Original subtitles

Now, I want you to be spontaneous,

remain vulnerable, take a close -up.

What's this scene about? When you fuck, are you nervous?

This is not really about business, contracts,

releases, money.

It's not completely certain. It's about art.

The art of being present, the art of being spontaneous, and of being the best

performer that you can be.

All of these new video contraptions really are only good to me because they

capture the spontaneity of the moment in a way that I've never been able to do

before. What's this scene about?

When you fuck, are you nervous?

When you're fucking, your whole body, your whole mind, everything about you is

so involved in the sex.

That you're not thinking about doing anything.

You're a very believer in everything about you. You're in the moment. What's

this about?

Everything about you. What's this scene about?

What's this scene about?

What's this scene about? Okay, that's the point.

There's no story. It's not about anything.

It's about these stupid sets and this overdone lighting and this heavy makeup.

And these professionals fucking because they're paid to fuck.

Unrehearsed, spontaneous, unplanned, real, raw emotion.

Real people fucking real people because they want to.

You're beautiful.

And you're intelligent.

And you're passionate.

But the best quality about you is that when you have sex, I believe you are

enjoying yourself.

You are present, and I don't know what you're going to do next, which is the

most exciting quality a performer can have.

When you do those little movies of yours, do you use scripts?

No.

There's not much time that goes on in that movie.

This is exactly what I want. Can you make that happen?

Shit, I don't know, Corey. I mean, look what we've got to work with here.

We've been working with this plan for so long. I know what's on your mind. Just

get on it. Okay, okay.

Okay, Kyle.

We're ready.

No, Margo, we're not ready.

You've got to help me out here. Do something with the lights, okay?

Give me the camera. I'll pick up your cup.

Hey,

baby.

I'd like to introduce you to your brand new best friend.

But I've always wanted it. Oh, yeah? Hey, don't you get any ideas about

replacing me, either?

All right, Brad, my man.

Yeah, what's going on, buddy?

Feel all right?

Yeah, but I don't know about this whole thing, Curry. You know, I didn't know

she was your girlfriend.

Oh, dude, forget about it. Here, look at her.

We're all professionals here.

Look at the way she's looking at you. She digs you, bro. Don't worry about it.

Just pretend I'm not there. Do your damage. You're the man. Okay.

Kyle, come check it out.

This is what I want to do. All right.

And, Marty, you're going to hold this up as he films through Brad's POV.

Hold it for about 30 seconds.

Simulate the door open like this.

He's, like, breaking in.

She's hot and bothered. She's kind of startled, but she's kind of happy

he's there, because she's all ready to go. You guys ready? We all digging this?

We all digging this? We all digging this? We all digging this? We all

this? That's it. Just like that. Just like that.

There you go.

Make it nice and hot, baby.

All right, Tulip, you know what I want. Make it hot. Make it sexy.

Yeah, that's it. That's perfect. Just like that.

Oh, yeah, yeah. Do it, yeah. Do it just like that. Yeah, that's it. That's it.

Do it, yeah, just a little bit more. A little bit more.

Oh, yeah, that's it. Go a little slower. Yeah, just like that. That's perfect.

God, you're going to be a star, baby. I can't wait.

Five seconds.

Swing it away, just like a door. Five seconds.

Brad, do your thing.

Mm -hmm. Oh, that's it. No, no, slow down. Just a little.

Yeah, there you go. There you go. That's sexy.

Make it hot.

It's all about you, baby doll.

Yeah, that's it.

Okay.

Yeah, yeah. Make it hard. Come on. Build the passion up. Let's build it up a

little bit. Let's take it home.

Oh, God.

Yeah.

Yeah,

that's it. Put it like, yeah, that's perfect. That's perfect. Just like that.

I said, just like that, just like that.

You guys got to bring it home.

you do. You guys come here. Kyle, we're going to get this from outside, okay?

Just like this.

You get the point from right there.

Don't let him come too quick. Make him follow you just like a little puppy dog.

Got it. Alright, and... You ready? I'm ready.

Stay.

Stay right there.

Stay right there.

Now come over here and see.

You listen to me.

Yeah. Yeah, strong one.

Strong one.

All right, and cut.

That's a wrap, fellas, ladies, gentlemen.

All right.

Get some wraps.

That was a great job. Good stuff.

Did you get the cum shot? I got the cum shot. Did you get everything?

I got everything. Did you get the part where she kissed him and she looked

into the camera?

That's a signature move. Dude, I'm telling you right now, when they see...

man.

We are going to be on top. Wait till we get... Yeah.

Now,

this is what I'm talking about right here.

Absolutely, a lot of energy.

Check him out.

Doing damage.

Brad over here doing damage.

Academy Awards, that's what I'm talking about. Dude, we are destined for

greatness. We've got it all. We've got camera, we've got angles, we've got

cutting, editing. We can take care of all that other stuff.

Absolutely.

So, Brad, let me see if I can take care of you, man. This is what we talked

about, isn't it?

Yeah. All right, cool. You did a great job.

Great job.

We'll be in touch, kid.

Where'd you find him?

The roofer. Saw him on the Henderson job.

Nice guy.

I thought he did just fine.

He did just fine because Tulip knows how to work it.

What? Just doing what comes naturally to me.

Don't kid yourself.

You're a fucking star.

That's what I'm worried about. Some guy was looking at me really weird at the

DMV the other day.

Did he ask you for an autograph?

No. You know what? But this small town isn't seeming so small.

Well, it looks to me like you need a bigger town, Tulip.

Sure would be nice to have a bigger town.

Maybe something like, I don't know, Hollywood USA?

What are you talking about, Curry?

I hope you guys appreciate me.

Because I just got off the phone with somebody very special.

Who?

Yeah.

The man.

Trent Morgan.

You talked to Trent Morgan?

You guys remember when I told him I was going to send a videotape we made a

while back? I said I was going to send it to Trent Morgan. Well, he called.

What did he say?

He loved it.

Trent's a little blue man, huh, baby?

Say what? He directs all the top -of -the -line stuff.

Who's the best thing going? What do you think, huh?

The best in the biz.

Shit, Curry.

I can't believe you went straight to the top guy.

Is there any place else to go?

Nothing but the best for my team.

I'll tell you what, he's going to take one good look at her and he's going to

gaga.

I've got it all planned out. I'm going to work on a three -picture deal that's

going to get her three major roles, starring roles, minimum.

Can I call it writing your own ticket?

I'm going to use this as muscle to get us a contract for Vivid and New Century.

That'll put me right into the director's chair, you right behind the camera, and

from then on, there's no place to go but up.

Well, not right now. I'm looking for some road called Sepulveda or some shit

like that.

Come on, hurry up. I gotta go.

I gotta go.

Is it right here?

Right here.

Is it?

I guess so.

It says it on the paper.

Well, this is kind of different than I thought it would be. Yeah, it looks like

some kind of a damn warehouse or something.

Factory.

Hey, excuse me.

Could you tell me if this is 4511 Carlita Avenue?

We're looking for a tent wagon.

Yeah, he was expecting to see us today.

I bet he is.

That was weird.

What was that supposed to mean? Are you going to let us in?

I think this is the place. Go, go ask her.

Why is she just... Go, go, go. Why is she just walking the fuck away, dude?

Is everybody around here like this?

A little more air.

Get ready.

That's it.

Put it up there.

Pull it up to the eye.

Very nice, very nice

Hey, excuse me.

I'm, uh, Curry Bonner. I'm Tulip's manager.

Hi, I'm Tulip.

So?

So you called us.

I called you?

Yeah, we're from Oklahoma.

Yeah, I'm Curry Bonner from Oklahoma City, remember?

I called someone in Oklahoma City.

I don't think so.

But, but Curry sent you my tape.

Yeah, and, uh... Mr. Morgan.

Yeah, Mr. Morgan wants to see it. You're Mr. Morgan, right?

Mr. Morgan.

Yeah, we came to see you.

Mr. Morgan. I don't think so.

Well, could you tell us, you know, where he's at?

Who?

Trent Morgan, goddammit! Hey, what?

What? I don't think we should be here. Why not? They fucking called us. I don't

think we should be here.

Guys, just relax.

They're doing another scene. We'll just wait for them to finish the scene, then

we'll find them, okay?

Deja, honey, come over here.

You and Jason are slaves in Isis' temple.

You're the worshipping goddess, okay? We'll count out the way you got it.

That's it.

That's it.

And the goddess is played by Jet. Jet!

Where the hell is Jet?

I'm here.

Good. All right, come here.

You're Isis. This is your temple. They're worshipping you.

Stand up here.

Stand up here.

And you two get on your knees.

You come over here on your knees.

You come on your knees over here.

Worship.

You know, hosanna, hizanna, hey.

And then they're going to, like, service you. He's going to lick your ass. She's

going to lick your puss, okay?

I don't eat pussy. I don't eat girls. Didn't I tell you that?

I told you that, right?

No. No, I didn't.

All right.

Okay. All right. Okay.

Okay.

She's the high priestess at the Temple of the Isis, all right?

And you're in here, you do a little worship thing, and then you fuck the

entertainer, okay?

Good? All right. And you see, look at this set. Spent a lot of money on this,

but it's going to be good. So real hot, real nasty, all right? You ready?

Okay.

All right.

And action!

I am your leader.

No. No,

no, no, no. I'm working you.

One of you lick her ass. The other one lick her snatch.

Now. Now. Do it.

Oh, yeah.

Oh,

yeah.

Oh, yeah.

Oh, yeah.

Oh, yeah. Oh, yeah. Oh, yeah.

Oh, yeah.

Thank you.

Oh, my

God.

Thank you.

Oh, God.

Oh my god.

Egyptian.

Excuse me, can you tell me about... Sorry.

Talon, don't be an asshole.

Look, it's so nice that we finally got a chance to meet you.

You must be Tulip.

Hi. Yes.

Oh, and this is, um, this is Kyle.

He's our cameraman.

Cameraman?

Yeah. We're all a team.

What Tulip is trying to tell you is that, well, that video you guys saw, I

directed it, he shot it, so technically I guess you'd say we're a team.

And Tulip did the fucking, isn't that always the way it is?

That's, uh, Jet.

I think she's beautiful.

You look even better in person than you did in your video.

Very wholesome, very girl next door, very sexy.

Okay.

Well, actually, I'm glad that you see the potential in her, Mr. Morgan,

that's why we're all here.

And I was thinking that maybe you and I could sit down for breakfast tomorrow

and maybe talk about her full potential in the business.

You make it all sound so complicated, Mr. Bonner.

Go with it. I mean, what do you want to see?

Would you like to show us what effort it is you came all the way out to

Hollywood to show us?

Well, North Hollywood.

North Hollywood.

Wait a minute, wait a minute. You want to see her do a scene right now?

We have cameras and lights and a set.

I'm excited.

You're excited?

Yes. Are you excited?

Well, I'm glad that everybody's excited, but first things first.

There should be some business that we need to discuss.

Mr. Bonner, business is the last thing I'm concerned with. I'm interested in

two... But, wait a minute. What about...

Don't you think this is fucking

weird? Yeah, I think it's fucking weird, but what am I supposed to do about it?

I mean, maybe that's the way they do things around here.

What are you going to do? You're just going to watch Tulip get fucked?

Well, I'm not going to blow it. I mean, it looks like I don't have too much of a

fucking choice, and I'll do it.

Trey, I'm tired.

I'm going to a motel.

I'll call you with the number.

That's it. So you're just going to take off?

Dude, we're a team, bro.

That's it.

Nice to meet you.

Nice to meet you.

Do you recognize Joey from my movies?

Well,

I just think there's not a whole lot to say. I don't want to fuck this up by

telling you too much, but there's a diner. You've got diners like this back

where you live, right?

You come in.

I don't know if you've known him before or not. I'm not going to...

Overcomplicate this but um, you're gonna seduce this gorgeous young man. Can you

do this?

I had a few things. You know, wine.

I don't know. Something spicy.

Yeah? Mm -hmm.

What's the daily special?

It's the Joey special.

Really? Yeah. Really? And you're going to name Joey, right?

Mm -hmm.

I'm lucky.

How many of those do you give away a day?

Hmm.

Thank you.

I really shouldn't talk with my mouth closed.

Why not?

Oh. Oh.

Make me shy.

Okay, good.

Hey, maybe tomorrow? What time tomorrow morning for breakfast so we can talk?

I think she did really well, man.

Hey, I'm, uh, I'm Curry, Curry Bonner.

I'm Tulip's manager.

Oh, okay.

Trent Morgan told us we'd be staying with you.

I'm Darlene.

Nice to meet you.

This is incredible. I've seen all your work. I can't... It's my honor to meet

you.

Tulip, you gotta see who's here. You're not gonna believe it.

Trent told me all about you. You're gorgeous.

He came all the way out here to see little old me.

Well, you know.

Can I come in? Yeah. I appreciate the compliment.

I don't like this at all.

I don't like it one bit.

What's not to like?

We've got a great room, great view, nice fireplace.

I love it. We shouldn't even be here.

Where should we be, some cheap Motel 6?

You're goddamn right. That's exactly where we should be.

At least until we get some kind of a contract or an agreement or something.

is bullshit.

I mean, this is not even professional.

Pardon me?

Oh, nothing.

Oh, nothing. Do you see something funny here? Go ahead and astound me. Go ahead.

Oh, just when you use terms like professional, it's good for a laugh.

Oh, really?

Well, remember one thing, Tulip, I'm the one that got you here. Don't ever

forget it.

The only thing I'm trying to do is take care of you the way it's supposed to be

done. So just let me do my fucking job, okay?

How are things going, guys?

Hi. Yeah, we love it. We love it. It's so great.

Don't mind Tim. He's just tense.

Fuck.

Mmm.

Um.

I'd like to see the belly of the beast.

That's where it all happens.

Wow.

Right, Wally. This is something.

Out in the line.

Fixed G4 9000.

GBS 6000C.

DME 3000 with ultra frame for special effects.

This is where the real fucking happens.

Fucking with people's heads.

Talent has a way with words. That's why I write so many scripts.

You mean...

You write all the scripts and all the roles for Mr. Morgan?

The play is the thing, Bud, and you'll catch the conscience of the king, Mr.

Bud. Come again?

It's Hamlet, Oki. Oh, yeah. Don't be an asshole.

All of these new video contraptions really are only good to me because they

capture the spontaneity of the moment in a way that I've never been able to do

it before.

Here's a story.

Here's a story right here.

What do you say?

How about two kids from the Midwest?

Coming out to the big city to capture their 15 minutes of fame?

Huh?

What do you see there, Mr. Barner?

I mean, it's beautiful.

I mean, the way you guys have it lit and tulip.

Does that turn you on?

Not really.

Mr. Bonner, does this turn you on?

You got a boner, Mr. Bonner?

What's this about, Tula?

What's this scene about?

Nothing. That's the point. It's bullshit.

There's no story. It's not about anything.

It's about these stupid sets and this overdone lighting and this heavy makeup

and these professionals fucking because they're paid to fuck.

That's what they look like.

It's not a turn -on.

Oh, wait a minute. You need to turn this off.

What's the matter with you?

I think it looks good.

You taped us. You taped us last night.

Well, duh.

But look.

Look, we're into it.

Please, turn you on.

Unrehearsed, spontaneous, unplanned, real, raw emotion.

Real people fucking real people because they want to.

Wait a minute.

You mean to tell me this is all about you shooting people on film and they

no fucking clue, no idea?

It's brilliant.

It's fucking illegal to look.

Why not?

I mean, isn't it?

They can't do that, Kenneth. What the fuck? They just videotaped this last

night. Hey, wait a minute.

Hey, hold on a second.

Take care of it. Relax.

Look, this is what it is.

I'm Tulip's manager.

So you need to tell me exactly whether or not you're interested in her doing

your films or not.

I am very interested in Tulip, Mr. Bonner.

So?

That means you and I need to get together and talk about a contract, a

agreement, something. I mean, that's what we came here for.

I am very interested in Tulip.

I am not so sure that I'm very interested in you.

What do you mean you're not interested in me?

Hey, we came here as a team.

We're a fucking team. Trent's very busy.

You know what they say.

Heavy is the head that wears the crown.

Hey, did you write that?

Yeah, that's what it was. Look, Tulip, I don't know everything, but I do know

this. This isn't right. They're not doing this right.

Look, maybe I don't care how it's supposed to be. Oh, you don't? No, I

You better start caring. This guy's put you in two goddamn films already. I

haven't paid you a fucking cent. What kind of manager would I be if I just let

that happen?

An ex -manager, huh?

What the fuck's that supposed to mean? Look, Curry, you've got to throw it out

of there today because you couldn't control your temper.

Look. I know what you were trying to do, and it didn't work.

I want to do things my way now.

Your way?

That's right, my way. What the hell is that supposed to mean?

I like Trent Morgan.

I think he sees big things for me, and I'm not going to let you blow it.

But tell me when he's ready.

Oh, when he's ready. When he's ready. So this is all about him. And when he's

ready. No, this is all about me now, when I'm ready.

There are five million girls who want the same thing that I want, and I have

opportunity to do it. And I'm not going to let you do it.

Come here. Come here.

I'm not going to blow anything for you. I promise.

You just have to trust me.

We're going to do this my way.

No, we're not.

I got a question for you right now. What do you want, Curry? I got a question

for Mr. Morgan.

You sure you want to do this?

Do what, Curry?

Are you sure you want to come between Tulip and I?

Why not?

Don't fuck with me.

It's not a good idea.

Well, it's quite simple. You see, Tulip and I have come a long goddamn way,

okay? I'm not going to let you two clowns come between us and fuck things

All right, this ain't the time or place for this conversation.

I think this is exactly the time and the place. I think this is exactly the time

and the place.

Where were we?

He's come too far with her.

Not going to lose her, yada, yada.

It's any kind of bullshit, yada, yada, yada.

Do you love her?

Then where were we?

Do you love her?

What the fuck are you guys talking about? Why do you guys always repeat

twice?

Of course I love her.

You whisper in her ear.

I don't know what kind of bullshit you guys are playing or what kind of game

this is.

You whisper sweet nothings in her ear.

This is the way it is. I love her. She loves me. And that's it.

Don't ever fucking forget it.

We have work to do, Curry. It's time for you to go.

Hello, Kyle.

Oh, man.

Things have gotten really weird, bro. I mean...

It's getting crazy. We are in way over our heads.

No shit, Curry, man.

What, did you figure all this out by yourself?

Yeah, very funny.

Look, man, you gotta help me.

Look, Tulip and I just got into a huge fight.

She wanted to stay. I told her it was time to go. I don't know what to do,

Well, what do you want me to do about it? Just help me talk to her. She'll

listen to you.

We gotta convince her that we got to get her out of here.

I'm sorry that I had to call you here so late, Tulip. But there's a problem with

your manager, Mr. Bonner.

Why? What did he say?

It's not so much what he says.

We have to come to an understanding ourselves before we go any further with

deal.

Okay, Mr. Morgan.

Trent. Call him Trent.

Trent.

Sorry. Sorry.

Mr. Bonner is more than your manager, isn't he?

Well, it's a little bit complicated.

It's very complicated. I'm going to go check on the C -47s.

I'd say it's very complicated.

You're not asking me to dump him, are you?

No, no, no, nothing like that. I just want you to help us help him understand

what it is we're trying to do here.

Good question.

This is not really about business, contracts, releases,

money. It's not completely certain.

It's about art.

Art?

Well, at least the art of the moment.

The art of being present.

The art of being spontaneous and of being the best performer that you can

Do you think you understand what I'm saying?

Yeah. I mean, I think so, but... When you fuck, are you

nervous?

I haven't really thought about it. Well, think about it.

Well, I guess it's something that I feel like I was made to do.

You know what I mean?

Mm -hmm. And then Ted's naturally good at it.

Great at it.

Remember? Sure.

Is there anything I can help you with?

Well, I got a phone call from Curry.

It seems to me that he and Tulip got into a pretty bad fight.

We're going to see if we can get her to leave.

Leave? Why?

Yeah, things haven't been going the way that Curry wants them to.

What are you talking about?

Morgan has an entire series centered around Tulip.

Really? Really.

Thanks. You guys are extremely talented.

I didn't do much.

When you're fucking, your whole body, your whole mind, everything about you is

so involved in the sex that you're not thinking about what you're doing, and

are very believable, everything about you.

You're in the moment.

And I'm trying to get that same type of behavior from you when you act.

Acting?

You mean like with a script acting?

Yeah, act.

You mean like script act? Speak.

So that when you're speaking lines in a script, you're so involved, all of you,

that you're just as believable as you are.

You're beautiful.

And you're intelligent.

And you're passionate.

But the best quality about you is that when you have sex, I believe you are

enjoying yourself.

You are present.

And I don't know what you're going to do next, which is the most exciting

quality a performer can have.

When you do those little movies of yours, do you use scripts?

No.

There's not much talking that goes on in our movies, as you can see.

Well, that's actually the illusion we're trying to create, that we're not using

scripts, so why use one?

What do you want me to do with it?

From the top.

I'm nervous.

That's okay.

Don't think about it. Just do it. I'm nervous.

I'm nervous. It's okay.

It's okay. Don't think about it. Just spontaneously read.

He's a loser and he always has been.

He's a loser and he always has been.

You work with what you've got.

So I used him.

I used him.

What was I supposed to do?

He knew how to get someplace that I wanted to get.

It was that simple.

So I played the asshole like a fiddle.

Thought I was an actress.

And I was.

Because I acted like I liked that little prick.

What's this?

About you.

About me?

All about you.

Yeah.

You're so fucking long. We've got to go, bro.

Wait a minute, man. Give me a couple of minutes here. Can you just get busy?

A couple of minutes, dude. We've got to go get Tulip. We've got to get out of

here now.

Go away, Curry. I'm busy now.

Oh, go away? Dude, we've got to go now.

Listen,

buddy, don't fuck this up for me.

What do you think it's been like for me for this last couple of months? Watching

Tulip fuck everybody.

Everybody but me.

Screwing anybody we can find scraping them up from under a rock.

This is Darla Royale.

Don't fuck this up.

Kyle, look, man.

Can't you see what they're fucking doing to us? They're trying to break us

apart.

You're not thinking about what you're doing and then you you were very

believable

That's a $700 flat -screen high -def monitor.

Should I just put that on your tab, mister?

What was I supposed to do?

He knew how to get someplace that I wanted to get.

I played the asshole like a fiddle.

Stop fucking around.

What exactly are you talking about?

Talon writes the script for Morgan's life.

His life?

You do funny things when you get bored.

Have you ever been bored, Curry?

Yes, Jet, I've been bored before.

Well, Morgan got bored, too.

Too much money, too much time.

He had it all. Did it all, saw it all.

Told Darla there was nothing left.

He had no reason to go on.

So what are you saying?

He wanted to kill himself?

But Darla couldn't face it.

She loves Morgan. Always has.

So she came up with an idea.

Hire Talon to write his life.

Something different. Something very interesting.

With real passion.

Real surprises.

Real twists.

Everything Morgan gets off on.

I mean, this is all wonderful, but what exactly does it have to do with Tulip?

The most important thing to Morgan is that he believes his own story. So he

surrounds himself with people who help him do that.

Once again, what the hell does this have anything to do with Tulip?

Morgan's been looking for someone like Tulip for a long time.

He's testing her now.

Tricking her into the moment.

Bullshit. I'm not into that into the moment crap.

Yes, you are.

We're all in the moment.

I know yours.

I've been there myself.

You're mad as hell because you thought you were the star in your own life.

And now you've found out you're just a bit player in someone else's.

I'm not a bit player.

We're all bit players, baby.

But we get our scene just the same.

This one's ours.

That was very good.

Very good for a first reading.

I almost believed you.

Now, I want you to take your clothes off.

Here?

Yeah, right there.

Right now.

Okay?

Really?

Don't think about it.

Be spontaneous.

Remain vulnerable and take your clothes off.

I'm not here.

Imagine you're alone.

Imagine you're all by yourself, and you're waiting for your lover to come.

coming to see you.

I don't even know who your lover is, but you know.

And you know how much you turn him on, how much he loves to see you.

You start taking off your clothes, so when he gets here, he'll see your

beautiful body lying and waiting for him on the couch, okay?

Thank you.

I turn around, and off your ass turn.

Your lover's going to come in.

Keep your eyes shut and imagine your lover.

Imagine all the pleasure he's giving you.

Keep your eyes shut. Feel good?

Feel good?

Now open your eyes.

Open your eyes.

Is that curry?

Yeah, it's curry.

What's he doing?

He's getting his cocks off.

Does it hurt?

Does it hurt?

You did that?

Does it hurt?

Pain is right next to pleasure.

In order to feel the greatest pleasure, you have to feel pain.

Fine line between the two.

Feel the pain growing in the pleasure. They're all one. It's all part of the

same thing.

Look at it. Pain and pleasure are both side

to the same coin.

Now let it go.

Feel the pleasure.

Keep touching yourself.

Imagine he's here with you.

Does it hurt?

Does it hurt?

Use it. Feel the pain.

The pain will lead you to pleasure.

Oh, yeah?

He's here with you.

He's here with you. Now, go back.

Stay there, Tulip. Stay there. Good. Stay with it. Get even with that

motherfucker.

Lean back.

thing, bitch. I'm the one that got you here. You wouldn't be shit without me.

Don't ever fucking forget it. If it wasn't for me, you'd be a monkey ass and

back in fucking Oklahoma City doing nothing. You're not going to flush me

the toilet like a fucking shit.

You just consider yourself flushed, you fucking dumb asshole.

Fuck you. What are you doing?

You know what I'm fucking doing. Great. That's great.

I love it.

That's great.

You're playing the singing really well. Keep going.

Do it. You're playing it great.

You did this, didn't you?

Shut the fuck up.

Hurry. I have lines.

I was improvising.

I don't give a fuck what you were trying to do.

It's all over now. You motherfuckers aren't going to play me anymore.

It's over. I'm done.

You already said that.

Try a perverted bitch or filthy whore. Dirty whore.

What?

Play the scene, man.

The fuck are you guys talking about? Put it down, man.

Put it down. Stay in the moment.

You're ruining the moment.

Get them out.

Darling. Get out. Get them out.

Go.

So it was all Talon's plan, huh?

I think so. I don't know.

Bit parts.

What? Yeah, think about it.

We were all just fucking bit players.

More than bit parts. You were feature actors.

Come on, you ready?

Yeah.

You gotta go now. Come on.

Hey, wait a second.

You killed him. Why?

Trent was ready.

Our agreement was simple.

You all played your parts well, too.

Jealousy, confusion, betrayal, rage.

He loved it.

Trent hated anti -climaxes. He made me promise that if Tal's script worked and

he was responding, I'd help him fade to black.

Fade to black?

It's the last stage direction of a script.

It's when the story's over, when there's no more to say.

Yeah, but why did they use us?

I mean, why the hell us?

You wanted to come.

Now, Darla, man's day. I'm coming.

Darla, you're just going to go with Talon? Why?

He writes the story. He keeps it interesting.

Who else is going to write my lines?

Want some?

Yeah.

Energetic. Where are these guys from?

Eureka Springs, Arkansas.

Yeehaw. Arkansas.

You've got to be kidding me. No, Arkansas is what it is.

All right, Jet. You make the call this time. You can be the director.

Me?

Yeah, we're not a woman director.

What's the story?

Well, you know, a female director in a male -dominated business.

And she's looking for a new stud for her new film.

She sees him in a video, sends for him, falls madly in love with him.

And then when he falls in love with another actress, that would be me, she

crazy and kills him.

And she's nuts, completely off the deep end, and she kills someone else.

Yeah, I love it.

A few innocents from Arkansas, and they're caught up in a web of intrigue

murder, and they can't escape.

So what happens? How does it end?

Don't know.

That'd be something really good.

You know, something unexpected.

A real plot twist that no one would expect.