All language subtitles for The Six Million Dollar Man - s03e04 - The Song and Dance Spy

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,035 --> 00:00:03,279 FLIGHT COM: It's looks good at NASA One. 2 00:00:03,303 --> 00:00:04,292 B-52 PILOT: Roger. 3 00:00:04,371 --> 00:00:05,770 BCS Arm switch is on. 4 00:00:05,839 --> 00:00:06,828 FLIGHT COM: Okay, Victor. 5 00:00:06,907 --> 00:00:08,985 B-52 PILOT: Landing Rocket Arm switch is on. Here comes the throttle. 6 00:00:09,009 --> 00:00:11,102 Circuit breakers in. 7 00:00:11,178 --> 00:00:12,202 STEVE: We have separation. 8 00:00:12,312 --> 00:00:14,337 B-52 PILOT: Inboard and outboards are on. 9 00:00:14,414 --> 00:00:16,348 I'm comin' forward with the side stick. 10 00:00:16,416 --> 00:00:17,474 FLIGHT COM: Looks good. 11 00:00:17,784 --> 00:00:18,716 PILOT: Ah, Roger. 12 00:00:18,785 --> 00:00:20,096 STEVE: I've got a blowout in damper three. 13 00:00:20,120 --> 00:00:21,264 SR-71 PILOT: Get your pitch to zero. 14 00:00:21,288 --> 00:00:23,051 STEVE: Pitch is out. I can't hold altitude! 15 00:00:23,123 --> 00:00:26,092 B-52 PILOT: Correction. Alpha Hold is off. Threat selector is emergency. 16 00:00:26,159 --> 00:00:29,026 STEVE: Flight Com. I can't hold it! She's breaking up! She's breaking... 17 00:00:36,970 --> 00:00:39,336 ANNOUNCER: Steve Austin. Astronaut. 18 00:00:39,406 --> 00:00:41,840 A man barely alive. 19 00:00:44,011 --> 00:00:46,844 Gentlemen, we can rebuild him. 20 00:00:46,914 --> 00:00:49,747 We have the technology. 21 00:00:49,816 --> 00:00:54,014 We have the capability to make the world's first bionic man. 22 00:00:57,724 --> 00:01:01,717 Steve Austin will be that man. 23 00:01:01,795 --> 00:01:04,355 Better than he was before. 24 00:01:05,165 --> 00:01:09,625 Better, stronger, faster. 25 00:01:09,703 --> 00:01:12,695 (MAIN TITLE THEME) 26 00:01:29,723 --> 00:01:32,658 ('7OS POP MUSIC) 27 00:01:35,696 --> 00:01:37,561 SINGERS: J‘ Ah J‘ 28 00:01:37,631 --> 00:01:40,998 J‘ I love you baby, and if it's quite alright J‘ 29 00:01:41,068 --> 00:01:44,128 J‘ I need you baby, to warm my lonely night J‘ 30 00:01:44,204 --> 00:01:48,664 J‘ I love you baby, trust in me when I say J‘ 31 00:01:49,443 --> 00:01:53,038 J‘ Whoa, pretty baby, don't' bring me down I pray J‘ 32 00:01:53,113 --> 00:01:56,139 J‘ Oh pretty baby, Now that I found you stayJ‘ 33 00:01:56,216 --> 00:01:58,878 J‘ And let me love you, baby J‘ 34 00:01:58,952 --> 00:02:01,580 J‘ Let me love you J‘ 35 00:02:01,655 --> 00:02:04,647 J‘ You're just too good to be true J‘ 36 00:02:04,725 --> 00:02:07,193 J‘ Can't take my eyes off you J‘ 37 00:02:07,260 --> 00:02:10,457 J‘ You'd be like heaven to touch J‘ 38 00:02:10,530 --> 00:02:13,761 J‘ I wanna hold you so much J‘ 39 00:02:13,834 --> 00:02:16,928 J‘ At long last love has arrived J‘ 40 00:02:17,004 --> 00:02:19,495 J‘ I thank God I'm alive J‘ 41 00:02:19,573 --> 00:02:22,235 J‘ You're just too good to be true J‘ 42 00:02:22,776 --> 00:02:26,007 J‘ You're just too good to be true J‘ 43 00:02:26,079 --> 00:02:28,547 J‘ You're just too good to be true J‘ 44 00:02:28,615 --> 00:02:32,244 J‘ Can't take my eyes off you J‘ 45 00:02:35,689 --> 00:02:38,214 (SONG ENDS) 46 00:02:49,436 --> 00:02:52,098 (BAND PLAYS OUTRO) 47 00:02:52,172 --> 00:02:54,663 Loved every minute of it! 48 00:02:56,643 --> 00:02:59,305 That was pretty good, huh? Good. 49 00:02:59,379 --> 00:03:01,142 Uh-huh, very good. Come on, let's say hello. 50 00:03:01,214 --> 00:03:02,841 I'll, um... I'll wait here. You go ahead. 51 00:03:02,916 --> 00:03:03,974 I'll be right back. 52 00:03:05,318 --> 00:03:06,808 JOHN: I'm glad you liked it. 53 00:03:06,887 --> 00:03:08,684 This was one of our best shows. It was huge! 54 00:03:08,755 --> 00:03:11,087 Uh, excuse me. 'Scuse me? 55 00:03:11,158 --> 00:03:13,058 I'm with the Atlas Collection Agency. 56 00:03:13,126 --> 00:03:16,220 Our records show you're six months behind payments for your sound equipment. 57 00:03:16,763 --> 00:03:18,060 Delinquent? That's right. 58 00:03:18,131 --> 00:03:20,531 I have a warrant here authorizing repossession. 59 00:03:20,600 --> 00:03:21,931 What? Oh, no. 60 00:03:22,002 --> 00:03:24,300 I'm sorry. Okay, boys. Pick it up. Put it in the truck. 61 00:03:24,371 --> 00:03:26,498 Wait a minute, sir. Please. You gotta. You... you... 62 00:03:26,573 --> 00:03:28,905 What's happening? What's going on here? 63 00:03:28,975 --> 00:03:32,206 This dude says that we didn't pay for our sound equipment. 64 00:03:32,279 --> 00:03:33,610 Repossessing the sound equipment. 65 00:03:33,680 --> 00:03:35,580 You're crazy. No. No, he's not. 66 00:03:35,649 --> 00:03:38,277 Look, I went and blew the money in Las Vegas gambling. 67 00:03:38,351 --> 00:03:40,751 You what? Yeah, I did. 68 00:03:40,821 --> 00:03:42,231 But, sir. You've gotta give me a break. 69 00:03:42,255 --> 00:03:43,654 Please don't take the equipment. 70 00:03:43,724 --> 00:03:46,386 It's my living, you know? I just have to have that equipment. 71 00:03:46,460 --> 00:03:47,586 I'll make it up, please. 72 00:03:47,661 --> 00:03:49,005 Look, I'm sorry. I'm just doing my job. 73 00:03:49,029 --> 00:03:50,053 Okay, fellas? Oh, mister. 74 00:03:50,130 --> 00:03:52,030 Please, mister, please! 75 00:03:52,099 --> 00:03:53,396 Please don't wrinkle my jacket. 76 00:03:53,467 --> 00:03:57,267 Well, if you let me wrinkle your jacket, I'll let you wrinkle my hair. 77 00:03:57,337 --> 00:03:59,464 (LAUGHTER) 78 00:03:59,539 --> 00:04:02,269 JOHN: How you doing? STEVE: Great. Hey. 79 00:04:02,342 --> 00:04:04,207 It's really good to see you. Hiya, John. 80 00:04:04,277 --> 00:04:05,835 Really good to see you. Hey, gang... 81 00:04:05,912 --> 00:04:07,971 I want you to meet a chum of mine. 82 00:04:08,048 --> 00:04:10,175 He's a super astronaut, pool shark, right? 83 00:04:10,250 --> 00:04:13,344 Football hero, and I trust him with my life. 84 00:04:13,420 --> 00:04:14,614 This is Steve Austin. 85 00:04:14,688 --> 00:04:16,155 Hi. Hi, Steve. 86 00:04:16,223 --> 00:04:19,886 That's Linda, that's Louise, that's Laura... 87 00:04:19,960 --> 00:04:21,689 and this is my PR man, Lee Michaels. 88 00:04:21,762 --> 00:04:22,786 Hi, Lee. Hi there. 89 00:04:22,863 --> 00:04:23,921 We have you going? 90 00:04:23,997 --> 00:04:27,023 That's what we majored in in college. We used to put each other on. 91 00:04:27,100 --> 00:04:28,658 How was that? Not bad, huh? 92 00:04:28,735 --> 00:04:30,225 Well, he was pretty convincing. 93 00:04:30,303 --> 00:04:31,861 You were doing the best you could. 94 00:04:31,938 --> 00:04:33,769 Being convincing just isn't your thing, John. 95 00:04:33,840 --> 00:04:35,603 Oh, come on. 96 00:04:35,675 --> 00:04:37,438 John, the press is waiting. 97 00:04:37,511 --> 00:04:39,706 Can you ask them to wait? We got a lot of catch... 98 00:04:39,780 --> 00:04:42,271 I haven't see... how many years? I haven't seen him in years. 99 00:04:42,349 --> 00:04:45,011 John, John, you can't keep the press waiting, you know. 100 00:04:45,085 --> 00:04:46,347 Oh, yeah. How 'bout tomorrow? 101 00:04:46,419 --> 00:04:47,530 Tomorrow. What are we doing tomorrow? 102 00:04:47,554 --> 00:04:48,748 We'll be here tomorrow. 103 00:04:48,822 --> 00:04:50,366 We'll be here tomorrow. Can you come by here tomorrow? 104 00:04:50,390 --> 00:04:52,017 Sure. I'll see you here tomorrow? 105 00:04:52,092 --> 00:04:53,081 You got it. Okay. Okay. 106 00:04:53,160 --> 00:04:54,320 Deal. Bye, y'all. 107 00:04:54,394 --> 00:04:56,089 Okay, Steve. Take care. 108 00:04:56,163 --> 00:04:58,893 Hey, take one of John's cassettes. 109 00:04:58,965 --> 00:05:01,229 Oh, yeah. One of my cassettes. You'll love it. 110 00:05:01,301 --> 00:05:03,701 I'm... I'm magnificent if I do say so myself. 111 00:05:03,770 --> 00:05:05,761 Can you afford it? (LAUGHTER) 112 00:05:05,839 --> 00:05:08,330 Bye, bye. See you, Steve. 113 00:05:09,509 --> 00:05:11,943 Oh, he's the same funny guy I used to know. 114 00:05:12,012 --> 00:05:13,240 You sure you don't wanna meet? 115 00:05:13,313 --> 00:05:14,302 No thanks, Steve. 116 00:05:14,381 --> 00:05:16,906 OSCAR: How long have you known him, anyway? 117 00:05:16,983 --> 00:05:18,780 We were roommates in college. 118 00:05:18,852 --> 00:05:20,945 He's a great guy, close friend. 119 00:05:21,021 --> 00:05:25,253 John Perry is also a courier for an espionage ring? 120 00:05:25,325 --> 00:05:27,725 (DRAMATIC MUSIC) 121 00:05:27,794 --> 00:05:29,728 What? 122 00:05:29,796 --> 00:05:32,094 You heard me. 123 00:05:37,537 --> 00:05:40,529 (DRAMATIC MUSIC) 124 00:05:45,979 --> 00:05:48,971 (CROWD CHATTER) 125 00:05:53,353 --> 00:05:55,344 CROWD: Aww. 126 00:06:08,168 --> 00:06:11,069 I can't believe it. I just can't believe it. 127 00:06:11,137 --> 00:06:12,399 Steve, for the past year... 128 00:06:12,472 --> 00:06:14,736 master tapes of top secret information... 129 00:06:14,808 --> 00:06:17,504 have been stolen and duplicated by an espionage ring. 130 00:06:17,577 --> 00:06:19,238 Well, who are they? I don't know. 131 00:06:20,113 --> 00:06:22,308 Say, where is my car anyway? 132 00:06:22,382 --> 00:06:23,440 It's right over there. 133 00:06:23,516 --> 00:06:25,279 Oh, I see. 134 00:06:27,821 --> 00:06:31,154 Well, wouldn't you know it. It's parked right in front of me. 135 00:06:32,926 --> 00:06:35,656 It's locked. Brake is on. 136 00:06:35,729 --> 00:06:38,027 Well now, you know that's no problem. 137 00:06:45,438 --> 00:06:48,134 Okay. 138 00:06:51,444 --> 00:06:54,208 (BIONIC SOUND EFFECT) (METAL CREAKING) 139 00:06:57,284 --> 00:07:00,185 (POP MUSIC) 140 00:07:29,916 --> 00:07:31,076 I keep forgetting. 141 00:07:31,151 --> 00:07:32,448 Yup. 142 00:07:32,519 --> 00:07:36,353 Say, Oscar, what proof do you have that John's tied to this espionage ring? 143 00:07:36,423 --> 00:07:38,983 The stolen tapes were sold globally. 144 00:07:39,059 --> 00:07:42,961 Transactions always took place in cities where John Perry was playing. 145 00:07:43,029 --> 00:07:45,122 Yeah, but I said proof. 146 00:07:45,198 --> 00:07:47,257 I've got proof in my office. 147 00:07:47,334 --> 00:07:50,735 Yeah, but now, this espionage ring. You say they sell the tapes. 148 00:07:50,804 --> 00:07:51,828 That's right. 149 00:07:51,905 --> 00:07:54,483 Well, John couldn't possibly be involved. He doesn't need the money. 150 00:07:54,507 --> 00:07:57,320 I mean, he makes a fortune with records, concerts, personal appearances. 151 00:07:57,344 --> 00:07:59,141 Money isn't always the motive, Steve. 152 00:07:59,212 --> 00:08:02,670 Sometimes it's blackmail, mistaken loyalties, things like that. 153 00:08:02,749 --> 00:08:05,411 Next week, John Perry and his group have been booked... 154 00:08:05,485 --> 00:08:06,862 for a concert in the Philipine Islands. 155 00:08:06,886 --> 00:08:09,150 Manila. I want you to go with him. 156 00:08:09,222 --> 00:08:11,622 Wait a minute, Oscar. John's one of my oldest friends. 157 00:08:11,691 --> 00:08:14,057 That's why I'm giving you the assignment, pal. 158 00:08:14,127 --> 00:08:16,618 No one will suspect you. 159 00:08:16,696 --> 00:08:18,960 Yeah, but, couldn't you send somebody else? 160 00:08:19,032 --> 00:08:21,933 No. Steve, stop by my office. 161 00:08:22,002 --> 00:08:25,267 I've got all the proof there that you'll need. 162 00:08:25,338 --> 00:08:26,965 I'll think about it. 163 00:08:27,040 --> 00:08:29,770 (DRAMATIC MUSIC) 164 00:08:47,327 --> 00:08:48,589 (CHIMES) 165 00:08:48,661 --> 00:08:50,652 JOHN V. 0.: He's a super astronaut, pool shark... 166 00:08:50,730 --> 00:08:53,756 football hero, and I trust him with my life. 167 00:08:58,872 --> 00:09:01,306 RADIO DJ: And now here's a hit that's climbing the charts... 168 00:09:01,374 --> 00:09:02,705 and breaking everybody's heart... 169 00:09:02,776 --> 00:09:06,041 John Perry's latest single recording, "A Song For You". 170 00:09:06,112 --> 00:09:10,572 J‘ I've been so many places in my life and time I 171 00:09:13,520 --> 00:09:17,456 J‘ I've sung a lot of songs, I've made some bad rhyme J‘ 172 00:09:20,660 --> 00:09:23,493 J‘ I acted out my love in stages I 173 00:09:24,264 --> 00:09:27,097 J‘ Ten thousand people watching I 174 00:09:28,168 --> 00:09:30,295 I But we're alone now I 175 00:09:30,370 --> 00:09:33,168 I And I'm singing this song for you I 176 00:09:36,443 --> 00:09:40,971 J‘ I know your image of me is what I hope to be I 177 00:09:42,715 --> 00:09:46,276 I And I've treated you unkindly J‘ 178 00:09:46,352 --> 00:09:48,479 I But darlin' can't you see I 179 00:09:50,256 --> 00:09:52,247 I There is no one more... I 180 00:09:55,762 --> 00:09:58,162 (CHIMES) 181 00:09:59,299 --> 00:10:03,326 OSCAR: Steve, I understand how you feel, but, um... 182 00:10:03,403 --> 00:10:05,667 You're asking me to betray a friend, Oscar. 183 00:10:13,446 --> 00:10:15,107 I'm asking you to help catch a spy. 184 00:10:15,181 --> 00:10:16,478 According to you. 185 00:10:17,884 --> 00:10:21,217 Alright. Let me show you something. 186 00:10:24,591 --> 00:10:28,493 Here is John Perry backstage in Miami. 187 00:10:28,561 --> 00:10:30,222 Take it. 188 00:10:30,296 --> 00:10:32,992 OSCAR: Taking a cassette from a Mr. Kimbro. 189 00:10:33,066 --> 00:10:34,499 I repeat. Taking a cassette. 190 00:10:34,567 --> 00:10:35,727 Not giving one away. 191 00:10:35,802 --> 00:10:37,269 How can you be sure he's taking it? 192 00:10:37,337 --> 00:10:41,433 Because the agent that took the picture witnessed the transaction. 193 00:10:41,508 --> 00:10:43,635 And here again. 194 00:10:43,710 --> 00:10:45,610 In New York. John Perry. 195 00:10:45,678 --> 00:10:48,442 Backstage. Taking a cassette from a Mr. Kimbro. 196 00:10:48,515 --> 00:10:51,541 And again in Los Angeles. 197 00:10:51,618 --> 00:10:54,644 Two months later. 198 00:10:55,455 --> 00:10:56,979 Another drop. 199 00:10:57,056 --> 00:10:58,648 Oscar, how do you know these were drops? 200 00:10:58,725 --> 00:11:01,237 Because the secret information that was taken from these tapes... 201 00:11:01,261 --> 00:11:02,990 turned up in European capitals... 202 00:11:03,062 --> 00:11:05,496 in less than a week after these transactions. 203 00:11:05,565 --> 00:11:07,192 And as I told you earlier... 204 00:11:07,267 --> 00:11:10,031 John Perry was playing in these cities at the time. 205 00:11:10,837 --> 00:11:11,826 And here... 206 00:11:13,806 --> 00:11:15,273 is another drop. 207 00:11:17,043 --> 00:11:18,908 Just yesterday. 208 00:11:18,978 --> 00:11:23,278 John Perry is slated to appear in Manila next week. 209 00:11:25,084 --> 00:11:27,211 Think he'll be taking the information to Manila? 210 00:11:27,287 --> 00:11:29,221 I know he will. 211 00:11:29,289 --> 00:11:32,315 Only this time, he's gonna take a phony cassette. 212 00:11:32,392 --> 00:11:36,021 We finally discovered how our friend Mr. Kimbro was stealing our secrets... 213 00:11:36,095 --> 00:11:38,063 so we slipped him a doctored tape. 214 00:11:38,131 --> 00:11:39,928 Look, Oscar, so far all you've shown me... 215 00:11:39,999 --> 00:11:41,443 is some pictures of John and some guy... 216 00:11:41,467 --> 00:11:43,435 Who steals government secrets. 217 00:11:43,503 --> 00:11:46,472 Mr. Kimbro has a record of espionage... 218 00:11:46,539 --> 00:11:49,804 both here in the United States and Europe for the past ten years. 219 00:11:49,876 --> 00:11:51,309 What do you need me for, Oscar? 220 00:11:51,377 --> 00:11:53,470 Looks like you've got the case all wrapped up. 221 00:11:53,546 --> 00:11:57,141 Unfortunately, they found out that we've been watching Kimbro. 222 00:11:58,518 --> 00:12:01,180 Steve, Perry doesn't know this yet. 223 00:12:01,254 --> 00:12:04,280 And he won't for quite some time. 224 00:12:04,357 --> 00:12:07,690 But Kimbro was found dead this morning. 225 00:12:07,760 --> 00:12:11,161 Steve, you're the only one that can hang around Perry... 226 00:12:11,231 --> 00:12:12,721 without making them suspicious. 227 00:12:12,799 --> 00:12:14,289 Now here's the plan. 228 00:12:14,367 --> 00:12:18,133 We had an electronic beeper spun into the tape before it was stolen. 229 00:12:18,204 --> 00:12:20,297 That way we'll always be within listening range. 230 00:12:20,373 --> 00:12:23,274 I want you to be there when that tape is delivered. 231 00:12:23,343 --> 00:12:25,208 I've arranged a cover for you. 232 00:12:29,115 --> 00:12:31,083 It's gonna be ugly, Steve... 233 00:12:31,150 --> 00:12:32,981 the way it's starting out. 234 00:12:35,221 --> 00:12:37,951 Your friend Perry might get hurt. 235 00:12:38,024 --> 00:12:41,721 Whatever happens one way or the other, if you're there... 236 00:12:41,794 --> 00:12:45,491 I could protect John while spying on him. 237 00:12:45,565 --> 00:12:48,557 (DRAMATIC MUSIC) 238 00:12:49,602 --> 00:12:51,297 Sally? 239 00:12:51,371 --> 00:12:54,397 Get me a scrambler line to General McHugh in Guam. 240 00:13:10,390 --> 00:13:14,019 JOHN: Play it... play it down one more time. Just the last three chords. 241 00:13:15,862 --> 00:13:18,831 D flat to B minor. Okay. Okay. I got it. 242 00:13:18,898 --> 00:13:21,492 Hey, I'm sorry I kept you waiting. I'm sorry, girls. 243 00:13:21,567 --> 00:13:23,159 Okay, we can get into it now. 244 00:13:23,236 --> 00:13:25,727 Turn it on. We'll kick right into... 245 00:13:25,805 --> 00:13:30,071 Hey, I ordered those pizzas over two hours ago. Where you been? 246 00:13:32,345 --> 00:13:33,471 You. 247 00:13:34,414 --> 00:13:35,847 Yes, you. You. 248 00:13:35,915 --> 00:13:38,543 Well, sir, we had a lot of deliveries to make. I'm sorry. 249 00:13:38,618 --> 00:13:39,846 Yeah, well, where's the pizza? 250 00:13:39,919 --> 00:13:41,930 To tell you the truth, I couldn't remember whether you said... 251 00:13:41,954 --> 00:13:44,218 light on the cheese and heavy on the anchovies or... 252 00:13:44,290 --> 00:13:46,130 heavy on the cheese and light on the anchovies. 253 00:13:46,159 --> 00:13:48,024 See what I mean? You see what I mean? 254 00:13:48,094 --> 00:13:49,755 Surrounded by incompetents. 255 00:13:49,829 --> 00:13:52,730 Hey, Steve. Glad you could stop by. How you doing? 256 00:13:52,799 --> 00:13:54,926 It isn't entirely a social visit. Oh. 257 00:13:55,001 --> 00:13:56,662 I came by to twist your arm a little bit. 258 00:13:56,736 --> 00:13:58,033 Okay, twist. 259 00:13:58,104 --> 00:14:00,698 I understand you're booked to play Manila. 260 00:14:00,773 --> 00:14:02,604 Right, right, right. 261 00:14:02,675 --> 00:14:05,667 Would you believe eight generals descended upon me this morning? 262 00:14:05,745 --> 00:14:08,145 They wanted to see if I could get you to play... 263 00:14:08,214 --> 00:14:09,579 a service base along the way. 264 00:14:09,649 --> 00:14:10,775 Well, where? 265 00:14:10,850 --> 00:14:12,408 In Guam. 266 00:14:12,485 --> 00:14:14,749 Guam? 267 00:14:14,821 --> 00:14:16,311 John. 268 00:14:17,557 --> 00:14:19,320 They did throw in a little bribe... 269 00:14:19,392 --> 00:14:22,486 that I could go along as liaison officer if I persuaded you. 270 00:14:22,562 --> 00:14:26,089 Well, in that case, we'd love to play Guam. 271 00:14:26,165 --> 00:14:28,861 We would love to play Guam, wouldn't we, girls? 272 00:14:28,935 --> 00:14:30,266 Yeah. Sure. 273 00:14:30,336 --> 00:14:32,827 John. John, wait a minute. 274 00:14:32,905 --> 00:14:36,807 You promised Manila you'd get there a week early to plug the concert. 275 00:14:36,876 --> 00:14:39,208 Yeah, well just tell them we'll be a few days late. 276 00:14:39,278 --> 00:14:41,041 Hey, let's go get the pizzas. Right. 277 00:14:41,114 --> 00:14:43,947 Lunch, everybody! 278 00:14:44,016 --> 00:14:47,076 Let me just ask you, was that heavy on the cheese... 279 00:14:47,153 --> 00:14:48,643 and light on the anchovies? 280 00:14:48,721 --> 00:14:50,966 No, that was light on the cheese and heavy on the anchovies. 281 00:14:50,990 --> 00:14:52,924 I got it. 282 00:14:52,992 --> 00:14:54,653 John! 283 00:14:54,727 --> 00:14:56,285 What do I tell Manila? 284 00:14:56,362 --> 00:15:00,264 Tell 'em it was light on the cheese and heavy on the anchovies. 285 00:15:01,634 --> 00:15:03,864 One hour, I'll be back. 286 00:15:05,271 --> 00:15:08,263 (DRAMATIC MUSIC) 287 00:15:20,520 --> 00:15:22,147 (HORN HONKS) 288 00:15:42,341 --> 00:15:45,401 Why don't you look in my ear? There's a cannon in there. 289 00:15:45,478 --> 00:15:47,912 Greetings, Mr. Damon. 290 00:15:47,980 --> 00:15:50,107 May I recommend the butterfly chair? 291 00:15:51,551 --> 00:15:53,746 Uh, Mr. Buckner... 292 00:15:53,820 --> 00:15:56,414 I just received a disturbing phone call from the States. 293 00:15:56,489 --> 00:15:58,957 John Perry will not be here as agreed. 294 00:15:59,025 --> 00:16:01,186 Why? 295 00:16:01,260 --> 00:16:04,161 He's stopping off to entertain at a military base. 296 00:16:04,230 --> 00:16:07,063 That's very patriotic of Mr. Perry. 297 00:16:07,133 --> 00:16:09,192 This could effect our delivery date. 298 00:16:10,436 --> 00:16:12,870 Day of our delivery is the day of the concert. 299 00:16:12,939 --> 00:16:15,305 There's another complication. 300 00:16:15,374 --> 00:16:18,309 Colonel Austin is making the trip with him. 301 00:16:18,377 --> 00:16:20,709 And Austin's an OSI agent. 302 00:16:20,780 --> 00:16:22,338 Why is that a complication? 303 00:16:22,415 --> 00:16:24,645 Makes getting the tape more difficult. 304 00:16:24,717 --> 00:16:27,242 Not necessarily. 305 00:16:27,320 --> 00:16:29,345 What is the Colonel's name again? 306 00:16:29,422 --> 00:16:30,514 Austin. 307 00:16:32,391 --> 00:16:37,226 And what is the military base that Mr. Perry is playing? 308 00:16:37,296 --> 00:16:40,732 Anderson Air Force Base on Guam. 309 00:16:43,102 --> 00:16:46,560 Then that will be as far as Colonel Austin will go. 310 00:16:46,639 --> 00:16:49,574 (DRAMATIC MUSIC) 311 00:16:49,642 --> 00:16:51,371 Oh, isn't it lovely? 312 00:17:06,459 --> 00:17:08,927 (CHATTER) 313 00:17:14,467 --> 00:17:16,196 CRAWFORD: Colonel Austin? 314 00:17:22,441 --> 00:17:25,137 I'm Crawford with intelligence, Colonel. 315 00:17:25,211 --> 00:17:27,543 Oh, they told me you were aboard. 316 00:17:27,613 --> 00:17:29,979 I'd like to go over the arrival procedure with you. 317 00:17:30,049 --> 00:17:31,949 Well, there's no change. 318 00:17:32,018 --> 00:17:35,579 When the luggage is transferred, the ground crew will monitor the cassette. 319 00:17:35,655 --> 00:17:38,123 You'll take over again when we reach the base. 320 00:17:38,190 --> 00:17:40,090 Yes, sir. How's the signal coming in? 321 00:17:40,159 --> 00:17:42,093 The beep is constant and clear. 322 00:17:42,161 --> 00:17:43,628 Good. 323 00:17:47,133 --> 00:17:49,158 Hey, what're you looking for? A coaster? 324 00:17:49,235 --> 00:17:51,226 Yeah. Be my guest. Oh, great. 325 00:17:54,106 --> 00:17:56,973 You know, nobody ever tells me things. 326 00:17:57,043 --> 00:17:58,101 Yeah? Like what? 327 00:17:58,177 --> 00:18:00,975 Like that you're the Colonel Austin who walked on the moon. 328 00:18:01,047 --> 00:18:03,208 I saw that whole scene on TV. 329 00:18:03,282 --> 00:18:04,579 You did? 330 00:18:04,650 --> 00:18:06,083 I have only one knock, Colonel. 331 00:18:06,152 --> 00:18:07,312 What's that? 332 00:18:07,386 --> 00:18:10,287 Your golf swing. Bad follow through. 333 00:18:10,356 --> 00:18:13,257 Well, my helmet fogged up. 334 00:18:18,664 --> 00:18:20,029 Can I tell you something? 335 00:18:20,099 --> 00:18:21,794 Another knock? 336 00:18:21,867 --> 00:18:24,768 No. A compliment. 337 00:18:24,837 --> 00:18:27,897 You know, this friendship you've got going with John... 338 00:18:27,974 --> 00:18:30,568 it's really, really nice. 339 00:18:32,211 --> 00:18:33,989 >PILOT: Ladies and gentlemen, please fasten your seat belts... 340 00:18:34,013 --> 00:18:35,378 for final approach. 341 00:18:35,448 --> 00:18:37,448 And on behalf of the U. S. Air Force, welcome to... 342 00:18:37,483 --> 00:18:38,683 Hey, think we should wake him? 343 00:18:38,751 --> 00:18:40,548 Oh, let him dream. 344 00:18:40,620 --> 00:18:42,315 Better buckle up. Okay. 345 00:18:46,292 --> 00:18:49,284 (DRAMATIC MUSIC) 346 00:19:27,099 --> 00:19:29,966 Your staff car is over behind that hangar. 347 00:19:30,636 --> 00:19:33,833 JOHN: Okay. Let's go, gang. Let's go load up. 348 00:19:33,906 --> 00:19:35,430 Oh, what about our luggage? 349 00:19:35,508 --> 00:19:36,941 They'll pick up the luggage later. 350 00:19:37,009 --> 00:19:40,137 Oh, okay. Okay, let's go, gang. 351 00:19:41,147 --> 00:19:44,583 I guess he said somewhere around there we can get the staff cars. 352 00:19:46,786 --> 00:19:49,812 This is gonna be a hot concert. 353 00:19:55,161 --> 00:19:56,958 Any other instructions, sir? 354 00:19:57,029 --> 00:19:59,474 Just keep your eye on the luggage while it's being transferred, huh? 355 00:19:59,498 --> 00:20:01,125 Right. 356 00:20:01,200 --> 00:20:02,861 Got the magic. 357 00:20:04,970 --> 00:20:06,961 Take the big one first, fellas. 358 00:20:23,222 --> 00:20:24,314 Hey, John! Wait up! 359 00:20:26,192 --> 00:20:27,318 Look out! Steve! 360 00:20:27,393 --> 00:20:29,884 (BRAKES SQUEAL) 361 00:20:34,500 --> 00:20:37,435 (BIONIC SOUND EFFECT) 362 00:21:01,627 --> 00:21:04,619 (BIONIC EYE SOUND EFFECT) 363 00:21:17,376 --> 00:21:19,071 Hey, that was terrific. 364 00:21:19,145 --> 00:21:19,975 What? 365 00:21:20,546 --> 00:21:24,277 The put on with the crate. It was terrific. Boy. 366 00:21:24,350 --> 00:21:26,682 And you know what, here's the coup de gras. 367 00:21:26,752 --> 00:21:28,117 This is really clever. 368 00:21:28,187 --> 00:21:31,748 You had 'em paint 1450 pounds on there. 369 00:21:31,824 --> 00:21:33,917 That's... You had them do that, right? 370 00:21:33,993 --> 00:21:35,460 Well, I guess you're on to me. 371 00:21:35,528 --> 00:21:36,995 Yeah. Good. 372 00:21:37,062 --> 00:21:39,826 You wanna know something? I'm impressed. I really... 373 00:21:39,899 --> 00:21:43,096 This is the best trick you've ever pulled on me. Best ever. 374 00:21:43,169 --> 00:21:44,158 I had you going, huh? 375 00:21:44,236 --> 00:21:46,101 You really had me going. Really. 376 00:21:46,172 --> 00:21:47,264 Come on. The car's waiting. 377 00:21:47,339 --> 00:21:48,704 Yeah, okay. 378 00:21:48,774 --> 00:21:51,334 Listen, what'd you have them put in here? Cotton candy? 379 00:21:52,578 --> 00:21:55,240 Come on, John. 380 00:21:55,314 --> 00:21:57,782 Super trick. 381 00:22:05,157 --> 00:22:08,092 Ow! Ow! 382 00:22:13,465 --> 00:22:16,628 I know it's a put on. But how'd he do it? 383 00:22:17,503 --> 00:22:19,494 Let's see... 384 00:22:22,842 --> 00:22:24,586 Steve, are you sure you can't get the name of that man... 385 00:22:24,610 --> 00:22:26,373 that drove the forklift truck? 386 00:22:26,445 --> 00:22:27,844 He jumped in a car and drove away. 387 00:22:27,913 --> 00:22:30,643 Well, it sounds like your old friend John Perry... 388 00:22:32,985 --> 00:22:35,715 Look, we got no proof John had anything to do with it at all. 389 00:22:35,788 --> 00:22:37,187 He was just as surprised as I was. 390 00:22:37,256 --> 00:22:40,817 Yes, I know that old ploy. Trust me now, huh? 391 00:22:40,893 --> 00:22:43,088 And then the next time it happens, he's in the clear? 392 00:22:43,162 --> 00:22:44,186 Oscar... 393 00:22:44,263 --> 00:22:47,130 Steve, I'm leaving for Manila tonight. I'll see you there. 394 00:22:47,199 --> 00:22:48,689 Okay, Oscar. 395 00:22:58,377 --> 00:23:00,641 (KNOCKING) (WATER RUNNING) 396 00:23:02,047 --> 00:23:03,981 Steve! 397 00:23:04,049 --> 00:23:05,573 Steve? 398 00:23:24,703 --> 00:23:26,193 STEVE: Hey. 399 00:23:26,272 --> 00:23:28,672 You wanna borrow a dime? 400 00:23:28,741 --> 00:23:31,005 Oh. Hey, Steve, I... 401 00:23:31,076 --> 00:23:32,771 I was setting you up for a gag. 402 00:23:32,845 --> 00:23:34,938 I was gonna take your Air Force ID card... 403 00:23:35,014 --> 00:23:37,039 and tell the MP. You were an imposter. 404 00:23:37,116 --> 00:23:38,493 Come on, John. You can do better than that. 405 00:23:38,517 --> 00:23:39,745 Yeah, I guess I can. 406 00:23:39,818 --> 00:23:44,255 Instead of taking your Air Force ID, I can take this one from the OSI. 407 00:23:44,323 --> 00:23:46,917 You never told me you were an agent, Steve. 408 00:23:46,992 --> 00:23:49,893 Yeah, well, you never asked me. 409 00:23:49,962 --> 00:23:52,829 Hey, let's level with each other, okay? 410 00:23:52,898 --> 00:23:54,559 Why'd you come along on this trip? 411 00:23:54,633 --> 00:23:57,727 Was it the OSI... whatever that is... They put you up to it? 412 00:23:57,803 --> 00:24:01,068 John, I came because of our friendship. 413 00:24:01,140 --> 00:24:02,402 You believe me, don't you? 414 00:24:02,474 --> 00:24:04,965 Yeah, of course I believe you. 415 00:24:05,044 --> 00:24:06,922 Hey, get dressed and we'll go have dinner, okay? 416 00:24:06,946 --> 00:24:08,743 You got it. See you in a few minutes. 417 00:24:08,814 --> 00:24:13,114 Oh, listen, then you'll tell me the truth, right? 418 00:24:13,185 --> 00:24:15,346 Truth about what? 419 00:24:15,421 --> 00:24:18,254 Come on, Steve. The crate. The way you juggled that crate. 420 00:24:18,324 --> 00:24:20,087 Now I know it was some kind of trick. 421 00:24:20,159 --> 00:24:22,525 Come on, buddy. You can trust me. How'd you do it? 422 00:24:22,594 --> 00:24:24,027 Later, John, huh? 423 00:24:24,096 --> 00:24:25,927 Okay, but if you don't tell me soon... 424 00:24:25,998 --> 00:24:28,398 I'm gonna have to sock it to you. 425 00:24:28,467 --> 00:24:31,459 I'll see you at dinner. 426 00:24:31,537 --> 00:24:33,164 Listen, don't say I didn't warn you. 427 00:24:33,238 --> 00:24:34,705 Hey, get out of here. 428 00:24:42,948 --> 00:24:45,940 (CROWD CHEERING) 429 00:24:51,323 --> 00:24:52,790 Thank you. 430 00:24:56,228 --> 00:24:57,752 Thank you very much. 431 00:24:59,365 --> 00:25:01,890 Thank you very much. 432 00:25:01,967 --> 00:25:04,731 We've got a little surprise for you. 433 00:25:04,803 --> 00:25:08,603 We have a celebrity with us that I'd like to introduce now. 434 00:25:08,674 --> 00:25:10,539 He's not a performer... 435 00:25:10,609 --> 00:25:13,874 but his TV show thrilled millions of people all over the world. 436 00:25:13,946 --> 00:25:16,779 I guess you won't recognize him here on Earth. 437 00:25:16,849 --> 00:25:20,114 But on the moon, he is the one and the only... 438 00:25:20,185 --> 00:25:25,054 the super astronaut, Colonel Steve Austin! How about that? 439 00:25:32,464 --> 00:25:34,455 Come on out here! 440 00:25:34,533 --> 00:25:36,125 Come on! Take a bow. 441 00:25:36,201 --> 00:25:38,226 Steve Austin! How about that? 442 00:25:42,474 --> 00:25:43,634 Alright. 443 00:25:47,980 --> 00:25:51,643 Steve, I have a special treat just in honor of you. 444 00:25:51,717 --> 00:25:53,628 You don't know about this, but you're gonna love it. 445 00:25:53,652 --> 00:25:55,882 Folks, I'm really honored today. 446 00:25:55,954 --> 00:25:57,922 I'm gonna do a song for you. 447 00:25:57,990 --> 00:25:59,787 When Steve and I were in school... 448 00:25:59,858 --> 00:26:02,622 Steve wrote this terrific song. 449 00:26:03,429 --> 00:26:06,694 (LAUGHTER) 450 00:26:06,765 --> 00:26:10,724 He told me if I would do this song, it would make me a star. 451 00:26:10,803 --> 00:26:12,703 So he had me do this song about... 452 00:26:12,771 --> 00:26:14,932 all on special occasions, like... 453 00:26:15,007 --> 00:26:17,373 every night for about two years. 454 00:26:20,946 --> 00:26:24,746 Well, it never made me a star. 455 00:26:26,952 --> 00:26:30,149 But, we're gonna do it for you anyway. 456 00:26:30,222 --> 00:26:33,817 And if you don't like it, just file your complaint with the composer. 457 00:26:39,064 --> 00:26:40,395 Let's hit it, gang. 458 00:26:40,466 --> 00:26:43,799 1,2. 1,2,3, 4. 459 00:26:44,036 --> 00:26:46,561 (GUITAR INTRO) 460 00:26:46,638 --> 00:26:49,471 (COUNTRY ROCK MUSIC) 461 00:26:49,541 --> 00:26:52,977 J‘ I'd rather have a chicken than a neighbor J‘ 462 00:26:55,147 --> 00:26:58,844 J‘ And I'd rather have a dollar than a dime J‘ 463 00:27:00,652 --> 00:27:02,586 J‘ Yes, if you ain't got the money J‘ 464 00:27:02,654 --> 00:27:06,249 J‘ You can't drive a Hollywood bunny J‘ 465 00:27:06,325 --> 00:27:09,988 J‘ But you can have yourself a sunny, funny time J‘ 466 00:27:12,030 --> 00:27:15,022 J‘ And you can lock your sock and then lose the key J‘ 467 00:27:15,100 --> 00:27:17,694 J‘ But I tell you I can surely be J‘ 468 00:27:17,769 --> 00:27:21,034 J‘ It's hip on down the dusty road of life J‘ 469 00:27:23,041 --> 00:27:29,002 J‘ I guess it all depends upon the way in which you look at things J‘ 470 00:27:29,581 --> 00:27:33,073 J‘ Like if you're standing on your head or the other way around J‘ 471 00:27:35,687 --> 00:27:38,349 J‘ You can sail away in a 100-foot boat J‘ 472 00:27:38,423 --> 00:27:40,857 J‘ Or just hop in an ocean and hold your nose J‘ 473 00:27:40,926 --> 00:27:44,760 J‘ Oh, so long as you still know your upside from your down J‘ 474 00:27:44,830 --> 00:27:47,890 (GUITAR BREAK) 475 00:27:47,966 --> 00:27:50,264 (SPOKEN) Now some... 476 00:27:50,335 --> 00:27:56,706 J‘ Now some folks go to workin' on the railroad day by day J‘ 477 00:27:56,775 --> 00:27:59,403 J‘ Others like to earn their keep J‘ 478 00:27:59,478 --> 00:28:01,878 J‘ By shucking corn or herding sheep J‘ 479 00:28:01,947 --> 00:28:06,247 J‘ Well, others catch the fish and some pitch hay J‘ 480 00:28:08,453 --> 00:28:11,684 J‘ And when you hit it big and buy a color TV J‘ 481 00:28:11,757 --> 00:28:14,885 J‘ But if you ever come lookin' for me J‘ 482 00:28:14,960 --> 00:28:18,487 J‘ I'll be chasing everyone down that dusty road of life J‘ 483 00:28:20,399 --> 00:28:25,530 J‘ I guess it all depends upon the way in which you look at things J‘ 484 00:28:25,604 --> 00:28:30,837 J‘ Like if you're standing on your head or the other way around J‘ 485 00:28:32,010 --> 00:28:35,036 J‘ Now you can give the man a hand J‘ 486 00:28:35,113 --> 00:28:37,707 J‘ Or a big ol' pocket full of sand J‘ 487 00:28:37,783 --> 00:28:42,516 J‘ So long as you still know your upside from your down J‘ 488 00:28:54,733 --> 00:28:56,894 How about a hand for Steve here. 489 00:29:04,643 --> 00:29:08,079 (PHONE RINGS) 490 00:29:08,146 --> 00:29:09,511 Hello? 491 00:29:09,581 --> 00:29:11,173 Steve, it's Oscar. 492 00:29:11,250 --> 00:29:12,342 Where are you? 493 00:29:12,417 --> 00:29:15,978 Manila. I've leamed the tapes are being offered for sale here in Manila. 494 00:29:16,054 --> 00:29:17,078 Well, by whom? 495 00:29:17,155 --> 00:29:18,713 We don't know yet. 496 00:29:18,790 --> 00:29:20,052 Your airport car is here. 497 00:29:20,125 --> 00:29:21,888 I'll be right with you. 498 00:29:21,960 --> 00:29:24,121 My flight's ready, Oscar. I'll see you in Manila, hear? 499 00:29:24,196 --> 00:29:25,288 But... 500 00:29:33,038 --> 00:29:34,335 LEE: Come on, my love. 501 00:29:34,406 --> 00:29:35,634 Come on, baby. 502 00:29:35,707 --> 00:29:37,106 Ready to go? Yep. 503 00:29:37,175 --> 00:29:40,941 Ready to go. Let's... Come on. Come on, honey. 504 00:29:41,013 --> 00:29:42,810 Let's do it. Quick. 505 00:29:42,881 --> 00:29:45,349 Hey. 506 00:29:47,786 --> 00:29:50,482 (DRAMATIC MUSIC) 507 00:30:01,500 --> 00:30:02,558 Oooh! 508 00:30:15,080 --> 00:30:18,072 (DRAMATIC MUSIC) 509 00:30:19,084 --> 00:30:22,019 PA ANNOUNCER: Military transport Flight 77... 510 00:30:22,087 --> 00:30:23,987 from Andrews Air Force Base in Guam... 511 00:30:24,056 --> 00:30:28,220 now arriving in Manilalnternational Airport on runway four. 512 00:30:39,304 --> 00:30:40,498 OSCAR: Hello, Crawford. 513 00:30:40,572 --> 00:30:41,834 Hi, Mr. Goldman. 514 00:30:44,209 --> 00:30:46,177 Where's Colonel Austin? 515 00:30:46,244 --> 00:30:47,871 Sir, he wasn't on that flight. 516 00:30:47,946 --> 00:30:50,881 What? Why not? 517 00:30:50,949 --> 00:30:52,780 He received orders to stay on Guam. 518 00:30:52,851 --> 00:30:54,375 Orders? What orders? From whom? 519 00:30:54,453 --> 00:30:57,616 I don't know, sir. I assumed they were from you. 520 00:30:57,689 --> 00:30:59,520 They weren't from me. 521 00:30:59,591 --> 00:31:01,218 We were told to proceed without him. 522 00:31:01,293 --> 00:31:04,126 Who said that Colonel Austin was to stay on Guam? 523 00:31:04,196 --> 00:31:06,164 John Perry. 524 00:31:06,231 --> 00:31:09,223 (DRAMATIC MUSIC) 525 00:31:10,135 --> 00:31:11,124 Where's the cassette? 526 00:31:11,203 --> 00:31:13,637 It's with their luggage, sir. 527 00:31:13,705 --> 00:31:16,503 You stay with it. I'm gonna telephone Guam. 528 00:31:16,575 --> 00:31:17,769 Yes, sir. 529 00:32:01,586 --> 00:32:04,578 (BIONIC SOUND EFFECT) 530 00:32:49,468 --> 00:32:51,766 (BIONIC SOUND EFFECT) 531 00:33:01,379 --> 00:33:04,371 (BIONIC SOUND EFFECT) 532 00:33:12,824 --> 00:33:15,816 (BIONIC SOUND EFFECT) 533 00:33:32,010 --> 00:33:33,739 (ENGINE STARTS) 534 00:33:40,719 --> 00:33:42,243 STEVE: Oscar? 535 00:33:42,320 --> 00:33:43,309 OSCAR: Go ahead, Steve. 536 00:33:43,388 --> 00:33:45,447 My ETA for Manila is two o'clock. 537 00:33:45,524 --> 00:33:48,254 Have someone there to check in my plane. Over. 538 00:33:59,571 --> 00:34:01,531 Your change of clothes is over at the hangar here. 539 00:34:01,573 --> 00:34:02,950 What about the tape? Hasn't been touched. 540 00:34:02,974 --> 00:34:03,998 Where is it? 541 00:34:04,075 --> 00:34:06,600 With Perry. You learn anything from the men who grabbed you? 542 00:34:06,678 --> 00:34:08,976 I left that for the Army to do. 543 00:34:09,047 --> 00:34:10,558 No, they wouldn't say anything about Perry anyway. 544 00:34:10,582 --> 00:34:11,640 Yeah, or couldn't. 545 00:34:11,716 --> 00:34:13,274 You still defending him? 546 00:34:13,351 --> 00:34:15,819 He left you on Guam. He must've known you were kidnapped. 547 00:34:15,887 --> 00:34:18,412 I want John to explain it to me. I want to hear it from him. 548 00:34:18,490 --> 00:34:20,219 Crawford is tracking him technologically. 549 00:34:20,292 --> 00:34:23,784 When he checks in, you'll have your moment to find out. 550 00:34:25,497 --> 00:34:28,489 (DRAMATIC MUSIC) 551 00:34:36,207 --> 00:34:37,765 (HORN HONKS) 552 00:34:51,623 --> 00:34:55,024 (STEADY BEEPING) 553 00:35:02,901 --> 00:35:05,028 (DRAMATIC MUSIC) 554 00:35:05,103 --> 00:35:06,035 (BRAKES SQUEAL) 555 00:35:07,339 --> 00:35:08,829 I'm sorry. 556 00:35:11,443 --> 00:35:14,742 He's just stunned. You better wait here for the police though. 557 00:35:14,813 --> 00:35:16,405 Did you... Hey, did you see this? 558 00:35:16,481 --> 00:35:18,326 Yeah, I saw the whole thing. It's not your fault. Come on. 559 00:35:18,350 --> 00:35:19,715 Thanks for your help. 560 00:35:19,784 --> 00:35:21,445 It's okay. You okay? 561 00:35:22,621 --> 00:35:25,181 (STEADY BEEPING) 562 00:35:26,524 --> 00:35:28,458 (BEEPING SLOWLY FADES) 563 00:35:45,510 --> 00:35:49,412 How much? Two... there you go. Yeah, just keep it. 564 00:35:50,682 --> 00:35:51,910 Hi. Hi. 565 00:35:51,983 --> 00:35:53,848 Boy, why'd you bring me all the way out here? 566 00:35:53,918 --> 00:35:56,216 John, there's this great vase inside... 567 00:35:56,287 --> 00:35:58,255 and I'd really like you to buy it for me. 568 00:35:58,323 --> 00:36:00,291 Gee, I can't right now, Linda. 569 00:36:00,358 --> 00:36:01,882 I have to go over to the radio station. 570 00:36:01,960 --> 00:36:04,739 I'm gonna do an interview, and then they're gonna play my new cassettes. 571 00:36:04,763 --> 00:36:06,560 John, we can walk to the station from here. 572 00:36:06,631 --> 00:36:07,975 It's only right around the corner. 573 00:36:07,999 --> 00:36:09,261 Please? 574 00:36:09,334 --> 00:36:11,495 You know I can't resist that beautiful smile. 575 00:36:11,569 --> 00:36:12,713 But let's make it quick, okay? 576 00:36:12,737 --> 00:36:14,898 Okay, great. Come on. 577 00:36:20,779 --> 00:36:23,270 JOHN: What is this? A wholesale house or something? 578 00:36:23,348 --> 00:36:25,077 Hello, can I help you? 579 00:36:25,150 --> 00:36:28,119 Yeah, my girlfriend saw a vase outside. 580 00:36:28,186 --> 00:36:30,381 Oh, yes. The one that she liked is right on the desk. 581 00:36:30,455 --> 00:36:32,150 Oh, yeah. Is that it? 582 00:36:32,223 --> 00:36:33,383 Yeah. 583 00:36:33,458 --> 00:36:34,857 I'll take that case, please. 584 00:36:34,926 --> 00:36:36,018 What? 585 00:36:36,094 --> 00:36:38,289 The case. I would like to have the case. 586 00:36:38,363 --> 00:36:39,455 The case! 587 00:36:39,531 --> 00:36:40,828 Hey, what's going... 588 00:36:40,899 --> 00:36:43,459 Hey! What did you have to do that for? 589 00:36:43,535 --> 00:36:45,833 I cut off the men that was following Mr. Perry. 590 00:36:45,904 --> 00:36:48,304 Good. Now get to work on these. 591 00:36:48,373 --> 00:36:50,432 Linda, that was beautiful. 592 00:36:50,508 --> 00:36:53,409 If I had known you were going to do this, man, I would've never... 593 00:36:53,478 --> 00:36:55,742 We had to handle it that way. 594 00:36:55,814 --> 00:36:58,112 There's an OSI agent getting very close... 595 00:36:58,183 --> 00:36:59,980 and our men in Guam couldn't handle it. 596 00:37:00,051 --> 00:37:02,747 With Mr. Perry as our hostage... 597 00:37:02,821 --> 00:37:04,721 Our chances of escape are much better. 598 00:37:08,960 --> 00:37:10,552 (GASPS) 599 00:37:14,566 --> 00:37:17,091 (DRAMATIC MUSIC) 600 00:37:20,138 --> 00:37:23,039 (CAR PHONE RINGS) 601 00:37:23,108 --> 00:37:24,973 Crawford, here. 602 00:37:25,043 --> 00:37:26,408 OSCAR: Anything, Crawford? 603 00:37:26,478 --> 00:37:27,638 Nothing yet, sir. 604 00:37:27,712 --> 00:37:28,770 Where are you? 605 00:37:28,847 --> 00:37:31,714 I'm in the export district near the docks. 606 00:37:33,852 --> 00:37:36,548 (CHATTER) 607 00:37:41,793 --> 00:37:43,351 You know just how to play really well. 608 00:37:48,333 --> 00:37:49,766 How we doing, girls? 609 00:37:49,834 --> 00:37:51,859 Fine. Okay. 610 00:38:16,327 --> 00:38:18,261 How long are you keeping us here? 611 00:38:18,329 --> 00:38:21,662 Shouldn't you be trying to find John instead of just sitting there? 612 00:38:21,733 --> 00:38:23,928 We're working on it. 613 00:38:31,009 --> 00:38:33,375 Where's that guy with the list of phone calls I asked for? 614 00:38:33,444 --> 00:38:36,242 He's on his way. 615 00:38:38,917 --> 00:38:40,885 (PLAYS CHORDS) 616 00:38:40,952 --> 00:38:42,192 It's probably the piano player. 617 00:38:42,253 --> 00:38:43,550 Hmm? 618 00:38:43,621 --> 00:38:45,851 Well, nobody ever suspects a piano player. 619 00:38:47,125 --> 00:38:48,251 What? 620 00:38:50,528 --> 00:38:53,190 I need, um... 621 00:38:53,264 --> 00:38:56,199 Which one of them you think's been using John without John knowing? 622 00:38:57,936 --> 00:39:02,270 Lee Michaels told John that he was supposed to stay in Guam. 623 00:39:02,340 --> 00:39:04,020 And Michaels claims he heard it from Linda. 624 00:39:04,108 --> 00:39:06,599 I think they're both involved... 625 00:39:06,678 --> 00:39:07,940 including John Perry. 626 00:39:08,012 --> 00:39:10,981 You're still trying to sell me that? 627 00:39:11,049 --> 00:39:12,141 (BEEP) 628 00:39:12,217 --> 00:39:13,275 Yes? 629 00:39:13,351 --> 00:39:14,648 Crawford calling, Mr. Goldman. 630 00:39:14,719 --> 00:39:16,653 Go ahead, Crawford. 631 00:39:16,721 --> 00:39:20,054 Mr. Goldman, a strange thing just happened here in the export district. 632 00:39:20,124 --> 00:39:23,491 The beeper started going and then all of a sudden it stopped. 633 00:39:23,561 --> 00:39:26,826 You must've gotten out of range. Double back. 634 00:39:26,898 --> 00:39:28,263 It isn't that, sir. 635 00:39:28,333 --> 00:39:30,961 The beeping sound didn't fade away like last time. 636 00:39:31,035 --> 00:39:32,832 It just stopped abruptly. 637 00:39:32,904 --> 00:39:34,872 What do you think? 638 00:39:34,939 --> 00:39:39,569 Well, it could be the secret tape's being run in high powered electronic gear. 639 00:39:39,644 --> 00:39:42,511 That would cause interference, maybe block it out all together. 640 00:39:43,248 --> 00:39:45,842 Crawford, stand by. 641 00:39:45,917 --> 00:39:47,350 Yes, sir. 642 00:39:48,386 --> 00:39:50,616 Think I'll have the whole area surrounded. 643 00:39:50,688 --> 00:39:53,282 That's a good idea, but if they got John... 644 00:39:53,358 --> 00:39:57,317 Colonel, here's a list of calls that everybody in John Perry's group... 645 00:39:57,395 --> 00:40:02,128 made to numbers in Manila from the time they arrived in Guam until this morning. 646 00:40:07,672 --> 00:40:10,766 (CHIMES) 647 00:40:13,711 --> 00:40:15,941 Where did Crawford say he was? 648 00:40:16,014 --> 00:40:17,948 Export district near the docks. 649 00:40:18,016 --> 00:40:19,881 That's what I thought. 650 00:40:20,885 --> 00:40:22,716 Crawford, Colonel Austin. 651 00:40:22,787 --> 00:40:25,551 Have you seen a place called the Manila Export Warehouse? 652 00:40:25,623 --> 00:40:27,488 Just a minute, sir. 653 00:40:31,562 --> 00:40:34,622 (CHIMES) 654 00:40:34,699 --> 00:40:36,599 Colonel Austin... 655 00:40:36,668 --> 00:40:40,661 the Manila Export Warehouse is just west of where I am now on Escolta street. 656 00:40:40,738 --> 00:40:43,104 Stay where you are. I'll be right there. 657 00:40:43,174 --> 00:40:44,607 I'm going to join Crawford. 658 00:40:47,578 --> 00:40:48,943 Hello, Linda. Hi, Steve. 659 00:40:49,013 --> 00:40:50,391 Oscar wants to have a little talk with you. 660 00:40:50,415 --> 00:40:52,255 Sorry, no time. I'm already late for rehearsal. 661 00:40:52,317 --> 00:40:54,261 Well, you're gonna be late. About twenty years late. 662 00:40:54,285 --> 00:40:56,048 Oscar will explain it to you. 663 00:41:01,092 --> 00:41:04,357 Now, Linda, let's hear it. 664 00:41:08,700 --> 00:41:11,134 Two more copies of these, and we can leave. 665 00:41:11,202 --> 00:41:12,863 Yeah. 666 00:41:43,801 --> 00:41:46,793 (BIONIC SOUND EFFECT) 667 00:42:13,998 --> 00:42:17,058 Take this out to the truck and get ready. 668 00:42:17,135 --> 00:42:20,502 Perhaps we better tie him first. Get a rope. 669 00:42:20,571 --> 00:42:22,471 Alright. 670 00:42:23,875 --> 00:42:27,834 Say, would somebody tell me, please, what's going on here anyway? 671 00:42:27,912 --> 00:42:29,937 You're about to take a long trip, my friend. 672 00:42:30,014 --> 00:42:33,006 (BIONIC SOUND EFFECT) 673 00:42:43,428 --> 00:42:45,828 (LOUD CRASH) 674 00:42:59,844 --> 00:43:01,835 (CRASHING) 675 00:43:13,591 --> 00:43:16,424 Whoa. I'll take care of this big fella. Yah! 676 00:43:19,797 --> 00:43:22,789 (BIONIC SOUND EFFECT) 677 00:43:29,440 --> 00:43:30,600 Oh no! 678 00:43:43,087 --> 00:43:44,714 JOHN: He's got a match again! 679 00:43:52,029 --> 00:43:54,259 JOHN: Steve! Duck! That's it! 680 00:44:04,542 --> 00:44:05,531 Yah! 681 00:44:18,456 --> 00:44:20,822 (BIONIC SOUND EFFECT) 682 00:44:20,892 --> 00:44:23,019 JOHN: There you go! 683 00:44:24,795 --> 00:44:27,525 Hey! Atta boy, buddy! Give it to him! 684 00:44:33,905 --> 00:44:34,894 Come on! 685 00:44:41,145 --> 00:44:44,137 (BIONIC SOUND EFFECT) 686 00:44:56,160 --> 00:44:58,788 Alright! 687 00:44:58,863 --> 00:45:02,094 Hold it, Steve. I'll finish him for you. 688 00:45:02,166 --> 00:45:05,397 John, go sing, will you? Come on. 689 00:45:05,469 --> 00:45:09,166 You know I think what I sing... 690 00:45:12,176 --> 00:45:15,509 ('7OS POP MUSIC) 691 00:45:17,481 --> 00:45:21,349 J‘ You're just too good to be true J‘ 692 00:45:21,419 --> 00:45:24,855 J‘ Can't take my eyes off you J‘ 693 00:45:24,922 --> 00:45:27,823 J‘ You're like heaven to touch J‘ 694 00:45:27,892 --> 00:45:30,918 J‘ I wanna hold you so much J‘ 695 00:45:30,995 --> 00:45:33,520 J‘ At long last love has arrived J‘ 696 00:45:33,598 --> 00:45:36,032 J‘ And I thank God I'm alive J‘ 697 00:45:36,100 --> 00:45:38,432 J‘ You're just too good to be true J‘ 698 00:45:38,502 --> 00:45:41,630 J‘ Can't take my eyes off you J‘ 699 00:45:41,706 --> 00:45:44,504 J‘ On the way that I stare J‘ 700 00:45:44,575 --> 00:45:48,409 J‘ There's nothing else to compare J‘ 701 00:45:48,479 --> 00:45:50,310 J‘ The sight of you leaves me weak J‘ 702 00:45:51,315 --> 00:45:53,510 J‘ There are no words left to speak J‘ 703 00:45:53,584 --> 00:45:56,178 J‘ But if you feel like I feel J‘ 704 00:45:56,254 --> 00:45:58,745 J‘ Please let me know that it's real J‘ 705 00:45:58,823 --> 00:46:01,348 J‘ You're just too good to be true J‘ 706 00:46:01,425 --> 00:46:05,191 J‘ Can't take my eyes off of you J‘ 707 00:46:11,469 --> 00:46:12,527 Look out! 708 00:46:12,603 --> 00:46:14,332 (MUSIC STING) 709 00:46:25,316 --> 00:46:27,079 (GASPS) 710 00:46:27,151 --> 00:46:29,381 Thanks, John. 711 00:46:29,453 --> 00:46:32,616 Well, we're even now. 712 00:46:34,292 --> 00:46:37,227 Boy, I'll tell you something. I can't get over Linda being one of them. 713 00:46:37,295 --> 00:46:40,560 Well, I guess... I guess they paid better than you did. 714 00:46:40,631 --> 00:46:43,293 You know, she introduced me to that Kimbro guy. 715 00:46:43,367 --> 00:46:45,460 And she told me he was an arranger. 716 00:46:45,536 --> 00:46:47,629 And then he'd send me tapes all the time. 717 00:46:47,705 --> 00:46:49,816 Which Linda passed on every time you played a foreign capital. 718 00:46:49,840 --> 00:46:51,432 Yeah. 719 00:46:51,509 --> 00:46:53,909 By the way, Oscar, don't you have something to say? 720 00:46:56,380 --> 00:46:58,109 Yes, I'd like to apologize... 721 00:46:58,182 --> 00:47:02,084 for thinking you actually were a courier, Mr. Perry. 722 00:47:02,153 --> 00:47:03,745 He made you say that, right? 723 00:47:06,857 --> 00:47:07,949 Right. Right. 724 00:47:08,025 --> 00:47:09,959 (LAUGHS) Anyway... 725 00:47:10,027 --> 00:47:11,585 I accept your apology. 726 00:47:11,662 --> 00:47:13,186 Thank you. Put her there, pal. 727 00:47:13,264 --> 00:47:14,856 Excuse me please. 728 00:47:14,932 --> 00:47:17,093 (COMICAL MUSIC) 729 00:47:18,869 --> 00:47:20,427 Thank you. 730 00:47:23,507 --> 00:47:25,634 Um... 731 00:47:25,710 --> 00:47:29,237 Now, I suppose you thought that was a trick, right? 732 00:47:29,313 --> 00:47:31,008 That's not the case at all. 733 00:47:31,082 --> 00:47:35,178 You see, her father happened to be the strong man in the circus. 734 00:47:35,252 --> 00:47:37,152 And what happened is... well... 735 00:47:37,221 --> 00:47:40,554 He was one of those... Yeah, he lifted weights and did all that stuff. 736 00:47:40,624 --> 00:47:43,650 It's probably hereditary. See, she's an awfully strong girl. 737 00:47:43,728 --> 00:47:45,423 Why don't you go sing a song? 738 00:47:45,496 --> 00:47:46,861 Get out of here. 739 00:47:46,931 --> 00:47:48,796 Let's hit it, gang! 740 00:47:49,934 --> 00:47:52,300 Go. 741 00:47:58,008 --> 00:48:01,500 J‘ I love you baby, and if it's quite alright J‘ 742 00:48:01,579 --> 00:48:04,548 J‘ I need you baby, to warm my lonely night J‘ 743 00:48:04,715 --> 00:48:08,742 J‘ I love you baby, trust in me when I say J‘ 744 00:48:09,687 --> 00:48:13,316 J‘ Whoa, pretty baby, don't' bring me down I pray J‘ 745 00:48:13,391 --> 00:48:16,622 J‘ Oh pretty baby, Now that I found you stayJ‘ 746 00:48:16,694 --> 00:48:19,060 J‘ And let me love you, baby J‘ 747 00:48:19,130 --> 00:48:21,428 J‘ Let me love you J‘ 748 00:48:21,499 --> 00:48:25,299 J‘ You're just too good to be true J‘ 749 00:48:25,369 --> 00:48:27,564 J‘ Can't take my eyes off you J‘ 750 00:48:28,372 --> 00:48:31,000 J‘ You'd be like heaven to touch J‘ 751 00:48:31,142 --> 00:48:34,373 J‘ I wanna hold you so much J‘ 752 00:48:34,445 --> 00:48:37,278 J‘ At long last love has arrived J‘ 753 00:48:37,348 --> 00:48:39,782 J‘ I thank God I'm alive J‘ 754 00:48:39,850 --> 00:48:43,342 J‘ You're just too good to be true J‘ 755 00:48:43,421 --> 00:48:46,049 J‘ You're just too good to be true J‘ 756 00:48:46,123 --> 00:48:49,024 J‘ You're just too good to be true J‘ 757 00:48:49,093 --> 00:48:53,120 J‘ Can't take my eyes off you J‘ 758 00:49:10,247 --> 00:49:13,216 (END THEME MUSIC) 56162

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