All language subtitles for The.Devil.Wears.Prada.2006.1080p.MAX.WEB-DL.DDP.5.1.H.265-PiRaTeS
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+ ♪ She's a beautiful girl��ޠ�ہk ♪ She fills up every cornerLike she's bornIn black and white��tC�u����ѡˁ ♪ Makes you feel warmerwhen you're trying to remember��w������ ♪ What you heard�� �C�u�����š�� ♪ She likes to leave youHanging on a word��J������ Good luck.��IC�u@�������� ♪ Suddenly I see�������� ♪ Suddenly I see��������� ♪ This is what I wanna be�������A ♪ Suddenly I see��
'�����A (CHILDREN GIGGLING)��
'C�u@��� ���� ♪ Why the hellIt means so much to me��U������ ♪ Suddenly I see�������� ♪ This is what I want to be��C�u@��������� ♪ Suddenly I see�������� ♪ Suddenly I see��������A ♪ Why the hellIt means so much to me��
�C�u@���� ♪ And she's taller than most��������� ♪ And she's looking at me��T�ӡ́k ♪ I can see her eyes lookin'From the page in a magazine��
�C�u@��5q����� ♪ Suddenly I see���ȡL ♪ She's got the powerTo be the power to give����� ♪ The power to see yeah, yeah��������a ♪ Suddenly I see��3C�u@��MJ�ȡ ♪ She's got the power to beThe power to give��������B ♪ The power to seeYeah, yeah, yeah��������B (HORN HONKS)�������� ♪ Suddenly I see�������� ♪ She's got the power to be���C�u@��c0�ˡŁ ♪ The power to giveThe power to see, yeah, yeah��
��6 ♪ Suddenly I see����ȡ* ♪ She's got the power to beThe power to give��C�u@��y������ ♪ The power to see, yeah, yeah��۠���� ♪ Suddenly I see��p�����
� ♪ Suddenly I see��w������ ♪ This is what I want to be���C�u@���i����� ♪ Suddenly I see�������� ♪ Suddenly I see��������� ♪ Why the hellIt means so much to me��UC�u@���ᠣ��� ♪ Suddenly I see�������� ♪ This is what I want to be��������� ♪ Suddenly I see��h������ ♪ Suddenly I see��hC�u@��č����� ♪ Why the hellIt means so much to me�� _����� � ♪ Suddenly I see�������� � ♪ Oh, oh, yeah, yeah���C�u@���/����� ♪ Suddenly I see������� ♪ Suddenly I see�������c ♪ Why the hellIt means so much to me�� �C�u@���y����� ♪ Suddenly I see�������� ♪ Yeah, yeah��������@ ♪ Suddenly I see��ޠ����@ ♪ Suddenly I see���C�u����á�� ♪ Why the hellIt means so much to me♪��u������ (BELL DINGS)��C�u��$����� (BREATHES DEEPLY)��pC�u��Ji����� Hi. Uh, I have an appointment
with Emily Charlton?���C�u��`������ Andrea Sachs?��J������ Yes.��Ϡǡ�� � Great. Human Resources
certainly has an odd
sense of humor.��dC�u��w����� (CHUCKLES) Follow me.��������
Okay, so I was Miranda's
second assistant,��
�C�u@����ԡ but her first assistant
recently got promoted,
and so now I'm the first.��
l�����
� Oh, and you're
replacing yourself.��Ԡ����� Well, I am trying.��TC�u@�����š�� Miranda sacked
the last two girls
after only a few weeks.��5�̡Ɓz We need to find someone
who can survive here.
Do you understand?�� ������A Yeah. Of course.
Who's Miranda?�� �C�u@���� Oh, my God. I will pretend
you did not just ask me that.��������� She's the editor in chief
of Runway,���C�u@���z����� not to mention a legend.��"�ԡ You work a year for her,
and you can get a job
at any magazine you want.�������` A million girls would
kill for this job.��mC�u���ʡā It sounds like
a great opportunity.
I'd love to be considered.��������� (EMILY GIGGLING)��!C�u�� ����� Andrea, Runway is
a fashion magazine,��7������ so an interest
in fashion is crucial.��
�C�u��"������ What makes you think
I'm not interested in fashion?�� Ơ����
(CELL PHONE RINGING)���C�u��9����� Oh, my God.��,������ No! No! No!��7�����) What's wrong?��C�u��ar����� She's on her way.
Tell everyone!��
O�����
� She's not supposed
to be here until 9:00.�� �C�u@��v����� Her driver just text messaged,��V������ and her facialist
ruptured a disk.��������� God, these people!��������x (WHISTLES, WHISPERS)
Who's that?��JC�u�������� That I can't even talk about.��M�����
* All right, everyone!
Gird your loins!��
DC�u���ɠ���� (EXCITED CHATTERING)��ࠪ���% Did someone
eat an onion bagel?��YC�u���ɠ���� (EXHALES, SNIFFS)���C�u���J����� (BELL DINGS)��7C�u���᠙��� Sorry, Miranda.��7C�u���+����� (BELL DINGS)���C�u@���<����� Move it!��������� Ooh!��砳���
� I don't understand
why it's so difficult��4�����( to confirm an appointment.��pC�u@���7����� I know.
I'm so sorry, Miranda.�������y I actually did
confirm last night.��������
L Details of your incompetence
do not interest me.�� >C�u@������� Tell Simone I'm not going
to approve that girl��������� that she sent me
for the Brazilian layout.��N������ I asked for clean,
athletic, smiling.��pC�u@��Z����� She sent me dirty,
tired and paunchy.��������� And RSVP yes
to the Michael Kors party.��������� I want the driver
to drop me off at 9:30���C�u@��3L����� and pick me up at 9:45 sharp.��������� (WHISPERS) 9:45 sharp.��l������ Call Natalie
at Glorious Foods,��l������ tell her no for the 40th time.��zC�u@��H͠���� No, I don't want dacquoise.�������X I want tortes filled
with warm rhubarb compote.�� >������ Then call my ex-husband
and remind him��"C�u@��^-����� the parent-teacher conference
is at Dalton tonight.��栾���+ Then call my husband,
ask him to meet me for dinner��
������� at that place
I went to with Massimo.���C�u@��w3����� Also, tell Richard I saw
the pictures that he sent��
J�����
� for that feature
on the female paratroopers,�������� and they're all
so deeply unattractive.��-C�u@��������� Is it impossible
to find a lovely,��w������ slender female paratrooper?��>�����? No.��������? Am I reaching
for the stars here?���C�u@��������� Not really. Also, I need
to see all the things��
������
� that Nigel has pulled
for Gwyneth's
second cover try.��
�C�u@����ơ�� I wonder if she's lost
any of that weight yet.
Who's that?��
������
L Nobody. Um, uh--������a Well, Human Resources
sent her up���C�u@���M����� about the new assistant job,��������� and I was preinterviewing her
for you.�������� But she's hopeless
and totally wrong for it.��
C�u@����� Clearly I'm going to have
to do that myself��Ơ���� because the last two
you sent me��l������ were completely inadequate.
So send her in.���C�u�������� That's all.��������� Right.��-C�u��-����� She wants to see you.��w����� Oh! She does?��w������ Move!���C�u��H��� This is foul.
Don't let her see it.��Ơ���� That's--��X����� Go!��X�����c (SIGHS)���C�u@��v����� Who are you?��v������ Uh, my name is Andy Sachs.��������� I recently graduated
from Northwestern University.���C�u@���y����� And what are you doing here?������
(CLEARS THROAT)��,������ Well...��>�����( I think I could do a good job
as your assistant.�� aC�u���G����� And, um...��頶���� Yeah, I came to New York
to be a journalist���C�u@���7����� and sent letters
out everywhere��核���+ and then finally got a call
from Elias-Clarke��������l and met with Sherry up
at Human Resources.��8C�u���'����� Basically, it's this
or Auto Universe.��������� So you don't read Runway?��������� Uh, no.��'C�u�������� MIRANDA: And before today,
you had never heard of me.��
������c No.���C�u��>����� And you have no style
or sense of fashion.��
������ Well, um... (CHUCKLES)�� C�u��.q����� I think that
depends on what you're--��V������ No, no.
That wasn't a question.��C�u@��I������ Um...��`�¡��� I was editor in chief
of the Daily Northwestern.��
��ʡāv I also, um,
won a national competition
for college journalists��{C�u��mĠ���� with my series
on the Janitors' Union,�������G which exposed
the exploitation of--
That's all.��8C�u���𠒡�� (SCOFFS)��������� Yeah. You know, okay.���C�u��������� You're right.
I don't fit in here.�������M I am not skinny or glamorous,���C�u@���+����� and I don't know that much
about fashion.��
)�����
n But... I'm smart.��������K I learn fast
and I will work very hard.��C�u@���̠���� I got the exclusive
on the Cavalli for Gwyneth,��
ˠ���� but the problem is,��P������ with that huge feathered
headdress that she's wearing,���C�u@���n����� she looks like she's working
the main stage��נ���� at the Golden Nugget.��䠢���c Thank you for your time.�� �C�u@�� U����� Who is that sad,
little person?��
������
� Are we doing
a before-and-after piece��������) I don't know about?��NC�u�� ������ (INDISTINCT CHATTER)��y������ Brown and Law, please?
Thank you.���C�u�� F������ Andrea.��)�����n Hmm?���C�u@�� ]Y����� Wait. You got a job
at a fashion magazine?�� 栙���
+ ANDREA: Mm-hmm.��.�����
+ What was it,
a phone interview?��.������ LILY: Fuck. Wow.��
������ Ow! Don't be a jerk.��
C�u@�� }G�¡�� Uh, Miranda Priestly is famous
for being unpredictable.���ȡb Okay, Doug. How is it
that you know who she is
and I didn't?���C�u@�� ������� I... I'm actually a girl.��
k����� Oh!��
k�����
� That would explain so much.��������� DOUG: Look, seriously.��C�u@�� ����� Miranda Priestly
is a huge deal.��5�����z I bet a million girls
would kill for that job.��z�����V Yeah, great.��Ѡ����l The thing is
I'm not one of them.��JC�u@�� ������� LILY: Well, look, you gotta
start somewhere, right?��3�����x I mean, look at this dump
Nate works in.��������K I mean, come on.
Paper napkins? Hello.��
�C�u@�� ��ˡŁ Yeah. And Lily, she works
at that gallery doing, uh,
you know--��ڠ���� Oh, I'm sorry.
What exactly is it
that you do anyway?��cC�u@�� ������ (CLEARS THROAT)
Well, lucky for me,��5�����z I already have my dream job.��
������K ALL: You're a corporate
research analyst!��
(C�u@��
������ Oh, you're right.
My job sucks.�������� No!�������� A It sucks. I don't--
It's boring.�� 栨��� A LILY: It's all right. Breathe.�� 栛���l DOUG: I'm trying.��V�����l LILY: Here. Take a drink.��VC�u@��
3 ���� DOUG: I will have a drink.��w����� Ah, yes.��w������ ANDREA: I'd like
to propose a toast.
LILY: Okay.��K�����
L To jobs that pay the rent.��ʠ����[ To jobs that pay the rent.���C�u@��
K8����� LILY: Jobs that pay the rent.��Ƞ����
n Oh, baby.����š��k You should see the way
these girls at Runway dress.���C�u@��
d��� I don't have a thing
to wear to work.���ɡÁL Come on. You're gonna be
answering phones
and getting coffee.�� "������ You need a ball gown for that?���C�u��
~������ I think I might.�������W Well, I happen to think
you look great always.��
�C�u��
�a����� Aww! I think
you're full of it.�������� (BOTH GIGGLING)�� C�u@��
���� Hey. Come on.��5����� Yeah.��5�����z Let's go home.
I can think of something��������� we can do that doesn't
require any clothing.��vC�u��
�c����� ANDREA: Really?��Z����� Mmm.��Z������ (UP-TEMPO MUSIC PLAYING)��
)�����+ (PHONE RINGING)��IC�u@��
������ ♪ I haven't gotMuch time to waste�� Š����
♪ It's timeTo make my way...♪�������� Hello?��7C�u@��
�}�ҡ́ Andrea, Miranda decided
to kill the autumn jacket
story for September,�������y and she is pulling up
the Sedona shoot from October.���C�u@��6����� You need to come
into the office
right this second,��������� and pick up her coffee orderon the way.��������� Now?�� ������ Now, get a penand write this down.�� C�u��t����� I want one no-foam
skimmed latte
with an extra shot��Ǡ����) and three drip coffees
with room for milk.�� �C�u@��4e����� Searing hot. And I mean hot.��
������ (LINE CLICKS)��
������
� ♪ Are you ready to jump��砞���� (CELL PHONE RINGING)��vC�u@��L����� ♪ Get ready to jump��������� Hello?��d������ EMILY: Where are you?��栥���� Oh, I'm almost there. Yeah.��MC�u@��`������ ♪ I'm ready to jump�� ������ Shoot! Oh!�� ������
♪ Take my hand��נ���� ♪ Get ready... ♪�� �C�u��y������ Is there some reason
that my coffee isn't here?��������� Has she died or something?��C�u����� No.��
�����m (WHISPERS) Fuck. God.��-C�u���|����� Oh. Bloody time.��
j�����
� I hope you know that this
is a very difficult job...�� BC�u@������� Mm-hm.�������� ...for which
you are totally wrong.��������� And if you mess up,��������
� my head is
on the chopping block.��������� Now, hang that up.
Don't just fling it anywhere.�� �C�u@�� 7����� Okay. First of all,
you and I answer the phones.��
O�����
� The phone must be answered
every single time it rings.��vC�u�������� Calls roll to voice mail,
and she gets very upset.��������� If I'm not here--
Andrea, Andrea--���C�u��5������ you are chained to that desk.��������� Well, what if I need to--��
)�����K What? No.��vC�u@��K������ One time an assistant
left the desk��w������ because she sliced her hand
open with a letter opener,�� ����� and Miranda
missed Lagerfeld,���C�u��bǠ���� just before he boarded
a 17-hour flight to Australia.��
(�����
m She now works at TV Guide.��pC�u��~������ Man the desk
at all times. Got it.�� ����� ] (PHONE RINGS)��᠏���� Uh...��NC�u@��������� Miranda Priestly's office.��������� No, she's not available.��������
� Who is it?��������
� (MOUTHING WORDS)���C�u��������� Yes, I will tell her
you called... yet again.��c����� (BELL CHIMES)���C�u@��ɿ�á�� Right, remember,
you and I have
totally different jobs.������ I mean, you get coffee...��4�����
� (SCOFFS) And you run errands.��{�����l Yet I am in charge
of her schedule,��)C�u@��䙠���� her appointments
and her expenses.��!������ And, um,
most importantly, um...����ơ��� I get to go with her to Paris
for Fashion Week in the fall.��
�C�u@��
������ I get to wear couture.��)�����n I go to all the shows
and all the parties.��a����� I meet all of the designers.
It's divine.��
C�u��
����� Okay. Now, stay here.����¡��� I'm going
to the art department
to give them the Book.��
JC�u��
2������ The--�������M This is the Book.�� �����
� Now, it is a mock-up
of everything��
�C�u@��
K������ in the current issue.�������� Mm-hm.��������� And we deliver it to Miranda's
apartment every night,��3�����? and she retu-- Don't touch it.���C�u@��
_栾��� She returns it to us
in the morning with her notes.��X������ Now, the second assistant
is supposed to do this,���C�u@��
x������ but Miranda is very private��l������ and she does not like
strangers in her house.�� ������� So until she decides
that you are not
a total psycho,���C�u@��
�a����� I get the lovely task
of waiting around
for the Book.�� ������� (PHONE RINGS)��������� Oh, Emily? What do I do--���C�u��
�]����� EMILY: Deal with it.��
����� (RINGS)��
�����
M (SIGHS)�� `C�u@��
�O����� (RINGS)��������� Hello. Mrs. Priestly's office.�� B������ Hmm. That's what I meant.
Miranda Priestly's office.��?C�u��
�T����� (GROANS)��������� Um, you know,
she is in a meeting.��7�����
l Can I please take a message?���C�u��
�|����� Uh-huh.��Ӡ����
Okay. Can you please
spell Gabbana?��
�C�u��w����� (LINE CLICKS)����7 Hello?��j������ I guess not.��uC�u@��)ˠ���� I guessed an eight and a half.��Ϡ���� Um, uh,
that's very nice of you,��Ơ���� but I don't think
I need these.��uC�u��D������ Miranda hired me.
She knows what I look like.��
l�����
� Do you?��N�����b (CHUCKLES)���C�u��e\����� MIRANDA: Emily.��������6 Emily?�������� She means you.���C�u@��~A����� (INDISTINCT CONVERSATION)��ڠ���� MAN: We just cut on the bias.�������� MIRANDA: That's not
what I asked you.��UC�u@��������� I couldn't have been clearer.
There you are, Emily.������
How many times do I have
to scream your name?����A Actually, it's Andy.��uC�u���%�ơ�� My name is Andy.
Andrea, but, uh,
everybody calls me Andy.��
�C�u�������� (CHUCKLES)
I need 10 or 15 skirts
from Calvin Klein.��������@ What kind of skirts do you--���C�u@���p����� Please bore someone else
with your questions.��
������
� And make sure we have Pier 59
at 8:00 a.m. tomorrow.���C�u@������ And remind Jocelyn I need
to see a few of those satchels��
�����
M that Marc is doing
in the pony.��J������ And then tell Simone
I'll take Jackie���C�u�������� if Maggie isn't available.����6 Did Demarchelier confirm?��������� D-Did D-Demarchel--���C�u��*������ Demarchelier. Did he--
Get him on the phone.��ࠗ���$ Uh, o-- Okay.���C�u��F����� And, Emily?��z������ Yes?��pC�u��'����� That's all.����á��� It's just
the cavalier disregard
for clear directions--��zC�u��������� (CHATTERING CONTINUES)��8C�u��������� Do you have Demarchelier?��砛���, Uh, Demarchelier.��Ǡ����W (GROANS) Leave it.��C�u���:����� Do you have--��N�����
� I have
Miranda Priestly calling.���C�u��������� I have Patrick!��ޠ����� Uh, no, she called me in there��C�u@������ and... and then
she asked me about Pier 59.��X������ And, uh, there was something
about Simone...��
,������ (SHUSHES)��
,�����K Frankie, someone else.��VC�u�� ՠ���� And, um, she needs skirts
from Calvin Klein.��
͠���� And, uh, there was
something about a pony.���C�u@��%����� Did she say which skirts?��
����� No. No.��
�����
K Did she say what kind?
Color, shape, fabric?�������� I tried to ask her.��������� You may never ask
Miranda anything.���C�u@��A������ Right. (BREATHES DEEPLY)�������c I will deal with all of this,��4������ and you will go
to Calvin Klein.��������� Eh--��MC�u@��Z@����� Me?�������L Oh, I'm sorry. Do you have
some prior commitment?��������
F Some hideous skirt convention
you have to go to?�� EC�u��q����� Uh--��6C�u@��������� (CELL PHONE RINGS)��k����� Miranda?��k������ MIRANDA: Are you there?�������� I'm about to walk in.������� I'll call you as soon as--�� ������ (LINE CLICKS)�� �C�uA��]����� (CELL PHONE RINGS)��ࠖ��� (HORN HONKS)��ࠐ���% Hello?����% EMILY: While you're out,����[ Hi.��������[ EMILY: Miranda needs youto go to Hermes����¡��� to pick up 25 scarveswe ordered for her.���C�u@���1����� Okay.�������� Cassidy forgother homework at Dalton.����͡ǁ A Pick that up. Oh, yeah,
and Miranda went out
to meet with Meisel,��
JC�u@�������� and she will want more
Starbucks when she gets back.��7������ Hot Starbucks.��������� Can you just
repeat that first--��������l (DIAL TONE HUMS)��Ƞ����l Hello?���C�u@������� Oh, my God.�������� � What took you so long?
I have to pee!�� �����) What? You haven't peed
since I left?���C�u��9 �ϡɁ No, I haven't.
I've been manning the desk,
haven't I? I'm bursting.���C�u��W䠑��� Oh, hi.�������� (SNAPS FINGERS)
You do coat. Do the coat!��
�C�u@��nԠ���� Okay.��(�����m Now, be prepared.
The run-through is at 12:30.�� ��סсU And people are panicking,
so the phone is going to be
ringing off the hook.��
�C�u@�������� The ru--
The run-through. Right.��a������ Yes. Editors bring in options
for the shoot,�� ������n and Miranda chooses.��
C�u@���Z����� She chooses every single thing
in every single issue.��
�����R Run-throughs are a huge deal.��������? I don't know why you don't
know that, Andrea.���C�u@���۠���� SERENA: Okay. Are you ready?��U����� EMILY: Oh, hi, hi.��U������ Right. Well, after the loo,��������� Serena and I
are going to lunch.���C�u@���^����� This is... This is her,
the new me.�������� Hi.�������� A EMILY: Told you.��4����� A I thought you were kidding.��4������ No, quite serious, yeah.��kC�u@���Ƞ���� I get 20 minutes for lunch,
and you get 15.��U������ When I come back, you can go.�� ������� Okay.�� ������` SERENA: What exactly
is she wearing?���C�u��^����� (EMILY GIGGLING)
Her grandmother's skirt.��YC�u��5v����� Hmm. Corn chowder.��V������ That's an interesting choice.��
�C�u��I�֡Ё You do know that cellulite
is one of the main ingredients
in corn chowder.��C�u@��n����� So none of the girls here
eat anything?��*�����o Not since two
became the new four��X�����* and zero became the new two.��C�u���~����� Well, I'm a six.��Ƞ����6 Which is the new 14.���C�u@��������� Oh. Shoot.�� ������ � Oh, never mind.����ɡÁ� I'm sure you have
plenty more polyblend
where that came from.�� �C�u@���]����� (CASH REGISTER CLICKING)����8 Okay.��2�����
� You think my clothes
are hideous.��5�����) I get it. But, you know,���C�u@���Ƞ���� I'm not going to be
in fashion forever,��>�ȡ� so I don't see the point
of changing everything
about myself��8����� just because I have this job.��C�u@���T����� (CLICKS TONGUE)
Yes, that's true.��������� That's really what this����ơ��� multibillion-dollar industry
is all about anyway, isn't it?��
�C�u������� Inner beauty.�� ����� � (CELL PHONE RINGS)��y�����a Hello.���C�u@�������� Right. Come on.��������� Miranda's pushed the
run-through up a half an hour.��N�����
� Mmm!��j�����v She's always 15 minutes early.��������v Which means?���C�u��8������ You're already late. Come.�� ������ Shoot!�� ������ � NIGEL: Excuse me.��OC�u��M
����� (ELEVATOR DINGS)��)�����n Mr. Ravitz.��,�����n Nigel.��,C�u@��a����� Issue going well?�������n Oh, yes.
Our best September ever.��������
� Great. Heard Miranda
killed autumn jackets��
�C�u��vࠪ��� and pulled up
the Sedona shoot.��ꠡ��� � What's that costing me?��������� About 300,000.���C�u@���4����� Must have been
some lousy jackets.��Ԡ����y (NIGEL SNIGGERS)��������� Irv Ravitz.��������� Oh, I'm sorry.���C�u@��������� This is Andy Sachs,
Miranda's new assistant.��U������ Congratulations, young lady.��|������ A million girls
would kill for that job.�� �C�u���,����� Bye-bye.��Ӡ����L Hmm?��"�����
� Chairman of Elias-Clarke,
Irv Ravitz.�� BC�u��� ���� You know what they say?�������d Tiny man, huge ego.���C�u@���p����� No. And I've seen
all this before.��
𠪡��5 Theyskens is trying
to reinvent��?������ the drop waist,
so actually it's--��C�u@�������� Where are
all the other dresses?��a������ LUCIA:
We have some right here.��"�����
* Stand, watch and listen.��b������ And I think it can be
very interesting--��zC�u@��)/����� No.�� ������ No, I just--
It's just baffling to me.��
��ɡÁT Why is it so impossible
to put together
a decent run-through?��C�u��Eڠ���� You people have had hours
and hours to prepare.��ܠ����! It's just so confusing to me.�� _C�u@��[������ Where are the advertisers?��۠���� We have some pieces
from Banana Republic.��K�����
� No, we need more, don't we?������� Oh. This is--�� `C�u@��x ����� This might be--
What do you think of--��������� Yeah. Well, you know me.��b������ Give me a full ballerina skirt������� and a hint of saloon
and I'm on board.��)����� Mmm.��)C�u@���y����� But do you think
it's too much like--��H������ NIGEL:
Like the Lacroix from July?�����
� I thought that,
but no, not with
the right accessories.��5C�u��������� It should work.��������� Where are the belts
for this dre--������� Why is no one ready?��4C�u�������� Here. It's a tough call.��7����� They're so different.�������k MIRANDA: Hmm.���C�u��ԓ����� (SNORTS, CHUCKLES)��-C�u��넠���� Something funny?������� No. No, no. Nothing's--��
�C�u@����ҡ́ You know, it's just that
both those belts look
exactly the same to me.����K You know, I'm still learning
about this stuff and, uh...��mC�u��)Ҡ���� "This... stuff"?��
Ҡ���� Oh. Okay. I see.��
�C�u��B������ You think this has
nothing to do with you.��ޠ����
� You go to your closet...��
�C�u@��[������ and you select, I don't know,��������� that lumpy blue sweater,
for instance,��������� because you're trying
to tell the world��YC�u@��pU����� that you take yourself
too seriously��頳���M to care about
what you put on your back.�������� But what you
don't know is that��C�u@���֠���� that sweater
is not just blue.��������� It's not turquoise.
It's not lapis.��
(�����a It's actually cerulean.���C�u@���5����� And you're also blithely
unaware of the fact��������� that in 2002,
Oscar de la Renta��
������� did a collection
of cerulean gowns.���C�u@���;�¡�� And then I think it was
Yves Saint Laurent,
wasn't it,��N������ who showed cerulean
military jackets?�� 堨���� I think we need a jacket here.��5C�u@��ё����� Mmm.��l������ MIRANDA: And then cerulean
quickly showed up��������
� in the collections
of eight different designers.��UC�u����ǡ�� And then it, uh, filtered down
through the department stores��U������ and then trickled on down���C�u���~����� into some tragic
Casual Corner,����š�� @ where you, no doubt,
fished it out of some
clearance bin.���C�u@��㠧��� However, that blue represents�������S millions of dollars
and countless jobs,��
Ѡ̡Ɓ� and it's sort of comical
how you think that
you've made a choice��
�C�u@��1������ that exempts you
from the fashion industry,�������� when, in fact,
you're wearing a sweater�� ɠ���� that was selected for you
by the people in this room,���C�u@��S@����� from a pile of stuff.�������� (PAN SIZZLING)��$�����
n ANDREA: So then I said,�������� "No, I couldn't
see the difference���C�u@��i����� between the two
absolutely identical belts,"����6 and you should have seen
the look she gave me!����ġ�� I swear, I thought the flesh
was gonna melt off her face.�� `C�u��������� (CHUCKLES)�� ������ It's not funny.�� ������ � Ugh. She's not happy
unless everyone around her�� �C�u@���|����� is panicked,
nauseous or suicidal.��������� And the Clackers
just worship her.��U�����q The who?��e�����q They call them Clackers.��eC�u@������ The sound that their stilettos
make in the marble lobby.��������@ It's like, "Clack, clack,
clack. clack, clack."��xC�u@��ű����� (GROANS)����š��� And they all act like
they're curing cancer
or something.�� a������ The... (CHUCKLING)
...amount of time and energy�� C�u@���̠���� that these people spend
on these insignificant,��
������ minute details, and for what?��(������ So that tomorrow
they can spend��KC�u@���ޠ���� another $300,000
reshooting something�� !����� � that was probably
fine to begin with��������w to sell people things
they don't need!�� BC�u��2����� God!��o�����V I'm not even hungry anymore.��C�u��+᠕��� NATE: What?��U������ That is why those girls
are so skinny.��)�����
Oh. No, no, no.
Give me that.���C�u��?Ѡ���� There's, like, eight dollars
of Jarlsberg in there.��*�����o (SIGHS) You know what?���C�u@��Y~����� I just have to stick it out
for a year. One year.�� Ġ����
And then I can do
what I came to
New York to do.�� CC�u��p����� But I can't let
Miranda get to me.��������� I won't.��Ҡ����� Easy there, tiger.���C�u���䠤��� Oh, good morning, Miranda.��Р���� Get me Isaac.��p�����* I don't see my breakfast here.���C�u@�������� Are my eggs here?
Where are my eggs?��5�����z Excuse me!��`����� Pick up the Polaroids
from the lingerie shoot.��vC�u���۠���� Have the brakes
checked on my car.��������@ (TRUCK HORN HONKING)��������@ (GASPS)���C�u@�������� Where's that piece of paper��J������ I had in my hand
yesterday morning?�� ꠹���� The girls need new
surfboards or Boogie boards���C�u@����� or something for Spring Break.��a������ (CELL PHONE RINGING)��Ơ����
� Hello.��
������
� The twins also
need flip-flops.��
�C�u��H����� Ow!��>����� Oh, my gosh!��>��� Pick up my shoes from Blahnik,
and then go get Patricia.���C�u@�������� Who's that?��b������ Good girl! Good girl!
Good girl!��ߠˡŁ
� Get me that little table
that I liked at that store
on Madison.���C�u@��6������ Get us a reservation
for dinner tonight��4�����y at that place that
got the good review.��(������ Get me Isaac.
Thank-you notes
delivered today.��lC�u��K$����� Where is everyone?
Why is no one working?������
(MIRANDA'S VOICE OVERLAPPING)��
�C�u��an����� Get me Demarchelier.��MC�u���֠���� I have Miranda Priestly
calling for-- Okay.��
,������ I have Patrick.���C�u@��������� (SIGHS) Thank God
it's Friday, right?��
(�����
m At least Miranda
will be in Miami,������� so we don't have to be
on call this weekend.��
�C�u��̑����� You know, my dad's
coming in from Ohio.��l�¡��� Yeah, we're gonna
go out to dinner,
maybe see Chicago.��
�C�u�������� You doing anything
fun this weekend?�� �����6 Yes.���C�u@���⠟��� (PIANO MUSIC PLAYING)��
(�����
m ANDREA: Yeah, Nate saidit was great.�� B�����
m DAD: Mm-hmm.�� BC�u@�� ������ He actually...
He applied here,��������� but they wanted someone
with more experience.��5�����A Here.��,������ Huh? What's this?��4C�u�� >����� I don't want you to get
behind on your rent.�������
� Dad, how did you--��������w It's--���C�u��:ՠ���� I'm gonna kill Mom.
(CHUCKLES)�������� B Dad, thank you.��树���m Mm-hmm.���C�u��_v����� It's really good to see you.��U������ You too, honey.��p������ So, you wanna start
grilling me now,��
�C�u@��y`����� or should we wait
till after dinner?���͡ǁ] Mmm, I thought
I'd let you at least enjoy
the bread basket first.��d�����# No, no, no. It's okay.
Go right ahead.��C�u@��������� We're just
a little worried, honey.��3�����x We get e-mails from you
at your office at 2:00 a.m.��
l�����) Your pay is terrible.��VC�u���Q����� You don't get
to write anything.����6 Hey, that's not fair.��Ϡ����
J I wrote those e-mails.�� >C�u@����֡Ё I'm just trying to understand
why someone who got
accepted to Stanford Law��7������ turns it down
to be a journalist,���C�u���٠���� and now you're not
even doing that.��T������ Dad, you have to trust me.���C�u@������ Being Miranda's assistant
opens a lot of doors.��
������
� Emily is going to Paris
with Miranda in a few months,��C�u@��栳��� and she's gonna meet
editors and writers��.�����s from every important magazine.��E������ And in a year,
that could be me.���C�u@��$E����� All right?������� Mm-hmm.�������y Dad, I swear,
this is my break.��
������ This is my... my chance.��
(������ (CELL PHONE RINGING)��
(C�u��>x����� This is... my boss.�������` I'm sorry, Dad.
I have to take this.�� C�u��[������ Hello. Miranda?��K������ My flight has been canceled.��u�����J It's some absurd
weather problem.�� C�u@��u6����� I need to get home tonight.��v������ The twins have a recital
tomorrow morning at school.��x�����x ANDREA: What?��
�����x At school!��
C�u@�������� Absolutely. Let me seewhat I can do.��
k����� (SIGHS) Oh, good.��
k�����
� Hi. Um, I know this
is totally last minute,���C�u�����ʡā but I was hoping that
you could maybe get
a flight for my boss��4�����y from Miami
to New York tonight?���C�u@���Ơ���� Uh...��n������ DAD: It's right here.��련���
� ANDREA: Yeah, any kind of jet.��������
� DAD: Thank you.��������� ANDREA:
From Miami to New York.��������� DAD: Thank you.���C�u@���Q����� Yup, I need it tonight.
I need it--������ Ow!������
I thought you were
going out the other--��������
Sweetie! No.��������b It's over here, honey.��T�����b Uh, tonight.��TC�u���L�ġ�� Hi. I'm trying to get
a flight tonight...
for tonight...��5�����z from Miami to New York.��C�u@�������� Yes, I know
there's a hurricane.��������v Nothing is flying out?��Ơ����� What do you mean,
nothing is flying out?��VC�u@��:����� It's for Miranda Priestly,
and I know that��������A she's a client of yours,
she's flown with you before.��)�����
� Yes. Yes, hi.
I need a jet tonight��
C�u@��)V����� from Miami to New York.��@������ Yeah. Sorry. Hold on.�� ������ (PHONE BEEPS)�� ������ Hello? Miranda, hi.�� C�u@��?������ Look, I'm trying to get
you a flight,��`������ but no one is flying out
because of the weather.��)����� Please. It's just...
I don't know... drizzling.��
'C�u@��[ ����� (THUNDERCLAP)��
#����� Someone must be getting out.��
#�����
h Call Donatella. Get her jet.��D�֡Ё� Call everybody elsethat we knowthat has a jet. Irv?��
)C�u@��v����� Call every--This is your responsibi--��A������ This is your job.��砖���
� Get me home.���C�u@��������� Oh, my God!��?������ She's going to murder me.��젧���� What does she want you to do,����ȡ
� call the National Guard
and have her airlifted
out of there?���C�u��������� Of course not.��������� Could I do that?��Š���� � Come on. Come on.�� �C�u���⠷��� The girls' recital
was absolutely wonderful.��7������ They played Rachmaninoff.
Everyone loved it.�� �C�u���e����� Everyone except me,��T������ because, sadly,
I was not there.��LC�u���H����� Miranda, I'm so sorry.��������� Do you know why I hired you?��������V I always hire
the same girl...�� �C�u��e����� stylish, slender,
of course,�������
� worships the magazine.���C�u�������� But so often,
they turn out to be...��Ӡ����
l I don't know,
disappointing and, um...��
,C�u��8������ ...stupid.�������Q So you, with that
impressive resume��dC�u��P������ and the big speech about
your so-called work ethic...��頵���
L I, um... I thought you
would be different.���C�u��l������ I said to myself, go ahead.��7�����b Take a chance.��������? Hire the smart, fat girl.��
nC�u��������� (CLEARS THROAT)
I had hope.�� B�����
m My God. I live on it.���C�u�����¡�� Anyway, you ended up
disappointing me
more than, um...�� ������ more than any
of the other silly girls.�� �C�u�������� Um...��Ϡ���� I really did everything
I could think of.�� ������� Uh...��Z������ That's all.��ZC�u��
k����� Excuse me!
Where do you think
you're going?�� �C�u��a}����� She hates me, Nigel.��������
* And that's
my problem because...���C�u@��v������ Oh, wait.
No, it's not my problem.�������� I don't know
what else I can do��������� because if I do
something right,��kC�u@���G����� it's unacknowledged.��*�����o She doesn't even say
thank you.���� � But if I do something wrong,��x�����b she is vicious.���C�u���y����� So quit.��N����� � What?��n�����) Quit.��������) Quit?���C�u@����� I can get another girl to take
your job in five minutes,�� Ġ����
one who really wants it.��:������ Uh, no, I don't want to quit.
That's not fair.���C�u@��������� But, you know,
I'm just saying that��z�����W I would just
like a little credit��������� for the fact that
I'm killing myself trying.�� �C�u���3����� Andy, be serious.�� ������ � You are not trying.���C�u��ࠚ��� You are whining.�������� I...��������5 What is it that you want me
to say to you, huh?�� �C�u@��(����� Do you want me to say,
"Poor you.��V������ Miranda's picking on you.
Poor you. Poor Andy"?��a�����A Hmm? Wake up, six.���C�u@��C;����� She's just doing her job.�� `����� � Don't you know that you
are working at the place��U�ǡ��? that published some
of the greatest artists
of the century?��C�u��`�� Halston, Lagerfeld,
de la Renta.��
������
� And what they did,
what they created,��8C�u��|R����� was greater than art...��������W because you live
your life in it.���C�u���M����� Well, not you, obviously,
but some people.�� �����m You think this is just
a magazine, hmm?��
�C�u��������� This is not just a magazine.��)�����n This is a shining
beacon of hope for...��
�C�u@��Ǩ����� Oh, I don't know.��7�ϡɁ� let's say a young boy
growing up in Rhode Island
with six brothers,��v�����U pretending to go
to soccer practice���C�u@���۠���� when he was really
going to sewing class��?�ҡ́� and reading Runway
under the covers at night
with a flashlight.��
�C�u���r�ơ�� You have no idea
how many legends
have walked these halls.�� ������
And what's worse,
you don't care.�� dC�u�� ������ Because this place,��8������ where so many people
would die to work,��校���� you only deign to work.��C�u��#𠞡�� And you want to know��J������ why she doesn't
kiss you on the forehead��������
� and give you a gold star��bC�u��8E����� on your homework
at the end of the day.��7������ Wake up, sweetheart.���C�u��[������ (SIGHS)��Ƞ���� Okay. So I'm screwing it up.�� C����� Mmm.�� CC�u��y������ But I don't want to.�������� I just wish that I knew
what I could do to--��
C�u�������� (SIGHS)��x������ Nigel?��U������ Hmm?��U�����W Nigel, Nigel.���C�u���u����� No.��'������ I don't know
what you expect me to do.�� =����� There's nothing
in this whole closet��C�u���堷��� that'll fit a size six.
I can guarantee you.��7������ These are all sample sizes,
two and four.�� �C�u@����� All right. We're doing
this for you.��������
� And...��������
� A poncho?��������� You'll take what I give you
and you'll like it.��
�C�u�� T����� We're doing this
Dolce for you.��o������ Hmm!�������
+ And... shoes.�� �C�u�� %[����� Jimmy Choo's.��������+ Hmm.��砙���W Manolo Blahnik.�������4 Wow.��C�u@�� <�� Nancy Gonzalez.��������� Love that.��l������ (CHUCKLES SOFTLY)��l����� � Okay, Narciso Rodriguez.
This we love.�� �C�u@�� P㠝��� Uh... it might fit.��۠���� It might.������� What?���¡��w Okay. Now, Chanel.
You're in desperate
need of Chanel.���C�u@�� kߠ���� Darling, shall we?�������� We have to get
to the beauty department,��������
J and God knows how long
that's going to take.��������J (GROANS)���C�u@�� �2����� I mean, I have no idea
why Miranda hired her.��
H����� Me neither.��堻���J The other day, we were
in the beauty department.���C�u@�� ������� Yeah.������� And she held up����n the Shu Uemura
eyelash curler and said,
"What is this?"��
k����� (LAUGHING)��C�u�� �5����� I just knew from
the moment I saw her,��
𠻡��5 she was going to be
a complete and utter disas--��
�C�u@�� 쥠���� (PHONE RINGS)��������� Miranda Priestly's office.��n�á��� No, actually,
she's not available,
but I'll leave word.��5C�u��!������ Okay, thanks. Bye.��ޠ����
� (CLEARS THROAT)��K�����a How did-- (CLEARS THROAT)���C�u��!%������ Are you wearing the...�������� ANDREA: The Chanel boots?��������� Yeah, I am.���C�u��!