All language subtitles for Block-notes di un regista.1.auto-translated-english

FELLINI
A DIRECTOR'S NOTEBOOK

these strange neglected constructions
were built for the film,

which I planned, but never it made.

it had to be called the "journey of mastorny".

decorations so remained, useless and be casten,

on surveying area in the environments of Rome.

to this area had to land aircraft,

of which had to leave
the hero of film... dead violoncellist.

I from this area begins the journey

on the absurd, nightmarish landscape.

not so long ago I returned
in order to again see all this.

decorations seemed me where more beautiful now,

when they are pulled down
on the part and the verdure by grass.

someone even found to itself
refuge in these reckless ruins

regards! Good morning!
You that, here do live?

yes, like.

honestly speaking,
I was a little astonished,

when revealed here
cathedral with the columns.

for me on the soul arrived
undertaking to break here camp.

- A you know, here was removed film...
- I know.

this morning we here celebrated marriage.

under the chorus of grasshoppers.

Pravda? But where newlywed?

there they.

these are not your woman,
but the woman, whom with you.

these are not your man,
but the man, whom with you.

promise to be together until lively
your feeling is to each other.

I as for long you do think here to stay?

we cannot leave now, even if we this wanted.

our machine without the wheels - we them sold.

I wrote poem on the fragments of your film.

- as it is called?
- "mastorna-blyuz".

I live in the city, that is named Mastorna,
whose reckless sleep spread on the grass;

in the city, which is useless,
in which no one wants to live,

where no one loves to work and desire to die.

no one intend to open
the wooden doors of local houses.

here prigvozhden to the earth airplane,
which is not assembled to take off.

Mastorna - city are sad and are excellent
by that beauty, that I love most of all,

since it is called by folly.

I want to die in Mastorne and to be buried

in this pasteboard church,
into which do not enter the priests.

I please attention.

for the technical reasons we forced
were to complete unforeseen landing.

unforeseen landing... Unforeseen landing...

this Mastorna, the hero of my film, violoncellist...

its journey it had to begin precisely so,
from the unforeseen landing

over the strange area... from the sleep.

thus, mister Fellini, you so did not
remove the "journey of mastorny"?

no STILL no.

but I will remove it,
because this is my most dear history.

I did everything so that my character would find flesh...

you know, sometimes in me appeared sensation, that
4 and in reality it was familiar with The the mastornoy...

but each time it again slips off from me...

- A, regards, Gasparino...

you will permit presenting to you
my assistant, signorina Boratto.

- as the matters?
- how do you do, signorina Boratto.

it is glad to be introduced to you!

here is it. This is the cemetery Of mastorny.

a kind of the cemetery of elephants
from the decorations and the properties.

you do see? The sketches of aircraft,
towers, suits of the 20th it is annual.

all this causes in me strange sensation,
something is more similar to the pangs of conscience.

as if at me look millions of eyes and await...

this is the area,
over which landed the aircraft.

I wanted the sensation
of something very alien to be,

to so that I proposed German area.

for me the atmosphere of German
is always very foreign...

A this head? What this?

this is the head of a suicide.

in film there is the episode,
in which several men end with itself,

being ejected from the window.

this jumped by head downward.

in the given moment of mastorna yet did not arrive,
but everything is prepared to its method...

let us see...

for the present i have another project...

another journey... Journey in the time...

coliseum.

in of this netherworld of Rome,
in the brief free hours

by Fellinis studied life the tramp

in the searches for the parallels between
modern Rome and Rome of the epoch Of nerona.

new film of Fellini is partially based
on "Satyricon", Roman novel I- GO of century.

authors of novel, Petroniy,
frequently came here by the nights

it scrutinized the ancient doubles

these unsteady, gloomy personalities.

- this is dust...
- in the English... In the English...

in the English. This is dust... From the coliseum.

I decomposed it into the envelopes.

I that you with it do make?

I sell to its American tourists,
many people request it.

many people use it with the rheumatism. As soup...

you search for folklore, but here it does not exist.

they to you here narasskazhut any histories,
these pilferers, swindlers, transvestity.

curiosity of Fellini and his group, it seemed,
not was voznagrazhdeno by this night.

somebody of the inhabitants of coliseum in a friendly way
gave to them to understand that he does not be worthwhile to persist,

because the characters, whom Fellini
attempted to find, most likely were invented.

however, atmosphere were there really uncommon.

some shadows swarmed and were whispered on the angles.

this enormous labyrinth seemed those populated
by the mass of invisible essences.

- you here each evening are?
- A you- that what matter to entire this?

- what here other miracles?
- of course not, not necessarily... - in my opinion you enter not-pretty...

this young person threatened
to call the police, if we are not removed.

why to you not to go down downward,
into the city? There ask in whom you want...

this night peace protects its particular life

meet into the bayonets of any stranger.

31, go here! Here foolish, A?!

why me to remove? What to you
it is must? Better leave me...

signoras director, why you do not
direct objective on us?

you anything do want to say?
However, yes do not hide!

signoras Fellini! Alberto, Al'bertone
want to speak. He knows how to imitate.

yes that they everyone here from themselves
actresses develops, here another I will say...

there is here one with the round bulldog it seems
it from Bulgaria... in no way will recall, as it they call...

"persons with the bag".

its everyone so calls,

because it always walks with the bag
after the arms as...

- Grandfather Frost.
- Santa -Klaus.

it comes here with the gifts. There are
many good things for the paupers,

lonely,

which pass the night here and there,
under the bridges... in the grottos.

In caves.

- it does always go in the coliseum?
- yes. It comes...

bring compassion...

compassion, which here never
it was conducted never...

it brings compassion into these places,
where compassion never reached.

it knew well, this person with the bag,

when I was Cabiria in the picture.

you do remember the film of the "nights of Cabiria"?

I was also poor woman,
who despaired herself and lonely.

I met man with the bag.

but this scene from the film was cut out.

I do not know, why...

once at night Cabiria, entirely one...

Gordzhano! Gordzhano!

this, go here!

- as you pozhivayesh'? How the matters?
- nothing... Thanks, signoras, nothing...

A of Pietro where?
He will sleep?

it drove away into the hospital two days ago.
They said, were poor its matters...

- well, and you? What you it does want?
- what it wants... Thanks, signoras...

here... Blanket. It will approach to you?

A into what hospital did drive away Pietro?

In The hospital Of "fatebene-fratelli".

it is agreeable. When there will be time,
I descend to its naveshchu.

thus far.

31, this who?

31!

this is who? It that,
from the charitable institution?

you I tell!

- to you soak?
- there is no, thanks.

- A where you now? Back into Rome?
- yes.

A you me will not toss up in the machine? A?

it is agreeable...

certainly, in Rome so many people,
to which threatens hungry death...

A you each night do help people?

on all, unfortunately,
it does not be sufficient.

but this brozhdeniye on the
different places nothing for me means.

my ancient Romans are such,

with what they saw, when he was small boy
and for the first time it visited cinema.

Dzhenius. It they call professor dzhenius.

it is very penetrating,
it possesses the aggravated sensitivity.

this evening it will attempt to establish the contact

with the invisible essences, which swarm around us.

together with the author of scenario,
Bernardino Zapponi,

we will complete trip on the graves
along the ancient Appian Way.

as you pozhivayesh', Federico?
In fact, you appear well.

entire the same head of Roman emperor. Dada!

A by the way, this young person
after the control, where it us does convey?

it us conveys along the Appian Way.
But you, Dzhenius, you do speak in English?

yes but my English very plokh, Federico.

Dzhenius, say to us, as frequently
you do see real ancient Romans?

mm... Well, there are many times...
I have an experience.

me they in no way please themselves.
Very rough people.

A as they do appear, in that
they are dressed, you can to us say?

well... Heads are decorated with roses,
in the ears gold links. Clowns!

never them to itself
into the house it invited, I swear!

A in what situation you
them did see that they did make?

sometimes they pecked in to nose,
sometimes pecked in the ears.

Pravda... I swear to you.
Very strange personalities...

A someone of them although
a little me it did resemble?

yes, virgin- vestal.
It they called Laviniya.

- you did change hair-do?
- yes, yes, you it does please itself?

this is called - "English tupe".
Me to ten years of younger makes!

Dzhenius, give let us look, that you know how.
Describe to us about our driver.

I is absolutely confident, that
it has connection with the married woman.

- 4 rights?
- 3... yes.

you see, never I make mistakes!

once... transfer, Federico...
I travelled on entire light...

look, look to this ring...

he indicates that this ring
to it presented To dzhil'i, famous tenor.

A that, another, Mussolini.

you know Mussolini?

yes it many times rang
to me on the telephone.

very arrogant person... Very.

it told that they will kill it.

yes Pravda I indicated
that tragic death awaits it.

why to us to here not stop?
Where these are we?

in Cecelia metell's grave?
It is excellent. Stop, stop machine.

as you do think, Dzhenius?
We did select the suitable evening?

to oshchushchayu many being present.

you do feel strong fluids?

o, rain went. Say to my secretary
so that it would bring the umbrella to me.

here is your umbrella, maestro.
Sosredotoch'tes'.

at what depth, you do assume,
something to eat?

are somewhere about twenty meter.

- twenty are meter?
- yes. Twenty.

- I that, you do think, this such?
- it seems, this of the bone.

old bones...
Possibly, behave like a beast.

- would say, lions...
- Lions?

yes, lions.

- sea-scape! Sea-scape, go here!
Your fluids are necessary to me. - 4?

you virgin- vestal.
To one to me not to manage.

- but why?
- this is very dangerous.

after this I lose consciousness,
but i do not have with itself camphor!

it should load by the fluids of young virgin.

thus, let us press by foreheads...
Lord, how you is discharged!

- why all this? As this - it is discharged.
- if you please, signorina, ask it.

you excessively much deal
with love. You do hear?

I feel your cone-shaped gland...
Ask me... Well, whereas ask...

- as I suffer!
- but I do not know that I must ask.

- say that you oshchushchayesh'?
- to oshchushchayu corpses...

- corpses?
- yes, corpses...

- whose corpses?
- about Lord, as I suffer!

- A now that you do feel?
- as I suffer...

I you also in it ask!

are cold...

- as if you are immersed in the water...
- it is cold?

- I do see enormous black blackheads...
- as this - blackheads? What black blackheads?

- here below river...
- Federico, that I must make?

villas... with the excellent garden.

villas... To-zo-whether- on...

this is the family of patricians.

- the family of Flaviuses.
- the family of Flaviuses.

- eight men even three girls.
- eight men even three girls.

- without the eyes.
- without the eyes.

- they are blinded by emperor.
- they are blinded by emperor.

backwards...
It is even more backwards...

he indicates that it follows backwards,
into the past... In Rome the times of republic.

- here are they! Three brothers!
- he speaks about three brothers,

killed in the wars with sabinyanami.

good morning, professor.
How you pozhivayete?

how do you do, Mr. Fellini.

you will permit presenting to you
paskualino of de Santis - our operator.

it does not be worthwhile to worry,
it will make so that you will appear wonderfully!

these are sea-scape Boratto,
our pomoshnik of scenario.

- I greet, professor!
- it is very pleasant.

you do not object, if we you do take off?
Finish drinking your tea, professor.

no, no, everything in the order,
it is already ready. Thanks.

well that, let us go?

you know, professor, I assume
that this trip in the metro

will help me to find the necessary
atmosphere for my film.

for me the metro... Do not remove me from
the back-whereas my bald patch will be visible!

metros - this as catacombs...

which will lie in the very womb of Rome...

with your aid I hope to reveal the things,
which for me will be very useful...

- you so do not think?
- certainly.

I want so that you would remember
that under this metro

are located very sign things.

this of the creation of peace,
which existed is earlier Rome.

but these tracks will lie by layers.
Not in the manner that Athens or Corinth.

here, for example, are four layers.

you will excuse, professor... four, yes?

yes, four. Two on top even two from below.

A now, the signoras Fellini,
could not you approach here here?

could not you approach here here, if you please?

I would want to show you something
that I noted, when it arrived to Rome in 1948.

as you see, in this place
the tiles a little were unglued...

- where? Give to me to look.
- here. You do see?

- Paskualino, pass here, forward.
- you see stone with the characteristic markers.

A here we can see tuff.

- indeed, as to you it is known...
- professor, you will excuse. You will repeat, if you please.

- you look into the camera.
- here we see tuff,

which in these edges
is very interesting by itself,

since have the specific properties, which can...

in some zones we have discovered
to seven different civilizations

- one above another.
- that? Seven civilizations?

seven, expensive my.

professors, could not you speak only louder?

noise of train overlap your voice.

I you look, if you please,
into the objective.

there was here famous
"domus of auksilia" - the house Of auksiliya.

there - odds Segesto and emperor trayan's therms,

elevated on the antique temple Latony.

In the given moment we pass
on nekropolyu Of adriana,

in which were located
four hundred eighty graves.

in to each grave stood the vessel,
filled with food for the corpses -

grain and... How this to say in Italian?
Turkish pea with the wolf beans.

we are found now under
San-Paolo fuori le Moore's church,

which was the national church
of England to the reformation.

I even queen...

in some sense we travel in the time,
but not in the space.

so seem that we travel backwards...

yes... So there is...

A here, under us,
must be the villa of the Galbas.

now we in the heart of imper...

signboards on the Latin:
Vikus Of tsiprius (Cypriot street).

which did happen?

if you do not object,
at the following station I will leave.

yes, certainly... But we all
leave at the following station.

journey was very interesting.
The many thanks, professor.

by Federicos always attempt to find
the suitable atmosphere for their new film.

Therefore it again called us
to ancient Appiyevu road.

here, among graves and spectres of the past,

ferment also creation
from the flesh and the blood.

well what to you by all it is must?
You dispatch to itself home, to your signoras!

if you a little use your imagination,

these girls easily are converted
in their antique doubles,

which so fermented along these places.

I if we approach them, then we can
even catch their conversation on the Latin.

senators - worthy muzhi!

senate - assemblage behave like a beast!

virtues - in the middle!

thirds it is not given!
We will be cheered!

here past and present were mixed together.

Zhazhdushchiy of love
the driver of the truck

are converted into the Roman soldier,
alchushchego of output.

normal explanation...

here are shlyukhi!

you do know, who here lives,
at the very beginning of the Appian Way?

my friend of Marcello Mastroianni.

Come unexpectedly- kA to it...

it also a Roman... With all advantages
and disadvantages in the ancient Romans.

To dottore! What honor...
We awaited you!

- regards!
- To dottore, This Of the signoras Federico!

- Hull, Kalagan! One moment!
- Regards, Marchellino!

you do not walk on the lawn!
Now in the sheath?

however, - Chezarino, give here sheath! - this?

misters Of mastroyanni, in what a difference
in the Latin woman from the the nordicheskoy?

I do not know... In many things.

smell, for example...

it is good. You do consider that the best mother
is obtained from the Latin woman,

and from the the nordicheskoy - friend?

yes... Yes.

misters Of mastroyanni, what ten books

you would take with yourselves
for the uninhabited island?

- To the uninhabited island?
- Marcellos, excuse.

- you could not put on sheath? If you please.
- yes.

Cesar, sheath!

on the uninhabited island,
I think, it would be better

to have with itself benefits. Well...

for example how to build house, and...
to install telephone.

Fine people, Marcellos!
You speak in the outstanding English!

well, yes... On that terrifying!

possibly, it and rights...

but, besides jokes, perhaps you would not
take with yourselves the "Don Quixote",

"mobi of Dick", "Madame Bovari", "war and peace",

"dead souls", "David kopperfil'd" and bible?

Marcellos! Now hat.

o yes, certainly! Especially Bible!

Marchellino!

Make- kA another expression of face...
Is more courageous.

- very courageous.
- yes, but simultaneously and shy...

courageous and shy.

- no, this excessively.
- A?

To potryasayushche!

however, give to it at least to eat up!

no, in this it was already this?

misters Of mastroyanni,
our readers would want to know,

V than the secret of your elegance?

what elegance?

- you must remove this coat!
- you that, do want to remove coat precisely now?

that you did have in the form,
after saying "elegance"? I do not know.

secret of your elegance is determined briefly:

simplicities.

- drink, Marche...
- A, thanks.

simplicities, simplicity...

misters Of mastroyanni, when you did understand
that you do madly please yourselves women?

well, let us say, when I realized
that the women please themselves me.

but you were the most famous Latin hero- lover!

I a little got tired from all these
conversations about the Latin hero- lover.

this responsibility...

for following yr I will be simple skin...

certainly, you...

no, I do not want
to more discuss this question...

- the mister Of mastroyanni, it is possible to me to dip?
- certainly.

super-class! It is class!

- what diet you do adhere to?
- no special diet. EM all that pleases itself.

rang the gin of Lollobrigida,
Sophia Loren also Of Claudia Cardinale.

- Tyuey perezvonyat.
- that to me them to answer? - A nothing.

I it is not necessary to lie,
to me no one rings never.

you do see, Federico, friend my?

from now on Latin hero- lover!

champagne.

here now remove it...
Yes that you eternally do laugh?

remove it full face.
This Latin hero- lover!

this is the villa of film star
Marcello mastroyanni's famous!

you do hear? Bus with the tourists.

thus each day. First coliseum,
then catacomb, and afterward they will go here.

"mA-stro-nni! MA-stro-nni!"
It is necessary to be advanced for show!

A here famous artist,

main hero of film
"The Sweet Life", Marcello Mastroianni!

Its- that he wanted
to take for the role Of mastorny.

I searched for everywhere this character.

hoping that Marcello will approach to this role,
once we made the expanded screen test...

tests Of Mastroianni to the role
Of mastorny, the double the first!

lower head below, Marcello.
Head it is below...

you will become silent there, from behind?!

lower head...

feet! Stain- kA to it drop into the eyes.

why you have always red eyes,
Marchellino? In what the matter?

I here still that, Marcellos. Repair- kA whiskers.
See, they always slip down.

Marcellos, I wanted to you to say
that you must not play thus, haphazardly...

- yes, I understood.
- ah, Marcellos, I want so that you would play...

- you do want coffee, To marche?
- he does not want now coffee!

- you to it do want to give coffee precisely now?
- that it is calm! I do not only you understand...

first it is necessary to play so,
then otherwise... You will wait minute...

you must transmit the growing
sensation of horror, as if suddenly...

yes you will become silent there
although to the minute!

no, hat does not please itself me, it is better
without the hat... If we put on hat afterward? Put off- kA of it.

listen to, Marcellos,
you look always into the objective.

you it already told that the main thing is
this to attempt to express a feeling of confusion.

you suddenly oshchushchayesh'
his own destination. Suddenly...

very stressed and nervous test...

Marcellos it felt my confusion.

it was disoriented by my uncertainty.

there were whiskers, wig, make-up,
but I felt, that Tyuere is no mastorny here...

it as before hid itself... It was elusive...

it is good, I understood.

but when you made "sweet life",

perhaps not he was your character?

A in "8 1/2" perhaps in me did not leave?

yes, Marcellos, I know, but
that were other films. Other characters...

there is no, Federico.

this because now you do not believe.

as if you fear.

if you could believe, that - Mastorna,

it automatically became Mastornoy.

we were encountered in five mornings.
It was still dark.

we were as criminals,
called to the mysterious encounter.

here, on the Roman slaughter houses,

in the completely destroyed structures
of the times Of piya OF THE IX,

Fellinis it wanted to trace
the origin of the very

severe and bloodthirsty aspects
of ancient peace.

luminous, even religious atmosphere...

causing, ocharovyvavayushchaya,
sacrificial...

I all this is stained
by the blood of victims.

you will excuse, you could not
approach to the minute?

- it surrenders to me, you - Roman. - yes.

- in many generations?
- I think, in the eighth or the ninth.

- you would be removed in the film?
- that? This?

these people - real Romans, with the Roman voices
and the accent, which cannot be entangled.

they are exchanged friendly insults and rough jokes,

releasing dust into Fellini eyes.

- here are they we! Gemini Kessler!

- I work in the selfish section.
- in what section?

- this is very critical section.
- you not against being removed in the cinema?

- well, what you...
- take it only in the profile.

- so it is good?
- I from other side.

now - if you please.
But I not can on Saturday.

- what is your name?
- Torkuato Libero. Thirty one yr.

- where you do live?
- here, in Rome.

where zh to me to still live?

- A you?
- no, dotto, of the garage.

- A you?
- I worked with the director Pazolini.

tests. Give- kA to me venok...
Let us try thus.

no... Yes, it to it very approaches.
Fit- kA to other.

thus. See here. It does not harvest,
it is not painful?

Look- kA here here. Slightly smile.
Arise- kA are closer to it.

- Give- kA by them, dotto, on floor- lemon into the mouth!
- do not have i now lemon.

A now you are both show- kA to us, that
you entire life walked in the tunics and bore armor.

- A you see into the apparatus, here here.
- A thus, A?

we will celebrate everything, dotto,
as it is must. Emperors, gladiators...

... blocks, lions...
Everything to the united!

- we and by heads can! Here! Here!
- A thus you do not desire?

throw network!
Throw on it network!

Kill it! Kill it! Kill it!

- these are it, Federico?
- yes.

you pass, pass, not boytes'.

lead it into the make-up room,
I want to look something...

A, here moreover remarkable actress - Caterina Boratto,
the mother of our script -gerl.

Regards, Excellent Caterina!
How you pozhivayesh'?

- Chao... chao... It is good, Federico. But you?
- you specially in us did arrive, A?

- in you everything in the order?
- it is noticeable, it is noticeable...

- listen to, Caterina, you can speak in English?
- Regards, Sea-scape.

I will try. I was on the slaughter house,
I glanced for the door and saw animals.

I swear, more not I will never be meat!

I swear!

A I here see the reflection
of cruelty in your eyes.

- Pravda?
- I think, Caterina,

that you would be splendid
in the role of the woman

unbridled furies and terrifying sadistki.

thus! Cut into to it!
Not boytes', swords all to one dull.

yes what here fear!
not worse than Spartacus himself!

Go- kA to me... However, well,
go to me! Let us knock!

here, Caterina, see thus. See...
Vysun' language see, see here, katerina.

take below. It is below!

do not place to it step.

it is below...

- approach still nearer.
- that you make, let go! Not trozh'!

take that, etc., Paskualino,
conduct by camera from one to another.

here, arise, Caterina, rise, thus. It is fiercer!

A now that to me to make?
To vzapravdu it to kill, that whether?

I will say to you, I will say to you.
Caterina, ottopyr' thumb downward.

face still grow furious,
it is still more inexorable...

die, dog!

are more sensual. Thus. As if you itself
experience enjoyment from the blood.

- well, now the turn of your death!
- in what the matter?

- yes what to you from me it is must?
- in what the matter?

- that it did make?
- it really me killed!

you do know that it did happen? One of these gladiators
slightly randomly scratched to another ear.

I this fierce great gladiator,
is ready to burst into tears as the child

- I assure you, it this made not purposely.
- ah! Oh! You be cursed!

bring a little alcoholic!

here if b you to me into the eye fell...
What then it did make?

well, make me one-eyed!

go bring faster aspirin.

- it is necessary it to the doctor to lead!
- no. To what doctor?

yes do not be disturbed.
Everything is insured.

it is tasteful? What was there?

in the opinion of Fellini, these are the suitable persons
for the gladiators, the slaves and the free citizens.

yes, for the rulers.

some of these terrible butchers,

good-natured tormentors of pigs and calves,

will become olitsetvorenyami of
the emperors or senators in this film.

here instead of that wonderfully approaches
this - gipsovo- white color. As if motstsarella.

we will make from you emperor Commodus!

Caterinas, ankle no longer bolit? Shutter!

I this I know... And this, yes!

as, we with it so many once were seen.
It is possible to say, always...

we in Fellini's office.

before it begins to remove film,
precisely, through this offis

pass the turn of the most different people.

this lady, after saying Fellini,
that it never will make a good film,

if are continue to remove
all the same sad faces of old men,

read one of their poems,

named "Molniya - this is the autograph of god?"

... I went against the wind
not without reason, and nevertheless I ask:

indeed on the bright screen its role I played,

indeed the day of reputation
cost the month of dissatisfaction...

so flexible bushes in the silence
was between rocks godly will...

- it will be sufficient. 3-3-3... It does not please itself me.
- you it does not please itself?

"I prefer to read", stated this gentleman.

"because livanets."

I actually read article from the thick newspaper.

... this careful political statement...

Mary! Who there?

you will allow, indeed her already sent...

- who there? What there does occur?
- you will excuse, the signoras Fellini, will look...

- that this?
- I wanted to show you this photo.

"dressmaker", she says.

"but I always felt, that my vocation - this

with to please public after difficult working day."

my only work experience in the theater -
work by typist in prodyussera.

but I was discharged in two days,

because i have the twisted fingers

and I knocked not on those keys for machine."

revolutions, the intrigue of court,
kidnapping of children.

my people desperately desires so that
I would return to the throne into my country,

which not too very it is far, mister Fellini.

but i do not have money to the ticket.

vo the name of my country,
you can to me soak?

mister Fellinis,
it already saw all your films.

so that now, give not
we will walk all around yes near.

say to us that you in reality
think about the women.

must they be devstvenitsami or not?

you, the signoras Fellini, the author so many films,
among which "good-bye, Africa".

A you did not think to make film, for example,
with the name: "good-bye, agriculture"?

I want so that you would be introduced
to my son Orlando.

it remarkable. It can sing,
it knows how to dance,

even know how to whistle as thrush.

- give, Orlando.
- show, as you know how to whistle by thrush.

this not apropos of film,
but entirely in another matter...

I would want to have a talk with you
about the picture of very significant artist.

however, - I that you do want with it to make?
- I want it to sell.

but I do not buy picture.

I can you show, as it appears.

- A whose this is picture?
- this artist is more significant than Raphael.

who it, A? What this after artist,
who exceeds on the significance of Raphael?

A? How it they do call?

- 3-3-3... - that you there speak,
you I do not hear! Who?

I cannot recall its name.

- when you by me will be necessary...
- if in me was wig,

this would change entire my life.

A why you did arrive at me?

- I know that you could to me him make.
- here not barbershop!

here. I brought to you the model of color.

I form must be accurately as in Elvisa Of presli.

A villa with the pond?
In twenty miles from Rome...

- Kha-kha. No!
- something exceptional!

- I of five years the installment of payment.
- Not-e-e- t!

before the meeting...

you are actress?

- You prostite, she did not understand.
- I do ask, you actress?

on profession not aktrissa,

but I twice played
Jeanne d'Arc in the Sunday ideas.

listen to, Federico, it does not seem you
that I would approach... Well, for anything

in your film ancient Rome, where it is discussed...
Well, about the times of the past?

eternal starletka...

in general... Well, in that same...
Well, I do not know...

to you is not necessary dancer
for the dance with the snakes?

or some snakes?

can, to you are necessary someone, that
speaks in Arabic? But more very well I prepare.

vo any case, I think,
to you it is necessary.

"lonely person".

this young person - real professional,

having diploma about completion of university
for the class of dramaturgy.

it declares, which will read Chekhov's play.

"lonely person".

it is only faster, if you please,
i do not have time.

Brrrrr! What frost! entire I shake!
As if I must pass examination...

main thing - it is necessary to be decided!

it is agreeable, I understood, understood.
It surrenders to me, that you already sufficiently read. Fine person.

signoras. For The god.

as to you?

Regards, Federico! I know that
you prepare film about ancient Rome,

and where zh to you to find matron more Roman than?!

this woman says that she no longer is removed.

it comes out as the agent of its two small boys.

here it thought about the effect
Of romula and Rema...

- here, I prepared...
- as soratniqa- artiste, mister Fellini.

I signed its two last books for you.

- thanks.
- you are the greatest director on the Earth.

O-about-about-about- o-o-o-o-o!!
What for the dedication?

this my creation, published by
our great publisher Vittori Of kapelli.

- it does include everything...
- Pravda, handsome men, A?

- the humanistic and universal parameters...
- one already served in the army. And both of them...

yes very good children.
You speak, you speak.

humanistic and universal...

has already long ago
I come here to look on you.

your films express accurately
the same things as my music.

if you please. You must
listen to my songs. You must...

- if you please.
- you did bring your record?

- i have my accordion.
- here?

- yes.
- then give to pobystrey.

- this very for long? A?
- no.

as this is called?
How is called this song?

3-3-3....
It is called "where you, success?"

successes, if you there is,
teas to deserve from you the flash of light,

which you to me will
present and will not deceive...

where zh you, success?!!
When you arrive?!!

when you will arrive?!

yes, I know, this must
be appears cynically, severely.

but this is not so.
I greatly love all these characters,

which always pursue me,
they follow me of one film in another...

they a little touched glasses, this know.

they indicate that they need me.

but in reality for me they are
necessary in the much larger measure.

their human qualities
are full of comicality.

I sometimes are very noble.

arrive at me, help to me.

31, the success, where you?

if you there is, success!

- signorina sea-schape!
- yes.

Visit- kA to the minute.

- can... I can to you soak?
- signorina, I can see mister Fellini?

wait minute, if you please.

good morning, the signoras Fellini.
Any work for me in your new film?

for abyss of the earth nevertheless
could not be me absorbed.

I sea did not absorb me by its furious storms.

but is innocent sheep by its nature?

I avoided justice...