All language subtitles for 8.Simple.Rules.for.Dating.My.Teenage.Daughter.S02E09.The.Story.of.Anne.Frank.and.Skeevy.1080p.DSNP.WEB-DL.DD+5.1.H.264-playWEB_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,408 --> 00:00:07,033 BRIDGET, I JUST HAD A VERY INTERESTING TALK 2 00:00:07,033 --> 00:00:08,908 WITH YOUR GUIDANCE COUNSELOR. 3 00:00:08,908 --> 00:00:10,658 IT WAS PARENT-TEACHER NIGHT FOR ME, TOO. 4 00:00:10,658 --> 00:00:12,908 OH, I'M SORRY, HONEY, I-I KNOW. 5 00:00:12,908 --> 00:00:15,367 HONOR ROLL AGAIN. I'M SO PROUD. 6 00:00:15,367 --> 00:00:17,158 THANKS, MOM, IT MEANS SO MUCH TO ME. 7 00:00:17,158 --> 00:00:20,283 KERRY, NOT NOW. I'M TALKING TO YOUR SISTER. 8 00:00:20,283 --> 00:00:22,492 I HATE BEING THE MIDDLE CHILD. 9 00:00:22,492 --> 00:00:24,492 I HATED BEING A MIDDLE CHILD, TOO, 10 00:00:24,492 --> 00:00:25,992 BUT I GOT OVER IT. HOW? 11 00:00:25,992 --> 00:00:27,408 ATTRITION. 12 00:00:28,800 --> 00:00:32,300 NOW I'M THE OLDEST. IT'S AWESOME. 13 00:00:32,300 --> 00:00:35,300 NOW, BRIDGET, I KNOW YOU'VE BEEN HAVING A ROUGH TIME. 14 00:00:35,300 --> 00:00:37,592 WE HAVE ALL BEEN HAVING A ROUGH TIME, 15 00:00:37,592 --> 00:00:40,175 BUT JUNIOR YEAR IS THE MOST IMPORTANT YEAR 16 00:00:40,175 --> 00:00:41,508 FOR COLLEGE APPLICATIONS. 17 00:00:41,508 --> 00:00:44,425 DON'T WORRY, I'M ON IT. EYEBROWS. 18 00:00:46,175 --> 00:00:49,092 MOM, I THINK WE SHOULD ALL BE GRATEFUL 19 00:00:49,092 --> 00:00:51,425 BRIDG GOT INTO HIGH SCHOOL. 20 00:00:52,258 --> 00:00:55,092 SEE, LAST YEAR, I HAD, LIKE, AN ARCH THING GOING ON, 21 00:00:55,092 --> 00:00:57,092 AND I THINK THAT MADE ME LOOK KIND OF SLUTTY, 22 00:00:57,092 --> 00:00:58,800 YOU KNOW, IN A BAD WAY. 23 00:00:58,800 --> 00:01:01,883 AND SO I REALIZED -- IT'S SO OBVIOUS -- 24 00:01:01,883 --> 00:01:03,675 I NEED SMARTER EYEBROWS. 25 00:01:03,675 --> 00:01:07,258 SO, HONOR-SOCIETY BRIDGET. 26 00:01:07,258 --> 00:01:09,342 HMM...I LIKED IT BETTER WHEN YOU FAILED MATH 27 00:01:09,342 --> 00:01:11,050 AND WERE SUMMER-SCHOOL BRIDGET. 28 00:01:11,050 --> 00:01:14,383 NOW, LOOK, HONEY, AS MUCH AS WE LIKE 29 00:01:14,383 --> 00:01:16,342 YOUR SMARTER EYEBROW IDEA, 30 00:01:16,342 --> 00:01:18,383 AND WE ALL DO, RIGHT? 31 00:01:18,383 --> 00:01:20,425 OH, IT'S GENIUS. OH, RIGHT. UH-HUH. 32 00:01:20,425 --> 00:01:22,300 BUT YOU'RE GONNA HAVE TO DO A LITTLE BIT MORE 33 00:01:22,300 --> 00:01:23,717 TO GET INTO A GOOD COLLEGE, 34 00:01:23,717 --> 00:01:25,217 LIKE BEEF UP THESE TRANSCRIPTS 35 00:01:25,217 --> 00:01:28,050 WITH SOME EXTRACURRICULAR ACTIVITIES. 36 00:01:28,050 --> 00:01:31,175 HONEY, YOU'RE GONNA HAVE TO FIND SOMETHING TO DO. 37 00:01:31,175 --> 00:01:34,175 LIKE KERRY. KERRY IS IN THE DRAMA CLUB. 38 00:01:34,175 --> 00:01:36,758 IN FACT, MAYBE KERRY COULD GET YOU INTO THE DRAMA CLUB. 39 00:01:36,758 --> 00:01:39,133 WAIT A MINUTE, DRAMA CLUB IS MY TURF. 40 00:01:39,133 --> 00:01:40,717 THESE PEOPLE ARE MY FRIENDS. 41 00:01:40,717 --> 00:01:42,425 THIS IS WHERE I PAINT SCENERY... 42 00:01:42,425 --> 00:01:44,217 IN THE CORNER, ALL ALONE, 43 00:01:44,217 --> 00:01:47,425 WHERE PEOPLE CALL ME "TERRY." 44 00:01:47,425 --> 00:01:50,550 I HATE DRAMA CLUB. 45 00:01:50,550 --> 00:01:53,425 YEAH, MOM, AND I'M SMART ENOUGH 46 00:01:53,425 --> 00:01:56,008 TO KNOW I'D HATE IT, TOO. 47 00:01:56,008 --> 00:01:59,342 THEN MAYBE YOU'D LIKE TO JUST CHANGE BEDPANS WITH ME AT THE HOSPITAL. 48 00:01:59,342 --> 00:02:01,342 OKAY, YOU KNOW, I COULD BE AN ACTRESS. 49 00:02:01,342 --> 00:02:04,217 YOU KNOW, I-I DO LIE TO YOU ALL THE TIME, AND YOU ALWAYS BUY IT. 50 00:02:04,217 --> 00:02:05,633 WHAT?! 51 00:02:05,633 --> 00:02:08,258 SEE, LIKE RIGHT THERE, YOU JUST BOUGHT THAT LIE! 52 00:02:08,258 --> 00:02:09,675 I AM A GOOD ACTRESS. 53 00:02:09,675 --> 00:02:11,217 MOM, IT'S NOT THAT EASY. 54 00:02:11,217 --> 00:02:14,300 LOOK, I BUILD SETS AND I PAINT SCENERY, BUT IF YOU WANT TO ACT, 55 00:02:14,300 --> 00:02:16,050 IF YOU WANT EVEN JUST ONE LINE, 56 00:02:16,050 --> 00:02:18,300 THEY MAKE YOU DO ALL THE CRAPPY WORK 57 00:02:18,300 --> 00:02:21,050 LIKE BUILDING SETS AND PAINTING SCENERY. 58 00:02:21,050 --> 00:02:24,300 I HATE DRAMA CLUB. 59 00:02:24,300 --> 00:02:26,717 WELL, AND NOW, HONEY, 60 00:02:26,717 --> 00:02:29,383 YOUR SISTER IS GONNA START UNDER YOU. 61 00:02:32,217 --> 00:02:35,675 I GOT THE LEAD! 62 00:02:38,633 --> 00:02:40,550 YOU GOT THE LEAD? YOU GOT THE LEAD? 63 00:02:40,550 --> 00:02:41,550 SHE GOT THE LEAD. 64 00:02:41,550 --> 00:02:44,217 WHAT'S THE PLAY? "ANNIE." 65 00:02:44,217 --> 00:02:47,467 IT'S "THE STORY OF ANNE FRANK," YOU IDIOT! 66 00:02:49,217 --> 00:02:50,925 WHATEVER. 67 00:02:50,925 --> 00:02:52,967 ALL I KNOW IS I GET STUCK IN A ROOM 68 00:02:52,967 --> 00:02:54,967 WITH A REALLY CUTE BOY I HAVE TO KISS. 69 00:02:54,967 --> 00:02:56,133 I CAN SO PLAY THAT. 70 00:02:56,133 --> 00:02:58,383 IT'S ABOUT NAZIS. THEY'RE HARDLY EVEN IN IT. 71 00:02:58,383 --> 00:03:00,883 THEY COME IN AT THE END. 72 00:03:00,883 --> 00:03:03,467 HOW COULD YOU NOT KNOW ABOUT ANNE? 73 00:03:03,467 --> 00:03:06,133 SHE WAS SMART, SENSITIVE, AND AN ARTIST. 74 00:03:06,133 --> 00:03:09,133 OH, SENSITIVE AND AN ARTIST? 75 00:03:09,133 --> 00:03:11,467 WOW, THAT SOUNDS LIKE SOMEONE WHO... 76 00:03:11,467 --> 00:03:14,092 PAINTS SCENERY IN DRAMA CLUB. 77 00:03:14,092 --> 00:03:16,217 NOW, LOOK, WE NEED TO BE SUPPORTIVE. 78 00:03:16,217 --> 00:03:18,383 WE SHOULD BE CELEBRATING. 79 00:03:18,383 --> 00:03:22,300 YOUR SISTER GOT THE LEAD IN..."ANNE FRANK"?! 80 00:03:22,300 --> 00:03:23,800 I'M JUST REALLY GLAD IT'S NOT "ANNIE," 81 00:03:23,800 --> 00:03:25,800 'CAUSE, YOU KNOW, CURLY, RED HAIR? NOT A GOOD LOOK. 82 00:03:25,800 --> 00:03:29,217 BRIDGET! THAT WAS MY TURF! 83 00:03:29,217 --> 00:03:32,217 NOW, TERRY, STOP -- I MEAN, KERRY, STOP IT. 84 00:03:33,467 --> 00:03:36,633 JUST 'CAUSE YOUR BIG SISTER GOT THE LEAD IN THE WHOLE DAMN PLAY, 85 00:03:36,633 --> 00:03:38,467 THAT DOESN'T DIMINISH YOUR PAINTING 86 00:03:38,467 --> 00:03:41,217 THE SCENERY AND WHATNOT. 87 00:03:41,217 --> 00:03:44,175 I DO MORE THAN PAINT SCENERY, YOU KNOW. 88 00:03:44,175 --> 00:03:47,258 I DESIGN THE PROGRAMS AND THE FLYERS. 89 00:03:47,258 --> 00:03:49,967 I PULL THE LITTLE CORD. 90 00:03:49,967 --> 00:03:53,633 I HATE DRAMA CLUB! 91 00:04:01,800 --> 00:04:05,258 RORY, WHERE'D YOU GET THE DUMMY? 92 00:04:05,258 --> 00:04:08,050 WELL, IT'S AN INTERESTING STORY. 93 00:04:08,050 --> 00:04:10,717 SO, WHO'S THE BROAD?! 94 00:04:10,717 --> 00:04:13,467 WHAT JUST CAME OUT OF YOUR MOUTH? 95 00:04:13,467 --> 00:04:16,842 SKEEVY, YOU CAN'T TALK TO MY MOTHER LIKE THAT. 96 00:04:16,842 --> 00:04:20,300 MOM, I'M SORRY. IT WASN'T MY IDEA. 97 00:04:20,300 --> 00:04:23,883 IT WAS MR. COLEMAN, THE SCHOOL GUIDANCE COUNSELOR. 98 00:04:23,883 --> 00:04:27,758 OH, WELL, YOU SAW MR. COLEMAN? 99 00:04:27,758 --> 00:04:29,300 YEAH. 100 00:04:29,300 --> 00:04:31,508 HE THINKS MAYBE THIS VENTRILOQUIST'S DUMMY 101 00:04:31,508 --> 00:04:33,508 MIGHT HELP ME EXPRESS THE FEELINGS 102 00:04:33,508 --> 00:04:36,883 I MAY BE STUFFING INSIDE. 103 00:04:36,883 --> 00:04:38,758 OH, RORY... 104 00:04:38,758 --> 00:04:41,217 I NAMED HIM SKEEVY. 105 00:04:44,342 --> 00:04:48,008 WELL, H-HI THERE, SKEEVY. 106 00:04:48,008 --> 00:04:51,967 ANYTHING YOU WANT TO SAY TO ME? 107 00:04:55,383 --> 00:04:59,258 WELL, THERE ONCE WAS A MAN FROM NANTUCKET... 108 00:05:06,050 --> 00:05:07,633 THANKS, GRAMPS. 109 00:05:07,633 --> 00:05:09,550 I NEVER COULD GET THIS PAINT OFF. 110 00:05:09,550 --> 00:05:10,967 LOOK AT THOSE HANDS. 111 00:05:10,967 --> 00:05:12,842 YOU'RE A CRAFTSMAN LIKE YOUR GRANDPA. 112 00:05:12,842 --> 00:05:15,425 GOD, I FEEL PRETTY. 113 00:05:15,425 --> 00:05:17,967 COME ON, GIRL, WHAT'S EATING YOU? 114 00:05:17,967 --> 00:05:20,217 IT'S JUST THAT I PAINT THE SCENERY 115 00:05:20,217 --> 00:05:22,633 AND MY BIG SISTER'S THE STAR OF THE SHOW. 116 00:05:22,633 --> 00:05:25,050 YEAH, I KNOW WHAT YOU MEAN. 117 00:05:25,050 --> 00:05:27,550 MY BROTHER, YOUR GREAT-UNCLE WALTER, 118 00:05:27,550 --> 00:05:30,383 HE FOUGHT IN THE ARDENNES IN WORLD WAR II. 119 00:05:30,383 --> 00:05:32,217 "THE GREATEST GENERATION." 120 00:05:32,217 --> 00:05:35,092 "THE HERO OF THE BIG ONE." 121 00:05:35,092 --> 00:05:37,383 YEAH, LITTLE JIMMY GOES TO KOREA, 122 00:05:37,383 --> 00:05:39,425 AND THEY CALL IT A POLICE ACTION. 123 00:05:39,425 --> 00:05:41,133 CAN YOU BELIEVE THAT? 124 00:05:41,133 --> 00:05:45,008 I GET SHOT IN THE BUTT, AND THEY CALL IT A POLICE ACTION! 125 00:05:45,008 --> 00:05:46,217 WOW! 126 00:05:46,217 --> 00:05:48,467 I HAD AN UNCLE IN WORLD WAR II? 127 00:05:51,008 --> 00:05:53,217 OW! 128 00:05:53,217 --> 00:05:56,383 OH, I'M SORRY, DID I HURT YOU, HON? 129 00:05:58,300 --> 00:05:59,508 HEY. 130 00:05:59,508 --> 00:06:02,300 WE TOOK PORK CHOP HILL, DAMN IT! 131 00:06:03,258 --> 00:06:06,258 AND WE THANK YOU, DAD. 132 00:06:06,258 --> 00:06:10,008 MY LINE...OTHER PEOPLE'S... OTHER PEOPLE'S...MY LINE... 133 00:06:10,008 --> 00:06:13,133 UH, BRIDGET, PLEASE TELL ME YOU'RE READING THE WHOLE PLAY 134 00:06:13,133 --> 00:06:14,592 AND NOT JUST YOUR PART. 135 00:06:14,592 --> 00:06:17,217 OH, NO, THIS IS FASTER. IT'S LIKE STUDYING FOR FINALS. 136 00:06:17,217 --> 00:06:19,258 YOU JUST READ THE FIRST AND LAST SENTENCE OF EACH CHAPTER. 137 00:06:23,300 --> 00:06:26,008 HEY, BRIDGET, I JUST CAME BY TO CLEAR THE AIR. 138 00:06:26,008 --> 00:06:28,300 WHEN YOU IGNORED ME AT LUNCH TODAY, 139 00:06:28,300 --> 00:06:30,258 I FIGURED THERE WAS A LOT OF TENSION 140 00:06:30,258 --> 00:06:32,008 'CAUSE YOU GOT THE PART OF ANNE FRANK, 141 00:06:32,008 --> 00:06:34,467 EVEN THOUGH EVERYBODY SAID I WAS GONNA GET THE PART, 142 00:06:34,467 --> 00:06:36,425 'CAUSE I STUDIED ACTING FOR 10 YEARS 143 00:06:36,425 --> 00:06:38,258 AND I DID DO THAT FURNITURE COMMERCIAL. 144 00:06:40,300 --> 00:06:42,383 ANYHOW I HOPE WE CAN STILL BE FRIENDS. 145 00:06:42,383 --> 00:06:44,925 OH, SURE WE WILL. OF COURSE WE WILL, LINDA. 146 00:06:44,925 --> 00:06:47,508 L-LAURIE! LACEY! 147 00:06:47,508 --> 00:06:49,550 OH, I BROUGHT YOUR COSTUME. 148 00:06:49,550 --> 00:06:52,258 ASIDE FROM MY PART, I'M ALSO WARDROBE ASSISTANT. 149 00:06:52,258 --> 00:06:55,925 SOMEHOW I FIND THE TIME BETWEEN MY TWO LINES. 150 00:06:55,925 --> 00:06:59,008 SO, ANNE... 151 00:06:59,008 --> 00:07:01,008 BREAK A LEG. 152 00:07:01,008 --> 00:07:03,050 "BREAK A LEG"? 153 00:07:03,050 --> 00:07:05,550 WELL, GO GET HIT BY A CAR! 154 00:07:09,675 --> 00:07:11,800 ALL RIGHT, NOW, HERE WE GO. 155 00:07:11,800 --> 00:07:15,675 NOW, I WOULD REALLY LIKE SOME QUIET, PLEASE, HUH? 156 00:07:15,675 --> 00:07:17,508 ALL RIGHT, ANDRE, BEGIN. 157 00:07:17,508 --> 00:07:20,592 I LOOKED ALL UP IN HIS CRIB, AND THERE AIN'T NO PEEPS! 158 00:07:20,592 --> 00:07:22,508 ANDRE, STICK TO THE TEXT, PLEASE? 159 00:07:22,508 --> 00:07:25,467 I WAS JUST TRYIN' TO GIVE IT A LITTLE ANDRE FLA-VOR. 160 00:07:25,467 --> 00:07:27,550 WELL...DON'T. 161 00:07:29,717 --> 00:07:31,717 HI, KERRY. HEY. 162 00:07:31,717 --> 00:07:33,717 REHEARSAL'S STILL GOING ON? 163 00:07:33,717 --> 00:07:37,008 WELL, CLASSICS AREN'T DESTROYED OVERNIGHT. 164 00:07:37,008 --> 00:07:40,633 HERR COMMANDANT, I TOLD YOU YOU WOULDN'T FIND ANYBODY. 165 00:07:41,508 --> 00:07:43,133 DID YOU CHECK THE ATTIC? 166 00:07:43,133 --> 00:07:45,592 'CAUSE SHE'S IN THERE. LACEY! 167 00:07:45,592 --> 00:07:48,342 I'M SORRY, BUT, COME ON, THAT'S MY ROLE! 168 00:07:48,342 --> 00:07:50,425 ANNE FRANK DOESN'T HAVE HIGHLIGHTS! 169 00:07:51,675 --> 00:07:55,175 SO, WHAT DO YOU THINK? 170 00:07:55,175 --> 00:07:59,258 WELL...SET'S NICE. 171 00:07:59,258 --> 00:08:02,633 I KNOW I'M NOT VERY PRETTY... 172 00:08:02,633 --> 00:08:04,133 PLEASE, GIRL! 173 00:08:04,133 --> 00:08:06,383 YO, I BE DYING TO LAY ONE ON THAT GRILL! 174 00:08:06,383 --> 00:08:08,967 ANTHONY! 175 00:08:08,967 --> 00:08:10,717 ALL RIGHT, BRIDGET, CONTINUE. 176 00:08:10,717 --> 00:08:13,383 WELL, I HAVE TO GO. 177 00:08:13,383 --> 00:08:17,008 ALL RIGHT, NOW ANNE AND PETER KISS, 178 00:08:17,008 --> 00:08:18,842 AND IT'S A FIRST KISS. 179 00:08:18,842 --> 00:08:21,425 IT'S INNOCENT, SWEET... 180 00:08:27,383 --> 00:08:30,633 WOW, THAT WAS... 181 00:08:30,633 --> 00:08:34,383 LIKE A BUS-ITTY BEE TO HIS HONEY, YO! 182 00:08:35,675 --> 00:08:37,050 NOW, IS THAT IN THE SCRIPT? 183 00:08:37,050 --> 00:08:38,675 YEAH, DUDE! 184 00:08:38,675 --> 00:08:41,842 ALL RIGHT, PEOPLE, I WANT YOU ALL TO GO HOME, 185 00:08:41,842 --> 00:08:45,300 AND I WANT YOU TO THINK VERY HARD ABOUT THE MEANING 186 00:08:45,300 --> 00:08:46,967 OF WHAT WE ARE DOING HERE! 187 00:08:53,508 --> 00:08:55,092 HEY, MOM. HI. 188 00:08:55,092 --> 00:08:58,092 DID YOU SEE ME UP THERE? OH, YES. 189 00:08:58,092 --> 00:09:02,675 YOU -- YOU'RE GONNA BE THE PRETTIEST ANNE FRANK EVER. 190 00:09:02,675 --> 00:09:05,425 THANK YOU, THAT IS EXACTLY WHAT I WAS GOING FOR. 191 00:09:10,508 --> 00:09:12,508 HEY, SARGE! 192 00:09:14,800 --> 00:09:17,717 WERE THERE MASHED POTATOES ON PORK CHOP HILL? 193 00:09:20,508 --> 00:09:22,925 YEAH, YEAH, THAT IS REALLY CUTE. 194 00:09:22,925 --> 00:09:25,175 YOU KNOW WHAT ELSE IS CUTE? 195 00:09:25,175 --> 00:09:26,675 AHH! 196 00:09:30,508 --> 00:09:31,758 HEY, HOW'D REHEARSAL GO? 197 00:09:31,758 --> 00:09:32,967 AMAZING. 198 00:09:32,967 --> 00:09:35,425 OH, THANK YOU, KERRY. 199 00:09:35,425 --> 00:09:37,383 OH, YEAH, IT WAS AMAZING. 200 00:09:37,383 --> 00:09:40,842 THAT PLAY IS GONNA BE JUST ONE INCREDIBLE... 201 00:09:40,842 --> 00:09:42,925 HUGE TRAIN WRECK. 202 00:09:42,925 --> 00:09:44,842 THAT BAD, HUH? 203 00:09:44,842 --> 00:09:47,342 GEE, I SWEAR, I WISH I COULD GET HER TO QUIT. 204 00:09:47,342 --> 00:09:49,800 I'M SO SCARED SHE'S GONNA HUMILIATE HERSELF. 205 00:09:49,800 --> 00:09:51,925 HERSELF? 206 00:09:51,925 --> 00:09:55,800 WELL, OKAY, AND MAYBE A LITTLE BIT ME, 207 00:09:55,800 --> 00:09:59,633 BUT I'M REALLY CONCERNED ABOUT MY DAUGHTER, WHOM I LOVE. 208 00:09:59,633 --> 00:10:02,717 DAD, SHE REALLY STINKS. 209 00:10:02,717 --> 00:10:04,633 ALL RIGHT, COME ON, BABY GIRL. 210 00:10:04,633 --> 00:10:06,842 CHRISTMAS PAGEANT, JUNIOR YEAR -- 211 00:10:06,842 --> 00:10:09,175 YOU'RE ON STAGE. I'M IN THE AUDIENCE. 212 00:10:09,175 --> 00:10:11,883 "THAT'S MY GIRL," I SAID, "THAT'S MY GIRL." 213 00:10:11,883 --> 00:10:13,758 I EVEN POINTED TO YOU. 214 00:10:13,758 --> 00:10:17,258 THEY CHANGED MY PLACE IN LINE AT THE LAST MINUTE. 215 00:10:17,258 --> 00:10:19,425 THAT'S WHY I FELL. 216 00:10:19,425 --> 00:10:20,425 FELL? 217 00:10:20,425 --> 00:10:23,050 YOU TOOK OUT THE ENTIRE BRASS SECTION. 218 00:10:23,050 --> 00:10:25,675 WELL, YOU TOLD ME NOBODY NOTICED. 219 00:10:25,675 --> 00:10:27,800 NOBODY NOTICED? 220 00:10:27,800 --> 00:10:30,592 PEOPLE WERE INJURED! 221 00:10:30,592 --> 00:10:33,175 YOU KNOW WHO I MISS? 222 00:10:33,175 --> 00:10:35,425 I MISS UNCLE WALTER. 223 00:10:35,425 --> 00:10:38,092 THE HERO OF THE ARDENNES. 224 00:10:38,092 --> 00:10:41,383 I'M SORRY IF I HIT A SORE SPOT, BABY GIRL. 225 00:10:42,800 --> 00:10:44,967 HEY, HEY, WHO'S THIS? 226 00:10:44,967 --> 00:10:46,967 WHOA-A-A-A-A-A! 227 00:10:50,508 --> 00:10:52,050 KNOCK, KNOCK! 228 00:10:52,050 --> 00:10:53,550 AM I INTERRUPTING? 229 00:10:53,550 --> 00:10:55,217 OH, I'M REWRITING MY LINES. 230 00:10:55,217 --> 00:10:58,050 SOME OF THEM ARE KIND OF LONG AND HARD TO REMEMBER. 231 00:10:58,050 --> 00:11:03,592 YEAH...UH, HONEY, I BROUGHT YOU A BOOK. 232 00:11:03,592 --> 00:11:05,675 A BOOK? MM-HMM. 233 00:11:05,675 --> 00:11:07,717 YEAH, I THOUGHT IT COULD HELP YOU WITH YOUR PART. 234 00:11:07,717 --> 00:11:09,800 IT'S "THE DIARY OF ANNE FRANK." 235 00:11:09,800 --> 00:11:12,717 I THOUGHT YOU COULD USE IT AS HISTORICAL RESEARCH 236 00:11:12,717 --> 00:11:14,300 TO FIND OUT THINGS LIKE -- 237 00:11:14,300 --> 00:11:16,717 SHE WAS REAL? 238 00:11:16,717 --> 00:11:20,508 LIKE THAT SHE WAS REAL. 239 00:11:20,508 --> 00:11:24,925 OH, MY GOSH, WAS BRIDGET JONES REAL, TOO? 240 00:11:24,925 --> 00:11:26,550 NO, NO, AND I JUST THOUGHT -- 241 00:11:26,550 --> 00:11:28,133 WHAT ABOUT "THE NANNY DIARIES"? 242 00:11:28,133 --> 00:11:29,550 WAS NANNY REAL? NO! 243 00:11:29,550 --> 00:11:32,592 WELL, YES, BUT -- BUT THAT WAS LIKE A COMPOSITE, SO IT -- 244 00:11:32,592 --> 00:11:34,592 LOOK, IT'S -- IT'S NOT THE POINT. 245 00:11:34,592 --> 00:11:36,717 COULD YOU JUST READ "THE DIARY OF ANNE FRANK"? 246 00:11:36,717 --> 00:11:39,717 READ ANOTHER GIRL'S DIARY? 247 00:11:39,717 --> 00:11:41,675 OKAY... 248 00:11:45,758 --> 00:11:48,008 OH, HI, LOUISE. 249 00:11:48,008 --> 00:11:50,758 HEY, YOU REALLY LOOK NICE TODAY. 250 00:11:50,758 --> 00:11:53,633 UH-OH, WHAT DO YOU NEED? 251 00:11:53,633 --> 00:11:56,133 NOTHING. MAYBE YOU JUST REALLY LOOK NICE. 252 00:11:56,842 --> 00:11:59,883 OKAY, I'M SELLING TICKETS TO BRIDGET'S PLAY. 253 00:11:59,883 --> 00:12:02,508 A HIGH-SCHOOL PLAY? NO! N-N-N-N-N-NO! 254 00:12:02,508 --> 00:12:03,925 OH, COME ON, LOOK, 255 00:12:03,925 --> 00:12:06,133 I HAD TO ENDURE YOUR DAUGHTER'S CELLO RECITAL. 256 00:12:06,133 --> 00:12:08,008 "ENDURE"? 257 00:12:08,008 --> 00:12:10,842 DID I SAY ENDURE? I-I MEANT ENJOY. 258 00:12:10,842 --> 00:12:13,300 COME ON, IT'S THE MOM'S CODE. 259 00:12:13,300 --> 00:12:15,050 WE BUY EACH OTHER'S KIDS' CRAP 260 00:12:15,050 --> 00:12:17,842 AND THEN SECRETLY RESENT EACH OTHER, SO COUGH IT UP. 261 00:12:17,842 --> 00:12:19,425 IT IS THE MOM'S CODE, 262 00:12:19,425 --> 00:12:22,300 AND YOU DID SIT THROUGH THAT AWFUL RECITAL. 263 00:12:22,300 --> 00:12:24,883 WELL, THE GOOD NEWS IS YOU DON'T EVEN HAVE TO GO. 264 00:12:24,883 --> 00:12:26,633 OH, I'LL BUY TWO. OKAY. 265 00:12:26,633 --> 00:12:28,258 OH, MY GOD, "ANNE FRANK"! 266 00:12:28,258 --> 00:12:30,883 WHY DIDN'T YOU SAY SO IN THE FIRST PLACE? 267 00:12:30,883 --> 00:12:33,133 I'M GONNA BRING MY MOTHER. SHE'S A SURVIVOR. 268 00:12:33,133 --> 00:12:34,758 SURVIVOR? YEAH. 269 00:12:34,758 --> 00:12:36,300 OH, SHE IS SO AMAZING. 270 00:12:36,300 --> 00:12:38,550 SHE'S SEEN THE WORST IN HUMANITY, 271 00:12:38,550 --> 00:12:40,883 AND IT HASN'T DAMPENED HER SPIRITS. 272 00:12:40,883 --> 00:12:43,508 OH, THAT MIGHT CHANGE. 273 00:12:46,508 --> 00:12:48,092 OH, HI, BRIDG. 274 00:12:48,092 --> 00:12:51,342 I THOUGHT I HEARD SOMETHING UP HERE. 275 00:12:51,342 --> 00:12:53,342 WHAT ARE YOU DOING? 276 00:12:53,342 --> 00:12:55,717 READING "THE DIARY OF ANNE FRANK." 277 00:12:55,717 --> 00:13:00,217 MOM, I DON'T THINK I CAN DO THIS. 278 00:13:00,217 --> 00:13:03,925 WELL, HONEY, WHEN YOU GET TO A WORD YOU DON'T KNOW, 279 00:13:03,925 --> 00:13:06,758 JUST SOUND IT OUT. 280 00:13:06,758 --> 00:13:11,217 I MEAN, HOW COULD I HAVE TAKEN ON THE ROLE OF ANNE FRANK. 281 00:13:11,217 --> 00:13:14,967 SHE'S JUST SO INCREDIBLY WISE AND BRAVE. 282 00:13:14,967 --> 00:13:18,008 I MEAN, I CAME UP HERE TO SEE WHAT IT WAS LIKE TO BE HER. 283 00:13:18,008 --> 00:13:20,258 I JUST CAN'T DO HER JUSTICE. 284 00:13:20,258 --> 00:13:23,258 I CAN'T. OF COURSE YOU CAN. 285 00:13:23,258 --> 00:13:25,925 I KNOW YOU NEVER SEE THIS SIDE OF ME, BUT IT'S TRUE. 286 00:13:25,925 --> 00:13:28,842 SOMETIMES I CAN BE A LITTLE BIT SUPERFICIAL. 287 00:13:30,842 --> 00:13:33,217 I'M JUST NOT ANNE MATERIAL. 288 00:13:33,217 --> 00:13:35,258 THINK I SHOULD QUIT? 289 00:13:35,258 --> 00:13:37,175 BECAUSE, IT'S NOT LIKE I'D BE LETTING ANYONE DOWN. 290 00:13:37,175 --> 00:13:38,592 THERE ARE TONS OF GIRLS 291 00:13:38,592 --> 00:13:40,550 THAT COULD DO A WAY BETTER JOB THAN I CAN. 292 00:13:40,550 --> 00:13:43,050 I SHOULD QUIT, RIGHT? 293 00:13:44,300 --> 00:13:47,300 D-DO YOU WANT TO QUIT? 294 00:13:47,300 --> 00:13:49,842 NO, I DON'T WANT TO QUIT, 295 00:13:49,842 --> 00:13:52,758 BUT I DON'T WANT TO EMBARRASS MYSELF. 296 00:13:52,758 --> 00:13:55,008 I DON'T WANT TO EMBARRASS YOU, EITHER. 297 00:13:55,008 --> 00:13:56,967 OH, THAT'S JUST CRAZY, HONEY. 298 00:13:59,133 --> 00:14:01,300 BUT DO YOU WANT TO QUIT? 299 00:14:01,300 --> 00:14:04,217 I DON'T KNOW WHAT ELSE TO DO. 300 00:14:04,217 --> 00:14:06,133 I'M OUT OF MY DEPTH. 301 00:14:06,133 --> 00:14:08,592 WOW... 302 00:14:08,592 --> 00:14:12,300 YOU REALLY DID READ THE BOOK. 303 00:14:14,800 --> 00:14:17,258 WELL... 304 00:14:17,258 --> 00:14:20,508 I DON'T THINK YOU SHOULD QUIT. 305 00:14:20,508 --> 00:14:22,550 I THINK YOU CAN DO IT. 306 00:14:22,550 --> 00:14:24,633 I KNOW YOU CAN DO IT. 307 00:14:24,633 --> 00:14:28,133 IT JUST DOESN'T SEEM RIGHT THAT I PLAY ANNE. 308 00:14:28,133 --> 00:14:30,175 WE'RE NOTHING ALIKE. 309 00:14:30,175 --> 00:14:34,217 WE HAVE A NICE ATTIC AND A NICE HOUSE. 310 00:14:34,217 --> 00:14:38,550 I CAN GO TO SLEEP AT NIGHT, WHEN IT'S DARK, IN A WARM BED. 311 00:14:38,550 --> 00:14:41,592 I CAN LEAVE WHENEVER I WANT. 312 00:14:41,592 --> 00:14:44,175 I DON'T KNOW. MY LIFE IS EASY. 313 00:14:44,175 --> 00:14:47,758 I JUST HAVE NOT EXPERIENCED THAT KIND OF HARDSHIP. 314 00:14:47,758 --> 00:14:52,008 I CAN'T IMAGINE ANYONE PLAYING THAT PART HAS THAT EXPERIENCE, 315 00:14:52,008 --> 00:14:55,008 BUT AN ACTOR FINDS THINGS TO DRAW ON. 316 00:14:57,175 --> 00:15:03,800 YOU KNOW, YOU HAVE HAD YOUR SHARE OF SADNESS. 317 00:15:03,800 --> 00:15:05,633 START THERE. 318 00:15:12,133 --> 00:15:14,883 Cate: WELL, LET'S JUST HOPE THEY DO GOOD. 319 00:15:14,883 --> 00:15:16,467 OKAY, IT'S NICE TO SEE YOU. 320 00:15:16,467 --> 00:15:18,258 ENJOY THE SHOW. OKAY. 321 00:15:20,258 --> 00:15:22,008 YOU BROUGHT THE DUMMY? 322 00:15:22,008 --> 00:15:24,008 HE'S WEARING A TIE. 323 00:15:27,675 --> 00:15:31,092 AREN'T YOU A LITTLE OLD TO BE PLAYING WITH DOLLS? 324 00:15:31,092 --> 00:15:34,133 AREN'T YOU A LITTLE OLD? 325 00:15:34,133 --> 00:15:35,300 I SWEAR TO GOD, 326 00:15:35,300 --> 00:15:38,092 ONE OF THESE DAYS I'M GONNA PICK MY TEETH WITH YOU. 327 00:15:38,092 --> 00:15:40,467 JEEZ, THIS IS A NEW LOW. I'M TALKING TO A DUMMY. 328 00:15:40,467 --> 00:15:42,467 AND NOW YOU'RE TALKING TO YOURSELF. 329 00:15:44,342 --> 00:15:47,508 SKEEVY, THIS MAN FOUGHT IN THE KOREAN WAR. 330 00:15:47,508 --> 00:15:50,092 IT WAS A POLICE ACTION! 331 00:15:50,092 --> 00:15:52,550 Stop it! Stop it! Stop it! 332 00:15:52,550 --> 00:15:56,008 CATE! THIS IS MY MOTHER. 333 00:15:56,008 --> 00:15:57,467 HOW DO YOU DO? 334 00:15:57,467 --> 00:16:01,633 YOU MUST BE HONORED THAT YOUR DAUGHTER IS PLAYING ANNE FRANK. 335 00:16:01,633 --> 00:16:04,342 OH, GOD BLESS YOU AND YOUR FAMILY. 336 00:16:04,342 --> 00:16:07,175 OKAY, MOM, LET'S GO FIND A SEAT. 337 00:16:07,175 --> 00:16:10,508 HER DAUGHTER -- HER DAUGHTER'S PLAYING ANNE FRANK. 338 00:16:14,092 --> 00:16:17,217 I SMELL CHRISTMAS PAGEANT ALL OVER AGAIN. 339 00:16:21,342 --> 00:16:23,425 MY NAME IS ANNE FRANK. 340 00:16:25,800 --> 00:16:29,425 SHE LOOKS NOTHING LIKE ANNE FRANK. 341 00:16:29,425 --> 00:16:31,425 THE NAZIS INV-- 342 00:16:48,133 --> 00:16:51,092 MY NAME IS ANNE FRANK. 343 00:16:51,092 --> 00:16:55,383 THE NAZIS INVADED MY COUNTRY BEFORE I TURNED 11. 344 00:16:55,383 --> 00:16:57,092 TWO YEARS LATER, 345 00:16:57,092 --> 00:17:02,425 MY FAMILY AND I AND OTHER JEWISH FAMILIES WENT INTO HIDING. 346 00:17:08,217 --> 00:17:11,217 "FATHER SAYS THEY'VE FOUND THE LAST OF OUR FRIENDS. 347 00:17:11,217 --> 00:17:12,758 "HOW LONG UNTIL THEY FIND US? 348 00:17:12,758 --> 00:17:14,925 "MOTHER'S GETTING SICKER AND WEAKER, 349 00:17:14,925 --> 00:17:17,508 AND I'M AFRAID SHE'S GIVING UP." 350 00:17:19,258 --> 00:17:20,425 MAMA! 351 00:17:20,425 --> 00:17:23,758 MAMA, YOU HAVE TO EAT, PLEASE! 352 00:17:23,758 --> 00:17:25,050 MAMA! 353 00:17:25,050 --> 00:17:28,092 MAMA, YOU HAVE TO EAT, PLEASE. 354 00:17:28,092 --> 00:17:30,175 MAMA... 355 00:17:32,175 --> 00:17:34,300 FATHER! 356 00:17:37,758 --> 00:17:39,175 I KNOW YOU'RE IN THERE! 357 00:17:39,175 --> 00:17:41,300 NO, PLEASE, NO! 358 00:17:43,675 --> 00:17:45,717 NO! QUIET! 359 00:17:48,133 --> 00:17:51,425 BRAVO! BRAVO! 360 00:18:01,175 --> 00:18:03,258 HOW ABOUT THAT SCENERY, TOO, HUH? 361 00:18:06,258 --> 00:18:08,550 Woman: BRAVO! 362 00:18:24,550 --> 00:18:27,050 WELL, YOU WERE GREAT, BRIDG. 363 00:18:27,050 --> 00:18:29,717 IT WAS WORTH MISSING "ROCKFORD FILES" FOR. 364 00:18:34,550 --> 00:18:37,717 YEAH, IT WAS AWESOME, BRIDGET. 365 00:18:37,717 --> 00:18:40,508 THANK YOU, AND, UM, WHAT DID SKEEVY THINK? 366 00:18:40,508 --> 00:18:43,300 OH, WHERE IS SKEEVY? 367 00:18:43,300 --> 00:18:45,800 I TOSSED HIM IN A DUMPSTER. 368 00:18:45,800 --> 00:18:48,175 AFTER THE PLAY, A REALLY HOT GIRL LOOKED AT ME, 369 00:18:48,175 --> 00:18:50,217 POINTED, LAUGHED, AND SAID, "WHAT A GEEK!" 370 00:18:50,217 --> 00:18:52,342 WHAT MAKES YOU THINK SHE SAW SKEEVY? 371 00:18:54,175 --> 00:18:55,383 HEY, NOW, WAIT A MINUTE, 372 00:18:55,383 --> 00:18:58,133 I THOUGHT SKEEVY BELONGED TO THE COUNSELOR. 373 00:18:58,133 --> 00:19:00,550 OH, RIGHT, I WAS LYING. 374 00:19:00,550 --> 00:19:04,383 I JUST REALLY, REALLY WANTED A VENTRILOQUIST'S DUMMY. 375 00:19:04,383 --> 00:19:08,508 YOU MEAN YOU'RE NOT SUPPRESSING ANY EMOTIONAL PROBLEMS? 376 00:19:08,508 --> 00:19:11,133 NAH. 377 00:19:11,133 --> 00:19:13,425 WELL, I'M RELIEVED. 378 00:19:13,425 --> 00:19:16,383 AND, YOU KNOW, I HOPE YOU HAD A REALLY GOOD TIME TONIGHT, 379 00:19:16,383 --> 00:19:18,967 BECAUSE THAT'S THE LAST TIME YOU'RE GOING OUT FOR A WHILE. 380 00:19:18,967 --> 00:19:20,425 WAIT, MOM! 381 00:19:20,425 --> 00:19:21,675 DON'T LISTEN TO HIM. 382 00:19:21,675 --> 00:19:25,383 HE'S GOT ISSUES -- BIG-TIME ISSUES. 383 00:19:25,383 --> 00:19:28,383 WORK IT OUT IN YOUR ROOM. 384 00:19:28,383 --> 00:19:30,967 NOW WHO'S THE DUMMY? 385 00:19:32,425 --> 00:19:34,342 HEY, BRIDG... 386 00:19:34,342 --> 00:19:36,967 I WAS REALLY PROUD OF MY BIG SISTER TONIGHT. 387 00:19:36,967 --> 00:19:39,217 THANK YOU, KERRY. 388 00:19:41,425 --> 00:19:42,842 THAT WAS HARD. 389 00:19:42,842 --> 00:19:44,425 WHY? 390 00:19:44,425 --> 00:19:47,383 THERE'S NO SHAME IN LOOKING UP TO YOUR BIG SISTER. 391 00:19:47,383 --> 00:19:52,050 HEY, MY BIG BROTHER WAS A HERO IN WORLD WAR II. 392 00:19:52,050 --> 00:19:53,633 THANKS, GRAMPS. 393 00:19:55,758 --> 00:19:58,175 NOW, THAT WAS HARD. 394 00:20:01,050 --> 00:20:05,300 HEY, BEACH, I WAS REALLY AMAZED BY YOUR PERFORMANCE TONIGHT. 395 00:20:05,300 --> 00:20:07,342 I WAS SO IMPRESSED AND PROUD OF YOU. 396 00:20:07,342 --> 00:20:08,883 REALLY? YEAH. 397 00:20:08,883 --> 00:20:10,675 AND I HAD TO ADMIT THAT FOR A WHILE THERE, 398 00:20:10,675 --> 00:20:12,383 I HAD MY LITTLE CONCERNS. 399 00:20:12,383 --> 00:20:13,842 OH, WHAT'D YOU THINK -- 400 00:20:13,842 --> 00:20:16,425 I WAS GONNA FALL OFF THE STAGE AND KNOCK OUT THE ENTIRE BRASS SECTION? 401 00:20:18,800 --> 00:20:21,133 WELL, ONE THING I DO KNOW, 402 00:20:21,133 --> 00:20:23,592 YOU CAN DO ANYTHING YOU PUT YOUR MIND TO. 403 00:20:23,592 --> 00:20:25,425 THANK YOU, MOM. 404 00:20:26,342 --> 00:20:27,717 COMING UP? 405 00:20:27,717 --> 00:20:30,550 YEP, I'M JUST GONNA PUT THESE IN WATER. 406 00:20:30,550 --> 00:20:32,092 OKAY. 407 00:20:32,092 --> 00:20:33,758 NIGHT, HONEY. GOOD NIGHT. 408 00:20:36,883 --> 00:20:38,967 I DON'T KNOW HOW YOU DID IT. 409 00:20:38,967 --> 00:20:41,550 YOU REALLY TAPPED INTO SOME EMOTION THERE. 410 00:20:41,550 --> 00:20:43,550 YEAH, I GUESS. 411 00:20:43,550 --> 00:20:45,175 YEAH. 412 00:21:13,050 --> 00:21:15,383 Good night. 29413

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