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Hello. Timothy Sandy.
Mr. Cochran, have you read this story?
Yeah.
Did you like it?
I'd rather not talk on the phone.
Get out of my office immediately.
Yes, sir. I can be right down there right away. Thank you.
Who was that, hon?
Big man.
This is our hero, Timmy Sandy.
I love this kid.
He's ambitious, creative, a crusader, an idealist, but, God, he's so dumb.
Can't believe it.
He doesn't know what's waiting for him.
He wants to see me down in the office immediately.
Six months working on your script, and today you find out if it's all been
worthwhile.
I know it hasn't been easy for you.
Working and me not bringing in a cent.
That's the least of our worries.
Just hope you don't make any more enemies with this one.
I don't think I can take any more of those threatening letters or phone
It's just fiction.
A story.
Sure, but some of those characters are pretty close to the truth.
Sure hope you don't get sued, or worse.
Fiction or non -fiction, it's a story that has to be told.
Some official or petty agency see themselves in my story, that's their
It's not mine.
Great. Timmy, I wish you wouldn't leave the car parked in the driveway all
night. You're only asking for trouble.
I didn't sleep a wink last night.
Now, if somebody's going to steal my car, I'm going to be the first to find
I'm going to be late.
Thanks for being so understanding.
Aren't you forgetting something?
Timmy, baby, so you want to make a movie? Hey, don't we all?
It ain't easy, you know. I mean, sure, you've got a great idea, man.
Who doesn't?
Mr. Sandy.
Oh, good morning, Adrian.
Didn't see it happen again, eh?
Yeah, stupid car.
Would you like a ride downtown?
Oh, I'd really like one. Would you mind?
That's okay.
Listen, I'm doing a sixth violin concerto with the symphony this Friday.
you care for some tickets?
Oh, I got to commit on a Friday night. I'm sorry, Adrian.
Perhaps not.
I'm Timothy Sandy.
Don't make your iPhone.
Well, that sweet little woman believes that her hero will fill the mast of
these. She waits at home and lets him roll, but wonders never cease. Make it
in good taste. Make it all in good taste. Make it all in good taste. Make
in good taste.
They say that the flavor is what you should save. Make it all in good taste.
Make it all in good taste. Make it all in good taste. Make it all in good
Because every good -looking blonde that you happen upon makes the bells go off
in your head.
And when she says her desire burns like a fire, you've got to talk business
instead. Because you know what they say.
Make it all in good taste. Make it all in good taste. Make it all in good
They say that the flavor is what you should savor. Make it all in good taste.
Make it all in good taste. Make it all in good taste. Make it all in good
Oh, the man with ideas is the one with the con.
Who never ever listens to you.
He talks so sweetly. And buys you a pizza. And tells you what he wants you
do. Make it all a good taste.
Make it all a good taste. Make it all a good taste. Make it all a good taste.
Make it all a good taste.
Make it all a good taste.
Make it all a good taste. Make it all a good taste. Make it all a good taste.
When you talk to the money. Find that it's funny.
They all talk culture and class.
But when it comes to the dough.
These guys say, no, if there ain't no skin, it's a path.
Make it all in good taste. Make it all in good taste. Make it all in good
Make it all in good taste.
Good morning, United Pictures.
No, Mr.
Cochran isn't in.
He's in Paraguay.
No, I don't have the area code.
Bye. Hi, Mr.
Sandy. Can I take your code?
Uh, uh, thanks. No.
Where did you get that in the fire sale?
I had a short in my coil and the wiring burned out.
Oh, that sounds awful.
You better do something about that.
Oh, Mr. Cochran's expecting you. Go right in.
Okay?
Mr. Cochran?
Oh, hi, Timmy. Good morning. Good morning. Sit down. Have a drink?
No, thanks. I think it's a bit too early for me.
You smell rubber?
Uh, yeah, and my car exploded and the wiring.
Did you like the script?
No.
No? No.
I loved it.
It's Oscar material.
It's strong, it's dynamic, it's wonderful, it's real.
But we're not going to do it.
Not what?
No, we need a smash box office hidden script, isn't it?
But it's the truth.
It's real. The only thing that's real nowadays is dollar bills. That's what's
real. Well, no, it'll take the lid off the child placement agencies.
Kids bought and sold. It's like white slavery.
Yeah, look, research.
I've got market research here. What the public wants now is more... Sex and
violence and nudity and film, sweetheart. That's what sells.
Maybe a rewrite. No, no. I don't think so.
We could change the title.
No, this thing wouldn't sell if you called it the orgies of the orphan
Swedish orphans in rubber or sex secrets of Judy the orphan.
That wouldn't help it either.
I got it.
The Ilsa's orphans meet the Danish cheerleaders. It wouldn't help.
What we're going to do is put your script aside for a while. We've got
more up your alley. We want you to do a film of the world stripping.
Strippers. Girls that take their clothes off to make a living. I want the inside
story. It'll be marvelous.
Mr. Cochran, I know nothing of that.
We gave you an advance on that film. Now I got my balls on the line. I need a
story. I got pressure, man.
I want you back here in two days with an outline.
That's ridiculous. I mean, I wouldn't even know where to start.
Oh.
Bella. Good morning.
Will you show Mr.
Sandy that footage, please, sweetheart?
Go and take a look at it. I'm sure it'll give you some ideas.
Go on.
Take a look at it.
Go on.
Go and take a look at it.
It's show business.
It's entertainment, baby. It's fun.
Five minutes with Stella and he'll make any movie I ask him to.
Hey, I gotta give Heff a call, man. I mean, this chick is fantastic.
Till late.
Brunette.
Thank you.
I had a good script.
I don't understand. I just don't understand why.
Hey, never mind. This will cheer you up.
Listen, I think you've got to watch.
I know.
Okay.
You're nice.
Yeah, okay.
No, no, maybe another time.
No,
I don't. I think maybe another time. That's it.
No,
no, maybe some other time.
No, it's okay, Sog.
No, I think we should watch this.
I think of her as a reason. No, no.
Behave yourself. Be a good girl.
Stella. No. Stella, just be a good girl.
Oh,
that's okay.
I see you really got turned on to the idea, Timmy.
She said my script was... Dependence.
Colossal. He loves it. After material.
We're not going to do it.
What?
Today is just not my day. I'd probably flunk a telephone test for a free dance
lesson. Oh, come on, honey. You're a good filmmaker.
You've got the awards to prove it. I think it's absolutely disgusting that
Cochran didn't buy your orphan story.
He wouldn't even rent it.
He wants me to film women who take their clothes off.
Striptease. Naked women, naked bodies, writhing. He wants me to fly to
Amsterdam, Rome, Paris.
I wasn't going to do it the minute he mentioned it.
But that still doesn't change it.
The fact is I've got a good script and it's just been turned down.
What am I going to do?
Other producers.
There must be other producers.
Great, kid. It's dynamite.
Timmy, I don't believe you, man. I mean, you start out with the last guy in the
world who can help you.
Jeez, the guy looks like a used car salesman.
You really like it?
Kid, it's sensational.
It's magnificent.
It's a masterpiece.
You're a genius.
I ordered double anchovies.
Thank you.
I've got two studios after it already. They're crawling to me. Kid, it leaps
the pages.
You mean there's a chance of it being produced?
Practically signed already.
There's a few minor changes.
How many?
Change the orphans to stewardesses. And the toy shop scene into a motorcycle
gang rape. You know, lots of sex, nudity, a few murders.
That might be a bit difficult. The plot?
Nothing major.
I want this to retain its cinematic integrity.
Yeah.
You hear the way she's talking to me? That's the way they speak to you.
You and I are talking about a $7 million movie and $10 million more for a
promotion, and she's making my life miserable for a measly six bucks.
The whole world's gone money mad.
But could you lend me six bucks?
It's getting cold.
Oh, give me another two dollars for the tip. Here,
kid.
Now,
where was I? Oh, yeah.
We're dealing with the big bucks here, kid.
You gotta give the public what they want. When you're spending $17 million
job, you gotta build in some guarantees. I mean, we're talking about Cannes
Festival now. I go there every year. Oh, yeah, buying, selling films.
We're dealing with the biggies, kid.
You know where I spend most of my time now? Flying on the circuit, selling
films. Rome, London, Berlin.
The competition out there is murderous. But it's impossible to change the plot
to that extent.
Kid, nothing is impossible.
Take my last picture.
A smash hit at the box office.
Terror at blood asylum.
Oh, he had a garbage script about this painter called Van Gogh, made a few
changes, and we grossed more in one week than Van Gogh ever made in his whole
lifetime. I think I better just take the script and make some changes. No need
to now. I've done it already myself.
Now, let's see.
You've got this orphan racket, right?
Okay.
It's run by the mob, and they own these baby farms, see?
And they kidnap all these beautiful blonde chicks and get them all knocked
down on the farm.
Then they raise the kids in these phony foster homes, which also double as
massage parlors, right? And there, they teach the kids the racket.
They sell the kids to these rich folks who can't have any children. And when
kids grow up, they knock off the parents and all the close relatives, inherit
the steel mills, the oil wells, and give it back to the mob.
That's awful.
Oh, well, if you don't like the anchovies, you don't have to use it.
Wait a minute. I got something to show you.
Wait till you see this.
These are some of the chicks that are going to play the stewardesses.
Now, who's this for? Ah, this is Trixie, the stewardess. She balls all those old
tycoons at first class and gives them heart attacks.
Now, this, this is Wanda.
She's a contortionist. You know, she bends over backwards, sticks her head
through her legs, and eats a Big Mac.
And this, this is Vivian.
She can't act, but, boy, is she great at parties.
And this, this is Susie.
She had a great act with her sister. Wait a minute. I got something to show
It's the piece de resistance. No, that's not you, dear.
I'll get it in just a minute.
That bum.
He's gone and stole my idea.
Every filmmaker's dream, finding his own investment group.
I don't know, Jimmy.
The trouble with investors, it's like going to the dentist, man, you know? I
mean, you go through a lot of pain, and what do you got at the end of it? A
smile. How do you do, Mr. Sandy?
Nice to meet you, Miss Gordon. And this is Art Reynolds.
We've just met ourselves.
Art has been backing stage productions and movies.
Mr. Sandy, I'm delighted.
I loved your last film.
Thank you. The critics were wrong.
Yes. Well, let's get started. We have all read your script, and
we were all agreed before you arrived.
We are very impressed.
It is the finest thing I've ever read. But we all feel that
it doesn't go far enough.
Exactly. It's too close to a mere expose.
We feel that you can build the family tragedy with
drunken parents, child beating.
But all in good taste.
The adopted child is being used to patch up a disintegrating marriage
between... Between a female nude mud wrestler... With great cleavage. The
wrestler, not the steeplejack.
Or the father could be a homosexual schoolteacher. A refined and cultured
of course.
That scene on vacation, when the kid gets lost looking for his kitten, too
idyllic. It needs drama.
Make it a nude beach scene with lots of chesty, sexy women. Right. And the kid
is looking for his pussy.
And then he meets up with this thin fashion model.
With big knockers.
But tasteful. And she's into leather. Someone real and sensitive.
Yes, it should be depraved and brutal.
I can take some notes. But all in good taste. The kid's sister gets caught by
a white trash farmer in the swamp. And he chains her up in the barn to be used
by his...
Fourteen kids who've never seen a woman.
Handled delicately, of course.
And then her mother takes her place to make up for all the years of frustration
married to her gay hubby.
Right. The father and sons are caught by a couple of escaped lifers from the pen
and buggered in the forest. Tastefully. Hmm.
Tastefully buggered. I love it already.
Now, Mr. Sandy, you're the...
He's gone.
What the... Was he upset?
We were only talking about a few minor changes.
Ah, the banker.
Timmy, you don't have any collateral.
I think this banker is after your assets.
He knows where to give credit, though. To himself.
Did you get someone to appraise the script?
No. When it comes to investing, I always trust myself.
I've been with this corporation for 20 years, and I think I know what's good
what's bad.
You've read it, then?
I did.
Yes, indeed, I did. And, well, I'm going to be blunt with you.
I like it.
Great.
My producer who works with me, he didn't like it. He wanted me to make a film
about women taking their clothes off.
Oh, my God.
That's outrageous.
A chap named Cochran?
Yes. How did you know?
It's my business to know.
Imagine asking an award winner to do stuff like that.
And I think your social comment is right on.
Of course, there are some people who are going to be pretty upset.
Your story and... Mr. Sandy, I like you.
And I like your script.
About the script, I wondered if I could look at it. There are just a couple
of... Oh, son of a bitch.
I'm terribly sorry, but I... I took it home to read and...
Look, why don't you come to my place for supper?
I... I don't usually like to discuss business at home, but...
But with you, it'll be a pleasure.
Thanks, Mr. Dixon.
No, I can't. Thank you very, very much, Richard.
That was an excellent meal.
Thank you very much, Mr. Dixon.
Just call me Buddy.
Thanks, Buddy.
Bottom it.
Get Mr. Sandy some of our very best brandy. The Grand Prix.
I couldn't possibly.
Of course you could.
And tonight I have a very, very special treat for you. Something I know you're
going to like.
Oh,
I'm terribly sorry, sir.
Butler, you clumsy old... That's okay.
That was my fault.
Don't worry.
You just run along upstairs.
There's a bedroom.
Second door on the left.
There's a bathroom in the closet.
Give your trousers to Bottomley.
We'll have them fixed in a jiffy.
Why, there's no need. It's just a little damp. No, no, you'll catch your death.
Run along, lad.
I am terribly sorry, sir.
Timothy! Ah, that looks better.
Feeling more comfortable?
Yes, thank you. Yeah, yeah, look great.
Sit down there, boy.
There you go.
Right down there. Now, what I am going to show you tonight is...
Oh, boy, it is quite, quite remarkable.
Waddley, lights.
Thank you.
Hi there.
I just thought I'd slip into something a little more comfortable.
Didn't you just adore those wonderful, wonderful boys?
And those women in the audience.
Weren't they absolutely hideous?
Animals?
I think you might be
mistaken. Now, now, Timmy, baby.
Don't play games with me.
You know, you're going to get it in the end.
What did you have in mind, sir?
Be good. You want me to invest in your firm, don't you?
I'm having second thoughts.
Ah, ah.
Then there's still hope.
Look it. Take your money and shove it.
Autumn Lee.
Coming, sir.
Did you read my script?
Kid, it's dynamite. Hey, kid, you're a genius. We could add in the sweat T
-shirt contest, and I've got this great idea for a scene shot in a giant
jacuzzi. Hey, we could, like, shoot it overhead, like an Esther Williams thing.
Yeah, it's about time.
Ask him if he takes Diners or American Express.
Hey, I hate to do this, kid, but can you lend me six bucks?
What's real nowadays is cash money in the register. That's what's real.
What we're talking about here is the big box.
Nothing major. It's practically already signed.
It's got to be a few miles.
We're not going to do it.
I mean,
I've got pressure, man. I need a story.
getting a script, isn't it?
Was there anything I can do for you?
You're going to do that stripper film for Mr. Cochran, aren't you?
But you've got to do it.
I mean, I've booked all the flights, your hotel's booked, you've got to go,
it's all arranged.
What's arranged?
You must go, yes.
You're leaving a week Thursday.
Timmy, glad to see you. Come on in. Have a drink.
What's this about me flying off a week Thursday?
I have no intention of doing your film, okay? I've had stripping, sex, and
sordid plots up to here.
Calm down.
Sit down.
Come on.
Listen. This is not a sordid project, sweetheart.
This is a legitimate film about real people making a living.
It's not obscene. Come on.
What's the matter?
It's show business.
It's entertainment. It's fun.
Come on.
Besides, you've got no choice.
No choice? What do you mean, no choice?
You see, when we gave you that advance and you agreed to do that orphan film,
was for an untitled project.
And what I've done is filled in the title. And it appears as though you've
agreed to make a film called Mondo Strip.
Sorry, baby, it appears as though we got you over a... Bunch of naked women is
what I'm over.
You can't threaten me.
What if I say no?
Well, sue.
So sue me.
Or even worse.
Worse what worse?
Tell your wife about you and Stella. That's all.
My wife.
What am I going to tell her?
I'm off to visit the sex capitals of the world, filming women taking their
clothes off.
Yeah, that could be a little bit tricky.
I'll call her for you.
No, thanks very much.
Thanks a lot, buddy. I'll tell her myself.
My own time.
You're a pro. I'm sure she'll understand.
Yeah, sure, sure she'll understand.
You got any idea about a plot for this epic?
Shouldn't be too difficult for a guy like you. I mean, if you could write a
script for kids without parents, I'm sure that you could write about girls
no clothes.
Come on, you got some time. Take in the scene.
Talk to the people in the business.
Um, I'll have Stella run some footage for you. No, thanks.
I'll do it myself.
Alone.
And thanks anyways for this experience. I really appreciate it.
No problem.
Ciao, baby.
Hey, when you come back, we'll have lunch together.
Yes,
sir. Mr. Sandy.
These are for you.
I'm so glad you're doing it. It's going to be a wonderful trip.
Hawaii, Brazil, Hong Kong, Paris.
Yeah, fantastic.
Stella. Yes?
If you were my wife. Yeah.
And I said I was going to travel all over the world filming beautiful
What would your reaction be?
Well, if she loves you and trusts you, it won't make any difference.
I'd trust you.
I'd love you.
I would hug you. I would kiss you. I'll wait for you and wait for you. Yes, I
will.
I'll run your bath. I'll bring your slippers.
I'll do anything for you.
Stuck up.
Bicycle.
Oh, geez.
Yeah, folks.
You know, she's from France.
Tans.
See, they named the town after her.
My sister's pretty big, too. She's from Brest.
You get it? Tans. Brest.
Oh, it's a sexy show.
Oh, those friends are pretty sexy.
They're not wine.
Bordeaux. They named it after Bridget Bordeaux.
You remember Bridget Bardo? She was normally a stag reel.
Well, I woke up this morning.
I was feeling kind of low.
Oh, no.
Talk about confidence.
I mean, how can he see through those shades?
Looks like an insurance salesman sneaking away from a convention.
Don't go away.
We're going to have a lot of fun. Thanks for being here.
Thank you.
Mr.
Kaplan. Timothy Sandy.
I phoned you this morning. Filmmaker?
Oh, yeah.
that wanted to put all these girls in your movie.
That's right. I wondered... I wanted to talk to them backstage and then come and
film the live show.
Hey, can you use me?
I am part of the show, you know.
You know, I do all the, uh... stick between the girls' changes.
I'm pretty funny.
You catch my next set.
Yeah, uh... But can I go backstage and talk to them now?
Sure, just tell them... I said it's okay.
Listen, I gotta run, but don't forget to catch my next act, okay?
Can
I
come in?
Attaboy, Timmy. Doing it like a real pro.
Confident, quick, cocky.
Just like I taught you.
Captain.
Captain.
Sam, he always comes with those games.
But you see, his grandmother knew for a couple of bucks.
What do you want?
Well, actually, I want to talk. I'm making a film.
Oh, God.
That's what they all take. Hey, honey, you want to be in pictures?
Come over to my place later for a screen test. No, no, I can... Come on. I can
explain. I'm a member of the Academy, and I... Oh, I... You know, I'm a... I'm
fake milk.
Oh, yeah, right.
You look like Cecil B. DeMille. No, actually, he looks more like a rookie
plain clothes.
Hey, let's take his clothes off. Maybe he's still wearing his training dress.
Come on.
I can explain. My name is Tim Sandy, and I'm doing research on a feature film
about girls who work in strip clubs. I'm going all around the world. Oh, take me
with you, big boy.
Come on.
Look, I'd like to help you out, but I'm a working mother.
So I'm going to feed my kids between shows.
Thanks.
Talk to Maureen. She'll help you.
Hey, watch him, Maureen. He looks like a bit of a perv to me.
See you guys.
Well, look, if you're staying, don't just stand there. Make yourself useful.
Hold this.
All right.
Well, yeah, I... So, what would you like to know about us awful girls who expose
ourselves to an audience of strange men?
Excuse me. I was just wondering, I'm trying to look for a theme, and I just
wanted to talk to you a bit about why you did it. I'm kind of at a loss.
I've never... Have you ever been to a strip club before? That's the problem.
I've never been inside a strip joint establishment before.
Because you heard that they're dirty and we're all hookers, right?
No. Well...
Uh, actually, yes.
Yeah. Oh, hey, you know, I know. I was brought up with the same thing.
Uh, well, uh... I mean, take Laura, for instance.
Her husband left her with two kids, no training for a job.
I mean, she's got a nice body. She's proud of it.
You know, she doesn't mind other people enjoying it. It sure beats working the
checkout in a supermarket.
Yeah.
Uh... What about you? I mean, letting a perfect stranger help you undress?
I mean, after a while, you get to know the phonies pretty quick. The first time
was the worst.
After that, it's just me and the music.
Well, what about your friends, you know, like other women?
Who, uh, you know, the liberated ones who don't like to see themselves as sex
objects? Yeah, right.
Women's lib.
Oh, whoa, speaking of cues, I've got to go.
Are you going to come out and catch my act?
uh yeah uh sam asked me to catch his oh sam is awful i bet you can't take more
than two minutes of it anyway it was nice to talk to you thanks very much
Hello, may I help you?
What'd I tell you, Timmy?
Now, there's a couple of benefits to the business right there.
Hello. We're here to see Mr.
Elkin. Oh, please come in. Please come in.
Please hang up your clothes.
All of them.
Uh, no, you don't. You don't understand. We're just here in business.
I'm sorry. No one can come in with clothes on. It's our regulation.
We're only going to be here a few minutes.
No exception.
You see, I have pneumonia.
Ah.
Both of you?
Yeah, double pneumonia.
Yeah, it's, uh, we have to keep warm. It's very warm inside.
Actually, I have a terrible scar, a war wound.
Oh, you should be proud of that.
Actually,
it's a vulgar tattoo.
Oh, come on, you're just bashful.
Come on, take off your clothes. Adam and Eve were naked, right?
But nobody was around for comparison.
I think you two are just afraid to show what nature gave you. Nature can be very
cruel.
clothes off or your interviews off.
Okay, Ralph.
Lovely day.
Okey -doke.
Were you going to answer the door?
Nobody at the door.
Maybe if we just just top maybe no, I'm sorry it has to be everything
Urban cowboy look is everywhere.
God, the West never looked so bad.
How do you do? My name is Timothy Sandy, and this is my assistant, Ralph Parker.
I'm glad you two guys entered into the spirit of things. You know, it's a
embarrassing when you're the only one with clothes on.
Hmm, what can I do for you?
Well, as I said before, on the phone...
I was interested very much in filming the Miss New World pageant, and I
I'd come out just to get some background, maybe talk to the
out a bit about them and why they do it, and maybe do some stills or something
like that. I wondered if you could just help with some background.
Hmm, sure.
The beer packs?
Uh, the naked truth, huh?
Now, the Miss Nude World contest is open to any girl of good moral character.
Girls with bad moral character are banned from the contest.
We invite them down here on weekends.
But seriously, we judge girls simply and honestly on their beauty and
deportment. Miss New World does not have to be able to play the bagpipes or
recite poetry or sing off -key. Just be herself.
Now, the girls do spend a lot of time getting ready, but they are not allowed
use body makeup.
They just use ice cubes for a little pick -me -up.
The first prize is a weekend in Buffalo. The second prize is a whole week in
Buffalo.
The pageant is held annually.
This year it is taking place in Frielton.
The Miss Nude World contest will have a very happy winner before we get to the
end.
And would you like to meet some of the contestants?
We must.
We must.
We must.
Now this is the exercise room right here.
The bigger the better, the tighter the sweater. We must. We must. We must.
What do you do about security here?
Oh, we got nothing to hide in here, Mr. Sandy.
Excuse me.
Do you have a boyfriend?
I did, but we split up.
I think we were seeing too much of each other.
Excuse me.
Why did you join this nudist camp?
Because I like to be seen in all the best places.
Oh,
my goodness. Oh, my. Oh, good heavens.
Oh, my God, look at him move. Oh, Frank, hey, hey, take a look at this. Oh, what
have we here?
One of Timothy's cassettes.
Oh, my God.
Look at him move.
Maybe it was him who needs the stimulation to help get it up these
really think so?
Hey, we found your private collection.
Down in front. Down in front. Come on.
Hey,
I always thought Timothy and Mary Ann were a pretty straight couple.
I don't know. Well, it can get kind of boring in the suburbs, you know.
What on earth is this you're watching?
It's just some research material Timothy is using to do a film on hookers. I
mean, strips.
I haven't heard such a racket in a long time.
I'll get your coats.
Poor dear.
Married to an animal.
If you take my advice, you wouldn't allow him to do this.
You'll lose all your friends.
Imagine not telling you, dear.
Going behind your back like that.
Frank!
Girls can sure be narrow -minded at times. They don't even give you an inch.
Yeah, let alone six and maybe even eight inches.
Come on, Fred, will you, Frank? Listen, Timothy, Timothy, I've got some
penicillin in my pocket. Okay, I'll give it to you. It'll get you through the
film. First sign of discharge or a rash, you take three a day.
It'll get you through. Frank, this is not a sex marathon.
It's a film.
Hey, come on, you sexy old filmmaker, you.
What do I do, Frank?
Take him. You'll need him.
I wouldn't happen to be going to Germany, would you, Timothy?
Uh, yeah, I am going. Hamburg. Why? Really, I just happen to be going to a
convention in Germany at the end of the month. And with your girls and my
expense account, we could have one hell of a good time. Do you see?
Okay? Yes,
dear.
You didn't have the courage to tell me.
You humiliated me in front of all of our friends. How could you do that to me?
Go. Go on your little Sodom and Gomorrah excursion. Don't expect me to be here
when you get back.
Life is a journey, new pages turning,
sweet ridges burning, along the way.
Each day is different, flow with the current.
Life is a present, sent to end all.
way but
me. Enjoy yourself, man. I mean it. I mean it. Really, go for it, man. Spare
expenses, you know?
Make it as cheap as possible.
I figured, send Timmy over to Europe, save money, you know, keep the cost
McDonald's mentality, lunch bag stuff.
Then I get a request.
Send more money, he says.
All of a sudden, he likes the taste of champagne and caviar. He figures maybe I
won the lottery.
Timmy, baby, don't you go Hollywood on me, I'm telling you.
Stella, I said he could rent a Volkswagen from a club owner in Hamburg.
This American Express bill shows he's driving a Mercedes.
Now you get him on the phone. I want him back in that bug.
He's killing me with expense.
In regards, oh regards.
In regards, oh regards.
Stella, baby, get Timmy on the phone, will you, sweetheart?
I don't know, doll. Singapore.
Hong Kong.
Try the holidays, okay?
Bella, send a telegram.
Timmy, send film. No more money.
Period.
Bella, what's this wire? No money, no film. Who the hell sent it?
Bella, send a telegram and make it... Bop, bop, bop, bop!
I started getting some of the film back.
I had to admit, Timmy knew what he was doing.
Some great bodies.
I knew I had a great idea, man. I mean, hell, Timmy should have paid me for the
trip.
Tell her, baby. Call Timmy, please, and tell him to get back to the premier.
Life is appealing,
each day revealing new thoughts and feelings
for you to share.
It's a hit.
Bradley wants you to do a sequel. No way.
Come on, you've got to. Thanks.
He's willing to pay you double.
Thanks very much, Mr. Cochran.
Come on.
Come on, they want you to take a bow. Come on in.
I'm tired.
It's your night. Come on in.
You go and do it. No, no. Come on, they're waiting for you. I'm going to
nice long walk.
Premiere of the film?
No.
I was there.
Champagne.
You were there?
I think it was the best film you've ever made.
Do you really?
Marianne, what are you doing?
Hello. Hi, Timmy, baby. Look, is something wrong with my number, kid?
on. I put you in the business, man.
Come on. You owe us a picture, baby. Anything you want. Yeah, fine. Anything.
You name it.
Your story, if you want. Call it a... I'm a little busy now.
Come on. Just like us. Maybe we could discuss this.
Come on. Don't screw me around, man. I need a film. I got big pressure on me.
You got a deal with no one. I want the paper signed tomorrow.
Right. Yeah.
I'll do it. I'll do it.
Well,
what else can I say? I mean, the rest became history, you know?
Hey, Timmy held me to every word I said that night.
Of course, it wasn't quite what I had in mind, but what can I say? That's show
business. Hey, Timmy, baby.
Hey, I got him started.
I made him a name.
Hope he mentions my name when he wins the award and remembers me when he's big
and famous and working on the coast.
Well, that's show business.
Ciao, babe.
See some feed to Mel and Alfred Hitchcock, too. They all made a mark
what to do. And I'm just like them because in my heart I know I've got a
that'll make a good show. Make it all in good taste. Make it all in good taste.
Make it all in good taste. Make it all in good taste. They say that the flavor
is what you should save. Make it all in good taste. Make it all in good taste.
Get all in good taste. Make it all in good taste.
Well, that sweet little woman believes that her hero will fill the mass.
Make it all a good taste. Make it all a good taste. Make it all a good taste.
Make it all a good taste.
Because every good -looking blonde that you happen upon makes the bells go off
in your head.
And when she says her desire burns like a fire, you've got to talk business
instead. Because you know what they say.
Make it all in good taste. Make it all in good taste. Make it all in good
They say that the flavor is what you should save. Make it all in good taste.
Make it all in good taste. Make it all in good taste. Make it all in good
Oh, the man with ideas is the one with the con who never has.
He talks so sweetly and buys you a pizza and tells you what he wants you to do.
Make it all a good taste.
Make it all a good taste. Make it all a good taste.
Make it all a good taste.
When you talk to the money, you find that it's funny. They all talk culture
class. But when it comes to the dough, these guys say no. If there ain't no
skin, it's a pie.
Make it all in good taste. Make it all in good taste. Make it all in good
Make it all in good taste.
They say that the flavor is all you should save. Make it all in good taste.
it all in good taste. Make it all in good taste. Make it all in good taste.
Some show it for money, some show it for fun, some feel for the feel of the sun.
The nude isn't crude, the wonder is rude.
There's nothing like friends that come and go with the wind, steadfast and
and true.
Raise an eyebrow, and they'll show you how, how quickly they can turn on you.
Make it all in good taste.
They'll say that the flavor is all you should say to make it all in good taste.
Make it all in good taste. Make it all in good taste.
Make it all in good taste.
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