Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:05,120 --> 00:00:13,120
This programme contains some
scenes of a sexual nature.
2
00:00:30,680 --> 00:00:33,320
WOMAN: Can you introduce yourself?
3
00:00:33,320 --> 00:00:36,000
My name is Bert Middleton.
4
00:00:37,600 --> 00:00:39,760
I'm the second oldest man
in Britain.
5
00:00:42,240 --> 00:00:45,880
This is the last thing I'll do,
so you'd better listen carefully
6
00:00:45,880 --> 00:00:48,000
and do it properly.
7
00:00:48,000 --> 00:00:49,680
Make it honest.
8
00:00:56,000 --> 00:00:58,000
Where are we?
9
00:00:58,000 --> 00:00:59,800
The summer of 1914?
10
00:01:01,080 --> 00:01:03,400
HE LAUGHS
11
00:01:03,400 --> 00:01:06,040
The summer the bus came.
12
00:01:07,120 --> 00:01:09,280
HE GIGGLES
13
00:01:10,440 --> 00:01:11,800
Put up the photograph.
14
00:01:22,080 --> 00:01:26,160
I don't know why,
but it was a solemn occasion,
15
00:01:26,160 --> 00:01:28,920
and that made it even more exciting.
16
00:01:28,920 --> 00:01:32,600
It was the first ever bus
to come to our village.
17
00:01:32,600 --> 00:01:36,640
The bus came in. The bus stopped.
18
00:01:36,640 --> 00:01:40,320
The bus drove off.
19
00:01:43,120 --> 00:01:45,560
And there she was.
20
00:01:45,560 --> 00:01:49,680
No-one was expecting anyone
to actually get off the bus.
21
00:01:53,200 --> 00:01:55,320
There she was.
22
00:01:57,720 --> 00:01:59,560
Was it love at first sight?
23
00:01:59,560 --> 00:02:01,880
What kind of question is that?
24
00:02:01,880 --> 00:02:03,720
I was 12 years old.
25
00:02:05,240 --> 00:02:07,480
Of course it was
love at first sight.
26
00:02:12,600 --> 00:02:15,000
100 years later,
when I say her name,
27
00:02:15,000 --> 00:02:17,800
I feel exactly
the same way about her.
28
00:02:19,200 --> 00:02:21,240
Martha Lane.
29
00:02:26,960 --> 00:02:28,880
Martha Lane.
30
00:03:00,440 --> 00:03:02,920
Joe had gone to
work at the Big House.
31
00:03:04,960 --> 00:03:06,640
I didn't know it then,
32
00:03:06,640 --> 00:03:10,200
but it was the start of him
trying to get away.
33
00:03:10,200 --> 00:03:15,120
I was too young, too filled up
with being alive to see what
34
00:03:15,120 --> 00:03:16,920
he was after.
35
00:03:16,920 --> 00:03:19,640
And nobody had left
the village in 100 years.
36
00:03:21,240 --> 00:03:25,200
My father went abroad
twice in his life.
37
00:03:25,200 --> 00:03:29,000
By "abroad," I mean out of
the parish, and he didn't like it.
38
00:03:29,000 --> 00:03:31,360
All of life was in our village.
39
00:03:43,240 --> 00:03:45,200
Joe was my big brother.
40
00:03:45,200 --> 00:03:48,600
It wasn't that I could tell him
about the lady from the bus,
41
00:03:48,600 --> 00:03:53,880
but I wanted to be with him, like
I always did when the sky fell in.
42
00:03:55,080 --> 00:03:56,800
Or my heart heaved.
43
00:04:09,320 --> 00:04:13,280
Anyway, here's what happened.
44
00:04:25,640 --> 00:04:29,400
You're going to swim today. I can't.
45
00:04:29,400 --> 00:04:33,720
No, you will. Here,
did I tell you about the drowning?
46
00:04:33,720 --> 00:04:35,600
No. I shouldn't.
47
00:04:35,600 --> 00:04:37,080
Please! No!
48
00:04:37,080 --> 00:04:39,160
Please!
49
00:04:39,160 --> 00:04:42,600
She was sucked under
and never seen again.
50
00:04:42,600 --> 00:04:44,080
Here?
51
00:04:44,080 --> 00:04:47,760
D'you know what they say?
No. What?
52
00:04:51,120 --> 00:04:52,280
What?
53
00:04:56,240 --> 00:05:00,080
She's looking for a fellow to drown
and be with her for ever.
54
00:05:03,160 --> 00:05:04,680
Joe?
55
00:05:12,520 --> 00:05:13,960
Joe!
56
00:05:18,920 --> 00:05:20,560
Joe!
57
00:05:23,560 --> 00:05:25,360
Joe!
58
00:05:25,360 --> 00:05:26,920
Joe! Help!
59
00:05:28,640 --> 00:05:31,680
She's under us, mate.
I can feel her, she's underneath us.
60
00:05:31,680 --> 00:05:33,920
Quick, quick. Swim for your life.
61
00:05:33,920 --> 00:05:37,600
Swim. Swim, fella, swim. Come on!
Come on.
62
00:05:37,600 --> 00:05:40,400
Swim! That's it, Bert, you're doing
it. You're swimming.
63
00:05:40,400 --> 00:05:42,440
Swim to me. Come on.
64
00:06:10,320 --> 00:06:12,040
Oh, look!
65
00:06:12,040 --> 00:06:14,120
JOE LAUGHS
66
00:06:14,120 --> 00:06:15,320
Yeah!
67
00:06:15,320 --> 00:06:18,440
It was her! I saw her.
68
00:06:21,280 --> 00:06:22,960
We should get home.
69
00:06:22,960 --> 00:06:24,440
Do we have to?
70
00:06:24,440 --> 00:06:26,040
It's time to go, Bert.
71
00:06:28,440 --> 00:06:31,200
I'll look after you. All right?
72
00:06:42,720 --> 00:06:44,560
Hello.
73
00:06:45,880 --> 00:06:47,800
Why do you say hello to me?
74
00:06:47,800 --> 00:06:49,400
Why wouldn't I?
75
00:06:51,280 --> 00:06:54,280
What do you want? Who are you?
76
00:07:12,600 --> 00:07:14,560
I'm 19 years old.
77
00:07:14,560 --> 00:07:16,080
You'll stand.
78
00:07:18,120 --> 00:07:20,160
Are you going to ask me, Mother?
79
00:07:21,920 --> 00:07:24,400
Did you get round?
80
00:07:24,400 --> 00:07:26,480
Three sides on me own.
81
00:07:30,400 --> 00:07:32,120
And the sheathing?
82
00:07:44,400 --> 00:07:48,760
I want you in the field at 3.00
tomorrow. Do you understand?
83
00:07:48,760 --> 00:07:50,160
Why are you shivering?
84
00:07:54,280 --> 00:07:55,520
Why's he shivering?
85
00:07:55,520 --> 00:07:57,240
I was teaching him how to swim.
86
00:08:03,440 --> 00:08:05,120
Sit down.
87
00:08:25,760 --> 00:08:29,360
Look at these hands.
Look at the work in them.
88
00:08:37,040 --> 00:08:39,080
Swimming?
89
00:08:42,400 --> 00:08:44,080
Swimming?!
90
00:08:49,040 --> 00:08:50,680
Don't look at him.
91
00:08:55,600 --> 00:08:57,600
I said, don't look at him!
92
00:09:02,960 --> 00:09:05,440
Joe. No. Joe. Please!
93
00:09:13,520 --> 00:09:15,920
Joe.
94
00:09:15,920 --> 00:09:19,720
Joe. Joe!
95
00:09:22,120 --> 00:09:24,640
Joe!
96
00:09:24,640 --> 00:09:26,800
Joe! Joe!
97
00:09:26,800 --> 00:09:29,000
I don't want to be in here!
98
00:09:29,000 --> 00:09:30,920
Joe!
99
00:09:33,520 --> 00:09:35,120
Where is he?
100
00:09:40,120 --> 00:09:42,120
I'll wait for him.
101
00:10:55,320 --> 00:10:57,200
Come to bed.
102
00:10:58,880 --> 00:11:01,040
Come to bed, my man.
103
00:11:14,360 --> 00:11:16,320
SEXUAL MOANING
104
00:11:28,080 --> 00:11:29,960
GRUNTING
105
00:11:31,640 --> 00:11:33,480
MOANING STOPS
106
00:11:40,280 --> 00:11:42,400
HE SNORES
107
00:12:35,600 --> 00:12:37,840
I want you to have your life.
108
00:12:38,920 --> 00:12:42,240
You must do everything
you can to find it.
109
00:12:57,640 --> 00:12:59,680
You wouldn't leave us, Joe.
110
00:13:49,000 --> 00:13:51,120
HE PANTS
111
00:14:12,160 --> 00:14:15,200
They're my sons.
Why aren't they with me?
112
00:14:22,240 --> 00:14:24,360
Why?
113
00:14:24,360 --> 00:14:27,040
Because my left hand is not
the right hand, sir.
114
00:14:28,280 --> 00:14:29,600
Mmm-hmm.
115
00:14:30,680 --> 00:14:32,400
Get your hand up.
116
00:14:40,280 --> 00:14:42,160
Why?
117
00:14:42,160 --> 00:14:46,560
Because...my left hand is not
the right hand, sir.
118
00:14:46,560 --> 00:14:48,360
Mmm-hmm.
119
00:14:48,360 --> 00:14:50,000
Get it up.
120
00:14:56,800 --> 00:14:58,000
Oh.
121
00:14:59,960 --> 00:15:01,960
Playing games, are we?
122
00:15:03,040 --> 00:15:04,400
HE TUTS
123
00:15:04,400 --> 00:15:05,760
No, no, no, no.
124
00:15:10,240 --> 00:15:14,760
I'm busy here, Mr Eyre,
if you don't mind.
125
00:15:14,760 --> 00:15:16,160
Get your hand up.
126
00:15:17,720 --> 00:15:19,000
Up.
127
00:15:20,360 --> 00:15:21,880
Look at me.
128
00:15:25,360 --> 00:15:27,000
Why?
129
00:15:36,960 --> 00:15:38,600
Why?!
130
00:15:52,040 --> 00:15:53,600
Another?
131
00:16:09,560 --> 00:16:11,280
CLOCK CHIMES
132
00:16:43,720 --> 00:16:47,360
Mother says that we'll have
water on tap next year.
133
00:16:47,360 --> 00:16:49,920
And then where will you be?
134
00:16:49,920 --> 00:16:52,600
And then where will he be?
135
00:16:52,600 --> 00:16:54,320
It'll get cold, Miss Caroline.
136
00:16:54,320 --> 00:16:56,520
So what are you waiting for?
137
00:17:18,520 --> 00:17:20,160
Poor Joe.
138
00:17:39,360 --> 00:17:40,960
DOOR OPENS
139
00:17:50,120 --> 00:17:52,200
Can you draw, Bert?
140
00:18:01,840 --> 00:18:03,640
Now you.
141
00:18:23,800 --> 00:18:26,800
Do you see that up there?
142
00:18:28,960 --> 00:18:32,400
Copy the shapes.
That's all there is to it.
143
00:18:33,400 --> 00:18:35,680
You're tired.
144
00:18:35,680 --> 00:18:37,400
I didn't sleep much.
145
00:18:40,640 --> 00:18:42,560
What time is it now?
146
00:18:44,760 --> 00:18:46,920
It's 3.00.
147
00:18:46,920 --> 00:18:49,440
I promised my father
I'd be in the field at 3.00.
148
00:18:49,440 --> 00:18:50,880
Well, I've kept you.
149
00:18:50,880 --> 00:18:53,760
You'd have been finished by now
if it wasn't for me.
150
00:19:05,600 --> 00:19:07,120
It's too neat.
151
00:19:23,440 --> 00:19:25,200
THEY LAUGH
152
00:19:56,560 --> 00:20:00,600
Rake and sheath. All in eights.
And don't think I won't check.
153
00:20:18,760 --> 00:20:21,600
For this harvest, you have my thanks.
154
00:20:21,600 --> 00:20:23,400
PEOPLE CHEER
155
00:20:30,960 --> 00:20:34,920
Pay me now. Or go and come back
when you can pay me.
156
00:20:41,840 --> 00:20:43,560
Some more drinks, Peter.
157
00:20:45,680 --> 00:20:47,640
You thieving bastard!
158
00:21:29,520 --> 00:21:32,160
Why did you do that, Father?
He's my neighbour.
159
00:21:57,080 --> 00:21:59,520
How long were you teaching for?
160
00:21:59,520 --> 00:22:01,200
A year.
161
00:22:01,200 --> 00:22:04,360
Greek and Latin,
to a small boy in a big house.
162
00:22:05,640 --> 00:22:08,160
And why did you leave?
163
00:22:08,160 --> 00:22:09,760
My father wrote to me every Sunday
164
00:22:09,760 --> 00:22:12,240
telling me
about the new village he'd come to.
165
00:22:12,240 --> 00:22:13,880
It made me want to be here.
166
00:22:13,880 --> 00:22:15,320
And what do you think?
167
00:22:17,600 --> 00:22:19,200
There's work to do.
168
00:22:21,680 --> 00:22:23,120
Our very own missionary.
169
00:22:24,720 --> 00:22:27,520
So, you'll take them?
170
00:22:29,320 --> 00:22:31,000
What will people think?
171
00:22:31,000 --> 00:22:33,840
John and Charles Wesley
have come in by the back door.
172
00:22:33,840 --> 00:22:37,840
I came in the front, Mr Eyre.
God doesn't need a back door.
173
00:22:37,840 --> 00:22:41,160
Neither, it seems,
do Yorkshirewomen.
174
00:22:42,880 --> 00:22:44,480
What have you done to my son?
175
00:22:45,720 --> 00:22:49,000
Should we starve
so he could learn to write?
176
00:22:49,000 --> 00:22:51,120
Does writing ever feed anyone?
177
00:22:52,280 --> 00:22:54,880
I know how hard
things are for you.
178
00:22:54,880 --> 00:22:57,440
No, you don't. You have got no idea!
179
00:22:57,440 --> 00:23:01,120
But I also know that a boy
needs an education.
180
00:23:16,000 --> 00:23:21,880
They won't dry. Every bloody sheath
you've laid east-west.
181
00:23:21,880 --> 00:23:23,760
How many times have I told you?
182
00:23:23,760 --> 00:23:26,360
They only dry if they're
north-south.
183
00:23:29,320 --> 00:23:32,480
Come on! Come on!
184
00:23:42,360 --> 00:23:45,800
Tripe and onions in milk
and a little liver.
185
00:23:47,520 --> 00:23:49,120
Joe's wages.
186
00:23:54,400 --> 00:23:55,880
I'm going to bed.
187
00:23:59,360 --> 00:24:00,960
Pride is a sin, John.
188
00:24:02,480 --> 00:24:06,000
Then I'm going to hell,
because it's all I've got.
189
00:24:21,000 --> 00:24:22,840
Can I have more of that, Mother?
190
00:24:22,840 --> 00:24:25,520
Of course. Thanks.
191
00:24:30,840 --> 00:24:32,760
Have you eaten, Mother?
192
00:24:32,760 --> 00:24:34,160
Yes.
193
00:24:45,280 --> 00:24:51,880
Must a man pay all his life
for one mistake? Is that God's way?
194
00:24:51,880 --> 00:24:53,680
I forgive you.
195
00:24:57,320 --> 00:25:03,200
I think it is in everything you do
and say that you have not.
196
00:25:03,200 --> 00:25:05,640
No, that is you, John.
197
00:25:05,640 --> 00:25:08,520
It is you not allowing
my forgiveness in.
198
00:25:08,520 --> 00:25:10,760
Must it always be my fault?
199
00:25:16,600 --> 00:25:19,160
Hurry up! Come on!
200
00:25:26,360 --> 00:25:28,480
Come on. Hurry up!
201
00:25:38,920 --> 00:25:40,880
Your father got his harvest in?
202
00:25:52,840 --> 00:25:54,200
You ready? I am.
203
00:25:54,200 --> 00:25:56,120
Right, in your own time, Mr Evans.
204
00:26:01,600 --> 00:26:06,560
Everyone, now I would like you all
to run down the hill,
205
00:26:06,560 --> 00:26:08,200
touch the church gate,
206
00:26:08,200 --> 00:26:11,440
turn around and run back up
to school as quick as you can.
207
00:26:11,440 --> 00:26:12,640
Quick, go, go, all of you.
208
00:26:12,640 --> 00:26:15,160
Mr Eyre?
It's a school photograph, Mr Eyre.
209
00:26:15,160 --> 00:26:16,560
On you go.
210
00:26:18,560 --> 00:26:21,600
Tommy, we are going
to run on the spot, come on.
211
00:26:21,600 --> 00:26:23,920
Quick, quick, quick, quick.
212
00:26:23,920 --> 00:26:26,080
Children! Come back!
213
00:26:29,760 --> 00:26:32,760
This is not a sports day!
214
00:26:32,760 --> 00:26:35,040
Come on. Move it!
215
00:26:36,400 --> 00:26:41,040
Back in your places. Stop, stop!
216
00:26:41,040 --> 00:26:45,920
Quick as you can.
Back in your same places, everyone.
217
00:26:45,920 --> 00:26:49,160
And we are...jumping on the spot!
218
00:26:49,160 --> 00:26:53,600
Jumping on the spot and...
219
00:26:53,600 --> 00:26:56,120
Three, two, one.
220
00:26:56,120 --> 00:26:58,600
THE CHILDREN CHEER
221
00:27:01,920 --> 00:27:04,240
What's going to happen?
222
00:27:04,240 --> 00:27:07,520
About moles?
Five mole catchers in five years.
223
00:27:07,520 --> 00:27:09,560
What's the matter with them?
224
00:27:23,920 --> 00:27:25,760
Are you going to shoot them?
225
00:27:30,160 --> 00:27:32,520
Joe. Middleton.
226
00:27:35,960 --> 00:27:38,320
Arriving without an invitation
227
00:27:38,320 --> 00:27:42,000
and then talking to the waterman
before she speaks to us.
228
00:27:42,000 --> 00:27:45,160
It's as though
she's selling something.
229
00:27:45,160 --> 00:27:47,000
What are you selling?
230
00:27:47,000 --> 00:27:50,760
The thing to do is rise above
and pretend you haven't noticed.
231
00:27:50,760 --> 00:27:54,200
Then she won't have
the satisfaction she desires.
232
00:27:54,200 --> 00:27:58,840
Good afternoon, Miss Lane. We were
discussing the mole catcher problem.
233
00:28:00,360 --> 00:28:02,440
Well, ask Joe. He'll know.
234
00:28:02,440 --> 00:28:04,080
Joe?
235
00:28:10,080 --> 00:28:12,040
Why do mole catchers die?
236
00:28:14,280 --> 00:28:15,720
Strychnine.
237
00:28:17,200 --> 00:28:19,600
Well, it gets on to your hands.
238
00:28:19,600 --> 00:28:24,000
And then you're breathing it in
and then, well, it's in your blood.
239
00:28:24,000 --> 00:28:25,840
And then you die.
240
00:28:25,840 --> 00:28:27,800
What kind of a death?
241
00:28:30,480 --> 00:28:32,080
Great agony.
242
00:28:32,080 --> 00:28:33,720
Off you go, Joe.
243
00:29:04,160 --> 00:29:06,880
Did you see her
when she got off the bus?
244
00:29:06,880 --> 00:29:09,560
Sucked-in waist like a man
with a sour lollipop.
245
00:29:11,320 --> 00:29:13,240
CHILD CHATTERS
246
00:29:16,680 --> 00:29:19,120
The doctor told us,
after I had this one,
247
00:29:19,120 --> 00:29:23,200
he said, "Your Henry may be small
but he's certainly fecund."
248
00:29:24,560 --> 00:29:26,200
What does that mean?
249
00:29:26,200 --> 00:29:30,520
Good seed, high yield.
Henry the fecund, they call him.
250
00:29:30,520 --> 00:29:32,120
Shh.
251
00:29:32,120 --> 00:29:34,240
It's what a married woman's for
252
00:29:34,240 --> 00:29:36,960
in the eyes of the Lord,
eh, Miss Lane?
253
00:29:36,960 --> 00:29:39,640
Birthing, begetting.
254
00:29:39,640 --> 00:29:42,720
There's been that bad winters
my Henry said to me,
255
00:29:42,720 --> 00:29:46,400
"Why don't you have a couple
of lambs instead of another baby?"
256
00:29:46,400 --> 00:29:50,760
Oh, yes.
We're good at begetting, us Bodens.
257
00:29:50,760 --> 00:29:55,760
My Paul will make a woman of you,
Agnes, you can bank on that.
258
00:29:55,760 --> 00:29:57,920
CHILD: I can't find the soap.
259
00:29:57,920 --> 00:29:59,360
Oh, dear.
260
00:29:59,360 --> 00:30:02,400
What's it like? Being married?
261
00:30:02,400 --> 00:30:05,720
My mother gave me some advice
when I was your age.
262
00:30:05,720 --> 00:30:09,360
She said, "Look after your husband
as well as you're able,
263
00:30:09,360 --> 00:30:12,640
"but if he's not happy for reasons
that you can't understand,
264
00:30:12,640 --> 00:30:14,880
"there's always
something you can do."
265
00:30:14,880 --> 00:30:16,240
What?
266
00:30:16,240 --> 00:30:17,360
Mother him.
267
00:30:21,560 --> 00:30:23,200
What can you see?
268
00:30:23,200 --> 00:30:24,560
Nothing.
269
00:30:26,520 --> 00:30:29,480
Something halfway is about right.
270
00:30:29,480 --> 00:30:34,240
A woman should be
halfway between bustle and nothing.
271
00:30:34,240 --> 00:30:35,720
Should be?
272
00:30:37,120 --> 00:30:39,600
Does it matter how a woman looks?
273
00:30:41,160 --> 00:30:43,280
Norma's being courted, Margaret.
274
00:30:43,280 --> 00:30:45,680
Oh, is she now?
275
00:30:45,680 --> 00:30:48,880
Bert! What is it?
276
00:30:51,720 --> 00:30:54,400
Bert? Bert!
277
00:30:54,400 --> 00:30:55,920
What can you see?
278
00:31:12,520 --> 00:31:14,520
What is it?
279
00:31:32,960 --> 00:31:35,120
HE PANTS
280
00:31:37,520 --> 00:31:39,200
Hey! Boy!
281
00:31:39,200 --> 00:31:41,920
Get inside now.
282
00:31:47,480 --> 00:31:49,600
Tell your mother
what you were doing!
283
00:31:57,560 --> 00:31:59,320
No?
284
00:32:00,400 --> 00:32:02,080
I'll tell her.
285
00:32:05,320 --> 00:32:07,200
Stone picking for Rutter.
286
00:32:07,200 --> 00:32:10,800
This farm's halfway dead
because there's no-one to work it,
287
00:32:10,800 --> 00:32:13,480
and me own son
stone picking for Rutter.
288
00:32:15,920 --> 00:32:18,200
Lie down. What? On t'floor.
289
00:32:21,960 --> 00:32:23,440
On your side.
290
00:32:25,680 --> 00:32:27,120
What do you see?
291
00:32:27,120 --> 00:32:29,040
The door. What else?
292
00:32:29,040 --> 00:32:30,560
John.
293
00:32:30,560 --> 00:32:31,800
What else?
294
00:32:31,800 --> 00:32:33,200
The floor.
295
00:32:34,760 --> 00:32:36,800
What about it?
296
00:32:41,800 --> 00:32:45,320
There's a dip near the door.
297
00:32:46,600 --> 00:32:48,800
And there's a dip here...
298
00:32:50,160 --> 00:32:51,720
..near t'fire place,
299
00:32:51,720 --> 00:32:55,400
where five generations
of this family have stood.
300
00:32:55,400 --> 00:32:59,760
The highest point is under the table
because the table has never moved
301
00:32:59,760 --> 00:33:03,280
and no-one's
ever trodden on it under there.
302
00:33:03,280 --> 00:33:05,280
This is our floor.
303
00:33:10,000 --> 00:33:11,960
This is our farm.
304
00:33:13,960 --> 00:33:16,080
And I will not let it go.
305
00:33:33,000 --> 00:33:34,760
Catch.
306
00:33:36,400 --> 00:33:37,680
Magnum Bonum.
307
00:33:39,120 --> 00:33:41,080
It's the name of the potato.
308
00:33:49,600 --> 00:33:51,120
Where are you off to?
309
00:33:51,120 --> 00:33:52,880
I'm looking for elderberry.
310
00:33:52,880 --> 00:33:56,000
You put it on the blinkers
and the flies don't like it.
311
00:33:56,000 --> 00:33:58,400
The horse. Big Molly.
312
00:33:58,400 --> 00:34:00,000
I could help.
313
00:34:01,880 --> 00:34:03,720
If you want me to.
314
00:34:13,920 --> 00:34:15,880
Can't see any.
315
00:34:15,880 --> 00:34:17,600
Across the bridge.
316
00:34:22,480 --> 00:34:24,280
THEY LAUGH
317
00:34:32,640 --> 00:34:34,280
Y'all right?
318
00:34:35,640 --> 00:34:39,240
Eh, look at you, Bert Middleton. In.
319
00:34:39,240 --> 00:34:42,720
What's the matter with ya?
He's your brother.
320
00:34:42,720 --> 00:34:45,520
HE CHUCKLES
Come on, Bert.
321
00:34:50,160 --> 00:34:52,600
THEY LAUGH
322
00:34:52,600 --> 00:34:53,760
Get in!
323
00:35:01,160 --> 00:35:03,320
Don't know what you're laughing at.
324
00:35:05,920 --> 00:35:10,080
Now, did I ever tell
you about the big flood?
325
00:35:10,080 --> 00:35:11,920
BOTH: Yes, Mother.
326
00:35:16,720 --> 00:35:18,960
Here y'are, look at them.
327
00:35:24,760 --> 00:35:26,640
We might get dirty.
328
00:35:30,520 --> 00:35:32,440
British Bulldogs!
329
00:35:32,440 --> 00:35:34,800
INDISTINCT YELLING
330
00:35:37,080 --> 00:35:40,320
British Bulldogs, one, two three!
331
00:35:53,760 --> 00:35:56,240
British Bulldogs, one, two, three!
332
00:36:07,400 --> 00:36:10,360
British Bulldogs, one, two, three!
333
00:36:32,040 --> 00:36:34,400
British Bulldogs, one, two, three!
334
00:36:59,000 --> 00:37:01,360
BOYS CHATTER AND CHEER
335
00:37:39,360 --> 00:37:41,200
Early for lunch.
336
00:37:41,200 --> 00:37:42,880
Rise above, baby.
337
00:37:59,040 --> 00:38:00,960
Thank you very much.
338
00:38:04,280 --> 00:38:06,280
Are these Magnum Bonum?
339
00:38:06,280 --> 00:38:09,520
I thought Magnum Bonum
was the Home Secretary.
340
00:38:09,520 --> 00:38:11,360
THEY LAUGH
341
00:38:12,400 --> 00:38:14,760
Are you a suffragist, Miss Lane?
342
00:38:16,040 --> 00:38:17,720
I'm a Suffragette, yes.
343
00:38:17,720 --> 00:38:19,240
Active?
344
00:38:19,240 --> 00:38:22,760
Well, it wasn't me who placed
the bomb under the coronation chair,
345
00:38:22,760 --> 00:38:24,440
if that's what you're asking.
346
00:38:24,440 --> 00:38:27,320
We all heard it in the House.
McKenna was speaking...
347
00:38:27,320 --> 00:38:28,960
The Home Secretary.
348
00:38:28,960 --> 00:38:31,640
..and to his very great credit...
No, thank you.
349
00:38:31,640 --> 00:38:33,360
..he continued with his speech.
350
00:38:34,960 --> 00:38:37,120
Would you give such women the vote?
351
00:38:37,120 --> 00:38:40,880
Is she less worthy of the vote
than the drunkard who has it now?
352
00:38:40,880 --> 00:38:43,200
Or the wife beater who can vote?
353
00:38:43,200 --> 00:38:47,600
Politics, politics.
This is a home, not a public place.
354
00:38:47,600 --> 00:38:49,040
Is it?
355
00:38:49,040 --> 00:38:50,560
Thank you.
356
00:38:54,560 --> 00:38:58,440
In women alone rests the
preservation of peace in the home.
357
00:38:58,440 --> 00:39:02,760
And it's that peace which inspires
work all across the Empire.
358
00:39:03,800 --> 00:39:06,160
The Suffragettes are reckless
and foolish.
359
00:39:06,160 --> 00:39:08,800
Reckless and foolish.
Like Miss Davison.
360
00:39:08,800 --> 00:39:10,160
Hm.
361
00:39:10,160 --> 00:39:11,920
I admired Emily Davison.
362
00:39:11,920 --> 00:39:14,120
And what is it you admired in her?
363
00:39:14,120 --> 00:39:15,560
Her bravery.
364
00:39:15,560 --> 00:39:17,560
But courage isn't always a virtue,
365
00:39:17,560 --> 00:39:21,680
and the consequences of courage
are not always virtuous.
366
00:39:21,680 --> 00:39:24,600
Does it serve your cause, I wonder?
367
00:39:24,600 --> 00:39:26,840
I wonder.
368
00:39:26,840 --> 00:39:28,640
What do you mean?
369
00:39:28,640 --> 00:39:33,760
Well, should one give the vote
to people who hurl themselves
in front of horses?
370
00:39:33,760 --> 00:39:38,480
Drunkards and wife beaters,
people who run in front of horses,
371
00:39:38,480 --> 00:39:41,240
you defeat your own argument,
Miss Lane.
372
00:39:41,240 --> 00:39:43,960
But I do have you talking politics,
Lady Allingham.
373
00:39:43,960 --> 00:39:46,440
Miss Lane. Lady Allingham.
374
00:39:48,200 --> 00:39:52,240
Emily Davison was an hysteric
with an uncommon zeal
375
00:39:52,240 --> 00:39:53,880
for harming herself.
376
00:39:53,880 --> 00:39:56,560
Martyrdom was her only aim in life.
377
00:39:56,560 --> 00:39:59,640
And I for one am happy that she
has satisfied her ambition.
378
00:40:00,720 --> 00:40:05,200
But I have lost any interest
I had in her because the attention
379
00:40:05,200 --> 00:40:11,520
of all right thinking men, people,
women, must be on what is coming.
380
00:40:11,520 --> 00:40:13,320
What is coming?
381
00:40:16,360 --> 00:40:18,080
What is coming?
382
00:40:19,920 --> 00:40:22,240
War, Caro.
383
00:40:23,520 --> 00:40:25,080
War, baby.
384
00:40:26,760 --> 00:40:28,400
What do we think of that?
385
00:40:28,400 --> 00:40:30,760
Hey? What do you think of that?
386
00:40:37,880 --> 00:40:40,760
Boot production. I have plans.
387
00:40:40,760 --> 00:40:42,920
Oh, do you?
388
00:40:44,360 --> 00:40:47,680
I'm going to make boots with flaps
over the lace-holes
389
00:40:47,680 --> 00:40:51,080
and double tongues
so no water can enter.
390
00:40:51,080 --> 00:40:55,400
I think three years would be
the life of such a boot and then...
391
00:40:58,680 --> 00:41:02,240
..at the end of the three years,
we'd clump it.
392
00:41:02,240 --> 00:41:05,320
That's another
leather sole riveted on,
393
00:41:05,320 --> 00:41:08,120
which would give the life
of the boot another two years.
394
00:41:08,120 --> 00:41:11,440
Oh, how interesting.
Why are you telling us all this?
395
00:41:16,080 --> 00:41:19,400
Your opinion would be
valuable to me.
396
00:41:19,400 --> 00:41:21,080
Oh, how, how valuable?
397
00:41:21,080 --> 00:41:23,880
I've been led to believe
the business classes
398
00:41:23,880 --> 00:41:26,280
have a reputation
for straight talking, Mr Hankin.
399
00:41:26,280 --> 00:41:29,800
Oh, politics and business,
all in one lunchtime.
400
00:41:29,800 --> 00:41:31,960
I think it's my fault,
Lady Allingham.
401
00:41:31,960 --> 00:41:33,760
The men have followed our lead.
402
00:41:35,440 --> 00:41:39,520
She's a Methodist, Atherton.
They don't.
403
00:41:50,400 --> 00:41:53,960
All six of them plague victims,
all under ten years old.
404
00:41:53,960 --> 00:41:56,440
All died within
three weeks of each other.
405
00:41:56,440 --> 00:41:58,880
July 1682.
406
00:41:58,880 --> 00:42:00,600
Why are you showing me this?
407
00:42:00,600 --> 00:42:05,320
Herbert, Richard, Harold, Beatrice,
Elizabeth and George.
408
00:42:05,320 --> 00:42:07,160
Another George.
409
00:42:07,160 --> 00:42:09,920
They're my family.
410
00:42:11,600 --> 00:42:13,200
We belong here.
411
00:42:15,320 --> 00:42:17,360
Why up here?
412
00:42:17,360 --> 00:42:19,080
No burials in the churchyard.
413
00:42:19,080 --> 00:42:22,120
They thought the dead
could contaminate the living.
414
00:42:23,360 --> 00:42:28,200
She carried her dead children
up here to put them in the ground.
415
00:42:28,200 --> 00:42:30,560
That picture...
416
00:42:32,320 --> 00:42:33,920
It's in all of my dreams.
417
00:42:59,160 --> 00:43:00,720
Who?
418
00:43:00,720 --> 00:43:03,280
George Allingham. Alone.
419
00:43:04,800 --> 00:43:06,400
Kissing.
420
00:43:15,320 --> 00:43:18,040
Father? Father?
421
00:43:19,480 --> 00:43:21,520
DOOR OPENS
422
00:43:23,480 --> 00:43:25,040
Father.
423
00:43:31,600 --> 00:43:33,640
Is the bank holiday over?
424
00:43:38,000 --> 00:43:39,880
Yes, it is.
425
00:44:16,080 --> 00:44:17,840
SHE SOBS
426
00:44:27,600 --> 00:44:29,480
We might get dirty.
427
00:44:44,720 --> 00:44:47,000
All pals together, Paul says.
428
00:44:49,040 --> 00:44:50,400
And Joe?
429
00:44:50,400 --> 00:44:52,360
Yes.
430
00:45:02,480 --> 00:45:04,200
Can I listen?
431
00:45:07,160 --> 00:45:08,880
THEY GIGGLE
432
00:45:14,200 --> 00:45:16,120
Arnold Hankin proposed to me.
433
00:45:16,120 --> 00:45:18,200
No. No! Have you said yes?
434
00:45:18,200 --> 00:45:20,520
I told him I'd give him
the answer tomorrow.
435
00:45:20,520 --> 00:45:22,920
He's an ambitious man, Mr Hankin.
436
00:45:22,920 --> 00:45:25,240
You'll want to be careful, Martha.
437
00:45:25,240 --> 00:45:28,200
You don't want to end up
one of the great un-enjoyed.
438
00:45:34,480 --> 00:45:35,920
Whoa!
439
00:45:38,200 --> 00:45:39,920
HE GROANS
440
00:45:47,080 --> 00:45:48,640
Can I listen?
441
00:45:51,400 --> 00:45:52,680
To what?
442
00:45:52,680 --> 00:45:53,840
To what?
443
00:45:54,960 --> 00:45:56,280
Your belly.
444
00:45:56,280 --> 00:45:57,640
Why?
445
00:45:59,040 --> 00:46:00,640
I don't know.
446
00:46:17,480 --> 00:46:21,480
How will he fare in his old man's
chair if he doesn't have a go?
447
00:46:21,480 --> 00:46:24,520
What's that? That's not you.
448
00:46:24,520 --> 00:46:27,760
Where the bloody hell
did you pick that up?
449
00:46:27,760 --> 00:46:29,080
We can...
450
00:46:29,080 --> 00:46:30,920
We can...what, Grace?
451
00:46:32,000 --> 00:46:34,920
He goes and you with
another baby on t'way.
452
00:46:50,360 --> 00:46:54,080
Joe, Joe, Joe, Joe. Joe. Joe.
453
00:46:54,080 --> 00:46:55,480
Joe.
454
00:46:55,480 --> 00:46:59,000
I can't bear it if you're not free.
455
00:46:59,000 --> 00:47:00,840
Please.
456
00:47:02,040 --> 00:47:05,520
What am I
if I can't give that to you?
457
00:47:05,520 --> 00:47:07,240
Don't you see?
458
00:47:08,560 --> 00:47:10,800
My lovely boy.
459
00:47:10,800 --> 00:47:13,480
Please. For me.
460
00:47:15,600 --> 00:47:18,200
I want you to go.
461
00:47:45,800 --> 00:47:47,360
Joe!
462
00:48:09,520 --> 00:48:11,480
Shoes off, please, sir.
463
00:48:17,800 --> 00:48:19,440
Under.
464
00:48:20,440 --> 00:48:22,040
Excuse me... Next!
465
00:48:25,440 --> 00:48:26,840
Shoes off.
466
00:48:34,400 --> 00:48:36,000
Thank you.
467
00:48:38,640 --> 00:48:40,240
Next!
468
00:48:42,000 --> 00:48:45,760
It wouldn't be right for the school
if we were to both volunteer, so...
469
00:48:45,760 --> 00:48:47,200
Morning, sir.
470
00:48:47,200 --> 00:48:49,000
I won't stand in your way.
471
00:48:49,000 --> 00:48:51,560
Morning, sir. Morning.
472
00:48:51,560 --> 00:48:55,520
After all,
you are the...younger man.
473
00:48:57,560 --> 00:48:59,520
Morning, sir.
474
00:48:59,520 --> 00:49:01,120
Middleton.
475
00:49:03,520 --> 00:49:10,520
Who can tell me, what did the Viking
invader come in? Anyone?
476
00:49:13,920 --> 00:49:15,760
Tommy? Ships, sir.
477
00:49:17,320 --> 00:49:18,680
No.
478
00:49:21,920 --> 00:49:23,480
Alf?
479
00:49:23,480 --> 00:49:25,360
Dreadnoughts, sir?
480
00:49:25,360 --> 00:49:27,840
THE STUDENTS LAUGH
481
00:49:27,840 --> 00:49:31,920
No. Anyone else?
482
00:49:33,240 --> 00:49:35,280
Gilbert. Longboats, sir.
483
00:49:36,280 --> 00:49:38,440
No.
484
00:49:44,240 --> 00:49:45,600
SLAMS FIST
485
00:49:45,600 --> 00:49:48,240
They came in anger.
486
00:49:59,480 --> 00:50:01,680
And what did they do
when they got here?
487
00:50:03,000 --> 00:50:04,200
They pillaged.
488
00:50:05,200 --> 00:50:09,680
They burnt our villages.
What did they do to our women?
489
00:50:12,320 --> 00:50:13,720
They took their honour.
490
00:50:14,800 --> 00:50:16,440
DOOR OPENS
491
00:50:17,760 --> 00:50:20,960
Get home. Get home now!
492
00:50:38,240 --> 00:50:40,520
Mildew! It's all ruined!
493
00:50:42,400 --> 00:50:44,080
Ruined!
494
00:52:06,480 --> 00:52:08,280
DOG BARKS
495
00:52:41,440 --> 00:52:43,520
SHE MOANS
496
00:53:24,240 --> 00:53:26,400
Right, lads. Right, mate.
497
00:53:29,920 --> 00:53:31,800
Good luck, our George!
498
00:53:31,800 --> 00:53:33,880
APPLAUSE AND CHEERING
499
00:53:39,080 --> 00:53:41,440
TUBA PLAYS
500
00:53:48,840 --> 00:53:50,760
Come with me.
501
00:54:02,880 --> 00:54:05,400
BAND PLAYS LAND OF HOPE AND GLORY
502
00:54:51,200 --> 00:54:53,400
Will you marry me?
503
00:54:53,400 --> 00:54:54,760
Yes.
504
00:54:54,760 --> 00:54:56,480
CROWD CHEER
505
00:55:09,840 --> 00:55:11,120
HE TUTS
506
00:55:12,120 --> 00:55:16,120
You proved you can write,
when you want to.
507
00:55:43,120 --> 00:55:45,240
Hit me instead, please, sir.
508
00:55:53,320 --> 00:55:54,880
Sir? Please?
509
00:55:54,880 --> 00:55:56,240
Shhh.
510
00:57:05,760 --> 00:57:07,440
HE SWALLOWS
511
00:57:13,800 --> 00:57:16,120
CHEERING, HORNS BEEPING
512
00:57:21,080 --> 00:57:23,080
Middleton!
513
00:57:25,240 --> 00:57:27,160
Joe!
514
00:57:29,800 --> 00:57:32,440
Look, it's a German dog. Get it.
515
00:57:32,440 --> 00:57:35,600
Get it. It's a German dog. Get it.
516
00:57:38,120 --> 00:57:40,920
Stop! Joe! Stop!
517
00:57:40,920 --> 00:57:41,960
HORN HOOTS
518
00:57:41,960 --> 00:57:43,200
DOG WHINES
519
00:57:43,200 --> 00:57:44,680
Stop!
520
00:57:44,680 --> 00:57:46,120
Get it!
521
00:57:46,120 --> 00:57:49,280
Stop! Stop!
522
00:58:06,640 --> 00:58:08,720
There he is.
523
00:58:11,560 --> 00:58:13,840
It's as if you were there.
524
00:58:18,440 --> 00:58:21,680
There he is. That's how he looked.
525
00:58:23,320 --> 00:58:25,400
It's as if you were there.
526
00:58:42,560 --> 00:58:45,600
Subtitles by Red Bee Media Ltd
36040
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof