All language subtitles for 8.Simple.Rules.for.Dating.My.Teenage.Daughter.S02E15.Opposites.Attract.Part.3.of.3.Night.of.the.Locust.1080p.DSNP.WEB-DL.DD+5.1.H.264-playWEB_track3_[eng]
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1
00:00:01,583 --> 00:00:02,875
AND FINALLY,
2
00:00:02,875 --> 00:00:05,708
THE TOP LIBERTY MIDDLE SCHOOL
SCANDAL OF THE WEEK.
3
00:00:05,708 --> 00:00:07,917
THE HONOR SOCIETY CLAIMED
THAT THEIR CAR WASH
4
00:00:07,917 --> 00:00:09,917
WAS A HUGE SUCCESS.
5
00:00:09,917 --> 00:00:12,708
HA HA HA.
IT WASN'T.
6
00:00:12,708 --> 00:00:16,333
Man: OH, YEAH!
7
00:00:16,333 --> 00:00:20,792
THIS IS WEBMASTER "X"
SIGNING OFF.
8
00:00:23,167 --> 00:00:25,250
RORY...
9
00:00:25,250 --> 00:00:27,625
YOU DO DRUGS?
10
00:00:27,625 --> 00:00:29,875
NO.
11
00:00:29,875 --> 00:00:32,292
FOR A SECOND THERE,
THIS ALL MADE SENSE.
12
00:00:32,292 --> 00:00:34,667
I WAS SHOOTING A SEGMENT
FOR MY WEBCAST.
13
00:00:34,667 --> 00:00:37,375
WEBMASTER "X."
THAT'S ME.
14
00:00:37,375 --> 00:00:38,958
YEAH. YOU KNOW, I WAS
GONNA CALL YOU LOSER,
15
00:00:38,958 --> 00:00:41,083
BUT YOU SAVED IT
WITH THE ARM THING.
16
00:00:41,083 --> 00:00:42,417
SO, HOW MANY HITS
YOU GET?
17
00:00:42,417 --> 00:00:43,500
THAT'S THE THING.
18
00:00:43,500 --> 00:00:45,333
KIND OF HAVING TROUBLE
BUILDING A FOLLOWING.
19
00:00:45,333 --> 00:00:46,125
HMM.
20
00:00:46,125 --> 00:00:48,250
YOU THINK IT'S 'CAUSE YOU'RE
REPORTING ON CAR WASHES
21
00:00:48,250 --> 00:00:49,958
IN A MONKEY MASK?
22
00:00:49,958 --> 00:00:51,792
DUDE, YOU GOT TO
SPICE THINGS UP
23
00:00:51,792 --> 00:00:53,750
IF YOU WANT TO GET
PAYING CUSTOMERS.
24
00:00:53,750 --> 00:00:54,875
PAYING CUSTOMERS?
25
00:00:54,875 --> 00:00:56,667
NO, MY WEBSITE'S FREE.
26
00:00:56,667 --> 00:00:58,583
HA HA!
NOT ANYMORE, PARTNER.
27
00:00:58,583 --> 00:01:01,083
STEP ASIDE.
WHAT ARE YOU DOING?
28
00:01:01,083 --> 00:01:03,417
I'M RIGGING YOU UP
A PAY WEBSITE.
29
00:01:03,417 --> 00:01:04,958
THAT'S RIGHT,
I NEED SOME QUICK MONEY
30
00:01:04,958 --> 00:01:06,667
FOR AN INVESTMENT
THAT WENT SOUR.
31
00:01:06,667 --> 00:01:07,792
WHAT DID YOU INVEST IN?
32
00:01:07,792 --> 00:01:09,500
PISTONS BY 3.
33
00:01:09,500 --> 00:01:10,917
I PROBABLY
SHOULDN'T HAVE BET
34
00:01:10,917 --> 00:01:12,417
ALL OF NEXT SEMESTER'S
TUITION MONEY.
35
00:01:12,417 --> 00:01:14,625
BUT, COME ON! BY 3!
36
00:01:17,708 --> 00:01:20,375
I'M SO EXCITED FOR THE DANCE
THIS WEEKEND. AREN'T YOU?
37
00:01:20,375 --> 00:01:23,708
OH, I DON'T HAVE THE BEST
EXPERIENCES AT SCHOOL DANCES.
38
00:01:23,708 --> 00:01:24,750
LAST ONE I WENT TO,
39
00:01:24,750 --> 00:01:27,958
I SPENT MOST OF THE NIGHT
WITH MY FACE IN THE TOILET.
40
00:01:27,958 --> 00:01:30,083
YOU WEREN'T DRINKING,
WERE YOU?
41
00:01:30,083 --> 00:01:33,125
NO, BUT I THINK THE SENIOR
HOLDING MY HEAD DOWN WAS.
42
00:01:33,125 --> 00:01:35,833
YOU KNOW, CAN'T WE JUST
GO SEE A MOVIE INSTEAD?
43
00:01:35,833 --> 00:01:37,792
JEREMY, DON'T TAKE THIS
THE WRONG WAY,
44
00:01:37,792 --> 00:01:39,750
BUT HOBBITS ARE STUPID.
45
00:01:39,750 --> 00:01:41,917
IF YOU JUST READ
THE BOOK FIRST --
46
00:01:41,917 --> 00:01:44,417
STUPID.
47
00:01:44,417 --> 00:01:47,583
I GOT TO GO WITH JEREMY.
HOBBITS ARE NOT STUPID.
48
00:01:47,583 --> 00:01:50,000
HEY, SHE'S GOT A NAME,
OKAY?
49
00:01:55,750 --> 00:01:56,958
HI, I'M BETH DOYLE!
50
00:01:56,958 --> 00:01:59,833
AND YOU MUST BE
THE COUSIN I'VE HEARD --
51
00:01:59,833 --> 00:02:01,083
WEIRD GIRL!
TOO MUCH ENERGY.
52
00:02:01,083 --> 00:02:02,708
CAN'T DEAL WITH IT.
53
00:02:02,708 --> 00:02:04,583
OH, HI, BETH.
54
00:02:04,583 --> 00:02:05,958
HELLO, MRS. HENNESSY.
55
00:02:05,958 --> 00:02:08,875
OUR FAMILY WON THIS CAKE AT
CHURCH FOR GOSPEL TRIVIA.
56
00:02:08,875 --> 00:02:12,958
THANK YOU. ANYWAY, WE CAN'T EAT
IT, BECAUSE IT HAS GLUTEN IN IT.
57
00:02:12,958 --> 00:02:13,833
OH, BETH.
58
00:02:13,833 --> 00:02:17,167
IS YOUR MOM TRYING
TO FATTEN ME UP?
59
00:02:17,167 --> 00:02:18,375
ACTUALLY, YES.
60
00:02:18,375 --> 00:02:19,667
SHE THINKS NOW THAT
YOU'RE SINGLE,
61
00:02:19,667 --> 00:02:20,958
YOU'RE A DISTRACTION
TO DAD.
62
00:02:20,958 --> 00:02:24,500
OH.
WELL, THAT'S SUPER.
63
00:02:24,500 --> 00:02:26,833
HI, KERRY.
HI, KYLE.
64
00:02:26,833 --> 00:02:29,958
HEY, BRIDGET.
HI, LATEST.
65
00:02:29,958 --> 00:02:31,000
LATEST?
66
00:02:31,000 --> 00:02:33,625
OH, SHE DIDN'T TELL YOU
SHE'S HAD OTHERS?
67
00:02:33,625 --> 00:02:34,625
LIKE MY BROTHER DONNY.
68
00:02:34,625 --> 00:02:37,875
AND HE WAS HANDSOME AND
SENSITIVE AND SMART,
69
00:02:37,875 --> 00:02:39,042
AND HE HAD PECS
THAT LOOKED LIKE
70
00:02:39,042 --> 00:02:41,542
THEY'D BEEN
CARVED OUT OF MARBLE.
71
00:02:41,542 --> 00:02:44,083
SHOULD YOU BE TALKING ABOUT
YOUR BROTHER LIKE THIS?
72
00:02:44,083 --> 00:02:46,583
OH, IT'S OKAY.
WE'RE ALL ADOPTED.
73
00:02:46,583 --> 00:02:49,125
ANYWAY, SHE DUMPED DONNY
AND BROKE HIS HEART
74
00:02:49,125 --> 00:02:51,542
LIKE EVERY OTHER GUY
SHE'S EVER DATED.
75
00:02:51,542 --> 00:02:53,417
BUT I'M SURE IT'LL
BE DIFFERENT FOR YOU.
76
00:02:53,417 --> 00:02:55,125
GOOD LUCK.
77
00:02:59,417 --> 00:03:00,750
YEAH, YEAH, YEAH.
78
00:03:01,750 --> 00:03:04,625
HEY, KEEP YOUR SHIRT ON.
79
00:03:04,625 --> 00:03:06,542
HI.
HI.
80
00:03:06,542 --> 00:03:08,042
IS CATE HERE?
81
00:03:08,042 --> 00:03:11,083
I'M JUDY McKENNA
WITH THE PTA.
82
00:03:11,083 --> 00:03:12,875
FOR A MINUTE,
I THOUGHT OUR MAILMAN
83
00:03:12,875 --> 00:03:14,333
GOT A HELL OF A LOT
PRETTIER.
84
00:03:15,500 --> 00:03:16,875
IS THAT JUDY?
85
00:03:16,875 --> 00:03:19,375
WOULD YOU LIKE A DRINK?
WHAT ARE YOU, A SCOTCH GIRL?
86
00:03:19,375 --> 00:03:21,667
OH, JUDY, I'M SORRY.
I MISSED THE MEETING.
87
00:03:21,667 --> 00:03:23,958
I FORGOT TO CALL, BUT I
HAD TO WORK LATE AGAIN.
88
00:03:23,958 --> 00:03:26,792
YOU KNOW WHAT HAPPENS WHEN
YOU MISS A MEETING, CATE.
89
00:03:26,792 --> 00:03:28,667
THEY ELECTED ME AN OFFICER?
90
00:03:28,667 --> 00:03:31,292
CONGRATULATIONS,
RECORDING SECRETARY.
91
00:03:31,292 --> 00:03:33,042
HERE ARE YOUR MINUTES.
92
00:03:33,042 --> 00:03:35,167
A BRANDY?
HOW ABOUT A BRANDY, JUDY?
93
00:03:35,167 --> 00:03:37,417
UH, DAD,
SHE DOESN'T WANT A DRINK.
94
00:03:37,417 --> 00:03:40,542
IS YOUR NAME JUDY?
95
00:03:40,542 --> 00:03:42,125
THE MAIN THING
THAT WE TALKED ABOUT
96
00:03:42,125 --> 00:03:44,417
WAS HOW INAPPROPRIATE
THE DANCING HAS BECOME.
97
00:03:44,417 --> 00:03:48,000
SO THE PTA HAS VOTED TO
OUTLAW PROVOCATIVE DANCING.
98
00:03:48,000 --> 00:03:49,833
WHAT WOULD THAT
LOOK LIKE, JUDY?
99
00:03:49,833 --> 00:03:52,042
OH. EXCUSE ME, DAD.
100
00:03:55,417 --> 00:03:57,875
HAVE YOU SEEN SOME OF
THE MOVES THAT THEY DO?
101
00:03:57,875 --> 00:03:59,708
AW, I TELL YOU,
THE KIDS TODAY,
102
00:03:59,708 --> 00:04:01,583
I DON'T KNOW WHERE
THEY GET THEIR VALUES.
103
00:04:01,583 --> 00:04:03,708
WHAT, GIN AND TONIC?
104
00:04:03,708 --> 00:04:05,958
GIVE IT UP,
'CAUSE YOU'RE, LIKE, 100.
105
00:04:05,958 --> 00:04:07,458
CHARDONNAY FOR THE LADY?
106
00:04:07,458 --> 00:04:09,792
I THINK I'LL BE GOING NOW.
107
00:04:09,792 --> 00:04:12,250
YOU WANT ME TO WALK YOU
TO YOUR CAR?
108
00:04:12,250 --> 00:04:15,000
OKAY, SURE, WHAT A GENTLEMAN.
109
00:04:15,000 --> 00:04:18,958
TAKE IT EASY, SCARLETT, I JUST
NEEDED A RIDE TO MY DORM.
110
00:04:18,958 --> 00:04:20,333
OHH.
111
00:04:20,333 --> 00:04:21,333
HEY, GUYS.
112
00:04:21,333 --> 00:04:22,458
HI, KERRY.
113
00:04:22,458 --> 00:04:25,292
THE PTA HAS OUTLAWED
SUGGESTIVE DANCING,
114
00:04:25,292 --> 00:04:27,417
SO WATCH IT
AT THE DANCE.
115
00:04:27,417 --> 00:04:29,292
WHAT?! THAT'S RIDICULOUS!
116
00:04:29,292 --> 00:04:31,750
DANCING IS A FORM
OF EXPRESSION!
117
00:04:31,750 --> 00:04:33,250
THE FIRST AMENDMENT
PROTECTS ANYONE
118
00:04:33,250 --> 00:04:38,167
WHO WANTS TO DANCE LIKE THIS,
OR LIKE THIS.
119
00:04:38,167 --> 00:04:39,708
ALL RIGHT,
CATE, CATE, CATE!
120
00:04:39,708 --> 00:04:42,000
KERRY, STOP!
KERRY!
121
00:04:42,000 --> 00:04:43,958
GOOD GOD!
122
00:04:43,958 --> 00:04:46,000
I USED TO
HOLD THAT IN MY ARMS!
123
00:04:46,000 --> 00:04:48,625
KERRY, STOP IT!
124
00:04:48,625 --> 00:04:50,958
LOOK, IT'S JUST A NEW RULE.
OBEY IT.
125
00:04:50,958 --> 00:04:53,333
IT'S NOTHING TO GET
ALL WORKED UP ABOUT.
126
00:04:53,333 --> 00:04:55,083
EASY FOR YOU TO SAY.
127
00:04:58,083 --> 00:04:59,792
OH, I DON'T CARE
WHAT THEY SAY!
128
00:04:59,792 --> 00:05:01,292
I AM GONNA DANCE
HOWEVER I WANT!
129
00:05:01,292 --> 00:05:03,417
I JUST THINK YOU'RE MISSING
THE IMPORTANT ISSUE HERE.
130
00:05:03,417 --> 00:05:05,042
BETH DOYLE WAS MEAN TO ME.
131
00:05:05,042 --> 00:05:07,625
I MEAN, I HAVE REAL FEELINGS
FOR JEREMY.
132
00:05:07,625 --> 00:05:09,625
OH, BRIDGET, GET OVER IT.
YOU'RE FICKLE.
133
00:05:09,625 --> 00:05:11,583
SURE, YOU'RE MADLY IN LOVE
WITH JEREMY,
134
00:05:11,583 --> 00:05:13,667
BUT YOU WERE ALSO
MADLY IN LOVE WITH DONNY
135
00:05:13,667 --> 00:05:15,375
WHEN DAMIAN CAME ALONG.
136
00:05:15,375 --> 00:05:18,667
DAMIAN? I HAVE NO IDEA WHO
YOU'RE TALKING ABOUT.
137
00:05:39,708 --> 00:05:41,000
HEY.
138
00:05:41,000 --> 00:05:42,667
HEY.
139
00:05:42,667 --> 00:05:45,792
SO, WHAT TIME DO YOU WANT ME
TO PICK YOU UP ON SATURDAY?
140
00:05:45,792 --> 00:05:46,958
SHE'S SPOKEN FOR!
141
00:05:46,958 --> 00:05:48,417
YES, I AM SPOKEN FOR.
142
00:05:48,417 --> 00:05:49,875
SO UNDER NO CIRCUMSTANCES
143
00:05:49,875 --> 00:05:52,833
ARE YOU EVER TO CALL ME
AT THIS PHONE NUMBER
144
00:05:52,833 --> 00:05:55,708
AND, IF THIS NUMBER IS BUSY,
THIS PHONE NUMBER,
145
00:05:55,708 --> 00:05:58,708
AND, IF THIS NUMBER IS BUSY,
THIS CELLPHONE NUMBER.
146
00:05:58,708 --> 00:06:01,958
AND IF YOU EVER COME TO THIS
ADDRESS ON OAKDALE AVENUE,
147
00:06:01,958 --> 00:06:05,250
WELL, YOU'LL BE STEPPING IN SOME
VERY HOT WATER, MISTER.
148
00:06:05,250 --> 00:06:07,750
AND I MEAN, HOT.
149
00:06:07,750 --> 00:06:09,625
OKAY, I ADMIT,
I MAY HAVE BEEN DRAWN
150
00:06:09,625 --> 00:06:11,750
TO DAMIAN'S
DEVIL-MAY-CARE ATTITUDE,
151
00:06:11,750 --> 00:06:14,542
BUT JEREMY AND I CONNECT ON
A WAY HIGHER LEVEL.
152
00:06:14,542 --> 00:06:15,833
WE HAVE SO MUCH IN COMMON.
153
00:06:15,833 --> 00:06:18,792
WE TALK ABOUT BOOKS...
THAT HE'S READ.
154
00:06:18,792 --> 00:06:21,792
BESIDES, I HEARD
DAMIAN MOVED AWAY.
155
00:06:21,792 --> 00:06:24,250
SO, YOU HAVE NO FEELINGS
FOR DAMIAN AT ALL?
156
00:06:24,250 --> 00:06:26,042
I AM SO OVER HIM.
157
00:06:26,042 --> 00:06:28,875
GOOD, 'CAUSE I HEARD
HE JUST MOVED BACK.
158
00:06:33,208 --> 00:06:36,417
AND FINALLY, WE HAVE
A WEBMASTER X-CLUSIVE.
159
00:06:36,417 --> 00:06:38,417
BRIAN MUNSON AND MEGAN GIBBS
160
00:06:38,417 --> 00:06:41,458
PLAYED A LITTLE TONSIL HOCKEY
LAST NIGHT.
161
00:06:44,125 --> 00:06:46,083
YES,
THE SAME BRIAN MUNSON
162
00:06:46,083 --> 00:06:49,333
WHO DATES MEGAN'S BEST FRIEND,
ASHLEY COOK.
163
00:06:49,333 --> 00:06:54,083
MEGAN, YOU GOT
SOME 'SPLAININ' TO DO!
164
00:06:54,083 --> 00:07:00,042
SIGNING OFF,
THIS IS WEBMASTER "X."
165
00:07:00,042 --> 00:07:01,917
NICE. MUCH BETTER.
166
00:07:01,917 --> 00:07:03,958
A LITTLE CosmoGIRL!,
BUT I LIKE IT.
167
00:07:03,958 --> 00:07:06,125
SO, WHO'S YOUR SOURCE?
168
00:07:06,125 --> 00:07:09,625
I GOT IT
FROM BRIDGET'S DIARY.
169
00:07:09,625 --> 00:07:12,167
WHOA...WAIT A SECOND.
170
00:07:12,167 --> 00:07:15,708
YOU WENT INTO YOUR SISTER'S
ROOM, STOLE HER DIARY,
171
00:07:15,708 --> 00:07:18,250
AND BROADCAST IT
ON THE INTERNET?
172
00:07:18,250 --> 00:07:19,458
WELL, YEAH.
173
00:07:19,458 --> 00:07:22,958
DUDE...PRETTY SOON,
YOU'RE NOT GONNA NEED ME.
174
00:07:22,958 --> 00:07:25,708
THIS IS AWESOME.
175
00:07:30,958 --> 00:07:32,500
WHAT'S THE MATTER?
176
00:07:32,500 --> 00:07:34,958
HMM? I'M WORRIED
ABOUT CHEMISTRY.
177
00:07:34,958 --> 00:07:38,167
OKAY, LOOK, I KNOW DAMIAN
IS BACK IN TOWN.
178
00:07:38,167 --> 00:07:41,667
YES, WE HAD GREAT CHEMISTRY,
BUT IT'S SO OVER.
179
00:07:41,667 --> 00:07:44,917
NO, I MEANT, I'M WORRIED
ABOUT MY CHEMISTRY TEST.
180
00:07:44,917 --> 00:07:46,958
BUT, THANKS,
NOW I'M WORRIED
181
00:07:46,958 --> 00:07:49,083
ABOUT YOUR OLD BOYFRIEND
INSTEAD.
182
00:07:50,417 --> 00:07:51,667
KERRY, GET THAT.
183
00:07:51,667 --> 00:07:53,750
I'M BUSY.
LET THE MACHINE PICK UP.
184
00:07:58,750 --> 00:08:00,875
Damian:
HEY, IT'S DAMIAN.
185
00:08:00,875 --> 00:08:04,750
I'VE BEEN LOOKING FOR YOU
AND DREAMING ABOUT YOU.
186
00:08:04,750 --> 00:08:06,417
SORRY I MISSED YOU.
187
00:08:06,417 --> 00:08:09,625
WELL, I GOT TO GO MEET UP
WITH MY POSSE.
188
00:08:09,625 --> 00:08:11,917
CALL ME.
189
00:08:14,667 --> 00:08:16,792
BRIDG, DAMIAN CALLED.
190
00:08:19,292 --> 00:08:20,542
WELL, I GOT TO GO.
191
00:08:20,542 --> 00:08:23,042
NO, JEREMY, WAIT,
IT'S NOT WHAT IT SEEMS!
192
00:08:23,042 --> 00:08:25,750
HOT GUYS LEAVE MESSAGES FOR ME
ALL THE TIME.
193
00:08:25,750 --> 00:08:29,917
NO, SERIOUSLY, I GOT TO GO MEET
UP WITH MY, UH, POSSE.
194
00:08:29,917 --> 00:08:31,708
OOH, CHESS CLUB?
195
00:08:31,708 --> 00:08:36,042
OH, I GET IT.
THE NERD GOES TO CHESS CLUB.
196
00:08:36,042 --> 00:08:38,083
ROCKET CLUB?
197
00:08:38,083 --> 00:08:40,458
NONE OF YOUR BUSINESS.
198
00:08:40,458 --> 00:08:41,958
HEY, I'M WATCHING THAT!
199
00:08:41,958 --> 00:08:44,625
WHAT'S WRONG WITH YOU?
200
00:08:44,625 --> 00:08:45,875
A HAWK TRY
TO SCOOP YOU UP AGAIN?
201
00:08:48,542 --> 00:08:50,833
I'M LOOKING FOR SOME NEW
DANCE MOVES, YOU KNOW,
202
00:08:50,833 --> 00:08:52,458
TO TICK OFF
THE MORALITY POLICE.
203
00:08:52,458 --> 00:08:54,333
REALLY?
204
00:08:54,333 --> 00:08:56,542
WELL...
205
00:08:56,542 --> 00:08:59,667
WHY DIDN'T YOU COME TO
THE MASTER OF DANCE-ASTER?
206
00:09:01,250 --> 00:09:03,583
ALL RIGHT, DON'T BEG.
YOU'LL GET TO SEE A FEW.
207
00:09:03,583 --> 00:09:05,375
START OUT WITH
A LITTLE "THRILLER."
208
00:09:09,583 --> 00:09:10,833
THAT'S A FUN ONE.
209
00:09:10,833 --> 00:09:12,292
THEN, YOU GO INTO M.C. HAMMER
TO SHAKE IT UP A BIT.
210
00:09:13,417 --> 00:09:15,250
STOP!
211
00:09:15,250 --> 00:09:16,542
STOP!
212
00:09:16,542 --> 00:09:18,875
AND A LITTLE MISSY ELLIOTT
JUST TO GET A LITTLE NASTY.
213
00:09:20,917 --> 00:09:22,542
OOH!
214
00:09:22,542 --> 00:09:23,833
C.J.?
215
00:09:25,958 --> 00:09:28,542
C.J.!
HEY. HI.
216
00:09:28,542 --> 00:09:32,000
SO, IF ANYONE ASKS YOU TO DANCE
LIKE THAT, YOU SAY NO.
217
00:09:32,000 --> 00:09:33,833
I MEAN, THIS IS SERIOUS.
YOU SAW "FOOTLOOSE."
218
00:09:33,833 --> 00:09:36,000
HEY, I GOT YOUR BACK,
AUNT CATE.
219
00:09:36,000 --> 00:09:38,958
THANKS, C.J.,
BUT WE GOT IT COVERED.
220
00:09:38,958 --> 00:09:42,292
SO, GRANDPA AND I ARE GONNA
CHAPERONE THE DANCE.
221
00:09:42,292 --> 00:09:44,750
YOU'RE CHAPERONING
THE DANCE?! WHY?
222
00:09:44,750 --> 00:09:47,375
WELL, BECAUSE I WANT TO
STAY MORE INVOLVED.
223
00:09:47,375 --> 00:09:50,000
AND JUDY COULD USE
AN EXTRA HAND.
224
00:09:57,333 --> 00:09:59,583
YES, I WAS CALLING
DAMIAN BACK.
225
00:10:01,583 --> 00:10:03,208
IT WOULD BE RUDE NOT TO.
226
00:10:04,958 --> 00:10:07,042
EVERYONE KNOWS I ALWAYS
RETURN MY MESSAGES.
227
00:10:08,208 --> 00:10:10,750
STOP GRILLING ME!
228
00:10:10,750 --> 00:10:12,792
GOD, YOU STILL LIKE HIM.
229
00:10:12,792 --> 00:10:15,958
NO, I JUST WANTED
TO HEAR HIS VOICE!
230
00:10:15,958 --> 00:10:17,167
AND THE GUITAR.
231
00:10:17,167 --> 00:10:18,417
WHAT GUITAR?
232
00:10:18,417 --> 00:10:20,625
YOU DON'T HEAR --
233
00:10:20,625 --> 00:10:21,833
OH, MY GOD.
234
00:10:21,833 --> 00:10:23,167
KERRY, WHAT IS
HAPPENING TO ME?
235
00:10:23,167 --> 00:10:24,167
I'M SO MIXED UP.
236
00:10:24,167 --> 00:10:25,542
I'M WITH
THIS FANTASTIC GUY,
237
00:10:25,542 --> 00:10:27,417
AND THEN DAMIAN HAS TO
COME BACK INTO MY LIFE.
238
00:10:27,417 --> 00:10:29,167
AND SOMEONE STOLE MY DIARY.
239
00:10:33,125 --> 00:10:35,833
BRIDGET, IT'S NOT YOUR
FAULT YOU'RE FICKLE.
240
00:10:35,833 --> 00:10:37,208
I AM NOT!
241
00:10:37,208 --> 00:10:40,042
IN FACT, I'M ONLY THINKING
OF JEREMY, STARTING NOW.
242
00:10:44,000 --> 00:10:46,000
OKAY, STARTING NOW.
243
00:10:47,375 --> 00:10:49,500
DUDE,
WE'RE WAY DOWN ON HITS.
244
00:10:49,500 --> 00:10:52,250
AT THIS RATE,
I'LL NEVER GET OUT OF DEBT.
245
00:10:52,250 --> 00:10:54,083
THAT'S YOUR PROBLEM.
246
00:10:54,083 --> 00:10:57,458
THEN I'LL HAVE TO DROP OUT OF
COLLEGE AND MOVE BACK IN HERE.
247
00:10:57,458 --> 00:10:59,042
THAT'S MY PROBLEM.
248
00:10:59,042 --> 00:11:01,042
DON'T PANIC, AWKWARD STAGE.
249
00:11:01,042 --> 00:11:04,875
THERE'S GOT TO BE SOMETHING
JUICY IN BRIDGET'S DIARY
250
00:11:04,875 --> 00:11:06,833
TO GET OUR CUSTOMERS BACK.
251
00:11:06,833 --> 00:11:10,250
LET'S SEE.
252
00:11:10,250 --> 00:11:12,667
"TODAY, OUR COUSIN C.J.
CAME TO STAY WITH US.
253
00:11:12,667 --> 00:11:16,708
HE'S, LIKE, TOTALLY CREEPY
AND SMELLS LIKE MOLD."
254
00:11:16,708 --> 00:11:20,167
BLAH, BLAH, BLAH.
"I SO HATE HER."
255
00:11:20,167 --> 00:11:23,750
BLAH, BLAH, BLAH.
"I SO LOVE MY HAIR."
256
00:11:23,750 --> 00:11:25,042
HERE'S SOMETHING.
257
00:11:25,042 --> 00:11:27,750
"TODAY, ASHLEY HEARD ABOUT
MEGAN KISSING BRIAN MUNSON.
258
00:11:27,750 --> 00:11:30,333
ASHLEY'S SO UPSET,
SHE'S GONNA KICK MEGAN'S ASS
259
00:11:30,333 --> 00:11:31,667
AT THE DANCE TONIGHT."
260
00:11:31,667 --> 00:11:35,375
HEE HEE HEE! OH, MY GOD!
BINGO, THAT'S IT.
261
00:11:35,375 --> 00:11:39,500
WE BROADCAST A LIVE CHICK FIGHT
ON THE INTERNET
262
00:11:39,500 --> 00:11:41,500
WITH THIS LITTLE BABY.
263
00:11:41,500 --> 00:11:43,208
WHERE'D YOU GET THAT?
IN THE ARMY.
264
00:11:43,208 --> 00:11:46,417
THEY LET YOU TAKE STUFF
WHEN YOU LEAVE.
265
00:11:46,417 --> 00:11:48,000
COMBS, DUFFEL BAGS.
266
00:11:48,000 --> 00:11:50,792
MILLION-DOLLAR TOP-SECRET
SPY CAMERAS?
267
00:11:50,792 --> 00:11:53,083
BOOTS, TRAIL MIX, YEAH.
268
00:11:53,083 --> 00:11:57,833
ALL WE GOT TO DO IS GET THIS
INTO THE DANCE SOMEHOW.
269
00:11:57,833 --> 00:12:00,083
COME ON, DAD, WE'RE GONNA BE
LATE FOR THE DANCE.
270
00:12:00,083 --> 00:12:01,167
I'M COMING, I'M COMING.
271
00:12:01,167 --> 00:12:04,792
GRANDPA, WAIT.
GOT SOMETHING FOR YOU.
272
00:12:04,792 --> 00:12:06,708
WELL, THANK YOU, RORY.
273
00:12:06,708 --> 00:12:10,000
KIND OF SISSY OF YOU,
BUT THANK YOU.
274
00:12:15,208 --> 00:12:17,792
NO, THANK YOU, GRAMPY-CAM.
275
00:12:26,583 --> 00:12:28,375
UGH. LOOK AT
ALL THESE LEMMINGS.
276
00:12:28,375 --> 00:12:31,958
I CAN'T BELIEVE THESE PEOPLE ARE
ACTUALLY LISTENING TO THE PTA.
277
00:12:31,958 --> 00:12:34,792
THERE'S NO BUMPING,
NO GRINDING.
278
00:12:34,792 --> 00:12:37,000
AND NO CHICKEN DANCE.
279
00:12:37,000 --> 00:12:39,667
WHAT COWARDS.
280
00:12:39,667 --> 00:12:41,667
HI, GUYS.
281
00:12:41,667 --> 00:12:43,042
WHAT?
282
00:12:43,042 --> 00:12:45,583
HONEY, I AM SORRY THAT YOUR
GRANDFATHER AND I
283
00:12:45,583 --> 00:12:47,083
ARE CHAPERONES.
284
00:12:47,083 --> 00:12:49,250
AND I'M SORRY, KYLE, THAT IT
MAKES IT HARDER FOR YOU
285
00:12:49,250 --> 00:12:50,958
TO PUT THE MOVES
ON MY DAUGHTER.
286
00:12:50,958 --> 00:12:56,000
HEY, YOU'RE JUST DOING YOUR JOB,
AND I'M DOING MINE.
287
00:12:56,000 --> 00:12:57,833
OKAY, KYLE,
I'M NOT KIDDING.
288
00:13:01,750 --> 00:13:04,042
YOU KNOW, I DON'T
REALLY NEED THIS CANE.
289
00:13:04,042 --> 00:13:05,750
IT'S JUST A WALKING STICK.
290
00:13:05,750 --> 00:13:07,542
OH, IT'S NICE.
MAY I SEE IT?
291
00:13:07,542 --> 00:13:08,542
OH, SURE, SURE.
292
00:13:17,458 --> 00:13:20,292
SO, ARE YOU
HAVING A GOOD TIME?
293
00:13:20,292 --> 00:13:23,083
YES, I HAVE TO ADMIT
THAT I AM.
294
00:13:23,083 --> 00:13:24,708
HMM. WELL, THEN SAY IT.
295
00:13:24,708 --> 00:13:25,833
DON'T MAKE ME.
296
00:13:25,833 --> 00:13:27,958
YES, SAY IT RIGHT NOW,
COME ON.
297
00:13:27,958 --> 00:13:29,792
OKAY.
298
00:13:29,792 --> 00:13:32,292
THIS DANCE IS BETTER THAN
THE BATTLE OF MORDOR.
299
00:13:33,917 --> 00:13:35,042
WOW, I MUST LIKE YOU A LOT.
300
00:13:35,042 --> 00:13:37,833
I MEAN, I NEVER SAY ANYTHING
DISPARAGING ABOUT THE RINGS --
301
00:13:41,083 --> 00:13:43,667
WHEW! I NEED PUNCH.
302
00:13:44,958 --> 00:13:46,375
WOW.
303
00:13:46,375 --> 00:13:48,000
HE'S SO CUTE.
304
00:13:48,000 --> 00:13:50,292
YOU'RE SO INTO HIM.
305
00:13:50,292 --> 00:13:52,083
YEAH.
306
00:13:55,000 --> 00:13:57,417
DAMIAN.
307
00:13:57,417 --> 00:13:59,375
BRIDGET,
IT'S JUST A MOTORCYCLE.
308
00:13:59,375 --> 00:14:02,125
IT DOESN'T MEAN THAT
IT'S DAMIAN'S MOTORCYCLE.
309
00:14:02,125 --> 00:14:03,083
DAMIAN'S OUTSIDE.
310
00:14:04,667 --> 00:14:06,042
BRIDGET,
HE WANTS TO SEE YOU.
311
00:14:06,042 --> 00:14:09,042
WELL, IF HE WANTS TO SEE ME, WHY
DOESN'T HE JUST COME INSIDE?
312
00:14:09,042 --> 00:14:10,500
HE SAYS TOUGH GUYS
DON'T DANCE.
313
00:14:10,500 --> 00:14:12,167
THEN WHY DOESN'T HE
JUST LEAVE?
314
00:14:12,167 --> 00:14:13,625
HE SAYS TOUGH GUYS
DON'T LEAVE.
315
00:14:13,625 --> 00:14:15,125
DOESN'T HE KNOW
I HAVE A BOYFRIEND?
316
00:14:15,125 --> 00:14:16,750
HE SAYS TOUGH GUYS
DON'T CARE.
317
00:14:16,750 --> 00:14:18,333
AND IF YOU WANT
MY OPINION --
318
00:14:18,333 --> 00:14:19,625
KYLE, PUNCH, NOW.
319
00:14:19,625 --> 00:14:21,083
HEY, NO GIRL'S GONNA --
320
00:14:21,083 --> 00:14:22,083
NOW!
321
00:14:22,083 --> 00:14:24,083
RIGHT.
322
00:14:24,083 --> 00:14:25,792
ALL RIGHT, KERRY,
COVER FOR ME.
323
00:14:25,792 --> 00:14:27,250
I'LL BE RIGHT BACK,
OKAY?
324
00:14:27,250 --> 00:14:28,625
BRIDGET,
WHAT ARE YOU DOING?!
325
00:14:28,625 --> 00:14:30,333
YOU'RE JUST GONNA
LEAVE JEREMY HERE?
326
00:14:30,333 --> 00:14:32,083
I HAVE TO SEE DAMIAN TO MAKE
SURE THERE'S NOTHING THERE.
327
00:14:32,083 --> 00:14:34,000
I OWE IT TO JEREMY.
328
00:14:34,000 --> 00:14:35,458
IT'D BE UNFAIR IF I DIDN'T GO
OUT AND SEE DAMIAN RIGHT NOW.
329
00:14:35,458 --> 00:14:37,667
UNFAIR AND INCONSIDERATE.
330
00:14:37,667 --> 00:14:40,750
WOW, JEREMY'S A LUCKY,
LUCKY GUY.
331
00:14:40,750 --> 00:14:43,000
LOOK, I HOPE I DON'T FEEL
ANYTHING FOR DAMIAN,
332
00:14:43,000 --> 00:14:44,208
BUT I HAVE TO MAKE SURE.
333
00:14:44,208 --> 00:14:45,583
HEY, BRIDGET,
WHERE YOU GOING?
334
00:14:45,583 --> 00:14:48,042
NOWHERE! GOD, WILL EVERYONE
JUST GET OFF MY BACK?!
335
00:14:48,042 --> 00:14:49,292
YOU'RE STILL HERE?
336
00:14:49,292 --> 00:14:52,542
DO YOU KNOW WHO'S WAITING
OUTSIDE? FOR YOU?
337
00:14:52,542 --> 00:14:53,875
ON A MOTORCYCLE?
338
00:14:53,875 --> 00:14:55,125
DAMIAN?
339
00:14:55,125 --> 00:14:58,167
YOU ARE, LIKE, SCARY SMART.
340
00:14:58,167 --> 00:14:59,625
JEREMY,
I CAN EXPLAIN ALL THIS.
341
00:14:59,625 --> 00:15:01,250
NO, YOU DON'T HAVE TIME
TO EXPLAIN.
342
00:15:01,250 --> 00:15:02,708
TOUGH GUYS DON'T
WAIT AROUND FOREVER.
343
00:15:02,708 --> 00:15:05,458
KYLE, GO!
BUT THIS IS
THE GOOD PART!
344
00:15:08,750 --> 00:15:11,958
LOOK, BRIDGET, IF THERE'S
SOMEONE OUTSIDE
345
00:15:11,958 --> 00:15:14,667
THAT YOU NEED TO TALK TO,
GO AHEAD.
346
00:15:14,667 --> 00:15:16,167
BUT JUST REMEMBER,
347
00:15:16,167 --> 00:15:19,167
SMART GUYS DON'T WAIT
AROUND FOREVER EITHER.
348
00:15:19,167 --> 00:15:21,583
OF COURSE, SMART GUYS
WILL WAIT AROUND
349
00:15:21,583 --> 00:15:23,917
A LITTLE BIT LONGER
THAN TOUGH GUYS.
350
00:15:28,667 --> 00:15:30,125
BRIDGET?
351
00:15:30,125 --> 00:15:31,792
BRIDGET?
352
00:15:31,792 --> 00:15:33,208
YEAH?
353
00:15:33,208 --> 00:15:35,458
ARE YOU OKAY?
354
00:15:38,208 --> 00:15:39,792
YES.
355
00:15:39,792 --> 00:15:41,333
LET'S GO DANCE.
356
00:15:41,333 --> 00:15:42,625
SURE.
357
00:15:50,125 --> 00:15:52,333
WHAT IF THIS CHICK FIGHT
DOESN'T HAPPEN?
358
00:15:52,333 --> 00:15:55,208
THEN YOU'RE GONNA HAVE TO
EXPLAIN TO YOUR CLASSMATES
359
00:15:55,208 --> 00:15:57,250
WHY YOU MADE THEM PAY TO SEE
YOUR GRANDPA
360
00:15:57,250 --> 00:15:59,167
GO TO THE BATHROOM
FIVE TIMES.
361
00:15:59,167 --> 00:16:01,167
OH, HERE IT COMES!
362
00:16:01,167 --> 00:16:03,208
OH, CHICK FIGHT!
363
00:16:03,208 --> 00:16:05,625
IN 5...4...3...2...
364
00:16:08,417 --> 00:16:12,333
WHY, YES, JIM,
PLEASE, CALL ME JUDY.
365
00:16:12,333 --> 00:16:14,708
WHAT'S HE DOING?!
TURN YOUR BODY!
366
00:16:14,708 --> 00:16:16,875
YOU'RE MISSING IT!
OH, MY GOD.
367
00:16:16,875 --> 00:16:19,542
IT'S EITHER MISS McKENNA
OR THE BATHROOM.
368
00:16:19,542 --> 00:16:22,208
YOU SKANK!
YOU STOLE MY BOYFRIEND!
369
00:16:22,208 --> 00:16:23,417
LET GO OF ME!
370
00:16:23,417 --> 00:16:24,792
WE'RE MISSING
THE WHOLE FIGHT!
371
00:16:24,792 --> 00:16:26,208
I'M NOT GIVING
THE MONEY BACK.
372
00:16:27,500 --> 00:16:28,708
OH, MY GOSH!
373
00:16:28,708 --> 00:16:31,375
LOOK AT THE WAY
THAT GIRL IS DANCING.
374
00:16:31,375 --> 00:16:33,583
OH, LORDY. THAT'S...
375
00:16:33,583 --> 00:16:35,292
KERRY!
376
00:16:37,375 --> 00:16:39,042
THIS COULD WORK.
377
00:16:40,333 --> 00:16:44,333
KERRY HENNESSY,
KNOCK IT OFF!
378
00:16:44,333 --> 00:16:45,542
KERRY!
379
00:16:45,542 --> 00:16:50,000
EXCUSE ME.
KERRY! KERRY! KERRY!
380
00:16:50,000 --> 00:16:51,208
WELL, EXCUSE ME,
381
00:16:51,208 --> 00:16:53,750
BUT WHY IS MY DAUGHTER DANCING
ON A CELLPHONE?!
382
00:16:53,750 --> 00:16:56,583
IT'S AN INTERNET FEED.
IT'S WEBMASTER X.
383
00:16:56,583 --> 00:17:02,042
BUT WHO IN GOD'S NAME
IS FILMING THIS?!
384
00:17:02,042 --> 00:17:04,667
HAVE YOU SEEN
WHAT YOUR DAUGHTER IS DOING?
385
00:17:04,667 --> 00:17:07,792
OW! DAMN CARNATION
KEEP SHOCKING ME.
386
00:17:09,208 --> 00:17:12,625
RORY, YOU ARE SO DEAD.
387
00:17:12,625 --> 00:17:15,208
DUDE, YOU ARE SO DEAD.
388
00:17:18,667 --> 00:17:22,083
YOU MEAN, THEY CAN GET AN
ITTY-BITTY CAMERA IN THERE?
389
00:17:22,083 --> 00:17:23,417
I'LL BE DAMNED.
390
00:17:23,417 --> 00:17:27,000
WELL, I GUESS, IF THEY CAN
GET A SNAPSHOT OF MY COLON...
391
00:17:31,208 --> 00:17:32,833
SO, KERRY,
ABOUT THIS DANCING...
392
00:17:32,833 --> 00:17:34,083
ALL RIGHT, MOM, I'M SORRY.
393
00:17:34,083 --> 00:17:35,625
I'LL NEVER
DANCE LIKE THAT AGAIN.
394
00:17:35,625 --> 00:17:37,333
OH, NO, NO, NO.
395
00:17:37,333 --> 00:17:40,542
I WAS GONNA SAY I DIDN'T REALIZE
YOU WERE SUCH A GREAT DANCER.
396
00:17:40,542 --> 00:17:43,542
YOU KNOW, I DID THIS SO THAT
I COULD BE MORE INVOLVED,
397
00:17:43,542 --> 00:17:46,417
BUT YOU DO REALIZE THAT THEY
WILL NOW NEVER LET ME
398
00:17:46,417 --> 00:17:47,917
CHAPERONE A DANCE AGAIN.
399
00:17:49,208 --> 00:17:50,458
THANK YOU.
400
00:17:56,708 --> 00:17:58,583
I HAD A REALLY GOOD TIME
TONIGHT.
401
00:17:58,583 --> 00:18:00,750
WELL, ACTUALLY,
IT KIND OF SEEMED LIKE
402
00:18:00,750 --> 00:18:02,708
YOU WERE SOMEPLACE ELSE
ALL NIGHT.
403
00:18:02,708 --> 00:18:04,000
WHAT DO YOU MEAN?
404
00:18:04,000 --> 00:18:06,792
DAMIAN WAS OUTSIDE, AND I DIDN'T
GO OUT TO SEE HIM.
405
00:18:06,792 --> 00:18:07,958
I STAYED WITH YOU.
406
00:18:07,958 --> 00:18:10,458
WELL,
THAT'S ONE INTERPRETATION.
407
00:18:10,458 --> 00:18:14,375
ANOTHER IS THAT YOU STAYED
WITH ME BECAUSE HE LEFT.
408
00:18:14,375 --> 00:18:15,833
OH, POTATO, POTATO.
409
00:18:15,833 --> 00:18:19,417
ALL THAT MATTERS IS THAT
WE'RE TOGETHER NOW.
410
00:18:19,417 --> 00:18:22,417
WELL, LET ME JUST ASK YOU
ONE QUESTION,
411
00:18:22,417 --> 00:18:25,292
AND I SWEAR I'LL NEVER
BRING IT UP AGAIN.
412
00:18:25,292 --> 00:18:28,667
DO YOU STILL HAVE FEELINGS
FOR DAMIAN?
413
00:18:32,542 --> 00:18:34,042
I THINK
I JUST GOT MY ANSWER.
414
00:18:34,042 --> 00:18:36,583
NO, WAIT!
WHAT ARE YOU DOING?
415
00:18:36,583 --> 00:18:40,583
LOOK, BRIDGET, YOU DIDN'T GET
ON DAMIAN'S MOTORCYCLE TONIGHT,
416
00:18:40,583 --> 00:18:44,333
BUT ANOTHER NIGHT,
ANOTHER MOTORCYCLE...
417
00:18:44,333 --> 00:18:45,792
YOU DON'T KNOW
WHAT'S GONNA HAPPEN.
418
00:18:45,792 --> 00:18:48,250
YOU CAN'T TELL ME
HOW I'M GONNA FEEL.
419
00:18:48,250 --> 00:18:50,583
I DON'T KNOW
A LOT ABOUT GIRLS, OKAY?
420
00:18:50,583 --> 00:18:53,125
BUT I DID SEE
THAT LOOK ON YOUR FACE
421
00:18:53,125 --> 00:18:56,333
WHEN YOU FOUND OUT DAMIAN
WAS OUTSIDE WAITING FOR YOU.
422
00:18:56,333 --> 00:18:58,792
I MEAN, YOU NEVER GAVE ME
THAT LOOK.
423
00:18:58,792 --> 00:19:00,417
OH, NO?
424
00:19:05,500 --> 00:19:07,542
WHAT ARE YOU DOING?
425
00:19:07,542 --> 00:19:10,500
I'M GIVING YOU THAT LOOK.
426
00:19:10,500 --> 00:19:13,500
NOPE, THAT'S NOT IT.
427
00:19:13,500 --> 00:19:16,917
THAT'S NOT IT EITHER.
428
00:19:16,917 --> 00:19:19,792
LISTEN, BRIDGET, BEFORE YOU
CAN BE IN A REAL RELATIONSHIP,
429
00:19:19,792 --> 00:19:22,708
I THINK YOU HAVE SOME STUFF
YOU NEED TO WORK OUT.
430
00:19:22,708 --> 00:19:25,375
THIS IS NOT HOW BETH DOYLE
SAID IT WOULD END.
431
00:19:36,167 --> 00:19:37,708
AND STAY AWAY FROM RORY!
432
00:19:37,708 --> 00:19:41,292
I'M SORRY! BUT CAN I STILL BRING
MY LAUNDRY BY TOMORROW?
433
00:19:43,083 --> 00:19:45,250
I'M KIDDING.
I'LL SEE YOU AT DINNER.
434
00:19:47,667 --> 00:19:50,417
HEY, HONEY, ARE YOU OKAY?
435
00:19:50,417 --> 00:19:52,417
JEREMY DUMPED ME.
436
00:19:52,417 --> 00:19:55,333
OH. I'M SORRY.
437
00:19:55,333 --> 00:19:58,375
I JUST CAN'T BELIEVE THIS.
I'M ALL ALONE.
438
00:19:58,375 --> 00:20:00,208
I'VE NEVER BEEN ALL ALONE.
439
00:20:00,208 --> 00:20:03,250
OH, NO, HONEY, UNH-UNH,
YOU'RE NOT ALONE.
440
00:20:03,250 --> 00:20:05,208
COME HERE.
441
00:20:05,208 --> 00:20:08,083
MOM, THAT'S DAMIAN!
GET OFF, GET OFF! GO, GO, GO!
442
00:20:08,083 --> 00:20:09,167
RIGHT NOW! GET IN!
443
00:20:09,167 --> 00:20:11,125
WELL, GEE,
THAT DIDN'T TAKE LONG.
444
00:20:17,958 --> 00:20:19,542
HEY.
445
00:20:19,542 --> 00:20:21,333
HEY.
446
00:20:21,333 --> 00:20:24,458
I THOUGHT TOUGH GUYS DON'T
WAIT AROUND FOREVER.
447
00:20:24,458 --> 00:20:26,708
WE DON'T. LET'S GO.
448
00:20:29,500 --> 00:20:31,417
WHAT'S WRONG?
449
00:20:39,500 --> 00:20:42,208
I DON'T
HEAR GUITARS ANYMORE.
450
00:20:42,208 --> 00:20:45,208
OH, NO?
451
00:20:52,125 --> 00:20:56,333
THERE'S NOTHING SEXY
ABOUT A HARD-BOILED EGG.
452
00:20:56,333 --> 00:20:59,708
THERE IS
IF YOU'RE DEATHLY ALLERGIC.
453
00:20:59,708 --> 00:21:02,208
GOOD NIGHT, DAMIAN.
454
00:21:12,500 --> 00:21:13,750
GOOD NIGHT, JEREMY.
455
00:21:17,875 --> 00:21:20,875
I THOUGHT
SMART GUYS WAITED AROUND.
32165
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