Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:42,167 --> 00:00:44,033
Taro and Su-Lee,
if you wish to argue,
2
00:00:44,133 --> 00:00:46,267
at least argue in English.
3
00:00:51,033 --> 00:00:53,933
making people slaveries.
4
00:00:54,033 --> 00:00:55,433
You are typical
stupid capitalist.
5
00:00:55,533 --> 00:00:57,800
Your imperial
is going to be overthrown
6
00:00:57,900 --> 00:00:58,700
when revolution comes.
7
00:00:58,800 --> 00:01:00,033
So this
8
00:01:01,067 --> 00:01:02,867
Another-- another one.
9
00:01:02,967 --> 00:01:04,967
Come on, Taro and
Su-Lee, it's time
10
00:01:05,067 --> 00:01:06,600
you both learned
to live together
11
00:01:06,700 --> 00:01:08,500
in peaceful coexistence.
12
00:01:08,600 --> 00:01:10,733
China always prepared
to live peacefully.
13
00:01:10,833 --> 00:01:12,633
Well let's make it start
in the classroom, shall we?
14
00:01:12,733 --> 00:01:15,133
In future, no more
ideological arguments.
15
00:01:15,233 --> 00:01:17,800
Now are you willing
to make a truce, Taro?
16
00:01:17,900 --> 00:01:20,700
Yes, um.
17
00:01:20,800 --> 00:01:22,000
I apologize.
18
00:01:26,333 --> 00:01:29,533
Hey, what's happening.
19
00:01:29,633 --> 00:01:33,300
Taro and Su-Lee have decided
to live together in harmony.
20
00:01:33,400 --> 00:01:36,033
Is that like living in sin?
21
00:01:36,133 --> 00:01:37,867
No, Danielle.
22
00:01:37,967 --> 00:01:39,833
We are making truce-oh.
23
00:01:39,933 --> 00:01:40,767
A truce-oh?
24
00:01:40,867 --> 00:01:41,867
You're getting married.
25
00:01:41,967 --> 00:01:43,867
When is the happy day?
26
00:01:43,967 --> 00:01:47,500
Not truce-oh, truce-oh.
27
00:01:47,600 --> 00:01:50,767
What Taro means is that he
and Su-Lee have decided to have
28
00:01:50,867 --> 00:01:52,633
no more political arguments.
29
00:01:54,100 --> 00:01:55,200
In harmony, yes.
30
00:01:55,300 --> 00:01:56,733
Tell me, Danielle,
did you do anything
31
00:01:56,833 --> 00:01:57,900
exciting over the weekend?
32
00:01:58,000 --> 00:01:58,800
No.
33
00:01:58,900 --> 00:02:00,200
Did you?
34
00:02:00,300 --> 00:02:01,333
No.
35
00:02:01,433 --> 00:02:02,767
What a pity.
36
00:02:02,867 --> 00:02:05,200
You were alone,
not being excited.
37
00:02:05,300 --> 00:02:08,100
I was alone, not being excited.
38
00:02:08,200 --> 00:02:12,800
Together, we could have
both been very excited.
39
00:02:12,900 --> 00:02:13,900
Yes, I'm sure we could.
40
00:02:14,000 --> 00:02:14,800
Now, um--
41
00:02:17,733 --> 00:02:18,900
Good evening, Mr. Brown.
42
00:02:19,000 --> 00:02:20,733
Oh, Ali, what
have you been doing
43
00:02:20,833 --> 00:02:22,467
with yourself over the weekend?
44
00:02:22,567 --> 00:02:23,600
Oh blimey.
45
00:02:23,700 --> 00:02:26,400
Saturday, I'm going to
the palace of Buckingham
46
00:02:26,500 --> 00:02:30,233
to see Her Majesty the
Queen, but she was not in.
47
00:02:30,333 --> 00:02:32,300
If I'm going to
drown in the street
48
00:02:32,400 --> 00:02:34,200
to see the prime
minister, Mr. Colorgas.
49
00:02:37,600 --> 00:02:38,700
Callaghan.
50
00:02:38,800 --> 00:02:39,633
Yes, please.
51
00:02:39,733 --> 00:02:40,900
He was also not in.
52
00:02:41,000 --> 00:02:43,967
Then I'm going to see
the Nelson's tomb.
53
00:02:44,067 --> 00:02:45,167
Well, I hope he was in.
54
00:02:45,267 --> 00:02:47,033
Oh no, I did
not see him either.
55
00:02:47,133 --> 00:02:50,467
Oh, go on.
56
00:02:51,933 --> 00:02:52,767
Ah, Juan--
57
00:02:52,867 --> 00:02:53,867
Si, Sen r?
58
00:02:53,967 --> 00:02:55,533
I've got a bone
to pick with you.
59
00:02:55,633 --> 00:02:57,667
Chicken bone.
60
00:02:57,767 --> 00:02:59,733
No, a bone of contention.
61
00:02:59,833 --> 00:03:02,933
Ah, I never heard that before.
62
00:03:03,033 --> 00:03:04,400
Last week, I
asked you to write
63
00:03:04,500 --> 00:03:07,300
out a verb is a word that
denotes an action or state,
64
00:03:07,400 --> 00:03:08,133
20 times.
65
00:03:08,233 --> 00:03:11,300
Ah, I write it on.
66
00:03:11,400 --> 00:03:13,467
Here it is.
67
00:03:13,567 --> 00:03:17,800
A verb is a word that denote
an actual or state 20 times.
68
00:03:17,900 --> 00:03:18,800
Yes, right.
69
00:03:18,900 --> 00:03:20,300
Right.
70
00:03:20,400 --> 00:03:22,967
I sometimes wonder if you're
quite as stupid as you look?
71
00:03:23,067 --> 00:03:23,900
Por favor?
72
00:03:24,000 --> 00:03:25,633
Never mind.
73
00:03:32,100 --> 00:03:33,033
Goodnight.
74
00:03:33,133 --> 00:03:35,433
No, Zoltan-- good evening.
75
00:03:35,533 --> 00:03:37,100
Good evening.
76
00:03:37,200 --> 00:03:38,767
She teach me plenty much.
77
00:03:42,200 --> 00:03:43,900
Did you have a
nice weekend, Anna?
78
00:03:44,000 --> 00:03:47,467
Yeah, I enjoyed
myself with the fairies.
79
00:03:47,567 --> 00:03:48,433
fairies?
80
00:03:48,533 --> 00:03:49,367
What?
81
00:03:49,467 --> 00:03:50,467
Was it the bottom
of your garden?
82
00:03:50,567 --> 00:03:51,200
Nine.
83
00:03:51,300 --> 00:03:52,700
On the River Thames.
84
00:03:52,800 --> 00:03:54,133
Oh, ferries.
85
00:03:54,233 --> 00:03:57,500
Yeah, ferries.
86
00:03:57,600 --> 00:03:58,467
Good evening.
87
00:03:58,567 --> 00:04:00,067
Good evening,..
88
00:04:00,167 --> 00:04:02,100
Been shopping, have you?
89
00:04:02,200 --> 00:04:04,067
We are being on
the funny fair.
90
00:04:04,167 --> 00:04:06,433
And now winning these
gifts on the shooting
91
00:04:06,533 --> 00:04:08,500
rifles for only 20p.
92
00:04:08,600 --> 00:04:10,333
Well, you must have been
hitting the bull's-eye.
93
00:04:10,433 --> 00:04:14,800
Oh no, I hit the owner man.
94
00:04:14,900 --> 00:04:17,200
He's giving us these
prizes to go away.
95
00:04:17,300 --> 00:04:21,300
And we are be have ice
cream and doughy nuts
96
00:04:21,400 --> 00:04:23,833
and lemonade and hotty dogs.
97
00:04:23,933 --> 00:04:27,333
Then we went up and down
on the moon..
98
00:04:27,433 --> 00:04:29,767
It's a wonder you both
weren't violently sick.
99
00:04:29,867 --> 00:04:30,800
- We were.
- Twice.
100
00:04:30,900 --> 00:04:31,733
Each.
101
00:04:34,400 --> 00:04:35,533
All right.
102
00:04:35,633 --> 00:04:36,900
While I'm marking the
register for Miss Courtney,
103
00:04:37,000 --> 00:04:38,733
would you all turn
to page 27, please?
104
00:04:38,833 --> 00:04:41,633
Yes, sentence
construction again.
105
00:04:42,633 --> 00:04:43,467
Enter.
106
00:04:47,100 --> 00:04:48,300
I brought you tea.
107
00:04:48,400 --> 00:04:50,900
Thank you.
108
00:04:51,000 --> 00:04:53,600
Are you all right?
109
00:04:53,700 --> 00:04:56,800
Would you like two tickets for
the ladies circle supper dance?
110
00:04:56,900 --> 00:04:58,033
Oh, I wouldn't mind.
111
00:04:58,133 --> 00:04:59,000
I like dancing.
112
00:04:59,100 --> 00:05:00,967
Five pounds, each.
113
00:05:01,067 --> 00:05:03,000
Oh no, I'm sorry.
114
00:05:03,100 --> 00:05:04,633
Well, as a
committee member, I'm
115
00:05:04,733 --> 00:05:06,567
supposed to sell six tickets.
116
00:05:06,667 --> 00:05:08,433
Oh, well, I'm sure
you'll get rid of them.
117
00:05:08,533 --> 00:05:10,467
Not at that price.
118
00:05:10,567 --> 00:05:13,267
It's far too expensive
for a supper dance.
119
00:05:13,367 --> 00:05:15,400
Well, I suppose they
put on a good spread.
120
00:05:15,500 --> 00:05:16,500
Oh yes.
121
00:05:16,600 --> 00:05:20,733
Last year, I managed to
get two sausage rolls.
122
00:05:20,833 --> 00:05:23,667
Who else do you know fool
enough to buy sausage
123
00:05:23,767 --> 00:05:26,033
rolls at 2 pounds 50 a time?
124
00:05:26,133 --> 00:05:27,800
Oh, Mr. Brown, come in.
125
00:05:27,900 --> 00:05:31,133
We were just talking about you.
126
00:05:31,233 --> 00:05:32,067
That will be all.
127
00:05:32,167 --> 00:05:33,067
Thank you, Gladys.
128
00:05:33,167 --> 00:05:36,400
Yes, all right, Miss Courtney.
129
00:05:36,500 --> 00:05:38,267
Good luck.
130
00:05:38,367 --> 00:05:39,600
What did she mean, good luck?
131
00:05:39,700 --> 00:05:41,333
Oh, nothing at all.
132
00:05:41,433 --> 00:05:43,067
Now, Mr. Brown--oh, do sit down.
133
00:05:43,167 --> 00:05:44,633
Oh, I've just brought
the register, actually.
134
00:05:44,733 --> 00:05:46,967
Well, thank you very much, but
there's no need to rush away.
135
00:05:47,067 --> 00:05:48,200
Sit down.
136
00:05:48,300 --> 00:05:49,567
Yeah, but my students
will be waiting--
137
00:05:49,667 --> 00:05:50,967
I'm sure they won't miss
you for a few moments.
138
00:05:51,067 --> 00:05:53,000
Would you care to join
me in a cup of tea?
139
00:05:53,100 --> 00:05:54,467
Yes, thank you.
140
00:05:54,567 --> 00:05:57,500
Now, Gladys and I were
just talking about you.
141
00:05:57,600 --> 00:06:01,733
We were saying how
lonely your life must be.
142
00:06:01,833 --> 00:06:03,567
After all, you live alone.
143
00:06:03,667 --> 00:06:06,033
There's nothing to
do in the evening.
144
00:06:06,133 --> 00:06:08,167
I mean, for example,
what are you doing
145
00:06:08,267 --> 00:06:09,900
tomorrow night after class?
146
00:06:10,000 --> 00:06:11,400
Well, nothing in particular.
147
00:06:11,500 --> 00:06:13,033
Oh good.
148
00:06:13,133 --> 00:06:14,467
Would you care to go to a dance?
149
00:06:14,567 --> 00:06:16,700
Oh, yes-- with you?
150
00:06:16,800 --> 00:06:19,567
I'm afraid not, Mr. Brown.
151
00:06:19,667 --> 00:06:22,300
But don't be disappointed,
I shall be there,
152
00:06:22,400 --> 00:06:24,367
but I already have
my own escort.
153
00:06:24,467 --> 00:06:25,700
No.
154
00:06:25,800 --> 00:06:28,300
The Ladies Circle are holding
their annual supper dance.
155
00:06:28,400 --> 00:06:30,333
I happen to have two spare
tickets and, of course,
156
00:06:30,433 --> 00:06:32,733
I immediately thought of you.
157
00:06:32,833 --> 00:06:33,933
You do dance?
158
00:06:34,033 --> 00:06:35,533
Well, a little, but
I know Gene Kelly.
159
00:06:35,633 --> 00:06:36,833
Oh, well that's splendid.
160
00:06:36,933 --> 00:06:38,133
There we are then.
That's settled.
161
00:06:38,233 --> 00:06:39,367
Oh, well thank you.
162
00:06:39,467 --> 00:06:40,833
That's very good of
you to consider me.
163
00:06:40,933 --> 00:06:42,767
Oh, not at all, dear boy.
164
00:06:42,867 --> 00:06:44,533
You can give me the money later.
165
00:06:44,633 --> 00:06:45,500
Yes, all right.
166
00:06:45,600 --> 00:06:46,867
Money?
167
00:06:46,967 --> 00:06:48,633
For the tickets.
168
00:06:48,733 --> 00:06:50,233
Five pounds each.
169
00:06:50,333 --> 00:06:53,367
Five-- you didn't say
tomorrow night, did you?
170
00:06:53,467 --> 00:06:54,133
Yes.
171
00:06:54,233 --> 00:06:57,767
Oh dear, what a pity.
172
00:06:57,867 --> 00:06:59,133
What is it, Mr. Brown?
173
00:06:59,233 --> 00:07:00,600
Well, I have to go
to the launderette.
174
00:07:00,700 --> 00:07:02,867
I'm down to my last clean shirt.
175
00:07:02,967 --> 00:07:04,300
- How unfortunate.
- Yes.
176
00:07:04,400 --> 00:07:06,167
Any other night, but tomorrow,
would have been fine.
177
00:07:06,267 --> 00:07:08,533
Well, of course, if you do
have to go to the launderette--
178
00:07:08,633 --> 00:07:09,700
Oh yes, I do.
I do.
179
00:07:09,800 --> 00:07:11,667
Well then, we had, uh--
better forget about it.
180
00:07:11,767 --> 00:07:12,967
Yes.
181
00:07:13,067 --> 00:07:15,033
After all, I'm not the
sort of person to, uh--
182
00:07:15,133 --> 00:07:16,867
put pressure on anyone.
- Oh no.
183
00:07:16,967 --> 00:07:17,967
I'm sure you're not.
184
00:07:18,067 --> 00:07:19,367
No point in
forcing anyone to do
185
00:07:19,467 --> 00:07:21,933
anything they don't want to do.
186
00:07:22,033 --> 00:07:23,500
Very true.
187
00:07:23,600 --> 00:07:26,867
By the way, I shall be having
lunch next week with the area
188
00:07:26,967 --> 00:07:28,267
education officer.
189
00:07:28,367 --> 00:07:30,300
I expect he'll want to know
how you are getting on.
190
00:07:30,400 --> 00:07:31,633
Really?
191
00:07:31,733 --> 00:07:35,733
The right work in his ear
could lead to a full-time job.
192
00:07:35,833 --> 00:07:37,467
Oh, well that
would be marvelous.
193
00:07:37,567 --> 00:07:39,200
Yes.
194
00:07:39,300 --> 00:07:41,033
Pity about the tickets.
195
00:07:46,367 --> 00:07:47,833
10 pounds, you said?
196
00:07:47,933 --> 00:07:50,067
You've changed your mind?
197
00:07:50,167 --> 00:07:51,133
How nice.
198
00:07:54,633 --> 00:07:55,900
Sorry.
Right.
199
00:07:56,000 --> 00:07:57,200
Now pay attention.
200
00:07:57,300 --> 00:07:59,767
Tonight, we are going
to play a little game.
201
00:07:59,867 --> 00:08:02,067
Pontoons?
202
00:08:02,167 --> 00:08:04,100
No, not a card game, Max.
203
00:08:04,200 --> 00:08:05,667
Hey, I know a good game--
204
00:08:05,767 --> 00:08:06,600
Postman's Knockers.
205
00:08:09,233 --> 00:08:10,867
No, we're not playing
those sort of games,
206
00:08:10,967 --> 00:08:12,033
either, Giovanni.
207
00:08:12,133 --> 00:08:14,067
Now, this is a verbal
exercise to help
208
00:08:14,167 --> 00:08:16,467
you to improve your English
and test your imagination.
209
00:08:16,567 --> 00:08:19,000
Blimey, Ranjeet is
not having a chance.
210
00:08:22,467 --> 00:08:26,167
What we're going to do is to
try to tell a continuing story.
211
00:08:26,267 --> 00:08:27,600
That is to say, we
could, for example,
212
00:08:27,700 --> 00:08:30,233
start with, once upon a
time, there was a man called,
213
00:08:30,333 --> 00:08:32,800
Arthur and he was a bus driver.
214
00:08:32,900 --> 00:08:34,367
And then, the next
person would add
215
00:08:34,467 --> 00:08:37,067
something more about Arthur and
the things he did, and so on.
216
00:08:37,167 --> 00:08:39,167
You'll soon pick it up,
once we get started.
217
00:08:39,267 --> 00:08:41,100
Well start with you, Juan.
218
00:08:41,200 --> 00:08:43,167
I not know no
this man, Arthur.
219
00:08:45,800 --> 00:08:47,533
Arthur is fictitious.
220
00:08:47,633 --> 00:08:48,367
Ha, ha.
221
00:08:48,467 --> 00:08:52,033
But you say he's a bus driver.
222
00:08:52,133 --> 00:08:53,133
He's make-believe.
223
00:08:53,233 --> 00:08:54,167
I made him up.
224
00:08:54,267 --> 00:08:55,600
Ah.
Imaginario.
225
00:08:55,700 --> 00:08:57,133
Yeah.
226
00:08:57,233 --> 00:08:59,667
Now I want you to make up a
story using your imagination.
227
00:08:59,767 --> 00:09:00,733
I understand.
228
00:09:03,833 --> 00:09:09,167
Once upon a times, there was
a man called, Nickel-Ass.
229
00:09:11,967 --> 00:09:12,900
That's not quite right.
230
00:09:13,000 --> 00:09:13,800
No?
231
00:09:13,900 --> 00:09:15,267
No.
232
00:09:15,367 --> 00:09:21,833
Once upon a time, there was
a woman called Nickel-Ass.
233
00:09:21,933 --> 00:09:23,833
It's pronounced Nicholas.
234
00:09:23,933 --> 00:09:25,633
It's all right.
235
00:09:25,733 --> 00:09:33,167
Once upon a time, there was
a man called Ni-chol-ass.
236
00:09:33,267 --> 00:09:36,633
He was the poster man.
237
00:09:36,733 --> 00:09:37,567
Post man.
238
00:09:37,667 --> 00:09:38,700
No, no, no--
239
00:09:38,800 --> 00:09:40,633
poster man.
240
00:09:40,733 --> 00:09:43,967
Juan, a man who delivers
letters is called a postman.
241
00:09:44,067 --> 00:09:45,867
A man who stick poster--
242
00:09:45,967 --> 00:09:47,000
poster man.
243
00:09:51,833 --> 00:09:52,667
Ah.
244
00:09:52,767 --> 00:09:53,600
Bill sticker.
245
00:09:53,700 --> 00:09:54,600
No, no.
246
00:09:54,700 --> 00:09:58,667
His name Ni-chol-ass.
247
00:09:58,767 --> 00:09:59,667
All right.
248
00:09:59,767 --> 00:10:00,667
I'm done with you.
249
00:10:00,767 --> 00:10:02,833
It's all right.
250
00:10:02,933 --> 00:10:03,767
All right.
251
00:10:03,867 --> 00:10:04,767
Your turn, Ingrid.
252
00:10:04,867 --> 00:10:06,167
Tell us more about this, uh--
253
00:10:06,267 --> 00:10:10,600
Nicholas who is
sticking up posters.
254
00:10:10,700 --> 00:10:15,167
One man up his
ladder when he sees a widow.
255
00:10:15,267 --> 00:10:17,267
What is a widow
doing up his ladder?
256
00:10:17,367 --> 00:10:20,000
Well, the widow is
in the opposite house.
257
00:10:20,100 --> 00:10:21,467
There are four widows--
258
00:10:21,567 --> 00:10:23,667
two upstairs widows,
one downstairs
259
00:10:23,767 --> 00:10:25,800
widow, and the French widow.
260
00:10:25,900 --> 00:10:27,300
You mean windows.
261
00:10:27,400 --> 00:10:28,067
Oh, sorry.
262
00:10:28,167 --> 00:10:29,433
The man is house robbing.
263
00:10:29,533 --> 00:10:31,267
Good, good, good.
All right.
264
00:10:31,367 --> 00:10:32,933
Your turn, Zoltan.
- Please?
265
00:10:33,033 --> 00:10:33,867
Yes.
266
00:10:33,967 --> 00:10:34,967
Continue the story.
267
00:10:36,833 --> 00:10:38,100
We are making up a story.
268
00:10:38,200 --> 00:10:39,267
Understand-- story?
269
00:10:39,367 --> 00:10:40,667
Story.
270
00:10:40,767 --> 00:10:46,767
Ah, I know very good story about
Aladdin and his wonderful limp.
271
00:10:46,867 --> 00:10:49,233
This is another
story about Nicholas.
272
00:10:49,333 --> 00:10:50,000
Ah!
273
00:10:50,100 --> 00:10:53,567
Merry Christmas.
274
00:10:53,667 --> 00:10:56,267
Song from Nicholas--
comes every year.
275
00:10:56,367 --> 00:10:57,400
Ah, yes.
276
00:10:57,500 --> 00:10:59,000
This is another Nicholas,
not St. Nicholas,
277
00:10:59,100 --> 00:11:00,067
and he is on a ladder.
278
00:11:00,167 --> 00:11:01,567
Ladder-- yes.
279
00:11:01,667 --> 00:11:04,000
Yes, when he sees through
a window a burglar, a robber.
280
00:11:04,100 --> 00:11:05,467
Now use your
imagination and tell us
281
00:11:05,567 --> 00:11:06,633
about what happens next.
282
00:11:09,667 --> 00:11:12,133
He sends for ambulance.
283
00:11:12,233 --> 00:11:13,800
Why would he send
for an ambulance?
284
00:11:13,900 --> 00:11:16,167
He falls off ladder.
285
00:11:16,267 --> 00:11:17,667
Good imagination-- no?
286
00:11:17,767 --> 00:11:18,900
Yes.
287
00:11:19,000 --> 00:11:20,467
Thank you.
288
00:11:20,567 --> 00:11:23,100
Right, uh-- let's see what you
can do with this story, Anna?
289
00:11:23,200 --> 00:11:25,100
The burglar hears
the ambulance,
290
00:11:25,200 --> 00:11:27,433
but thinks it is
the police, so he
291
00:11:27,533 --> 00:11:30,233
climbs back out of the
window, up the fire
292
00:11:30,333 --> 00:11:32,000
escape onto the roofs.
293
00:11:32,100 --> 00:11:33,467
Very good.
294
00:11:33,567 --> 00:11:36,667
Max, carry on.
295
00:11:36,767 --> 00:11:38,767
There is no way out.
296
00:11:38,867 --> 00:11:39,867
He can't go up.
297
00:11:39,967 --> 00:11:42,067
He can't go down.
298
00:11:42,167 --> 00:11:45,900
Now, the only way
you can go is across.
299
00:11:46,000 --> 00:11:48,067
It's a big across.
300
00:11:48,167 --> 00:11:49,800
So he gets ready.
301
00:11:49,900 --> 00:11:50,733
He runs.
302
00:11:50,833 --> 00:11:51,700
He jumps.
303
00:11:51,800 --> 00:11:53,233
And he misses.
304
00:11:56,500 --> 00:11:58,000
It's going to be
a very short story.
305
00:11:58,100 --> 00:11:59,167
Ah, no.
306
00:11:59,267 --> 00:12:01,067
Now it's my turn.
307
00:12:01,167 --> 00:12:03,733
He does not kill
himself because he
308
00:12:03,833 --> 00:12:08,667
jumps onto a big lorry full of--
how you say-- the cut grass.
309
00:12:08,767 --> 00:12:09,867
Hay?
310
00:12:09,967 --> 00:12:12,000
The cut grass.
311
00:12:12,100 --> 00:12:13,233
Hay.
312
00:12:13,333 --> 00:12:16,433
You're not hearing very well.
313
00:12:16,533 --> 00:12:18,000
You are not
understanding very well.
314
00:12:18,100 --> 00:12:19,567
Cut grass is called hay.
315
00:12:19,667 --> 00:12:21,300
Oh.
316
00:12:21,400 --> 00:12:22,600
No ho, hay.
317
00:12:27,000 --> 00:12:30,367
So, the hay is
saving his life.
318
00:12:30,467 --> 00:12:31,100
Good.
319
00:12:31,200 --> 00:12:32,067
Well done, Danielle.
320
00:12:32,167 --> 00:12:36,000
All right, Giovanni, your turn.
321
00:12:36,100 --> 00:12:38,867
Now, the coppers are coming.
322
00:12:38,967 --> 00:12:41,167
The burglar panics.
323
00:12:41,267 --> 00:12:45,367
Then he sees the church, so he
goes and knockers on the door.
324
00:12:45,467 --> 00:12:49,367
A priest, he hear
this knockery, so he
325
00:12:49,467 --> 00:12:51,600
come along and open the door.
326
00:12:51,700 --> 00:12:56,000
The burglar, he say, father,
I am in a the big trouble.
327
00:12:56,100 --> 00:12:59,133
So the priest say, come
into the church, my son,
328
00:12:59,233 --> 00:13:01,567
and I give you sanctuary.
329
00:13:01,667 --> 00:13:05,367
OK, says the burglar,
and sanctuary much.
330
00:13:12,000 --> 00:13:13,200
Yes, genius.
331
00:13:13,300 --> 00:13:13,967
Right.
332
00:13:14,067 --> 00:13:15,600
Carry on, Ranjeet.
333
00:13:15,700 --> 00:13:19,700
Meanwhile, the man who
is falling off his ladders,
334
00:13:19,800 --> 00:13:25,500
is telling the police that he's
not a poster sticker-upper man,
335
00:13:25,600 --> 00:13:28,600
but a secret agent.
336
00:13:28,700 --> 00:13:33,500
And the burglar man is
being a Russian spy.
337
00:13:33,600 --> 00:13:37,300
Well I must say, you've all
got very vivid imaginations.
338
00:13:37,400 --> 00:13:38,333
Taro?
339
00:13:42,633 --> 00:13:47,167
Russian spy-- no go
priest-o on hay-do.
340
00:13:47,267 --> 00:13:52,067
End-o, change-o
clothes-o to escape-o.
341
00:13:54,967 --> 00:13:55,833
The plot thickens.
342
00:13:55,933 --> 00:13:57,933
Right, Jamila?
343
00:13:58,033 --> 00:14:02,567
But the priest is
be recover, and crawl
344
00:14:02,667 --> 00:14:05,433
to be ring church bell.
345
00:14:05,533 --> 00:14:11,600
Russian spy-- he see him
and, bang, shoot at him.
346
00:14:11,700 --> 00:14:15,300
As priest is fall, he is pull--
347
00:14:15,400 --> 00:14:18,800
bell of rope-- ding, dong.
348
00:14:22,033 --> 00:14:22,900
Very good.
349
00:14:23,000 --> 00:14:24,433
Ali?
350
00:14:24,533 --> 00:14:27,367
Yes, please.
351
00:14:27,467 --> 00:14:29,767
The agent is thinking,
hello, hello, that
352
00:14:29,867 --> 00:14:31,867
is very strange
hearing bells when
353
00:14:31,967 --> 00:14:33,833
it is not church-going time.
354
00:14:33,933 --> 00:14:37,800
So he is going into the church
and finding the Russian-a spy
355
00:14:37,900 --> 00:14:39,867
up the bell fry.
356
00:14:39,967 --> 00:14:42,433
Come down with your
hands stuck up.
357
00:14:42,533 --> 00:14:46,600
You are caught, you
dirty Russian rat?
358
00:14:46,700 --> 00:14:47,900
Good. good.
359
00:14:48,000 --> 00:14:49,633
Well, Su-Lee, I don't
suppose there's really
360
00:14:49,733 --> 00:14:50,667
much you can add to all that.
361
00:14:50,767 --> 00:14:51,567
Is there?
362
00:14:51,667 --> 00:14:53,467
Oh, yes I can.
363
00:14:53,567 --> 00:14:56,967
Very devious Lussian
agent, master of kalate,
364
00:14:57,067 --> 00:15:00,333
overpowers British
agent-- hi-- hi-yai!
365
00:15:00,433 --> 00:15:02,600
And lands outside
where helicopter
366
00:15:02,700 --> 00:15:08,667
waiting to take him to safety,
fries off the Reninglad.
367
00:15:08,767 --> 00:15:09,900
Very good.
368
00:15:10,000 --> 00:15:11,067
Well, it's not exactly
Alistair MacLean,
369
00:15:11,167 --> 00:15:12,567
but well done, everybody.
370
00:15:12,667 --> 00:15:15,667
Excuse me, Mr. Brown, but
about the dance tomorrow night.
371
00:15:15,767 --> 00:15:16,967
It's black tie.
372
00:15:17,067 --> 00:15:19,400
Oh dear, what a pity.
373
00:15:19,500 --> 00:15:22,033
Yes, Mr. Brown.
374
00:15:22,133 --> 00:15:23,533
I'll hire one.
375
00:15:23,633 --> 00:15:26,233
Good.
376
00:15:26,333 --> 00:15:28,200
You are dancing going?
377
00:15:28,300 --> 00:15:28,967
Yes.
378
00:15:29,067 --> 00:15:30,200
With Miss Courtney?
379
00:15:30,300 --> 00:15:32,267
No, no, she sold
me the tickets.
380
00:15:32,367 --> 00:15:34,300
You have more than one ticket?
381
00:15:34,400 --> 00:15:35,233
Two.
382
00:15:35,333 --> 00:15:36,867
Then you must
someone else take?
383
00:15:36,967 --> 00:15:40,300
Yes, well that would seem to
be a fairly logical assumption.
384
00:15:40,400 --> 00:15:43,500
I wery much like dancing.
385
00:15:43,600 --> 00:15:46,667
And me
have for dancing.
386
00:15:46,767 --> 00:15:49,400
I would love to be
with you on the floor.
387
00:15:54,000 --> 00:15:56,767
I am no can dance, but
I am very happy for you
388
00:15:56,867 --> 00:15:58,300
to be teach me, Masterji.
389
00:15:58,400 --> 00:16:00,033
Well, what about you
Su-Lee, aren't you eligible
390
00:16:00,133 --> 00:16:01,467
for the other ticket, too?
391
00:16:01,567 --> 00:16:02,633
Not me.
392
00:16:02,733 --> 00:16:04,967
Western dancing-- decadent
art form, not worthy
393
00:16:05,067 --> 00:16:06,633
of consideration by
Chinese Republic.
394
00:16:09,600 --> 00:16:12,900
Well that narrows it down
to Danielle, Anna, and Ingrid.
395
00:16:13,000 --> 00:16:14,133
Excuse, please?
396
00:16:14,233 --> 00:16:15,633
Why you not taking me?
397
00:16:18,367 --> 00:16:20,767
I can't dance with you, Ali.
398
00:16:20,867 --> 00:16:23,133
Oh no, I'm
thinking, we could be
399
00:16:23,233 --> 00:16:25,633
picking up a couple of
nice pieces of a skirt--
400
00:16:25,733 --> 00:16:27,667
one for each of us.
401
00:16:27,767 --> 00:16:30,100
Well, I hardly think so,
not at the Ladies Circle.
402
00:16:30,200 --> 00:16:31,833
It says on the
ticket it's old-time.
403
00:16:31,933 --> 00:16:33,267
Now does that narrow
it down any further?
404
00:16:33,367 --> 00:16:36,533
Oh, but not for me,
because I love to dance
405
00:16:36,633 --> 00:16:38,667
in the old-fashioned way.
406
00:16:42,000 --> 00:16:44,800
A medal I win,
for my black bottom.
407
00:16:44,900 --> 00:16:46,433
Oh blimey.
408
00:16:46,533 --> 00:16:49,433
How can she be having a black
bottom, when she's white?
409
00:16:52,867 --> 00:16:55,300
It's a dance, Ali.
410
00:16:55,400 --> 00:16:56,733
Jolly good.
411
00:16:56,833 --> 00:16:59,733
Well, how about you, Anna,
are you any good at old-time?
412
00:16:59,833 --> 00:17:02,467
Germans are good at
everything, but especially
413
00:17:02,567 --> 00:17:04,933
military two-step.
414
00:17:05,033 --> 00:17:08,167
Oh please, me take to dance.
415
00:17:08,267 --> 00:17:10,833
He much prefer to take me.
416
00:17:10,933 --> 00:17:11,967
Don't you, Mr. Brown?
417
00:17:12,067 --> 00:17:14,000
Mr. Brown must
decide for himself.
418
00:17:14,100 --> 00:17:15,400
There is nothing
to decide, Anna.
419
00:17:15,500 --> 00:17:17,200
Act-- actually,
I think you should decide
420
00:17:17,300 --> 00:17:19,700
amongst yourselves, otherwise
it might look as if I'm guilty
421
00:17:19,800 --> 00:17:21,200
of favoritism.
422
00:17:21,300 --> 00:17:23,600
Now it's almost tea time, so
I suggest you go up to, uh--
423
00:17:23,700 --> 00:17:26,233
the Canteen and decide amongst
yourselves which one of you
424
00:17:26,333 --> 00:17:28,000
girls is coming to the
dance with me tomorrow.
425
00:17:28,100 --> 00:17:29,533
All right?
426
00:17:47,567 --> 00:17:49,867
Hey, aren't you
going out for coffee?
427
00:17:49,967 --> 00:17:51,700
- No, thank you, Gladys.
- Oh.
428
00:17:51,800 --> 00:17:52,867
Oh, just a minute, Gladys.
429
00:17:52,967 --> 00:17:54,000
yeah?
430
00:17:54,100 --> 00:17:55,267
How's your dashing
white sergeant?
431
00:17:55,367 --> 00:17:57,167
Oh, if you mean my
old man, he's shocking.
432
00:17:57,267 --> 00:17:57,900
No.
433
00:17:58,000 --> 00:18:00,233
Old-time dancing.
434
00:18:00,333 --> 00:18:01,433
Oh.
435
00:18:01,533 --> 00:18:04,133
So she conned you into
buying the tickets, then?
436
00:18:04,233 --> 00:18:05,767
Blackmail would be
more the right word.
437
00:18:05,867 --> 00:18:07,167
Look, are you any
good at old-time?
438
00:18:07,267 --> 00:18:08,600
I should say so.
439
00:18:08,700 --> 00:18:10,100
I was noted for me Valeta.
440
00:18:10,200 --> 00:18:11,467
- Really?
- Yeah.
441
00:18:11,567 --> 00:18:13,667
Well in that case, you're
just the woman I need.
442
00:18:13,767 --> 00:18:14,800
Oh, that's nice.
443
00:18:14,900 --> 00:18:16,333
Yeah.
444
00:18:16,433 --> 00:18:17,600
I'm afraid my passe glissade
isn't quite what it should be.
445
00:18:17,700 --> 00:18:20,867
Well, I might not know
the technical words,
446
00:18:20,967 --> 00:18:23,600
but I could show you the steps.
Come on.
447
00:18:23,700 --> 00:18:24,567
Wait, now?
448
00:18:24,667 --> 00:18:25,867
Yes.
449
00:18:25,967 --> 00:18:27,567
You want to get it right for
tomorrow night, don't you?
450
00:18:27,667 --> 00:18:28,900
Um-- yes-- yes, of course.
451
00:18:29,000 --> 00:18:32,000
Right. well look, you hold
my hand and I'll la, la it.
452
00:18:32,100 --> 00:18:32,967
Right.
Are you ready?
453
00:18:33,067 --> 00:18:34,533
Yes.
454
00:18:34,633 --> 00:18:40,167
Go to the left, like la, la,
la, la, la, la, la, la-- back--
455
00:18:40,267 --> 00:18:43,333
la, la, la, la, la, la--
456
00:18:43,433 --> 00:18:46,200
two this way-- la,
la, la-- back--
457
00:18:46,300 --> 00:18:51,433
la, la, la-- lovely-- la, la,
la, la, la, la, la, la, la--
458
00:18:55,300 --> 00:18:58,067
Sorry, uh-- sorry,
Miss Courtney,
459
00:18:58,167 --> 00:18:59,567
we were practicing the Valeta.
460
00:18:59,667 --> 00:19:01,533
Well, I think I'll sit this
one out, if you don't mind.
461
00:19:01,633 --> 00:19:02,933
Oh.
462
00:19:03,033 --> 00:19:05,167
And I'll have another cup of
tea, if you don't mind, Gladys.
463
00:19:05,267 --> 00:19:08,400
Uh-- certainly, Miss Courtney.
464
00:19:08,500 --> 00:19:11,233
Well, Mr. Brown, who are you
taking to the dance, tomorrow
465
00:19:11,333 --> 00:19:12,200
night?
466
00:19:12,300 --> 00:19:14,467
Well, I haven't
exactly decided yet.
467
00:19:14,567 --> 00:19:15,633
I don't believe it.
468
00:19:15,733 --> 00:19:16,767
It's true.
469
00:19:16,867 --> 00:19:19,000
Mr. Brown is taking
me to the dance.
470
00:19:19,100 --> 00:19:20,567
He's just asked me.
471
00:19:20,667 --> 00:19:24,200
La, la, la, la, la, la, la--
472
00:19:30,033 --> 00:19:31,000
Right.
473
00:19:31,100 --> 00:19:31,933
Come along, everyone.
474
00:19:32,033 --> 00:19:33,100
Places, please?
475
00:19:33,200 --> 00:19:36,167
Well, let's ask Mr. Brown.
476
00:19:36,267 --> 00:19:38,400
I do not understand
you, Mr. Brown.
477
00:19:38,500 --> 00:19:40,200
Me not respect.
478
00:19:40,300 --> 00:19:42,433
Perhaps he has
a mother complex.
479
00:19:42,533 --> 00:19:43,367
Mm.
480
00:19:43,467 --> 00:19:44,567
What are you
all talking about?
481
00:19:44,667 --> 00:19:46,333
Your choice of
partners for the dance.
482
00:19:46,433 --> 00:19:49,267
But I haven't chosen a partner
for the dance-- for the dance.
483
00:19:49,367 --> 00:19:51,000
I thought you were deciding
it amongst yourselves.
484
00:19:51,100 --> 00:19:52,467
We did.
485
00:19:52,567 --> 00:19:53,533
Anna
486
00:19:53,633 --> 00:19:54,600
Ah.
487
00:19:54,700 --> 00:19:57,633
Until Gladys told
us you have asked her.
488
00:19:57,733 --> 00:19:58,533
Gladys?
489
00:19:58,633 --> 00:19:59,667
I haven't asked Gladys.
490
00:19:59,767 --> 00:20:01,433
That is what
she's telling everybody.
491
00:20:01,533 --> 00:20:02,900
Oh,
that's ridiculous.
492
00:20:03,000 --> 00:20:04,400
There's obviously been
some misunderstanding.
493
00:20:04,500 --> 00:20:06,700
I'm definitely taking you to
the dance tomorrow night, Anna.
494
00:20:06,800 --> 00:20:08,300
All right?
Don't worry.
495
00:20:08,400 --> 00:20:09,300
I'll sort it out with Gladys.
496
00:20:09,400 --> 00:20:10,600
I'll have a word with her.
497
00:20:11,633 --> 00:20:12,367
Ah!
498
00:20:12,467 --> 00:20:13,833
Gladys, just the person I want.
499
00:20:13,933 --> 00:20:15,000
Yes, Mr. Brown?
500
00:20:15,100 --> 00:20:16,800
It's about the
dance, tomorrow night.
501
00:20:16,900 --> 00:20:18,000
Oh, I know what
you're going to say.
502
00:20:18,100 --> 00:20:20,333
- You do?
- Yes, but not to worry.
503
00:20:20,433 --> 00:20:21,433
He won't mind.
504
00:20:21,533 --> 00:20:22,467
Who won't mind?
505
00:20:22,567 --> 00:20:23,533
My old man, Wally.
506
00:20:23,633 --> 00:20:24,500
He's not a bit jealous.
507
00:20:24,600 --> 00:20:25,633
Now
listen, Gladys, I've
508
00:20:25,733 --> 00:20:26,867
got something to say to you.
509
00:20:26,967 --> 00:20:28,967
Yes, and I've got
something to say to you.
510
00:20:29,067 --> 00:20:30,367
Well, I'll come
straight to the point.
511
00:20:30,467 --> 00:20:32,233
This is the most
wonderful thing that's
512
00:20:32,333 --> 00:20:34,767
happened to me in 40 years.
513
00:20:34,867 --> 00:20:36,267
And I shall never
forget tomorrow
514
00:20:36,367 --> 00:20:39,667
night, as long as I live.
515
00:20:39,767 --> 00:20:42,100
Oh.
516
00:20:42,200 --> 00:20:44,467
Oh, I'm sorry, um-- uh--
what were you saying?
517
00:20:44,567 --> 00:20:45,200
Nothing.
518
00:20:45,300 --> 00:20:46,300
It--it doesn't matter.
519
00:20:46,400 --> 00:20:47,600
Oh.
520
00:20:55,233 --> 00:20:57,667
So you are taking
Dame Gladys, then?
521
00:20:57,767 --> 00:20:59,067
I don't know what I'm doing.
522
00:20:59,167 --> 00:21:00,300
I hadn't the heart to tell her.
523
00:21:00,400 --> 00:21:03,367
At the moment, I'm
taking Gladys and Anna.
524
00:21:03,467 --> 00:21:06,633
Ah, Mr. Brown, have you
decided yet who you are taking
525
00:21:06,733 --> 00:21:07,600
to the dance, tomorrow night?
526
00:21:07,700 --> 00:21:09,067
Not exactly.
527
00:21:09,167 --> 00:21:10,600
That's good, because Dr.
Wilson has just telephoned.
528
00:21:10,700 --> 00:21:11,733
He's unable to come.
529
00:21:11,833 --> 00:21:12,900
I'm sorry, I don't understand.
530
00:21:13,000 --> 00:21:15,100
Well, he was to
have been my partner.
531
00:21:15,200 --> 00:21:17,800
Now you can have that
honor, Mr. Brown.
532
00:21:21,267 --> 00:21:24,433
Congratulations, son,
you just got..
533
00:21:30,833 --> 00:21:34,967
la, la, la la, la, la--
534
00:21:35,067 --> 00:21:36,800
Blimey,
535
00:21:36,900 --> 00:21:39,000
Hey, don't you be so cheeky.
536
00:21:45,433 --> 00:21:46,967
God.
537
00:21:47,067 --> 00:21:48,567
You like, Sid?
538
00:21:48,667 --> 00:21:50,200
Very seductive.
539
00:21:50,300 --> 00:21:51,467
I borrow from Danielle.
540
00:21:51,567 --> 00:21:54,033
Oh.
541
00:21:54,133 --> 00:21:56,600
- Good evening, Sidney.
- How do you do?
542
00:21:59,867 --> 00:22:01,467
Do get up.
543
00:22:01,567 --> 00:22:03,833
When Mr. Brown arrives,
I wish to see him.
544
00:22:03,933 --> 00:22:04,767
I'll tell him.
545
00:22:10,567 --> 00:22:12,300
You're done up
like a dogs dinner.
546
00:22:12,400 --> 00:22:13,633
They're all here,
the three of them.
547
00:22:13,733 --> 00:22:15,533
I've seen them.
They've arrived.
548
00:22:15,633 --> 00:22:18,267
I wouldn't like to be in your
shoes when they find out.
549
00:22:18,367 --> 00:22:20,300
Yes, well, with a bit of
luck, they won't find out.
550
00:22:20,400 --> 00:22:21,100
All right.
551
00:22:21,200 --> 00:22:22,767
What's all this?
552
00:22:22,867 --> 00:22:26,367
You'll see.
553
00:22:29,533 --> 00:22:30,367
Enter.
554
00:22:32,867 --> 00:22:34,333
Mr. Brown, whatever
have you done?
555
00:22:34,433 --> 00:22:36,067
Oh, it's nothing really,
just a slight accident,
556
00:22:36,167 --> 00:22:37,433
uh-- compound fracture.
557
00:22:37,533 --> 00:22:39,267
Well you can't possibly
go to the dance like that.
558
00:22:39,367 --> 00:22:40,700
Oh well, I couldn't
let you down.
559
00:22:40,800 --> 00:22:41,667
No, no, no.
I insist.
560
00:22:41,767 --> 00:22:42,767
I--
561
00:22:42,867 --> 00:22:43,933
Oh, but I wouldn't
consider it.
562
00:22:44,033 --> 00:22:46,033
Oh well, if you
feel like that, fine.
563
00:22:46,133 --> 00:22:47,433
Oh, most certainly I do.
564
00:22:47,533 --> 00:22:49,067
Oh well, that's--
that's very kind of you.
565
00:22:52,833 --> 00:22:53,733
Ha.
566
00:22:53,833 --> 00:22:54,933
She didn't fall for it, did she?
567
00:22:55,033 --> 00:22:56,800
Absolutely.
568
00:22:56,900 --> 00:23:00,400
Oh, Mr. Brown--
569
00:23:00,500 --> 00:23:04,767
Mr. Brown, a compound
fracture, I think you said.
570
00:23:04,867 --> 00:23:06,300
Yes, yes.
571
00:23:06,400 --> 00:23:08,500
Well it seems more like
a movable fracture to me.
572
00:23:08,600 --> 00:23:09,633
Pardon?
573
00:23:09,733 --> 00:23:10,900
Well a moment ago, it
was in the other leg.
574
00:23:11,000 --> 00:23:12,367
Oh.
um--
575
00:23:12,467 --> 00:23:14,133
how do you like--
576
00:23:14,233 --> 00:23:16,100
What's the matter?
577
00:23:16,200 --> 00:23:18,833
Why are you dressed
like that, Miss Schmidt?
578
00:23:18,933 --> 00:23:20,867
Mr. Brown is taking
me to the dance.
579
00:23:20,967 --> 00:23:22,633
Oh, no he's not.
580
00:23:22,733 --> 00:23:24,633
He's taking me.
581
00:23:24,733 --> 00:23:25,700
Mr. Brown?
582
00:23:25,800 --> 00:23:26,767
Oh, look, um--
583
00:23:26,867 --> 00:23:28,300
calm down, everybody.
584
00:23:28,400 --> 00:23:29,833
I'm sure there's a perfectly
simple solution which will keep
585
00:23:29,933 --> 00:23:34,000
everybody's honor satisfied.
586
00:23:51,433 --> 00:23:52,900
Thank you very much, Anna.
587
00:23:53,000 --> 00:23:54,467
You're velcome.
588
00:23:54,567 --> 00:23:58,133
And now, take your
partners for the Gay Gordons.
589
00:23:58,233 --> 00:24:00,900
Oh, that's mine,
I think, Mr. Brown.
590
00:24:01,000 --> 00:24:03,900
And when you come to
the Valeta, it's mine.
591
00:24:04,000 --> 00:24:08,467
Come along, Mr.
Brown, and smile.
40000
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof