All language subtitles for Get Back - 3

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:36,182 --> 00:00:39,310 [George] ♪ I once knew a beautiful girl ♪ 2 00:00:39,394 --> 00:00:40,395 {\an8}[Mal] Go on. 3 00:00:40,479 --> 00:00:43,315 {\an8}♪ She had long blonde hair and a curl ♪ 4 00:00:43,398 --> 00:00:44,399 [Mal] A curl? 5 00:00:44,483 --> 00:00:48,153 ♪ She looked after me And I looked before her ♪ 6 00:00:48,237 --> 00:00:50,906 ♪ At that time, we hadn't a care ♪ 7 00:00:51,406 --> 00:00:52,742 [Mal] A care? [laughing] 8 00:00:52,825 --> 00:00:55,578 ♪ As time turned my head and my mind ♪ 9 00:00:56,954 --> 00:00:59,832 ♪ The pleasure seemed harder to find ♪ 10 00:01:01,000 --> 00:01:02,835 ♪ By then, it was such ♪ 11 00:01:02,919 --> 00:01:04,921 ♪ That I knew far too much ♪ 12 00:01:05,005 --> 00:01:08,091 ♪ Now I stay home and slowly unwind ♪ 13 00:01:10,802 --> 00:01:12,638 [Ringo] Didn't you get to bed last night, Glyn? 14 00:01:12,721 --> 00:01:15,432 {\an8}Sorry. You just look this morning like you didn't go at all. 15 00:01:15,516 --> 00:01:16,725 {\an8}[Glyn laughs] 16 00:01:16,808 --> 00:01:19,728 {\an8}- [Ringo] Have you heard the "Octopus" one? - [George] No. 17 00:01:19,811 --> 00:01:21,814 ["Octopus's Garden" playing] 18 00:01:23,858 --> 00:01:25,818 You learned A minor, then? 19 00:01:25,902 --> 00:01:30,156 ♪ I'd like to be underneath the sea ♪ 20 00:01:30,239 --> 00:01:32,617 ♪ In an octopus's garden ♪ 21 00:01:32,700 --> 00:01:33,910 ♪ In the shade ♪ 22 00:01:33,993 --> 00:01:36,121 [chuckling] 23 00:01:36,204 --> 00:01:37,622 ♪ It would be nice ♪ 24 00:01:38,957 --> 00:01:40,709 ♪ In paradise ♪ 25 00:01:40,793 --> 00:01:43,128 ♪ In an octopus's garden ♪ 26 00:01:43,211 --> 00:01:44,296 ♪ In the shade ♪ 27 00:01:45,589 --> 00:01:46,757 That's all I've got. 28 00:01:46,840 --> 00:01:48,676 [all laughing] 29 00:01:50,344 --> 00:01:51,637 [clears throat] 30 00:01:51,720 --> 00:01:54,182 {\an8}After the two times, the second time… 31 00:01:54,265 --> 00:01:56,142 {\an8}[vocalizing] 32 00:01:59,103 --> 00:02:03,567 ♪ In an octopus's garden in the shade ♪ 33 00:02:03,650 --> 00:02:06,778 Then to get to the G one, a bit, uh… 34 00:02:06,861 --> 00:02:09,031 Let's go from the beginning. 35 00:02:09,114 --> 00:02:10,407 - From the beginning. - Right. 36 00:02:16,581 --> 00:02:19,124 ♪ In an octopus's garden ♪ 37 00:02:19,208 --> 00:02:20,376 ♪ In the shade ♪ 38 00:02:23,546 --> 00:02:25,006 {\an8}♪ It would be nice ♪ 39 00:02:26,257 --> 00:02:27,843 ♪ Paradise ♪ 40 00:02:27,926 --> 00:02:28,927 ♪ In an oc-- ♪ 41 00:02:29,010 --> 00:02:30,386 Then stay on F. 42 00:02:30,470 --> 00:02:32,305 ♪ In the shade ♪ 43 00:02:32,388 --> 00:02:33,890 Then that, then this, uh… 44 00:02:33,974 --> 00:02:34,975 What one's that? 45 00:02:35,058 --> 00:02:36,435 [vocalizing] 46 00:02:36,518 --> 00:02:38,187 Uh-- [vocalizes] 47 00:02:38,270 --> 00:02:42,274 ♪ In an octopus's garden in the shade… ♪ 48 00:02:44,902 --> 00:02:47,905 [vocalizes] 49 00:02:53,870 --> 00:02:56,873 [vocalizing continues] 50 00:02:57,790 --> 00:03:00,710 Just, I mean, something to sort of get back to where you-- 51 00:03:00,794 --> 00:03:01,795 Where we started. 52 00:03:01,879 --> 00:03:03,881 ♪ Wouldn't it be nice ♪ 53 00:03:05,465 --> 00:03:07,175 ♪ Paradise ♪ 54 00:03:07,259 --> 00:03:10,971 ♪ In an octopus's garden in the shade ♪ 55 00:03:11,054 --> 00:03:12,973 - It's a little bit-- - [George clears throat] 56 00:03:13,641 --> 00:03:16,352 [vocalizing] 57 00:03:18,229 --> 00:03:21,232 [vocalizing continues] 58 00:03:24,569 --> 00:03:27,239 ♪ So wouldn't it be nice ♪ 59 00:03:27,906 --> 00:03:28,907 [vocalizing] 60 00:03:28,990 --> 00:03:30,200 ♪ Paradise ♪ 61 00:03:30,284 --> 00:03:34,204 ♪ In an octopus's garden By the shade ♪ 62 00:03:34,288 --> 00:03:35,915 - So it resolves itself. - Yeah. 63 00:03:36,623 --> 00:03:38,709 Well, I'll have to put words in that bit, then. 64 00:03:38,793 --> 00:03:40,210 ♪ In the shade ♪ 65 00:03:42,422 --> 00:03:44,089 ♪ It would be nice ♪ 66 00:03:44,174 --> 00:03:45,341 [vocalizing] 67 00:03:45,425 --> 00:03:47,218 ♪ Paradise ♪ 68 00:03:47,302 --> 00:03:51,181 ♪ In an octopus's garden in the shade ♪ 69 00:03:52,974 --> 00:03:54,184 [chattering] 70 00:03:54,267 --> 00:03:55,435 ♪ Wouldn't it be nice ♪ 71 00:03:56,853 --> 00:03:58,104 ♪ Paradise ♪ 72 00:04:01,650 --> 00:04:03,319 - [John] Oh, drums, right. - [Yoko chuckles] 73 00:04:03,402 --> 00:04:07,156 [John] I think Paul would wanna do drums, wouldn't he? With his strong left arm. 74 00:04:07,239 --> 00:04:09,325 I'm not getting on that kit without a ciggy. 75 00:04:09,408 --> 00:04:10,660 [all laughing] 76 00:04:10,743 --> 00:04:12,745 ["Octopus's Garden" playing] 77 00:04:19,086 --> 00:04:20,753 I've never been up here before. 78 00:04:22,589 --> 00:04:24,091 ♪ I'd like to be ♪ 79 00:04:25,050 --> 00:04:26,969 ♪ Underneath the sea ♪ 80 00:04:27,052 --> 00:04:29,805 ♪ In an octopus's garden By the shade ♪ 81 00:04:29,888 --> 00:04:31,349 Very strong one. 82 00:04:31,932 --> 00:04:33,476 - Okay! - [plays drums] 83 00:04:35,769 --> 00:04:39,190 - [Heather] I'm a tame tiger. Meow. - I'm cool with that. 84 00:04:43,069 --> 00:04:45,071 {\an8}- Are you going to eat them? - No! 85 00:04:45,154 --> 00:04:46,656 {\an8}[John] Lots of people do, you know. 86 00:04:49,826 --> 00:04:51,077 [Paul] On toast? 87 00:04:51,161 --> 00:04:53,580 [John] You put pastry around them, and you have cat pie. 88 00:04:56,166 --> 00:04:58,335 {\an8}[John] You better wait a week or two before you eat them. 89 00:04:59,461 --> 00:05:01,380 {\an8}- [John] That's very good. - [Ringo] We'll put on the meat. 90 00:05:05,676 --> 00:05:08,179 [John] Oh, you don't eat them if they have black spots. 91 00:05:10,723 --> 00:05:12,976 [John] You don't eat them if they're like tigers, either. 92 00:05:16,437 --> 00:05:20,859 [Heather] And anyway, I'm just a pussycat that was just born. 93 00:05:21,610 --> 00:05:22,611 [chattering] 94 00:05:27,658 --> 00:05:29,160 ["Let It Be" playing] 95 00:05:29,243 --> 00:05:31,078 ♪ Oh, let it be ♪ 96 00:05:31,162 --> 00:05:32,246 ♪ Let it be ♪ 97 00:05:32,830 --> 00:05:36,000 ♪ Let it be Let it be ♪ 98 00:05:37,126 --> 00:05:40,046 ♪ Whisper words of wisdom ♪ 99 00:05:40,129 --> 00:05:42,965 ♪ Let it be ♪ 100 00:05:43,050 --> 00:05:44,801 ♪ Yeah, let it be ♪ 101 00:05:44,885 --> 00:05:48,138 ♪ Let it be Let it be ♪ 102 00:05:48,221 --> 00:05:49,597 ♪ Let it be ♪ 103 00:05:51,224 --> 00:05:55,854 {\an8}♪ There will be an answer Let it be, yeah ♪ 104 00:05:56,980 --> 00:05:58,149 ♪ Let it be ♪ 105 00:05:58,232 --> 00:06:00,193 [vocalizing] 106 00:06:06,074 --> 00:06:09,160 ♪ There will be an answer Let it… ♪ 107 00:06:09,243 --> 00:06:10,286 [George] Kevin? 108 00:06:10,370 --> 00:06:13,248 What was the… Do that old gospel ending. 109 00:06:13,332 --> 00:06:16,168 - Sunday morning. Sunday morning. Church. - Sunday morning. Definitely, yeah. 110 00:06:16,251 --> 00:06:19,588 - And we'll all kneel as we do it. - We can do a gospel ending that Elvis did. 111 00:06:20,172 --> 00:06:22,007 ♪ Be-e-e ♪ 112 00:06:22,091 --> 00:06:23,092 [Paul] Yeah. 113 00:06:23,175 --> 00:06:24,760 We all was gonna do it. 114 00:06:24,844 --> 00:06:27,012 - We did it just fine. It was just that… - Yeah. 115 00:06:28,764 --> 00:06:30,433 [laughs] 116 00:06:30,516 --> 00:06:33,686 ["Let It Be" playing] 117 00:06:41,361 --> 00:06:44,865 ♪ Let it be, let it be ♪ 118 00:06:44,948 --> 00:06:48,119 ♪ Let it be, let it be ♪ 119 00:06:48,952 --> 00:06:51,663 ♪ There will be an answer ♪ 120 00:06:51,747 --> 00:06:54,500 ♪ Let it be ♪ 121 00:06:57,754 --> 00:06:58,880 I'll tell you one thing. 122 00:06:59,464 --> 00:07:01,341 Do it lighter. Don't do sort of-- 123 00:07:01,424 --> 00:07:03,468 [imitates rapid drumming] 124 00:07:03,551 --> 00:07:05,428 Do it more-- [imitates slow drumming] 125 00:07:05,512 --> 00:07:07,597 [George] ♪ Somewhere in the Himalayas ♪ 126 00:07:07,680 --> 00:07:09,808 [Paul] And so a bit lighter offbeat, and maybe… 127 00:07:09,892 --> 00:07:11,601 [George] ♪ Lives a man called Babaji ♪ 128 00:07:11,685 --> 00:07:14,021 ♪ Singing words of wisdom ♪ 129 00:07:14,104 --> 00:07:16,982 ♪ Let it be ♪ 130 00:07:18,191 --> 00:07:19,443 ♪ Somewhere out in Weybridge ♪ 131 00:07:19,527 --> 00:07:22,363 Keep it light. So it's not going heavy again. 132 00:07:22,446 --> 00:07:24,823 ♪ Lives the cat whose name is Babaji ♪ 133 00:07:24,908 --> 00:07:27,827 ♪ Singing words of wisdom ♪ 134 00:07:27,911 --> 00:07:31,372 ♪ Let it be, H, I, J, K ♪ 135 00:07:31,456 --> 00:07:33,958 I don't know what you are saying. 136 00:07:34,918 --> 00:07:36,170 Uh… 137 00:07:36,253 --> 00:07:37,754 Hello. [giggles] 138 00:07:37,837 --> 00:07:40,257 Is anybody… [giggles] 139 00:07:40,340 --> 00:07:43,260 Let me sing. Hello. Is anybody home? 140 00:07:52,437 --> 00:07:56,857 ♪ Aah ♪ 141 00:08:00,361 --> 00:08:02,488 [no audible dialogue] 142 00:08:04,700 --> 00:08:07,536 ♪ I did it again You got me again ♪ 143 00:08:07,619 --> 00:08:08,995 ♪ In love with me ♪ 144 00:08:14,710 --> 00:08:17,046 {\an8}[no audible dialogue] 145 00:08:20,341 --> 00:08:22,051 [vocalizing] 146 00:08:22,134 --> 00:08:23,428 Hi. 147 00:08:23,511 --> 00:08:25,305 - [vocalizing] - [Heather] Aah! 148 00:08:30,477 --> 00:08:32,645 [Heather] ♪ Aah ♪ 149 00:08:32,729 --> 00:08:33,814 Yoko! 150 00:08:35,232 --> 00:08:39,695 [Heather] ♪ Aah ♪ 151 00:08:40,363 --> 00:08:42,656 ♪ Aah ♪ 152 00:08:45,201 --> 00:08:46,785 ♪ Come on, Heather ♪ 153 00:08:46,869 --> 00:08:49,789 [Heather] ♪ Aah ♪ 154 00:08:49,873 --> 00:08:51,499 [John] ♪ Yeah, yeah, yeah ♪ 155 00:08:51,582 --> 00:08:54,753 [Heather] ♪ Aah ♪ 156 00:08:54,836 --> 00:08:57,422 [John] ♪ Shake it up, baby, now ♪ 157 00:08:57,506 --> 00:08:59,633 ♪ Shake it up, baby, now ♪ 158 00:08:59,716 --> 00:09:02,136 ♪ Twist and shout ♪ 159 00:09:02,219 --> 00:09:04,638 ♪ Twist and shout ♪ 160 00:09:04,721 --> 00:09:07,057 ♪ Come on, twist and shout now ♪ 161 00:09:07,141 --> 00:09:08,851 - ♪ Come on ♪ - ♪ Aah… ♪ 162 00:09:08,934 --> 00:09:11,311 {\an8}♪ Come on and work it on out ♪ 163 00:09:11,395 --> 00:09:13,398 {\an8}♪ Come on and work it on out ♪ 164 00:09:14,732 --> 00:09:16,066 ♪ Well, can you dig it? ♪ 165 00:09:16,151 --> 00:09:17,235 [Heather] ♪ Aah ♪ 166 00:09:17,318 --> 00:09:21,322 ♪ Can you dig it? Yeah, dig it ♪ 167 00:09:21,406 --> 00:09:23,825 ♪ I like how you dig it ♪ 168 00:09:23,909 --> 00:09:25,994 ♪ Yeah, so dig it ♪ 169 00:09:26,662 --> 00:09:28,955 ♪ You can get it if you want it ♪ 170 00:09:29,039 --> 00:09:32,459 ♪ And if you want it you can get it So come on ♪ 171 00:09:34,002 --> 00:09:36,172 [Paul] ♪ If you want it You can dig it, oh ♪ 172 00:09:36,255 --> 00:09:37,256 ♪ Come on ♪ 173 00:09:37,339 --> 00:09:40,426 [Paul] ♪ Dig it up, dig it up, dig it up ♪ 174 00:09:40,509 --> 00:09:42,469 [John] ♪ For Christ's sake, come on! ♪ 175 00:09:42,554 --> 00:09:44,764 [Paul] ♪ Dig it up, dig it up ♪ 176 00:09:44,847 --> 00:09:46,140 ♪ Dig it up ♪ 177 00:09:46,223 --> 00:09:48,268 [John, Paul] ♪ Dig it up, dig it up ♪ 178 00:09:48,351 --> 00:09:50,645 ♪ Dig it up, dig it up ♪ 179 00:09:50,728 --> 00:09:52,772 [John] ♪ Oh, you dig it up again ♪ 180 00:09:52,855 --> 00:09:56,109 - [Paul] ♪ If you want it you can dig it ♪ - [John] ♪ Like a rolling stone ♪ 181 00:09:56,193 --> 00:09:58,070 {\an8}[Paul] ♪ Dig it, dig it ♪ 182 00:09:58,153 --> 00:10:00,280 {\an8}♪ Like the FBI ♪ 183 00:10:01,156 --> 00:10:02,908 {\an8}♪ Dig it, dig it ♪ 184 00:10:02,991 --> 00:10:05,160 ♪ And the CIA ♪ 185 00:10:07,371 --> 00:10:09,832 ♪ And the BBC ♪ 186 00:10:12,668 --> 00:10:14,045 ♪ B.B. King ♪ 187 00:10:16,297 --> 00:10:17,799 ♪ And Doris Day ♪ 188 00:10:20,844 --> 00:10:22,804 ♪ Matt Busby ♪ 189 00:10:22,887 --> 00:10:27,101 ♪ Dig it, dig it, dig it, dig it ♪ 190 00:10:27,184 --> 00:10:29,228 ♪ If you want it you can dig it ♪ 191 00:10:29,311 --> 00:10:31,647 ♪ If you want it you can dig it up ♪ 192 00:10:31,731 --> 00:10:33,858 ♪ If you want it you can dig it ♪ 193 00:10:33,941 --> 00:10:37,570 ♪ If you want it you can dig it up ♪ 194 00:10:41,199 --> 00:10:42,700 Yeah! 195 00:10:46,329 --> 00:10:47,330 [song ends] 196 00:10:47,413 --> 00:10:48,414 [John] Oh, sorry. 197 00:10:49,124 --> 00:10:50,291 ♪ Oh ♪ 198 00:10:50,375 --> 00:10:51,918 [George Martin] Come on, let it be. 199 00:10:58,884 --> 00:11:00,261 What ones haven't you done yet? 200 00:11:00,344 --> 00:11:02,221 A little thing that goes something like this. 201 00:11:02,304 --> 00:11:03,973 ♪ It's one for the money ♪ 202 00:11:04,766 --> 00:11:06,768 [John, Paul] ♪ Two for the show ♪ 203 00:11:06,851 --> 00:11:09,354 ♪ Three to get ready Now go, cat, go ♪ 204 00:11:09,437 --> 00:11:13,441 ♪ Well, don't you Step on my blue suede shoes ♪ 205 00:11:15,027 --> 00:11:19,447 {\an8}♪ You can do anything But lay off them blue suede shoes ♪ 206 00:11:21,324 --> 00:11:23,076 ♪ Well, you can knock me down ♪ 207 00:11:23,160 --> 00:11:24,703 ♪ Step on my face ♪ 208 00:11:24,787 --> 00:11:27,831 ♪ Slander my name All over the place ♪ 209 00:11:27,915 --> 00:11:30,668 ♪ Do anything that you want to do ♪ 210 00:11:30,751 --> 00:11:33,504 ♪ Uh-uh, honey Lay off of them shoes ♪ 211 00:11:33,587 --> 00:11:35,006 ♪ But don't you ♪ 212 00:11:36,549 --> 00:11:39,761 [fast piano playing] 213 00:11:45,600 --> 00:11:48,395 ♪ One-eyed cat Peepin' in a seafood store ♪ 214 00:11:50,314 --> 00:11:54,234 {\an8}♪ I'm like a one-eyed cat Peepin' in a seafood store ♪ 215 00:11:56,236 --> 00:11:59,449 ♪ And I'll do anything Till you don't love me no more ♪ 216 00:12:01,158 --> 00:12:03,078 ♪ I said, shake, rattle and roll ♪ 217 00:12:03,911 --> 00:12:06,372 ♪ I said, shake, rattle and roll ♪ 218 00:12:06,456 --> 00:12:09,250 ♪ I said, shake, rattle and roll ♪ 219 00:12:09,334 --> 00:12:11,837 ♪ I said, shake, rattle and roll ♪ 220 00:12:12,337 --> 00:12:15,632 ♪ You never do a thing To save your doggone soul ♪ 221 00:12:22,223 --> 00:12:23,557 [song ends] 222 00:12:23,640 --> 00:12:25,226 [Paul] ♪ A long, long time ago ♪ 223 00:12:27,186 --> 00:12:29,105 ♪ Don't leave me standing here ♪ 224 00:12:30,064 --> 00:12:31,483 ♪ Lead me to your door ♪ 225 00:12:32,191 --> 00:12:34,611 {\an8}[George vocalizing] 226 00:12:34,694 --> 00:12:36,488 [guitar strumming] 227 00:12:39,032 --> 00:12:40,158 - [George vocalizes] - No. No. 228 00:12:40,242 --> 00:12:42,369 No, see, you've gotta wait a lot longer than that. 229 00:12:42,452 --> 00:12:45,247 [vocalizing] 230 00:13:03,642 --> 00:13:04,934 [shutter clicks] 231 00:13:05,018 --> 00:13:09,439 [Paul] ♪ The long and winding road ♪ 232 00:13:10,690 --> 00:13:16,530 ♪ That leads to your door ♪ 233 00:13:19,659 --> 00:13:23,246 ♪ Will never disappear ♪ 234 00:13:27,000 --> 00:13:31,171 ♪ I've seen that road before ♪ 235 00:13:34,299 --> 00:13:37,761 ♪ Don't-- It always leads me here ♪ 236 00:13:37,844 --> 00:13:40,013 - [John] You done left me. - You done left me. 237 00:13:40,096 --> 00:13:45,269 ♪ Now lead me to your door ♪ 238 00:13:47,146 --> 00:13:51,108 ♪ The wild and windy night ♪ 239 00:13:53,027 --> 00:13:58,783 ♪ The rain washed away ♪ 240 00:14:03,455 --> 00:14:06,709 ♪ La, la, la, la, la, la ♪ 241 00:14:06,792 --> 00:14:09,044 There wouldn't be much drumming, would there? 242 00:14:10,463 --> 00:14:12,047 Go around a bit, you know? 243 00:14:12,130 --> 00:14:13,131 [John] What? 244 00:14:13,674 --> 00:14:16,052 [Paul] It sounds a bit like a sort of dance orchestra. 245 00:14:16,970 --> 00:14:19,097 And the slow foxtrot… [chuckles] 246 00:14:19,180 --> 00:14:21,599 Like Rita and Thomas Williams. 247 00:14:21,683 --> 00:14:23,017 [George Martin, indistinct] 248 00:14:23,101 --> 00:14:25,979 Rita is wearing a dark sombrero and a beard. 249 00:14:26,062 --> 00:14:27,564 {\an8}[George Martin] The chord there. I mean-- 250 00:14:30,108 --> 00:14:33,070 Her husband is wearing a crinoline skirt which he made himself. 251 00:14:33,153 --> 00:14:35,655 [George Martin, indistinct] 252 00:14:35,739 --> 00:14:37,324 [indistinct] 253 00:14:51,797 --> 00:14:53,299 [Ringo] Still no idea where I come in. 254 00:14:53,383 --> 00:14:56,177 - [John] Off the top of your head. - [Paul] John, yours doesn't sound as much… 255 00:14:56,762 --> 00:14:58,429 It sounds like you're doing too many notes. 256 00:14:58,514 --> 00:15:01,266 - Yeah, all right. Well, it just gets-- - [Paul] It's too, sort of, regular. 257 00:15:01,933 --> 00:15:06,063 ♪ Dum, dum, dum ♪ 258 00:15:06,688 --> 00:15:08,190 But you're doing… 259 00:15:08,274 --> 00:15:10,692 ♪ Dum, dum… ♪ 260 00:15:10,777 --> 00:15:11,986 I've been going… 261 00:15:12,069 --> 00:15:13,279 ♪ Dum, dum ♪ 262 00:15:13,362 --> 00:15:15,156 - You just want the one? - Don't do that. 263 00:15:15,239 --> 00:15:17,659 No, but I mean, don't do any note there. Just go… 264 00:15:17,742 --> 00:15:18,826 ♪ Dum ♪ 265 00:15:18,910 --> 00:15:22,164 ♪ Dum, dum ♪ 266 00:15:22,247 --> 00:15:23,456 [George humming] 267 00:15:23,540 --> 00:15:24,541 ♪ Dum ♪ 268 00:15:24,624 --> 00:15:26,543 That's what I'm really doing. I've been going-- 269 00:15:27,127 --> 00:15:28,586 ♪ Dum ♪ 270 00:15:30,255 --> 00:15:31,256 Hello? 271 00:15:35,052 --> 00:15:37,596 [George vocalizing to "The Long And Winding Road"] 272 00:15:37,680 --> 00:15:38,681 [John] Great! 273 00:15:38,764 --> 00:15:40,558 [all laughing] 274 00:15:42,101 --> 00:15:46,272 - [vocalizing continues] - [all laughing] 275 00:15:48,983 --> 00:15:52,404 [vocalizing] 276 00:15:52,487 --> 00:15:53,863 [George] Amazing. 277 00:15:56,325 --> 00:15:57,910 [muffled nasal vocalizing] 278 00:15:57,993 --> 00:15:58,994 [laughs] 279 00:16:16,179 --> 00:16:19,808 ♪ The long and winding road ♪ 280 00:16:21,392 --> 00:16:24,521 ♪ Yes, Glyn Johns? ♪ 281 00:16:25,564 --> 00:16:26,565 ♪ What do you want? ♪ 282 00:16:30,361 --> 00:16:31,362 Okay. 283 00:16:33,364 --> 00:16:34,531 [Glyn] One. 284 00:16:35,617 --> 00:16:40,121 [Paul] ♪ The long and winding road ♪ 285 00:16:41,247 --> 00:16:47,462 ♪ That leads to your door ♪ 286 00:16:50,799 --> 00:16:54,803 {\an8}♪ Will never disappear ♪ 287 00:16:57,765 --> 00:17:02,603 ♪ I've seen that road before ♪ 288 00:17:02,686 --> 00:17:04,939 - [chattering] - [laughter] 289 00:17:05,023 --> 00:17:09,778 [Paul] ♪ It always leads me here ♪ 290 00:17:12,406 --> 00:17:17,202 ♪ Lead me to your door ♪ 291 00:17:17,286 --> 00:17:20,664 When it's mixed, as it is, I'm sure with a mix on it, it'll be all right. 292 00:17:20,747 --> 00:17:21,874 I know what-- 293 00:17:32,009 --> 00:17:33,969 Paul, are you gonna have strings? 294 00:17:41,394 --> 00:17:42,979 - [Paul] Yeah. - [George] Well, it's like-- 295 00:17:43,063 --> 00:17:44,064 Ooh! 296 00:17:44,147 --> 00:17:45,148 Yeah, there's parts-- 297 00:17:45,231 --> 00:17:48,360 There's only parts where you can hear the electric piano properly, 298 00:17:48,444 --> 00:17:50,154 - or the piano properly. - [Paul] Yes. 299 00:17:50,237 --> 00:17:53,032 {\an8}Most of the time, you know, like, they mix together. 300 00:17:58,871 --> 00:18:01,499 [Paul] Yeah. I think it needs, like, a lot of, uh… 301 00:18:01,583 --> 00:18:03,460 - [Ringo] Cleaning. - Cleaning, yeah. 302 00:18:04,836 --> 00:18:07,004 [George Martin] Actually, the thing is, it's a nice feel to it, 303 00:18:07,089 --> 00:18:09,007 but it's rather like everything else we've done. 304 00:18:09,091 --> 00:18:10,633 And this particular song doesn't need that. 305 00:18:12,552 --> 00:18:15,848 See, the only way I've ever heard it is, like, in my head, 306 00:18:15,931 --> 00:18:18,767 - is, like, Ray Charles's band. - [Heather] I'm supposed to marry you. 307 00:18:18,851 --> 00:18:20,894 And I don't-- I haven't really even listened to them. 308 00:18:20,978 --> 00:18:25,233 [George] It would be nice with some brass just doing the sustaining chord thing. 309 00:18:25,316 --> 00:18:27,318 - [Paul] Yeah. - [hums chord] 310 00:18:27,401 --> 00:18:30,989 - [Glyn] Yeah. - Moving and just holding notes. 311 00:18:33,492 --> 00:18:35,535 - Yeah. We probably, yeah-- - [Glyn] If I pull yours up… 312 00:18:35,619 --> 00:18:38,413 We were planning to do it anyway for a couple of numbers, 313 00:18:38,497 --> 00:18:40,665 just to have a bit of brass and bit of strings. 314 00:18:40,749 --> 00:18:42,209 That's what George was saying before. 315 00:18:42,292 --> 00:18:44,169 That's the bit where The Raelettes'd sing it. 316 00:18:44,253 --> 00:18:48,633 {\an8}♪ The long and winding road ♪ 317 00:18:49,174 --> 00:18:54,597 ♪ That leads me to your door ♪ 318 00:18:55,806 --> 00:18:58,684 Great. Sorry, man. Oh, that's nice. 319 00:18:59,185 --> 00:19:00,770 That's nice of what? 320 00:19:00,854 --> 00:19:02,022 It's nice of you. 321 00:19:02,773 --> 00:19:04,524 - For what? - Very nice of you. 322 00:19:04,608 --> 00:19:06,610 - For what? - Just to come here. 323 00:19:07,528 --> 00:19:08,529 We're going home. 324 00:19:08,612 --> 00:19:10,113 - When? - Now. 325 00:19:10,656 --> 00:19:11,657 No. 326 00:19:11,740 --> 00:19:13,033 [chuckles] 327 00:19:13,117 --> 00:19:14,826 Am I gonna eat now? I'm going back. 328 00:19:14,910 --> 00:19:17,621 She's so worried now. "I gotta eat for three hours, 329 00:19:18,205 --> 00:19:20,124 then maybe go to bed around 1:00." 330 00:19:21,500 --> 00:19:24,045 You're just going back in your box. That's where you're going. 331 00:19:24,128 --> 00:19:26,339 - [all laughing] - Don't tell. Don't tell. 332 00:19:26,423 --> 00:19:28,716 Aren't I gonna have anything to eat? 333 00:19:28,800 --> 00:19:30,718 Hey, I've got a present for you. 334 00:19:30,802 --> 00:19:33,055 - See you tomorrow. - [Heather] Bye. 335 00:19:33,138 --> 00:19:35,682 {\an8}- [Heather] Aren't you going, George? - [Paul] I said yes, George. 336 00:19:35,766 --> 00:19:38,393 {\an8}[John, Paul] ♪ I said shake, rattle and roll ♪ 337 00:19:38,476 --> 00:19:41,188 ♪ I said shake, rattle and roll ♪ 338 00:19:41,271 --> 00:19:43,899 ♪ I said shake, rattle and roll ♪ 339 00:19:43,982 --> 00:19:48,446 {\an8}♪ You never do a thing To save your doggone soul ♪ 340 00:19:49,697 --> 00:19:53,284 [fast piano playing] 341 00:19:53,367 --> 00:19:55,369 [no audible dialogue] 342 00:19:57,831 --> 00:20:01,125 ♪ One-eyed cat Peepin' in a seafood store ♪ 343 00:20:02,836 --> 00:20:06,631 ♪ I'm like a one-eyed cat Peepin' in a seafood store ♪ 344 00:20:08,383 --> 00:20:12,680 - [John] ♪ I do believe… ♪ - I never done, done before ♪ 345 00:20:14,181 --> 00:20:15,391 ♪ Goin' to Kansas City ♪ 346 00:20:17,977 --> 00:20:19,729 [Paul] ♪ I might take a boat ♪ 347 00:20:19,812 --> 00:20:21,647 {\an8}I might take a train ♪ 348 00:20:21,731 --> 00:20:25,235 {\an8}♪ And if I have to walk I'm gonna get there just the same ♪ 349 00:20:25,318 --> 00:20:26,486 ♪ Going to Kansas City ♪ 350 00:20:32,158 --> 00:20:35,162 [Paul] ♪ Oh, Miss Ann ♪ 351 00:20:36,122 --> 00:20:38,374 {\an8}♪ You're doing something no one can ♪ 352 00:20:39,083 --> 00:20:43,838 {\an8}♪ Because believing and deceiving Driving me to leave you now ♪ 353 00:20:44,421 --> 00:20:47,967 ♪ You can knock me down Step on my face ♪ 354 00:20:48,050 --> 00:20:50,803 ♪ Slander my name all over the place ♪ 355 00:20:50,887 --> 00:20:53,556 ♪ Do anything that you wanna do ♪ 356 00:20:54,141 --> 00:20:56,809 ♪ Uh-uh, honey Lay off of them shoes ♪ 357 00:20:56,894 --> 00:21:00,731 ♪ But don't you Step on my blue suede shoes ♪ 358 00:21:02,691 --> 00:21:06,612 ♪ Well, you can do anything But lay off them blue suede shoes ♪ 359 00:21:16,873 --> 00:21:19,375 - [song ends] - [chattering] 360 00:21:19,459 --> 00:21:21,127 I don't know. You didn't get the other one? 361 00:21:21,210 --> 00:21:22,211 - [Glyn] No. - [George] No. 362 00:21:22,296 --> 00:21:24,464 - Well, we'll remember that another day. - [Michael] Yeah. 363 00:21:24,548 --> 00:21:26,800 [John] I'm just so high when I get in at night. 364 00:21:28,260 --> 00:21:29,261 {\an8}[John] I couldn't sleep. 365 00:21:38,688 --> 00:21:39,772 {\an8}[Paul] Tea or toast. 366 00:21:54,580 --> 00:21:56,540 [laughter] 367 00:22:00,086 --> 00:22:01,837 - [Paul] Yeah. - [piano playing] 368 00:22:01,921 --> 00:22:05,341 What's this chord, Billy? E with a C? 369 00:22:05,424 --> 00:22:07,343 [Billy] Yeah. Just loading the E. 370 00:22:08,094 --> 00:22:09,471 - [George] Yeah. That's like E7. - Yeah. 371 00:22:09,554 --> 00:22:11,055 This one. 372 00:22:11,931 --> 00:22:14,267 - Yeah. Um, E with a raised… - [both chuckle] 373 00:22:15,810 --> 00:22:17,687 E with a C. E. 374 00:22:18,438 --> 00:22:21,233 - Yeah, E with a C. - E with a C. What's that? 375 00:22:21,817 --> 00:22:22,818 [laughs] 376 00:22:23,568 --> 00:22:26,071 I've had an E with an F, which is pretty good. 377 00:22:26,154 --> 00:22:27,155 [chuckles] 378 00:22:28,866 --> 00:22:30,284 [playing chords] 379 00:22:30,368 --> 00:22:34,080 [George] ♪ And now I'm stepping out This old brown shoe ♪ 380 00:22:35,081 --> 00:22:37,166 ♪ And, baby, I'm in love with you ♪ 381 00:22:37,250 --> 00:22:39,836 ♪ And I'm so, so glad you came here ♪ 382 00:22:41,796 --> 00:22:43,965 {\an8}♪ And, baby, I'm in love with you ♪ 383 00:22:44,048 --> 00:22:47,469 {\an8}♪ And I'm so glad you came here It won't be the same here ♪ 384 00:22:47,552 --> 00:22:48,887 ♪ I'm telling you ♪ 385 00:22:55,811 --> 00:23:00,483 ♪ You know you hold me up From where some try to drag me down ♪ 386 00:23:05,655 --> 00:23:07,157 What's this chord then, Billy? 387 00:23:09,868 --> 00:23:14,164 - It's F, but raising the F to F sharp. - [Billy] Yeah. F sharp. Diminished. 388 00:23:14,247 --> 00:23:17,418 [George] And then F with that, like the 7th. 389 00:23:18,627 --> 00:23:21,213 It's great on piano 'cause I don't know anything about it. 390 00:23:21,297 --> 00:23:22,131 [Billy] Yeah. 391 00:23:22,214 --> 00:23:25,676 But it's great, because I wouldn't have been able to do that on the guitar. 392 00:23:40,400 --> 00:23:42,903 [scatting] 393 00:24:01,673 --> 00:24:03,507 [scatting] 394 00:24:14,769 --> 00:24:15,770 [song ends] 395 00:24:15,855 --> 00:24:19,149 - [George] Yeah, sorry, that bit comes… - It does work, the bit-- 396 00:24:19,233 --> 00:24:20,860 - [George] But it-- - In the bit before that bit. 397 00:24:20,943 --> 00:24:24,947 [George] Yeah, but then it's, uh-- Then it stays too long on the other one. 398 00:24:25,030 --> 00:24:29,035 - But it's like a natural on there. - [Paul] Yeah. Well, you don't know… 399 00:24:29,119 --> 00:24:31,371 [scatting] 400 00:24:31,454 --> 00:24:34,415 ♪ Wearing rings on every finger ♪ 401 00:24:34,499 --> 00:24:38,294 ♪ Not worrying what they or you say ♪ 402 00:24:38,378 --> 00:24:41,590 ♪ I'll live and love and maybe some day ♪ 403 00:24:41,673 --> 00:24:46,262 ♪ Who knows, baby You will comfort me ♪ 404 00:24:50,432 --> 00:24:52,268 [scatting] 405 00:25:02,195 --> 00:25:05,032 - Pianos are very difficult, aren't they? - [Billy laughs] 406 00:25:05,115 --> 00:25:09,620 [Paul] ♪ There will be the answer Let it be ♪ 407 00:25:10,788 --> 00:25:13,749 - ♪ Let it be, let it be ♪ - ♪ Ooh ♪ 408 00:25:13,832 --> 00:25:16,084 - ♪ Let it be, let it be ♪ - [George] ♪ Ooh ♪ 409 00:25:16,169 --> 00:25:18,087 - [microphone feedback] - [Ringo] Mal? Mal? 410 00:25:18,171 --> 00:25:19,797 The drums are on PA anyway. 411 00:25:19,880 --> 00:25:21,507 [George Martin] When we connect it, I could hear Ringo. 412 00:25:21,590 --> 00:25:23,092 [John] The drums are on PA! 413 00:25:23,592 --> 00:25:26,220 - It's not my idea of a personal assistant. - [Paul] No. 414 00:25:26,304 --> 00:25:29,933 - ♪ Let it be, let it be ♪ - ♪ Ooh ♪ 415 00:25:30,016 --> 00:25:33,019 - ♪ Let it be, let it be ♪ - ♪ Ooh ♪ 416 00:25:41,236 --> 00:25:45,240 [organ playing] 417 00:25:48,160 --> 00:25:50,288 [snare drum playing] 418 00:25:50,871 --> 00:25:51,872 [John] Hello? Hello? 419 00:25:54,667 --> 00:25:56,252 'Cause coming from the north of England, 420 00:25:56,336 --> 00:25:58,630 it doesn't come too easy, you know, all the soul. 421 00:25:58,714 --> 00:26:00,256 - [laughs] - [John] Let's take one now. 422 00:26:00,340 --> 00:26:01,425 [Ringo] Yeah, right. 423 00:26:01,508 --> 00:26:04,261 ♪ Can we have our microphones? Oh, mister, can we please? ♪ 424 00:26:04,345 --> 00:26:05,971 Ask 'em to put the mics on, will you? 425 00:26:06,054 --> 00:26:07,473 Hello. 426 00:26:07,556 --> 00:26:09,058 And get one for Billy too. 427 00:26:09,141 --> 00:26:11,143 ["Let It Be" playing] 428 00:26:15,607 --> 00:26:17,650 - [Paul] It's a bit ploddy. - What? 429 00:26:18,610 --> 00:26:22,071 [Paul] You know, just-- It sort of plods along a bit. A bit much. 430 00:26:22,154 --> 00:26:25,492 - It's just mourning and slow, slow. - [Paul] Mourning and… 431 00:26:25,575 --> 00:26:28,871 [John] And a slow song. It takes a long time to get out of it. 432 00:26:28,954 --> 00:26:31,498 [Paul] Yeah. That'll do for the time being. 433 00:26:31,581 --> 00:26:33,584 "The Wrong and Winding Box." 434 00:26:34,167 --> 00:26:38,881 [John, Paul] ♪ But still they lead me back ♪ 435 00:26:39,965 --> 00:26:46,305 ♪ To the long winding road ♪ 436 00:26:49,768 --> 00:26:53,772 ♪ You left me waiting here ♪ 437 00:26:54,939 --> 00:26:57,276 [Paul humming] 438 00:26:58,110 --> 00:27:00,570 All those little melodic things, you know? 439 00:27:00,654 --> 00:27:02,072 It's a-- It's a-- 440 00:27:02,907 --> 00:27:05,993 It's like the other one, you know. They're sort of slow, ballady, 441 00:27:06,076 --> 00:27:07,870 and they're plodding a bit. 442 00:27:07,953 --> 00:27:09,414 [piano playing] 443 00:27:09,497 --> 00:27:13,501 - [Paul humming] - [John whistling] 444 00:27:16,546 --> 00:27:19,883 See, that's the kind of thing. Yeah. It needs to go like that. 445 00:27:20,550 --> 00:27:23,554 [Paul vocalizing] 446 00:27:27,599 --> 00:27:29,893 [vocalizing continues] 447 00:27:32,604 --> 00:27:33,730 Oh, just a second. 448 00:27:33,814 --> 00:27:36,608 When it goes, um-- On that bit, it goes… 449 00:27:36,693 --> 00:27:38,235 ♪ Has left a-- ♪ 450 00:27:38,319 --> 00:27:39,445 Hang on. 451 00:27:40,237 --> 00:27:42,365 [George] Can we make the bridge… 452 00:27:43,533 --> 00:27:44,534 heavy? 453 00:27:46,035 --> 00:27:48,746 I can't sort of think how to do this one at all, you know. 454 00:27:48,830 --> 00:27:50,665 Just, mind's a blank on it. 455 00:27:50,748 --> 00:27:51,875 I don't know. 456 00:27:53,043 --> 00:27:54,461 I don't know. 457 00:27:55,295 --> 00:27:56,296 Give up. 458 00:27:56,964 --> 00:27:58,507 [George] It's nice though. 459 00:27:58,591 --> 00:28:00,759 - [John] Have you turned me down? - [George Martin] No. 460 00:28:00,843 --> 00:28:01,844 [chattering] 461 00:28:01,927 --> 00:28:03,721 [Paul humming] 462 00:28:03,804 --> 00:28:05,681 [chattering] 463 00:28:06,349 --> 00:28:08,684 [Paul] It's funny though. You can't hear the piano either. 464 00:28:13,648 --> 00:28:15,316 {\an8}[Paul] We only asked for the piano. 465 00:28:21,615 --> 00:28:23,408 No. I said, "Oh, Ringo is on PA." 466 00:28:25,535 --> 00:28:29,248 [Paul] A great sound in here will improve what we do. 467 00:28:29,957 --> 00:28:33,378 {\an8}No, but I mean, it's like when we played in clubs in Hamburg. 468 00:28:34,670 --> 00:28:36,089 {\an8}[Paul] We sounded great. 469 00:28:45,807 --> 00:28:46,808 {\an8}[Paul] So you get… 470 00:28:53,857 --> 00:28:55,943 Let's do that. It'll help you anyway to begin with. 471 00:28:56,027 --> 00:28:57,569 - Thank you, George. - You're welcome. 472 00:28:58,112 --> 00:29:00,698 See, 'cause that'd be good if we could get all that, 473 00:29:01,365 --> 00:29:03,367 get the sound in this room. 474 00:29:03,451 --> 00:29:06,454 It's, like, remember that night we tried tape echo with George? 475 00:29:06,538 --> 00:29:07,789 On a bit of vocal. 476 00:29:28,561 --> 00:29:30,897 They have bloody big speakers or something, 477 00:29:31,480 --> 00:29:32,691 to shout through. 478 00:29:33,399 --> 00:29:35,694 They should be at least as big as a bass amp. 479 00:29:35,777 --> 00:29:36,778 - [Paul] Yeah. - Paul. 480 00:29:36,861 --> 00:29:38,029 Yeah. [chuckling] 481 00:29:41,575 --> 00:29:43,868 [John] Thing is, they're both facing each other for a kickoff. 482 00:29:43,952 --> 00:29:46,705 {\an8}They're all facing-- They're all right next to the amps. 483 00:29:53,337 --> 00:29:55,673 [John] I mean, get them up there, they come down to us. 484 00:29:55,756 --> 00:29:58,968 Nail 'em on them sticks up there and shoot 'em down to us, 485 00:29:59,051 --> 00:30:02,472 {\an8}and we'll all face that way if you like. We'll face any way. 486 00:30:03,306 --> 00:30:05,934 Well, then, let's-- I don't know who to tell to do that. 487 00:30:06,017 --> 00:30:07,728 [George Martin] Right, okay. Yeah. I'll do something about it. 488 00:30:07,811 --> 00:30:10,230 [Paul] Somehow if we can each hear what the others are playing. 489 00:30:13,692 --> 00:30:16,027 {\an8}[Paul] Yes, it does. [laughs] 490 00:30:16,112 --> 00:30:21,200 {\an8}♪ I'll never do you no harm ♪ 491 00:30:23,452 --> 00:30:26,247 {\an8}- ♪ Believe me when I tell you ♪ - ♪ Oh, I do! ♪ 492 00:30:28,375 --> 00:30:32,879 ♪ I'll never do you no harm ♪ 493 00:30:36,800 --> 00:30:40,679 - ♪ No, darling, no harm ♪ - ♪ Yeah, yeah, yeah ♪ 494 00:30:42,890 --> 00:30:43,891 [song ends] 495 00:30:43,974 --> 00:30:44,975 - Uh… - [Paul] Ow! 496 00:30:45,559 --> 00:30:48,812 Just heard that Yoko's divorce has just gone through. 497 00:30:48,896 --> 00:30:50,231 - [Yoko chuckles] - [Paul vocalizes] 498 00:30:50,314 --> 00:30:51,315 [John] Free at last. 499 00:30:51,399 --> 00:30:52,942 ♪ I'm free ♪ 500 00:30:53,026 --> 00:30:54,610 [Paul] ♪ Oh ♪ 501 00:30:56,279 --> 00:30:57,280 ♪ This morning ♪ 502 00:31:00,116 --> 00:31:03,453 ♪ My baby told the lawyer ♪ 503 00:31:04,163 --> 00:31:06,748 - ♪ It's okay ♪ - [Paul] ♪ Yeah, yeah ♪ 504 00:31:08,833 --> 00:31:12,880 ♪ Believe me when I tell you ♪ 505 00:31:13,422 --> 00:31:18,886 ♪ I'll never never do you no harm ♪ 506 00:31:22,973 --> 00:31:25,726 [Paul] ♪ Yeah ♪ 507 00:31:25,810 --> 00:31:30,607 ♪ And if somebody ever loved me Like she does ♪ 508 00:31:30,691 --> 00:31:31,942 Did we… "And if"? 509 00:31:32,025 --> 00:31:33,026 Start again. 510 00:31:33,527 --> 00:31:38,574 ♪ And if somebody ever really loved me Like she does ♪ 511 00:31:38,657 --> 00:31:41,743 I've just got written down here, "If somebody ever loved me." 512 00:31:41,827 --> 00:31:45,748 [John] Oh, I've got, "If somebody ever really loved me, like as she do me." 513 00:31:45,832 --> 00:31:46,833 [Paul] Ah. 514 00:31:46,916 --> 00:31:50,294 ♪ And if somebody ever loved me Like she does ♪ 515 00:31:50,378 --> 00:31:53,506 [John] Maybe we should have, "I guess nobody ever loved me." 516 00:31:53,590 --> 00:31:55,883 - [chattering] - [laughter] 517 00:31:55,967 --> 00:31:59,721 ♪ I guess nobody ever really ♪ 518 00:31:59,805 --> 00:32:02,057 ♪ Done me, done me, done me ♪ 519 00:32:02,140 --> 00:32:03,642 {\an8}♪ Oh, she done me ♪ 520 00:32:05,227 --> 00:32:06,645 {\an8}♪ Yeah, she good ♪ 521 00:32:09,732 --> 00:32:12,568 ♪ Don't let me down, yeah ♪ 522 00:32:16,155 --> 00:32:18,742 ♪ Don't let me down ♪ 523 00:32:20,952 --> 00:32:22,704 ♪ Oh, Little Willy! Yeah! ♪ 524 00:32:27,959 --> 00:32:30,670 [Paul vocalizes] 525 00:32:34,299 --> 00:32:36,719 ♪ Don't let me down ♪ 526 00:32:40,348 --> 00:32:42,558 ♪ Please don't let me down ♪ 527 00:32:44,352 --> 00:32:45,645 [song ends] 528 00:32:45,728 --> 00:32:47,397 [chattering] 529 00:32:51,442 --> 00:32:53,403 George. George. George. 530 00:32:53,486 --> 00:32:55,155 [chattering continues] 531 00:32:55,238 --> 00:32:58,325 - [laughing] - [chattering] 532 00:33:02,288 --> 00:33:06,167 [instruments playing] 533 00:33:19,847 --> 00:33:21,766 - [song ends] - [chattering] 534 00:33:21,850 --> 00:33:23,852 [laughing] 535 00:33:27,147 --> 00:33:29,983 [John] The layout of the book's really good, though, the way he's done it. 536 00:33:30,568 --> 00:33:32,110 {\an8}[Paul] This is it. Is this the layout? 537 00:33:32,194 --> 00:33:33,862 {\an8}[John] No, this is just the bit. That bit. 538 00:33:34,530 --> 00:33:39,285 "Beatle John Lennon hugged Japanese actress Yoko Ono last night and said, 539 00:33:39,368 --> 00:33:41,996 'My marriage is over. I am in love with Yoko.'" 540 00:33:42,080 --> 00:33:44,248 - [Yoko] It's amazing. [laughs] - [John] Sinceriously. 541 00:33:44,332 --> 00:33:47,752 "How much does he love Yoko? 'Much more than I love the Queen.'" 542 00:33:47,836 --> 00:33:50,630 [all laughing] 543 00:33:50,714 --> 00:33:52,507 ["Strawberry Fields Forever" playing] 544 00:33:59,223 --> 00:34:02,852 ♪ Well, let me take you down ♪ 545 00:34:02,935 --> 00:34:05,605 ♪ 'Cause I'm going… ♪ 546 00:34:07,148 --> 00:34:09,484 ♪ Strawberry Fields ♪ 547 00:34:13,613 --> 00:34:15,616 ♪ Nothing is real ♪ 548 00:34:18,409 --> 00:34:21,663 {\an8}♪ Nothing to get hung about ♪ 549 00:34:23,081 --> 00:34:26,293 {\an8}♪ Strawberry Fields forever ♪ 550 00:34:28,004 --> 00:34:30,757 [George] Let's record it all this afternoon, now. 551 00:34:30,840 --> 00:34:31,841 [laughing] 552 00:34:31,924 --> 00:34:35,344 The show on Wednesday, which is up on the roof, we can get, uh, 553 00:34:35,428 --> 00:34:38,306 {\an8}no worse than a 4-shot on the roof out toward London, 554 00:34:38,931 --> 00:34:41,351 - which I think is worth it. - [John] Yes. How much does it cost? 555 00:34:43,145 --> 00:34:45,397 Well, just send the helicopter up. No film. 556 00:34:45,480 --> 00:34:48,692 - It's too much, film and a… - Helicopter. 557 00:34:48,776 --> 00:34:50,193 Uh, what do you say, lads? 558 00:34:50,277 --> 00:34:51,654 - Have it on Paul! - [Yoko] Yeah. 559 00:34:51,737 --> 00:34:53,030 - [Ringo] Yeah. - [Michael] Yes. 560 00:34:53,906 --> 00:34:55,491 - Is that a yes? - [Paul] That's a no-no. 561 00:34:55,574 --> 00:34:58,619 [John] ♪ Sweet Loretta Fart She thought she was a cleaner ♪ 562 00:34:58,702 --> 00:35:00,704 ♪ But she was a frying pan ♪ 563 00:35:00,788 --> 00:35:02,999 One, two, three, four. 564 00:35:10,799 --> 00:35:14,594 ♪ Jo Jo was a man Who thought he was a loner ♪ 565 00:35:14,678 --> 00:35:17,306 ♪ But he knew it couldn't last… ♪ 566 00:35:18,891 --> 00:35:21,894 Not too loud though. It's nice, quiet. Oh, yeah. 567 00:35:21,977 --> 00:35:25,773 It settled into it, though, after where we started in, but much, much faster. 568 00:35:25,856 --> 00:35:28,192 One, two, three, four. 569 00:35:28,693 --> 00:35:31,696 ["Get Back" playing] 570 00:35:35,784 --> 00:35:37,577 ♪ Jo Jo was a man… ♪ 571 00:35:37,661 --> 00:35:39,538 Bit faster, do you think? Bit faster now. 572 00:35:40,246 --> 00:35:42,082 One, two, three, four. 573 00:35:46,212 --> 00:35:47,213 Hello. 574 00:35:49,756 --> 00:35:53,052 {\an8}♪ Jo Jo was a man Who thought he was a loner ♪ 575 00:35:53,135 --> 00:35:55,972 {\an8}♪ But he knew it couldn't last ♪ 576 00:35:57,014 --> 00:36:00,852 ♪ Jo Jo left his home in Tucson, Arizona ♪ 577 00:36:00,935 --> 00:36:03,271 - Little bit slower. - It seems it's picking up speed, I think. 578 00:36:03,355 --> 00:36:04,356 [Glyn] Yeah. 579 00:36:04,439 --> 00:36:06,566 'Cause I find myself starting off, going… 580 00:36:06,649 --> 00:36:07,650 [Paul] We get excited. 581 00:36:08,651 --> 00:36:09,820 [John] And then ended up… 582 00:36:16,577 --> 00:36:19,455 Ah, this here's the story about Sweet Loretta Martin 583 00:36:20,206 --> 00:36:21,707 and Jo Jo McCartney. 584 00:36:24,043 --> 00:36:25,169 [Paul] ♪ Oh, get back ♪ 585 00:36:26,087 --> 00:36:27,088 ♪ Oh, get back ♪ 586 00:36:28,256 --> 00:36:31,676 ♪ Get back to where you once belonged Yeah ♪ 587 00:36:31,760 --> 00:36:37,391 ♪ Sweet Loretta Martin Thought she was a woman ♪ 588 00:36:38,225 --> 00:36:41,603 ♪ But she was another man ♪ 589 00:36:42,396 --> 00:36:43,522 [vocalizing] 590 00:36:43,605 --> 00:36:46,025 All right, boy. All right, John. I've gotta call order, John. 591 00:36:46,108 --> 00:36:47,943 - All right, Paul. - You know, valuable time here, son. 592 00:36:48,903 --> 00:36:50,070 Cool down, son. 593 00:36:50,154 --> 00:36:51,697 [John] Don't let me down, babe. 594 00:36:53,574 --> 00:36:58,079 [Paul] ♪ Take these chains And set me free ♪ 595 00:36:59,289 --> 00:37:04,044 {\an8}♪ Take these chains away And set me free ♪ 596 00:37:11,010 --> 00:37:13,971 - [John] They can afford it. - Costing EMI. We're EMI artists, man, no? 597 00:37:14,055 --> 00:37:15,056 [Glyn laughs] 598 00:37:15,139 --> 00:37:18,475 ♪ Get back, get back ♪ 599 00:37:19,476 --> 00:37:22,647 ♪ Get back to where you once belonged ♪ 600 00:37:22,730 --> 00:37:24,023 ♪ Get back home Jo Jo ♪ 601 00:37:32,741 --> 00:37:35,285 - [Billy] …together at the beginning. - You were very good, Bill. 602 00:37:35,368 --> 00:37:38,205 [Glyn] Bill, you were just great. [laughs] 603 00:37:40,416 --> 00:37:41,542 [Glyn] What are you gonna do? 604 00:37:41,625 --> 00:37:43,336 - Play it again. - Sing a bit. 605 00:37:43,419 --> 00:37:45,796 - [Glyn] J? - Just keep 'em. Keep 'em. 606 00:37:45,879 --> 00:37:47,423 - [Glyn] Do another one? - Yeah. 607 00:37:47,506 --> 00:37:49,759 [Paul] Well, tell us if you think we've got it, you know? 608 00:37:49,843 --> 00:37:51,052 [Glyn] Well, yeah. 609 00:37:51,135 --> 00:37:52,846 Let's keep doing them then, you know? 610 00:37:52,929 --> 00:37:55,264 'Cause if we keep doing that and going in and then saying, "Oh." 611 00:37:55,349 --> 00:37:57,851 [George Martin] I think you ought to do something else, 'cause I think you might-- 612 00:37:57,934 --> 00:37:59,644 If you keep doing it, you'll go stale on it. 613 00:37:59,728 --> 00:38:01,563 - [John] No, no. Let's do it. - You can always go back to it. 614 00:38:01,646 --> 00:38:03,899 - Do you want your head kicked in? - You know what I mean, though. 615 00:38:05,359 --> 00:38:07,737 - [Paul] Do you wanna do it once more then? - [John] Yes, yes. 616 00:38:07,820 --> 00:38:10,990 At least once more. We'll never get a chance to do it again. 617 00:38:11,073 --> 00:38:14,244 [George Martin] It is the final performance. You've got an audience now. 618 00:38:14,327 --> 00:38:17,330 [Paul] Okay, honeybunch. Let's hit it one time, tutti-frutti. 619 00:38:17,913 --> 00:38:19,374 One, two… 620 00:38:19,457 --> 00:38:22,711 ♪ Get back, get back ♪ 621 00:38:23,294 --> 00:38:26,465 ♪ Get back to where you once belonged ♪ 622 00:38:28,133 --> 00:38:29,968 [Glyn] That last take was extremely good though. 623 00:38:30,051 --> 00:38:32,138 Okay. Keep it extremely good then. We'll carry on. 624 00:38:35,224 --> 00:38:38,936 [Paul] ♪ Oh, get back, Loretta Martin, back ♪ 625 00:38:39,854 --> 00:38:42,482 ♪ Back to where you once belonged ♪ 626 00:38:42,565 --> 00:38:44,484 [Glyn] Why not go straight into another number then? 627 00:38:44,567 --> 00:38:46,986 We were trying to go into "Don't Let Me Down" if we made it, 628 00:38:47,069 --> 00:38:49,072 but we haven't made it once yet, you know? 629 00:38:49,156 --> 00:38:52,659 We think of everything and we're even gonna go on to "I've Got a Fever." 630 00:38:52,742 --> 00:38:54,077 If we really know. 631 00:38:54,161 --> 00:38:55,954 [Glyn] In that case, I'm gonna change tape. 632 00:38:56,038 --> 00:38:57,039 Are you? Okay. 633 00:38:57,122 --> 00:38:59,041 ["Get Back" playing] 634 00:39:05,088 --> 00:39:08,592 ♪ Sweet Loretta Martin Thought she was a woman ♪ 635 00:39:08,676 --> 00:39:11,304 ♪ But she was another man ♪ 636 00:39:11,387 --> 00:39:13,389 Was the other one before better than that? 637 00:39:14,641 --> 00:39:18,186 [Glyn] Yes. There was one better than that earlier on. Hang on, we'll just… 638 00:39:18,269 --> 00:39:19,854 The one before this was better for me. 639 00:39:19,938 --> 00:39:22,274 Should we have another ciggy, another cup of tea, or… 640 00:39:22,357 --> 00:39:24,026 - [John] Okay, yeah after this. - …ciggy after the wine. 641 00:39:24,109 --> 00:39:27,196 Oh, ready? One, two three, four. 642 00:39:27,279 --> 00:39:29,281 ["Get Back" playing] 643 00:39:35,079 --> 00:39:38,374 ♪ Jo Jo was a man Who thought he was a loner ♪ 644 00:39:38,458 --> 00:39:39,917 There's one where everything was right… 645 00:39:40,001 --> 00:39:42,128 - [Glyn] What's the next reel? - …except the last bit of my guitar solo. 646 00:39:42,212 --> 00:39:44,630 [Paul] Well, remember the one before that that we all said was all right? 647 00:39:44,715 --> 00:39:46,174 - [Glyn] Yeah. - [George Martin] That's Take 11. 648 00:39:46,257 --> 00:39:47,300 You can always edit. 649 00:39:47,383 --> 00:39:49,636 - [Glyn] Yeah, I'm just getting it. - Edit? 650 00:39:49,720 --> 00:39:51,388 You're talking to the Bootles. 651 00:39:58,896 --> 00:40:02,066 {\an8}[Paul] Yeah, right. Now, see the thing is, we need another week to do it. 652 00:40:02,817 --> 00:40:04,443 [Paul] ♪ Get back, Jo ♪ 653 00:40:19,752 --> 00:40:23,464 {\an8}♪ Sweet Loretta Martin Thought she was a woman ♪ 654 00:40:23,547 --> 00:40:26,300 {\an8}♪ But she was another man ♪ 655 00:40:27,635 --> 00:40:31,514 ♪ All the girls around her Say she's got it coming ♪ 656 00:40:31,597 --> 00:40:33,892 ♪ But she gets it while she can ♪ 657 00:40:35,018 --> 00:40:36,310 ♪ Oh, get back ♪ 658 00:40:37,186 --> 00:40:38,187 ♪ Get back ♪ 659 00:40:39,147 --> 00:40:42,150 ♪ Get back to where you once belonged ♪ 660 00:40:43,067 --> 00:40:44,110 ♪ Get back ♪ 661 00:40:44,986 --> 00:40:45,987 ♪ Get back ♪ 662 00:40:46,071 --> 00:40:47,322 ♪ Oh, yeah ♪ 663 00:40:49,616 --> 00:40:50,868 ♪ Oh, yeah ♪ 664 00:40:50,951 --> 00:40:52,452 Miles out, aren't we? 665 00:40:52,536 --> 00:40:53,954 - [George] Tune. - Yeah. 666 00:40:54,038 --> 00:40:55,080 It was A, Bill. 667 00:40:55,164 --> 00:41:01,171 Billy, instead of giving us, like, one note, give us a riff like… 668 00:41:02,880 --> 00:41:04,715 That's easier to tune to. 669 00:41:23,527 --> 00:41:26,447 [Paul] ♪ All these years I've been wandering around ♪ 670 00:41:26,530 --> 00:41:29,492 ♪ Wondering how come nobody told me ♪ 671 00:41:29,576 --> 00:41:32,203 - [Glyn] Hold up. Hold up. - [John] Okay. Let me just-- 672 00:41:32,287 --> 00:41:34,122 [John clears throat, vocalizes] 673 00:41:36,333 --> 00:41:39,419 {\an8}[John cackles] Not giving 'em that! 674 00:41:39,502 --> 00:41:41,421 Oh, fucking right. 675 00:41:41,504 --> 00:41:43,423 [chuckling] 676 00:41:45,092 --> 00:41:47,553 Something happened. I don't know what it was though. 677 00:41:48,178 --> 00:41:49,222 Something happened. 678 00:41:49,305 --> 00:41:50,931 ["I've Got A Feeling" playing] 679 00:41:51,014 --> 00:41:52,015 ♪ Oh, yeah ♪ 680 00:41:53,267 --> 00:41:54,768 [Paul] ♪ No, no, no ♪ 681 00:41:55,311 --> 00:41:57,396 ♪ Yeah ♪ 682 00:41:57,480 --> 00:42:00,692 ♪ I've got a feeling ♪ 683 00:42:05,697 --> 00:42:08,533 ♪ Well, all of these years I've been wandering around ♪ 684 00:42:08,617 --> 00:42:11,536 ♪ Wondering how come nobody told me ♪ 685 00:42:11,620 --> 00:42:15,332 ♪ All that I've been looking for Was somebody who looked like you ♪ 686 00:42:20,963 --> 00:42:23,383 - ♪ I've got a feeling ♪ - [John] ♪ Oh, yeah ♪ 687 00:42:23,466 --> 00:42:26,719 ♪ That keeps me on my toes Oh, yeah ♪ 688 00:42:28,638 --> 00:42:29,973 [Paul, John] ♪ Oh, yeah ♪ 689 00:42:32,643 --> 00:42:34,770 ♪ I've got a feeling ♪ 690 00:42:34,853 --> 00:42:37,773 ♪ I think that everybody knows ♪ 691 00:42:37,856 --> 00:42:39,316 - ♪ Oh, no ♪ - [John] ♪ Yeah ♪ 692 00:42:40,984 --> 00:42:42,528 [Paul, John] ♪ Oh, yeah ♪ 693 00:42:43,779 --> 00:42:45,239 [Paul] ♪ Oh, yeah ♪ 694 00:42:45,823 --> 00:42:48,075 ♪ Yeah ♪ 695 00:42:48,159 --> 00:42:51,704 ♪ Yeah, I've got a feeling ♪ 696 00:42:51,788 --> 00:42:53,456 ♪ Yeah, yeah, yeah ♪ 697 00:42:57,001 --> 00:42:59,212 ♪ Everybody had a hard year ♪ 698 00:43:00,172 --> 00:43:02,424 ♪ Everybody had a good time ♪ 699 00:43:03,258 --> 00:43:05,510 ♪ Everybody had a wet dream ♪ 700 00:43:06,344 --> 00:43:08,388 ♪ Everybody saw the sunshine ♪ 701 00:43:08,472 --> 00:43:10,223 - ♪ Oh, yeah ♪ - [Paul] ♪ Oh, yeah ♪ 702 00:43:10,308 --> 00:43:13,101 - ♪ Oh yeah, oh yeah ♪ - [Paul] ♪ Oh, yeah ♪ 703 00:43:15,563 --> 00:43:18,524 - ♪ Everybody had a good year ♪ - [Paul] ♪ Yeah ♪ 704 00:43:18,607 --> 00:43:21,569 - ♪ Everybody had their hair down ♪ - [Paul] ♪ Yeah ♪ 705 00:43:21,653 --> 00:43:24,531 - ♪ Everybody pulled their socks up ♪ - [Paul] ♪ Oh, yeah ♪ 706 00:43:24,614 --> 00:43:27,909 ♪ Everybody put their foot down Oh, yeah ♪ 707 00:43:36,251 --> 00:43:37,252 [song ends] 708 00:43:38,921 --> 00:43:41,381 Glyn? What does that sound like? 709 00:43:41,466 --> 00:43:43,092 [laughter] 710 00:43:43,175 --> 00:43:45,094 [Glyn] Probably lucky… [indistinct] 711 00:43:45,177 --> 00:43:46,221 - What? - [Glyn] Yeah. 712 00:43:46,304 --> 00:43:47,347 - All right? - [Glyn] Yeah. 713 00:43:47,430 --> 00:43:50,350 [instruments playing] 714 00:43:53,186 --> 00:43:55,606 [no audible dialogue] 715 00:44:01,362 --> 00:44:03,239 - [chattering] - [laughter] 716 00:44:03,322 --> 00:44:04,906 - Not bad. - Got it. 717 00:44:06,242 --> 00:44:08,786 - [John] Oh, the last two will do me. - [Glyn] That's what I thought. 718 00:44:08,870 --> 00:44:11,330 - It was just about diabolical enough. - [Paul] You see, the thing is… 719 00:44:11,413 --> 00:44:14,751 I don't feel as though I'm singing it any good. 720 00:44:14,834 --> 00:44:17,295 - The other day I was singing better. - 'Cause you're standing up. 721 00:44:17,379 --> 00:44:19,339 - And you're trying to do a thing. - Maybe. 722 00:44:19,422 --> 00:44:20,673 You should sit down. 723 00:44:20,757 --> 00:44:21,924 - Enjoy yourself. - Yeah. 724 00:44:22,842 --> 00:44:26,346 Maybe. No, but even so today, I just feel as though… 725 00:44:27,055 --> 00:44:28,181 Hobson's is a bit… 726 00:44:29,432 --> 00:44:30,433 [Glyn] That reel on? 727 00:44:30,518 --> 00:44:32,936 {\an8}We've still got a lot more songs we haven't even rehearsed. 728 00:44:33,812 --> 00:44:38,276 {\an8}The two slow ones we're doing, "Mother Mary" and… "Brother Jesus." 729 00:44:38,359 --> 00:44:39,986 - [George] Have we recorded? - [laughter] 730 00:44:40,069 --> 00:44:41,863 [George] Have we recorded the "Mother Mary" one? 731 00:44:41,946 --> 00:44:43,197 Haven't happened yet, have they? 732 00:44:43,281 --> 00:44:44,282 - [Glyn] No. - [George] Haven't they? 733 00:44:44,365 --> 00:44:45,867 - [Glyn] One has. One has. - Well… 734 00:44:45,950 --> 00:44:47,661 - Which one? - [Glyn] I can never get it. 735 00:44:47,744 --> 00:44:49,287 - "Long, Long, Winding"-- - "Long and Winding Road"? 736 00:44:49,371 --> 00:44:50,455 [Glyn] "Long and Winding Scrotum." 737 00:44:50,539 --> 00:44:52,707 - Really? - [Glyn] I think it's very tasty. 738 00:44:52,791 --> 00:44:53,875 Très tasty, in fact. 739 00:44:53,958 --> 00:44:55,294 Oh, the little version we had-- 740 00:44:55,377 --> 00:44:57,379 - He's so good for your morale, this boy. - Yeah, yeah. 741 00:44:57,462 --> 00:44:58,881 - [chuckles] - [Glyn] No, really. 742 00:44:58,964 --> 00:45:01,216 - We can do-- - I'm not saying you can't do it better. 743 00:45:01,300 --> 00:45:02,760 But, I mean, it's very together. 744 00:45:03,469 --> 00:45:06,138 See, that's a bit like the old "Get Back." 745 00:45:06,221 --> 00:45:08,474 It's together until you think you can do it better. 746 00:45:09,350 --> 00:45:11,561 We should arrange what's happening around lunchtime tomorrow. 747 00:45:11,644 --> 00:45:13,813 John's got something at 1:30, and so have I. 748 00:45:13,897 --> 00:45:16,775 [Glyn] I'll take these tonight. You can have a mix of these tomorrow. 749 00:45:17,525 --> 00:45:19,485 - I'm meeting a fella. - Oh, right. 750 00:45:20,696 --> 00:45:24,575 No, uh, at 1:30 though. We're both going at 1:30, so can you… 751 00:45:24,658 --> 00:45:28,162 We'll do something, all right. I'll do Ringo at 1:30. 752 00:45:28,245 --> 00:45:30,664 - [laughs] - Let's say 12:00. 753 00:45:30,747 --> 00:45:33,250 [George] We'll be coming in before 1:30? 754 00:45:33,334 --> 00:45:35,336 - Yeah. Coming in at 11:00. - [George] Okay. 755 00:45:35,419 --> 00:45:36,420 Then work till 1:30. 756 00:45:36,504 --> 00:45:38,214 [Paul on tape] Okay, honeybunch. Let's hit it one time. 757 00:45:38,297 --> 00:45:40,383 - What time are you starting? - 11:00. 758 00:45:40,967 --> 00:45:42,552 - [George Martin] 11:00 to 1:30? - 10:30, yeah. 759 00:45:42,635 --> 00:45:43,970 [Paul on tape] Dig, man. 760 00:45:44,054 --> 00:45:46,306 [George Martin] And then how long are you having off from 1:30? 761 00:45:46,389 --> 00:45:48,641 [Ringo] Till 3:00. Good night, everybody. 762 00:45:48,725 --> 00:45:50,769 - [George Martin] Good night, Rich. - [crew] Good night, Richie. 763 00:45:50,853 --> 00:45:52,730 - [John] I think I'm gonna go. - [Ringo] Will you? 764 00:45:52,813 --> 00:45:54,690 [Paul] I think the one you said was best… 765 00:45:54,773 --> 00:45:56,024 - [George Martin] Nine? - …is best. 766 00:45:56,108 --> 00:45:58,194 [Glyn] Yeah. But it still doesn't make it. 767 00:45:59,069 --> 00:46:01,072 - We'll keep it anyway. - [Paul] Keep it in. 768 00:46:01,155 --> 00:46:04,575 ♪ Jo Jo was a man Who thought he was a loner ♪ 769 00:46:04,658 --> 00:46:05,869 {\an8}- [Glyn] Good? - [Paul] Yeah. 770 00:46:05,952 --> 00:46:09,956 {\an8}- [Glyn] Right. New reel. - [chattering, laughter] 771 00:46:10,039 --> 00:46:11,916 {\an8}[Paul] Well, the air-conditioning works. 772 00:46:12,917 --> 00:46:15,504 - [Linda] God, feel like I'm in the army. - [George Martin] It must be terrible. 773 00:46:15,587 --> 00:46:17,797 [Linda] That was the only good thing about being a girl. 774 00:46:17,881 --> 00:46:19,799 [George Martin] Can you imagine being drafted to Vietnam? 775 00:46:19,884 --> 00:46:21,969 {\an8}[Michael] George, of the ones they've done so far, 776 00:46:22,052 --> 00:46:24,179 {\an8}which do you think we can do on the roof? 777 00:46:24,263 --> 00:46:26,181 {\an8}- Anything without the grand piano. - Oh! 778 00:46:27,182 --> 00:46:29,184 - [Mike] Morning. - You're embarrassing me. 779 00:46:32,980 --> 00:46:35,233 [Michael] Should we write down what we could do on the roof? 780 00:46:35,775 --> 00:46:38,153 [George Martin] You haven't got a concise list of titles, have we, Alan? 781 00:46:38,236 --> 00:46:40,405 - [Alan] No. I can make one. - [Michael] Well, I… 782 00:46:40,488 --> 00:46:42,407 One is "I Dig a Pony." We can do that on the roof. 783 00:46:42,491 --> 00:46:43,492 "Let It Be." 784 00:46:44,075 --> 00:46:47,246 [Michael] Which is "Let It Be"? Oh, no. I think "Let It Be" should be down here. 785 00:46:48,121 --> 00:46:49,623 [George Martin] Yeah, with the piano on that. 786 00:46:49,706 --> 00:46:50,707 ♪ Let it be ♪ 787 00:46:51,583 --> 00:46:54,295 [Paul] Is anyone sort of thinking of this like making an album 788 00:46:54,378 --> 00:46:56,756 or more like sort of doing a lot of numbers then 789 00:46:56,839 --> 00:47:00,510 to be able to play them all one after the other? 790 00:47:00,593 --> 00:47:01,636 [John] Let's pick the five-- 791 00:47:07,559 --> 00:47:08,601 Uh… 792 00:47:09,686 --> 00:47:11,188 {\an8}I don't see much point in doing 793 00:47:11,271 --> 00:47:13,523 "Don't Let Me Down," "I've Got A Feeling" and that now. 794 00:47:14,524 --> 00:47:15,734 Yeah… 795 00:47:15,818 --> 00:47:17,528 'Cause you lose it. 796 00:47:17,611 --> 00:47:20,113 So let's pick up on the ones that are all in pieces. 797 00:47:21,114 --> 00:47:24,118 I'm trying to get us to do one of George's for the first batch. 798 00:47:24,202 --> 00:47:25,954 Oh, ah. Yeah. 799 00:47:26,037 --> 00:47:29,290 ♪ What do you know now, Mr. Show? ♪ 800 00:47:30,750 --> 00:47:32,376 [John] ♪ I don't know ♪ 801 00:47:33,962 --> 00:47:35,547 [John, Paul] ♪ I don't know ♪ 802 00:47:35,630 --> 00:47:38,342 Then you can have the next one, "Did you know, missed the show?" 803 00:47:38,425 --> 00:47:41,220 ♪ Do you know who missed the show? ♪ 804 00:47:43,263 --> 00:47:44,849 ♪ No, I don't know ♪ 805 00:47:45,891 --> 00:47:47,560 ♪ I don't know ♪ 806 00:47:47,643 --> 00:47:50,855 ♪ Dun, dun, dun Dun, dun ♪ 807 00:47:50,938 --> 00:47:53,899 ♪ Do you know now, Mr. Joe? ♪ 808 00:47:55,110 --> 00:47:59,364 {\an8}♪ Something in the way she moves ♪ 809 00:48:02,033 --> 00:48:05,954 {\an8}♪ Attracts me like a moth to candlelight ♪ 810 00:48:08,039 --> 00:48:10,584 ♪ Something in the way… ♪ 811 00:48:12,711 --> 00:48:13,712 [song ends] 812 00:48:13,795 --> 00:48:15,339 [George] What could it be, Paul? 813 00:48:15,422 --> 00:48:17,258 - "Something in the way she moves." - [Paul] Hmm? 814 00:48:17,341 --> 00:48:18,760 [George] What attracted me at all? 815 00:48:18,843 --> 00:48:21,053 Just say whatever comes into your head each time. 816 00:48:21,137 --> 00:48:24,391 "Attracts me like a cauliflower," until you get the word, you know? 817 00:48:24,474 --> 00:48:27,810 Yeah, but I've been through this one, like, for about six months. 818 00:48:27,894 --> 00:48:30,563 ♪ Attracts me like a pomegranate ♪ 819 00:48:30,647 --> 00:48:32,107 [chuckles] 820 00:48:32,190 --> 00:48:33,191 ♪ Something in the… ♪ 821 00:48:33,275 --> 00:48:36,194 [George] We could have that. "Attracts me like a pomegranate." 822 00:48:36,278 --> 00:48:40,616 ♪ Something in the way she moves ♪ 823 00:48:43,411 --> 00:48:46,247 ♪ Attracts me like a moth to candlelight-- To pomegranate ♪ 824 00:48:46,330 --> 00:48:47,665 ♪ Pomegranate ♪ 825 00:48:47,748 --> 00:48:49,042 "Cauliflower" is better. 826 00:48:49,125 --> 00:48:54,422 ♪ Something in the way she woos me ♪ 827 00:48:55,423 --> 00:48:57,384 ♪ I don't want to leave her now ♪ 828 00:48:58,259 --> 00:49:00,429 ♪ You know I believe and how ♪ 829 00:49:04,266 --> 00:49:06,226 [laughter] 830 00:49:09,146 --> 00:49:12,066 ♪ Da, da, da Da, da, da ♪ 831 00:49:13,901 --> 00:49:15,069 ♪ I don't know ♪ 832 00:49:15,152 --> 00:49:16,904 [scatting] 833 00:49:16,987 --> 00:49:18,448 ♪ Da, da, da ♪ 834 00:49:21,784 --> 00:49:24,620 ♪ Da, da, da Da, da, da ♪ 835 00:49:26,289 --> 00:49:29,960 ♪ I don't know ♪ 836 00:49:30,043 --> 00:49:31,753 - [George] Okay. - [John] What was that? 837 00:49:31,837 --> 00:49:34,631 [George] Yeah, but say we got a really good one of "Love Me Do." 838 00:49:34,715 --> 00:49:37,634 - [Paul] Well, yeah. That's true. - [John] Yeah. Okay. 839 00:49:41,180 --> 00:49:43,683 ♪ Love, love me do ♪ 840 00:49:45,017 --> 00:49:47,604 ♪ You know I love you ♪ 841 00:49:48,771 --> 00:49:51,608 {\an8}♪ I'll always be true ♪ 842 00:49:52,567 --> 00:49:57,322 {\an8}♪ So please ♪ 843 00:49:57,405 --> 00:49:58,448 [John scatting] 844 00:49:58,531 --> 00:50:00,325 ♪ Love me do ♪ 845 00:50:00,408 --> 00:50:04,497 [Paul] Is it 1:30? I've got this-- to go to this meeting. 846 00:50:04,580 --> 00:50:05,581 So, can you do it? 847 00:50:06,249 --> 00:50:08,917 [John] Will you ring down for us? And we'll keep going through this. 848 00:50:09,001 --> 00:50:10,669 Yeah. Okay. 849 00:50:14,215 --> 00:50:16,635 [instruments playing] 850 00:50:27,062 --> 00:50:28,230 [Ringo] Shall we do it? 851 00:50:29,648 --> 00:50:31,316 ♪ I've got a feeling ♪ 852 00:50:32,234 --> 00:50:34,570 ♪ A feeling deep inside ♪ 853 00:50:34,654 --> 00:50:35,821 ♪ Oh, yeah ♪ 854 00:50:37,197 --> 00:50:39,367 - [John] Glyn? - Send an engineer. 855 00:50:39,450 --> 00:50:40,451 [John] Glyn. 856 00:50:42,120 --> 00:50:45,331 Can you come and fix my microphone? It keeps falling down. 857 00:50:46,499 --> 00:50:49,460 ♪ Everybody had a hard year ♪ 858 00:50:49,544 --> 00:50:50,546 ♪ Everybody… ♪ 859 00:51:00,097 --> 00:51:01,891 See, can I change from going… 860 00:51:01,974 --> 00:51:04,310 [guitar playing] 861 00:51:04,393 --> 00:51:06,896 Because I can't do it. I go into that folk bit. 862 00:51:06,979 --> 00:51:08,064 Have a ciggy, Billy. 863 00:51:08,147 --> 00:51:09,982 ♪ I've got a feeling ♪ 864 00:51:10,775 --> 00:51:13,110 ♪ Everybody knows ♪ 865 00:51:13,195 --> 00:51:14,279 ♪ Oh, yeah ♪ 866 00:51:16,031 --> 00:51:17,115 ♪ Oh, yeah ♪ 867 00:51:19,617 --> 00:51:20,703 ♪ Yeah ♪ 868 00:51:24,665 --> 00:51:26,166 ♪ Oh, I've got a feeling ♪ 869 00:51:26,249 --> 00:51:27,585 Two, three, four. 870 00:51:29,295 --> 00:51:30,588 ♪ I've got a feeling ♪ 871 00:51:36,552 --> 00:51:39,347 ♪ All these years I've been wandering around ♪ 872 00:51:39,430 --> 00:51:42,601 ♪ Wondering how come nobody told me ♪ 873 00:51:42,684 --> 00:51:46,020 ♪ All that I was looking for Was somebody who looked like you ♪ 874 00:51:46,104 --> 00:51:47,272 ♪ You know that ♪ 875 00:51:53,112 --> 00:51:56,073 I'll sing it a bit different than that. I'll sing… 876 00:51:56,156 --> 00:51:59,452 ♪ Everybody had a good year Everybody let their hair down ♪ 877 00:51:59,535 --> 00:52:00,536 - All that bit. - Yeah. 878 00:52:00,620 --> 00:52:02,205 Okay. Should we go from the last verse again? 879 00:52:02,288 --> 00:52:03,789 That's the bit still, isn't it? 880 00:52:03,873 --> 00:52:04,874 [George] I still think that-- 881 00:52:04,957 --> 00:52:07,543 I'm not sure about that syncopation bit, but leave that to Paul. 882 00:52:07,627 --> 00:52:12,173 Well, that's okay if we just do it in between, you know, where the riff… 883 00:52:12,257 --> 00:52:13,258 Uh… 884 00:52:14,092 --> 00:52:16,052 It seems to be going through every verse now. 885 00:52:16,136 --> 00:52:18,138 Yeah, that's the riff. Goes… 886 00:52:18,764 --> 00:52:20,516 - I mean that… - It should change. 887 00:52:20,599 --> 00:52:22,268 No, that just comes at the end. 888 00:52:23,352 --> 00:52:24,979 Oh, in the middle of every verse? 889 00:52:25,062 --> 00:52:28,650 ♪ A feeling deep inside Oh, yeah ♪ 890 00:52:37,992 --> 00:52:42,664 But also we need somebody that's gonna tune everything in here to one pitch. 891 00:52:42,748 --> 00:52:44,291 Uh, the piano people do that. 892 00:52:44,374 --> 00:52:46,585 [John] Okay, well, we'll play about for a bit then. 893 00:52:46,669 --> 00:52:48,962 - How do you tune an electric piano? - [Billy] I don't know. 894 00:52:49,046 --> 00:52:50,798 ♪ How do you tune an electric piano ♪ 895 00:52:50,881 --> 00:52:53,301 [Billy] There's got to be a way though. Probably here somewhere. 896 00:52:55,094 --> 00:52:56,512 [George] What did you wanna talk about? 897 00:52:56,595 --> 00:52:58,722 [John] Uh, well, just that I saw Klein, and that. 898 00:52:58,807 --> 00:53:00,474 - Oh, Klein? - Yeah, yeah. Klein. 899 00:53:00,558 --> 00:53:01,893 - Allen Klein. - [George] Oh, I see. 900 00:53:01,976 --> 00:53:03,978 [John] Yeah. And it's-- You know, it's very interesting. 901 00:53:04,062 --> 00:53:05,063 Yeah. 902 00:53:05,146 --> 00:53:07,274 - [John] You know, from a lot of angles. - [George] Hmm. 903 00:53:07,357 --> 00:53:11,195 And the-- But I want to tell you all at once, you know, so as it's not… 904 00:53:12,487 --> 00:53:15,908 But just, um-- I just think he's fantastic. 905 00:53:15,991 --> 00:53:17,409 - [George] Really? - Yeah. 906 00:53:18,661 --> 00:53:21,664 A lot of interesting news that we don't know half about, 907 00:53:21,747 --> 00:53:23,123 - just about-- - [George] About us? 908 00:53:23,207 --> 00:53:26,544 Well, I'll tell-- You know, he'll tell you all that, 'cause it's… 909 00:53:26,627 --> 00:53:28,629 You know, he knows everything about everything. 910 00:53:28,713 --> 00:53:29,839 Very interesting guy. 911 00:53:29,923 --> 00:53:32,633 - I was there till 2:00 in the morning. - Oh, you went last night? 912 00:53:32,718 --> 00:53:35,971 I went there thinking, "Well, I've got to see him. I put it off last time." 913 00:53:36,054 --> 00:53:37,305 You know? 914 00:53:37,388 --> 00:53:39,265 I keep hearing about him all these years. 915 00:53:39,350 --> 00:53:42,228 Things that you just… you can't believe, you know. 916 00:53:42,311 --> 00:53:45,982 Right down to where-- where it's gone, 917 00:53:47,358 --> 00:53:48,525 and how to get it. 918 00:53:49,819 --> 00:53:53,531 So, I, you know-- Well, I didn't really wanna say it to sort of half o'ya. 919 00:53:53,615 --> 00:53:56,283 I thought, "He's gonna look after me, whatever." 920 00:53:56,368 --> 00:53:57,910 That's… it's just like that. 921 00:53:59,954 --> 00:54:02,749 And he knows-- He even knows what we're like, you know? 922 00:54:02,832 --> 00:54:05,252 The way he described each one of us, you know, 923 00:54:05,335 --> 00:54:07,713 and what we've done and what we're gonna do and that. 924 00:54:07,796 --> 00:54:11,008 But just, like, he knows me as much as you do. 925 00:54:12,676 --> 00:54:14,011 Incredible guy. 926 00:54:14,512 --> 00:54:16,764 {\an8}He's got a great idea for Biafra. 927 00:54:16,847 --> 00:54:18,724 He's like-- He says, "I'm a practical man." 928 00:54:18,807 --> 00:54:21,770 And his thing-- You know The Stones' Circus we did? 929 00:54:21,853 --> 00:54:23,730 - So he arranges those things for them. - [George] Yeah. 930 00:54:23,813 --> 00:54:28,943 All we heard about that and the-- the-- the royalty from way back… 931 00:54:29,027 --> 00:54:30,779 - Yeah. - …they get much more than us. 932 00:54:30,862 --> 00:54:33,282 However many we sell, they cop. 933 00:54:33,907 --> 00:54:37,744 You know, so, The Stones show, he's gonna make an LP out of it. 934 00:54:37,828 --> 00:54:40,080 They're making a book of it and everything, of course, you know? 935 00:54:40,164 --> 00:54:41,832 Like, everybody is into that. 936 00:54:41,916 --> 00:54:47,004 And he's gonna, uh, make an LP of it, of everybody that was on… 937 00:54:47,713 --> 00:54:50,466 to buy food for Biafra. 938 00:54:50,550 --> 00:54:52,552 Yeah, I was telling him about your idea for that film. 939 00:54:52,635 --> 00:54:53,887 - [George] Oh, yeah. - [John] The thing is, 940 00:54:53,970 --> 00:54:57,808 I mean, if we took the food to that place, with the money we've all earned-- 941 00:54:57,891 --> 00:54:59,893 He'd do it completely himself, arrange it all. 942 00:54:59,976 --> 00:55:03,397 I didn't mean to get into all this, but he's so fascinating. 943 00:55:06,733 --> 00:55:08,735 Do you want to do this one more time? 944 00:55:08,819 --> 00:55:10,196 - Yeah. - [John] Eh? 945 00:55:10,863 --> 00:55:13,866 'Cause I'd like to learn "On the Road to Marrakesh" or something. 946 00:55:16,578 --> 00:55:17,745 Or "Mr. Mustard." 947 00:55:18,287 --> 00:55:20,748 Must do another number, I've decided. 948 00:55:20,832 --> 00:55:25,087 ♪ I want a short-haired girl Who sometimes wears it twice as long ♪ 949 00:55:27,505 --> 00:55:31,176 ♪ Now I'm steppin' out This old brown shoe ♪ 950 00:55:31,259 --> 00:55:33,512 [no audible dialogue] 951 00:55:33,596 --> 00:55:36,724 [George] Mal, what was the name of that shoe shop somebody said is in Bond Street? 952 00:55:36,807 --> 00:55:39,435 The good one. Do you know a good shoe shop near? 953 00:55:39,518 --> 00:55:41,520 [Mal] There's a lot of shoe shops in Bond Street. 954 00:55:41,604 --> 00:55:46,025 [George] Yeah. But I just want, you know, like ordinary black leather shoes. 955 00:55:46,609 --> 00:55:49,863 It's just that I never get any, you know, 'cause I'm never in shoe shops. 956 00:55:50,614 --> 00:55:52,449 [Kevin] Do you want me to bring the bloke over? 957 00:55:52,532 --> 00:55:54,701 If you can con somebody into coming 958 00:55:54,784 --> 00:55:58,747 with, you know, a selection of black slip-on size eights. 959 00:55:58,830 --> 00:55:59,874 [Kevin] Yeah, okay. 960 00:55:59,957 --> 00:56:03,293 ♪ I'm so glad you came here It won't be the same now ♪ 961 00:56:03,377 --> 00:56:04,461 ♪ I'm telling you ♪ 962 00:56:06,338 --> 00:56:07,339 ♪ Yeah ♪ 963 00:56:09,592 --> 00:56:10,718 ♪ Dun, de, da, dun ♪ 964 00:56:10,801 --> 00:56:13,721 ♪ Now I'm steppin' out This old brown shoe ♪ 965 00:56:14,430 --> 00:56:16,307 ♪ Baby, I'm in love with you ♪ 966 00:56:16,391 --> 00:56:18,393 ♪ I'm so glad you came here ♪ 967 00:56:18,476 --> 00:56:20,478 [piano playing] 968 00:56:30,114 --> 00:56:34,911 ♪ I like a love that's right When right is only half of what's wrong ♪ 969 00:56:37,288 --> 00:56:41,918 ♪ I want a short-haired girl Who sometimes wears it twice as long ♪ 970 00:56:43,836 --> 00:56:47,590 ♪ Now I'm steppin' out This old brown shoe ♪ 971 00:56:47,674 --> 00:56:49,927 - What? - [Stylophone mini organ playing] 972 00:56:50,010 --> 00:56:52,220 [George] Where's it from? Who makes it? 973 00:56:52,304 --> 00:56:53,722 - [Billy] Wow. - [George] Japanese? 974 00:56:53,806 --> 00:56:55,891 I saw it on the television. 975 00:56:58,226 --> 00:57:00,062 Too much! Whoo. 976 00:57:01,272 --> 00:57:02,273 Nice sound. 977 00:57:02,356 --> 00:57:04,608 - [George] Could you transpose that to D? - Yeah. 978 00:57:04,692 --> 00:57:07,987 - All on one note, huh? - [John] Yeah, you can change it. 979 00:57:10,156 --> 00:57:11,991 [Billy laughs] 980 00:57:12,075 --> 00:57:14,077 [John] One at a time. It's a little organ. 981 00:57:15,370 --> 00:57:16,705 [Billy chuckles] 982 00:57:17,622 --> 00:57:18,623 That's better. 983 00:57:19,166 --> 00:57:21,710 Yeah. It's too much, man. 984 00:57:21,793 --> 00:57:23,796 [Stylophone mini organ playing] 985 00:57:50,156 --> 00:57:52,243 [playing continues] 986 00:57:56,038 --> 00:57:58,540 [George Martin] I love that song. That's beautiful. I couldn't… 987 00:57:58,624 --> 00:57:59,626 [Glyn] You've won a prize. 988 00:57:59,709 --> 00:58:01,794 [George Martin] Couldn't have asked for better. Can we have something else now? 989 00:58:01,878 --> 00:58:03,671 Another song, right. Okay, George? 990 00:58:04,339 --> 00:58:06,841 How about, uh… What have you got up your sleeve, John? 991 00:58:08,050 --> 00:58:09,386 [George Martin] How about "Love Me Do" again? 992 00:58:09,469 --> 00:58:11,889 What about "Don't Let Me Down"? That's a bloody good one, that. 993 00:58:11,972 --> 00:58:14,391 Very high though. But never mind. We'll practice the backing. 994 00:58:14,474 --> 00:58:15,558 - What is it now? - Just-- 995 00:58:15,643 --> 00:58:18,228 "And if somebody ever loved me like she does," that's all. 996 00:58:18,311 --> 00:58:19,563 Just the "really" out. 997 00:58:21,023 --> 00:58:26,862 ♪ And if somebody ever loved me Like she does ♪ 998 00:58:28,072 --> 00:58:29,783 ♪ Ooh, she does ♪ 999 00:58:31,284 --> 00:58:33,703 ♪ Yes, she does ♪ 1000 00:58:34,412 --> 00:58:35,413 Same guitar? 1001 00:58:35,497 --> 00:58:36,623 ♪ I'm in love for the… ♪ 1002 00:58:37,248 --> 00:58:40,252 [Paul, John vocalizing] 1003 00:58:44,924 --> 00:58:46,341 Okay, George. Come on. 1004 00:58:47,176 --> 00:58:48,552 One… 1005 00:58:48,636 --> 00:58:50,555 [Paul] The Krishna chronicle. [chuckles] 1006 00:58:51,639 --> 00:58:53,140 The Krishna Christmas club. 1007 00:58:53,223 --> 00:58:55,685 [laughter] 1008 00:58:55,768 --> 00:58:57,520 [George Martin] A little bit of a tune-up, I think. 1009 00:58:57,603 --> 00:58:59,022 No, I don't think so, George. 1010 00:58:59,105 --> 00:59:00,941 Yeah, John. Don't, John. Don't. 1011 00:59:01,024 --> 00:59:03,401 I've had some wine, you know? Remember Bob Wooler. 1012 00:59:03,484 --> 00:59:05,195 Fucking right. 1013 00:59:05,278 --> 00:59:06,362 Peace on Earth. 1014 00:59:06,988 --> 00:59:09,783 "Don't Let Me Down the Road Again Blues." 1015 00:59:09,866 --> 00:59:12,286 "Short, fat Fanny, you're my desire." 1016 00:59:13,995 --> 00:59:16,248 One, two, three, four. 1017 00:59:16,332 --> 00:59:17,833 ["Don't Let Me Down" playing] 1018 00:59:21,045 --> 00:59:23,798 ♪ Don't let me down ♪ 1019 00:59:27,218 --> 00:59:30,054 ♪ Don't let me down ♪ 1020 00:59:33,016 --> 00:59:36,353 {\an8}♪ Don't let me down ♪ 1021 00:59:39,439 --> 00:59:42,109 ♪ Don't let me down ♪ 1022 00:59:44,570 --> 00:59:48,949 ♪ Nobody ever loved me like she does ♪ 1023 00:59:50,493 --> 00:59:53,037 ♪ Ooh, she does ♪ 1024 00:59:53,121 --> 00:59:55,581 ♪ Yes, she does ♪ 1025 00:59:55,665 --> 00:59:57,458 ♪ I need you ♪ 1026 00:59:58,710 --> 01:00:01,170 {\an8}♪ I need you so bad ♪ 1027 01:00:02,339 --> 01:00:03,590 {\an8}♪ I need you ♪ 1028 01:00:04,883 --> 01:00:08,345 ♪ I need you so bad It's driving me mad ♪ 1029 01:00:08,428 --> 01:00:10,430 ♪ It's driving me mad ♪ 1030 01:00:12,432 --> 01:00:15,770 ♪ Oh, oh, oh, oh ♪ 1031 01:00:15,853 --> 01:00:18,606 ♪ Half a pound of greasepaint On your face ♪ 1032 01:00:18,689 --> 01:00:21,276 {\an8}♪ That's the life Let's face it, chums ♪ 1033 01:00:21,817 --> 01:00:23,861 {\an8}♪ All the rest are a gang of bums ♪ 1034 01:00:23,945 --> 01:00:26,489 ♪ Oh, half a pound of greasepaint On your face ♪ 1035 01:00:26,572 --> 01:00:29,492 ♪ Get your togs and get in quick ♪ 1036 01:00:29,576 --> 01:00:34,456 ♪ Get that pancake on your head And get out on the boards ♪ 1037 01:00:35,040 --> 01:00:37,543 ♪ Sock it to 'em, sock it to 'em One more time ♪ 1038 01:00:37,626 --> 01:00:40,171 ♪ Till the closing curtain falls ♪ 1039 01:00:40,254 --> 01:00:43,215 ♪ Go and do your act And get it right ♪ 1040 01:00:43,299 --> 01:00:46,010 ♪ Don't let 'em down In the old limelight ♪ 1041 01:00:46,093 --> 01:00:48,763 ♪ Oh, half a pound of greasepaint On your face ♪ 1042 01:00:48,846 --> 01:00:51,140 ♪ That's a little kind of thing You can't erase ♪ 1043 01:00:51,223 --> 01:00:54,144 ♪ It gets in your blood It gets in your stream ♪ 1044 01:00:54,227 --> 01:00:56,854 ♪ So get onto the boards And let 'em hear you scream ♪ 1045 01:00:59,024 --> 01:01:00,776 ♪ Half a pound of greasepaint ♪ 1046 01:01:01,819 --> 01:01:03,236 ♪ Half a pound of greasepaint ♪ 1047 01:01:04,613 --> 01:01:05,781 [John] ♪ Mr. Show ♪ 1048 01:01:07,991 --> 01:01:12,246 [Paul] ♪ Oh, go into song and dances ♪ 1049 01:01:13,622 --> 01:01:17,794 ♪ Oh, go into funny prances ♪ 1050 01:01:19,087 --> 01:01:23,550 ♪ Let me hear you do the new Oh, newest dance ♪ 1051 01:01:23,633 --> 01:01:25,302 ♪ And in the greasepaint pants ♪ 1052 01:01:26,261 --> 01:01:27,971 ♪ The man in the greasepaint pants ♪ 1053 01:01:28,638 --> 01:01:29,848 [John] Allen Klein's here. 1054 01:01:30,807 --> 01:01:32,267 [George] Where's he gonna be? 1055 01:01:33,060 --> 01:01:34,645 [John] Should we go up to our room? 1056 01:01:34,729 --> 01:01:36,814 - [Paul] Yeah. - [George] Oh, fuck it. 1057 01:01:36,897 --> 01:01:39,108 [laughing] 1058 01:01:39,191 --> 01:01:41,569 [John] ♪ I want you so bad ♪ 1059 01:01:41,652 --> 01:01:42,987 [chattering] 1060 01:01:48,493 --> 01:01:50,203 {\an8}- [Ringo] Morning, Michael. - [Michael] Morning, R.S. 1061 01:01:50,286 --> 01:01:53,373 {\an8}How many numbers do you think you'll have by tomorrow at 1:00 1062 01:01:53,456 --> 01:01:55,125 {\an8}- before you go up on the roof? - [Ringo] About six. 1063 01:01:56,001 --> 01:01:57,168 {\an8}[Michael] Yes, it's gonna be great. 1064 01:01:58,879 --> 01:01:59,880 {\an8}[Yoko laughs] 1065 01:02:07,471 --> 01:02:08,472 {\an8}[Yoko chuckles] 1066 01:02:30,037 --> 01:02:31,038 {\an8}[John] Yeah. 1067 01:02:31,789 --> 01:02:33,291 [Glyn] But strange, man. [laughs] 1068 01:02:39,672 --> 01:02:40,674 {\an8}[Yoko] Yes. 1069 01:03:02,071 --> 01:03:03,072 {\an8}[Yoko] Mmm. 1070 01:03:03,155 --> 01:03:06,409 Tomorrow, with the nine cameras, if we do tomorrow, 1071 01:03:06,492 --> 01:03:08,411 there is a kind of, "Something will happen." 1072 01:03:08,494 --> 01:03:10,455 No, it's the best bit of us, 1073 01:03:10,538 --> 01:03:12,332 always has been and always will be, 1074 01:03:12,415 --> 01:03:15,335 is when we've got-- when we're backs against the wall 1075 01:03:15,418 --> 01:03:17,378 and we've been rehearsing, rehearsing, rehearsing. 1076 01:03:17,463 --> 01:03:20,048 And he knows it's a take on the dub. And he does it great. 1077 01:03:20,131 --> 01:03:23,260 No, the organization has gotta come from either you 1078 01:03:23,344 --> 01:03:24,470 or from you doing an audience. 1079 01:03:24,553 --> 01:03:27,181 But that's not true, you see? There is a difference. 1080 01:03:27,264 --> 01:03:29,851 - Like when we came here from Twickenham. - Mmm. 1081 01:03:29,934 --> 01:03:31,561 It's a whole other thing, you know? 1082 01:03:32,520 --> 01:03:36,941 If we went into a TV studio now, in one of those big, bare TV studios 1083 01:03:37,024 --> 01:03:39,319 and you sat us down, just with our songs and amps, 1084 01:03:39,402 --> 01:03:40,988 we'd do 'em and we'd do 'em great. 1085 01:03:42,030 --> 01:03:43,991 I think what we need is an audience of some sort. 1086 01:03:44,074 --> 01:03:45,575 Either a surprise audience-- 1087 01:03:46,159 --> 01:03:48,495 {\an8}Tomorrow, or, uh… I'll light my cigar. 1088 01:03:52,165 --> 01:03:53,166 {\an8}[laughter] 1089 01:03:55,294 --> 01:03:58,672 {\an8}If we've got like everything set for tomorrow, we just go ahead and do it and-- 1090 01:03:58,756 --> 01:04:00,925 [Paul] The roof is like too far out. 1091 01:04:01,009 --> 01:04:02,343 If we do an open air thing… 1092 01:04:03,094 --> 01:04:05,722 That's-- that's really all I can say about this whole scene. 1093 01:04:05,805 --> 01:04:08,433 We should learn all the numbers. All of them. 1094 01:04:08,517 --> 01:04:10,394 All the ones that are gonna be on the album. 1095 01:04:10,477 --> 01:04:12,312 I know it literally takes a bit more time. 1096 01:04:12,396 --> 01:04:14,273 [George Martin] That's why I wanna go through with you today, the ones-- 1097 01:04:14,356 --> 01:04:16,566 But we haven't got the end thing. 1098 01:04:16,650 --> 01:04:19,528 I've got a feeling that we're gonna just, sort of, go off… 1099 01:04:20,613 --> 01:04:21,614 ♪ Got a feeling ♪ 1100 01:04:21,697 --> 01:04:24,534 We're just gonna go off like we did after the end of the last album. 1101 01:04:25,159 --> 01:04:27,912 And just sort of think, "Oh, not another fucking album." 1102 01:04:27,995 --> 01:04:30,331 You know? Because this is-- this is what this is, you know. 1103 01:04:30,415 --> 01:04:32,876 - I can't wait to work it, you know? - Yeah. 1104 01:04:32,959 --> 01:04:36,379 But it's like we got much better takes after we moved from Twickenham to here. 1105 01:04:36,462 --> 01:04:38,840 Oh, yeah, but I mean here I like. It's like home. 1106 01:04:38,924 --> 01:04:44,388 But, like, we still haven't got any aim for it, except an album again. 1107 01:04:44,471 --> 01:04:47,349 - Yeah. - Our only aim ever is an album, you know? 1108 01:04:47,433 --> 01:04:49,643 Which is like a very nonvisual thing. 1109 01:04:49,726 --> 01:04:51,979 But albums is what we're doing at the moment. 1110 01:04:52,063 --> 01:04:53,773 I mean, you gotta be sneaky with The Beatles, 1111 01:04:53,856 --> 01:04:56,484 or else we'll just go on forever in a circle, you know? 1112 01:04:56,568 --> 01:04:59,321 Whenever we talk about it, we have certain rules. 1113 01:04:59,404 --> 01:05:02,865 Like George saying, "What do you wanna do?" And he says, "No films." 1114 01:05:02,949 --> 01:05:05,535 You know, but it's wrong, that. It's very wrong, that. 1115 01:05:05,618 --> 01:05:07,287 Because you don't know. 1116 01:05:07,370 --> 01:05:10,415 He says-- What he means is, no Help, Hard Day's Night. 1117 01:05:10,498 --> 01:05:12,960 'Cause this is a film. And he now he doesn't mind this. 1118 01:05:13,043 --> 01:05:15,003 It's us going silly again. 1119 01:05:16,964 --> 01:05:19,425 [Paul] See, it's like when we came back from Hamburg, 1120 01:05:19,508 --> 01:05:23,262 and did Leicester, De Montfort Hall and we had the worst first night thing, 1121 01:05:23,346 --> 01:05:25,348 and we're all nervous, and it was terrible. 1122 01:05:25,431 --> 01:05:27,976 Then we played another the next night. We just went right into it. 1123 01:05:28,059 --> 01:05:30,604 We're good at that once we get over the nervousness. 1124 01:05:30,687 --> 01:05:34,233 But it's like there's the hurdle of that nervousness is there now. 1125 01:05:39,571 --> 01:05:42,742 {\an8}[Paul] Yes, but for who is tomorrow the day? Not for me. 1126 01:05:42,825 --> 01:05:44,619 You know, it's like there's this thing 1127 01:05:44,702 --> 01:05:48,331 where there is a show to be had out of what we've got here, 1128 01:05:48,414 --> 01:05:51,417 which is just so incredible. That's unbelievable. 1129 01:05:51,501 --> 01:05:54,295 And you don't have to go on the roof. You don't have to go anywhere. 1130 01:05:54,379 --> 01:05:56,506 - You really only have to sing 'em. - Well, even if we stay here-- 1131 01:05:56,589 --> 01:05:59,009 [George Martin] This business of a deadline though is up to you really, 1132 01:05:59,092 --> 01:06:00,719 because we've given you deadlines already. 1133 01:06:00,802 --> 01:06:03,889 Yeah, well, that's why I'm talking to John, not you. 1134 01:06:05,181 --> 01:06:10,104 The easiest way to finish the show, is just to sit here for another few days 1135 01:06:10,187 --> 01:06:13,607 and start rehearsing them one after the other and do three numbers at a time. 1136 01:06:13,690 --> 01:06:16,360 And like George said, get a program of where we're gonna do 'em, 1137 01:06:16,443 --> 01:06:18,279 what's gonna follow what. 1138 01:06:18,362 --> 01:06:20,281 And just start playing them right through. 1139 01:06:20,365 --> 01:06:22,074 And then just knock it off. 1140 01:06:22,158 --> 01:06:25,036 [George Martin] Like you used to, and have all your titles on your guitar, you know. 1141 01:06:25,120 --> 01:06:27,455 Yes, yes. I mean, I thought that's what we're doing. 1142 01:06:27,539 --> 01:06:28,999 [George Martin] It's just that you say you're not ready. 1143 01:06:29,082 --> 01:06:30,458 We're not ready, yeah, sure. 1144 01:06:30,542 --> 01:06:32,002 We're not ready to do 14. 1145 01:06:32,085 --> 01:06:36,048 See, the only trouble is, we really have to want to do a show at the end of it. 1146 01:06:36,131 --> 01:06:37,925 That's the thing. That's the trouble. 1147 01:06:38,008 --> 01:06:39,885 None of us have an aim. 1148 01:06:39,968 --> 01:06:42,430 We don't have a thing at the end of it that we wanna do. 1149 01:06:42,513 --> 01:06:44,765 We could have had a De Montfort Hall show… 1150 01:06:44,848 --> 01:06:46,392 This would have been De Montfort Hall 1151 01:06:46,475 --> 01:06:49,353 if we'd have done the dress rehearsal here. 1152 01:06:49,437 --> 01:06:51,648 And get over the nervousness of an audience, 1153 01:06:51,731 --> 01:06:54,984 and stop, sort of, playing to show off to them and-- [hums] 1154 01:06:55,694 --> 01:06:56,986 {\an8}Just play it. 1155 01:06:57,779 --> 01:06:58,988 {\an8}[Paul] Yeah. Yeah. 1156 01:06:59,073 --> 01:07:01,951 The voices are going in my head, which way we're gonna-- which way we are-- 1157 01:07:02,034 --> 01:07:06,872 What's your, sort of, practical answer to the problem now, regarding tomorrow? 1158 01:07:10,250 --> 01:07:12,670 I think we'd be daft just not to do it-- 1159 01:07:12,753 --> 01:07:14,922 - Well, try and do something tomorrow… - [George] Sorry I'm late. 1160 01:07:15,005 --> 01:07:19,135 …even if it's a grand dress rehearsal, and see how it went. 1161 01:07:19,219 --> 01:07:21,471 - Morning, George. - [John] And then, you know… 1162 01:07:22,430 --> 01:07:24,766 I mean, if we had another six weeks… 1163 01:07:24,850 --> 01:07:26,852 [chattering] 1164 01:07:30,272 --> 01:07:32,191 [George inhales] Six weeks. 1165 01:07:33,567 --> 01:07:36,570 [John] I mean, you know, if we had another month to play with 1166 01:07:36,653 --> 01:07:42,243 to really, I think, get 14 straight off, it'd be nice, 1167 01:07:42,326 --> 01:07:44,371 you know, to still do the seven we've got. 1168 01:07:45,288 --> 01:07:48,291 - [crew] Do you plan on playing the… - What, what? 1169 01:07:48,375 --> 01:07:51,503 [George] I just don't-- You know, I think it's gonna take months doing it like that. 1170 01:07:52,670 --> 01:07:55,007 So how do you think we should do it then? 1171 01:07:55,090 --> 01:07:57,384 [George] You can film some while we're recording them 1172 01:07:57,467 --> 01:07:59,261 at the same time, okay, but-- 1173 01:07:59,344 --> 01:08:01,514 [Paul] Yeah, see, that's what I wanna get in me head. 1174 01:08:01,597 --> 01:08:05,184 Is it a documentary of us doing another album? Which it is. 1175 01:08:05,268 --> 01:08:07,896 Except, we're doing them one after the other. 1176 01:08:07,979 --> 01:08:10,732 No, but, I mean, we're not doing a payoff. 1177 01:08:10,815 --> 01:08:16,070 We're not doing the 11 numbers straight off for an album. 1178 01:08:16,154 --> 01:08:18,282 We're gonna have to, sort off, join 'em. 1179 01:08:18,365 --> 01:08:20,992 [John] I agree with that. I think it's disappointing but, all right, 1180 01:08:21,076 --> 01:08:23,453 we've only got to seven. Let's do seven. 1181 01:08:26,206 --> 01:08:27,207 Yeah. 1182 01:08:27,708 --> 01:08:30,169 [John] 'Cause otherwise-- We haven't enough time to do 14, 1183 01:08:30,252 --> 01:08:32,254 'cause Ringo's gotta go, you know? 1184 01:08:32,337 --> 01:08:35,633 But we might be able to get another seven off by the end of two weeks. 1185 01:08:36,301 --> 01:08:37,468 I mean, we will, but… 1186 01:08:37,552 --> 01:08:40,055 The only trouble is that the only people, 1187 01:08:40,138 --> 01:08:43,558 like, who need to agree on what it is we're doing is the four of us, 1188 01:08:43,641 --> 01:08:46,144 and we're the only ones who haven't even talked about it. 1189 01:08:46,227 --> 01:08:49,189 Because we had the meeting before all this and said, "TV show." 1190 01:08:49,272 --> 01:08:50,649 That's what I've gotta get in my head. 1191 01:08:50,732 --> 01:08:52,025 It's an album. 1192 01:08:52,108 --> 01:08:55,196 [George] All that footage of film which could make about half a dozen films. 1193 01:08:55,279 --> 01:08:57,614 Yeah. It's a film of us making an album. 1194 01:08:57,698 --> 01:08:59,283 Yeah, but that's visual. 1195 01:08:59,366 --> 01:09:00,993 [Paul] Yes. Yeah. 1196 01:09:01,077 --> 01:09:04,413 Yeah. I've got no complaints about it. But I just gotta get that in my head. 1197 01:09:12,880 --> 01:09:16,176 This TV show was supposed to be a TV show of the last album. 1198 01:09:17,260 --> 01:09:18,553 - [Glyn] The last album? - Yes. 1199 01:09:18,637 --> 01:09:21,557 But when we came to do it we said, "We'll write new songs." 1200 01:09:21,640 --> 01:09:22,891 [Paul] 'Cause that's it, you see. We always-- 1201 01:09:22,975 --> 01:09:25,143 We never-- We always get ahead of ourselves. 1202 01:09:25,228 --> 01:09:28,982 The thing is that, like, yesterday, which wasn't a particularly good day, 1203 01:09:29,065 --> 01:09:30,900 and the day before, which wasn't a particularly good day either. 1204 01:09:30,984 --> 01:09:31,985 Mmm. 1205 01:09:32,068 --> 01:09:34,070 The reason is obviously the fact that you're playing 1206 01:09:34,153 --> 01:09:37,574 the same three or four songs for a week or whatever, 1207 01:09:37,657 --> 01:09:38,950 you know, and you're flogging them to death. 1208 01:09:39,033 --> 01:09:40,577 Obviously you're getting bored with them, you know, like, 1209 01:09:40,660 --> 01:09:42,454 - it can't be any other way. - Yeah. 1210 01:09:42,537 --> 01:09:44,873 That was why George and I were trying to get you yesterday 1211 01:09:44,956 --> 01:09:48,418 to do three in one go, straight through, so you had to think, 1212 01:09:48,502 --> 01:09:50,880 "Oh, yeah, what's the key? Why isn't it right?" 1213 01:09:50,963 --> 01:09:53,215 [George] How many have we already recorded good enough? 1214 01:09:53,298 --> 01:09:54,299 None. 1215 01:09:54,383 --> 01:09:58,346 None? Well, what about all those times we've done "Get Back"? 1216 01:09:58,429 --> 01:10:00,306 Oh, well, I mean, one of them's all right, isn't it? 1217 01:10:00,390 --> 01:10:02,225 There's that one of yours we did. 1218 01:10:02,892 --> 01:10:04,185 And "Get Back." 1219 01:10:04,269 --> 01:10:07,188 [George Martin] But they're at a stage where it's dress rehearsal stage, 1220 01:10:07,272 --> 01:10:08,899 - Yes. - Where if you did a performance, 1221 01:10:08,982 --> 01:10:10,066 it probably would be it. 1222 01:10:11,401 --> 01:10:13,737 - Yes. - Yesterday you got terribly close to it 1223 01:10:13,820 --> 01:10:15,947 on a couple of the numbers you were trying to do. 1224 01:10:16,031 --> 01:10:19,576 - One more take and you've had it. - It's just physical tiredness on my part. 1225 01:10:19,660 --> 01:10:20,995 You know, it took great strain 1226 01:10:21,078 --> 01:10:23,664 to get through "Don't Let Me Down" and the other one. 1227 01:10:23,748 --> 01:10:26,543 Just physically singing at that pace, I'm being so tired. 1228 01:10:26,626 --> 01:10:28,836 [George] Well, that's the thing, if you're planning on working up 1229 01:10:28,920 --> 01:10:32,215 till Ringo does the film, doing it like this, 1230 01:10:32,299 --> 01:10:33,966 you know, we're just gonna drop. 1231 01:10:35,218 --> 01:10:37,220 {\an8}I think-- I think yesterday… 1232 01:10:39,056 --> 01:10:41,975 - At least we could've recorded all those. - Was the result of not having the weekend. 1233 01:10:42,059 --> 01:10:44,937 If we hadn't had the weekend, we wouldn't have been able to even attempt yesterday. 1234 01:10:45,020 --> 01:10:46,271 That's the paradox. 1235 01:10:46,355 --> 01:10:48,607 [George] But if we had just been recording them, you know… 1236 01:10:48,691 --> 01:10:51,527 [Michael] And at the moment the documentary is really like No Exit. 1237 01:10:51,610 --> 01:10:54,322 It's just going around and around and around with no payoff. 1238 01:10:54,405 --> 01:10:55,406 There's no story. 1239 01:10:55,489 --> 01:10:57,826 There's a lot of good stuff that we shot in the documentary, 1240 01:10:57,909 --> 01:10:59,202 but there's no story yet. 1241 01:10:59,285 --> 01:11:04,624 [Paul] Now I know how to get this TV show together in about a week. 1242 01:11:04,708 --> 01:11:07,252 But I can't do it with you. I can't produce you. 1243 01:11:07,336 --> 01:11:09,338 - [John] Neither can anybody else. - No, right. 1244 01:11:09,421 --> 01:11:11,048 'Cause we don't allow it, you know. 1245 01:11:11,631 --> 01:11:13,926 We don't allow people to come and say, "You do that." 1246 01:11:14,009 --> 01:11:16,721 [Paul] That's why I'm creating artificial frameworks for us to do it-- 1247 01:11:16,804 --> 01:11:19,474 [Michael] We've got a lot of good stuff, like with some of the days at Twickenham. 1248 01:11:19,557 --> 01:11:22,477 We've got great stuff, counterpoint thing. But at the moment haven't got an ending. 1249 01:11:22,560 --> 01:11:23,853 See, 'cause they've got the film, you know. 1250 01:11:23,936 --> 01:11:25,355 - I just wanna get out now. - [John] Yes. 1251 01:11:25,438 --> 01:11:28,441 [Paul] We've done the film. We've done the numbers enough, you know? 1252 01:11:28,524 --> 01:11:29,650 And we begin together-- 1253 01:11:29,735 --> 01:11:32,237 But, I mean, if George wants to think while we're doing it 1254 01:11:32,320 --> 01:11:33,489 that he's making a record. 1255 01:11:33,572 --> 01:11:36,157 - [Paul] Yes. - And you wanna think we're rehearsing. 1256 01:11:36,241 --> 01:11:37,451 It makes no odds, you know. 1257 01:11:37,534 --> 01:11:38,744 [Paul] So we've gotta decide 1258 01:11:38,827 --> 01:11:41,163 that we mustn't then go on "Get Back" for three hours. 1259 01:11:45,459 --> 01:11:48,295 {\an8}Or else I really feel like I'm trying to produce The Beatles, 1260 01:11:48,379 --> 01:11:49,964 and I know it's hopeless. 1261 01:11:50,047 --> 01:11:51,340 I just can't do it, you know. 1262 01:11:51,424 --> 01:11:52,634 And no one can do it 1263 01:11:52,717 --> 01:11:55,928 'cause the four individuals are too strong individually. 1264 01:11:56,012 --> 01:11:58,932 - Yes, we know. - So you want us to record these songs? 1265 01:11:59,016 --> 01:12:02,602 Yeah. Get it together now instead of talking about the show. 1266 01:12:02,685 --> 01:12:04,437 Get it, so that we've got 14 songs. 1267 01:12:04,521 --> 01:12:07,190 [Paul] We're talking about this abstract thing we hope to get, 1268 01:12:07,274 --> 01:12:08,859 and by talking about, we're not getting it. 1269 01:12:08,942 --> 01:12:10,027 [John] Okay, let's do it. 1270 01:12:10,110 --> 01:12:12,988 But, man, physically, yesterday we tried to learn the next half. 1271 01:12:13,072 --> 01:12:14,407 But physically we were too tired. 1272 01:12:14,490 --> 01:12:16,034 - That's all it was. - [Paul] Yeah, that's right. 1273 01:12:16,117 --> 01:12:17,576 And we're trying to do what you're saying, 1274 01:12:17,660 --> 01:12:20,204 and we might have done what he was saying at the same time, 1275 01:12:20,288 --> 01:12:21,831 but we couldn't do it 'cause we're tired. 1276 01:12:21,915 --> 01:12:22,916 - That's all. - [Paul] Yeah. 1277 01:12:22,999 --> 01:12:25,126 So we had-- We might have had a bit more sleep-- 1278 01:12:25,209 --> 01:12:29,047 You mean you're still expecting us to be on the chimney with a lot of people, 1279 01:12:29,131 --> 01:12:30,382 or something like that? 1280 01:12:30,465 --> 01:12:32,927 Well, anyway, we won't worry about that. Don't give us that one. 1281 01:12:33,010 --> 01:12:35,095 [Michael] "Expecting" is not a word we use anymore. 1282 01:12:35,179 --> 01:12:36,180 Uh, "thinking about." 1283 01:12:36,263 --> 01:12:38,515 - "Praying"? - [Michael] "Praying. Hoping." 1284 01:12:39,559 --> 01:12:41,436 Uh… well, now, what about the roof tomorrow? 1285 01:12:41,519 --> 01:12:43,313 - Do you wanna collectively do it or not? - No, let's-- 1286 01:12:43,396 --> 01:12:46,691 Let's-- Let's decide on that, sort of, a bit later. 1287 01:12:46,774 --> 01:12:48,776 Let's us keep off that. 1288 01:12:48,859 --> 01:12:50,403 - We'll do the numbers, you know? - [laughter] 1289 01:12:50,486 --> 01:12:51,863 We're the band. 1290 01:12:51,947 --> 01:12:54,490 - [George chuckles] - [George Martin] "You're fucking right." 1291 01:12:54,575 --> 01:12:57,118 No, you know, I-- You know, whatever. 1292 01:12:57,202 --> 01:12:59,245 I'll do it if we've got to go on the roof. 1293 01:12:59,330 --> 01:13:00,706 - You're the band now… - You know, I mean… 1294 01:13:07,671 --> 01:13:08,840 [Paul] You would like to? 1295 01:13:09,757 --> 01:13:10,758 {\an8}[Paul chuckles] 1296 01:13:11,968 --> 01:13:13,803 Very diverse people. 1297 01:13:13,886 --> 01:13:16,097 - One second. - [John] But, I mean if… See, I don't mind… 1298 01:13:16,180 --> 01:13:19,101 - That's all right. We won't discuss it. - …if anybody doesn't wanna go on it. 1299 01:13:19,184 --> 01:13:21,228 - It wasn't that I-- - [Paul] So what songs have we got? 1300 01:13:21,311 --> 01:13:23,646 Have we got a sort of list of what we've got, 'cause-- 1301 01:13:23,730 --> 01:13:26,399 [George Martin] A lot of them are… I mean, there's too much of a list there. 1302 01:13:26,483 --> 01:13:28,777 - But there's certainly everything here. - [Paul] Okay. 1303 01:13:28,861 --> 01:13:31,822 [Paul] "I've Got a Feeling," "Don't Let Me Down," "Get Back." 1304 01:13:31,905 --> 01:13:34,700 - [George Martin] Don't know what that is. - [Paul] "I'd Like a Love That's Right." 1305 01:13:34,783 --> 01:13:35,909 ♪ I'd like a love that… ♪ 1306 01:13:37,286 --> 01:13:39,873 {\an8}[Paul] "Long and Winding Road," "Let it Be," "For You Blue." 1307 01:13:44,460 --> 01:13:47,631 - I love "Yer Blue." - [Paul] "Two of Us," "All I Want is You," 1308 01:13:47,714 --> 01:13:50,008 "Across The Universe," "Maxwell's Silver Hammer." 1309 01:13:50,091 --> 01:13:52,386 - [Michael] "Route 999." - "One After 909." 1310 01:13:52,469 --> 01:13:54,013 - [laughter] - [Paul] "One After 909." 1311 01:13:54,096 --> 01:13:56,056 [Paul] Listen, there's no surprise numbers even in this. 1312 01:13:56,140 --> 01:13:57,141 Surprises? 1313 01:13:57,224 --> 01:13:59,685 I mean, there's nothing that'd throw us to do it straight. 1314 01:13:59,769 --> 01:14:01,646 "Bathroom Window," "Teddy Boy." 1315 01:14:01,729 --> 01:14:03,731 We haven't gone through "Maxwell's" since Twickenham. 1316 01:14:03,814 --> 01:14:06,651 [Paul] No. "All Things Must Pass." That's lucky 13. 1317 01:14:06,734 --> 01:14:08,611 {\an8}[Glyn] There's "Dig It", as well, which is very long. 1318 01:14:10,030 --> 01:14:12,115 It's like all these new ones we've gotta do 1319 01:14:12,198 --> 01:14:14,534 to make up the number don't exist. 1320 01:14:14,617 --> 01:14:15,618 - [Glyn] Right. - [Yoko] Great. 1321 01:14:15,702 --> 01:14:16,953 We've got 'em all. 1322 01:14:17,037 --> 01:14:18,246 And you've got the live album. 1323 01:14:18,329 --> 01:14:20,123 - [Paul] Yeah. - If you wanna do it, if we just find out-- 1324 01:14:20,206 --> 01:14:22,042 We should just collect all the thoughts on these 1325 01:14:22,125 --> 01:14:23,710 and just check through every song, 1326 01:14:23,794 --> 01:14:27,589 like to know, say, make sure you know all the chords, I know all the bass notes. 1327 01:14:29,216 --> 01:14:31,052 ♪ Dig it, dig it, dig it, dig it, dig it ♪ 1328 01:14:31,135 --> 01:14:32,594 ♪ Don't Let Me Down ♪ 1329 01:14:32,679 --> 01:14:35,097 [Paul] ♪ Dig it, dig it, dig it, dig it, dig it ♪ 1330 01:14:35,181 --> 01:14:36,223 [John] ♪ Get Back ♪ 1331 01:14:36,307 --> 01:14:38,893 ♪ Dig it, dig it, dig it, dig it, dig it ♪ 1332 01:14:38,976 --> 01:14:40,562 ♪ I've Got A Feeling ♪ 1333 01:14:40,645 --> 01:14:43,231 ♪ Dig it, dig it, dig it, dig it, dig it ♪ 1334 01:14:43,315 --> 01:14:45,192 ♪ Two Of Us (On Our Way Home) ♪ 1335 01:14:45,275 --> 01:14:47,402 {\an8}[Paul] ♪ Dig it, dig it, dig it, dig it, dig it ♪ 1336 01:14:47,485 --> 01:14:50,238 {\an8}[John] ♪ All I Want Is You, Teddy Boy ♪ 1337 01:14:51,615 --> 01:14:53,784 ♪ One After 909 ♪ 1338 01:14:53,867 --> 01:14:55,953 ♪ Dig it, dig it, dig it, dig it, dig it ♪ 1339 01:14:56,036 --> 01:14:57,955 ♪ All Things Must Pass ♪ 1340 01:14:58,038 --> 01:15:00,083 ♪ Oh… ♪ 1341 01:15:00,166 --> 01:15:02,001 ♪ Well Can You Dig It ♪ 1342 01:15:04,921 --> 01:15:06,505 ♪ Let It Be ♪ 1343 01:15:08,174 --> 01:15:10,635 ♪ The Long And Winding Road ♪ 1344 01:15:12,554 --> 01:15:14,639 ♪ Also, For You Blue ♪ 1345 01:15:14,723 --> 01:15:16,266 ♪ Oh… ♪ 1346 01:15:16,350 --> 01:15:18,560 ♪ Across The Universe ♪ 1347 01:15:18,643 --> 01:15:20,562 [vocalizing] 1348 01:15:20,645 --> 01:15:23,315 ♪ With Maxwell's Silver Hammer ♪ 1349 01:15:25,901 --> 01:15:27,319 ♪ I Me Mine ♪ 1350 01:15:29,071 --> 01:15:31,574 ♪ Through the Bathroom Window ♪ 1351 01:15:33,409 --> 01:15:34,619 {\an8}♪ I'd Like a Life ♪ 1352 01:15:34,702 --> 01:15:38,999 {\an8}♪ B, C, D, F, G, A-flat, A ♪ 1353 01:15:39,082 --> 01:15:42,168 ♪ A, C, D, F, G, A-flat, A ♪ 1354 01:15:46,047 --> 01:15:49,260 ♪ Dig it, dig it, dig it, dig it Dig it, dig it, dig it, dig it ♪ 1355 01:15:49,343 --> 01:15:51,178 ♪ Dig it, dig it, dig it, dig it, dig it ♪ 1356 01:15:53,890 --> 01:15:54,891 [song ends] 1357 01:15:58,936 --> 01:16:00,146 [Paul] Are we having lunch soon? 1358 01:16:01,564 --> 01:16:03,650 - See you later. - [John] Ta-ra, girls. 1359 01:16:03,733 --> 01:16:04,734 See ya. 1360 01:16:07,946 --> 01:16:09,948 [guitars tuning] 1361 01:16:11,199 --> 01:16:14,077 [George] John, I'll tell you what I'd like to do. 1362 01:16:14,787 --> 01:16:15,913 Um… 1363 01:16:15,996 --> 01:16:20,543 You know, I've got so many songs that I've got me, like, 1364 01:16:20,626 --> 01:16:25,965 my quota of tunes for the next ten years or albums. 1365 01:16:26,590 --> 01:16:32,931 I'd just like to maybe do an album of songs. 1366 01:16:33,848 --> 01:16:34,933 {\an8}- [George] Yeah. - [John] Yeah. 1367 01:16:35,016 --> 01:16:38,019 [George] But, I mean, I'd like it so that if, uh… 1368 01:16:41,440 --> 01:16:45,110 'Cause it would be nice. It would be nice to mainly get them all out the way. 1369 01:16:45,194 --> 01:16:46,028 [John] Yes. 1370 01:16:47,487 --> 01:16:52,117 [George] And secondly, just to hear what all mine are like all together. 1371 01:16:56,581 --> 01:17:02,212 [George] Yeah, but it'd be nice if any of us can do separate things as well. 1372 01:17:02,295 --> 01:17:07,968 That way it also preserves this, the Beatle bit of it, more. 1373 01:17:08,051 --> 01:17:09,052 Because then-- 1374 01:17:09,135 --> 01:17:11,263 [John] Have an outlet for every little note you want. 1375 01:17:11,347 --> 01:17:13,807 [George] You know, 'cause all these songs of mine, 1376 01:17:13,890 --> 01:17:16,268 I could give to people who could do 'em good. 1377 01:17:16,352 --> 01:17:18,980 But I suddenly realized, "You know, fuck all that. 1378 01:17:19,063 --> 01:17:22,066 I'm just gonna do me for a bit. You know?" 1379 01:17:22,149 --> 01:17:24,361 - [Billy] That's the real thing. - [Yoko] It's great. That's a good idea. 1380 01:17:24,444 --> 01:17:25,987 And, you know… 1381 01:17:26,779 --> 01:17:28,656 ♪ I had a dream ♪ 1382 01:17:30,117 --> 01:17:33,161 ♪ I had a good dream ♪ 1383 01:17:34,329 --> 01:17:35,956 ♪ I had a dream ♪ 1384 01:17:37,541 --> 01:17:39,460 ♪ I had a good dream… ♪ 1385 01:17:39,543 --> 01:17:43,797 ♪ You're Black or you're white Do you wanna go right ♪ 1386 01:17:43,881 --> 01:17:45,216 [chuckles] 1387 01:17:46,467 --> 01:17:47,969 ♪ I had a dream ♪ 1388 01:17:49,678 --> 01:17:51,723 ♪ A very good dream last night ♪ 1389 01:17:53,182 --> 01:17:55,435 ♪ I said I got a dream ♪ 1390 01:17:57,437 --> 01:18:03,610 ♪ I said wrong or right, Black or white We all deserve our equal rights ♪ 1391 01:18:05,487 --> 01:18:07,281 ♪ I had a dream ♪ 1392 01:18:08,448 --> 01:18:11,118 - ♪ A very good dream ♪ - ♪ Yes, I did ♪ 1393 01:18:12,703 --> 01:18:14,289 ♪ I had a dream ♪ 1394 01:18:16,040 --> 01:18:18,709 ♪ A very good dream, y'all ♪ 1395 01:18:19,961 --> 01:18:22,172 ♪ I had a dream ♪ 1396 01:18:23,048 --> 01:18:26,009 ♪ A very good dream Every man born deserves a dream ♪ 1397 01:18:26,092 --> 01:18:28,219 [John] ♪ If you're Black or white We want equal rights ♪ 1398 01:18:28,303 --> 01:18:30,556 - ♪ Yeah ♪ - ♪ It's very hard to get those words in ♪ 1399 01:19:37,293 --> 01:19:38,294 [song ends] 1400 01:19:38,878 --> 01:19:39,879 [Paul] This one. 1401 01:19:40,505 --> 01:19:44,175 ♪ You and I have memories ♪ 1402 01:19:45,135 --> 01:19:49,640 ♪ Longer than the road that stretches ♪ 1403 01:19:49,723 --> 01:19:52,601 ♪ Out ahead ♪ 1404 01:19:53,977 --> 01:19:57,439 - [Paul] ♪ Two of us wearing raincoats ♪ - [John] ♪ You and me wearing raincoats ♪ 1405 01:19:57,523 --> 01:20:02,779 ♪ Standing solo in the sun ♪ 1406 01:20:04,238 --> 01:20:07,492 ♪ You and me chasing paper ♪ 1407 01:20:07,575 --> 01:20:09,661 ♪ Getting nowhere ♪ 1408 01:20:09,744 --> 01:20:14,916 ♪ On our way back home ♪ 1409 01:20:16,209 --> 01:20:18,879 ♪ We're on our way home ♪ 1410 01:20:19,546 --> 01:20:21,799 ♪ We're on our way home ♪ 1411 01:20:22,883 --> 01:20:25,761 ♪ We're going home ♪ 1412 01:20:25,844 --> 01:20:27,095 - [John] Take it. - Yes, sir. 1413 01:20:28,055 --> 01:20:31,684 ♪ You and I have memories ♪ 1414 01:20:32,810 --> 01:20:37,481 ♪ Longer than the road that stretches ♪ 1415 01:20:37,565 --> 01:20:38,692 [John] ♪ Out ahead ♪ 1416 01:20:38,775 --> 01:20:41,653 [Paul] ♪ Gottle of geer Gottle of geer, gottle of geer ♪ 1417 01:20:41,736 --> 01:20:44,823 ♪ Two of us wearing raincoats ♪ 1418 01:20:44,906 --> 01:20:47,242 ♪ Standing solo ♪ 1419 01:20:47,326 --> 01:20:50,537 ♪ In the sun ♪ 1420 01:20:51,872 --> 01:20:54,875 ♪ You and me chasing paper ♪ 1421 01:20:54,959 --> 01:20:57,336 ♪ Getting nowhere ♪ 1422 01:20:57,420 --> 01:21:02,883 ♪ On our way back home ♪ 1423 01:21:03,884 --> 01:21:05,971 ♪ We're on our way home ♪ 1424 01:21:07,263 --> 01:21:09,432 ♪ We're on our way home ♪ 1425 01:21:10,600 --> 01:21:13,937 ♪ We're going home ♪ 1426 01:21:19,235 --> 01:21:20,236 [Paul] I'm going home. 1427 01:21:23,280 --> 01:21:24,281 ♪ Goodbye ♪ 1428 01:21:24,365 --> 01:21:25,532 [John] ♪ Goodbye ♪ 1429 01:21:27,451 --> 01:21:29,370 A, B, C, D, E, F, G, 1430 01:21:29,453 --> 01:21:31,998 - H, I, J, K, L, M, N, O, P… - [John] Greta Garbo. 1431 01:21:32,081 --> 01:21:34,834 - …Q, S, R, T. - [John] Greta Garbo. Greta Garbo. 1432 01:21:34,917 --> 01:21:35,918 Greta Garbo. 1433 01:21:37,379 --> 01:21:38,713 [John] No, that's not. 1434 01:21:41,341 --> 01:21:43,593 Put the ones we know in a hat. 1435 01:21:43,677 --> 01:21:46,054 Shuffle them out to see which order we do 'em in. 1436 01:21:48,432 --> 01:21:50,309 [Mal] We'll all be here bright and early. 1437 01:21:50,393 --> 01:21:51,644 [Michael] 11:30. 1438 01:21:51,727 --> 01:21:54,397 We're all sleeping at George's tonight. Get in the mood. 1439 01:21:54,480 --> 01:21:56,107 We're all ready for tomorrow. 1440 01:21:56,190 --> 01:21:58,026 So you're doing the show on the roof tomorrow? 1441 01:22:00,654 --> 01:22:03,907 {\an8}Oh, sure, Albert Hall. Sure. Five o'clock. See you there. 1442 01:22:05,074 --> 01:22:05,992 [Paul] Mm-hmm. 1443 01:22:08,245 --> 01:22:09,996 [chuckling] 1444 01:22:13,333 --> 01:22:15,127 - You'll go as well? - [John] Yeah. 1445 01:22:15,210 --> 01:22:17,963 I think John and, uh, Ringo are on the roof. 1446 01:22:19,840 --> 01:22:21,801 In a green bag on the roof. 1447 01:22:24,512 --> 01:22:25,888 Who knows, Yoko? [chuckles] 1448 01:22:28,433 --> 01:22:30,476 Supposed to be, yeah. Yeah. 1449 01:22:30,560 --> 01:22:32,437 [chattering] 1450 01:22:32,520 --> 01:22:34,439 - [person] Okay. - [John] Oh, yeah. Let's do that. 1451 01:22:34,522 --> 01:22:35,691 Go on the roof. 1452 01:22:35,774 --> 01:22:38,026 - Good night, Mike. - [Mike] Good night. [chuckles] 1453 01:22:38,109 --> 01:22:40,196 - [Michael] Seven come 11. Good night. - [Ringo] The others are from… 1454 01:22:40,279 --> 01:22:41,405 - Good night. - [Michael] Good night. 1455 01:22:41,488 --> 01:22:43,199 - [Ringo] Good night! - [chattering] 1456 01:22:43,282 --> 01:22:44,283 [Ringo] From your show. 1457 01:22:44,366 --> 01:22:46,118 - [Michael] Night, George. - [Mike] Good night, George! 1458 01:22:46,869 --> 01:22:48,370 Good night, Sir Richard. 1459 01:22:48,454 --> 01:22:50,707 {\an8}I'll be here tomorrow to film in the church. 1460 01:22:58,631 --> 01:22:59,632 [horn honks] 1461 01:23:03,678 --> 01:23:05,931 [Michael] And then Tony and I are gonna split downstairs. 1462 01:23:07,808 --> 01:23:09,810 {\an8}[chattering] 1463 01:23:27,954 --> 01:23:28,955 {\an8}[horn honks] 1464 01:23:43,971 --> 01:23:46,807 {\an8}- [phone ringing] - [crew] Yeah? 1465 01:23:52,605 --> 01:23:54,607 [Debbie] Would you like to go up when you're ready? 1466 01:23:55,400 --> 01:23:57,986 - [crew] What time is he expecting you? - [crew 2] You can give them to Debbie. 1467 01:23:58,069 --> 01:24:01,114 [crew 3] You know, it's exclusive. It's gotta work for whoever does it. 1468 01:24:02,866 --> 01:24:03,992 {\an8}Thank you. 1469 01:24:05,327 --> 01:24:08,330 [engine revving] 1470 01:24:12,669 --> 01:24:15,004 [Michael] Let's get a camera down in the hall now too. 1471 01:24:20,843 --> 01:24:22,262 {\an8}[chattering] 1472 01:24:23,763 --> 01:24:25,265 {\an8}Yeah, I heard about that. 1473 01:24:30,896 --> 01:24:32,189 {\an8}[chattering] 1474 01:24:38,196 --> 01:24:40,031 {\an8}- [crew] Yes. - [Michael] Is that the same kind of… 1475 01:24:40,864 --> 01:24:43,034 {\an8}[chattering] 1476 01:24:43,117 --> 01:24:44,285 [Michael] Okay, hold it. 1477 01:24:45,578 --> 01:24:48,164 Three, two, one. All right. 1478 01:24:53,127 --> 01:24:54,129 [horn honks] 1479 01:24:57,382 --> 01:24:58,633 {\an8}[person] Hi. Can we come in? 1480 01:24:59,551 --> 01:25:02,012 {\an8}- Who you here for? - [person] Tony Richmond. Is he-- 1481 01:25:02,096 --> 01:25:04,098 [chattering] 1482 01:25:10,355 --> 01:25:11,981 [crew] There's a special lead that goes under. 1483 01:25:14,150 --> 01:25:15,401 [Michael] Tony's ready, isn't he? 1484 01:25:17,028 --> 01:25:18,363 Uh, with cameras? 1485 01:25:18,446 --> 01:25:20,156 - [crew] Yeah. - [crew 2] Yeah. 1486 01:25:28,707 --> 01:25:30,292 [Michael] Okay. Let's go. 1487 01:25:31,418 --> 01:25:33,004 - Is it running? - [crew] Yes. 1488 01:25:33,087 --> 01:25:34,546 - [crew 2] We're running. - [crew] Running. 1489 01:25:34,630 --> 01:25:35,965 - [crew 3] What's going on? - All right. 1490 01:25:36,924 --> 01:25:38,551 All cameras, take one! 1491 01:25:40,094 --> 01:25:41,846 [George] Where's the best way out of the way? 1492 01:25:41,929 --> 01:25:43,055 [Michael] Over here, I think. 1493 01:25:43,139 --> 01:25:45,142 - [person] Yeah, you would think that. - [person 2] With Maureen. 1494 01:25:46,143 --> 01:25:48,145 [Paul] See, you can never tell what he's doing. 1495 01:25:49,354 --> 01:25:50,355 [person 3] Sorry. 1496 01:25:51,189 --> 01:25:52,900 - Hey. - [person 4] You know you're around back. 1497 01:25:55,360 --> 01:25:56,612 Which is you here. 1498 01:25:58,864 --> 01:26:00,366 - We may find-- - [person 5] All right, yeah? 1499 01:26:00,449 --> 01:26:02,368 - It's a bit cold, isn't it? - [person 6] What's going on? 1500 01:26:02,451 --> 01:26:04,287 [Michael] It's, uh, great. 1501 01:26:08,958 --> 01:26:11,044 - [crew] You're all right playing there? - I don't know. 1502 01:26:11,711 --> 01:26:13,713 [boards creaking] 1503 01:26:14,798 --> 01:26:16,341 - [crew 2] Good shot there. - [crew 3] Yeah. 1504 01:26:16,925 --> 01:26:18,009 Where's the instruments? 1505 01:26:19,094 --> 01:26:21,013 - Mal? - [laughs] 1506 01:26:21,096 --> 01:26:22,848 Nailed me down in the wrong place. 1507 01:26:23,390 --> 01:26:24,975 [Paul] That's the last of it, yeah. 1508 01:26:25,643 --> 01:26:27,895 The three-- First, second and third. 1509 01:26:28,854 --> 01:26:31,357 - [George] First of all, that seems to… - I think if we have some… 1510 01:26:32,192 --> 01:26:33,318 [crew] Are you sure? 1511 01:26:33,401 --> 01:26:35,320 [Michael] We've worked that out. 1512 01:26:35,820 --> 01:26:37,322 - Let's set them up. - [Mal] Yeah. 1513 01:26:39,157 --> 01:26:41,367 [chattering] 1514 01:26:42,994 --> 01:26:45,789 [crew 2] There's piping along there. That's where you put them back in. 1515 01:26:46,790 --> 01:26:49,000 [siren wailing] 1516 01:26:49,585 --> 01:26:50,752 Yeah, well that goes in here. 1517 01:26:50,836 --> 01:26:52,379 - That should do it, really. - Yeah. 1518 01:26:52,463 --> 01:26:54,298 [guitar strumming] 1519 01:26:54,381 --> 01:26:56,718 - [Mal] What's that? A perfect fit. - [Paul] Yeah, man. 1520 01:26:57,719 --> 01:26:59,721 [chuckling] 1521 01:27:00,429 --> 01:27:01,514 What is it? 1522 01:27:03,391 --> 01:27:04,892 Hands are getting the feel of it. 1523 01:27:06,060 --> 01:27:07,437 [George Martin] It's gotta be like it is. 1524 01:27:07,520 --> 01:27:09,189 Just record the song. 1525 01:27:12,650 --> 01:27:14,402 [crew] Glyn, are you getting this down there? 1526 01:27:16,572 --> 01:27:18,198 - [Paul] Oh, it's right-handed. - [George] Is it? 1527 01:27:18,281 --> 01:27:19,950 - [Paul] Yeah. - [George] Kevin? 1528 01:27:20,618 --> 01:27:23,454 - [guitar tuning] - I missed the start. George-- 1529 01:27:23,537 --> 01:27:26,082 - Just look down. Must have had a few. - Well, they're gonna hear it. 1530 01:27:28,251 --> 01:27:30,544 - [crew] Final checks. Roll sound. - [crew 2] Right. 1531 01:27:30,628 --> 01:27:32,505 [George] One, two, three, four… 1532 01:27:32,589 --> 01:27:35,425 ["Get Back" playing] 1533 01:27:44,726 --> 01:27:47,562 ♪ Get back, get back ♪ 1534 01:27:48,731 --> 01:27:51,734 ♪ Get back to where you once belonged ♪ 1535 01:27:52,317 --> 01:27:55,029 ♪ Get back, get back ♪ 1536 01:27:55,821 --> 01:27:58,824 ♪ Get back to where you once belonged ♪ 1537 01:28:01,744 --> 01:28:02,954 - [beeps] - [crew] Rolling. 1538 01:28:03,914 --> 01:28:05,707 - ♪ Jo Jo was a man ♪ - Rolling. Is the door shut? 1539 01:28:05,791 --> 01:28:07,042 - Come on. - We're good to go. 1540 01:28:07,125 --> 01:28:08,460 - [crew 2] Glyn, this one? - [Glyn] No. 1541 01:28:08,544 --> 01:28:10,296 The one at the bottom of the spirals. 1542 01:28:10,379 --> 01:28:12,130 It's gotta be wedged. 1543 01:28:12,214 --> 01:28:14,466 - [Michael] Get the clapper. - [John] Come on, you idiot. 1544 01:28:14,550 --> 01:28:15,927 [Michael] Get the clapper here. 1545 01:28:16,010 --> 01:28:17,344 - Okay? - Okay. 1546 01:28:22,474 --> 01:28:23,518 [John] Okay. 1547 01:28:23,601 --> 01:28:25,102 [George] One, two, three, four… 1548 01:28:25,186 --> 01:28:26,771 ["Get Back" playing] 1549 01:28:26,854 --> 01:28:27,855 Yeah. 1550 01:28:32,945 --> 01:28:36,406 ♪ Jo Jo was a man Who thought he was a loner ♪ 1551 01:28:36,489 --> 01:28:39,326 ♪ But he knew it couldn't last ♪ 1552 01:28:40,327 --> 01:28:44,164 ♪ Jo Jo left his home in Tucson, Arizona ♪ 1553 01:28:44,248 --> 01:28:46,875 ♪ For some California grass ♪ 1554 01:28:47,751 --> 01:28:50,754 ♪ Get back, get back ♪ 1555 01:28:51,672 --> 01:28:54,676 ♪ Get back to where you once belonged ♪ 1556 01:28:55,509 --> 01:28:58,346 ♪ Get back, get back ♪ 1557 01:28:59,097 --> 01:29:02,351 ♪ Get back to where you once belonged ♪ 1558 01:29:02,434 --> 01:29:03,435 ♪ Get back, Jo Jo ♪ 1559 01:29:09,358 --> 01:29:10,693 ♪ Go home ♪ 1560 01:29:18,743 --> 01:29:21,579 ♪ Get back, get back ♪ 1561 01:29:22,622 --> 01:29:25,541 ♪ Get back to where you once belonged ♪ 1562 01:29:26,501 --> 01:29:28,587 ♪ Get back, yeah ♪ 1563 01:29:28,670 --> 01:29:30,255 ♪ Get back ♪ 1564 01:29:30,338 --> 01:29:33,384 ♪ Get back to where you once belonged ♪ 1565 01:29:35,677 --> 01:29:36,762 ♪ Get back, Jo ♪ 1566 01:29:42,977 --> 01:29:44,812 ♪ Whoo, get back! ♪ 1567 01:29:51,986 --> 01:29:55,615 ♪ Sweet Loretta Martin Thought she was a woman ♪ 1568 01:29:55,698 --> 01:29:58,368 ♪ But she was another man ♪ 1569 01:29:59,494 --> 01:30:03,373 ♪ All the girls around her Say she's got it coming ♪ 1570 01:30:03,457 --> 01:30:06,084 ♪ But she get it while she can ♪ 1571 01:30:07,085 --> 01:30:09,922 ♪ Get back, get back ♪ 1572 01:30:10,964 --> 01:30:14,177 ♪ Get back to where you once belonged ♪ 1573 01:30:14,677 --> 01:30:17,722 ♪ Oh, get back, yeah Get back ♪ 1574 01:30:18,973 --> 01:30:21,267 ♪ Get back to where you once belonged ♪ 1575 01:30:21,351 --> 01:30:22,644 ♪ Get back, Loretta ♪ 1576 01:30:29,068 --> 01:30:32,154 ♪ Go home Your mommy's waiting for you ♪ 1577 01:30:34,489 --> 01:30:36,784 ♪ In her high-heel shoes And her low-neck sweater ♪ 1578 01:30:36,867 --> 01:30:38,118 ♪ Get back, Loretta! ♪ 1579 01:30:38,202 --> 01:30:41,206 ♪ Get back, yeah Get back ♪ 1580 01:30:42,039 --> 01:30:45,043 ♪ Get back to where you once belonged ♪ 1581 01:30:45,710 --> 01:30:48,880 ♪ Oh, get back, get back ♪ 1582 01:30:49,756 --> 01:30:53,259 ♪ Get back to where you once belonged ♪ 1583 01:30:55,011 --> 01:30:57,097 ♪ Ooh, ooh, ow! 1584 01:31:02,103 --> 01:31:03,520 ♪ Go home ♪ 1585 01:31:04,981 --> 01:31:06,148 ♪ She's waiting for you ♪ 1586 01:31:08,400 --> 01:31:09,694 ♪ The tea's on ♪ 1587 01:31:09,777 --> 01:31:11,613 ♪ Oh, get back ♪ 1588 01:31:12,989 --> 01:31:13,990 ♪ Get back ♪ 1589 01:31:14,824 --> 01:31:17,619 ♪ Get back to where you once belonged ♪ 1590 01:31:18,536 --> 01:31:22,332 ♪ Oh, get back, get back Get back ♪ 1591 01:31:22,875 --> 01:31:25,460 ♪ Get back to where you once belonged ♪ 1592 01:31:26,629 --> 01:31:28,130 Whoo-hoo! 1593 01:31:29,840 --> 01:31:31,091 [applause] 1594 01:31:31,175 --> 01:31:33,052 - Thank you very much. - Thank you very much. 1595 01:31:33,136 --> 01:31:35,679 It looks like Ted Dexter has scored another. 1596 01:31:35,763 --> 01:31:38,099 We've had a request from Martin and Luther. 1597 01:31:38,182 --> 01:31:40,226 We need more voice on the PA, yes, Glyn? 1598 01:31:40,309 --> 01:31:43,980 - [John] No, we don't need any more. - That's all right. Hello? Hello? 1599 01:31:44,063 --> 01:31:47,317 [Michael] Glyn, any more voice on the Fenders? 1600 01:31:47,401 --> 01:31:48,402 [guitar strumming] 1601 01:31:48,485 --> 01:31:50,195 [Glyn on PA] Do it there. 1602 01:31:50,279 --> 01:31:52,447 - [Michael] What? - [Glyn] Do it from up there. 1603 01:31:52,531 --> 01:31:54,283 [John] No, they would have had to turn off the whole roof. 1604 01:31:54,366 --> 01:31:55,367 [Michael] Okay, cut it. 1605 01:31:55,450 --> 01:31:56,493 ♪ Get back! ♪ 1606 01:31:56,576 --> 01:31:57,662 [Glyn] Mike, have you cut? 1607 01:31:57,745 --> 01:31:59,371 - ♪ Get back ♪ - [Michael] Yeah, we'll cut. 1608 01:31:59,455 --> 01:32:00,998 Where's the noise coming from? 1609 01:32:01,081 --> 01:32:02,625 [interviewer] It's coming from the roof. 1610 01:32:02,708 --> 01:32:03,918 Do you know who it is? 1611 01:32:04,001 --> 01:32:06,254 Yeah, The Beatles, ain't it? Yeah. [chuckles] 1612 01:32:06,337 --> 01:32:07,463 [interviewer] You like it? 1613 01:32:07,547 --> 01:32:08,631 Yeah, it's okay. 1614 01:32:08,714 --> 01:32:10,550 [interviewer] What do you think of it? It's The Beatles. 1615 01:32:10,633 --> 01:32:12,343 Oh, I think jolly good. 1616 01:32:12,427 --> 01:32:13,428 [interviewer] Enjoying it? 1617 01:32:13,511 --> 01:32:16,932 Yeah, very much. Nice, bright thing to see at the end of the day. 1618 01:32:17,015 --> 01:32:18,350 [interviewer] Do you like the idea? 1619 01:32:18,434 --> 01:32:20,311 I don't know what they're supposed to be doing. 1620 01:32:20,394 --> 01:32:22,854 - [George] Right, stop-- - [Tony] All cameras, three! 1621 01:32:22,938 --> 01:32:24,398 [Michael] Okay. When you're ready, guys. 1622 01:32:24,481 --> 01:32:25,482 All right, Billy. 1623 01:32:26,067 --> 01:32:27,777 One, two, three, four. 1624 01:32:27,860 --> 01:32:29,862 ["Get Back" playing] 1625 01:32:35,577 --> 01:32:39,164 ♪ Jo Jo was a man Who thought he was a loner ♪ 1626 01:32:39,247 --> 01:32:42,000 ♪ But he knew it couldn't last ♪ 1627 01:32:43,043 --> 01:32:46,880 ♪ Jo Jo left his home in Tucson, Arizona ♪ 1628 01:32:46,964 --> 01:32:50,050 ♪ For some California grass ♪ 1629 01:32:50,634 --> 01:32:53,471 ♪ Get back, get back ♪ 1630 01:32:54,263 --> 01:32:57,433 ♪ Get back to where you once belonged ♪ 1631 01:32:58,101 --> 01:33:01,020 ♪ Get back, get back ♪ 1632 01:33:01,980 --> 01:33:04,398 ♪ Get back to where you once belonged ♪ 1633 01:33:04,983 --> 01:33:05,984 Get back, Jo Jo. 1634 01:33:12,491 --> 01:33:13,575 Go home. 1635 01:33:16,996 --> 01:33:17,997 Yeah. 1636 01:33:21,542 --> 01:33:23,127 {\an8}[interviewer] 1637 01:33:23,210 --> 01:33:25,255 You could say so, yes. I think they're great. 1638 01:33:25,338 --> 01:33:28,091 ♪ Get back to where you once belonged ♪ 1639 01:33:28,758 --> 01:33:31,552 ♪ Get back, get back ♪ 1640 01:33:32,595 --> 01:33:35,682 ♪ Get back to where you once belonged ♪ 1641 01:33:37,183 --> 01:33:38,852 ♪ Oh, get back, Jo ♪ 1642 01:33:53,743 --> 01:33:57,330 ♪ Sweet Loretta Martin Thought she was a woman ♪ 1643 01:33:57,414 --> 01:33:59,541 ♪ But she was another man ♪ 1644 01:34:00,917 --> 01:34:05,047 ♪ All the girls around her Say she's got it coming ♪ 1645 01:34:05,130 --> 01:34:07,758 ♪ But she gets it while she can ♪ 1646 01:34:08,508 --> 01:34:11,679 ♪ Well, get back, get back… ♪ 1647 01:34:16,809 --> 01:34:19,103 ♪ Oh, get back, get back ♪ 1648 01:34:19,937 --> 01:34:23,107 ♪ Get back to where you once belonged ♪ 1649 01:34:23,191 --> 01:34:24,567 Get back, Loretta. 1650 01:34:24,650 --> 01:34:25,652 ♪ Oh! ♪ 1651 01:34:30,907 --> 01:34:32,158 Yeah, go home. 1652 01:34:34,911 --> 01:34:36,580 Your mommy's waiting. 1653 01:34:36,663 --> 01:34:38,665 In her high-heel shoes and her low-neck sweater. 1654 01:34:38,748 --> 01:34:39,959 Get back, Loretta! 1655 01:34:40,042 --> 01:34:42,044 ♪ Get back, get back ♪ 1656 01:34:42,127 --> 01:34:43,128 Whoo! 1657 01:34:43,212 --> 01:34:45,798 ♪ Get back to where you once belonged ♪ 1658 01:34:46,674 --> 01:34:47,842 ♪ Oh, get back ♪ 1659 01:34:48,968 --> 01:34:49,969 ♪ Get back ♪ 1660 01:34:50,761 --> 01:34:52,180 {\an8}[interviewer] 1661 01:34:52,263 --> 01:34:53,681 I think it's marvelous. Yes. 1662 01:34:53,764 --> 01:34:55,141 {\an8}[interviewer] 1663 01:34:55,225 --> 01:34:56,267 Beatles, I think. 1664 01:35:03,400 --> 01:35:06,069 Oh, get back home. 1665 01:35:08,572 --> 01:35:10,407 Never more to roam. 1666 01:35:12,534 --> 01:35:13,535 {\an8}[interviewer] 1667 01:35:13,619 --> 01:35:14,829 On the roof? 1668 01:35:15,747 --> 01:35:18,666 ♪ Get back to where you once belonged ♪ 1669 01:35:19,291 --> 01:35:20,752 ♪ Yeah, get back ♪ 1670 01:35:21,419 --> 01:35:22,587 ♪ Get back ♪ 1671 01:35:22,920 --> 01:35:25,507 {\an8}[interviewer] 1672 01:35:25,590 --> 01:35:27,092 It's The Beatles, isn't it? Yeah. 1673 01:35:27,175 --> 01:35:30,137 It's Paul McCartney singing now. Well, it was. Yeah. 1674 01:35:30,220 --> 01:35:32,890 Okay. Well, thank you, ladies and gentlemen. 1675 01:35:32,973 --> 01:35:35,308 We've had a request from Daisy, Morris and Tommy. 1676 01:35:41,690 --> 01:35:43,317 - [Michael] "Don't Let Me Down." - Okay. 1677 01:35:43,401 --> 01:35:44,861 ♪ Don't let me down ♪ 1678 01:35:48,531 --> 01:35:51,618 ["Don't Let Me Down" playing] 1679 01:35:52,911 --> 01:35:55,414 ♪ Don't let me down ♪ 1680 01:35:58,583 --> 01:36:01,253 ♪ Don't let me down ♪ 1681 01:36:04,799 --> 01:36:07,384 ♪ Don't let me down ♪ 1682 01:36:10,680 --> 01:36:13,183 ♪ Don't let me down ♪ 1683 01:36:15,476 --> 01:36:19,647 ♪ Nobody ever loved me like she does ♪ 1684 01:36:21,274 --> 01:36:22,984 ♪ Oh, she does ♪ 1685 01:36:24,110 --> 01:36:25,612 ♪ Yes, she does ♪ 1686 01:36:27,656 --> 01:36:30,075 [passerby] This type of music is all right in its place, 1687 01:36:30,159 --> 01:36:33,120 but I think it's a bit of an imposition. First of all, it's too loud. 1688 01:36:34,038 --> 01:36:35,372 ♪ Oh, she does ♪ 1689 01:36:36,833 --> 01:36:38,500 ♪ Yes, she does ♪ 1690 01:36:42,046 --> 01:36:44,507 ♪ Don't let me down ♪ 1691 01:36:48,053 --> 01:36:50,430 ♪ Don't let me down ♪ 1692 01:36:53,976 --> 01:36:56,394 ♪ Don't let me down ♪ 1693 01:36:56,478 --> 01:36:58,939 Absolutely disrupts all the business in this area. 1694 01:36:59,022 --> 01:37:00,899 I think it's great! Who is this? The Beatles? 1695 01:37:00,983 --> 01:37:02,151 ♪ Don't let me down ♪ 1696 01:37:02,235 --> 01:37:03,444 I think it's fantastic. 1697 01:37:04,945 --> 01:37:08,199 ♪ I'm in love for the first time ♪ 1698 01:37:11,035 --> 01:37:14,122 ♪ Don't you know it's gonna last ♪ 1699 01:37:17,125 --> 01:37:19,503 ♪ It's a love that lasts forever ♪ 1700 01:37:22,923 --> 01:37:26,385 ♪ It's a love that has no past ♪ 1701 01:37:29,471 --> 01:37:31,891 ♪ Don't let me down ♪ 1702 01:37:35,311 --> 01:37:37,605 ♪ Don't let me down ♪ 1703 01:37:41,151 --> 01:37:43,611 ♪ Don't let me down ♪ 1704 01:37:46,782 --> 01:37:49,326 ♪ Don't let me down ♪ 1705 01:37:51,745 --> 01:37:55,707 [sings gibberish] 1706 01:37:57,334 --> 01:37:58,544 ♪ Oh, she does ♪ 1707 01:38:00,004 --> 01:38:01,798 ♪ Yeah, she does ♪ 1708 01:38:04,258 --> 01:38:08,721 ♪ I guess nobody ever really done me ♪ 1709 01:38:10,057 --> 01:38:11,516 ♪ Ooh, she done me ♪ 1710 01:38:12,850 --> 01:38:14,352 ♪ She done me good ♪ 1711 01:38:18,190 --> 01:38:20,484 ♪ Don't let me down ♪ 1712 01:38:23,987 --> 01:38:26,324 ♪ Don't let me down ♪ 1713 01:38:29,785 --> 01:38:32,121 ♪ Don't let me down ♪ 1714 01:38:35,542 --> 01:38:37,919 ♪ Don't let me down ♪ 1715 01:38:41,506 --> 01:38:44,134 ♪ Please ♪ 1716 01:38:47,346 --> 01:38:49,639 ♪ Please ♪ 1717 01:38:52,977 --> 01:38:55,187 ♪ Please ♪ 1718 01:38:58,691 --> 01:39:00,818 ♪ Please ♪ 1719 01:39:02,778 --> 01:39:04,364 [song ends] 1720 01:39:04,447 --> 01:39:05,615 Don't let me down. 1721 01:39:05,699 --> 01:39:07,701 ["I've Got A Feeling" playing] 1722 01:39:12,122 --> 01:39:13,707 ♪ I've got a feeling ♪ 1723 01:39:14,583 --> 01:39:17,794 ♪ A feeling deep inside Oh, yeah ♪ 1724 01:39:19,796 --> 01:39:21,298 ♪ Oh, yeah ♪ 1725 01:39:21,382 --> 01:39:22,549 That's right. 1726 01:39:24,385 --> 01:39:26,428 {\an8}♪ I've got a feeling ♪ 1727 01:39:26,513 --> 01:39:30,392 ♪ A feeling I can't hide Oh, no, no… ♪ 1728 01:39:59,589 --> 01:40:03,427 ♪ And if you leave me I won't be late again ♪ 1729 01:40:03,510 --> 01:40:04,511 ♪ Oh, no… ♪ 1730 01:40:18,359 --> 01:40:19,360 {\an8}[interviewer] 1731 01:40:26,242 --> 01:40:27,452 ♪ …nobody told me ♪ 1732 01:40:27,535 --> 01:40:31,122 ♪ All that I've looking for Was somebody who looked like you ♪ 1733 01:40:37,254 --> 01:40:38,714 ♪ I've got a feeling ♪ 1734 01:40:38,797 --> 01:40:41,050 ♪ That keeps me on my toes ♪ 1735 01:40:41,133 --> 01:40:42,301 ♪ Oh, yeah ♪ 1736 01:40:44,386 --> 01:40:45,722 - ♪ Oh, yeah ♪ - ♪ Oh, yeah ♪ 1737 01:40:48,307 --> 01:40:52,812 ♪ I've got a feeling I think that everybody knows ♪ 1738 01:40:52,895 --> 01:40:53,980 ♪ Oh, yeah ♪ 1739 01:40:55,898 --> 01:40:57,150 - ♪ Oh, yeah ♪ - ♪ Oh, yeah ♪ 1740 01:40:58,735 --> 01:41:00,445 ♪ Oh, yeah ♪ 1741 01:41:00,528 --> 01:41:03,406 ♪ Yeah, yeah ♪ 1742 01:41:04,282 --> 01:41:06,535 ♪ I have got a feeling Yeah ♪ 1743 01:41:11,457 --> 01:41:13,542 ♪ Everybody had a hard year ♪ 1744 01:41:14,377 --> 01:41:16,379 ♪ Everybody had a good time ♪ 1745 01:41:17,296 --> 01:41:19,841 ♪ Everybody had a wet dream ♪ 1746 01:41:19,924 --> 01:41:22,969 ♪ Everybody saw the sun shine Oh, yeah ♪ 1747 01:41:23,052 --> 01:41:25,972 - ♪ Oh, yeah ♪ - ♪ Oh, yeah, oh, yeah ♪ 1748 01:41:28,808 --> 01:41:30,810 ♪ Everybody had a good year ♪ 1749 01:41:31,728 --> 01:41:33,814 ♪ Everybody let their hair down ♪ 1750 01:41:34,606 --> 01:41:37,484 ♪ Everybody pulled their socks up ♪ 1751 01:41:37,568 --> 01:41:40,571 ♪ Everybody put their foot down Oh, yeah ♪ 1752 01:41:49,956 --> 01:41:51,582 Whoo-hoo! 1753 01:41:51,667 --> 01:41:54,335 - ♪ I've got a feeling ♪ - ♪ Everybody had a good year ♪ 1754 01:41:54,419 --> 01:41:57,881 - ♪ A feeling deep inside, oh, yeah ♪ - ♪ Everybody had a hard time ♪ 1755 01:41:57,964 --> 01:42:00,676 - ♪ Everybody had a wet dream ♪ - ♪ Oh, yeah ♪ 1756 01:42:00,759 --> 01:42:03,137 ♪ Everybody saw the sun shine ♪ 1757 01:42:03,220 --> 01:42:05,890 - ♪ Everybody had a good year ♪ - [Paul] ♪ I've got a feeling ♪ 1758 01:42:05,973 --> 01:42:09,393 {\an8}♪ A feeling I can't hide, oh no… ♪ 1759 01:42:34,253 --> 01:42:35,254 {\an8}[song ends] 1760 01:42:35,338 --> 01:42:37,882 ♪ Oh, my soul ♪ 1761 01:42:37,966 --> 01:42:39,884 - That was so hard. - [applause] 1762 01:42:39,968 --> 01:42:41,970 {\an8}Hey! All right! 1763 01:42:43,262 --> 01:42:45,264 {\an8}No, no, no, no. [imitates gunshot] 1764 01:42:47,559 --> 01:42:49,185 [passerby] Peace on Earth! 1765 01:42:50,229 --> 01:42:52,231 [people laughing] 1766 01:42:59,488 --> 01:43:01,491 - [chattering] - [Mal] Alan. 1767 01:43:03,743 --> 01:43:04,744 [Glyn] Ringo? 1768 01:43:04,827 --> 01:43:06,454 - [crew] Are the cameras still running? - Yeah. 1769 01:43:06,537 --> 01:43:08,748 [Glyn] Just stick your snare drum mic back over the snare drum. 1770 01:43:10,083 --> 01:43:13,169 [interviewer] Sir, we must have your comment. What do you think of it? 1771 01:43:13,253 --> 01:43:14,254 What's going on? 1772 01:43:14,337 --> 01:43:16,840 - [interviewer] It's The Beatles. - What gives? What's happening? 1773 01:43:16,923 --> 01:43:18,967 [interviewer] They decided to play for the public for nothing. 1774 01:43:19,050 --> 01:43:20,260 Well, that's great. 1775 01:43:20,344 --> 01:43:22,221 It's a bloody stupid place to have a concert. 1776 01:43:22,304 --> 01:43:24,848 Nice to have something for free in this country at the moment, isn't it? 1777 01:43:24,931 --> 01:43:27,559 - [interviewer] Don't you like The Beatles? - No. 1778 01:43:27,643 --> 01:43:29,186 - No? - No. 1779 01:43:29,270 --> 01:43:30,604 [interviewer] Not at all? 1780 01:43:30,688 --> 01:43:33,065 Not now. They've changed completely. 1781 01:43:33,149 --> 01:43:35,568 [interviewer] The Beatles are doing a free concert on the roof. 1782 01:43:35,652 --> 01:43:37,529 - Now? - Yeah. What do you think of it? 1783 01:43:38,070 --> 01:43:40,115 I think it's very good. Why aren't they doing it in the street? 1784 01:43:40,198 --> 01:43:41,866 [interviewer] They just thought you'd wanna hear it. 1785 01:43:41,949 --> 01:43:43,660 Yeah, well, we'd also like to see them. 1786 01:43:43,743 --> 01:43:46,204 I just can't see that it makes sense. 1787 01:43:46,830 --> 01:43:48,540 Well, I think it's a very good thing. 1788 01:43:48,624 --> 01:43:51,794 It woke me up from my sleep, and I don't like it. 1789 01:43:52,503 --> 01:43:54,922 - [playing electric piano] - [chattering] 1790 01:43:55,631 --> 01:43:56,715 [laughs] 1791 01:43:56,799 --> 01:43:58,467 All cameras, four! 1792 01:43:59,718 --> 01:44:01,220 One, two, three. 1793 01:44:01,304 --> 01:44:03,306 ["One After 909" playing] 1794 01:44:09,854 --> 01:44:13,107 ♪ My baby says she's traveling On the one after 909 ♪ 1795 01:44:14,818 --> 01:44:18,238 ♪ I said move over, honey I'm traveling on that line ♪ 1796 01:44:19,907 --> 01:44:23,285 ♪ I said move over once Move over twice ♪ 1797 01:44:23,368 --> 01:44:25,788 ♪ Come on, baby Don't be cold as ice ♪ 1798 01:44:25,871 --> 01:44:28,791 ♪ She said she's traveling On the one after 909 ♪ 1799 01:44:30,835 --> 01:44:34,005 ♪ I begged her not to go And I begged her on my bended knee ♪ 1800 01:44:36,257 --> 01:44:39,260 ♪ You're only fooling 'round You're fooling 'round with me ♪ 1801 01:44:41,137 --> 01:44:43,765 {\an8}♪ I said move over once Move over twice… ♪ 1802 01:44:57,238 --> 01:44:58,615 ♪ Railman said ♪ 1803 01:44:59,532 --> 01:45:01,618 {\an8}♪ You've got the wrong location ♪ 1804 01:45:02,994 --> 01:45:04,121 {\an8}♪ Pick up my bag ♪ 1805 01:45:05,372 --> 01:45:06,456 ♪ Run right home ♪ 1806 01:45:07,749 --> 01:45:11,586 ♪ Then I find I've got the number wrong ♪ 1807 01:45:12,170 --> 01:45:16,342 ♪ Well, she said she's traveling On the one after 909 ♪ 1808 01:45:18,093 --> 01:45:21,889 ♪ I said move over, honey I'm traveling on that line ♪ 1809 01:45:23,474 --> 01:45:26,686 ♪ I said move over once Move over twice ♪ 1810 01:45:26,770 --> 01:45:29,355 ♪ Come on, baby Don't be cold as ice ♪ 1811 01:45:29,438 --> 01:45:32,233 ♪ She said she's traveling On the one after 909 ♪ 1812 01:45:33,402 --> 01:45:34,611 ♪ Yeah! ♪ 1813 01:45:47,124 --> 01:45:48,543 ♪ Whoo! ♪ 1814 01:45:55,633 --> 01:45:56,968 ♪ Pick up my bag ♪ 1815 01:45:58,386 --> 01:46:00,180 ♪ Run to the station ♪ 1816 01:46:00,722 --> 01:46:02,849 ♪ Railman said ♪ 1817 01:46:02,933 --> 01:46:04,851 ♪ You've got the wrong location ♪ 1818 01:46:04,935 --> 01:46:07,563 ♪ Yeah Pick up my bag ♪ 1819 01:46:08,689 --> 01:46:10,191 ♪ Run right home ♪ 1820 01:46:11,400 --> 01:46:12,734 ♪ Then I find ♪ 1821 01:46:13,569 --> 01:46:15,071 ♪ I've got the number wrong ♪ 1822 01:46:15,154 --> 01:46:20,034 ♪ Well, she said she's traveling On the one after 909 ♪ 1823 01:46:21,703 --> 01:46:25,122 ♪ I said move over, honey I'm traveling on that line ♪ 1824 01:46:26,958 --> 01:46:30,170 ♪ I said move over once Move over twice ♪ 1825 01:46:30,253 --> 01:46:32,881 ♪ Come on, baby Don't be cold as ice ♪ 1826 01:46:32,965 --> 01:46:35,508 ♪ She said she's traveling On the one after 9-0 ♪ 1827 01:46:35,593 --> 01:46:37,928 ♪ She said she's traveling On the one after 9-0 ♪ 1828 01:46:38,011 --> 01:46:41,432 ♪ She said she's traveling On the one after 909 ♪ 1829 01:46:45,144 --> 01:46:47,688 ♪ Oh, Danny Boy ♪ 1830 01:46:47,771 --> 01:46:50,149 ♪ The old savanna calling ♪ 1831 01:46:50,233 --> 01:46:51,735 [Michael] Make sure you don't lean on that. 1832 01:46:52,986 --> 01:46:54,320 [chattering] 1833 01:46:54,404 --> 01:46:56,740 [Dagg] I can't see what to do. 1834 01:46:56,823 --> 01:46:58,242 [Debbie coughs] 1835 01:46:59,326 --> 01:47:01,036 [chattering] 1836 01:47:01,120 --> 01:47:02,412 - Oh. - [George] "Dig A Pony." 1837 01:47:02,496 --> 01:47:03,956 I'll have to get the words then. 1838 01:47:04,039 --> 01:47:05,624 - "Dig A Pony." - [Glyn] "Dig A Pony." 1839 01:47:14,384 --> 01:47:17,512 - [John] I don't know. It's just, uh-- - Just ask Mal to hold 'em. 1840 01:47:17,595 --> 01:47:18,596 [John] Yeah. 1841 01:47:18,679 --> 01:47:20,098 - Kev. - [John] Kevin? 1842 01:47:20,681 --> 01:47:21,975 Come here. 1843 01:47:25,687 --> 01:47:28,106 Can you hang on? Well, I'll ring you back later, all right? 1844 01:47:29,358 --> 01:47:31,360 [chattering] 1845 01:48:12,653 --> 01:48:13,655 {\an8}[PC Shayler] 1846 01:48:15,907 --> 01:48:19,160 {\an8}[PC Shayler] 1847 01:48:21,955 --> 01:48:23,165 [Mal] Thank you very much. 1848 01:48:25,334 --> 01:48:26,793 We can't use City One Reserve. 1849 01:48:28,963 --> 01:48:30,590 Charming, innit? 1850 01:48:30,673 --> 01:48:31,757 - [Debbie] Jimmy? - Hmm? 1851 01:48:31,841 --> 01:48:33,217 [Debbie] Have a Sweet Afton. 1852 01:48:34,343 --> 01:48:36,220 Thank you. Don't mind if I do. 1853 01:49:15,428 --> 01:49:16,429 Rolling. 1854 01:49:20,726 --> 01:49:22,060 [Michael] Are you all ready? 1855 01:49:22,144 --> 01:49:23,937 Yeah? Okay. Are we rolling? 1856 01:49:24,021 --> 01:49:25,105 - Yeah. - [Michael] Okay. 1857 01:49:25,188 --> 01:49:26,857 - One, two, three! - [Ringo] Hold it! 1858 01:49:30,903 --> 01:49:32,363 One, two, three… 1859 01:49:32,446 --> 01:49:34,448 ["Dig A Pony" playing] 1860 01:49:43,542 --> 01:49:46,670 ♪ All I want is ♪ 1861 01:49:46,753 --> 01:49:50,507 ♪ I, a-hi-hi, a-hi-hi ♪ 1862 01:49:52,217 --> 01:49:54,219 ♪ Dig a pony ♪ 1863 01:49:55,012 --> 01:49:58,015 ♪ Well, you can celebrate Anything you want ♪ 1864 01:49:59,934 --> 01:50:03,771 ♪ Yes, you can celebrate Anything you want ♪ 1865 01:50:05,231 --> 01:50:06,775 ♪ Oh ♪ 1866 01:50:06,858 --> 01:50:10,779 {\an8}♪ I, a-hi-hi, a-hi-hi ♪ 1867 01:50:12,531 --> 01:50:14,408 ♪ Do a road hog ♪ 1868 01:50:15,617 --> 01:50:18,245 ♪ Well, you can penetrate Any place you go ♪ 1869 01:50:20,331 --> 01:50:24,335 ♪ Yes, you can penetrate Any place you go… ♪ 1870 01:50:29,381 --> 01:50:30,842 ♪ All I want is you ♪ 1871 01:50:32,844 --> 01:50:39,101 ♪ Everything has got to be Just like you want it to ♪ 1872 01:50:39,184 --> 01:50:41,436 ♪ Because ♪ 1873 01:50:42,688 --> 01:50:46,609 ♪ I, a-hi-hi, a-hi-hi ♪ 1874 01:50:48,361 --> 01:50:50,279 ♪ Pick a moon dog ♪ 1875 01:50:51,322 --> 01:50:54,325 ♪ Well, you can radiate Everything you are ♪ 1876 01:50:56,077 --> 01:50:57,245 ♪ Yes, you can radiate… ♪ 1877 01:50:57,328 --> 01:51:00,331 Yeah, so why is it on the top of the roof? 1878 01:51:00,414 --> 01:51:03,251 {\an8}[interviewer] 1879 01:51:03,334 --> 01:51:06,045 All that money they've got? 1880 01:51:06,129 --> 01:51:08,757 {\an8}[interviewer] 1881 01:51:08,840 --> 01:51:11,051 No, I have no idea. But it sounds really wonderful. 1882 01:51:12,052 --> 01:51:13,053 {\an8}Yes. 1883 01:51:17,850 --> 01:51:18,851 {\an8}Yes. 1884 01:51:20,102 --> 01:51:21,103 {\an8}Oh, yes. 1885 01:51:21,979 --> 01:51:25,400 {\an8}- Yes, I do. Yes. - Yeah, I think it's a good idea. 1886 01:51:25,483 --> 01:51:27,735 {\an8}[interviewer] 1887 01:51:27,818 --> 01:51:29,029 Yes. 1888 01:51:29,112 --> 01:51:34,951 ♪ Everything has got to be Just like you want it to ♪ 1889 01:51:35,494 --> 01:51:37,496 - ♪ Because ♪ - ♪ Whoo! ♪ 1890 01:51:38,079 --> 01:51:39,080 ♪ Oh! ♪ 1891 01:51:57,099 --> 01:51:58,560 ♪ Oh, now ♪ 1892 01:51:58,643 --> 01:52:02,314 ♪ I, a-hi-hi, a-hi-hi ♪ 1893 01:52:04,066 --> 01:52:06,443 ♪ Feel the wind blow ♪ 1894 01:52:07,235 --> 01:52:10,489 ♪ But you can indicate Everything you see ♪ 1895 01:52:11,907 --> 01:52:16,370 ♪ Yes, you can indicate Everything you see ♪ 1896 01:52:17,288 --> 01:52:18,915 ♪ Oh, now ♪ 1897 01:52:18,998 --> 01:52:22,919 ♪ I, a-hi-hi, a-hi-hi ♪ 1898 01:52:24,629 --> 01:52:26,715 ♪ I'm cold and lonely ♪ 1899 01:52:27,674 --> 01:52:31,428 ♪ Well, you can syndicate Any boat you row ♪ 1900 01:52:32,512 --> 01:52:37,101 ♪ Yeah, you can syndicate Any boat you row ♪ 1901 01:52:37,685 --> 01:52:39,394 ♪ I told you so ♪ 1902 01:52:39,478 --> 01:52:43,399 ♪ All I want is you ♪ 1903 01:52:45,526 --> 01:52:51,574 ♪ Everything has got to be Just like you want it to ♪ 1904 01:52:51,657 --> 01:52:53,451 ♪ Because ♪ 1905 01:53:06,757 --> 01:53:12,680 {\an8}♪ All I want is you ♪ 1906 01:53:16,225 --> 01:53:17,644 Thank you, brothers. 1907 01:53:18,436 --> 01:53:20,855 My hands are getting too cold to play a chord now. 1908 01:53:20,938 --> 01:53:22,565 - [Michael] Turn on the PA too. - [John] Okay. 1909 01:53:22,649 --> 01:53:24,359 - [vocalizing] - [John] Shall we do "Can You Dig It"? 1910 01:53:24,442 --> 01:53:26,653 - "Can You Dig It"? - [John] I don't know. 1911 01:53:26,737 --> 01:53:28,739 [chattering] 1912 01:53:47,383 --> 01:53:48,802 {\an8}[Debbie] What's happening? 1913 01:53:48,885 --> 01:53:50,387 {\an8}[PC Dagg] 1914 01:53:50,470 --> 01:53:52,472 [chattering] 1915 01:53:55,350 --> 01:53:57,102 {\an8}[interviewer] 1916 01:53:57,727 --> 01:53:59,063 The Beatles, obviously. 1917 01:54:06,737 --> 01:54:09,907 {\an8}- Fabulous. Lovely. - Definitely. Fantastic. 1918 01:54:09,990 --> 01:54:14,245 {\an8}[interviewer] 1919 01:54:14,329 --> 01:54:17,624 - They're all a few lads. - Yeah. Get around, don't they? 1920 01:54:17,708 --> 01:54:18,709 {\an8}[interviewer] 1921 01:54:18,792 --> 01:54:20,418 - I said they get around. - [laughs] 1922 01:54:40,273 --> 01:54:42,442 [customer] "Misery." That's the one, I think. 1923 01:54:43,776 --> 01:54:45,737 - That it? - That's it. Lovely. 1924 01:54:45,820 --> 01:54:48,323 Anywhere where I could have a listen to this? 1925 01:54:49,074 --> 01:54:50,617 {\an8}[interviewer] 1926 01:54:50,701 --> 01:54:51,994 {\an8}Yes. Very much. Yes. 1927 01:54:52,911 --> 01:54:53,912 {\an8}Yeah. It's great. 1928 01:54:53,996 --> 01:54:55,288 {\an8}[interviewer] 1929 01:54:55,373 --> 01:54:57,333 {\an8}Um, I think Ringo. 1930 01:54:58,166 --> 01:55:01,295 {\an8}[interviewer] 1931 01:55:01,379 --> 01:55:02,380 No. 1932 01:55:03,047 --> 01:55:04,048 {\an8}No. 1933 01:55:06,843 --> 01:55:08,427 {\an8}Yeah. 1934 01:55:08,511 --> 01:55:09,763 {\an8}Yeah. I think they're good. 1935 01:55:09,846 --> 01:55:11,431 {\an8}[interviewer] 1936 01:55:14,893 --> 01:55:16,770 {\an8}[interviewer] 1937 01:55:18,855 --> 01:55:24,028 ["God Save the Queen" playing] 1938 01:55:31,118 --> 01:55:34,914 [song fades out] 1939 01:55:34,998 --> 01:55:35,999 [Debbie coughs] 1940 01:55:36,082 --> 01:55:38,334 [Michael] Okay. Glynny. Are you ready, Glyn? 1941 01:55:38,418 --> 01:55:39,753 - [Glyn] Running. - Turnover, Mike. 1942 01:55:39,836 --> 01:55:41,337 [Michael] Can we scratch that? 1943 01:55:41,421 --> 01:55:43,339 - [crew 2] Tuning. - [Michael] Running. Ready? 1944 01:55:46,092 --> 01:55:47,261 Okay, okay. 1945 01:55:47,344 --> 01:55:49,346 ["I've Got A Feeling" playing] 1946 01:55:53,309 --> 01:55:54,894 ♪ I've got a feeling ♪ 1947 01:55:55,686 --> 01:55:57,939 ♪ A feeling deep inside ♪ 1948 01:55:58,022 --> 01:55:59,065 ♪ Oh, yeah ♪ 1949 01:56:00,858 --> 01:56:02,026 ♪ Oh, yeah ♪ 1950 01:56:04,904 --> 01:56:06,489 ♪ I've got a feeling ♪ 1951 01:56:07,282 --> 01:56:10,535 ♪ A feeling I can't hide No, no ♪ 1952 01:56:10,618 --> 01:56:11,995 ♪ No ♪ 1953 01:56:12,537 --> 01:56:13,622 ♪ Oh, no ♪ 1954 01:56:15,373 --> 01:56:16,374 ♪ No, no ♪ 1955 01:56:16,459 --> 01:56:18,544 {\an8}[interviewer] 1956 01:56:18,627 --> 01:56:19,962 Not in the street, no. 1957 01:56:20,629 --> 01:56:22,590 {\an8}[interviewer] 1958 01:56:22,673 --> 01:56:25,093 {\an8}- Oh, yes. Yes. Very much. [laughs] - [interviewer] You do? 1959 01:56:25,176 --> 01:56:26,635 {\an8}[interviewer] 1960 01:56:26,719 --> 01:56:28,304 {\an8}No, my son does. 1961 01:56:28,387 --> 01:56:29,931 Oh, yes. My daughter does. 1962 01:56:30,640 --> 01:56:33,685 My son would. He likes all that, but not me. 1963 01:56:33,768 --> 01:56:34,894 ♪ Oh, yeah ♪ 1964 01:56:36,187 --> 01:56:37,272 ♪ Oh, yeah ♪ 1965 01:56:40,234 --> 01:56:44,822 ♪ And if you leave me I won't be late again ♪ 1966 01:56:44,905 --> 01:56:45,990 ♪ Oh, no ♪ 1967 01:56:47,825 --> 01:56:48,909 ♪ Oh, no ♪ 1968 01:56:50,786 --> 01:56:52,455 ♪ Oh, no ♪ 1969 01:56:52,538 --> 01:56:56,167 ♪ Oh, yeah ♪ 1970 01:56:56,251 --> 01:56:58,294 ♪ I've got a feeling Yeah ♪ 1971 01:57:03,133 --> 01:57:05,969 ♪ All these years I've been wandering around ♪ 1972 01:57:06,052 --> 01:57:08,972 ♪ Wondering how come nobody told me ♪ 1973 01:57:09,055 --> 01:57:12,726 ♪ All that I've been looking for Was somebody who looked like you ♪ 1974 01:57:16,981 --> 01:57:18,232 ♪ Hey ♪ 1975 01:57:18,315 --> 01:57:20,567 ♪ I've got a feeling ♪ 1976 01:57:20,652 --> 01:57:24,071 ♪ That keeps me on my toes Oh, yeah ♪ 1977 01:57:26,073 --> 01:57:27,158 ♪ Oh, yeah ♪ 1978 01:57:30,120 --> 01:57:32,039 ♪ I've got a feeling ♪ 1979 01:57:32,122 --> 01:57:35,500 ♪ I think that everybody knows Oh, yeah ♪ 1980 01:57:37,795 --> 01:57:38,879 ♪ Oh, yeah ♪ 1981 01:57:40,130 --> 01:57:41,465 {\an8}Yeah, we'll come upstairs. 1982 01:57:46,220 --> 01:57:48,306 ♪ I've got a feeling ♪ 1983 01:57:52,268 --> 01:57:53,645 ♪ Oh, yeah ♪ 1984 01:57:53,728 --> 01:57:55,730 ♪ Everybody had a hard year ♪ 1985 01:57:56,523 --> 01:57:58,442 ♪ Everybody had a head dream ♪ 1986 01:57:59,443 --> 01:58:01,861 ♪ Everybody saw the sun shine ♪ 1987 01:58:02,446 --> 01:58:04,448 ♪ Everybody gotten obscene ♪ 1988 01:58:04,531 --> 01:58:05,824 - ♪ Oh, yeah ♪ - ♪ Oh, yeah ♪ 1989 01:58:05,908 --> 01:58:07,159 ♪ Oh, yeah ♪ 1990 01:58:07,242 --> 01:58:08,577 - ♪ Oh, yeah ♪ - ♪ Oh, yeah? ♪ 1991 01:58:11,121 --> 01:58:13,791 ♪ Everybody had a good year ♪ 1992 01:58:13,874 --> 01:58:16,377 ♪ Everybody let their hair down ♪ 1993 01:58:17,002 --> 01:58:19,922 - ♪ Everybody pulled their socks up ♪ - ♪ Yeah ♪ 1994 01:58:20,006 --> 01:58:22,968 - ♪ Everybody put their foot down ♪ - ♪ Oh, yeah ♪ 1995 01:58:34,646 --> 01:58:37,066 - ♪ Everybody had a hard year ♪ - ♪ I've got a feeling ♪ 1996 01:58:37,149 --> 01:58:40,569 - ♪ A feeling deep inside, oh yeah ♪ - ♪ Everybody had a good time ♪ 1997 01:58:40,652 --> 01:58:43,573 - ♪ Everybody had a wet dream ♪ - ♪ Oh, yeah ♪ 1998 01:58:43,656 --> 01:58:45,825 ♪ Everybody saw the sun shine ♪ 1999 01:58:46,659 --> 01:58:48,995 - ♪ Everybody had a good year ♪ - ♪ I've got a feeling ♪ 2000 01:58:49,078 --> 01:58:51,498 - ♪ A feeling I can't hide ♪ - ♪ Everybody let their hair down ♪ 2001 01:58:51,581 --> 01:58:54,792 - ♪ Oh, no ♪ - ♪ Everybody pulled their socks up ♪ 2002 01:58:54,877 --> 01:58:57,462 - ♪ Oh, no ♪ - ♪ Everybody put their foot down ♪ 2003 01:58:57,545 --> 01:58:58,797 - ♪ Oh, yeah ♪ - ♪ Yeah, yeah ♪ 2004 01:58:59,965 --> 01:59:02,843 ♪ Ooh yeah, ooh yeah ♪ 2005 01:59:02,926 --> 01:59:05,513 ♪ Ooh, ooh yeah ♪ 2006 01:59:06,680 --> 01:59:09,100 ♪ I've got a feeling Yeah ♪ 2007 01:59:11,144 --> 01:59:13,604 ♪ I've got a feeling Yeah ♪ 2008 01:59:14,230 --> 01:59:15,649 ♪ Whoo-hoo! ♪ 2009 01:59:18,234 --> 01:59:19,235 [song ends] 2010 01:59:19,986 --> 01:59:23,532 ♪ A pretty girl is like a melody ♪ 2011 01:59:23,615 --> 01:59:25,033 [singing continues, indistinct] 2012 01:59:26,868 --> 01:59:27,995 Yeah. 2013 01:59:28,078 --> 01:59:30,205 - One, two, three, four. - "And For The First Time." 2014 01:59:30,289 --> 01:59:32,708 - Oh! - No, no, "Don't Let Me Down." Sorry. 2015 01:59:32,792 --> 01:59:34,126 [laughing] 2016 01:59:34,209 --> 01:59:36,671 ♪ Don't let me down ♪ 2017 01:59:36,754 --> 01:59:38,298 [person] Rock and roll! 2018 01:59:38,381 --> 01:59:39,549 You too! 2019 01:59:40,716 --> 01:59:43,303 - [chattering] - Whoo! 2020 01:59:43,386 --> 01:59:45,388 ["Don't Let Me Down" playing] 2021 01:59:47,974 --> 01:59:50,393 ♪ Don't let me down ♪ 2022 01:59:53,564 --> 01:59:56,317 ♪ Don't let me down ♪ 2023 01:59:59,778 --> 02:00:02,239 ♪ Don't let me down ♪ 2024 02:00:04,533 --> 02:00:05,534 Whoo! 2025 02:00:05,618 --> 02:00:08,120 ♪ Don't let me down ♪ 2026 02:00:10,998 --> 02:00:14,669 ♪ And from the first time That she really loved me ♪ 2027 02:00:16,171 --> 02:00:17,672 ♪ Ooh, she loved me ♪ 2028 02:00:19,132 --> 02:00:20,550 ♪ Yes, she does ♪ 2029 02:00:23,136 --> 02:00:27,558 ♪ And if somebody ever really loved me ♪ 2030 02:00:28,892 --> 02:00:30,478 ♪ Ooh, she loves me ♪ 2031 02:00:31,854 --> 02:00:33,606 ♪ Yes, she does ♪ 2032 02:00:36,985 --> 02:00:39,403 ♪ Don't let me down ♪ 2033 02:00:42,741 --> 02:00:45,369 ♪ Don't let me down ♪ 2034 02:00:48,788 --> 02:00:51,208 ♪ Don't let me down ♪ 2035 02:00:54,378 --> 02:00:57,131 ♪ Don't let me down ♪ 2036 02:00:59,759 --> 02:01:02,928 ♪ I'm in love for the first time ♪ 2037 02:01:05,806 --> 02:01:08,894 ♪ Don't you know it's gonna last ♪ 2038 02:01:11,855 --> 02:01:14,691 ♪ It's a love that lasts forever ♪ 2039 02:01:17,736 --> 02:01:21,323 ♪ It's a love that has no past ♪ 2040 02:01:21,407 --> 02:01:22,408 Whoo! 2041 02:01:24,160 --> 02:01:26,746 ♪ Don't let me down ♪ 2042 02:01:28,623 --> 02:01:30,041 ♪ Please ♪ 2043 02:01:30,124 --> 02:01:32,835 ♪ Don't let me down ♪ 2044 02:01:35,755 --> 02:01:38,383 ♪ Don't let me down ♪ 2045 02:01:41,678 --> 02:01:44,097 ♪ Don't let me down ♪ 2046 02:01:46,433 --> 02:01:50,771 {\an8}♪ And from the first time That she really done me ♪ 2047 02:01:52,356 --> 02:01:53,816 ♪ Ooh, she done me ♪ 2048 02:01:54,775 --> 02:01:56,527 ♪ She done me good ♪ 2049 02:01:57,111 --> 02:01:58,279 Yeah, that's right. 2050 02:02:01,908 --> 02:02:03,326 {\an8}[person speaking] 2051 02:02:03,409 --> 02:02:04,410 {\an8}[person] Yes. 2052 02:02:17,424 --> 02:02:18,718 {\an8}[Debbie] Yeah. 2053 02:02:18,801 --> 02:02:21,345 {\an8}♪ Don't let me down ♪ 2054 02:02:24,474 --> 02:02:27,185 ♪ Don't let me down ♪ 2055 02:02:30,230 --> 02:02:32,733 ♪ Don't let me down ♪ 2056 02:02:35,944 --> 02:02:38,780 ♪ Please ♪ 2057 02:02:41,908 --> 02:02:44,661 ♪ Please ♪ 2058 02:02:47,539 --> 02:02:49,959 ♪ Please ♪ 2059 02:02:51,335 --> 02:02:52,503 ♪ Oh ♪ 2060 02:02:53,004 --> 02:02:55,214 ♪ Please ♪ 2061 02:03:00,220 --> 02:03:01,221 [song ends] 2062 02:03:01,304 --> 02:03:03,265 ["Get Back" playing] 2063 02:03:08,812 --> 02:03:12,525 ♪ Jo Jo was a man Who thought he was a loner ♪ 2064 02:03:12,608 --> 02:03:15,194 ♪ But he knew it couldn't last ♪ 2065 02:03:16,404 --> 02:03:20,158 ♪ Jo Jo left his home in Tucson, Arizona ♪ 2066 02:03:20,241 --> 02:03:22,869 ♪ For some California grass ♪ 2067 02:03:23,703 --> 02:03:26,831 ♪ Get back, get back ♪ 2068 02:03:27,749 --> 02:03:29,250 ♪ Get back to where you once belonged ♪ 2069 02:03:29,334 --> 02:03:30,419 It's off. 2070 02:03:33,297 --> 02:03:35,007 ♪ Get back ♪ 2071 02:03:35,090 --> 02:03:38,468 ♪ Get back to where you once belonged ♪ 2072 02:03:38,552 --> 02:03:40,387 ♪ Get back, Jo Jo Yeah ♪ 2073 02:03:54,319 --> 02:03:56,988 ♪ Get back, get back ♪ 2074 02:03:57,864 --> 02:04:00,867 ♪ Get back to where you once belonged ♪ 2075 02:04:01,910 --> 02:04:04,288 ♪ Get back, whoo! Get back ♪ 2076 02:04:05,497 --> 02:04:08,167 ♪ Get back to where you once belonged ♪ 2077 02:04:10,419 --> 02:04:11,838 ♪ Get back, Jo ♪ 2078 02:04:12,629 --> 02:04:13,715 Whoo! 2079 02:04:16,551 --> 02:04:19,136 ♪ Oh, yeah Get back ♪ 2080 02:04:19,762 --> 02:04:20,763 Whoo! 2081 02:04:21,931 --> 02:04:22,932 Yeah! 2082 02:04:26,769 --> 02:04:30,357 ♪ Sweet Loretta Martin Thought she was a woman ♪ 2083 02:04:30,440 --> 02:04:33,026 ♪ But she was another man ♪ 2084 02:04:34,319 --> 02:04:37,823 ♪ All the girls around her Say she's got it coming ♪ 2085 02:04:37,906 --> 02:04:40,576 ♪ But she gets it while she can ♪ 2086 02:04:41,285 --> 02:04:44,622 ♪ Get back, get back ♪ 2087 02:04:45,539 --> 02:04:48,292 ♪ Get back to where you once belonged ♪ 2088 02:04:49,127 --> 02:04:52,213 ♪ Get back, get back ♪ 2089 02:04:53,006 --> 02:04:55,925 ♪ Get back to where you once belonged ♪ 2090 02:04:56,009 --> 02:04:57,469 ♪ Get back, Loretta Get back home ♪ 2091 02:04:57,552 --> 02:04:59,221 ♪ Come on, come on ♪ 2092 02:05:02,016 --> 02:05:04,476 ♪ Oh, come on, go home Your mommy's waiting ♪ 2093 02:05:05,770 --> 02:05:08,105 ♪ In her high-heel shoes And her low-neck sweater, get back ♪ 2094 02:05:08,188 --> 02:05:10,858 {\an8}[person speaking] 2095 02:05:28,252 --> 02:05:29,503 {\an8}[Paul] Whoo! 2096 02:05:29,586 --> 02:05:31,380 {\an8}[person speaking] 2097 02:05:31,463 --> 02:05:33,049 {\an8}♪ Yeah, get back ♪ 2098 02:05:35,217 --> 02:05:38,304 ♪ You've been out too long, Loretta You've been playing on the roofs again ♪ 2099 02:05:38,387 --> 02:05:41,599 ♪ And that's no good, 'cause you know Your mommy doesn't like that ♪ 2100 02:05:42,183 --> 02:05:44,561 ♪ Oh, she gets angry She's gonna have you arrested ♪ 2101 02:05:44,644 --> 02:05:45,645 ♪ Get back ♪ 2102 02:05:45,728 --> 02:05:47,147 ♪ Oh, get back ♪ 2103 02:05:48,106 --> 02:05:50,358 ♪ Oh, yeah Yeah, yeah, yeah ♪ 2104 02:05:51,193 --> 02:05:54,362 ♪ Get back, get back ♪ 2105 02:05:55,113 --> 02:05:58,075 ♪ Get back to where you once belonged ♪ 2106 02:06:00,536 --> 02:06:01,537 Get back. 2107 02:06:04,790 --> 02:06:06,960 [applause] 2108 02:06:07,043 --> 02:06:08,712 - Thanks, Mo. - I'd like to say thank you 2109 02:06:08,795 --> 02:06:10,589 on behalf of the group and ourselves. 2110 02:06:10,672 --> 02:06:12,298 I hope we passed the audition. 2111 02:06:12,381 --> 02:06:14,217 [laughing] 2112 02:06:15,009 --> 02:06:18,096 [crew] All right, boys. Get in here. Step aside, there. 2113 02:06:21,058 --> 02:06:22,226 [John] You all right? 2114 02:06:24,854 --> 02:06:26,897 Come. Get in there. Come on. In there. 2115 02:06:26,981 --> 02:06:28,649 What's the matter? Everything all right? 2116 02:06:29,525 --> 02:06:30,651 Hmm? 2117 02:06:32,278 --> 02:06:35,030 [Michael] Get some more cover there. Film through the office windows. 2118 02:06:35,115 --> 02:06:36,116 [crew] Okay. 2119 02:06:36,741 --> 02:06:38,243 [Michael] People on the roof. Everything. 2120 02:06:38,326 --> 02:06:40,120 Stay there, girls. Stay there. 2121 02:06:50,046 --> 02:06:51,132 Thank you. 2122 02:06:51,215 --> 02:06:53,925 [Michael] Okay. As soon as you got the cover, that's a wrap. 2123 02:06:54,010 --> 02:06:55,887 [chattering] 2124 02:06:56,470 --> 02:06:59,015 [officer] Let's keep it moving please. 2125 02:06:59,098 --> 02:07:01,643 [officer 2] Step off the road, please. Move along! 2126 02:07:03,310 --> 02:07:04,896 [officer 3] Move along, please. 2127 02:07:08,150 --> 02:07:09,401 Move along, please. 2128 02:07:10,068 --> 02:07:11,819 - [chattering] - [horn honking] 2129 02:07:14,740 --> 02:07:16,074 [officer 4] Off the road, please. 2130 02:07:17,618 --> 02:07:19,537 - [horn honks] - Come on. Move along. 2131 02:07:19,620 --> 02:07:22,623 What's the law say that you-- why you can't do that? 2132 02:07:22,706 --> 02:07:25,209 - [Michael] 'Cause of the PA speakers. - [George Martin] Disturbing the peace. 2133 02:07:25,293 --> 02:07:28,880 {\an8}- Well, how-- "Disturbing the peace"? - [Paul] Peace means like noise. 2134 02:07:28,963 --> 02:07:30,214 [George Martin] As Mike was saying, 2135 02:07:30,298 --> 02:07:33,259 this is a very good dry run for something else too. 2136 02:07:33,342 --> 02:07:35,637 Apart from the value of this as it stands. 2137 02:07:35,720 --> 02:07:36,721 Yeah. 2138 02:07:36,805 --> 02:07:39,433 - Yeah, for taking over London. - Yeah. 2139 02:07:39,516 --> 02:07:41,726 - [Michael] You see, because… - [John] Top of the Hilton tomorrow. 2140 02:07:41,810 --> 02:07:43,478 [George Martin] Blasting out the sound in their power. 2141 02:07:43,562 --> 02:07:45,772 - [John] Fantastic. - [George] Every rock group in the world, 2142 02:07:45,856 --> 02:07:48,317 in London, all on the top of buildings. 2143 02:07:48,400 --> 02:07:50,945 - Playing the same tune. - Also on a platform of loudspeakers. 2144 02:07:51,028 --> 02:07:54,532 So you're just sort of strapped in to little boxes in this structure. 2145 02:07:54,615 --> 02:07:56,033 ♪ Well, get back ♪ 2146 02:07:56,116 --> 02:07:58,911 ♪ …Loretta Martin Thought she was a woman ♪ 2147 02:07:58,994 --> 02:08:01,622 ♪ But she was another man ♪ 2148 02:08:02,665 --> 02:08:06,587 ♪ All the girls around her Said she's got it coming ♪ 2149 02:08:06,670 --> 02:08:09,297 ♪ But she get it while she can ♪ 2150 02:08:10,090 --> 02:08:11,132 ♪ Oh, get back ♪ 2151 02:08:12,259 --> 02:08:13,927 ♪ Get back ♪ 2152 02:08:14,010 --> 02:08:17,014 ♪ Get back to where you once belonged ♪ 2153 02:08:17,890 --> 02:08:20,977 ♪ Oh, get back, yeah Get back ♪ 2154 02:08:22,103 --> 02:08:24,689 ♪ Get back to where you once belonged ♪ 2155 02:08:24,772 --> 02:08:26,023 ♪ Get back, Loretta ♪ 2156 02:08:27,359 --> 02:08:28,360 ♪ Hey! ♪ 2157 02:08:32,197 --> 02:08:33,198 ♪ Go home ♪ 2158 02:08:33,823 --> 02:08:35,658 ♪ Your mommy's waiting for you ♪ 2159 02:08:35,742 --> 02:08:39,663 [John singing gibberish] 2160 02:08:41,373 --> 02:08:42,625 ♪ Ooh, she does ♪ 2161 02:08:44,126 --> 02:08:45,711 ♪ Yes, she does ♪ 2162 02:08:48,214 --> 02:08:52,718 ♪ I guess nobody ever really done me ♪ 2163 02:08:54,053 --> 02:08:56,139 ♪ Ooh, she done me ♪ 2164 02:08:57,098 --> 02:08:59,267 ♪ Oh, please believe me ♪ 2165 02:08:59,350 --> 02:09:02,854 ♪ I'd hate to miss the train Oh, yeah ♪ 2166 02:09:04,689 --> 02:09:06,025 ♪ Oh, yeah ♪ 2167 02:09:08,693 --> 02:09:13,533 ♪ And if you leave me I won't be late again ♪ 2168 02:09:13,616 --> 02:09:14,617 ♪ Oh, no ♪ 2169 02:09:14,700 --> 02:09:16,411 [no audible dialogue] 2170 02:09:16,494 --> 02:09:17,578 ♪ Oh, no ♪ 2171 02:09:19,580 --> 02:09:20,665 ♪ Oh, no ♪ 2172 02:09:21,249 --> 02:09:24,878 ♪ No, yeah ♪ 2173 02:09:24,961 --> 02:09:27,463 ♪ I've got a feeling Yeah ♪ 2174 02:09:30,050 --> 02:09:32,135 ♪ I've got the number wrong ♪ 2175 02:09:32,218 --> 02:09:35,972 ♪ Well, she said she's traveling On the one after 909 ♪ 2176 02:09:37,808 --> 02:09:41,312 ♪ I said move over, honey I'm traveling on that line ♪ 2177 02:09:43,105 --> 02:09:46,025 ♪ I said move over once Move over twice ♪ 2178 02:09:46,108 --> 02:09:47,359 ♪ Come on, baby Don't be… ♪ 2179 02:09:47,443 --> 02:09:50,405 ♪ All I want is ♪ 2180 02:09:50,488 --> 02:09:54,492 ♪ I, a-hi, hi, a-hi, hi ♪ 2181 02:09:56,078 --> 02:09:58,080 ♪ Dig a pony ♪ 2182 02:09:59,164 --> 02:10:02,000 ♪ Well, you can celebrate Anything you want ♪ 2183 02:10:03,877 --> 02:10:07,881 ♪ Yes, you can celebrate Anything you want ♪ 2184 02:10:09,091 --> 02:10:10,718 [Michael] What are you feeling about today? 2185 02:10:10,801 --> 02:10:12,636 - You wanna work more today or not? - [Paul] Yeah. 2186 02:10:12,720 --> 02:10:14,638 We should record the others now. 2187 02:10:14,722 --> 02:10:16,808 [Glyn] Gotta get the stuff down first. 2188 02:10:16,891 --> 02:10:19,393 - [George] Let's have a break for a bit. - We'll have lunch and that. 2189 02:10:19,477 --> 02:10:22,063 And then we record the other stuff that we didn't do. 2190 02:10:22,146 --> 02:10:24,316 - [George Martin] Right. - Up there. The acoustic stuff. 2191 02:10:24,399 --> 02:10:26,235 - [Glyn] Up there? - No, down here now. 2192 02:10:26,318 --> 02:10:27,986 - When I-- - [George] There won't be more rooftops. 2193 02:10:28,070 --> 02:10:29,071 [Paul] No. No more rooftop. 2194 02:10:29,154 --> 02:10:30,489 - That was the rooftop. - [George] It was really bad. 2195 02:10:30,572 --> 02:10:32,116 {\an8}- [George Martin] Oh, right. - [Paul] So, it's like-- 2196 02:10:32,199 --> 02:10:34,159 {\an8}You know, you're doing this and we're taking it-- 2197 02:10:34,243 --> 02:10:36,495 {\an8}If we got the police, we could pretend in the film 2198 02:10:36,579 --> 02:10:38,372 that we had to get down because of them. 2199 02:10:38,456 --> 02:10:40,625 {\an8}- And here we are… - [John] Just the way it happened then. 2200 02:10:40,708 --> 02:10:42,418 {\an8}That'll just be it, you know. 2201 02:10:42,502 --> 02:10:44,504 {\an8}[chattering] 2202 02:10:51,970 --> 02:10:55,599 {\an8}[crew] This is B camera roll, 1,150. 2203 02:10:55,682 --> 02:11:00,061 Slate 500, take one. Slate 500, take one. 2204 02:11:00,146 --> 02:11:01,397 [crew 2] Roll mic. 2205 02:11:01,480 --> 02:11:05,026 [John] It might have been-- You know. I don't like to throw things away. 2206 02:11:05,109 --> 02:11:06,193 [Paul] Okay. Ready? 2207 02:11:06,277 --> 02:11:07,987 - [Michael] Okay, turnover cameras. - Clap it. 2208 02:11:08,070 --> 02:11:09,363 [Michael] Turnover cameras. 2209 02:11:10,281 --> 02:11:12,784 ♪ Take it to the captain ♪ 2210 02:11:13,951 --> 02:11:16,871 ♪ Take this hammer ♪ 2211 02:11:17,580 --> 02:11:20,458 ♪ Take it to the captain ♪ 2212 02:11:20,542 --> 02:11:24,171 ♪ You and me Sunday driving ♪ 2213 02:11:24,254 --> 02:11:26,590 ♪ Not arriving ♪ 2214 02:11:26,674 --> 02:11:30,010 ♪ On our way… ♪ 2215 02:11:30,093 --> 02:11:33,764 ♪ If you're ever in a jam Here I am ♪ 2216 02:11:35,934 --> 02:11:39,353 ♪ If you're ever in the shit Grab my tit ♪ 2217 02:11:40,939 --> 02:11:44,526 ♪ …it's gonna make it stop ♪ 2218 02:11:45,109 --> 02:11:47,279 ♪ How high's the water, mama? ♪ 2219 02:11:48,697 --> 02:11:50,865 ♪ Daddy's gonna tell on… ♪ 2220 02:11:50,949 --> 02:11:54,036 ♪ Rather see you dead, little girl ♪ 2221 02:11:54,119 --> 02:11:56,956 ♪ Than to be with another man ♪ 2222 02:11:58,290 --> 02:12:01,627 ♪ You better watch your head Little girl ♪ 2223 02:12:01,711 --> 02:12:04,422 ♪ Or you won't know where I am ♪ 2224 02:12:05,173 --> 02:12:07,592 ♪ You'd better run for your life If you can… ♪ 2225 02:12:07,675 --> 02:12:08,676 Okay. 2226 02:12:08,759 --> 02:12:10,386 - [crew] Running. - Turn over. 2227 02:12:10,470 --> 02:12:12,889 - Did I ever tell you when I had the-- - Take-- Take ten. 2228 02:12:13,724 --> 02:12:15,433 [John] I don't think I wanna hear that, Dick. 2229 02:12:16,602 --> 02:12:17,936 Okay, Jim. 2230 02:12:19,605 --> 02:12:21,357 - Good night, Paul. - Say good night, John. 2231 02:12:21,440 --> 02:12:23,234 - Good night, Paul. - Good night. 2232 02:12:32,159 --> 02:12:35,413 {\an8}♪ Two of us riding nowhere ♪ 2233 02:12:35,497 --> 02:12:40,418 {\an8}♪ Spending someone's hard-earned pay ♪ 2234 02:12:41,878 --> 02:12:45,048 ♪ You and me Sunday driving ♪ 2235 02:12:45,132 --> 02:12:47,259 ♪ Not arriving ♪ 2236 02:12:47,342 --> 02:12:52,348 ♪ On our way back home ♪ 2237 02:12:53,641 --> 02:12:55,559 ♪ We're on our way home ♪ 2238 02:12:56,769 --> 02:12:58,854 ♪ We're on our way home ♪ 2239 02:13:00,023 --> 02:13:02,859 ♪ We're going home ♪ 2240 02:13:16,790 --> 02:13:19,626 {\an8}♪ I suddenly discovered I was halfway out of tune ♪ 2241 02:13:19,710 --> 02:13:22,547 {\an8}♪ But I continued playing Because I'm no goon ♪ 2242 02:13:24,298 --> 02:13:26,801 {\an8}[crew] Take-- Take-- Take 17! 2243 02:13:27,468 --> 02:13:32,098 ♪ The long and winding road ♪ 2244 02:13:33,224 --> 02:13:39,481 ♪ That leads to your door ♪ 2245 02:13:40,356 --> 02:13:42,484 - [beeps, static] - Okay, start again. 2246 02:13:45,196 --> 02:13:46,280 ♪ The long… ♪ 2247 02:13:46,363 --> 02:13:48,199 [laughs, whines] 2248 02:13:49,533 --> 02:13:50,701 F-stop. 2249 02:13:52,036 --> 02:13:53,079 ♪ The long… ♪ 2250 02:13:53,162 --> 02:13:54,831 [Glyn] We'll need one more, actually. 2251 02:13:56,666 --> 02:13:57,667 [crew] Take 18. 2252 02:14:01,045 --> 02:14:02,505 Now what's the chord you play… 2253 02:14:02,589 --> 02:14:04,632 [vocalizes] 2254 02:14:04,716 --> 02:14:09,554 ♪ The wild and windy night ♪ 2255 02:14:10,598 --> 02:14:16,645 ♪ That the rain washed away ♪ 2256 02:14:20,399 --> 02:14:25,238 ♪ Has left a pool of tears ♪ 2257 02:14:27,741 --> 02:14:31,995 ♪ Crying for the day ♪ 2258 02:14:33,079 --> 02:14:35,374 - [Michael] Running. - [clapping] 2259 02:14:35,457 --> 02:14:36,958 - [Michael] Running, Col? Running, Mike? - [Colin] Yeah. 2260 02:14:37,042 --> 02:14:38,835 - [Mike] Running, yeah. - [Michael] Nice and quiet. Mark it. 2261 02:14:38,919 --> 02:14:39,920 [clapper] Take 25. 2262 02:14:40,880 --> 02:14:43,716 ["Let It Be" playing] 2263 02:14:53,559 --> 02:14:57,105 ♪ When I find myself in times of trouble ♪ 2264 02:14:57,188 --> 02:15:00,066 ♪ Mother Mary comes to me ♪ 2265 02:15:00,150 --> 02:15:02,736 ♪ Speaking words of wisdom ♪ 2266 02:15:02,819 --> 02:15:04,237 ♪ Let it be ♪ 2267 02:15:06,448 --> 02:15:09,034 ♪ And in my hour of darkness ♪ 2268 02:15:09,118 --> 02:15:12,704 ♪ She is standing right in front of me ♪ 2269 02:15:12,788 --> 02:15:15,499 ♪ Speaking words of wisdom ♪ 2270 02:15:15,582 --> 02:15:17,669 ♪ Let it be ♪ 2271 02:15:18,586 --> 02:15:23,633 - ♪ Let it be, let it be ♪ - ♪ Ooh ♪ 2272 02:15:25,135 --> 02:15:27,429 - [raspberry] - What the shittin' hell is going on here? 2273 02:15:27,512 --> 02:15:30,098 [imitates speaking German] 2274 02:15:30,182 --> 02:15:33,936 [imitates speaking German] 2275 02:15:35,312 --> 02:15:38,023 Eins, zwei, viertel nach drei. 2276 02:15:38,106 --> 02:15:39,483 [rock playing] 2277 02:15:43,404 --> 02:15:45,656 ♪ Whisper words of wisdom… ♪ 2278 02:15:47,033 --> 02:15:48,702 What the fuck's going on? 2279 02:15:48,785 --> 02:15:51,287 I'll never get "Maggie Mae" done if we go on like this. 2280 02:15:56,585 --> 02:15:58,420 Are we supposed to giggle in the solo? 2281 02:15:58,503 --> 02:15:59,754 - Yeah. - [John] Okay. 2282 02:15:59,838 --> 02:16:03,759 ♪ And when the broken-hearted people ♪ 2283 02:16:03,843 --> 02:16:06,303 - [laughs] - [John] Get off, you bum! 2284 02:16:12,184 --> 02:16:13,186 [song ends] 2285 02:16:18,649 --> 02:16:21,111 - I lost a bass note somewhere. - Oh. 2286 02:16:21,194 --> 02:16:23,279 ["Let It Be" playing] 2287 02:16:32,498 --> 02:16:35,877 - ♪ Let it be, let it be ♪ - ♪ Ooh ♪ 2288 02:16:35,960 --> 02:16:39,296 {\an8}♪ Let it be, yeah Let it be ♪ 2289 02:16:39,380 --> 02:16:42,383 {\an8}♪ There will be an answer ♪ 2290 02:16:42,467 --> 02:16:44,176 {\an8}♪ Let it be ♪ 2291 02:16:46,554 --> 02:16:50,308 ♪ When I find myself in times of trouble ♪ 2292 02:16:50,392 --> 02:16:53,311 ♪ Mother Mary comes to me ♪ 2293 02:16:53,395 --> 02:16:57,399 ♪ Speaking words of wisdom Let it be ♪ 2294 02:16:57,482 --> 02:16:58,651 [John mouthing] Let it be. 2295 02:16:59,735 --> 02:17:05,824 ♪ And in my hour of darkness She is standing right in front of me ♪ 2296 02:17:05,908 --> 02:17:08,577 ♪ Speaking words of wisdom ♪ 2297 02:17:08,661 --> 02:17:10,121 ♪ Let it be ♪ 2298 02:17:11,372 --> 02:17:15,043 - ♪ Let it be, let it be ♪ - ♪ Ooh ♪ 2299 02:17:15,126 --> 02:17:18,297 {\an8}- ♪ Let it be, let it be ♪ - ♪ Ooh ♪ 2300 02:17:19,339 --> 02:17:21,883 {\an8}♪ Whisper words of wisdom ♪ 2301 02:17:21,966 --> 02:17:23,718 {\an8}♪ Let it be ♪ 2302 02:17:30,810 --> 02:17:32,437 [song ends] 2303 02:17:37,317 --> 02:17:40,778 - [George Martin] Is that the best one? - I think that was rather grand. 2304 02:17:41,279 --> 02:17:43,031 I'd take one home with me. 2305 02:17:44,825 --> 02:17:45,867 [Glyn] Yeah, that was fine. 2306 02:17:46,492 --> 02:17:48,411 Don't kid us, Glyn. 2307 02:17:49,287 --> 02:17:51,332 Give it to us straight. 2308 02:17:52,541 --> 02:17:54,626 - Get me off this bass. - [Paul] Was that good enough? 2309 02:17:54,710 --> 02:17:57,964 - [Glyn] Yes. - We'll do one more to cover ourselves. 2310 02:17:58,047 --> 02:18:00,717 We'll just do one more 'cause we know we've got it now. 2311 02:18:01,425 --> 02:18:03,344 [John] We've got so many of the bastards. 186578

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