All language subtitles for Monsters - S03E20 - Werewolf of Hollywood_track3_[eng]

[THEME MUSIC PLAYING]

[CRICKETS CHIRPING]

[FATHER SIGHS]

[EXCLAIMING IN ANNOYANCE]

[UTENSILS CLATTERING]

Honey, it's family hour,
there must be something on.

"DAUGHTER:
Oh, wow, Candy Critters!"

[FATHER EXCLAIMS]

Oh, great. It's Monsters,
our favorite show!

[MONSTROUS LAUGH]

Shh, it's starting.

[MONSTROUS LAUGH]

[FATHER CHUCKLES]

[SOFT MUSIC PLAYING]

[DOOR OPENING]

Another day,
another disaster.

Who the hell are you
and what are you doing
in my office?

Buzz Hunkle,
this is a pleasure.

I loved Zombie Honeymoon.

Oh, yeah? Thanks.

Now, who the hell are you
and what are you doing
in my office?

I'm Vicki Roamer.
And I'm in your office

because your producer
Leo Tandoski hired me

to collaborate with you
on the script you're doing.

Yeah, right.
You probably got his name
off the studio directory.

No, I was in--

Don't tell me
you're one of those

film students who's
gonna talk your way
into a film set

and get famous like
Steven Spielberg.

Well,
it's been done, Miss?

Vicki
Miss Vicki.

Nice try.
Take a hike, okay?

Hey! Where's my
sliver pen award?

What happened to
my silver pen award.

[SIGHS]

You know what this is?

Let me guess.
The silver pen award.

That's right.

Buzz Hunkle.
Most promising screenwriter.

And they say
it's solid silver.
Or so they tell me.

They put three 'Z's in Buzz.

Hey, it's a visual medium.
You don't get extra points
for good spellings.

Look, Mr Hunkle.

Buzz,

Leo Tandoski
did hire me.

And Billy Mariner okay-ed it.

Billy Mariner?

He's the head of
the whole damn studio.

He doesn't give
a flying you know what--

If you don't
believe me,

let's just get him
on the phone.

Yeah, right, sure. I'll
have better luck getting
through to my agent.

Look,

point is,

I'm here.

We've got
a werewolf movie to write.

Let's do it.

Now, according to Mr Tandoski,

he wants a script that
follows his outline exactly.

The outline?
You mean, his outline?

That's what he said.

Unfortunately,

I haven't been able to find
the original outline.

So I was wondering if
I could just take a look,

Look kid, I did
read the outline.

And the only thing
that's salvageable
in it was the title.

Werewolf of Hollywood?

Not much of a title.

Well, Leo isn't
much of a writer.

Matter of fact, it's
a stretch for him to put
his name on the pay roll check.

So don't you worry
about Leo's outline.

I've got a lot of
experience with producers.

They're children.
Just like little children.

So you want
to collaborate? Here.

Now, for horror movies,
lesson number one,

the three 'B's, blood,
bullets and broads, okay?

Now, I'm re writing
the massacre in
the girls locker room.

I need to pump up the--

TANDOSKI: I don't remember
any girls locker room, Hunkle.

Hello, Mr Tandoski.

Ah, Miss Roamer.

And how is our
little writer doing?

Our old Buzz here needs
all the help he can get.

Fine, Leo.
And how are you?

Lousy since I
read this latest,

what do you call it?
Not a script.

Consider yourself lucky
I found this talented
young woman.

Miss Roamer here
has seen every one
of my films

and knows what
makes them successful.

She appreciates
the Tandoski touch.

Not like some people
around here.

[SIGHS]

Now, let me check my notes.

Uh ha.

Yeah, wretched.

Lousy.

Illiterate.

Dumb.

Stupid.

Dumb.

Yeah, but
did you like it?

The crudity,
the vulgarity, the triteness.

That, I can accept.

But you can't
abandon my outline.

Leo, you know how much
I respect you.

But the outline is weak.
It's weak.

You're just lucky that
Billy Mariner doesn't
look at the ideas for

Lobo Productions
around here.

Otherwise this thing
never would have
gotten the green light.

That's exactly the point.

None of Mariner's people
have any idea what I'm doing.

They won't see it until
it gets into the theaters.

That's just the way I want it.

And gets into the theaters
it's gonna be my story
on the screen,

And that's why yoou're not
gonna touch things up.

Mr Tandoski,

what is
the story anyway?

Buzz seems to have
misplaced the outline.

I left it with my
hopes and dreams.

And your talent.

The basic idea
is simple, Miss Roamer.

A top Hollywood executive

is in fact,
a predatory werewolf.

During the full moon
he turns into
a blood crazed beast.

Now most of the time,
those closest to him,

can keep him caged up
during the crucial hours.

But over the years,

he has managed to escape
more than a few times

to seek it's victims
in the Hollywood hills.

Sometimes even at
the back lot of his old studio.

Sweet Leo.

Quiet. Then,

a courageous producer
on the lot,

a young William Holden type,

who has had a dozen
money making pictures,

but still hasn't been promoted
like he was promised.

He stumbles on a secret.

He investigates.

And uncovers the string
of brutal murders and vows

to unmask the werewolf
before the next full moon.

There's gonna be
a full moon tonight.

Yes.

Okay, hear me
on this, alright?

Movie stars are attractive.

Plus they attain
great wealth and fame

without any
significant talent.

That's the American dream.

Hunkle, you're giving me
a headache.

So we make the werewolf
a big star and the hero is

a screenwriter,

and they both fall in love
with the starlet of the movie.

Excuse me,
Mr Tandoski?

Maybe I'll minus
a page here,

but this outline
doesn't have an ending.

Yeah, well,
that's it's strong point.

That outline is gonna go
on screen as written.

That will make Billy Mariner
sorry he ever...

[DOOR OPENS]

Well, good afternoon, Billy.

Forgive my intruding
like this...

Butt, isn't it?

Buzz.
With three 'Z's

Actually it was you
I was looking for, Leo.

Oh, so?

In view of the exceptional
grosses in your last film,

we'd like to pass on
just a little token

of our appreciation.

I was expecting
something like this.

Thanks, Billy.

Miss Roamer, isn't it?

How are you
getting along?

Oh, just fine.
I'm learning a lot
from Buzz.

We will have to have
a little chat sometime.

Keep up the good work, Leo.

Nice talking to you,
Buzz-y

It's worse than I thought.

Bonus.

Excuse me,
Mr Tandoski, but

isn't a bonus
a good thing?

BUZZ: Not around here.

First a bonus and
then you're out
on the scrap tube.

How much is it for, Leo?

Bigger than I thought.

Oh, this is really bad.

Alright, Billy.

You wanna lay hard ball?

Leo Tandoski knows
how to play hard ball.

I'll make them
all sorry.

This means war.

You keep your stupid ideas
off my script.

LEO: Just follow
the outline.

[SUSPENSEFUL MUSIC PLAYING]

BUZZ: A bloated full moon
dangles in the ebony sky.

We move in slowly.

A young assistant,
who sits alone,

nervous at her
shadow shrouded desk,

she gasps in terror.

Her impressive torso heaves,

lasciviously. Suddenly,

[SCREAMS]
[SCREAMS]

Excuse me, I was just
getting caught up in
the vividness of my own prose.

Right.

Where'd you leave off?

About two pages
before you came in.

Look, Buzz.

I know I'm new
to this business,

but doesn't it seem
to you that Mr Tandoski
is behaving a little bit...

Look kid,

Tandoski thinks Mariner
is gonna fire him

so he's working up
some kind of story revenge.

But that's what
I don't understand.

How can he get revenge
on Billy Mariner with
a werewolf movie?

Because any movie based
on his nitwit outline

is gonna die
an agonizing death
at the box office.

I mean,
look at this stuff.

Leo can't even
make up his own
mediocrity.

He could have stolen
from the newspapers.

Chiropractor cut up and
found in his backyard.

A limo driver folded over
four times and found
in his trunk.

These are real murders.
I'm convinced of it.

And that explains why
the outline reads
the way it does.

The producer pokes around
in old newspapers.

The producer roots through
the studio file.

He even has the nerve
to call the producer Leo.

I mean this guy's got
toys in the attic and
it's all broken.

But do you think
that's all there is to it?

Is there all there is
to what? I mean what
are you suggesting--

I'm not
suggesting anything.

You think Tandoski
believes this stuff?

That's not what I said.

[WOLF HOWLING]

You think Leo found out that
some studio exec is a werewolf
in his spare time?

Is that what you think?

Come on, Vicki,
not even Leo has that kind--

[CRASHING OUTSIDE]

What is that noise?
God!

You guys want
to keep it down,
down there?

Some people are trying
to write a screenplay, okay?
Thank you.

[WOLF HOWLING]

Oh! [SIGHS AND CHUCKELS]

[FIGHTING AND GROWLING]

I think somebody
is in trouble.

Probably couple of agents
trying to make a deal.

[CRASHING]

I think they chased
each other on to stage four.

Well, good.
Let's go back to work.

[FIGHTING AND
SHOUTING CONTINUES]

I'm gonna go out and
take a look around.

Woah, kid,

You're not going anywhere.

Okay, Buzz, you're right.
Be careful.

Are you coming
with me or what?

BUZZ: Doesn't look like
anybody is here.

VICKI: Do you think it
really could have been
a wolf we heard?

BUZZ: Don't be ridiculous.
We're probably on the
tail of a wounded gerbil.

[BOTH EXCLAIMING IN HORROR]

Mr Tandoski.
Oh, god!
[BREATHING HEAVILY]

Is he dead?

BUZZ: I don't know.
It's either that or a great
special effects job.

[DOOR OPENING]

[GLASS BREAKING]

I'm gonna
take a look around.

Gimme that thing!

Stay here with Leo.

[EERIE MUSIC PLAYING]

[DOOR OPENS]

[GROWLING]

[CRASHING AND RUNNING]

[NOISES CONTINUE]

[RASPY BREATHING AND GROWLING]

[GROWLING]

[INTENSE MUSIC PLAYING]

[CRASHING]

[GROWLING]

[CLOTH RIPS]

[SIGHS IN RELIEF]

[BOTH SCREAM]

What was it?

What did you see?

The werewolf
of Hollywood.

[RAZOR BUZZING]

[DOOR OPENS]

[DOOR CLOSES]

Guess you've seen
the newspapers, huh?

Noted producer
dies in car crash.

Yeah,
it's the old cover up.

Studio security comes down
at the scene of the crime,
cleans up Loe's body,

No police, no fuss,
no muss, no bother.

But why?

Why go to all that risk?

Well, two reasons,
number one,

mysteriously murdered producers
make bad press.

But more importantly,
Billy Mariner himself
is the werewolf of Hollywood.

He's what?

If I can prove that
Billy Mariner is a werewolf,

it'll be a tremendous boost
for my career.

I know what you're thinking.
Blackmail is wrong.

Okay,
loose the blackmail idea.

But I didn't just see that
werewolf last night.

He saw me.

And I'm gonna get
some proof to convince people.

Hey, wait a minute.
You know, when that thing
ran by me last night,

it caught it's
sleeve on a flap.

If there is some threads
from one of those
custom sports jackets on there,

mixed in with
some werewolf hairs,

then old bill is gonna
have a lot of explaining
to do, isn't it?

[DEEP SIGH]

How come you got
the brains of a receptionist?

Forget about the werewolf.

Nobody would blame you.

Just tell Vicki that
you looked and
you couldn't find it.

That's it, I mean,

I mean, I'd buy that.

[DOOR OPENS]

Have you absolutely
made up your mind
to go through with this?

Well, yes.

Then, I'm going too.

No, you're not.
Buzz!

Vicki, don't argue with me.
This could be dangerous.

And I don't want
anything to happen to you.

[SIGHS]

Well, alright.
If that's how you feel.

But here's something
you're gonna need,

What for?
I might shoot somebody!

That's the point.

A friend of mine
in the prop department
gave it to me.

They used it
in the remake
of the Masked Rider.

And look.

Real silver bullets.

Silver bullets,
werewolves right.
Got it, yeah.

Wait a minute, they
made real silver bullets
for that flop?

Buzz!

Good luck.

Watch yourself.

Yeah, well,

you shouldn't worry about
me when I'm gone, okay?

I will.

MAN: I'm afraid you
won't find anything.

I got here ahead of you, Bud.

Buzz.

How's that?

My name is Buzz.
Not Bud.

Let me tell you
something, Buzz.

A bring young man like you
doesn't want to spend
the rest of his life

writing grade C horror flicks.

I think we can
do business.

You mean, the kind
of business you did
with Leo Tandoski?

Leo Tandoski was a vindictive
and perverse little man.

Making a movie about
my unfortunate genetic defect,

was in extremely bad taste.

And what about
your other victims?

What errors of good taste
did they commit?

[SIGHS DEEPLY]

When I was younger,
before I took this job,

I could control the changes.

Sometimes, I can remain
human through a whole cycle
of the full moon.

But, let me tell you
something, Buzz.

The pressures I'm under
in this job and the stress,

where's the way
to self control?

Sometimes it's a full moon,

someone makes me angry,
I change, I kill.

[CHUCKLES]

But you're not gonna make me
angry, are you Buzz?

That wasn't my plan,
believe me.

I like to think of myself
as a reasonable man.

You're on my team,
I'm on your team.

Buzz, for the price
of a little discretion,

you could be writing
big pictures.

I mean, prestige productions

major stars, six figures.

Ah, seven figures!

With your talent and your
ability to remain loyal,

I see you growing
right to the top.

You could work
your way up to producer
around here.

It's not enough Billy.

Really?

I see.

And just what would
make it enough?

I want to direct.

[SCREAMS]

What is it with you guys?

Everybody wants to direct!

[SHOUTING]

[GROANING]

Here's a counter offer.

I'll rip out your throat
and throw your body
down the Canyon.

Like we did with Tandoski.

Stand back. I've got
silver bullets in this gun.

[LAUGHING MONSTROUSLY]

[GUNSHOTS FIRED]

[GROWLING]

[GUNSHOTS CONTINUE]

[SUSPENSEFUL MUSIC PLAYING]

[GROWLING]

[GUN CLICKING]

[GROWLING LOW]

Alright,
I'll take the deal.

Sorry.

Bud!

Well, I'm afraid we can't
have an effective working
relationship.

Not after this.

[GROWLING]

[INTENSE MUSIC PLAYING]

[GROWLING CONTINUES]

[HOWLING]

[GRUNTS]

[SHOUTING]

[GROWLING]

[GROWLING]

Okay, I'll work for scale.

Plus ten.

[HOWLING]

[GROWLING SOFTLY]

[BREATHING HEAVILY]

[CHUCKLES]

It really was silver.

[SIGHS]

I'll be damned.

[VICKI EXCLAIMS]

[BREATHING HEAVILY]

Oh my god,

Are you okay?

I got concerned, so I came.

Yeah, yeah. Spare me, babe.
I got you figured.

What are you talking about?

No one but you
knew I was going
to the sound stage tonight.

And Billy Mariner
was waiting for me.

And those
silver bullets?

Turns out they were
regular bullets. The kind
that werewolves laugh at.

Lucky for me I remembered
that thing was silver.

Or it would be me
lying dead on that desk.

Kid, you sold me out
to Mariner for the sake
of your pitiful career.

[CHUCKLES]

You're right Buzz.
I did double cross you.

But not for
the sake of my career.

I was trying to find out
what you and Leo were upto.

Uncle Billy was
getting nervous.

Uncle Billy?

Mariner?

Yeah.

And there is one thing
you want to keep in mind
about wolves.

[INTENSE MUSIC PLAYING]

No.

[GROWLING]

They usually run in packs.

[GROWLING]

[THEME MUSIC PLAYING]