, now.

Anyway...

a woman isn't a woman
until she,

until she cries.

Nah-uh.

Now, uh, you listen.

You wait right here,
you hear me?

Right here.

[instrumental music]

Trampas: Carole?

Carole!

Please go on, Mr. Trampas.

Take her back.
That was hard enough to do.

For who?

Trampas: Mrs. Carson, there's
still something you don't know.

You're husband isn't just sick.

He's dying.

Trampas: The doctor gave him
ten days at the most.

Oh, no.
Does Hannah know that?

No, I'd say something like that,

if the little girl is to know,

it should come from her mother.

Trampas: There's something else,
Mrs. Carson.

When I told your husband
I'd help Hannah find you,

he said Carole's a fine woman.

Trampas: And what happened
between you two was...

was nobody's fault.

And if it wasn't for Hannah,

he-- he'd still let you go.

Trampas: But he didn't.

Because of Hannah,
he took a trip

that may have cut years
out of his life.

Trampas: So Hannah
could find you.

Even if that's true,

I-- I can't go back
because of the money.

Well, uh...maybe that...

that money isn't a problem.

As a matter of fact,

maybe anybody who were to...

bring it back
might be very welcome.

But how on Earth?

Oh, a slight switch while

you and Roy
were welcoming Hannah.

I'm afraid your, uh,

friends are gonna be in
for a small surprise

when they reach Canada.

So, uh, the money
isn't the problem.

That leaves the real problem.

How can I ever be
the mother she deserves?

Trampas: Mrs. Carson, you're
the only mother Hannah's got.

Maybe now, the only parent
she's got.

Trampas: And if your husband
is right,

Hannah is you all over again.

But you can be or do
anything you wanted to.

Starting now.

And nobody can stop you.

[dramatic music]

[Hannah sobbing]

Mother!

- Mother!
- Oh, Hannah.

Oh, poor baby.

Oh, Hannah.

[dramatic music]

Hannah?

Uh... maybe, uh...

Maybe I better go in first
and check.

No, we'll all go in.

Mother told me last night.

Oh. Alright.

It's the doctor.

Doctor, this is my mother,
Mrs. Carson.

How is daddy? I-- is he...

He's alive.

And improved?

I wish I could say that,
Mrs. Carson.

I can't.

Harris: As I told you, he
probably had ten days at most.

I'm still not sure I was wrong.

But you are, you've got to be.

Young lady, I've never
believed in miracles.

But I've known some people
who could make 'em happen.

We'll see.

In any case, I'm glad
you're here, Mrs. Carson.

Is it alright to see him now?

That's better medicine
than I could prescribe.

Well, come on, Trampas.

No, Hannah.

T-- this is strictly
a family matter.

Besides, I gotta be riding on.

You say goodbye
to your father for me.

I-- I guess you know that

sometimes there--
there's no words.

You've said them.

Trampas...

is almost 13 old enough
to be kissed goodbye?

[instrumental music]

Oh.

I'd still say, if you were
only ten years older.

Come and find me
in ten years and...

Or I can find you.

Wherever you are.

- That, I believe.
- Oh.

Go on.

- Bye.
- Bye-bye.

[instrumental music]

[theme music]

[music continues]