Original subtitles

ARCH: Daniel McConnell, the supposed Abstract Killer.

Am I sensing that you didn�t think McConnell was guilty?

-McConnell�s profile matched none of the known perpetrators.

-Is that what you think?

PATTY: Is that Bryan Montgomery�s laptop?

-Diard claims she got a confession,

but nobody heard it but her.

[indistinct chatter and music playing]

-I thought you said that, uh...

Fitz was gonna be cooking?

-Yeah, I guess I misunderstood Arch when she said "we."

-So, you like me being your little helper, hm?

-Well, a great sous-chef makes the chef.

-Come on, how hard is it to slice basil, seriously?

-Well, maybe I just wanted to get in

a little under-the-radar PDA.

-Well, I�m not sure how subtle you�re being right now.

-So, that�s why I like to taxidermy the unclaimed corpses.

RENUF: [chuckles]

You okay, Fitz?

-Oh, yeah, yeah. I�m just in my own little world.

-Arch seems happy.

-Yeah, they seem like a cozy couple.

RENUF: I, uh, brought these for you all.

PATTY: Our guy right here is quite the baker.

ARCH: I love a dessert before dinner.

-Hey, now, you don�t want to ruin your appetite.

FITZ: Are we allowed to drink wine before dinner

or is that off-limits, too?

ARCH: No one�s had a drink yet?

I am so sorry I�m being such a terrible host!

Please, help yourself.

[knock on door]

MARCUS: Mm, that looks like a good one.

FITZ: Thank you.

PATTY: I think I want the pastries.

MARCUS: Anyone thirsty? There we go.

[door closes]

-I�m sorry to cut the night short, but...

Fitz, we have to go.

[sirens wailing]

FITZ: Do we know what we�re walking into here?

ARCH: Not yet.

Dispatch said "homicide," and to brace ourselves.

[mysterious music]

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[music intensifies]

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FITZ: Arch?

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"Inspector Fitzpatrick and Deputy Chief Archambault."

-"I�m no copycat. I�m the Abstract Killer.

"And I�m back."

[dramatic music]

[theme music]

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ARCH: Are we really dealing with the Abstract Killer here?

What are you thinking?

-I�m thinking we need some sleep.

-Yeah.

NATASHA: Quite the love letter to you two.

-Yeah. Aside from his declaration

that he�s the Abstract Killer, is everything else aligning?

-Oh, yeah. Organs removed, body paint,

no blood on the floor; the whole nine yards.

-Incision is clean, precise.

No mishaps. The killer was surgical.

-Likely used a filleting knife like before.

-Okay, we�re gonna have to collect some samples,

all those paints, get �em tested.

-Samples are already in for analysis.

I am not going to be fooled by another potential copycat.

No detail will be missed this time.

[Fitz sighs]

-Lennox Giroux.

He works maintenance at the pumping station.

It was him who found the body.

We�re getting his statement,

but he�s pretty shaken up by the whole thing.

RENUF: I know how he feels.

MARCUS: Round up all the other witnesses

and get �em processed ASAP.

We�re gonna run this case in two distinct streams.

Our victim? Exhaust every lead, like every other murder.

-And the second approach?

-Start at square one. The original Abstract killings.

We have those files stored in the basement.

I�ll get them all brought upstairs.

-Great idea. Anything relevant,

make sure it gets over to Natasha as well.

ARCH: Witnesses, victim family members,

anyone and everyone still alive is to be tracked down

and re-interviewed.

-What?

-Well, do we think Diard will try and stop us

from digging into the Abstract Killer murders again?

-If she tries, tell her I�ll go straight to Paris HQ

and report her for obstruction of justice.

-Got it.

-I must say, I like when you show those teeth.

-Just be happy my bite is not aimed at you.

MARCUS: Killer singled you both out.

That�s a twist.

-Not what I saw coming.

-Do me a favour. Be careful.

-We�ll be fine. Relax, boss.

-You got it.

-Are you as freaked out as I am?

-Who wouldn�t be freaked out? -Right?

-A serial killer left us a personal message

at his crime scene.

-Good, okay, �cause I am super freaked out,

and I can�t believe I�m gonna say this,

but I�m actually glad Meredith is marrying O�Brien.

-Unpack that for me?

-O�Brien�s the Premier.

He has a full-time security detail.

Meredith, the kids, they�re gonna be safe.

-Oh, look at you finding the positives.

The real Abstract Killer never left a message.

Only the copycat did.

-We worked that case, we closed it.

Now he�s mad at us?

-Because we believed he was behind the copycat killings?

-So, maybe we woke the real Abstract Killer up.

-Wait, are you driving us to my boyfriend�s house?

-We have questions, Dr. Th�o has answers.

Unless...

Wait, did Th�o stay at your place last night?

-No, we�ve been gone all night. He�s home.

-Good, �cause I had our initial findings sent over to his place

so he can be up to speed.

PATTY: No ID on our victim yet.

You�ve been busy.

-Yeah, I made one board for him,

and one for the original victims.

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-She really doesn�t like us opening all this up, does she?

-Well, if we prove the Abstract Killer

is still out there, Diard�s reputation is toast.

-Right, but wouldn�t catching

the real Abstract Killer trump that?

-You�d hope so.

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[ominous music]

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TH�O: He mentions you by name, Genevi�ve.

-I was mentioned as well, but...

-Do you think it�s some kind of warning?

-Actually, I would consider it more of a message.

-You think he�s toying with us?

TH�O: Or challenging you.

You believed the Abstract Killer could have been behind

the murder of Bryan Montgomery.

-Given the way he was killed,

it was a rational thought at the time.

-This man, whoever he is,

I would not diagnose him as rational.

-Maybe we hurt his pride.

TH�O: And yet...

we cannot say for sure that this killer

is the genuine article.

We can rule out all of the original suspects.

FITZ: Daniel McConnell, he�s been dead for years.

Claude Jackman, Antoine, they�re both in prison.

-What are the chances we could be looking at another copycat?

-Very possible.

Those who imitate infamous murderers

often have pre-existing violent tendencies.

They crave recognition.

FITZ: Right, but Claude Jackman, he killed Bryan Montgomery

for a completely different reason.

-It�s true.

FITZ: [sighs] What are the odds?

I mean, two copycat killers in Saint-Pierre

just seems improbable.

-Yes, but not impossible.

Adapting the persona of the Abstract Killer

could give our murderer a form of psychological distancing,

which helps lower normal inhibitions,

allowing him to perpetuate such acts.

-Well, you know the case better than most.

Did you ever determine a victim pattern?

A reason why he chose the people he did?

-Other than all being out alone at night?

No, nothing that obvious.

I�ll comb through my old notes and case files

and I�ll call you if something new jumps out.

[phone buzzing]

FITZ: Um... Patty,

she wants us to meet her at your place.

-Okay.

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PATTY: I needed to meet you away from Diard.

MARCUS: Okay, Patty, you have our attention.

Why are we here?

-Diard�s been withholding evidence

about the Abstract murders.

Daniel McConnell wasn�t the killer

and she�s known all along.

-How do you know this?

-Bryan Montgomery believed he had evidence

about who the real murderer was,

but when I removed

the encryption software on his laptop...

-It had nothing about the case?

-But what does this have to do with Diard?

-I hacked her computer. -RENUF: Patty!

PATTY: I know, I know it was a risk,

but Diard�s takedown of Daniel McConnell wasn�t legit.

And she killed the wrong man.

Look at this.

-I told the cop, Diard, Daniel was with me

the night that one of the women was killed.

MAN: Daniel McConnell? TANYA: Yes.

I called her, but she warned me

to stay out of the investigation.

I was with him.

He couldn�t have killed that woman.

PATTY: The male voice was Bryan Montgomery.

He managed to track her down in Florida earlier this year.

-Was there anything on there that points to evidence

on who the real killer might be?

-No, just Lushka�s interview.

[typing on phone]

[line trilling]

-How much do you know?

MARCUS: I know you�ve been withholding crucial evidence

in a 15-year-old serial killer case

that, as far as I�m concerned,

has never been solved.

We saw the Tanya Lushka tape.

-Lushka had a criminal record as long as my leg.

She was lying to cover McConnell.

Her statement was complete bull.

-Even if that was true,

you buried her statement.

Now someone else is dead likely because of your actions.

-They were drunk for days.

Lushka couldn�t lucidly account for half of her time.

Her story was full of holes!

-This is not going away.

-McConnell confessed to the killings!

He tried to kill me , Marcus!

And yes, for a heartbeat I thought that maybe

Tanya Lushka�s statement could have been...

But when McConnell went down,

the killings stopped.

And no one pushed me to dig deeper.

-Well, you better hope to hell that we find

the real Abstract Killer before he kills again.

�Cause if not...

it�s on you, Madam Prefect.

[tense music]

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The Abstract Killer cases are officially reopened.

Meaning, I don�t want to hear Daniel McConnell�s name again

unless you have video of the man cutting people up into pieces.

Understood?

At least now we know the truth.

-Thanks to you, Patty. Well done.

PATTY: I�m just glad that we can now hopefully

get to the bottom of this.

RENUF: Missing persons reported-

Raj Dara didn�t come home a couple nights ago.

His wife called it in.

ARCH: It�s definitely him.

Everyone, please, listen.

Our victim�s name is Raj Dara.

Now, we start with, who is Raj?

Did he have conflict with anyone?

Did he know the killer?

Did the killer select him, and why?

-We find that reason, we find the link

to the original Abstract killings.

Start with motive, opportunity.

ARCH: Our killer brought the victim somewhere.

Prepped and killed him there, not where we found him.

-That killing floor, wherever it is,

is filled with DNA, blood splatter.

-The body would have been moved and staged here

for us to find it.

FITZ: Talk to everyone around the pumping station, okay?

We want to hear about abnormalities, inconsistencies.

There was someone there who doesn�t usually

walk their dog at night.

A loud noise, a gut feeling.

-Nothing is too small.

Tear apart every detail from the old cases 15 years ago.

It�s all fair game.

MARCUS: All information collected

gets brought back here to this team.

D�accord ?

We can do this. Allez !

-Renuf, escort the victim�s wife to ID the body.

We�ll meet you there. I want to speak to her.

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-Olivia, can you confirm that this is your husband?

-It�s Raj.

[inhales shakily]

Is it true his body...

what he did to his body, his insides?

Who would do this to him? To anyone?

-That�s something we�d like to have your insight on.

ARCH: Did your husband have enemies?

Someone who may have it out for him?

[crying]

ARCH: It�s okay, don�t worry. We can talk again later.

If anything comes to mind, just... just reach out.

-Sorry, um, before you go,

can I just ask, did Raj have a tongue modification?

OLIVIA: What?

-His tongue sustained, um, an injury.

I just wanted to rule out whether it was pre-existing.

-No. He had nothing like that.

-What are you talking about?

-So, I haven�t fully examined him yet,

but look at this.

ARCH: A tiny slit at the tip of the tongue.

Precise. Clean cut.

-I wanted to rule out Raj undergoing

a deliberate bifurcation.

A lizard bifid.

It�s a thing.

-But it would take a week or two to heal.

-This looks really fresh.

-Just like the cut to his abdomen.

Probably the same blade.

-Did any of the other victims

have a lacerated tongue like this?

-Well, I�m sure as hell gonna find out.

-Uh, she wanted to speak with you again.

-We�re so sorry that you had to see that, Mrs. Dara.

-Your coroner�s question about Raj�s tongue made me think about

a threat Lennox Giroux made about my husband.

-What kind of threat?

-He said he would cut Raj�s tongue out.

-I�m sorry, when was that?

OLIVIA: A month ago.

They had a business together; it went south.

Raj was mad at Lennox,

and he wasn�t shy about who he told about it.

Lennox said, "Stop talking shit about me

"or I�ll cut your tongue out."

He�s the only person I can think of

that would want to hurt Raj.

-Make sure she gets home, okay?

FITZ: Thanks.

ARCH: We tracked down Lennox Giroux�s address.

It�s just up here.

-You think a serial killer

would threaten a potential victim so openly like that?

-I don�t know.

But I�m not getting a good feeling about this place.

FITZ: No.

Potential killing room floor?

[engine revving]

ARCH: It�s him! It�s Giroux driving that truck!

[suspenseful music]

-Giroux has an extensive record.

Drug charges mostly, but our vic was in the process

of getting a restraining order against him.

-You can add assaulting a police officer to his charges.

We need to find him.

-You might want to see this.

I forgot about Lennox�s weed.

He grew the good stuff.

-And how would you know?

-It was, uh... [chuckles nervously]

before I was in law enforcement.

MARCUS: Mm-hm.

-Forensics will have to scrub this place too.

We need to know if anyone was murdered in here.

-Natasha wants to speak to us.

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-Yeah. It�s... a long time ago.

[chuckles nervously]

-Hm.

NATASHA: I went through all the original victim photos

and blew up close-ups of the tongues.

Look.

-All the original victims,

they all had their tongues sliced?

-Each cut is the same.

-Why was this never mentioned in any of the reports?

-15 years ago, uh, the coroner was overworked,

likely distracted by the whole organ removal of it all.

I mean, I might have missed it.

-Right. Well, you didn�t.

ARCH: What�s the significance, I wonder?

-God knows, but looks like we have a link between

the original Abstract victims and this guy.

NATASHA: So, Raj�s tox report,

there might also be another link.

-Gamma hydroxybutyrate...

-So, GHB incapacitates a person.

They�re awake but unable to fight back.

-You mean this poor guy was awake while he was being gutted?

-Yeah, and another two victims.

So, H�l�ne Bry and Colleen Noel.

-What about James Montgomery?

-No, not in the report. No.

So, like I said, I�m not gonna let anything slip.

My phone�s on; you call me if you need anything.

-Great work.

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ARCH: Everyone�s looking for Giroux.

The entire island is on lockdown.

-We managed to track down most every witness from 15 years ago.

Anyone still alive. Except...

-Except what?

-We have a phantom witness or two.

MARCUS: Renuf...

Am I gonna be annoyed?

-No. No, no.

In H�l�ne Bry and Colleen Noel�s murders,

there were two males, Caucasian, 30s, that we can�t find.

Neither were registered as residents of Saint-Pierre,

and no other witnesses can tell who they could be.

-Are you suggesting that they are the same person?

-Uh, different names, but same physical descriptions.

-It�s worth checking.

-Tout de suite.

-James 3:8.

"No human can tame the tongue."

MARCUS: It�s a restless evil,

full of deadly poison.

-You know your scripture.

MARCUS: Surprised you do. Are you suggesting

the Abstract Killer is hunting liars?

-Uh, the sliced tongue.

Speaking out of both sides of your mouth.

-Could make sense.

We need to dig into our victims� lives.

MARCUS: So, you want to prove that our victims are deceitful?

-Or have history that could be interpreted that way.

-Lennox Giroux is a painter.

He ran an art class 16 years ago.

His MySpace was shut down,

but I managed to access his followers.

Raj and H�l�ne Bry�s names are on the list.

-Two of our victims are connected to Lennox Giroux.

[phone chimes and buzzes]

-Somebody turn on the TV, please.

DIARD: [TV] Thank you all for coming.

This will be my last task as Prefect

of Saint-Pierre-et-Miquelon.

-What is she doing?

DIARD: Although I stand by my assertion that...

-Jumping before she�s pushed.

DIARD: ...I now know that Daniel McConnell

was not the Abstract Killer.

I impeded the case by letting my own bias take over.

But I did really believe that McConnell was guilty.

[cameras clicking]

I was wrong.

I�m not proud of my behaviour,

and I will have to live with that

for the rest of my life.

But as of now, our focus is the latest victim,

Raj Dara.

[cameras clicking]

The Abstract Killer is back.

-[quietly] Are you out of your mind?

[Marcus speaking French]

ARCH: It�s Giroux.

[suspenseful music]

FITZ: Hey!

Hands up. Turn around.

That�s it.

Up against the wall.

-Lennox Giroux, you�re coming with us.

TH�O: Not sure what to make of this guy.

Bewildered. Scared.

-Diard�s been recording voice notes to herself

about the Abstract Killer.

There�s not much to most of them, but this one...

DIARD: [audio] I�ve never truly believed that McConnell did it .

Not alone, at least.

Did the Abstract Killer have an accomplice?

A partner who helped him select and murder his prey?

[recording stops]

PATTY: Not sure we can trust anything Diard has to say

about this case, but...

-But it�s plausible.

-So, you think this is your man?

-[sighs] We�ll have a better idea

once we interrogate him.

And we need Diard back here, now.

-I�ll track her down.

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-I came down here to turn myself in.

-Turn yourself in for...?

-What happened at my house.

-You came to turn yourself in, but then you show up,

you�re outside, you see us, and then you run?

Why?

-Hearing Prefect Diard talk about the Abstract Killer.

And it dawned on me, you might think I killed Raj.

-Why would we think that?

-We had bad blood.

I�m not happy he�s dead, but...

No, there�s no way you�re pinning this on me. No way.

-You had enough weed on your property

to cause a lot of trouble for you.

FITZ: But we�re not so interested in weed

as much as we are interested in your connection

to H�l�ne Bry and Colleen Noel.

-What style of painting did you teach, Lennox?

-Those classes? That was almost 20 years ago.

-16, actually.

A month before the Abstract Killer appeared.

-Look, the class�s MySpace page was a front

for people to order weed.

Ask anyone on Saint-Pierre.

I shut the account down because the cops were on to me .

ARCH: You threatened to cut Raj�s tongue out.

-Yes, but I wasn�t being literal.

FITZ: It�s a very specific threat.

Why cut his tongue out?

-Raj was talking crap.

Saying it was me that screwed him over.

Saying all kinds of things.

So, I just warned him.

-Did you make good on those warnings?

-I wasn�t gonna kill him just because he�s a liar.

Look, Raj�s lies had no traction.

Nobody listened. I have zero motive.

Zero.

-Please tell me we�ve got our guy.

-Sorry, boss, but we�re not feeling it.

RENUF: I asked around;

turns out the painting class was code

to order weed from Lennox, and Raj was known to exaggerate.

TH�O: I don�t think Lennox has, for lack of a better word,

the sophistication to pull off these murders.

ARCH: We know McConnell wasn�t the Abstract Killer.

The killings didn�t end because he died.

FITZ: Do you think that the actual killer

is sophisticated enough to have just stopped?

-I know that this may sound strange,

but I somehow thought he had.

To be fair, I may have endowed him

with a fictitious emotional intelligence,

so I might better try and understand him.

-Or maybe so you could write some books.

-But if he had some deep psychological help,

if he connected with his conscience...

-Either way, I think we need to broaden our search.

See if there were any similar murders outside of Saint-Pierre.

-I�ll check with some of my counterparts back in France

and in French territories.

-If you�ll excuse me, I have a client that needs me.

-Dug into our victims� pasts,

testing our liar theory.

H�l�ne Bry. Turns out there were a number of rumours

that she was being unfaithful to her husband.

Like, a lot, a lot.

MARCUS: Hmm. And the others?

RENUF: Colleen Noel. Pastor�s daughter.

She sold herself as the picture of piousness.

I knew Colleen. She was a party girl.

Shoplifting, drugs.

There wasn�t a lot about her that I would consider pious.

-So, another liar. What about James Montgomery?

-Nothing like that. Nothing I could dig up.

-You think the killer learned about Raj Dara�s lies, too?

[phone buzzing]

[suspenseful music]

PATTY: No one�s been able to find Diard

since the press conference.

This is her car.

Diard�s purse, her briefcase...

-[line trilling] -And her phone.

-[phone buzzing in car] -It�s all in her car.

-Clearly, she didn�t just leave her belongings

and her phone like this.

-May I?

Look.

[car beeping]

Diard�s keys.

-[sighs] What happened here?

PATTY: I got a unit at her place already.

We�re checking it.

[Diard crying]

[ominous music]

[Diard gasps in terror]

ARCH: Did you sleep?

FITZ: Not a wink. You?

-No. [sighs]

Patty and the team searched Diard�s house.

No one�s heard from her since her press conference.

-She confessed to lying about the Abstract killings

-on live TV. -What if he has her?

-I wanted to make sure we start the day off right

with the only coffee that�s drinkable in town.

-Thank you.

-Oh, meaning you made it yourself.

-I did.

-So, the two missing witnesses from 15 years ago,

checked and double-checked...

the two names given belonged to people

who were already dead at the time.

FITZ: So...

they were hiding their identity?

-100%. They had to be.

-They were the same person.

-Was our killer playing with the cops?

Pretending to be a witness?

We believed this guy discovered Raj�s body

at the pumping station.

-We tried to track him down, but the name he gave us...

-Lance Debrue.

-There is no one in Saint-Pierre registered with that name,

and no one at the pumping station

has ever heard of the guy.

-You mean to tell me that we had the Abstract Killer

right in front of us and we didn�t know it?

-That�s very possible.

-We�re circulating the image to see if we can

get it positively ID�d.

FITZ: Renuf�s mystery witness

was at every other Abstract murder crime scene

except for...

James Montgomery.

There are too many elements around James�s death

that are different.

Something is off.

-We�re feeling that James wasn�t a planned kill.

-Maybe he was in the wrong place at the wrong time.

Maybe he knew the killer.

We don�t know yet.

Any luck tracking down Montgomery�s mother?

-She volunteers at the hospital in her free time.

-Okay, well, I�m gonna need to speak to her.

NATASHA: Um, okay, so no blood or signs of any wrongdoing

at Lennox Giroux�s place,

aside from the premium grade weed he had on site.

Um, I also tested the paint used on Raj

against results from 15 years ago.

-They�re all a match? -Yes.

But what is interesting is this.

RENUF: Cerulean Blue.

-What about it?

-It was discontinued 12 years ago

when they found carcinogens in it.

-Let�s see if we can track anywhere on Earth

that still sells this stuff.

PATTY: You need to come and see this.

A bunch of other camera angles saw this man trailing Diard

from the press conference.

FITZ: He was following her.

RENUF: Is that our mystery witness?

ARCH: The Abstract Killer?

MARCUS: Diard�s in danger.

There�s no telling how long this guy takes

before he starts hurting his victims.

ARCH: If Diard is being held by the Abstract Killer,

how much time do you think we have?

-I don�t know, Arch.

I mean, I�m still not sure it�s him.

Your lying theory, it�s a tad far-fetched.

-Far-fetched? How?

We know the Abstract Killer is very sensitive about his ego.

Especially if he was upset that Fitz and I thought

the copycat killer was him.

And Diard just confessed on live TV

to lying about this case.

-[phone buzzing] -And now she�s missing.

TH�O: What about this man?

The, uh, one pretending to be a witness in murders.

-You think he could be the killer?

It�s a bold move,

but maybe he likes to mess with the cops to feel superior.

-We can suppose that the Abstract Killer

has a fragile ego.

It�d be risky showing up like that,

but also a tremendous dopamine hit.

-I emailed you some photos.

-[clears throat]

TH�O: The download speed out here should be criminal.

I was up all night thinking about the case,

and in my professional opinion,

this is not the work of the Abstract Killer.

-But there are too many similarities.

This paint that was used on Raj Dara

is a match to what was used on the original victims.

And it�s no longer in production,

so where did he get it?

-Cerulean...

Its diminutive is "caelum": "heaven sky."

-Yeah, the irony is not lost on me.

[phone ringing]

-[sighs] -[phone ringing]

My clients know to call my landline

if I�m not picking up my cell.

[phone continues ringing]

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[ominous music]

ARCH: Oh, wow, is that... Martinique?

[cell phone chimes]

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-So, is this your, uh, pretend witness?

-Do you... recognize him?

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-I�m not so sure. I, uh...

I thought I did.

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[phone resumes ringing]

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-Let me get that and then I�ll, uh...

I�ll make us some lunch.

-No. Diard, I need to find her.

I have to meet up with Fitz.

He said if I don�t show up,

he�d assume we�re still consulting and join us.

[unsettling music]

-Okay, then!

We�ll talk later.

[door closes]

[sinister music]

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[ominous music]

[sighs]

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ARCH: Cerulean blue.

No...

[clattering sound]

[locks door]

[suspenseful music]

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-You really shouldn�t have come in here, Arch.

?

DORIS: I will never forget what you did.

You found who killed my Bryan.

-We�re just happy we could bring you a little closure for Bryan,

at least.

Mrs. Montgomery, we wanted to talk to you

about your other son, James.

RENUF: Does this man look familiar to you?

DORIS: Where did you get that?

Yes, I do know him!

James�s best friend growing up.

When James was killed, his heart was as broken as mine.

[suspenseful music]

-I can see what you think this is.

-Explain to me what I think this is.

And step back!

-It�s me.

[chuckles] It�s just me, Arch.

-I don�t know who you are, Th�o!

-The same man that I�ve always been.

The same man that fell in love with you.

The same man that you loved back.

-Is this the room...

where you killed all those people?

-You�re getting the wrong idea. I�d never-

I�ve never killed anyone. I wouldn�t kill anyone.

ARCH: The blue paint!

-What about it?

It�s just paint!

Don�t go into a spiral over some paint.

Come on, Arch. Just calm down.

-Don�t come any closer.

I am warning you.

[phone ringing]

[phone ringing]

-Arch isn�t picking up.

-[phone ringing] -Here, answer that.

It�s Marcus.

Marcus?

-I sent you both a text a couple minutes ago.

Did you get that?

-It says you found similar murders

to the Abstract Killer cases.

-Same MO killings in Martinique and Guadeloupe.

-Arch is at Th�o�s.

-So?

FITZ: Th�o taught in Martinique

So, we spoke to Doris Montgomery;

we have reason to believe that Th�o is somehow connected

to the Abstract killings.

Get everyone we have over to Th�o�s,

right here, right now!

-I can explain.

There is so much that I want to explain to you.

-Are you him?

Are you the Abstract Killer?

-No!

-Liar.

[sinister music]

?

-I am not a liar, Arch.

-Yes. Yes, you are!

-I have never, ever...

lied to you.

Argh!

[sounds of struggle]

[loud crash]

[sounds of struggle]

[dramatic music]

-[thud] -[gun clatters to floor]

[sounds of struggle]

[loud crash]

?

?

[tires screeching]

?

-You go around.

TH�O: You�d understand if you just...

listen to me.

-[breathlessly] Okay...

Help me understand.

-I thought that I cured him.

-Him...?

TH�O: People think-

they thought - that he couldn�t be stopped.

But I stopped him.

He was better.

You see, I counselled him. I sent him away.

I made him better!

-Th�o...

Who are we talking about?

Who did you make better?!

-You think I�m crazy.

Don�t you?

Oh my God, you think that I�m nuts!

-No, no, of course not. I don�t.

-You see, and this new body shows up,

and I knew it was him.

I didn�t want to believe it, but it was him,

and I knew it.

-Who are we talking about?

-L�on.

-Who�s L�on?

?

TH�O: Argh!

[thud]

TH�O: Arch!

[loud crash]

[sounds of struggle]

TH�O: Stop fighting me!

[sounds of struggle]

[dramatic music]

?

[gunshots]

[gunshots]

-[thud] -[grunts]

TH�O: Just stop!

-[grunts] -[loud crash]

-[cries out]

-[breathing heavily]

I didn�t wanna do this!

Why did you make me do this?!

[screaming]

-Hey!

Just point it at me, just for a second.

That�s all I need.

?

-[breathing heavily]

FITZ: Hey...

Hey, Arch. It�s okay.

It�s okay, it�s okay. It�s okay.

Down.

Get down!

[sirens approaching]

FITZ: L�on�s a product of an affair Th�o�s mother had.

Different fathers. He�s Th�o�s half-brother.

MARCUS: So, his brother�s the Abstract Killer?

FITZ: That�s what we think.

James Montgomery�s mother told me all about him.

L�on was a bit of a family secret.

MARCUS: Arch...

I can�t let you stay here.

It�s too much.

ARCH: No. Diard�s life is on the line.

She might already be dead.

We don�t have time for this.

It�s your brother.

-L�on.

-You said... you sent him away.

You... cured him.

-Yes. He was.

-No. We found countless other people

that your brother butchered

and mutilated and painted all over the Caribbean.

You did not cure L�on then.

And you cannot cure him now.

-But you can help us find Prefect Diard.

-I know where he is.

Where he has her.

So, if your Prefect is still alive...

I�m your only chance to save her.

So, I�m coming with you.

?

TH�O: I didn�t know anything about your Prefect,

or that L�on was back in Saint-Pierre,

until you told me about your newest victim.

You know, you�d really like him, Arch.

L�on, he�s such a sweet little boy.

-Well, your sweet boy, he murdered his best friend,

James Montgomery.

-James walked in on L�on with Colleen in captivity, all right?

He was devastated that he had to kill him.

-The blood is on your hands, too.

ARCH: All this psychological horseshit

you spewed at us about a second copycat killer.

You were covering for him.

-I have always protected L�on.

My father, he was so cruel to L�on.

He resented him. He hated him.

L�on was a constant reminder of my mother�s betrayal.

The impact of my father�s abuse,

it turned L�on against our mother.

He could only ever see her as a liar.

But she was so much more than just a liar.

She was a loving caregiver and a beautiful person.

[sombre music]

But L�on, he couldn�t see that anymore.

She was his first kill.

?

TH�O: Ah... [laboured breathing]

Lose the cuffs. L�on won�t like it.

?

-Every cop we have is surrounding this area.

If you try anything, try to get your brother out...

-He�ll be taken down.

And you can mark my words on that.

-I have no intention of running.

I can assure you.

?

?

-It must have been exhausting.

Holding your lies for so long.

How did you put it...?

"Impeding the case."

But you�ll soon be released

from all the deception, Madame Pr�fet.

The drugs I gave you will reduce the pain.

But you�ll see all of it.

The truth of what I do.

[Diard whimpering]

TH�O: L�on.

-You won�t be able to stop me.

-I think that there is always a choice.

-You brought your cop girlfriend?

TH�O: L�on, we need to talk.

L�ON: I am over talking.

All we ever do is talk, talk, talk!

-How do you see this playing out?

-You gave her Mom�s necklace.

You told me you lost it.

You swore you lost it!

-And you swore that you were done with this!

-You heard what you wanted to hear!

[muffled gasp]

-I wouldn�t do that, L�on.

?

?

-Don�t make this worse.

FITZ: L�on...

-Do not hurt him!

FITZ: Put the knife down. Now.

L�ON: You brought them here.

There�s only one way out for me now.

You can�t protect me anymore!

-I will always protect you.

-Th�o, step back!

TH�O: Sorry, Arch.

I can�t do that.

He�s my brother.

-You�re just like everybody else.

A liar!

[gunshots]

[choked gasp]

[gasping]

FITZ: Renuf, call this in.

RENUF: We need an ambulance sent immediately to our position.

?

[choking sounds]

?

["Smalltown Boy" by Catastrophe playing]

?

? To your soul ?

? To your soul ?

? To your soul ?

?

? Cry ?

?

? You leave in the morning ?

? With everything you own in a little black case ?

? Alone on the platform ?

? The rain and the wind on a sad

and lonely face ?

? Mother will never understand

? Why you had to leave ?

? But the love that you seek will never be found at home ?

?

? Run away, turn away... ?

-What do you need?

-I have no idea.

?

? Run away, turn away, run away... ?

-I�ll be okay.

-You don�t have to be okay.

-How could I have let myself, Fitz?

How did I let that happen?

-Arch, you didn�t let anything happen.

-I saw the red flags.

Thought it was the carnival.

-Ah, easy now.

You know I hate clowns.

-[laughs]

? Run away, turn away... ?

-Hey.

I got you.

-I know.

-Always.

? Run away, turn away, run away... ?

? Pushed around and kicked around ?

? Always a lonely boy ?

?

? You were the one that they put you down ?

? Around town ?

? Just to put you down ?

? And as hard as they will try they�d hurt to make you cry ?

?

? But you never cried to them, just to your soul ?

?

? Run away, turn away... ?

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