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1
00:00:02,050 --> 00:00:03,717
ARE YOU SURE
YOU HAVE TO GO?
2
00:00:03,717 --> 00:00:05,425
YEAH.
I'LL CALL YOU LATER.
3
00:00:05,425 --> 00:00:07,050
OKAY.
4
00:00:08,675 --> 00:00:10,592
HO, HO, HO, HO.
5
00:00:10,592 --> 00:00:12,758
WHAT'S WRONG, KERRY?
WHAT, ARE YOU BLIND?
6
00:00:12,758 --> 00:00:15,175
HER BOYFRIEND DIDN'T EVEN
KISS HER GOODBYE.
7
00:00:15,175 --> 00:00:16,758
STIFFED AT THE DOOR.
8
00:00:16,758 --> 00:00:19,383
REJECTED, SHOT DOWN,
THE HEISMAN.
9
00:00:20,758 --> 00:00:21,967
NICE.
10
00:00:23,175 --> 00:00:25,592
GUYS, KNOCK IT OFF.
YOU'RE SO INSENSITIVE.
11
00:00:25,592 --> 00:00:27,425
THESE THINGS HAPPEN
TO EVERYONE.
12
00:00:27,425 --> 00:00:28,800
IT'S HAPPENED TO YOU?
13
00:00:28,800 --> 00:00:30,800
THE HEISMAN?
OH, YEAH, RIGHT.
14
00:00:32,383 --> 00:00:33,967
OH, DAD...
15
00:00:33,967 --> 00:00:36,383
LOOK WHO GOT
A LETTER FROM MOM.
16
00:00:36,383 --> 00:00:38,592
OOOH!
OOOH!
17
00:00:38,592 --> 00:00:40,967
THE NICE STATIONERY,
THE PERFUME --
18
00:00:40,967 --> 00:00:42,633
I WONDER WHAT IT IS.
19
00:00:42,633 --> 00:00:44,425
I WONDER WHAT A LONELY WOMAN
20
00:00:44,425 --> 00:00:47,133
WHO CAST OUT THE BEST THING
THAT EVER HAPPENED TO HER
21
00:00:47,133 --> 00:00:48,717
COULD POSSIBLY WANT.
22
00:00:48,717 --> 00:00:50,717
CATE, WOULD YOU DO
THE HONORS?
23
00:00:50,717 --> 00:00:52,508
DAD, IT'S YOUR LETTER.
24
00:00:52,508 --> 00:00:55,425
NO, NO, NO. BEGGING ALWAYS
SOUNDS BETTER OUT LOUD.
25
00:00:55,425 --> 00:00:57,008
ALL RIGHT.
26
00:00:57,008 --> 00:00:58,633
OKAY.
27
00:01:00,592 --> 00:01:04,342
"DEAR JIM, I LOVE YOU."
28
00:01:04,342 --> 00:01:06,633
All: OOOH!
29
00:01:06,633 --> 00:01:08,675
"I'LL ALWAYS LOVE YOU."
30
00:01:08,675 --> 00:01:10,467
All: OOOH!
31
00:01:10,467 --> 00:01:13,092
"BUT I'M SEEING SOMEONE ELSE."
32
00:01:13,092 --> 00:01:16,092
OOOH!
33
00:01:17,342 --> 00:01:19,633
OH, SHE'S SEEING
SOMEONE ELSE.
34
00:01:19,633 --> 00:01:21,217
SORRY, DUDE.
35
00:01:24,883 --> 00:01:26,467
IN A LETTER, MOM?
36
00:01:26,467 --> 00:01:28,675
48 YEARS TOGETHER,
AND YOU TELL DAD
37
00:01:28,675 --> 00:01:31,133
YOU'RE SEEING SOMEONE ELSE
IN A LETTER?
38
00:01:31,133 --> 00:01:32,717
UH-HUH.
39
00:01:32,717 --> 00:01:34,508
MORE HUMANE?
40
00:01:34,508 --> 00:01:36,550
RIGHT.
41
00:01:36,550 --> 00:01:38,633
WELL, IS THAT WHY
YOU SENT THE PICTURE
42
00:01:38,633 --> 00:01:40,425
OF THE TWO OF YOU IN A HAMMOCK?
43
00:01:40,425 --> 00:01:43,633
LOOK, I REALLY DON'T THINK
IT MATTERS
44
00:01:43,633 --> 00:01:45,425
ONE WAY OR THE OTHER
45
00:01:45,425 --> 00:01:47,217
IF I THINK HE'S CUTE.
46
00:01:47,217 --> 00:01:48,800
WE'RE NOT 16.
47
00:01:48,800 --> 00:01:50,633
WELL, I DON'T KNOW.
48
00:01:50,633 --> 00:01:52,842
A FOUR.
49
00:01:52,842 --> 00:01:56,592
LOOK, MOM, HE'S NOT
HALF AS ATTRACTIVE AS DAD.
50
00:01:58,592 --> 00:02:01,092
WHAT THE HELL IS THAT?
51
00:02:03,592 --> 00:02:06,217
LOOK, MOM, I'M GONNA
CALL YOU BACK LATER.
52
00:02:06,217 --> 00:02:07,967
YEAH, OKAY. BYE.
53
00:02:11,633 --> 00:02:14,425
HEY, DAD.
HOW YOU DOING?
54
00:02:14,425 --> 00:02:15,633
FINE.
55
00:02:15,633 --> 00:02:17,050
ARE YOU SURE?
56
00:02:17,050 --> 00:02:18,925
I MEAN, YOU'VE BEEN
AWFULLY QUIET
57
00:02:18,925 --> 00:02:20,925
EVER SINCE YOU GOT
THAT LETTER FROM MOM.
58
00:02:20,925 --> 00:02:22,550
COME ON.
59
00:02:22,550 --> 00:02:24,550
YOUR MOM CAN DO
AS SHE CHOOSES.
60
00:02:24,550 --> 00:02:26,342
SHE'S A BIG GIRL.
61
00:02:26,342 --> 00:02:29,550
GRANTED, SHE WASN'T QUITE AS BIG
WHEN I MARRIED HER.
62
00:02:29,550 --> 00:02:31,175
YOU SEE? I KNEW IT.
63
00:02:31,175 --> 00:02:32,800
YOU'RE ANGRY.
64
00:02:32,800 --> 00:02:34,800
NO, NO, I THINK
YOU'RE THE ANGRY ONE.
65
00:02:34,800 --> 00:02:37,008
YOU KNOW, SPLIT-UPS
ARE TOUGHEST ON THE KIDS.
66
00:02:39,175 --> 00:02:41,175
HEY, HONEY.
67
00:02:41,175 --> 00:02:42,800
WHAT'S ALL THIS?
68
00:02:42,800 --> 00:02:45,425
I'M HIGHLIGHTING KERRY'S HAIR
SO KYLE WILL NOTICE HER.
69
00:02:45,425 --> 00:02:48,133
WHY IS SHE DOING THAT?
HER HAIR IS BEAUTIFUL.
70
00:02:48,133 --> 00:02:50,550
MOM, IT'S OKAY.
SHE CAN'T HEAR US.
71
00:02:50,550 --> 00:02:51,967
IT IS.
72
00:02:51,967 --> 00:02:53,592
I KNOW.
73
00:02:53,592 --> 00:02:55,508
IT'S OKAY.
I KEPT THE MUSIC ON.
74
00:02:55,508 --> 00:02:57,175
SHE CAN'T HEAR US.
75
00:02:57,175 --> 00:02:59,675
HEY, BRIDG,
GO TALK TO YOUR GRANDPA.
76
00:03:05,717 --> 00:03:07,342
WHAT?
77
00:03:07,342 --> 00:03:09,133
I JUST WANT YOU TO KNOW
78
00:03:09,133 --> 00:03:11,342
I KNOW WHAT
YOU'RE GOING THROUGH.
79
00:03:11,342 --> 00:03:13,342
IF YOU'RE GONNA
TALK ABOUT THIS,
80
00:03:13,342 --> 00:03:15,342
I'M GONNA GET UP
AND GO TO MY ROOM.
81
00:03:15,342 --> 00:03:17,133
MM-HMM.
82
00:03:19,133 --> 00:03:21,842
HOW'D YOU KNOW
I WAS BLUFFING?
83
00:03:21,842 --> 00:03:24,883
MMM. THE PART
ABOUT GETTING UP.
84
00:03:24,883 --> 00:03:26,467
SO, TALK TO ME.
85
00:03:26,467 --> 00:03:28,133
Kerry: BRIDGET!
86
00:03:28,133 --> 00:03:30,717
I THINK YOUR SISTER
WANTS YOU, DARLING.
87
00:03:30,717 --> 00:03:35,467
I AM GOING TO KILL YOU!
88
00:03:35,467 --> 00:03:36,717
LOOK AT ME!
89
00:03:36,717 --> 00:03:38,883
YOU SAID YOU WERE GONNA
HIGHLIGHT MY HAIR!
90
00:03:38,883 --> 00:03:40,717
I LOOK LIKE DOLLY PARTON!
91
00:03:40,717 --> 00:03:42,508
I'M SORRY, I'M SORRY!
92
00:03:42,508 --> 00:03:44,508
NOW, LOOK, KERRY,
JUST CALM DOWN.
93
00:03:44,508 --> 00:03:46,842
IT REALLY
DOESN'T LOOK THAT BA--
94
00:03:46,842 --> 00:03:48,883
OH, I'M SORRY, HONEY.
JUST SIT DOWN. SIT DOWN.
95
00:03:48,883 --> 00:03:50,300
OH, MY.
96
00:03:50,300 --> 00:03:52,717
OH, MY. YOU REALLY DO
LOOK LIKE DOLLY PARTON.
97
00:03:52,717 --> 00:03:53,883
MOM!
98
00:03:53,883 --> 00:03:56,800
HONEY, COME ON.
SHE'S THE QUEEN OF COUNTRY.
99
00:03:58,175 --> 00:04:00,800
WHOA, PAPA BEAR,
100
00:04:00,800 --> 00:04:03,883
SOMEBODY'S BEEN SITTING
IN MY CHAIR,
101
00:04:03,883 --> 00:04:05,800
AND SHE'S STILL THERE.
102
00:04:07,175 --> 00:04:07,800
NICE.
NICE.
103
00:04:07,800 --> 00:04:09,175
NOW, LOOK, KERRY,
104
00:04:09,175 --> 00:04:11,217
I WILL CALL SYLVIA
AT THE SALON IMMEDIATELY.
105
00:04:11,217 --> 00:04:13,008
SHE IS GREAT
WITH DISASTERS.
106
00:04:13,008 --> 00:04:14,633
IT LOOKS FINE.
107
00:04:14,633 --> 00:04:16,925
OH, MY GOD.
THAT'S KYLE.
108
00:04:16,925 --> 00:04:19,883
HE CAN'T SEE ME
LIKE THIS.
RELAX. I'LL TAKE CARE OF IT.
109
00:04:19,883 --> 00:04:22,675
OKAY. TELL HIM I'M SICK
AND I'LL CALL HIM LATER.
110
00:04:22,675 --> 00:04:24,925
I SAID I'LL TAKE CARE OF IT.
111
00:04:24,925 --> 00:04:26,633
LOOK!
112
00:04:26,633 --> 00:04:27,800
RORY!
113
00:04:30,758 --> 00:04:34,883
RORY, IS THERE ANYTHING YOU WISH
YOU COULD SAY TO YOUR FATHER?
114
00:04:34,883 --> 00:04:36,633
I MISS HIM.
115
00:04:36,633 --> 00:04:39,008
AND WHAT DO YOU THINK
YOUR FATHER WOULD SAY TO YOU?
116
00:04:41,508 --> 00:04:44,633
HE'D SAY, "RORY...
117
00:04:44,633 --> 00:04:45,967
"I THINK YOU SHOULD HAVE
118
00:04:45,967 --> 00:04:47,967
"THAT DICK DALE
CLASSIC STRATOCASTER
119
00:04:47,967 --> 00:04:49,883
"WITH THE CUSTOM-FITTED
WHAMMY BARS
120
00:04:49,883 --> 00:04:52,342
FEATURED IN QUENTIN TARANTINO'S
'PULP FICTION.'"
121
00:04:52,342 --> 00:04:54,967
NICE TRY.
122
00:04:54,967 --> 00:04:56,425
VERY NICE TRY.
123
00:04:56,425 --> 00:04:58,550
BRIDGET,
YOU'VE BEEN AWFULLY SILENT.
124
00:04:58,550 --> 00:05:00,342
I'M KERRY.
125
00:05:00,342 --> 00:05:02,925
OH. SORRY. THE HAIR.
126
00:05:02,925 --> 00:05:04,967
IT WAS AN ACCIDENT.
127
00:05:04,967 --> 00:05:07,133
THERE ARE NO ACCIDENTS, KERRY.
128
00:05:07,133 --> 00:05:09,550
I CAN'T BELIEVE
YOU JUST CALLED ME "BRIDGET."
129
00:05:09,550 --> 00:05:11,550
DON'T JUST SIT THERE, KERRY.
THANK HIM.
130
00:05:12,550 --> 00:05:13,800
GIRLS.
131
00:05:13,800 --> 00:05:15,842
YOU KNOW, I HATE THIS.
132
00:05:15,842 --> 00:05:17,842
TODAY I WAS READING
AN ARTICLE,
133
00:05:17,842 --> 00:05:19,842
AND I COULDN'T
UNDERSTAND IT.
134
00:05:19,842 --> 00:05:22,425
IT'S LIKE BEING BLOND
HAS MADE ME STUPIDER.
135
00:05:22,425 --> 00:05:24,550
MORE STUPID.
136
00:05:24,550 --> 00:05:25,550
AHH!
137
00:05:25,550 --> 00:05:27,008
GIRLS.
138
00:05:27,008 --> 00:05:31,008
ALL RIGHT, SO,
ARE WE NORMAL YET?
139
00:05:31,008 --> 00:05:33,425
WHO'S TO SAY WHAT'S NORMAL?
140
00:05:33,425 --> 00:05:36,925
YOU, AT THESE PRICES.
141
00:05:36,925 --> 00:05:39,467
YOU DIDN'T HAVE MUCH TO SAY
TODAY EITHER, CATE.
142
00:05:39,467 --> 00:05:41,050
HOW ARE YOU DOING?
143
00:05:41,050 --> 00:05:43,842
I KEEP BUSY.
144
00:05:43,842 --> 00:05:46,258
NO, DOCTOR,
SHE BURNS HERSELF OUT
145
00:05:46,258 --> 00:05:49,175
DOING EVERYTHING
FOR US AND GRANDPA AND C.J.
146
00:05:49,175 --> 00:05:52,008
CATE, IT'S TIME
TO TAKE CARE OF YOURSELF.
147
00:05:52,008 --> 00:05:53,508
HOW DO I DO THAT?
148
00:05:53,508 --> 00:05:55,175
TREAT YOURSELF.
149
00:05:55,175 --> 00:05:58,258
DO SOMETHING YOU'VE NEVER DONE
BEFORE -- SOMETHING IMPULSIVE.
150
00:06:01,008 --> 00:06:04,383
WELL, YOU KNOW, PAUL ALWAYS
WANTED TO GO SKYDIVING
151
00:06:04,383 --> 00:06:07,092
FOR OUR
25th WEDDING ANNIVERSARY.
152
00:06:07,092 --> 00:06:10,342
BUT I'M NOT GONNA GO JUMPING OUT
OF SOME DAMN AIRPLANE.
153
00:06:10,342 --> 00:06:12,300
WELL, WHAT'S
YOUR SKYDIVING?
154
00:06:12,300 --> 00:06:14,717
I DON'T KNOW.
155
00:06:16,717 --> 00:06:19,467
SINGING, I GUESS.
SINGING?
156
00:06:19,467 --> 00:06:21,508
SHE'S A GREAT SINGER.
KISS-ASS.
157
00:06:21,508 --> 00:06:22,758
BRIDGET.
158
00:06:26,008 --> 00:06:28,008
I MEAN, I DO.
I SING IN THE CHURCH CHOIR.
159
00:06:28,008 --> 00:06:29,800
BUT EVER SINCE
I WAS A LITTLE GIRL,
160
00:06:29,800 --> 00:06:31,800
I ALWAYS HAD THIS FANTASY
ABOUT SINGING --
161
00:06:31,800 --> 00:06:33,300
LIKE A REAL SINGER.
162
00:06:33,300 --> 00:06:35,717
TELL ME ABOUT
THAT LITTLE GIRL'S FANTASY.
163
00:06:35,717 --> 00:06:38,883
WELL, IT'S THE SAME
AS ANY LITTLE GIRL'S FANTASY --
164
00:06:38,883 --> 00:06:44,092
YOU KNOW, A SMOKY BAR,
A SEQUINED COCKTAIL DRESS,
165
00:06:44,092 --> 00:06:49,008
A BRANDY SNIFTER FILLED
WITH SINGLES ON THE PIANO.
166
00:06:49,008 --> 00:06:50,967
ACTUALLY, THAT'S MY FANTASY.
167
00:06:52,592 --> 00:06:54,633
SHRINK HUMOR.
168
00:06:55,967 --> 00:06:57,508
SO, HOW COME
YOU NEVER PURSUED IT?
169
00:06:57,508 --> 00:07:01,008
WELL, MY DAD
IS A VERY PRACTICAL MAN,
170
00:07:01,008 --> 00:07:03,842
AND HE JUST THOUGHT THAT
KIND OF STUFF WAS FRIVOLOUS.
171
00:07:03,842 --> 00:07:05,508
GRANDPA STOPPED YOU?
172
00:07:05,508 --> 00:07:08,092
MOM, YOU ALWAYS TELL US
WE CAN DO ANYTHING.
173
00:07:08,092 --> 00:07:10,092
OH, HONEY,
I HAVE TO SAY THAT.
174
00:07:10,092 --> 00:07:12,217
WELL, THAT'S
10 MORE SESSIONS.
175
00:07:12,217 --> 00:07:13,842
NOW, COME ON.
176
00:07:13,842 --> 00:07:15,842
IT'S JUST REALLY
A VERY SILLY FANTASY.
177
00:07:15,842 --> 00:07:18,425
IT'S NOT LIKE SOMETHING
THAT I WOULD EVER ACTUALLY --
178
00:07:18,425 --> 00:07:20,508
CATE...
179
00:07:20,508 --> 00:07:21,800
GO SKYDIVING.
180
00:07:32,050 --> 00:07:33,508
CATE...
181
00:07:33,508 --> 00:07:35,092
YEAH, DAD?
182
00:07:38,300 --> 00:07:40,300
DAD, I LIKE TO SING.
183
00:07:40,300 --> 00:07:43,008
DON'T YOU THINK
I HAVE A NICE VOICE?
184
00:07:43,008 --> 00:07:45,050
WELL, SURE,
HONEY, BUT, UH...
185
00:07:47,300 --> 00:07:49,508
GRANDMA, YOU LIKE HIM.
YOU KNOW YOU DO.
186
00:07:49,508 --> 00:07:51,800
YOU SO-O-O-O
ARE GONNA MARRY HIM.
187
00:07:51,800 --> 00:07:53,592
YOU WILL MARRY HIM.
I BET YOU DO.
188
00:07:53,592 --> 00:07:54,842
C.J.
189
00:07:54,842 --> 00:07:56,508
IS PACO THERE RIGHT NOW?
190
00:07:56,508 --> 00:07:58,717
OH, HE ISN'T?
WHY ARE YOU GIGGLING?
191
00:07:58,717 --> 00:08:00,717
YOU'RE A NAUGHTY GRAMMY.
192
00:08:00,717 --> 00:08:02,508
I DIDN'T KNOW THAT.
193
00:08:02,508 --> 00:08:04,508
NOT NOW, MOM.
194
00:08:04,508 --> 00:08:06,217
C.J.
195
00:08:06,217 --> 00:08:09,217
OH, UH, SORRY, GRANDPA.
196
00:08:09,217 --> 00:08:13,800
I FORGOT YOU AND GRANDMA
WERE KIND OF A THING.
197
00:08:13,800 --> 00:08:16,008
OH, YOU WERE
ON THE PHONE WITH LAURA?
198
00:08:16,008 --> 00:08:17,925
YOU SHOULD HAVE SAID HI FOR ME.
199
00:08:17,925 --> 00:08:19,717
COME HERE, C.J.
200
00:08:19,717 --> 00:08:21,800
I'M WORRIED ABOUT DAD.
201
00:08:21,800 --> 00:08:23,592
HE SEEMS HAPPY.
202
00:08:23,592 --> 00:08:25,217
I'LL TAKE CARE OF THAT.
203
00:08:25,217 --> 00:08:27,008
NO, NO, NO.
204
00:08:27,008 --> 00:08:28,633
THIS IS WHAT HE DOES.
205
00:08:28,633 --> 00:08:30,425
HE'S BURYING HIS FEELINGS.
206
00:08:30,425 --> 00:08:32,425
HE'S ONLY HAPPY
ON THE OUTSIDE.
207
00:08:32,425 --> 00:08:34,967
HE WON'T TALK TO ME
OR THE KIDS.
208
00:08:34,967 --> 00:08:38,133
HE JUST WON'T OPEN UP.
HE NEEDS A MAN TO TALK TO.
209
00:08:38,133 --> 00:08:42,133
SO, C.J.,
CAN YOU MAKE SOME CALLS?
210
00:08:42,133 --> 00:08:44,258
HEY, I'M A MAN.
211
00:08:44,258 --> 00:08:47,675
I HAVE MANLIKE QUALITIES.
212
00:08:47,675 --> 00:08:50,092
UH, I DON'T KNOW
IF YOU'VE NOTICED,
213
00:08:50,092 --> 00:08:52,258
BUT HE KIND OF
HATES MY GUTS.
214
00:08:52,258 --> 00:08:55,133
OH, C.J., YOU LOVE HIM,
DON'T YOU?
215
00:08:55,133 --> 00:08:57,925
GO TALK TO HIM.
TAKE HIM SOMEWHERE.
216
00:08:57,925 --> 00:08:59,717
SHOW HIM A GOOD TIME.
217
00:08:59,717 --> 00:09:03,133
IT'S TOO COLD
TO FEED THE PIGEONS.
218
00:09:03,133 --> 00:09:04,925
THEN TAKE HIM
TO A BALL GAME.
219
00:09:04,925 --> 00:09:06,508
I DON'T KNOW.
I'LL PAY YOU.
220
00:09:06,508 --> 00:09:08,217
I CAN MAKE IT WORK.
221
00:09:11,258 --> 00:09:13,258
AY, AY, AY.
222
00:09:13,258 --> 00:09:16,342
GRANDPA,
HOT BABE AT 9:00.
223
00:09:16,342 --> 00:09:19,092
THAT'S NOT 9:00.
224
00:09:19,092 --> 00:09:21,967
MORE LIKE 8:15, YOU IDIOT.
225
00:09:21,967 --> 00:09:25,133
OH, HERE COMES
THE DREADED FRIEND.
226
00:09:25,133 --> 00:09:27,258
LISTEN, YOU WERE
IN KOREA, RIGHT?
227
00:09:27,258 --> 00:09:29,425
I NEED YOU TO DIVE
ON A GRENADE FOR ME.
228
00:09:29,425 --> 00:09:30,633
WHAT?
229
00:09:30,633 --> 00:09:32,633
I NEED YOU
TO BE MY WINGMAN.
230
00:09:32,633 --> 00:09:35,050
OH, THEY GOT WINGS HERE?
I LOVE WINGS.
231
00:09:35,050 --> 00:09:37,217
NOT WINGS.
WINGMAN, ALL RIGHT?
232
00:09:37,217 --> 00:09:40,050
I NEED YOU TO TALK TO THE BUDDY
WHILE I MAKE ME MOVE.
233
00:09:40,050 --> 00:09:43,175
MAYBE THROW IN
THAT I'M AN ASTRONAUT.
234
00:09:43,175 --> 00:09:44,758
GOTCHA.
235
00:09:44,758 --> 00:09:46,133
HEY, GIRLS.
236
00:09:46,133 --> 00:09:48,758
HEY, LADIES...
HE'S 32, BROKE, UNEMPLOYED.
237
00:09:48,758 --> 00:09:51,092
YOU BETTER GET HIM
BEFORE HE GETS AWAY.
238
00:09:53,633 --> 00:09:55,800
HE'S
239
00:09:58,258 --> 00:09:59,925
WHAT'S WRONG WITH YOU?
240
00:09:59,925 --> 00:10:01,592
I DON'T WANT TO BE HERE.
241
00:10:01,592 --> 00:10:03,467
I'M ONLY HERE
'CAUSE CATE MADE ME.
242
00:10:03,467 --> 00:10:05,258
WELL, SHE PAID ME.
243
00:10:05,258 --> 00:10:07,300
YEAH, WELL,
THEN, YOU'RE BUYING.
244
00:10:07,300 --> 00:10:09,008
CAN I SEE YOUR I.D.?
245
00:10:09,008 --> 00:10:12,800
HAVE YOU GOT ANY SCOTCH
OLDER THAN THAT LINE?
246
00:10:12,800 --> 00:10:15,008
THIS IS HAPPY HOUR.
247
00:10:15,008 --> 00:10:17,800
WE DON'T SERVE
GRUMPY PEOPLE.
248
00:10:17,800 --> 00:10:20,217
WELL, WHO DIED
AND MADE YOU OWNER?
249
00:10:20,217 --> 00:10:21,800
MY HUSBAND.
250
00:10:21,800 --> 00:10:24,258
SORRY.
251
00:10:24,258 --> 00:10:26,842
I'LL HAVE A BEER...TODAY.
252
00:10:26,842 --> 00:10:30,217
WOW, GRAMPS,
IT'S LIKE SAM-AND-DIANE-OSAUR.
253
00:10:31,842 --> 00:10:33,883
ONE BEER FOR THE SKIPPER.
254
00:10:33,883 --> 00:10:36,133
WHAT'S GILLIGAN GONNA HAVE?
255
00:10:36,133 --> 00:10:38,508
UH, I'LL HAVE
A LIGHT BEER, MRS. HOWELL.
256
00:10:40,342 --> 00:10:42,217
ONE DRAFT, ONE LIGHT.
257
00:10:42,217 --> 00:10:43,842
OH, BOY.
258
00:10:45,425 --> 00:10:46,842
WHAT?
259
00:10:46,842 --> 00:10:49,592
LIGHT BEER.
ONLY SISSIES DRINK LIGHT BEER.
260
00:10:49,592 --> 00:10:52,675
LIGHT BEER IS WHAT'S WRONG
WITH THIS COUNTRY.
261
00:10:52,675 --> 00:10:55,883
YOU KNOW, WHEN THE "ANGRY
OLD MAN" PRIMARIES COME UP,
262
00:10:55,883 --> 00:10:58,383
YOU SHOULD RUN
ON THAT PLATFORM.
263
00:10:58,383 --> 00:11:01,550
HEY, GO AHEAD, MAKE FUN,
BUT REAL MEN, REAL BEER.
264
00:11:01,550 --> 00:11:03,092
MM-HMM.
265
00:11:05,092 --> 00:11:06,300
AHH.
266
00:11:06,300 --> 00:11:07,758
AHH.
267
00:11:07,758 --> 00:11:09,550
I GOTTA GO TO THE BATHROOM.
268
00:11:16,342 --> 00:11:18,717
KERRY...
269
00:11:18,717 --> 00:11:23,675
I KNOW YOU'RE MAD
ABOUT YOUR HAIR,
270
00:11:23,675 --> 00:11:27,758
AND I KNOW I PROBABLY SHOULD
HAVE "READ THE DIRECTIONS"...
271
00:11:29,342 --> 00:11:32,300
BUT UNTIL SYLVIA
GETS BACK FROM VACATION,
272
00:11:32,300 --> 00:11:34,925
I HAVE A LITTLE SURPRISE
FOR YOU.
273
00:11:43,842 --> 00:11:47,425
OH, THIS IS
SO SWEET OF YOU, BRIDGET.
274
00:11:47,425 --> 00:11:49,550
YOU KNOW,
'CAUSE I'VE ALWAYS WANTED
275
00:11:49,550 --> 00:11:51,425
TO LOOK LIKE
AN IRISH SETTER!
276
00:11:52,925 --> 00:11:56,300
KERRY, NO, YOU DON'T.
YOU LOOK MORE LIKE HOWARD STERN.
277
00:11:56,300 --> 00:11:58,925
EW!
278
00:11:58,925 --> 00:12:01,883
GUYS, ARE GRANDPA
AND C.J. GONE YET?
279
00:12:01,883 --> 00:12:03,092
WHAT'S UP?
280
00:12:03,092 --> 00:12:04,217
WELL, I'M GOING OUT.
281
00:12:04,217 --> 00:12:05,675
DON'T STAY UP TOO LATE.
282
00:12:05,675 --> 00:12:08,300
MOM, WHAT'S GOING ON?
YEAH, YOU LOOK ALL NERVOUS.
283
00:12:08,300 --> 00:12:10,342
WELL, I AM KIND OF NERVOUS.
284
00:12:10,342 --> 00:12:12,633
YESTERDAY I TOOK THE PLUNGE.
285
00:12:12,633 --> 00:12:15,050
I SIGNED UP TO SING
AT AN OPEN-MIC NIGHT.
286
00:12:15,050 --> 00:12:16,675
TONIGHT'S THE NIGHT.
287
00:12:16,675 --> 00:12:18,467
THAT'S GREAT!
THAT'S AWESOME!
THAT'S SO COOL!
288
00:12:18,467 --> 00:12:20,967
I WASN'T GONNA SAY ANYTHING
'CAUSE IT'S,
289
00:12:20,967 --> 00:12:23,258
WELL, PERSONAL,
BUT I'M REALLY SCARED.
290
00:12:23,258 --> 00:12:25,758
DON'T BE SCARED.
YOU'RE GONNA BE AWESOME.
YOU'RE GONNA BE SO GREAT.
291
00:12:25,758 --> 00:12:27,758
YOU KNOW, WHY DON'T YOU GUYS
COME WITH ME?
292
00:12:27,758 --> 00:12:29,467
I'M BUSY.
I CAN'T.
I'M NOT GOING OUT.
293
00:12:33,550 --> 00:12:36,217
I'M SORRY.
LET ME REPHRASE THAT.
294
00:12:36,217 --> 00:12:37,550
GET YOUR COATS NOW.
295
00:12:37,550 --> 00:12:39,550
MOM, I CAN'T GO OUT
LOOKING LIKE THIS.
296
00:12:39,550 --> 00:12:42,258
OH, SWEETIE. NOW.
297
00:12:42,258 --> 00:12:44,758
OH, THANK YOU, KIDS.
298
00:12:44,758 --> 00:12:48,342
THANK YOU SO MUCH.
IT MEANS SO MUCH TO ME.
299
00:12:50,675 --> 00:12:53,342
WELL, PAUL...
300
00:12:53,342 --> 00:12:55,550
GUESS WHO'S GOING SKYDIVING?
301
00:12:57,550 --> 00:13:00,967
OKAY, SO, IN SUMMARY --
YOU GET LOW,
302
00:13:00,967 --> 00:13:04,800
YOU CRAM THE NOSE BONE
UP INTO THE BRAIN --
303
00:13:04,800 --> 00:13:06,633
KILLS HIM INSTANTLY.
304
00:13:06,633 --> 00:13:09,508
SO, ANYBODY
WANT TO BUY ME A DRINK?
305
00:13:09,508 --> 00:13:11,092
GET LOST.
306
00:13:11,092 --> 00:13:13,300
OKAY, I'LL COME BACK
AT LAST CALL
307
00:13:13,300 --> 00:13:15,300
WHEN YOU'RE A LITTLE BIT
MORE YOURSELF.
308
00:13:17,300 --> 00:13:19,133
AY, AY, AY.
309
00:13:19,133 --> 00:13:20,550
SMOOTH.
310
00:13:20,550 --> 00:13:23,258
YEAH, WELL, I THINK IF ANYONE
SHOULD SYMPATHIZE WITH ME,
311
00:13:23,258 --> 00:13:24,842
IT SHOULD BE YOU.
312
00:13:24,842 --> 00:13:27,258
YOU'RE COMPARING STRIKING OUT
WITH BAR CHICKS
313
00:13:27,258 --> 00:13:28,258
WITH MY LOSING MY WIFE?
314
00:13:28,258 --> 00:13:30,258
LOOK, I'M TRYING
TO DO A GOOD DEED HERE
315
00:13:30,258 --> 00:13:32,258
AND GET A SENIOR CITIZEN
HAMMERED, ALL RIGHT?
316
00:13:32,258 --> 00:13:34,425
IT'S NOT LIKE
I DON'T HAVE MY OWN STUFF.
317
00:13:34,425 --> 00:13:37,842
I'M 32 AND I GOT NOTHING,
ZIP, ZERO.
318
00:13:37,842 --> 00:13:39,633
32? 32?!
319
00:13:39,633 --> 00:13:40,342
HERE WE GO.
320
00:13:40,342 --> 00:13:42,550
YOU'VE GOT YOUR WHOLE LIFE
AHEAD OF YOU.
321
00:13:42,550 --> 00:13:45,383
OH, BOY,
COMPLAINING ABOUT 32
322
00:13:45,383 --> 00:13:47,758
IS LIKE COMPLAINING
ABOUT A MOVIE FIVE MINUTES IN.
323
00:13:47,758 --> 00:13:49,550
CALM DOWN, GRAMPS.
IT'S OKAY.
324
00:13:49,550 --> 00:13:51,842
HE'S A LITTLE DIZZY
FROM ALL THE URINATING.
325
00:13:51,842 --> 00:13:54,425
WHEN I WAS A YOUNG MAN,
I WAS DIGGING DITCHES.
326
00:13:54,425 --> 00:13:56,175
YOU WERE A DITCH DIGGER?
327
00:13:56,175 --> 00:13:58,342
YOU BET --
IN ALL KINDS OF WEATHER.
328
00:13:58,342 --> 00:14:01,592
MY HANDS WERE ALL CALLOUSED
AND CUT UP, AND I LOVED IT.
329
00:14:01,592 --> 00:14:05,258
OF COURSE YOU LOVED IT,
'CAUSE DIGGING DITCHES IS --
330
00:14:05,258 --> 00:14:06,842
I DON'T KNOW.
331
00:14:06,842 --> 00:14:09,425
THERE'S NOTHING POSITIVE
ABOUT DIGGING DITCHES. IT SUCKS.
332
00:14:09,425 --> 00:14:12,175
I LOVED IT BECAUSE
I WAS WORKING TOWARDS SOMETHING.
333
00:14:12,175 --> 00:14:15,008
I WAS BUILDING A LIFE,
A FAMILY TO COME HOME TO.
334
00:14:15,008 --> 00:14:20,383
NOW MARRIAGE -- GONE,
HOME -- GONE, WORK -- GONE.
335
00:14:20,383 --> 00:14:23,300
WHAT'S MY LEGACY
AFTER ALL THESE YEARS?
336
00:14:23,300 --> 00:14:26,800
A TWIN BED
IN MY DAUGHTER'S BASEMENT.
337
00:14:26,800 --> 00:14:29,592
I GUESS THAT TRUMPS
YOUR ZIP AND ZERO,
338
00:14:29,592 --> 00:14:32,425
AND SO EXCUSE ME
IF I DON'T GET ALL MISTY
339
00:14:32,425 --> 00:14:36,258
OVER THE PLIGHT
OF BEING 32.
340
00:14:36,258 --> 00:14:38,258
THERE GOES
HAPPY ON THE OUTSIDE.
341
00:14:49,758 --> 00:14:52,092
OH, WOW.
IT'S CROWDED.
342
00:14:52,092 --> 00:14:55,675
HOW COME GRANDPA
DIDN'T HAVE TO COME?
343
00:14:55,675 --> 00:14:57,675
I MEAN, GET TO.
344
00:14:57,675 --> 00:15:00,758
WELL, HONESTLY,
HE MAKES ME KIND OF NERVOUS.
345
00:15:00,758 --> 00:15:03,758
I USED TO SING AROUND THE HOUSE
WHEN I WAS A LITTLE GIRL,
346
00:15:03,758 --> 00:15:05,925
AND JUST ONCE
I WANTED A LITTLE APPROVAL.
347
00:15:05,925 --> 00:15:08,092
I JUST WANTED
TO HEAR MY DAD SAY --
348
00:15:08,092 --> 00:15:10,383
OH, HOT GUYS RIGHT THERE.
WE'RE GONNA GET A TABLE.
349
00:15:10,383 --> 00:15:12,758
COME ON.
350
00:15:12,758 --> 00:15:14,717
HI.
351
00:15:17,842 --> 00:15:19,883
GOD, HOW DO I LOOK?
352
00:15:19,883 --> 00:15:22,300
LIKE KENNY FROM "SOUTH PARK."
353
00:15:23,842 --> 00:15:25,883
YOU EVER HEAR THAT OLD SAYING,
354
00:15:25,883 --> 00:15:28,925
"YOU WANT TO MAKE GOD LAUGH,
JUST TELL HIM YOUR PLANS"?
355
00:15:28,925 --> 00:15:31,550
WELL, NOTHING WORKED OUT
THE WAY I PLANNED.
356
00:15:31,550 --> 00:15:32,967
LEGACY.
357
00:15:32,967 --> 00:15:35,758
I DON'T EVEN HAVE A SON
TO CARRY ON MY NAME.
358
00:15:35,758 --> 00:15:37,758
I LOVE MY GIRLS, OF COURSE,
359
00:15:37,758 --> 00:15:40,758
BUT IT WOULD HAVE BEEN NICE
TO HAVE A SON
360
00:15:40,758 --> 00:15:42,758
TO THROW THE BALL AROUND WITH.
361
00:15:42,758 --> 00:15:45,758
YOU KNOW,
YOU DO HAVE A GRANDSON.
362
00:15:45,758 --> 00:15:47,425
YEAH, THERE'S RORY.
363
00:15:49,425 --> 00:15:53,050
YOU KNOW, GRAMPS,
THOSE CRACKS HURT.
364
00:15:53,050 --> 00:15:55,592
DO YOU EVER THINK
THAT MAYBE, JUST MAYBE,
365
00:15:55,592 --> 00:15:57,842
I WOULD HAVE TURNED OUT
A LITTLE BETTER
366
00:15:57,842 --> 00:16:00,842
IF YOU'D PAID A LITTLE MORE
ATTENTION TO ME?
367
00:16:00,842 --> 00:16:02,883
IF MAYBE YOU'D ASK ME
TO THROW THE --
368
00:16:04,467 --> 00:16:07,467
I'M SORRY. I CAN'T EVEN KEEP
A STRAIGHT FACE.
369
00:16:07,467 --> 00:16:09,717
YOU CALL YOURSELF
A GRANDSON.
370
00:16:09,717 --> 00:16:11,717
YOU CALL YOURSELF
A GRANDFATHER?
371
00:16:11,717 --> 00:16:14,342
YOU'RE LIKE THE BAD TREES
IN "THE WIZARD OF OZ."
372
00:16:14,342 --> 00:16:16,925
"MY APPLES AREN'T ROTTEN!"
373
00:16:16,925 --> 00:16:18,925
HEY! STOP IT!
374
00:16:18,925 --> 00:16:20,508
YOU TWO BABIES.
375
00:16:20,508 --> 00:16:23,092
NO WONDER YOU FIGHT.
YOU'RE EXACTLY THE SAME.
376
00:16:23,092 --> 00:16:25,675
NOW, WHY DON'T YOU JUST SHAKE
HANDS, MAKE UP,
377
00:16:25,675 --> 00:16:28,258
AND STOP SCARING
MY LADY CUSTOMERS.
378
00:16:28,258 --> 00:16:30,467
HERE -- PUT SOMETHING
IN YOUR MOUTH.
379
00:16:32,467 --> 00:16:35,883
YOU KNOW, I HATE TO SAY IT,
BUT MISS KITTY MAY BE RIGHT.
380
00:16:35,883 --> 00:16:38,883
WELL, YOU'RE THE ONE
SCARING THE LADIES AWAY.
381
00:16:38,883 --> 00:16:41,175
NO, ABOUT MAKING UP.
382
00:16:41,175 --> 00:16:43,050
SHOULD WE SHAKE?
383
00:16:43,050 --> 00:16:43,633
OH, SURE.
384
00:16:43,633 --> 00:16:47,258
THEN WE PUT ON DRESSES
AND KISS EACH OTHER.
385
00:16:47,258 --> 00:16:49,842
YOU'RE NOT THE FIRST GUY
TO HAVE HIS WIFE LEAVE HIM.
386
00:16:49,842 --> 00:16:52,592
YOU MIGHT BE
THE OLDEST, BUT --
ARE YOU DONE?
387
00:16:52,592 --> 00:16:55,800
I GOT TO GO
TO THE MEN'S ROOM.
388
00:16:55,800 --> 00:16:58,425
THERE THE OLD GUY GOES AGAIN.
WHO HAD 9:15 IN THE POOL?
389
00:17:01,842 --> 00:17:03,842
YOU KNOW, THAT OLD GUY
HAPPENS TO BE
390
00:17:03,842 --> 00:17:05,633
THE TOUGHEST GUY
I'VE EVER MET.
391
00:17:05,633 --> 00:17:07,425
HE DUG DITCHES, ALL RIGHT?
392
00:17:07,425 --> 00:17:09,800
WHY? I HAVE NO IDEA.
393
00:17:09,800 --> 00:17:12,050
BUT YOU'RE LUCKY HE'S LETTING ME
TELL YOU TO SHUT UP,
394
00:17:12,050 --> 00:17:13,842
OR WE'D BE
TAKING THIS OUTSIDE.
395
00:17:13,842 --> 00:17:15,842
YOU WANT TO MIX IT UP
WITH ME?
396
00:17:15,842 --> 00:17:17,467
OKAY, LET'S GO.
397
00:17:17,467 --> 00:17:20,592
HEY! YOU LEAVE
MY GRANDSON ALONE.
398
00:17:20,592 --> 00:17:22,217
YEAH.
399
00:17:22,217 --> 00:17:25,633
I THINK THAT SOUNDED A LOT
MORE THREATENING IN YOUR HEAD.
400
00:17:25,633 --> 00:17:28,258
MY WIFE LEFT ME
AND I'M LIVING IN A BASEMENT,
401
00:17:28,258 --> 00:17:30,300
SO YOU WANT
TO DEAL WITH THAT?
402
00:17:30,300 --> 00:17:32,675
OKAY, OKAY, LIGHTEN UP.
403
00:17:32,675 --> 00:17:33,925
JEEZ.
404
00:17:33,925 --> 00:17:37,508
THAT WAS COOL, GRANDPA.
405
00:17:37,508 --> 00:17:40,508
YEAH, WELL, I ALWAYS WANTED
TO STAND SHOULDER TO SHOULDER
406
00:17:40,508 --> 00:17:43,300
WITH MY SON
IN A BARROOM FIGHT.
407
00:17:43,300 --> 00:17:45,092
AW, GEE.
408
00:17:45,092 --> 00:17:47,508
I DIDN'T KNOW
HE WAS IN A WHEELCHAIR.
409
00:17:47,508 --> 00:17:49,383
YOU DIDN'T? I DID.
410
00:17:49,383 --> 00:17:51,592
LET'S GET THE HELL
OUT OF HERE.
411
00:17:53,967 --> 00:17:56,300
YEAH, GO, MOM!
ALL RIGHT!
412
00:18:09,050 --> 00:18:11,508
CATE?
413
00:18:11,508 --> 00:18:13,508
I KIND OF BROUGHT YOU HERE
FOR ANOTHER REASON.
414
00:18:13,508 --> 00:18:14,842
I THOUGHT YOU MIGHT
WANT TO SEE THIS.
415
00:18:14,842 --> 00:18:18,508
YOU KNOW WHAT THAT IS UP THERE?
THAT'S YOUR LEGACY.
416
00:18:18,508 --> 00:18:21,092
SHE'S AMAZING.
YOU KNOW, LIFE SOMETIMES --
417
00:18:21,092 --> 00:18:24,467
SHH, SHH, SHH.
MY BABY GIRL'S SINGING.
418
00:19:16,883 --> 00:19:18,717
THAT'S MY DAUGHTER.
419
00:19:18,717 --> 00:19:21,258
OH? SHE'S LOVELY.
420
00:19:21,258 --> 00:19:23,842
YOU DO GOOD WORK.
421
00:19:23,842 --> 00:19:27,842
SPEAKING OF WORK,
WE CLOSE AT 1:00.
422
00:19:31,883 --> 00:19:33,800
HEY, I SAW HER FIRST.
423
00:19:33,800 --> 00:19:36,383
HEY.
424
00:19:59,717 --> 00:20:01,217
THAT'S MY GIRL!
425
00:20:01,217 --> 00:20:03,508
GO, MOM!
WHOO, MOM!
ALL RIGHT!
426
00:20:03,508 --> 00:20:05,925
THAT'S MY GIRL!
ALL RIGHT!
427
00:20:07,508 --> 00:20:09,883
THANK YOU, RORY.
THANK YOU, BRIDGET.
428
00:20:09,883 --> 00:20:12,383
KERRY, WE ARE DYING THAT HAIR
BACK TOMORROW.
429
00:20:12,383 --> 00:20:14,842
OH, CAN WE WAIT,
LIKE, A WEEK OR TWO?
430
00:20:14,842 --> 00:20:16,925
NO.
431
00:20:16,925 --> 00:20:18,842
OH, DAD,
WHAT ARE YOU DOING HERE?
432
00:20:18,842 --> 00:20:20,967
MY GRANDSON BROUGHT ME.
433
00:20:20,967 --> 00:20:23,133
YOU SING LIKE AN ANGEL.
434
00:20:23,133 --> 00:20:26,925
OH. OH, DAD, THAT'S --
THAT'S JUST GREAT TO HEAR.
435
00:20:26,925 --> 00:20:28,092
THANK YOU.
436
00:20:28,092 --> 00:20:30,425
NO, NO. THANK YOU.
437
00:20:30,425 --> 00:20:32,217
FOR WHAT?
438
00:20:32,217 --> 00:20:35,050
I WOULDN'T KNOW
WHERE TO BEGIN.
439
00:20:35,050 --> 00:20:37,342
OH, DAD...
30250
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