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1
00:00:06,000 --> 00:00:12,074
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2
00:00:13,503 --> 00:00:15,712
(eerie music)
3
00:00:15,796 --> 00:00:18,340
(male presenter, off)
THERE IS A FIFTH DIMENSION
4
00:00:18,424 --> 00:00:21,343
BEYOND THAT
WHICHIS KNOWN TO MAN.
5
00:00:21,427 --> 00:00:23,887
IT IS A DIMENSION
AS VAST AS SPACE
6
00:00:23,971 --> 00:00:26,723
AND AS TIMELESS AS INFINITY.
7
00:00:26,807 --> 00:00:30,268
IT IS THE MIDDLE GROUND
BETWEEN LIGHT AND SHADOW.
8
00:00:30,353 --> 00:00:33,021
BETWEEN SCIENCE
AND SUPERSTITION.
9
00:00:33,105 --> 00:00:36,358
AND IT LIES
BETWEEN THE PIT OF MAN'S FEARS
10
00:00:36,442 --> 00:00:38,527
AND THE SUMMIT
OF HIS KNOWLEDGE.
11
00:00:38,611 --> 00:00:41,530
THIS IS THE DIMENSION
OF IMAGINATION.
12
00:00:41,614 --> 00:00:43,865
IT IS AN AREA WHICH WE CALL
13
00:00:43,950 --> 00:00:47,827
THE TWILIGHT ZONE.
14
00:00:56,629 --> 00:00:58,672
[car braking
and engine revving]
15
00:01:11,727 --> 00:01:21,611
[horn bIaring]
16
00:01:21,696 --> 00:01:23,363
WHEN YOU'RE
F IN ISH ED, MISTER.
17
00:01:23,447 --> 00:01:24,906
HOW ABOUT
SOME SERVICE?
18
00:01:24,991 --> 00:01:26,575
WHEN IT'S QU I ET.
19
00:01:26,659 --> 00:01:28,743
[sighs]
I'M SORRY.
20
00:01:28,828 --> 00:01:31,329
F I LL IT UP,
WILL YOU?
21
00:01:31,414 --> 00:01:34,541
SURE.
22
00:01:34,625 --> 00:01:37,419
(male presenter, off)
MARTIN SLOAN, AGE 36.
23
00:01:37,503 --> 00:01:43,091
OCCUPATION, VICE PRESIDENT,
AD AGENCY, IN CHARGE OF MEDIA.
24
00:01:43,134 --> 00:01:46,595
THIS IS NOT JUST
A SUNDAY DRIVE
FOR MARTIN SLOAN
25
00:01:46,679 --> 00:01:50,515
HE PERHAPS DOESN'T
KNOW IT AT THE TIME,
BUT IT'S AN EXODUS.
26
00:01:50,600 --> 00:01:55,729
SOMEWHERE UP THE ROAD,
HE'S LOOKING FOR SANITY
27
00:01:55,813 --> 00:01:59,608
AND SOMEWHERE UP THE ROAD
HE'LL FIND SOMETHING ELSE.
28
00:02:05,698 --> 00:02:08,325
O I L CHANG E AND LU BE JOB.
THAT WHAT YOU WANT?
29
00:02:08,409 --> 00:02:09,451
YEAH.
30
00:02:09,535 --> 00:02:10,910
TAKE ABOUT AN HOUR.
31
00:02:10,995 --> 00:02:14,497
IT'S ALL RIGHT.
I'M IN NO HURRY.
32
00:02:14,582 --> 00:02:18,918
THAT'S HOM EWOOD
U P AHEAD, ISN'T IT?
33
00:02:19,003 --> 00:02:21,254
YEP. ABOUT A M I LE
AND A HALF.
34
00:02:21,339 --> 00:02:23,006
I USED TO LIVE
IN HOM EWOOD.
35
00:02:23,090 --> 00:02:24,799
G REW UP THERE,
AS A MATTER OF FACT.
36
00:02:24,884 --> 00:02:26,968
HAVEN'T BEEN BACK
IN 20, 25 YEARS.
37
00:02:27,053 --> 00:02:30,180
20, 25 YEARS.
38
00:02:30,264 --> 00:02:32,390
YESTERDAY I JUST GOT
IN THE CAR AND DROVE.
39
00:02:32,475 --> 00:02:34,434
I HAD TO GET OUT
OF NEW YORK CITY.
40
00:02:34,518 --> 00:02:39,064
ONE MORE BOARD MEETING
PHONE CALL, REPORT, PROBLEM
41
00:02:39,148 --> 00:02:43,902
I WOULD HAVE J U M PED
RIGHT OUT THE WIN DOW.
42
00:02:43,986 --> 00:02:46,071
THAT'S WALKING DISTANCE,
ISN'T IT?
43
00:02:46,155 --> 00:02:48,657
YEAH. ABOUT A
M I LE AND A HALF.
44
00:02:48,741 --> 00:02:50,825
YEAH, THAT'S
WALKING DISTANCE.
45
00:03:24,944 --> 00:03:26,861
YEAH? WHAT'LL IT BE?
46
00:03:29,490 --> 00:03:31,574
I DON'T SU PPOSE
YOU STILL MAKE
47
00:03:31,659 --> 00:03:34,494
THOSE GREAT
CHOCOLATE SODAS,
DO YOU? THREE SCOOPS?
48
00:03:34,578 --> 00:03:36,246
HOW'S THAT?
49
00:03:36,330 --> 00:03:39,374
WELL, I SPENT HALF MY LIFE
IN THIS DRUGSTORE.
50
00:03:39,458 --> 00:03:41,126
G REW UP HERE.
51
00:03:41,210 --> 00:03:43,169
ONE THING I ALWAYS
REMEMBER ORDERING
52
00:03:43,254 --> 00:03:45,422
WAS A CHOCOLATE SODA
WITH THREE SCOOPS.
53
00:03:45,506 --> 00:03:47,424
IT WAS ONLY A DI ME!
54
00:03:54,807 --> 00:03:57,225
YOU LOOK FAMILIAR TO ME.
55
00:03:57,309 --> 00:03:59,561
HAVE I SEEN YOU BEFORE?
56
00:03:59,645 --> 00:04:01,980
I GOT THAT KIND OF FACE.
57
00:04:02,064 --> 00:04:03,690
OH.
58
00:04:03,774 --> 00:04:07,569
IT'S BEEN A LONG TIME,
20 YEARS TO BE EXACT.
59
00:04:07,611 --> 00:04:09,487
WISH I HAD A BUCK
60
00:04:09,572 --> 00:04:12,115
FOR EVERY HOUR
I SAT AT THIS FOU NTAI N--
61
00:04:12,199 --> 00:04:15,910
G RAM MAR SCHOOL RIGHT
TH ROUG H THIRD YEAR HIGH.
62
00:04:15,995 --> 00:04:18,955
TOWN LOOKS THE SAME TOO.
63
00:04:19,039 --> 00:04:20,540
PRETTY AMAZING, YOU KNOW?
64
00:04:20,624 --> 00:04:23,251
20 YEARS TO LOOK
SO EXACTLY THE SAM E.
65
00:04:23,335 --> 00:04:24,836
THAT'LL BE A DI ME.
66
00:04:24,920 --> 00:04:26,921
A DI ME? THREE SCOOPS?
67
00:04:27,006 --> 00:04:28,715
THAT'S THE WAY
WE MAKE 'EM.
68
00:04:28,799 --> 00:04:31,176
WELL, YOU'RE GOING
TO LOSE YOUR SH I RT THAT WAY.
69
00:04:31,260 --> 00:04:33,178
NOBODY SELLS SODAS
FOR A DI ME ANYMORE.
70
00:04:33,262 --> 00:04:34,929
THEY DON'T?
71
00:04:35,014 --> 00:04:36,097
WHERE YOU FROM?
72
00:04:36,182 --> 00:04:38,099
NEW YORK.
73
00:04:40,436 --> 00:04:42,103
M M M.
74
00:04:42,188 --> 00:04:44,147
THAT'S A GOOD SODA.
75
00:04:44,231 --> 00:04:45,440
TASTE OKAY?
76
00:04:45,524 --> 00:04:46,608
M M M, WON DERFU L.
77
00:04:46,692 --> 00:04:48,610
YOU KNOW, IT'S FU N NY
78
00:04:48,694 --> 00:04:51,613
HOW MANY MEMORI ES
YOU CON N ECT WITH A PLACE.
79
00:04:51,697 --> 00:04:53,698
I ALWAYS THOUGHT
IF I EVER CAME BACK HERE
80
00:04:53,783 --> 00:04:55,617
EVERYTHING WOULD BE
ALL CHANG ED.
81
00:04:55,701 --> 00:04:59,454
YOU KNOW,
NOTHING RECOG N IZABLE.
82
00:04:59,538 --> 00:05:02,373
I NSTEAD, IT'S JUST AS I F,
83
00:05:02,458 --> 00:05:05,251
JUST AS I F
I'D LEFT YESTERDAY.
84
00:05:08,088 --> 00:05:12,634
JUST AS I F
I'D BEEN AWAY OVERNIGHT.
85
00:05:12,718 --> 00:05:15,970
I ALMOST EXPECT
MR. WI LSON TO BE
IN THE STOCKROOM SLEEPING
86
00:05:16,055 --> 00:05:18,097
JUST LIKE HE ALWAYS DID
BEFORE HE DIED.
87
00:05:21,811 --> 00:05:23,478
IT'S ONE
OF THE MEMORI ES I HAVE
88
00:05:23,562 --> 00:05:25,021
OLD MAN WI LSON--
89
00:05:25,105 --> 00:05:26,898
MAY GOD REST HIS SOU L.
90
00:05:26,982 --> 00:05:28,900
SLEEPING IN HIS BIG
COM FORTABLE CHAIR
91
00:05:28,984 --> 00:05:30,360
IN THE OTHER ROOM.
92
00:05:30,444 --> 00:05:31,986
WELL,
93
00:05:32,071 --> 00:05:33,822
HERE YOU ARE.
94
00:05:33,906 --> 00:05:35,073
THANKS A LOT.
95
00:05:36,742 --> 00:05:37,909
THAT'S A BUCK.
96
00:05:37,993 --> 00:05:39,160
YEAH.
97
00:05:39,245 --> 00:05:41,329
IT WAS WORTH IT.
98
00:05:41,413 --> 00:05:43,832
SO LONG!
99
00:05:43,916 --> 00:05:48,127
[suspense music]
100
00:06:09,024 --> 00:06:10,775
(cIears throat)
101
00:06:10,860 --> 00:06:12,360
MR. WI LSON?
102
00:06:13,988 --> 00:06:16,030
YEP, CHARLIE?
103
00:06:16,115 --> 00:06:20,285
WE'RE GOING TO NEED SOME
MORE CHOCOLATE SYRU P,
MR. WI LSON.
104
00:06:20,369 --> 00:06:23,288
I'LL ORDER SOME MORE
OF IT THIS AFTERNOON.
105
00:06:27,751 --> 00:06:29,752
[suspense music
and dogs barking]
106
00:06:33,632 --> 00:06:38,094
PAU L COX, M ICHAEL BRADBU RY
107
00:06:44,810 --> 00:06:49,397
VAN BU REN, BRU N I.
108
00:06:51,901 --> 00:06:53,276
(little boy)
HI.
109
00:06:53,360 --> 00:06:54,819
HI.
110
00:06:54,904 --> 00:06:56,237
HI.
111
00:06:59,450 --> 00:07:00,575
PRETTY GOOD.
112
00:07:00,618 --> 00:07:02,619
MAGG I E'S NOT BAD.
113
00:07:05,623 --> 00:07:09,584
[sighs]
I USED TO PLAY
MARBLES. WE USED
TO GIVE THEM SPECIAL NAMES.
114
00:07:09,668 --> 00:07:14,422
THE STEELE KIND
WE CALLED THOSE "STEELI ES",
115
00:07:14,465 --> 00:07:18,509
THE CLEAR KIND
THAT YOU COULD SEE TH ROUG H
WE CALLED THOSE "CLEARI ES".
116
00:07:18,594 --> 00:07:20,345
YOU STILL GIVE
TH EM SPECIAL NAMES?
117
00:07:20,429 --> 00:07:22,013
SURE.
118
00:07:22,097 --> 00:07:25,016
I USED TO PLAY
H I DE AND SEEK
OVER THERE.
119
00:07:25,100 --> 00:07:27,518
WE'D ALL CI RCLE
AROUND THE OLD
MAN'S BACK
120
00:07:27,603 --> 00:07:28,853
AND WE USED TO PU NCH IT.
121
00:07:28,938 --> 00:07:31,189
SEE THAT HOUSE?
122
00:07:31,273 --> 00:07:34,192
RIGHT ACROSS THE STREET?
I USED TO LIVE THERE.
123
00:07:34,276 --> 00:07:36,486
SLOAN HOUSE?
124
00:07:36,570 --> 00:07:37,779
YOU STILL
CALL IT THAT?
125
00:07:37,821 --> 00:07:39,948
STILL CALL IT WHAT?
126
00:07:40,032 --> 00:07:41,699
SLOAN HOUSE.
127
00:07:41,784 --> 00:07:45,787
MY NAME IS SLOAN.
MARTIN SLOAN.
WHAT'S YOURS?
128
00:07:45,871 --> 00:07:49,457
YOU'RE NOT MARTY SLOAN.
I KNOW MARTY SLOAN
AND YOU'RE NOT HIM!
129
00:07:49,541 --> 00:07:52,961
OH, I'M NOT?
WELL, LET'S JUST SEE.
130
00:07:53,003 --> 00:07:55,672
WHAT THE DRIVER'S
LICENSE SAYS. HUH?
131
00:08:14,233 --> 00:08:16,943
(woman)
BOBBY, COME DOWN
FROM THERE. BOBBY!
132
00:08:17,027 --> 00:08:18,736
BOBBY, LISTEN TO ME.
133
00:08:18,821 --> 00:08:20,154
BOBBY?
134
00:08:20,239 --> 00:08:21,823
BOBBY, MIND ME.
135
00:08:21,907 --> 00:08:23,741
WILL YOU COME DOWN
FROM THAT TREE?
136
00:08:23,826 --> 00:08:25,034
COME ON, BOBBY.
137
00:08:25,119 --> 00:08:26,369
BOBBY, LISTEN TO ME.
138
00:08:26,453 --> 00:08:27,745
COME ON, GET DOWN.
139
00:08:27,830 --> 00:08:28,871
BOBBY!
140
00:08:28,956 --> 00:08:31,040
THAT'S A BOY.
141
00:08:31,125 --> 00:08:32,583
COME ON. RIGHT HERE.
142
00:08:32,668 --> 00:08:35,294
WHAT AM I EVER
GOING TO DO WITH YOU?
143
00:08:35,379 --> 00:08:37,338
AH, IT'S WON DERFU L,
ISN'T IT?
144
00:08:37,423 --> 00:08:38,506
THE PARK?
145
00:08:38,590 --> 00:08:39,590
CERTAIN LY IS.
146
00:08:39,675 --> 00:08:41,592
ALL RIGHT, BOBBY.
147
00:08:41,677 --> 00:08:43,678
THAT'S PART OF SUMMER, TOO.
148
00:08:43,721 --> 00:08:46,848
MUSIC FROM
THE MERRY-GO-ROU N D,
THE CALLIOPE.
149
00:08:46,932 --> 00:08:50,226
AND THE COTTON CAN DY,
THE ICE CREAM,
150
00:08:50,310 --> 00:08:52,186
AND THE BAND CONCERT.
151
00:08:52,229 --> 00:08:54,355
NOTHING QU ITE
AS GOOD EVER.
152
00:08:54,440 --> 00:08:57,400
NOTHING QU ITE AS GOOD
AS SUMMER AND BEING A KI D.
153
00:08:57,484 --> 00:08:59,277
ARE YOU FROM
AROUND HERE?
154
00:08:59,361 --> 00:09:02,697
NO. OH, WHAT I MEAN IS I
USED TO BE A LONG TIME AGO.
155
00:09:02,740 --> 00:09:04,449
LIVED A COUPLE BLOCKS AWAY.
156
00:09:04,533 --> 00:09:07,201
I PLAYED BASEBALL
ON THAT FIELD OVER THERE
157
00:09:07,286 --> 00:09:10,705
AND THAT MERRY-GO-ROU N D--
OH, MY GOODN ESS.
158
00:09:10,748 --> 00:09:12,790
I GREW UP
WITH THAT MERRY-GO-ROU N D.
159
00:09:12,875 --> 00:09:17,378
I CARVED MY NAME ON THAT POST
ON THE BAN DSTAND ONE SUMMER.
160
00:09:17,463 --> 00:09:21,257
I WAS 1 1 YEARS OLD
AND I CARVED MY--
161
00:09:40,402 --> 00:09:42,278
(Martin)
MARTIN SLOAN.
162
00:09:43,655 --> 00:09:45,990
YOU'RE MARTIN SLOAN?
163
00:09:46,075 --> 00:09:49,243
YES, S I R, BUT I
DI DN'T MEAN NOTHING. HON EST.
164
00:09:49,328 --> 00:09:51,496
LOTS OF KIDS
CARVE THEIR NAME HERE.
165
00:09:51,580 --> 00:09:52,830
NO KIDDING.
166
00:09:52,915 --> 00:09:54,415
I'M NOT THE FIRST.
167
00:09:54,500 --> 00:09:56,626
YOU ARE MARTIN SLOAN.
168
00:09:56,710 --> 00:09:58,336
OF COURSE YOU ARE.
169
00:09:58,420 --> 00:09:59,921
THAT'S THE WAY I LOOKED.
170
00:09:59,963 --> 00:10:01,047
[suspense music]
171
00:10:01,131 --> 00:10:07,428
MARTI N!
172
00:10:33,789 --> 00:10:35,081
[rings doorbeII]
173
00:10:39,461 --> 00:10:40,545
YES?
174
00:10:42,631 --> 00:10:44,465
YES? WHOM DO YOU
WANT TO SEE?
175
00:10:44,550 --> 00:10:47,176
POP.
176
00:10:47,261 --> 00:10:49,846
Woman:
WHO IS IT, ROBERT?
177
00:10:49,930 --> 00:10:51,305
MOM.
178
00:10:51,348 --> 00:10:52,557
IS THAT MOM?
179
00:10:52,641 --> 00:10:54,183
WHO ARE YOU?
180
00:10:54,268 --> 00:10:55,643
WHAT DO YOU WANT?
181
00:10:55,727 --> 00:10:57,145
WHO IS IT?
182
00:10:57,229 --> 00:10:59,397
YOU'RE BOTH HERE.
183
00:10:59,481 --> 00:11:01,566
HOW CAN
YOU BE HERE?
184
00:11:01,650 --> 00:11:03,985
WHAT DO YOU WANT,
YOU NG MAN?
185
00:11:04,069 --> 00:11:07,405
MOM, DON'T YOU KNOW ME?
186
00:11:07,489 --> 00:11:08,865
I'M MARTI N!
187
00:11:08,949 --> 00:11:10,324
MARTI N?
188
00:11:10,367 --> 00:11:11,951
M UST BE A LU NATIC
OR SOMETHING.
189
00:11:12,035 --> 00:11:13,828
YOU M USTN'T BE FRIGHTEN ED.
190
00:11:13,912 --> 00:11:16,539
I GREW UP HERE, MOM.
DON'T YOU KNOW
YOUR OWN SON?
191
00:11:19,334 --> 00:11:20,626
[bangs door]
192
00:11:37,227 --> 00:11:39,061
(young man)
HI.
193
00:11:39,146 --> 00:11:42,106
LIKE IT?
194
00:11:48,614 --> 00:11:50,448
IT'S GOT A RU M BLE SEAT.
195
00:11:50,532 --> 00:11:53,534
IT'S BEEN A LONG TIME S I NCE
I'VE SEEN A RU M BLE SEAT.
196
00:11:53,619 --> 00:11:55,703
WHERE YOU BEEN,
MISTER? S I BERIA?
197
00:11:55,787 --> 00:11:57,538
POP JUST BOUGHT ME THIS.
198
00:11:57,623 --> 00:12:00,374
FIRST BRAN D-N EW CAR
I'VE EVER OWN ED.
199
00:12:00,459 --> 00:12:02,585
TH IS? BRAN D-N EW?
200
00:12:02,669 --> 00:12:05,171
FIRST OF ITS KIND
IN THE WHOLE TOWN.
201
00:12:05,255 --> 00:12:08,466
RIGHT OUT OF DETROIT
YESTERDAY MORNING.
202
00:12:14,473 --> 00:12:18,059
BRAND N EW?
34 ROADSTER?
203
00:12:18,101 --> 00:12:21,103
RIGHT OUT OF DETRO IT?
204
00:12:21,188 --> 00:12:23,064
BRAND N EW?
205
00:12:23,148 --> 00:12:25,942
[music intensifies]
206
00:12:36,912 --> 00:12:39,664
[distant bell tolling]
207
00:12:39,748 --> 00:12:42,833
(male presenter, off)
A MAN CAN THINK
A LOT OF THOUGHTS
208
00:12:42,918 --> 00:12:46,337
AND WALK A LOT OF PAVEMENTS
BETWEEN AFTERNOON AND NIGHT,
209
00:12:46,421 --> 00:12:48,798
AND TO A MAN
LIKE MARTIN SLOAN,
210
00:12:48,882 --> 00:12:52,009
TO WHOM MEMORY
HAS SUDDENLY BECOME REALITY,
211
00:12:52,094 --> 00:12:55,638
A RESOLVE CAN COME JUST
AS CLEARLY AND INEXORABLY
212
00:12:55,722 --> 00:12:58,140
AS STARS IN THE SUMMER NIGHT.
213
00:12:58,225 --> 00:13:00,977
MARTIN SLOAN
IS NOW BACK IN TOWN
214
00:13:01,061 --> 00:13:06,482
AND HIS RESOLVE IS TO PUT
A CLAIM TO HIS PAST.
215
00:13:37,014 --> 00:13:38,639
BACK AGAIN, HUH?
216
00:13:38,682 --> 00:13:40,182
I HAD TO COME
BACK, POP.
217
00:13:40,267 --> 00:13:43,978
THIS IS MY HOUSE
AND THIS IS MY GLOVE.
218
00:13:44,062 --> 00:13:46,731
YOU GAVE IT TO ME
ON MY 1 1 th B I RTH DAY.
219
00:13:46,815 --> 00:13:49,483
AND THE BASEBALL
AUTOGRAPHED BY LOU GEHRIG.
220
00:13:49,568 --> 00:13:51,694
WHO ARE YOU?
221
00:13:51,778 --> 00:13:52,862
WHAT DO YOU WANT HERE?
222
00:13:52,946 --> 00:13:54,572
I DON'T KNOW.
223
00:13:54,656 --> 00:13:57,366
I JUST WANT TO REST.
I WANT TO STOP RU N NING.
224
00:13:57,451 --> 00:13:59,035
I-- I BELONG HERE.
225
00:13:59,119 --> 00:14:01,245
DON'T YOU U N DERSTAND THAT?
I BELONG HERE.
226
00:14:01,330 --> 00:14:03,039
NOW, LOOK,
YOU'RE PROBABLY S ICK.
227
00:14:03,123 --> 00:14:04,540
YOU'RE HAVING
DELUS IONS.
228
00:14:04,624 --> 00:14:06,208
I DON'T WANT TO H U RT YOU.
229
00:14:06,293 --> 00:14:08,502
I DON'T WANT YOU
TO GET INTO TROU BLE.
230
00:14:08,545 --> 00:14:12,506
BUT IF YOU HANG AROUND HERE,
THERE MAY BE TROU BLE.
231
00:14:12,549 --> 00:14:14,258
(woman)
ROBERT?
232
00:14:14,343 --> 00:14:16,010
(woman)
WHO WERE YOU
TALKING TO?
233
00:14:16,094 --> 00:14:18,012
MOM! LOOK AT ME.
234
00:14:18,096 --> 00:14:20,765
YOU HAVE
A SON NAMED MARTI N,
HAVEN'T YOU?
235
00:14:20,849 --> 00:14:22,558
HE GOES TO EM ERSON
PU BLIC SCHOOL.
236
00:14:22,642 --> 00:14:24,226
IN THE MONTH
OF AUG UST HE SPEN DS
237
00:14:24,311 --> 00:14:25,936
AT HIS AU NT'S FARM
N EAR BU FFALO.
238
00:14:26,021 --> 00:14:27,313
A COUPLE OF SUMMERS
239
00:14:27,397 --> 00:14:28,981
YOU'VE GON E
TO SARATOGA LAKE,
240
00:14:29,066 --> 00:14:30,608
RENTED A COTTAG E THERE.
241
00:14:30,692 --> 00:14:32,777
ONCE I HAD A S ISTER.
242
00:14:32,861 --> 00:14:35,029
SHE DIED WHEN SH E
WAS A YEAR OLD.
243
00:14:35,113 --> 00:14:36,197
WHERE IS MARTI N?
244
00:14:36,281 --> 00:14:37,531
I'M MARTI N!
245
00:14:37,616 --> 00:14:39,075
YOU'VE GOT
TO BELIEVE ME.
246
00:14:39,159 --> 00:14:41,577
I'M MARTI N.
YOU'VE GOT TO BELIEVE ME!
247
00:14:41,661 --> 00:14:43,454
LOOK, HERE ARE
MY I DENTIF ICATION,
248
00:14:43,538 --> 00:14:44,789
ALL MY CARDS.
249
00:14:44,873 --> 00:14:46,374
THEY'LL TELL YOU
WHO I AM.
250
00:14:46,458 --> 00:14:48,376
LOOK AT THEM. GO ON,
THEY'LL TELL YOU.
251
00:14:55,008 --> 00:14:57,802
[distant merry
go round music]
252
00:15:01,473 --> 00:15:04,183
MARTI N.
253
00:15:04,267 --> 00:15:06,602
MARTI N, I'VE GOT
TO TALK TO YOU.
254
00:15:06,686 --> 00:15:08,687
MARTI N.
255
00:15:17,614 --> 00:15:20,282
MARTI N!
256
00:15:20,367 --> 00:15:21,575
MARTIN.
257
00:15:27,290 --> 00:15:29,792
[merry go round music]
258
00:15:49,229 --> 00:15:50,604
MARTI N.
259
00:16:03,869 --> 00:16:07,455
MARTI N!
260
00:16:13,879 --> 00:16:15,463
MARTIN!
261
00:16:15,547 --> 00:16:17,298
LET ME TALK TO YOU!
262
00:16:17,340 --> 00:16:19,300
LET ME TELL YOU
SOMETHING.
263
00:16:19,342 --> 00:16:21,635
I DON'T WANT
TO H U RT YOU, SON.
264
00:16:21,720 --> 00:16:23,345
I WON'T H U RT YOU.
265
00:16:23,430 --> 00:16:25,681
(Martin)
I WON'T HURT YOU, SON.
266
00:16:28,143 --> 00:16:29,810
MARTI N!
267
00:16:31,480 --> 00:16:33,314
MARTIN!
268
00:16:33,398 --> 00:16:34,899
MARTI N!
269
00:16:34,983 --> 00:16:36,984
OW! MY LEG!
MY LEG!
270
00:16:37,068 --> 00:16:38,486
MARTI N!
271
00:17:09,976 --> 00:17:11,519
MARTI N.
272
00:17:11,603 --> 00:17:13,354
I ONLY WANTED
TO TELL YOU
273
00:17:13,396 --> 00:17:16,565
THAT THIS IS A WON DERFU L
TIME OF LIFE FOR YOU.
274
00:17:16,650 --> 00:17:21,237
DON'T LET ANY OF IT
GO BY WITHOUT ENJOYING IT.
275
00:17:37,921 --> 00:17:40,214
THERE WON'T BE
ANY MORE MERRY-GO-ROU N DS.
276
00:17:40,257 --> 00:17:42,716
NO MORE COTTON CAN DY.
277
00:17:42,759 --> 00:17:46,387
NO MORE BAND CONCERTS.
278
00:17:46,471 --> 00:17:49,390
I ONLY WANTED TO TELL YOU
279
00:17:49,432 --> 00:17:52,142
THAT THIS IS
A WON DERFU L TIME FOR YOU.
280
00:17:52,227 --> 00:17:55,312
NOW. HERE.
281
00:17:55,397 --> 00:17:58,315
THAT'S ALL, MARTI N.
282
00:17:58,400 --> 00:18:00,568
THAT'S ALL
I WANTED TO TELL YOU.
283
00:18:00,610 --> 00:18:02,152
GOD H ELP ME.
284
00:18:02,237 --> 00:18:05,698
THAT'S ALL
I WANTED TO TELL YOU.
285
00:18:30,056 --> 00:18:31,515
I THOUGHT YOU'D LIKE TO KNOW
286
00:18:31,600 --> 00:18:33,767
THE BOY
WILL BE ALL RIGHT.
287
00:18:33,810 --> 00:18:35,811
DOCTOR SAYS HE'LL LI M P SOME,
288
00:18:35,895 --> 00:18:38,188
BUT HE'LL BE ALL RIGHT.
289
00:18:38,273 --> 00:18:40,190
OH, THANK GOD FOR THAT.
290
00:18:40,275 --> 00:18:43,694
YOU DROPPED THIS
AT THE HOUSE.
291
00:18:43,778 --> 00:18:46,947
I LOOKED I NSIDE IT.
292
00:18:46,990 --> 00:18:49,283
IT TELLS A GREAT
MANY THINGS ABOUT YOU.
293
00:18:49,326 --> 00:18:53,037
YOUR DRIVER'S LICENSE,
THE CARDS, THE MONEY IN IT.
294
00:18:53,121 --> 00:18:55,706
IT SEEMS
YOU ARE MARTIN SLOAN.
295
00:18:55,790 --> 00:18:57,499
YOU'RE 36 YEARS OLD
296
00:18:57,584 --> 00:18:59,960
AND HAVE AN APARTMENT
IN NEW YORK CITY.
297
00:19:00,045 --> 00:19:04,882
IT SAYS
YOUR DRIVER'S LICENSE
EXP I RES IN 1 960.
298
00:19:04,966 --> 00:19:07,384
THAT'S 25 YEARS FROM NOW.
299
00:19:07,469 --> 00:19:09,053
AND THE DATES ON THE B I LLS
300
00:19:09,137 --> 00:19:11,805
THOSE DATES HAVEN'T
HAPPENED YET EITHER.
301
00:19:11,890 --> 00:19:15,351
THEN YOU--
YOU KNOW, POP?
302
00:19:15,435 --> 00:19:18,062
YES, I KNOW.
303
00:19:18,146 --> 00:19:20,731
I KNOW WHO YOU ARE.
304
00:19:20,815 --> 00:19:24,652
I KNOW YOU'VE COME
FROM A LONG WAY FROM HERE.
305
00:19:24,694 --> 00:19:27,655
A LONG WAY AND A LONG TIME.
306
00:19:27,697 --> 00:19:32,743
BUT I DON'T U N DERSTAND
HOW OR WHY.
307
00:19:32,827 --> 00:19:34,787
DO YOU?
308
00:19:34,871 --> 00:19:36,664
NO.
309
00:19:36,748 --> 00:19:39,667
BUT YOU DO
KNOW OTHER THINGS,
DON'T YOU, MARTI N?
310
00:19:43,630 --> 00:19:45,673
THINGS THAT WILL HAPPEN.
311
00:19:45,757 --> 00:19:47,675
YES, I DO.
312
00:19:47,759 --> 00:19:50,219
MARTI N.
313
00:19:50,303 --> 00:19:52,054
YES, POP?
314
00:19:52,138 --> 00:19:53,931
YOU HAVE TO LEAVE HERE.
315
00:19:54,015 --> 00:19:56,475
THERE'S NO ROOM,
THERE'S NO PLACE.
316
00:19:56,559 --> 00:19:58,852
DO YOU U N DERSTAND THAT?
317
00:19:58,937 --> 00:20:01,689
I SEE THAT NOW,
BUT I DON'T UNDERSTAND.
318
00:20:01,773 --> 00:20:03,607
WHY NOT?
319
00:20:03,692 --> 00:20:05,943
I GU ESS BECAUSE WE
ONLY GET ONE CHANCE.
320
00:20:06,027 --> 00:20:08,529
MAYBE THERE'S ONLY ONE SUMMER
TO EVERY CUSTOM ER.
321
00:20:08,613 --> 00:20:10,197
THAT LITTLE BOY,
322
00:20:10,240 --> 00:20:13,283
THE ONE I KNOW,
THE ONE WHO BELONGS HERE,
323
00:20:13,368 --> 00:20:16,745
THIS IS HIS SUMMER,
JUST AS IT WAS YOURS ONCE.
324
00:20:16,830 --> 00:20:19,998
DON'T MAKE HIM SHARE IT.
325
00:20:24,045 --> 00:20:25,087
ALL RIGHT.
326
00:20:25,171 --> 00:20:26,213
MARTIN.
327
00:20:28,800 --> 00:20:30,718
IS IT SO BAD
WHERE YOU'RE FROM?
328
00:20:30,802 --> 00:20:33,095
I THOUGHT SO, POP.
329
00:20:33,179 --> 00:20:36,098
I'VE BEEN LIVING
AT A DEAD RU N,
AND I WAS TIRED.
330
00:20:36,182 --> 00:20:38,642
THEN ONE DAY, I KNEW
I HAD TO COME BACK HERE.
331
00:20:38,727 --> 00:20:41,145
I HAD TO COME BACK
AND GET ON THE MERRY-GO-ROU N D
332
00:20:41,229 --> 00:20:44,815
AND EAT COTTON CAN DY
AND LISTEN TO A BAND CONCERT.
333
00:20:44,899 --> 00:20:47,818
AND TO STOP AND BREATH E
334
00:20:47,902 --> 00:20:51,488
AND CLOSE MY EYES
AND SMELL AND LISTEN.
335
00:20:51,573 --> 00:20:54,158
I GU ESS WE ALL WANT THAT.
336
00:20:54,242 --> 00:20:58,245
MAYBE WHEN YOU GO BACK,
MARTI N, YOU'LL F IN D
337
00:20:58,288 --> 00:21:01,665
THAT THERE ARE
M ERRY-GO-ROU N DS AND BAND
CONCERTS WHERE YOU ARE.
338
00:21:01,750 --> 00:21:04,501
MAYBE YOU
HAVEN'T BEEN LOOKING
IN THE RIGHT PLACE.
339
00:21:04,586 --> 00:21:07,421
YOU'VE BEEN LOOKING
BEH IN D YOU, MARTI N.
340
00:21:07,464 --> 00:21:09,631
TRY LOOKING AHEAD.
341
00:21:13,470 --> 00:21:15,012
MAYBE.
342
00:21:16,890 --> 00:21:19,141
GOODBYE, SON.
343
00:21:19,225 --> 00:21:20,476
GOODBYE, POP.
344
00:21:38,536 --> 00:21:41,288
[cheerfuI music]
345
00:22:05,021 --> 00:22:06,480
HI.
346
00:22:06,523 --> 00:22:08,732
OH.
347
00:22:08,817 --> 00:22:09,900
SOMETHING FOR YOU?
348
00:22:09,984 --> 00:22:11,485
U H.
349
00:22:11,528 --> 00:22:15,656
HOW ABOUT A CHOCOLATE
ICE CREAM SODA
350
00:22:15,698 --> 00:22:17,324
WITH THREE SCOOPS?
351
00:22:17,367 --> 00:22:19,368
THREE SCOOPS?
SURE I CAN MAKE
ONE FOR YOU
352
00:22:19,452 --> 00:22:23,163
WITH THREE SCOOPS,
BUT IT WILL BE EXTRA.
35 CENTS, OKAY?
353
00:22:23,248 --> 00:22:25,916
OH, 35 CENTS, HUH?
354
00:22:26,000 --> 00:22:30,546
HOW ABOUT OLD BEN WI LSON
WHO USED TO OWN THIS PLACE?
355
00:22:30,630 --> 00:22:33,549
OH, HE DIED
ABOUT 1 5, 20 YEARS AGO.
356
00:22:33,633 --> 00:22:35,884
WHAT KIND OF ICE CREAM
DO YOU WANT?
357
00:22:35,969 --> 00:22:37,344
CHOCOLATE? VANILLA?
358
00:22:39,222 --> 00:22:40,848
VAN I LLA?
359
00:22:40,932 --> 00:22:44,142
OH, I-I'VE CHANG ED MY MIND
ABOUT THE SODA
360
00:22:44,227 --> 00:22:46,395
IF YOU DON'T MIND.
361
00:22:46,479 --> 00:22:48,397
[groans]
362
00:22:48,481 --> 00:22:50,941
THESE STOOLS AREN'T MADE
FOR BUM LEGS, ARE THEY?
363
00:22:51,025 --> 00:22:55,404
HEY. DID YOU GET THAT
DU RING THE WAR?
364
00:22:55,488 --> 00:22:57,322
NO.
365
00:22:57,407 --> 00:23:00,158
MATTER OF FACT, I GOT IT
FALLING OFF A MERRY-GO-ROU N D
366
00:23:00,243 --> 00:23:02,953
WHEN I WAS A KI D, HERE.
367
00:23:03,037 --> 00:23:05,873
AND THE FREAK THING--
368
00:23:05,957 --> 00:23:07,708
OH, A MERRY-GO-ROUND.
369
00:23:07,792 --> 00:23:09,626
HEY, I REMEMBER.
370
00:23:09,711 --> 00:23:11,795
THEY TORE THAT DOWN
A FEW YEARS AGO.
371
00:23:11,880 --> 00:23:13,589
CONDEMNED IT.
372
00:23:13,673 --> 00:23:15,966
A LITTLE LATE,
I GUESS, HUH?
373
00:23:16,050 --> 00:23:17,467
HUH?
374
00:23:17,552 --> 00:23:19,761
A LITTLE LATE
FOR YOU, I MEAN.
375
00:23:19,846 --> 00:23:22,556
YEAH, VERY LATE.
376
00:23:22,640 --> 00:23:24,725
VERY LATE FOR ME.
377
00:23:27,186 --> 00:23:29,563
(male presenter)
MARTIN SLOAN, AGE 36
378
00:23:29,647 --> 00:23:32,065
VICE-PRESIDENT
IN CHARGE OF MEDIA.
379
00:23:32,108 --> 00:23:35,068
SUCCESSFUL IN MOST THINGS
BUT NOT IN THE ONE EFFORT
380
00:23:35,153 --> 00:23:37,404
THAT ALL MEN TRY
AT SOME TIME IN THEIR LIVES.
381
00:23:37,447 --> 00:23:39,740
TRYING TO GO HOME AGAIN.
382
00:23:39,782 --> 00:23:43,076
AND ALSO
LIKE ALL MEN, PERHAPS
THERE WILL BE AN OCCASION,
383
00:23:43,119 --> 00:23:44,995
MAYBE A SUMMER
NIGHT SOMETIME,
384
00:23:45,079 --> 00:23:47,331
WHEN HE'LL LOOK UP
FROM WHAT HE'S DOING
385
00:23:47,415 --> 00:23:50,083
AND LISTEN TO THE DISTANT
MUSIC OF A CALLIOPE
386
00:23:50,168 --> 00:23:52,169
AND HEAR THE VOICES
AND THE LAUGHTER
387
00:23:52,253 --> 00:23:54,671
OF THE PEOPLE
AND THE PLACES
OF HIS PAST.
388
00:23:54,756 --> 00:23:56,673
AND PERHAPS ACROSS HIS M IND
389
00:23:56,758 --> 00:23:58,675
THERE WILL FLIT
A LITTLE ERRANT WISH
390
00:23:58,760 --> 00:24:01,261
THAT A MAN M IGHT NOT
HAVE TO BECOME OLD
391
00:24:01,346 --> 00:24:02,971
NEVER OUTGROW THE PARKS
392
00:24:03,056 --> 00:24:04,973
AND THE MERRY-GO-ROUNDS
OF HIS YOUTH.
393
00:24:05,058 --> 00:24:06,850
AND HE'LL SMILE THEN TOO
394
00:24:06,935 --> 00:24:09,311
BECAUSE HE'LL KNOW
IT IS JUST AN ERRANT WISH
395
00:24:09,395 --> 00:24:12,522
SOME WISP OF MEMORY
NOT TOO IMPORTANT REALLY.
396
00:24:12,607 --> 00:24:13,941
SOME LAUGHING GHOST
397
00:24:14,025 --> 00:24:16,777
THAT CROSS A MAN'S M IND.
398
00:24:16,819 --> 00:24:20,989
THAT ARE A PART
OF THE TWILIGHT ZONE.
399
00:24:25,662 --> 00:24:29,122
(male presenter, off)
ROD SERLING, THE CREATOR
OF THE TWILIGHT ZONE
400
00:24:29,207 --> 00:24:32,709
WILL TELL YOU ABOUT
NEXT WEEK'S STORY AFTER
THIS WORD FROM OUR SPONSOR
401
00:24:32,794 --> 00:24:36,338
AND NOW, MR. SERLING.
402
00:24:36,422 --> 00:24:39,633
AN EXCU RS ION INTO FANTASY
ON THE TWILIGHT ZONE NEXT WEEK
403
00:24:39,676 --> 00:24:43,470
AS TWO DISTING U ISH ED
ACTORS, MR. DAVI D WAYN E
AND MR. THOMAS GOM EZ
404
00:24:43,554 --> 00:24:46,556
APPEAR IN "ESCAPE CLAUSE."
405
00:24:46,641 --> 00:24:49,643
THE STORY
OF A STRANG E CONTRACT
BETWEEN A MORTAL MAN
406
00:24:49,727 --> 00:24:51,269
AND HIS SATAN IC MAJ ESTY.
407
00:24:51,354 --> 00:24:53,563
A CONTRACT THAT EN DS
MOST SU RPRISING LY.
408
00:24:53,648 --> 00:24:56,316
WE HOPE YOU'LL BE
AROUND TO SEE WHAT
THAT SURPRISE IS.
409
00:24:56,401 --> 00:24:58,026
THANK YOU AND GOOD NIGHT.
410
00:25:41,904 --> 00:25:45,073
(male presenter, off)
BE SURE TO SEE
THE FUN FILLED FAMILY LIFE
411
00:25:45,158 --> 00:25:47,451
ONE OF AMERICA'S
GREATEST ENTERTAINERS.
412
00:25:47,535 --> 00:25:51,121
DANNY THOMAS SHOW,
MONDAY NIGHTS, OVER
MOST OF THESE STATIONS.
413
00:25:52,305 --> 00:25:58,649
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