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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:04,162 WWW.MY-SUBS.COM 1 00:00:00,020 --> 00:00:01,885 Previously on "Queen of the South..." 2 00:00:01,909 --> 00:00:03,854 You were driving the car.. 3 00:00:03,878 --> 00:00:07,280 Tied to the murder of my nephew René. 4 00:00:07,304 --> 00:00:09,049 It was not his fault! He didn't do it. 5 00:00:09,051 --> 00:00:11,028 - LAFAYETTE: Who's "he"? - EMILIA: My boyfriend. 6 00:00:11,052 --> 00:00:13,925 LAFAYETTE: Your boyfriend happen to work with Teresa Mendoza? 7 00:00:13,949 --> 00:00:15,271 What are you talking about, man? 8 00:00:15,273 --> 00:00:16,606 I blew her car up. 9 00:00:16,608 --> 00:00:17,557 She wasn't in the car, asshole. 10 00:00:17,559 --> 00:00:19,132 She's alive. 11 00:00:19,134 --> 00:00:20,864 Kill Teresa Mendoza, 12 00:00:20,866 --> 00:00:21,944 or I'll kill you. 13 00:00:21,946 --> 00:00:23,946 Nobody ever suspects the nurse. 14 00:00:23,948 --> 00:00:25,925 (SUSPENSEFUL SYNTH MUSIC) 15 00:00:25,949 --> 00:00:27,950 ♪ 16 00:00:27,952 --> 00:00:28,902 (YELPS) 17 00:00:28,904 --> 00:00:29,903 ♪ 18 00:00:29,905 --> 00:00:30,953 Luis! 19 00:00:30,955 --> 00:00:33,516 (UNEASY MUSIC) 20 00:00:33,540 --> 00:00:35,742 I still have every intention of taking out Teresa. 21 00:00:35,744 --> 00:00:37,577 He tried to kill me and my godson. 22 00:00:37,579 --> 00:00:38,794 You have to make your choice. 23 00:00:38,796 --> 00:00:40,773 I'm gonna kill El Gordo. 24 00:00:40,797 --> 00:00:45,517 ♪ 25 00:00:45,519 --> 00:00:46,920 RANDALL: Someone was definitely trying 26 00:00:46,922 --> 00:00:48,755 to send a message here. 27 00:00:48,757 --> 00:00:51,410 (GUNFIRE) 28 00:00:51,434 --> 00:00:52,681 Get an ID on these two? 29 00:00:52,683 --> 00:00:55,500 COP: Got a long rap sheet for narcotic trafficking out of Miami. 30 00:00:55,524 --> 00:00:56,784 Elias hit the truck. 31 00:00:56,785 --> 00:00:57,919 _ 32 00:00:57,944 --> 00:00:59,098 CHICHO: The shipment's gone. 33 00:00:59,100 --> 00:01:00,650 We're going to kill them all. 34 00:01:00,652 --> 00:01:04,462 ♪ 35 00:01:05,715 --> 00:01:06,750 (ENERGETIC DRUM MUSIC) 36 00:01:06,774 --> 00:01:09,992 (WOMAN CHANTING) 37 00:01:09,994 --> 00:01:14,889 ♪ 38 00:02:05,499 --> 00:02:08,478 (MOURNFUL MUSIC) 39 00:02:08,502 --> 00:02:10,362 ♪ 40 00:02:14,700 --> 00:02:16,058 Thank you. 41 00:02:16,060 --> 00:02:21,039 ♪ 42 00:02:23,042 --> 00:02:25,735 (SYNTH MUSIC) 43 00:02:25,737 --> 00:02:30,632 ♪ 44 00:02:32,968 --> 00:02:34,004 Gracias. 45 00:02:34,028 --> 00:02:38,890 ♪ 46 00:02:50,177 --> 00:02:52,108 POTE: Okay, we'll be in touch. 47 00:02:52,110 --> 00:02:55,715 ♪ 48 00:02:55,717 --> 00:02:57,717 George already landed in Miami. 49 00:02:57,719 --> 00:03:00,030 He's waiting on your word to retaliate. 50 00:03:00,054 --> 00:03:02,365 We need to be sure it was Elias. 51 00:03:02,374 --> 00:03:04,167 When you were in the hospital, 52 00:03:04,191 --> 00:03:06,522 Elias attacked one of our shipments. 53 00:03:06,546 --> 00:03:07,943 It was for Oksana. 54 00:03:07,945 --> 00:03:09,921 Taking a shipment is one thing. 55 00:03:10,400 --> 00:03:12,899 Killing Tony and trying to kill me 56 00:03:12,901 --> 00:03:14,510 is completely different. 57 00:03:14,534 --> 00:03:16,619 Then who else could it have been? 58 00:03:16,621 --> 00:03:18,738 Elias know that we killed El Gordo. 59 00:03:18,740 --> 00:03:21,357 Oksana was involved in his death. 60 00:03:21,359 --> 00:03:23,086 He didn't attack her. 61 00:03:23,433 --> 00:03:24,590 Not yet. 62 00:03:24,592 --> 00:03:26,798 I want the people who killed Tony. 63 00:03:27,333 --> 00:03:29,842 We need proof of who is responsible. 64 00:03:30,461 --> 00:03:32,628 If it was Elias, 65 00:03:32,653 --> 00:03:33,985 we're gonna kill him. 66 00:03:34,010 --> 00:03:35,890 Orale. 67 00:03:36,564 --> 00:03:38,530 Let's get the proof, then. 68 00:03:46,999 --> 00:03:50,446 Victor and his swamp rat have scattered in the wind. 69 00:03:51,052 --> 00:03:53,032 He knew we would be after him. 70 00:03:54,662 --> 00:03:56,722 How hard can it be 71 00:03:56,746 --> 00:03:59,747 to kill one little Mexican woman? 72 00:04:00,667 --> 00:04:02,952 Unfortunately, Mendoza's men grabbed the woman 73 00:04:02,954 --> 00:04:04,836 that Victor sent to finish the job. 74 00:04:04,838 --> 00:04:07,547 There's a good chance she'll know where he's hiding. 75 00:04:09,331 --> 00:04:12,009 If Mendoza gets to him before you, 76 00:04:12,741 --> 00:04:15,626 she'll know who ordered that bomb. 77 00:04:15,651 --> 00:04:17,306 Then I best find Victor. 78 00:04:20,804 --> 00:04:22,645 Hang on a second. 79 00:04:23,023 --> 00:04:25,916 Maybe we can kill two birds with one stone here. 80 00:04:29,004 --> 00:04:32,196 If Miss Mendoza wants vengeance, 81 00:04:33,651 --> 00:04:35,094 we'll help her get it. 82 00:04:35,118 --> 00:04:36,095 (THUNDER CLAPS) 83 00:04:36,119 --> 00:04:39,098 (OMINOUS MUSIC) 84 00:04:39,122 --> 00:04:40,872 ♪ 85 00:04:40,874 --> 00:04:43,017 (SPEAKING SPANISH) 86 00:04:51,835 --> 00:04:53,323 BOAZ: (SPEAKING SPANISH) _ 87 00:04:53,324 --> 00:04:55,324 _ 88 00:04:55,638 --> 00:04:58,223 And out of respect for you and the way you run your business, 89 00:04:58,225 --> 00:05:00,009 I haven't used all my tools. 90 00:05:00,011 --> 00:05:02,488 ♪ 91 00:05:02,512 --> 00:05:04,824 I'm only gonna ask you once. 92 00:05:04,848 --> 00:05:06,826 Who sent you to kill Teresa? 93 00:05:06,850 --> 00:05:11,796 ♪ 94 00:05:17,552 --> 00:05:20,139 What are you gonna do, shoot me? 95 00:05:20,163 --> 00:05:22,031 (GUNSHOTS) 96 00:05:22,033 --> 00:05:24,010 ♪ 97 00:05:24,034 --> 00:05:25,845 No, I will. 98 00:05:27,717 --> 00:05:33,916 Synced & corrected by -robtor- www.MY-SUBS.com 99 00:05:33,929 --> 00:05:36,339 We'll get you mercenaries. 100 00:05:36,758 --> 00:05:37,984 They have their own militia. 101 00:05:37,986 --> 00:05:40,512 (SPEAKING SPANISH) 102 00:05:40,536 --> 00:05:42,822 She said she doesn't know who hired them. 103 00:05:42,824 --> 00:05:44,350 Ah. 104 00:05:44,374 --> 00:05:45,874 At least she gave us the location 105 00:05:45,876 --> 00:05:47,353 where Victor is hiding. 106 00:05:47,377 --> 00:05:49,855 He's the one who planted the bomb. 107 00:05:49,879 --> 00:05:52,858 He has a stronghold in Deadman's Bayou. 108 00:05:52,882 --> 00:05:55,027 Not even law enforcement will go in there. 109 00:05:55,051 --> 00:05:56,335 I'm coming with you. 110 00:05:59,281 --> 00:06:01,807 (CELL PHONE BUZZES) 111 00:06:03,726 --> 00:06:05,618 - Yes? - KELLY ANNE: You need to come home. 112 00:06:06,180 --> 00:06:07,289 What's wrong? 113 00:06:07,313 --> 00:06:08,540 We have company. 114 00:06:08,564 --> 00:06:11,017 (OMINOUS MUSIC) 115 00:06:11,019 --> 00:06:12,067 (GASPS) 116 00:06:14,404 --> 00:06:18,485 Hurry home now, and bring Miss Mendoza with you. 117 00:06:18,487 --> 00:06:21,387 It's not polite to keep company waiting. 118 00:06:21,411 --> 00:06:26,058 ♪ 119 00:06:26,082 --> 00:06:28,200 Out of my way, cabrón. 120 00:06:28,202 --> 00:06:29,869 Don't make me ask again. 121 00:06:29,871 --> 00:06:32,314 You'd best call off your dog, Miss Mendoza. 122 00:06:32,338 --> 00:06:34,149 Why would I do that? 123 00:06:34,173 --> 00:06:39,177 ♪ 124 00:06:44,600 --> 00:06:47,030 This is not over. 125 00:06:47,054 --> 00:06:52,107 ♪ 126 00:06:57,089 --> 00:07:00,342 You know, uh, this, uh... this pozole 127 00:07:00,366 --> 00:07:02,617 is not half bad. 128 00:07:03,789 --> 00:07:04,953 Call me old-fashioned, 129 00:07:04,955 --> 00:07:08,407 but I still like a woman who can cook. 130 00:07:08,409 --> 00:07:12,124 I didn't cook it. He did. 131 00:07:12,126 --> 00:07:13,079 ♪ 132 00:07:13,081 --> 00:07:14,129 LAFAYETTE: Ooh. 133 00:07:14,131 --> 00:07:16,358 Well, now, that's surprising. 134 00:07:16,382 --> 00:07:18,193 What do you want? 135 00:07:18,217 --> 00:07:20,029 (CLEARS THROAT) 136 00:07:20,053 --> 00:07:22,364 I know you're... you're going after the people 137 00:07:22,388 --> 00:07:24,090 who killed your godson. 138 00:07:24,092 --> 00:07:25,974 And? 139 00:07:25,976 --> 00:07:27,643 You're entitled to your vengeance, 140 00:07:27,667 --> 00:07:30,372 but around here, people don't take too kindly 141 00:07:30,396 --> 00:07:32,958 to decapitated heads 142 00:07:32,982 --> 00:07:35,817 and bodies hanging from bridges. 143 00:07:35,819 --> 00:07:37,486 That's not my plan. 144 00:07:37,488 --> 00:07:38,630 Well, maybe not, but, uh, 145 00:07:38,654 --> 00:07:41,406 those Cajuns you're hunting... 146 00:07:41,908 --> 00:07:43,886 they're a nasty bunch. 147 00:07:43,910 --> 00:07:46,305 How do you know who they are? 148 00:07:46,329 --> 00:07:48,807 LAFAYETTE: I saw the... the security footage 149 00:07:48,831 --> 00:07:50,832 at the hospital. 150 00:07:50,834 --> 00:07:53,835 A couple of your boys dragging out at gunpoint 151 00:07:53,837 --> 00:07:57,566 a girlfriend of a certain bomb-maker. 152 00:07:57,590 --> 00:07:59,637 So you know who I'm looking for. 153 00:07:59,639 --> 00:08:01,509 Oh, I do, 154 00:08:02,012 --> 00:08:04,323 and that's why I'm going to insist that Randall 155 00:08:04,347 --> 00:08:05,908 and his men accompany you 156 00:08:05,932 --> 00:08:07,788 on your little hunting expedition. 157 00:08:07,812 --> 00:08:09,635 I don't need your help. 158 00:08:09,637 --> 00:08:11,637 It's not a request. 159 00:08:11,639 --> 00:08:13,020 ♪ 160 00:08:13,044 --> 00:08:15,167 You see, I have a vested interest 161 00:08:15,191 --> 00:08:17,192 in your safety, Miss Mendoza. 162 00:08:17,194 --> 00:08:19,088 ♪ 163 00:08:19,112 --> 00:08:21,507 After all, we're partners. 164 00:08:21,531 --> 00:08:26,451 ♪ 165 00:08:31,933 --> 00:08:33,625 (ENGINE TURNS OVER) 166 00:08:37,130 --> 00:08:38,941 Neither Victor nor Mendoza 167 00:08:38,965 --> 00:08:42,361 make it out of the bayou alive. Understood? 168 00:08:42,385 --> 00:08:44,003 We'll get it done. 169 00:08:44,005 --> 00:08:48,866 ♪ 170 00:08:53,478 --> 00:08:54,998 We found the house, patrona, 171 00:08:55,000 --> 00:08:56,625 but we can't tell how many people are in there. 172 00:08:56,649 --> 00:08:58,017 RANDALL: They got security, 173 00:08:58,019 --> 00:08:59,461 at least two of them. 174 00:08:59,485 --> 00:09:00,686 Armed. 175 00:09:00,943 --> 00:09:02,688 We should split up, 176 00:09:02,690 --> 00:09:04,697 box them in. 177 00:09:05,575 --> 00:09:07,636 We'll come from the west. 178 00:09:07,660 --> 00:09:09,555 Your people should come from the south. 179 00:09:09,827 --> 00:09:11,913 I want Victor alive. 180 00:09:12,246 --> 00:09:13,642 We can take out the guards, 181 00:09:14,165 --> 00:09:16,000 then fire a warning shot, 182 00:09:16,370 --> 00:09:18,211 order Victor to come out. 183 00:09:18,706 --> 00:09:20,546 We'll wait for nightfall. 184 00:09:21,258 --> 00:09:22,541 Then we hit them. 185 00:09:22,543 --> 00:09:25,594 (UNEASY MUSIC) 186 00:09:25,596 --> 00:09:30,682 ♪ 187 00:09:39,275 --> 00:09:44,196 ♪ 188 00:09:56,709 --> 00:09:59,578 (AUTOMATIC GUNFIRE) 189 00:09:59,580 --> 00:10:01,656 (SPEAKING SPANISH) _ 190 00:10:01,658 --> 00:10:06,361 ♪ 191 00:10:06,385 --> 00:10:07,613 (GROANS) 192 00:10:07,637 --> 00:10:11,116 ♪ 193 00:10:11,140 --> 00:10:13,452 (GROANS) 194 00:10:13,476 --> 00:10:15,204 (YELLS) 195 00:10:15,228 --> 00:10:18,597 ♪ 196 00:10:18,599 --> 00:10:19,648 (CRIES OUT) 197 00:10:19,650 --> 00:10:24,736 ♪ 198 00:10:26,298 --> 00:10:28,323 (SUSPENSEFUL MUSIC) 199 00:10:28,325 --> 00:10:29,608 POTE: Teresa, no! 200 00:10:29,610 --> 00:10:33,161 (CRIES OUT) 201 00:10:33,163 --> 00:10:38,250 ♪ 202 00:10:47,065 --> 00:10:54,908 (SUSPENSFUL MUSIC) 203 00:11:25,843 --> 00:11:27,178 I'm not here to hurt you. 204 00:11:27,202 --> 00:11:28,689 Just tell me who hired you. 205 00:11:28,713 --> 00:11:29,856 ♪ 206 00:11:29,880 --> 00:11:31,413 (GUNSHOT) 207 00:11:33,392 --> 00:11:35,250 POTE: Teresa! 208 00:11:37,046 --> 00:11:38,713 Got here just in time. 209 00:11:40,658 --> 00:11:42,185 I said I wanted him alive. 210 00:11:42,209 --> 00:11:43,854 I had no choice. 211 00:11:43,878 --> 00:11:45,211 He was gonna kill you. 212 00:11:45,213 --> 00:11:46,351 You jumped the gun, cabrón. 213 00:11:46,353 --> 00:11:47,831 You almost got Teresa killed. 214 00:11:47,833 --> 00:11:49,526 Well, swamp rats fired first. 215 00:11:49,550 --> 00:11:51,001 (SPEAKS SPANISH) That's bullshit. 216 00:11:51,003 --> 00:11:52,863 Hey, I'm the one that just saved your boss! 217 00:11:52,887 --> 00:11:55,150 I suggest you watch your tone. 218 00:11:55,152 --> 00:11:57,674 Or what, cabrón, huh? What? 219 00:11:58,620 --> 00:11:59,729 Let's go. 220 00:12:15,075 --> 00:12:16,969 (LINE TRILLING) 221 00:12:19,079 --> 00:12:21,233 Good news, I hope. 222 00:12:21,257 --> 00:12:23,059 RANDALL: Not exactly. 223 00:12:23,083 --> 00:12:24,180 Victor's dead. 224 00:12:24,204 --> 00:12:25,575 Shot him before he could talk, 225 00:12:26,544 --> 00:12:28,872 but Teresa got away. 226 00:12:28,874 --> 00:12:30,851 How the hell did that happen? 227 00:12:30,875 --> 00:12:32,035 RANDALL: Her men were everywhere. 228 00:12:32,059 --> 00:12:34,361 Couldn't get a shot without showing our hand. 229 00:12:34,385 --> 00:12:37,240 You said it had to be clean. 230 00:12:37,264 --> 00:12:40,252 Don't quote me to cover your failure, boy. 231 00:12:40,276 --> 00:12:43,255 I give you one simple task to complete, 232 00:12:43,279 --> 00:12:44,721 and you blew it. 233 00:12:44,723 --> 00:12:47,106 Now how the hell you gonna fix it? 234 00:12:54,790 --> 00:12:56,740 Got an idea. 235 00:12:57,117 --> 00:12:58,261 I'll call you back. 236 00:12:58,285 --> 00:12:59,736 You better. 237 00:13:04,851 --> 00:13:06,301 (DEVICE BEEPS) 238 00:13:11,524 --> 00:13:12,943 Time for your pill. 239 00:13:12,967 --> 00:13:14,918 (AMBIENT MUSIC) 240 00:13:14,920 --> 00:13:16,413 I hope you're feeling better. 241 00:13:16,415 --> 00:13:17,971 ♪ 242 00:13:17,973 --> 00:13:19,090 A day or two more, 243 00:13:19,114 --> 00:13:20,901 you'll be right as rain, as my mother 244 00:13:20,925 --> 00:13:22,642 used to say. 245 00:13:22,644 --> 00:13:24,866 You gave us quite a scare, son. 246 00:13:24,890 --> 00:13:26,763 ♪ 247 00:13:26,765 --> 00:13:28,291 All that talk of 248 00:13:28,315 --> 00:13:30,636 a damsel in distress 249 00:13:31,258 --> 00:13:33,611 and murder on the bayou. 250 00:13:34,330 --> 00:13:37,809 Amazing, how the mind can play tricks on us. 251 00:13:37,833 --> 00:13:44,140 ♪ 252 00:13:44,164 --> 00:13:46,165 Your mother always said 253 00:13:46,167 --> 00:13:49,786 the... the nightmares were the worst part 254 00:13:49,788 --> 00:13:51,462 of the disease. 255 00:13:52,339 --> 00:13:54,291 Pity you inherited her weakness. 256 00:13:54,293 --> 00:13:56,960 ♪ 257 00:13:56,962 --> 00:13:59,322 You know, you just... you just rest now. 258 00:13:59,346 --> 00:14:01,324 You'll be up and about in no time. 259 00:14:01,348 --> 00:14:06,352 ♪ 260 00:14:26,215 --> 00:14:27,552 POTE: This is him. 261 00:14:27,576 --> 00:14:30,327 (UNEASY MUSIC) 262 00:14:30,329 --> 00:14:31,210 ♪ 263 00:14:31,212 --> 00:14:33,163 Thank you. 264 00:14:33,165 --> 00:14:34,998 I'll make some arrangements. 265 00:14:35,000 --> 00:14:39,037 ♪ 266 00:14:39,061 --> 00:14:41,423 It was the coroner's office. 267 00:14:41,425 --> 00:14:43,366 ♪ 268 00:14:43,390 --> 00:14:45,702 Tony's remains are ready for pickup. 269 00:14:45,726 --> 00:14:49,214 ♪ 270 00:14:49,238 --> 00:14:51,049 He was a good boy. 271 00:14:51,073 --> 00:14:52,718 ♪ 272 00:14:52,742 --> 00:14:54,851 Our relationship was complicated, 273 00:14:54,853 --> 00:14:56,790 but I loved him like he was my own. 274 00:14:56,792 --> 00:14:58,738 ♪ 275 00:14:58,740 --> 00:15:00,392 And I failed him. 276 00:15:00,416 --> 00:15:02,218 ♪ 277 00:15:02,242 --> 00:15:04,054 We both did. 278 00:15:04,078 --> 00:15:05,411 JAVIER: Patrona. 279 00:15:05,864 --> 00:15:07,244 Randall is here. 280 00:15:07,268 --> 00:15:14,898 ♪ 281 00:15:14,922 --> 00:15:16,206 (CRIES OUT) 282 00:15:16,208 --> 00:15:19,092 ♪ 283 00:15:19,094 --> 00:15:20,718 What is this? 284 00:15:21,095 --> 00:15:22,914 Tell her what you told me. 285 00:15:22,938 --> 00:15:26,599 ♪ 286 00:15:26,623 --> 00:15:28,309 Spit it out. 287 00:15:28,311 --> 00:15:31,757 ♪ 288 00:15:31,781 --> 00:15:35,392 The men who hired Victor to plant the bombs 289 00:15:35,394 --> 00:15:37,170 were from Miami. 290 00:15:37,194 --> 00:15:40,432 ♪ 291 00:15:40,456 --> 00:15:42,115 Cubans. 292 00:15:42,117 --> 00:15:45,261 ♪ 293 00:15:45,285 --> 00:15:46,549 Get him out of here. 294 00:15:46,573 --> 00:15:49,265 ♪ 295 00:15:49,289 --> 00:15:50,776 Uh, if I told them that, you said you'd let me go. 296 00:15:50,800 --> 00:15:52,196 ♪ 297 00:15:52,220 --> 00:15:54,460 You said you'd let me go! 298 00:15:54,462 --> 00:15:55,939 I'll take care of him. 299 00:15:55,963 --> 00:16:00,809 ♪ 300 00:16:01,811 --> 00:16:02,946 Call George. 301 00:16:02,970 --> 00:16:05,782 ♪ 302 00:16:05,806 --> 00:16:07,765 Tell him we're going to Miami. 303 00:16:08,954 --> 00:16:10,954 (UPBEAT SYNTH MUSIC) 304 00:16:12,905 --> 00:16:18,026 GEORGE: (LAUGHS) Well, aren't you a sight for sore eyes? 305 00:16:18,028 --> 00:16:20,506 Welcome to Miami, principessa. 306 00:16:20,530 --> 00:16:22,454 - George. - (KISSES) 307 00:16:23,257 --> 00:16:24,866 Thank you for being here. I appreciate it. 308 00:16:24,868 --> 00:16:26,736 Sorry about Tony. 309 00:16:26,760 --> 00:16:27,737 Thank you. 310 00:16:27,761 --> 00:16:29,848 (LAUGHS) 311 00:16:29,872 --> 00:16:31,065 (LAUGHS) Oh! 312 00:16:31,089 --> 00:16:32,851 ♪ 313 00:16:32,875 --> 00:16:35,020 Look at the Justice League here! 314 00:16:35,044 --> 00:16:37,546 We got Chewy, Javi... 315 00:16:37,548 --> 00:16:39,365 Even the Wild Man from Sinaloa. 316 00:16:39,389 --> 00:16:40,481 JAVIER: (SPEAKS SPANISH) cabrón. 317 00:16:40,505 --> 00:16:41,576 BOAZ: Oh, cabrón. 318 00:16:41,600 --> 00:16:43,051 GEORGE: What's up, guapo? 319 00:16:43,053 --> 00:16:44,412 (LAUGHS) How's it going, George? 320 00:16:44,436 --> 00:16:46,423 GEORGE: Hey. 321 00:16:46,447 --> 00:16:47,424 You ready for this? 322 00:16:47,448 --> 00:16:49,057 ♪ 323 00:16:49,059 --> 00:16:50,317 We're family. 324 00:16:50,341 --> 00:16:55,063 ♪ 325 00:16:55,065 --> 00:16:56,614 Let's do it. 326 00:16:56,616 --> 00:17:01,628 ♪ 327 00:17:02,621 --> 00:17:03,955 Just got word that Mendoza and her men 328 00:17:03,957 --> 00:17:05,551 are in Miami. 329 00:17:05,575 --> 00:17:08,436 (SERENE CLASSICAL MUSIC PLAYING) 330 00:17:08,460 --> 00:17:10,722 Tying the attack on her shipment 331 00:17:10,746 --> 00:17:12,558 to the bomb 332 00:17:12,582 --> 00:17:15,048 was a stroke of genius. 333 00:17:15,918 --> 00:17:19,219 If Mendoza thinks her enemies are in Miami, 334 00:17:20,689 --> 00:17:23,393 she'll follow that trail right off the cliff. 335 00:17:23,418 --> 00:17:25,563 Ah, that's the hope, anyway. 336 00:17:25,976 --> 00:17:27,631 Hope's got nothing to do with it. 337 00:17:27,655 --> 00:17:29,561 ♪ 338 00:17:29,563 --> 00:17:33,127 Revenge is like blinders on a horse. 339 00:17:33,151 --> 00:17:36,631 Keeps all the other avenues hidden from view. 340 00:17:36,655 --> 00:17:37,749 ♪ 341 00:17:37,773 --> 00:17:41,241 Still, Mendoza's a fighter. 342 00:17:42,002 --> 00:17:43,647 I wouldn't bet against her in Miami. 343 00:17:43,671 --> 00:17:45,496 (OMINOUS MUSIC) 344 00:17:45,498 --> 00:17:47,593 Well, then, maybe we need to hedge our bet. 345 00:17:47,617 --> 00:17:51,488 ♪ 346 00:17:51,512 --> 00:17:52,814 (SUSPENSEFUL MUSIC) 347 00:17:52,838 --> 00:17:55,158 POTE: So this is where it all happens? 348 00:17:55,182 --> 00:17:56,493 A tanning salon? 349 00:17:56,517 --> 00:17:58,103 TERESA: It's a cash business. 350 00:17:58,127 --> 00:17:59,157 It's a good cover. 351 00:17:59,181 --> 00:18:00,470 GEORGE: Elias got a string 352 00:18:00,494 --> 00:18:02,657 of these places where he washes dirty money. 353 00:18:02,681 --> 00:18:04,799 This here's a headquarters. 354 00:18:04,801 --> 00:18:07,636 He's got a back room where he processes the coke. 355 00:18:07,638 --> 00:18:09,839 That's where we'll find our stolen product. 356 00:18:09,863 --> 00:18:12,567 And if we're lucky, Elias. 357 00:18:12,591 --> 00:18:14,786 (SPEAKS SPANISH) _ 358 00:18:14,810 --> 00:18:16,671 GEORGE: That's one of his drug mules. 359 00:18:16,695 --> 00:18:18,101 No one ever suspects 'em. 360 00:18:18,125 --> 00:18:20,517 Beauty makes for a great cover 361 00:18:20,541 --> 00:18:21,983 and distraction. 362 00:18:21,985 --> 00:18:23,795 And that's the third distraction 363 00:18:23,819 --> 00:18:25,021 since we've been here. 364 00:18:25,045 --> 00:18:26,848 I'm liking this town a lot more. 365 00:18:26,872 --> 00:18:28,133 Javier? 366 00:18:28,157 --> 00:18:29,968 Patrona. 367 00:18:30,364 --> 00:18:31,850 (SPEAKING SPANISH) _ 368 00:18:32,103 --> 00:18:33,520 Eh? 369 00:18:35,122 --> 00:18:37,647 _ 370 00:18:50,680 --> 00:18:52,681 We're not gonna hurt you. 371 00:18:54,276 --> 00:18:56,754 I just need to know how it works. 372 00:18:56,779 --> 00:18:59,781 (PENSIVE MUSIC) 373 00:18:59,806 --> 00:19:04,525 ♪ 374 00:19:08,723 --> 00:19:10,198 I'm sorry. Can I have your cell phone? 375 00:19:10,200 --> 00:19:11,735 I need to call my boyfriend. 376 00:19:11,759 --> 00:19:14,179 ♪ 377 00:19:14,203 --> 00:19:15,568 DAVIS: Damn it. 378 00:19:15,592 --> 00:19:17,231 Oh, my God. 379 00:19:17,255 --> 00:19:18,668 The police? 380 00:19:18,692 --> 00:19:25,071 ♪ 381 00:19:27,099 --> 00:19:29,861 (CELL PHONE BEEPS) 382 00:19:29,885 --> 00:19:34,889 ♪ 383 00:19:42,781 --> 00:19:44,042 (DOOR CLATTERS) 384 00:19:44,066 --> 00:19:45,769 (LATIN POP MUSIC PLAYING) 385 00:19:45,793 --> 00:19:46,784 Hola. 386 00:19:46,786 --> 00:19:48,271 How can I help you? 387 00:19:48,295 --> 00:19:50,765 We'd like to have a session, please. 388 00:19:50,789 --> 00:19:52,266 Separate rooms. 389 00:19:52,290 --> 00:19:53,768 (LAUGHS) 390 00:19:53,792 --> 00:19:55,220 $60. 391 00:19:55,244 --> 00:20:02,083 ♪ 392 00:20:02,085 --> 00:20:05,121 Okay, rooms four and five. 393 00:20:05,145 --> 00:20:06,122 ♪ 394 00:20:06,146 --> 00:20:07,899 Straight down that hall. 395 00:20:07,923 --> 00:20:09,118 Gracias. 396 00:20:09,142 --> 00:20:13,787 ♪ 397 00:20:27,835 --> 00:20:29,049 (KEY CLATTERS) 398 00:20:29,073 --> 00:20:32,140 ♪ 399 00:20:32,164 --> 00:20:33,615 (SPEAKS SPANISH) 400 00:20:33,617 --> 00:20:38,119 ♪ 401 00:20:59,199 --> 00:21:00,308 (LINE TRILLING) 402 00:21:00,310 --> 00:21:02,287 (CELL PHONE BUZZES) 403 00:21:02,311 --> 00:21:04,328 - Yeah. - POTE: We're in position. 404 00:21:04,338 --> 00:21:05,682 ♪ 405 00:21:05,706 --> 00:21:07,350 Down the hall. Make a left. 406 00:21:07,374 --> 00:21:08,650 The blue door. 407 00:21:08,652 --> 00:21:11,319 (DOOR SQUEAKS) 408 00:21:11,321 --> 00:21:12,513 Hola. 409 00:21:12,537 --> 00:21:13,572 How can I help you? 410 00:21:13,596 --> 00:21:15,967 I'm here for the South Beach Special. 411 00:21:15,991 --> 00:21:21,020 ♪ 412 00:21:23,999 --> 00:21:24,999 Thank you. 413 00:21:25,001 --> 00:21:29,197 ♪ 414 00:21:29,221 --> 00:21:31,316 (DOOR SQUEAKS) 415 00:21:31,340 --> 00:21:32,818 Hey, hey. 416 00:21:32,842 --> 00:21:33,964 Hola. 417 00:21:33,988 --> 00:21:35,369 You, uh, here for a tan? 418 00:21:35,393 --> 00:21:37,686 Let me ask you a question. 419 00:21:38,013 --> 00:21:39,290 Are the Speedos optional? 420 00:21:39,314 --> 00:21:44,243 ♪ 421 00:21:44,962 --> 00:21:48,356 Bikini lines ruin the aesthetics of my frame. 422 00:21:48,358 --> 00:21:50,836 See, I prefer to tan au naturel, 423 00:21:50,860 --> 00:21:51,944 if you know what I mean. 424 00:21:51,968 --> 00:21:55,864 ♪ 425 00:21:55,866 --> 00:21:57,901 - (ATTENDANT LAUGHS) - (CELL PHONE BUZZES) 426 00:21:57,925 --> 00:22:02,036 ♪ 427 00:22:02,038 --> 00:22:04,349 Hands up, darling. No, no. 428 00:22:04,373 --> 00:22:06,743 Don't touch that panic button. 429 00:22:06,767 --> 00:22:09,711 (OMINOUS MUSIC) 430 00:22:09,713 --> 00:22:14,774 ♪ 431 00:22:20,797 --> 00:22:21,890 - (SILENCED GUNSHOT) - (GROANS) 432 00:22:21,892 --> 00:22:23,087 (WOMAN SCREAMS) 433 00:22:23,111 --> 00:22:24,703 ♪ 434 00:22:24,727 --> 00:22:25,920 (WOMEN QUAVERING) 435 00:22:25,944 --> 00:22:28,671 ♪ 436 00:22:28,765 --> 00:22:29,904 _ 437 00:22:29,905 --> 00:22:31,905 _ 438 00:22:32,264 --> 00:22:33,271 _ 439 00:22:33,296 --> 00:22:34,843 _ 440 00:22:35,871 --> 00:22:39,017 (GUNSHOTS) 441 00:22:39,042 --> 00:22:44,046 ♪ 442 00:22:54,256 --> 00:22:56,117 (MAGAZINE CLICKING) 443 00:22:56,141 --> 00:22:57,448 He's reloading! 444 00:22:57,472 --> 00:22:59,295 ♪ 445 00:22:59,319 --> 00:23:00,929 (QUAVERS) 446 00:23:00,931 --> 00:23:02,465 Don't... don't shoot! 447 00:23:02,489 --> 00:23:05,793 - Elias! Elias! - I'm Nacho! I'm... 448 00:23:05,817 --> 00:23:07,971 - No! - Shut up! 449 00:23:07,995 --> 00:23:10,988 (NACHO GASPING) 450 00:23:10,990 --> 00:23:12,323 I don't know who you are, 451 00:23:12,325 --> 00:23:14,920 but do you know who you're messing with? 452 00:23:14,944 --> 00:23:17,305 My name is Teresa Mendoza. 453 00:23:17,329 --> 00:23:19,996 I'm the one who killed El Gordo, 454 00:23:20,784 --> 00:23:22,986 and that is my cocaine you're processing. 455 00:23:23,010 --> 00:23:26,955 ♪ 456 00:23:26,957 --> 00:23:28,983 What do you want from me? 457 00:23:29,007 --> 00:23:31,292 Tell me where Elias is. 458 00:23:31,294 --> 00:23:33,104 ♪ 459 00:23:33,128 --> 00:23:36,274 Don't worry. He found you. 460 00:23:36,298 --> 00:23:41,302 ♪ 461 00:23:44,483 --> 00:23:47,108 (SHOTGUN FIRING) 462 00:23:47,110 --> 00:23:49,596 (DRAMATIC MUSIC) 463 00:23:49,620 --> 00:23:51,779 ♪ 464 00:23:51,781 --> 00:23:53,375 Where's the back door? 465 00:23:53,399 --> 00:23:54,434 I don't... 466 00:23:54,458 --> 00:23:56,269 (SPUTTERS AND YELLS) 467 00:23:56,293 --> 00:23:59,237 (DISTANT GUNFIRE) 468 00:23:59,239 --> 00:24:00,288 Chewy! 469 00:24:00,290 --> 00:24:01,550 We got company! 470 00:24:01,574 --> 00:24:03,791 ♪ 471 00:24:03,793 --> 00:24:06,019 (AUTOMATIC GUNFIRE) 472 00:24:06,021 --> 00:24:07,055 (SPEAKING SPANISH) _ 473 00:24:07,079 --> 00:24:08,557 (SPEAKING SPANISH) _ No, no, no, no, no. 474 00:24:08,581 --> 00:24:11,451 (GUNFIRE CONTINUES) 475 00:24:11,475 --> 00:24:16,312 ♪ 476 00:24:17,013 --> 00:24:18,306 GEORGE: Come on, Javi. 477 00:24:18,308 --> 00:24:20,141 JAVIER: Entra, Teresa. 478 00:24:20,143 --> 00:24:24,538 ♪ 479 00:24:27,125 --> 00:24:29,136 Heads up, George! George! 480 00:24:29,160 --> 00:24:32,139 (ENERGETIC SYNTH MUSIC) 481 00:24:32,163 --> 00:24:33,640 ♪ 482 00:24:33,664 --> 00:24:35,156 (ENGINE SPUTTERS) 483 00:24:35,158 --> 00:24:38,420 (ENGINE TURNS OVER) 484 00:24:38,444 --> 00:24:41,162 - (DISTANT SIRENS WAIL) - JAVIER: Entra, entra! 485 00:24:41,164 --> 00:24:45,761 ♪ 486 00:24:45,785 --> 00:24:48,488 (SIRENS WAILING) 487 00:24:48,512 --> 00:24:53,516 ♪ 488 00:24:56,413 --> 00:24:58,707 Been a while since you, um... 489 00:24:59,336 --> 00:25:01,335 paid us a visit here. 490 00:25:02,394 --> 00:25:06,241 The affairs of our city keep my dance card pretty full. 491 00:25:06,459 --> 00:25:08,384 I'm sure you understand. 492 00:25:09,020 --> 00:25:13,275 I remember the night you opened this place, hmm? 493 00:25:13,299 --> 00:25:15,110 Ah, you put the town on notice. 494 00:25:15,134 --> 00:25:18,186 There... there was a new boss in the quarter. 495 00:25:18,188 --> 00:25:20,138 It was a memorable night. 496 00:25:20,140 --> 00:25:22,284 To see you grow from that little teenaged boy 497 00:25:22,308 --> 00:25:24,787 selling dime bags on the corner 498 00:25:24,811 --> 00:25:27,361 to the powerful man you've become... 499 00:25:28,481 --> 00:25:31,149 I like to think I had a little something to do with that. 500 00:25:31,151 --> 00:25:32,783 (LAUGHS) 501 00:25:33,153 --> 00:25:34,834 You rounded off some corners. 502 00:25:34,836 --> 00:25:37,299 (LAUGHS) 503 00:25:37,323 --> 00:25:39,832 We had a good run, Marcel. 504 00:25:40,551 --> 00:25:42,210 Been through a lot together. 505 00:25:42,212 --> 00:25:44,712 I suspect this, uh, stroll down Memory Lane 506 00:25:44,714 --> 00:25:48,035 is leading to a point. 507 00:25:48,382 --> 00:25:50,509 Teresa Mendoza... 508 00:25:51,671 --> 00:25:53,720 she's becoming a problem. 509 00:25:55,001 --> 00:25:58,176 Her people have bought nothing but chaos and bloodshed. 510 00:25:58,178 --> 00:26:02,324 And a very sizeable source of revenue. 511 00:26:02,348 --> 00:26:05,816 True, at a cost. 512 00:26:06,519 --> 00:26:08,055 But who am I telling? 513 00:26:08,079 --> 00:26:10,070 You know that more than anyone 514 00:26:10,414 --> 00:26:12,240 after Bobby's murder. 515 00:26:15,219 --> 00:26:17,253 - We buried that hatchet. - LAFAYETTE: Mm. 516 00:26:18,222 --> 00:26:20,233 Well, I want you to unbury it. 517 00:26:20,257 --> 00:26:22,583 All due respect, Judge, 518 00:26:22,585 --> 00:26:25,695 I think that may be a bit short-sighted. 519 00:26:25,697 --> 00:26:27,240 Mm. 520 00:26:27,264 --> 00:26:29,298 Mendoza has enemies. 521 00:26:29,767 --> 00:26:33,320 You protect her, those enemies become yours. 522 00:26:35,606 --> 00:26:37,098 You mean you. 523 00:26:40,995 --> 00:26:42,596 I-I didn't think this would be 524 00:26:42,620 --> 00:26:44,998 such a challenge for you, Marcel. 525 00:26:46,501 --> 00:26:51,431 After all, you people have a history of killing each other. 526 00:26:51,455 --> 00:26:54,457 (DARK MUSIC) 527 00:26:54,819 --> 00:26:57,159 When that levee breaks, 528 00:26:58,405 --> 00:27:01,122 I need to know I can count on you. 529 00:27:01,124 --> 00:27:03,601 ♪ 530 00:27:03,625 --> 00:27:04,768 Yeah. 531 00:27:04,770 --> 00:27:09,472 ♪ 532 00:27:23,262 --> 00:27:24,877 (WHISPERING IN SPANISH) _ 533 00:27:24,879 --> 00:27:26,495 Patrona, Boaz isn't picking up. 534 00:27:26,519 --> 00:27:28,577 Pilot says he's ready. 535 00:27:28,601 --> 00:27:30,579 We shouldn't stay here any longer, Teresita. 536 00:27:30,603 --> 00:27:33,166 Chewy's right. We should call back to NOLA, 537 00:27:33,168 --> 00:27:36,084 regroup, come back with an army, and finish this. 538 00:27:36,108 --> 00:27:37,574 We could take Nacho with us. 539 00:27:39,779 --> 00:27:41,423 We're not leaving 540 00:27:41,447 --> 00:27:43,164 until we find Elias. 541 00:27:43,166 --> 00:27:45,392 (TIRES SQUEALING) 542 00:27:48,846 --> 00:27:50,564 JAVIER: (SPEAKING SPANISH) _ cabrón? 543 00:27:50,703 --> 00:27:52,324 _ 544 00:27:52,349 --> 00:27:53,602 I barely made it out. 545 00:27:53,626 --> 00:27:55,092 The others? 546 00:27:55,686 --> 00:27:57,678 They weren't so lucky. 547 00:27:57,680 --> 00:28:00,681 (DARK MUSIC) 548 00:28:00,683 --> 00:28:05,353 ♪ 549 00:28:05,748 --> 00:28:08,407 _ 550 00:28:08,749 --> 00:28:13,861 ♪ 551 00:28:18,310 --> 00:28:21,180 Tell us where Elias is, 552 00:28:21,545 --> 00:28:24,205 or they will make you talk the Sinaloa way. 553 00:28:24,207 --> 00:28:29,186 ♪ 554 00:28:29,211 --> 00:28:32,190 (HEAVY MODERN MUSIC PLAYING) 555 00:28:32,215 --> 00:28:35,194 (TENSE MUSIC) 556 00:28:35,219 --> 00:28:37,270 ♪ 557 00:28:37,295 --> 00:28:38,335 Do it. 558 00:28:38,360 --> 00:28:43,472 ♪ 559 00:28:45,894 --> 00:28:46,894 (LINE TRILLING) 560 00:28:46,896 --> 00:28:49,658 (CELL PHONE BUZZES) 561 00:28:49,682 --> 00:28:50,814 Nacho. 562 00:28:50,834 --> 00:28:52,024 _ 563 00:28:52,409 --> 00:28:54,329 NACHO: They tried to grab me, but I got away. 564 00:28:54,353 --> 00:28:55,520 I got one of them in my trunk. 565 00:28:55,522 --> 00:28:56,571 Whoa, whoa, whoa. Slow down. 566 00:28:56,573 --> 00:28:57,631 What did you say? 567 00:28:57,656 --> 00:28:59,512 _ 568 00:28:59,548 --> 00:29:00,575 NACHO: He's... he's in my trunk. 569 00:29:00,577 --> 00:29:01,742 He's alive? 570 00:29:01,788 --> 00:29:03,337 _ 571 00:29:03,362 --> 00:29:04,492 He's talking. 572 00:29:04,492 --> 00:29:06,159 ELIAS: What did he say? 573 00:29:06,161 --> 00:29:07,494 He said that they're hiding out 574 00:29:07,496 --> 00:29:10,073 in the old factory off the interstate. 575 00:29:10,097 --> 00:29:11,809 ♪ 576 00:29:11,833 --> 00:29:12,920 How many? 577 00:29:12,922 --> 00:29:14,585 NACHO: Five, including her. 578 00:29:14,587 --> 00:29:16,529 ♪ 579 00:29:16,553 --> 00:29:17,863 I'm sending Indio. 580 00:29:17,865 --> 00:29:19,555 Get your ass to the house. 581 00:29:19,557 --> 00:29:21,341 Bring him to me. 582 00:29:21,343 --> 00:29:23,677 (SCOFFS) I'm on my way. 583 00:29:23,679 --> 00:29:28,707 ♪ 584 00:29:30,626 --> 00:29:32,693 They're at the factory off the interstate. 585 00:29:34,239 --> 00:29:35,522 Take everyone. 586 00:29:35,524 --> 00:29:38,358 I want that puta and her people dead. 587 00:29:38,360 --> 00:29:39,728 Dead! 588 00:29:39,752 --> 00:29:41,586 (DRAMATIC MUSIC) 589 00:29:45,813 --> 00:29:50,926 (SUSPENS♪ UL MUSIC) 590 00:29:52,964 --> 00:29:54,391 (LINE TRILLING) 591 00:29:54,415 --> 00:29:56,885 TERESA: Elias' men are on their way. 592 00:29:56,909 --> 00:29:58,018 We'll be ready. 593 00:29:58,020 --> 00:29:59,387 ♪ 594 00:29:59,411 --> 00:30:01,522 - They're coming. - Well, we'll be ready for them. 595 00:30:01,546 --> 00:30:03,058 Let's give them hell. 596 00:30:03,082 --> 00:30:04,665 (COCKS GUN) 597 00:30:05,418 --> 00:30:08,419 (DANCE MUSIC PLAYING) 598 00:30:08,421 --> 00:30:12,874 ♪ 599 00:30:12,876 --> 00:30:14,926 (KEYPAD BEEPING) 600 00:30:14,928 --> 00:30:16,878 ♪ 601 00:30:17,076 --> 00:30:18,356 _ 602 00:30:18,381 --> 00:30:23,051 ♪ 603 00:30:24,111 --> 00:30:27,591 (DRAMATIC MUSIC) 604 00:30:27,615 --> 00:30:29,558 - Go! - BOAZ: Go, go! 605 00:30:29,560 --> 00:30:32,095 (GUNFIRE) 606 00:30:32,119 --> 00:30:34,112 (DRAMATIC MUSIC) 607 00:30:34,114 --> 00:30:38,567 ♪ 608 00:30:39,293 --> 00:30:40,451 (GROANS) 609 00:30:40,453 --> 00:30:45,265 ♪ 610 00:30:48,504 --> 00:30:49,585 Whew. 611 00:30:49,887 --> 00:30:50,946 _ 612 00:30:50,971 --> 00:30:52,449 (LAUGHS) _ 613 00:30:52,473 --> 00:30:53,631 (SPEAKS SPANISH) 614 00:30:53,633 --> 00:30:55,417 ♪ 615 00:30:55,419 --> 00:30:57,135 (SILENCED GUNSHOTS) 616 00:30:57,137 --> 00:31:02,148 ♪ 617 00:31:03,185 --> 00:31:04,349 _ 618 00:31:04,869 --> 00:31:09,480 ♪ 619 00:31:13,544 --> 00:31:14,971 (SILENCED GUNSHOT) 620 00:31:14,995 --> 00:31:19,966 ♪ 621 00:31:20,468 --> 00:31:23,494 (MEN YELLING) 622 00:31:23,496 --> 00:31:28,508 ♪ 623 00:31:33,672 --> 00:31:35,624 GEORGE: Vamos. 624 00:31:35,626 --> 00:31:39,127 (MEN YELLING) 625 00:31:43,023 --> 00:31:48,136 ♪ 626 00:31:55,527 --> 00:31:57,456 Adios, amigos. 627 00:31:57,480 --> 00:31:59,015 (EXPLOSION) 628 00:31:59,039 --> 00:32:02,343 ♪ 629 00:32:02,367 --> 00:32:05,211 (CAR ALARMS BLARING) 630 00:32:06,514 --> 00:32:08,206 (LAUGHS) 631 00:32:08,208 --> 00:32:09,192 BOTH: Whoo! 632 00:32:09,216 --> 00:32:11,493 - GEORGE: Come on, now! - BOAZ: Let's go, come on. 633 00:32:12,270 --> 00:32:14,663 (CELL PHONE BUZZES) 634 00:32:14,665 --> 00:32:16,199 Speak. 635 00:32:16,223 --> 00:32:18,359 POTE: Your men are dead, cabrón. 636 00:32:18,383 --> 00:32:20,370 (LAUGHS) 637 00:32:20,394 --> 00:32:21,705 Hear me, pendejo. 638 00:32:21,729 --> 00:32:23,206 I'm gonna find you. 639 00:32:23,230 --> 00:32:25,056 You know what I'ma do? Mm? 640 00:32:25,058 --> 00:32:27,225 POTE: Turn around. 641 00:32:27,227 --> 00:32:30,228 (TENSE MUSIC) 642 00:32:30,230 --> 00:32:35,208 ♪ 643 00:32:36,235 --> 00:32:38,555 You killed my godson. 644 00:32:38,579 --> 00:32:40,689 ♪ 645 00:32:40,691 --> 00:32:42,550 You got it wrong. 646 00:32:42,574 --> 00:32:44,526 I didn't kill him. 647 00:32:44,528 --> 00:32:45,729 But you killed my uncle. 648 00:32:45,753 --> 00:32:47,078 ♪ 649 00:32:47,080 --> 00:32:48,398 I don't believe you. 650 00:32:48,422 --> 00:32:52,750 ♪ 651 00:32:55,146 --> 00:32:56,587 (LAUGHS) You're gonna kill me either way, right? 652 00:32:56,589 --> 00:32:58,371 ♪ 653 00:32:58,373 --> 00:32:59,840 So you know what? 654 00:33:01,268 --> 00:33:03,079 I didn't kill him... 655 00:33:03,103 --> 00:33:05,573 ♪ 656 00:33:05,597 --> 00:33:07,431 But now I wish I had. 657 00:33:08,051 --> 00:33:09,085 He would've suffered. 658 00:33:09,109 --> 00:33:10,351 It wouldn't be quick, either. 659 00:33:10,353 --> 00:33:12,255 (GUNSHOT) 660 00:33:12,279 --> 00:33:13,581 ♪ 661 00:33:13,605 --> 00:33:14,735 POTE: It's done. 662 00:33:14,759 --> 00:33:19,610 ♪ 663 00:33:22,289 --> 00:33:23,732 (DOORBELL RINGS) 664 00:33:25,793 --> 00:33:28,772 (GENTLE JAZZ MUSIC PLAYING) 665 00:33:28,796 --> 00:33:34,075 ♪ 666 00:33:37,471 --> 00:33:39,274 (LAUGHS) 667 00:33:39,298 --> 00:33:41,256 You starting early, I see. 668 00:33:41,585 --> 00:33:44,454 Boy, at my age, you never know how long you got. 669 00:33:44,478 --> 00:33:46,614 (LAUGHS) 670 00:33:46,638 --> 00:33:49,626 ♪ 671 00:33:49,650 --> 00:33:50,849 Good to see you, Marcel. 672 00:33:50,851 --> 00:33:52,143 Lucien. 673 00:33:52,145 --> 00:33:53,463 Thanks for seeing me. 674 00:33:53,487 --> 00:33:54,763 Have a seat. 675 00:33:54,765 --> 00:33:59,768 ♪ 676 00:33:59,770 --> 00:34:00,937 He takes it neat. 677 00:34:00,961 --> 00:34:02,320 ♪ 678 00:34:02,322 --> 00:34:03,473 That looks good. 679 00:34:03,497 --> 00:34:06,309 ♪ 680 00:34:06,333 --> 00:34:07,419 So I know you didn't come out here 681 00:34:07,443 --> 00:34:09,327 just to sample my fine whiskey. 682 00:34:09,329 --> 00:34:13,650 ♪ 683 00:34:13,674 --> 00:34:15,548 Judge paid me a visit. 684 00:34:15,572 --> 00:34:19,322 ♪ 685 00:34:19,346 --> 00:34:20,622 Who is it? 686 00:34:20,624 --> 00:34:24,675 ♪ 687 00:34:24,677 --> 00:34:26,404 It's Mendoza. 688 00:34:26,428 --> 00:34:28,498 ♪ 689 00:34:28,522 --> 00:34:29,631 What you gonna do? 690 00:34:30,305 --> 00:34:32,160 I'm weighing my options. 691 00:34:32,184 --> 00:34:33,850 Options? 692 00:34:35,472 --> 00:34:37,472 We've been living under the thumb of that man 693 00:34:37,474 --> 00:34:39,167 and his family 694 00:34:39,191 --> 00:34:40,343 for generations. 695 00:34:40,367 --> 00:34:41,476 There's a reason why. 696 00:34:41,478 --> 00:34:43,194 I know. 697 00:34:43,196 --> 00:34:45,840 This woman is a major player. 698 00:34:45,864 --> 00:34:46,876 I'm telling you... 699 00:34:46,878 --> 00:34:48,518 You ain't telling me nothing. 700 00:34:48,542 --> 00:34:52,654 ♪ 701 00:34:52,656 --> 00:34:54,955 You think you special all of a sudden? 702 00:34:55,541 --> 00:34:57,852 After all these years, you're just gonna topple the judge? 703 00:34:57,876 --> 00:35:01,128 I know I can't do it by myself, Lucien! 704 00:35:01,237 --> 00:35:03,213 Together, with her, 705 00:35:03,883 --> 00:35:05,716 we got a shot. 706 00:35:05,718 --> 00:35:08,169 ♪ 707 00:35:08,171 --> 00:35:10,554 I thought I taught you better than that, boy. 708 00:35:10,556 --> 00:35:12,375 You forgot what you are? 709 00:35:12,399 --> 00:35:16,001 Judge Lafayette and his kind always win. 710 00:35:16,003 --> 00:35:18,562 Shit, it's been like this since time immemorial. 711 00:35:18,564 --> 00:35:20,036 Ain't nothing ever gonna change, ever, 712 00:35:20,038 --> 00:35:21,902 so get that shit out of your head. 713 00:35:21,904 --> 00:35:26,463 ♪ 714 00:35:30,584 --> 00:35:34,389 Listen, son, I understand the desire. 715 00:35:34,413 --> 00:35:36,733 When I was in your shoes, I wanted to make a move. 716 00:35:36,757 --> 00:35:39,457 Shit, I could've burned this whole town down. 717 00:35:39,459 --> 00:35:41,396 ♪ 718 00:35:41,420 --> 00:35:42,780 But you know what saved me? 719 00:35:43,540 --> 00:35:46,340 I remembered where I was. 720 00:35:46,342 --> 00:35:48,970 ♪ 721 00:35:48,994 --> 00:35:50,428 You'd do well to do the same. 722 00:35:50,430 --> 00:35:55,251 ♪ 723 00:35:55,275 --> 00:35:56,493 Hello? 724 00:35:57,661 --> 00:36:00,604 (MELANCHOLY MUSIC) 725 00:36:00,606 --> 00:36:04,392 ♪ 726 00:36:04,783 --> 00:36:06,151 _ 727 00:36:06,504 --> 00:36:10,114 ♪ 728 00:36:10,116 --> 00:36:11,740 Emilia's not here, 729 00:36:12,626 --> 00:36:14,262 but I know where to find her. 730 00:36:14,286 --> 00:36:19,290 ♪ 731 00:36:30,945 --> 00:36:32,427 It's done. 732 00:36:32,923 --> 00:36:34,589 Got your vengeance. 733 00:36:34,591 --> 00:36:36,765 Tony can rest in peace. 734 00:36:37,643 --> 00:36:39,643 Not yet. 735 00:36:39,645 --> 00:36:42,062 Elias didn't kill Tony. 736 00:36:43,323 --> 00:36:44,545 What are you talking about? 737 00:36:44,547 --> 00:36:46,733 I looked into his eyes. 738 00:36:47,661 --> 00:36:48,986 He was telling the truth. 739 00:36:48,988 --> 00:36:51,940 ♪ 740 00:36:51,942 --> 00:36:53,775 Well, if not Elias, then who? 741 00:36:53,777 --> 00:36:55,659 ♪ 742 00:36:55,661 --> 00:36:57,202 I don't know. 743 00:36:57,671 --> 00:36:59,496 But I'm gonna find out. 744 00:37:00,832 --> 00:37:02,541 Speaking of vengeance, 745 00:37:03,581 --> 00:37:07,274 I never got to ask you about Birdie. 746 00:37:07,363 --> 00:37:09,650 ♪ 747 00:37:09,674 --> 00:37:11,967 I don't need details. 748 00:37:12,795 --> 00:37:15,656 I just need to know that she was properly avenged. 749 00:37:15,680 --> 00:37:18,493 (DOOR OPENS) 750 00:37:18,517 --> 00:37:21,469 (FOOTSTEPS APPROACHING) 751 00:37:21,471 --> 00:37:23,840 ♪ 752 00:37:23,864 --> 00:37:25,856 They're all here. 753 00:37:25,858 --> 00:37:30,870 ♪ 754 00:37:32,539 --> 00:37:34,145 Thank you all for coming. 755 00:37:34,169 --> 00:37:36,534 ♪ 756 00:37:36,536 --> 00:37:38,702 As you know, Elias is dead. 757 00:37:39,257 --> 00:37:40,924 Anyone who bought from him 758 00:37:40,949 --> 00:37:42,449 can now buy from me. 759 00:37:42,542 --> 00:37:44,970 There are plenty of suppliers in Miami. 760 00:37:44,994 --> 00:37:46,369 Why should we buy from you? 761 00:37:46,393 --> 00:37:50,046 El Gordo stepped on the product he sold you. 762 00:37:50,500 --> 00:37:52,036 His profits went up, 763 00:37:52,038 --> 00:37:54,051 but the quality went down. 764 00:37:54,470 --> 00:37:56,053 Now that he's gone, 765 00:37:56,055 --> 00:37:58,006 no more middleman. 766 00:37:58,008 --> 00:38:01,258 If you buy from me, you'll get pure cocaine 767 00:38:01,260 --> 00:38:04,227 at wholesale prices. Everyone wins. 768 00:38:05,063 --> 00:38:07,542 Generous deal. What's the catch? 769 00:38:07,566 --> 00:38:09,274 No catch, 770 00:38:09,686 --> 00:38:11,721 but if you walk away, 771 00:38:11,745 --> 00:38:14,557 you will not be a customer. 772 00:38:14,581 --> 00:38:16,893 You will be a competitor. 773 00:38:16,917 --> 00:38:18,561 (SYNTH MUSIC) 774 00:38:18,585 --> 00:38:21,389 You hold up your end, we'll hold up ours. 775 00:38:21,413 --> 00:38:24,133 ♪ 776 00:38:24,135 --> 00:38:26,069 I look forward to working with you all. 777 00:38:26,093 --> 00:38:31,372 ♪ 778 00:38:32,099 --> 00:38:33,374 JAVIER: Patrona. 779 00:38:33,376 --> 00:38:34,934 ♪ 780 00:38:35,408 --> 00:38:37,010 _ 781 00:38:37,429 --> 00:38:40,408 (TENSE CRESCENDO MUSIC) 782 00:38:40,432 --> 00:38:43,753 ♪ 783 00:38:43,777 --> 00:38:45,720 Would you like a job? 784 00:38:48,927 --> 00:38:50,428 You start tomorrow. 785 00:38:50,834 --> 00:38:52,001 Gracias. 786 00:38:54,505 --> 00:38:57,030 How do you feel about Miami? 787 00:38:57,400 --> 00:39:01,452 Weather, women... what's not to like? 788 00:39:01,454 --> 00:39:02,772 Good. 789 00:39:02,796 --> 00:39:04,739 I'd like you to run it. 790 00:39:06,850 --> 00:39:08,720 You won't regret it, jefa. 791 00:39:08,744 --> 00:39:11,746 (DANCE MUSIC) 792 00:39:11,748 --> 00:39:16,800 ♪ 793 00:39:31,992 --> 00:39:33,935 POTE: Are you sure you want to give Boaz 794 00:39:33,937 --> 00:39:35,514 the keys to all this? 795 00:39:35,538 --> 00:39:37,480 TERESA: People don't know us here. 796 00:39:37,482 --> 00:39:39,642 If anyone steps out of line, 797 00:39:39,666 --> 00:39:40,903 he'll send the right message. 798 00:39:40,927 --> 00:39:41,943 ♪ 799 00:39:41,945 --> 00:39:43,471 You trust him now? 800 00:39:43,495 --> 00:39:46,474 No, but here, we can keep an eye on him, 801 00:39:46,498 --> 00:39:48,332 and send someone else to Sinaloa. 802 00:39:48,334 --> 00:39:50,645 ♪ 803 00:39:50,669 --> 00:39:53,003 (CELL PHONE BUZZES) 804 00:39:53,838 --> 00:39:54,824 Marcel. 805 00:39:54,848 --> 00:39:57,090 Judge came by my... 806 00:39:57,851 --> 00:39:59,509 my office today. 807 00:40:00,011 --> 00:40:01,998 He's making a move against you. 808 00:40:02,022 --> 00:40:04,764 I just paid him $30 million. 809 00:40:05,192 --> 00:40:07,170 Why would he make a move against me? 810 00:40:07,194 --> 00:40:08,803 DUMAS: I don't know, but listen. 811 00:40:08,805 --> 00:40:11,188 Teresa, he wants you dead. 812 00:40:11,190 --> 00:40:13,635 Okay? In the ground. 813 00:40:13,659 --> 00:40:15,693 (OMINOUS MUSIC) 814 00:40:15,695 --> 00:40:17,004 I just want you to know. 815 00:40:17,028 --> 00:40:18,681 ♪ 816 00:40:18,705 --> 00:40:20,148 I'm all in. 817 00:40:20,150 --> 00:40:21,126 ♪ 818 00:40:21,150 --> 00:40:22,510 Thank you. 819 00:40:22,534 --> 00:40:25,521 Yeah. You get back safe. 820 00:40:25,545 --> 00:40:26,870 I'll be here. 821 00:40:26,872 --> 00:40:31,768 ♪ 822 00:40:33,604 --> 00:40:35,212 Lafayette killed Tony. 823 00:40:35,214 --> 00:40:39,527 ♪ 824 00:40:39,551 --> 00:40:40,726 Puta madre. 825 00:40:40,728 --> 00:40:43,171 ♪ 826 00:40:43,173 --> 00:40:46,431 We pay him a lot of money. Why would he do that? 827 00:40:47,010 --> 00:40:48,683 It must be personal. 828 00:40:49,069 --> 00:40:50,727 He's coming for us. 829 00:40:52,564 --> 00:40:53,897 How you want to handle this? 830 00:40:53,899 --> 00:40:55,850 He owns New Orleans, Teresita. 831 00:40:55,852 --> 00:40:58,019 If we kill him, they'll come after us 832 00:40:58,021 --> 00:40:59,403 with everything. 833 00:40:59,405 --> 00:41:00,855 Police, locals. 834 00:41:02,322 --> 00:41:04,616 We cannot come back from that. 835 00:41:05,260 --> 00:41:06,868 I know. 836 00:41:07,864 --> 00:41:11,532 Orale, then. Pues we burn it all. 837 00:41:11,534 --> 00:41:15,203 ♪ 838 00:41:15,762 --> 00:41:17,254 This is my town. 839 00:41:17,256 --> 00:41:22,543 ♪ 840 00:41:41,422 --> 00:41:42,446 (PROJECTOR CLICKING) 841 00:41:42,448 --> 00:41:45,449 (KEYS CLACKING, BELL DINGS) 842 00:41:45,451 --> 00:41:47,460 (HIGH CLEAR MUSIC) 52541

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